This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
| trigram | frequency |
|---|---|
| the blue bird | 56 |
| out of the | 37 |
| the great ancestor | 30 |
| one of the | 28 |
| on the right | 22 |
| the name of | 22 |
| it is the | 20 |
| of them all | 20 |
| i want to | 19 |
| smallest of them | 19 |
| the smallest of | 19 |
| the land of | 18 |
| what are you | 18 |
| for a moment | 18 |
| the end of | 18 |
| at the door | 18 |
| what do you | 18 |
| the tune of | 18 |
| of the fairy | 17 |
| and in the | 16 |
| the joy of | 16 |
| tyltyl and mytyl | 16 |
| to the fairy | 16 |
| the happiness of | 16 |
| this is the | 15 |
| we shall see | 15 |
| the matter with | 15 |
| a sort of | 15 |
| the lonely of | 15 |
| lonely of heart | 15 |
| palamon and arcite | 15 |
| thomas of erceldoune | 15 |
| in front of | 14 |
| my little god | 14 |
| there is no | 14 |
| do you see | 14 |
| tyltyl but i | 14 |
| of the fairies | 14 |
| on the left | 14 |
| what is it | 14 |
| end of the | 14 |
| here is the | 14 |
| the first child | 13 |
| the luxury of | 13 |
| they are not | 13 |
| at the back | 13 |
| i shall be | 13 |
| the soul of | 13 |
| we have to | 13 |
| the great mendicant | 13 |
| gets old and | 12 |
| where nobody gets | 12 |
| in the foreground | 12 |
| the great peasant | 12 |
| of the hall | 12 |
| to the tune | 12 |
| turn the diamond | 12 |
| hide it away | 12 |
| and i will | 12 |
| nobody gets old | 12 |
| going to the | 12 |
| the shape of | 12 |
| the little girl | 12 |
| i do not | 12 |
| the six girls | 11 |
| i will go | 11 |
| in the forest | 11 |
| one of them | 11 |
| and all the | 11 |
| how robin good | 11 |
| not at all | 11 |
| by the hand | 11 |
| what have you | 11 |
| of the children | 10 |
| those who are | 10 |
| in the shape | 10 |
| there is a | 10 |
| there is nothing | 10 |
| at the same | 10 |
| one of those | 10 |
| the wind blows | 10 |
| here they are | 10 |
| how do you | 10 |
| up and down | 10 |
| i have a | 10 |
| in the leaves | 10 |
| it would be | 10 |
| there was a | 10 |
| in the world | 10 |
| tyltyl and the | 10 |
| a lot of | 10 |
| before the curtain | 10 |
| you see the | 10 |
| do not know | 10 |
| it is not | 10 |
| in order to | 9 |
| i love you | 9 |
| they are the | 9 |
| up to the | 9 |
| as well as | 9 |
| back of the | 9 |
| in the night | 9 |
| more and more | 9 |
| a knock at | 9 |
| of pyramus and | 9 |
| five little ones | 9 |
| the fairy why | 9 |
| all the time | 9 |
| should never have | 9 |
| a murmuring in | 9 |
| looking at the | 9 |
| want to go | 9 |
| knock at the | 9 |
| huon of bordeaux | 9 |
| many of them | 9 |
| do you hear | 9 |
| do you do | 9 |
| king and queen | 9 |
| to the right | 9 |
| going up to | 9 |
| it will be | 9 |
| murmuring in the | 9 |
| you shall see | 9 |
| i am the | 9 |
| i tell you | 9 |
| the back of | 9 |
| do you know | 9 |
| be able to | 9 |
| it may be | 9 |
| of the play | 9 |
| who are you | 9 |
| you will see | 9 |
| as they are | 9 |
| to see the | 9 |
| the five little | 9 |
| when i am | 8 |
| the white phantom | 8 |
| are going to | 8 |
| the little ones | 8 |
| the two children | 8 |
| in this manner | 8 |
| we shall have | 8 |
| back to the | 8 |
| they do not | 8 |
| the foot of | 8 |
| nothing at all | 8 |
| in the name | 8 |
| and i the | 8 |
| the child no | 8 |
| we have no | 8 |
| the souls of | 8 |
| then would he | 8 |
| do you remember | 8 |
| at the foot | 8 |
| heart is withered | 8 |
| i should never | 8 |
| to the door | 8 |
| i have never | 8 |
| and it is | 8 |
| we shall be | 8 |
| the good people | 8 |
| to the dog | 8 |
| i will not | 8 |
| and we shall | 8 |
| in the middle | 8 |
| i shall stay | 8 |
| pyramus and thisbe | 8 |
| in the air | 8 |
| discovery of witchcraft | 8 |
| the top of | 8 |
| the same time | 8 |
| of robin good | 8 |
| in love with | 8 |
| of the stage | 8 |
| of the day | 8 |
| here i am | 8 |
| we have seen | 8 |
| do you think | 8 |
| is to say | 8 |
| turn the sapphire | 8 |
| what is that | 8 |
| of heart is | 8 |
| all of you | 8 |
| of the dawn | 8 |
| is withered away | 8 |
| of the two | 7 |
| the legend of | 7 |
| the fairy queen | 7 |
| we do not | 7 |
| the names of | 7 |
| the same thing | 7 |
| waiting for you | 7 |
| all the same | 7 |
| and they are | 7 |
| of the earth | 7 |
| to be born | 7 |
| where is he | 7 |
| you love me | 7 |
| and for the | 7 |
| the curtain representing | 7 |
| front of the | 7 |
| milk and fire | 7 |
| you are not | 7 |
| men and women | 7 |
| out of his | 7 |
| to the window | 7 |
| in her arms | 7 |
| and the cat | 7 |
| another little one | 7 |
| here are the | 7 |
| is that the | 7 |
| what is the | 7 |
| i shall always | 7 |
| that he should | 7 |
| of palamon and | 7 |
| for the blue | 7 |
| would you like | 7 |
| you see that | 7 |
| and through the | 7 |
| and i am | 7 |
| to see you | 7 |
| the dog and | 7 |
| the romance of | 7 |
| the one that | 7 |
| where are they | 7 |
| pointing to the | 7 |
| the story of | 7 |
| shall have to | 7 |
| on the contrary | 7 |
| to the great | 7 |
| i am not | 7 |
| you will be | 7 |
| as soon as | 7 |
| some of them | 7 |
| so that the | 7 |
| of the future | 7 |
| that you are | 7 |
| they are very | 7 |
| that i have | 7 |
| the king of | 7 |
| this is a | 7 |
| out of this | 7 |
| like to see | 7 |
| there are no | 7 |
| it is a | 7 |
| the knightes tale | 7 |
| the door is | 7 |
| the gates of | 7 |
| land of memory | 7 |
| what is he | 7 |
| in the same | 7 |
| all go out | 7 |
| the second child | 7 |
| that is to | 7 |
| shape of a | 7 |
| come with me | 7 |
| as much as | 7 |
| are you doing | 7 |
| at the end | 7 |
| part of the | 7 |
| the old man | 7 |
| and i shall | 7 |
| that we are | 7 |
| tune of the | 6 |
| from the back | 6 |
| you know me | 6 |
| a moment and | 6 |
| know how to | 6 |
| do you say | 6 |
| to make a | 6 |
| the temple of | 6 |
| queen of the | 6 |
| and bitter of | 6 |
| should like to | 6 |
| appears to have | 6 |
| but it is | 6 |
| to see them | 6 |
| that she is | 6 |
| on every side | 6 |
| am i to | 6 |
| the child what | 6 |
| blue bird is | 6 |
| they all go | 6 |
| seem to be | 6 |
| but there is | 6 |
| to the house | 6 |
| and the little | 6 |
| in the play | 6 |
| i should like | 6 |
| old and bitter | 6 |
| opens the door | 6 |
| and to the | 6 |
| how are you | 6 |
| do not see | 6 |
| what i have | 6 |
| not a bit | 6 |
| the daughter of | 6 |
| that he could | 6 |
| tyltyl what is | 6 |
| the sight of | 6 |
| what are they | 6 |
| are in the | 6 |
| is the way | 6 |
| of one of | 6 |
| in a ring | 6 |
| went to the | 6 |
| i shall have | 6 |
| light it is | 6 |
| the midst of | 6 |
| foot of the | 6 |
| the kingdom of | 6 |
| run on the | 6 |
| i can see | 6 |
| but i am | 6 |
| but they are | 6 |
| enter from the | 6 |
| the door and | 6 |
| abode of the | 6 |
| in any case | 6 |
| between the columns | 6 |
| let us go | 6 |
| it is time | 6 |
| that he was | 6 |
| in this book | 6 |
| i shall never | 6 |
| kiss each other | 6 |
| the face of | 6 |
| hold your tongue | 6 |
| to be a | 6 |
| have the blue | 6 |
| i have not | 6 |
| what has happened | 6 |
| all that is | 6 |
| open the door | 6 |
| bitter of tongue | 6 |
| you know that | 6 |
| that will do | 6 |
| through the door | 6 |
| upon the mountains | 6 |
| of the story | 6 |
| a tongue that | 6 |
| in a hurry | 6 |
| of a wood | 6 |
| the child they | 6 |
| black and blue | 6 |
| the child i | 6 |
| that the blue | 6 |
| matter with them | 6 |
| all of us | 6 |
| and dance upon | 6 |
| the first time | 6 |
| do you love | 6 |
| do you mean | 6 |
| of his own | 6 |
| of the four | 6 |
| dance upon the | 6 |
| the fairy no | 6 |
| i can hear | 6 |
| that we have | 6 |
| the palace of | 6 |
| when i was | 6 |
| where is she | 6 |
| the beginning of | 6 |
| is nothing to | 6 |
| so am i | 6 |
| here we are | 6 |
| on the morrow | 6 |
| the abode of | 6 |
| tongue that is | 6 |
| beg your pardon | 5 |
| to be done | 5 |
| they are dead | 5 |
| is the happiness | 5 |
| if you like | 5 |
| i have seen | 5 |
| the fairy and | 5 |
| tyltyl what do | 5 |
| of the house | 5 |
| of the world | 5 |
| shall always be | 5 |
| look at the | 5 |
| we are not | 5 |
| in act i | 5 |
| have you been | 5 |
| the blue children | 5 |
| of the cupboard | 5 |
| you think of | 5 |
| back into the | 5 |
| but he was | 5 |
| ogier the dane | 5 |
| goes to the | 5 |
| and on the | 5 |
| like to dance | 5 |
| i hear them | 5 |
| you like to | 5 |
| are about to | 5 |
| little one go | 5 |
| wind blows out | 5 |
| turned himself into | 5 |
| the fairy yes | 5 |
| you are the | 5 |
| you at once | 5 |
| little blue child | 5 |
| to have been | 5 |
| may be seen | 5 |
| tricks of the | 5 |
| now that we | 5 |
| the birth of | 5 |
| joy of understanding | 5 |
| the milky way | 5 |
| when we are | 5 |
| in the morning | 5 |
| by the name | 5 |
| wind blows over | 5 |
| over the lonely | 5 |
| and i have | 5 |
| one go away | 5 |
| when you see | 5 |
| to be afraid | 5 |
| clapping her hands | 5 |
| tyltyl where are | 5 |
| who is that | 5 |
| that he had | 5 |
| the fairy but | 5 |
| have never seen | 5 |
| would like to | 5 |
| to the fire | 5 |
| the great joys | 5 |
| have you the | 5 |
| happiness of the | 5 |
| into the house | 5 |
| but you are | 5 |
| the fact that | 5 |
| he is the | 5 |
| the colour of | 5 |
| matter with you | 5 |
| i beg your | 5 |
| the youngest child | 5 |
| it must be | 5 |
| that is why | 5 |
| the power of | 5 |
| close to the | 5 |
| nothing to be | 5 |
| gates of the | 5 |
| is a little | 5 |
| that he is | 5 |
| must have been | 5 |
| who are they | 5 |
| right and left | 5 |
| but you have | 5 |
| may have been | 5 |
| go with me | 5 |
| out of their | 5 |
| and the six | 5 |
| tyl of course | 5 |
| gaffer tyl yes | 5 |
| that i will | 5 |
| souls of the | 5 |
| you have come | 5 |
| the last time | 5 |
| the rich ancestor | 5 |
| it is to | 5 |
| are to be | 5 |
| no time to | 5 |
| the cat and | 5 |
| want to know | 5 |
| to the end | 5 |
| i told you | 5 |
| give you a | 5 |
| that they will | 5 |
| kisses and caresses | 5 |
| am going to | 5 |
| out on the | 5 |
| the queen of | 5 |
| according to the | 5 |
| i have to | 5 |
| and out of | 5 |
| kingdom of the | 5 |
| do not blame | 5 |
| these are the | 5 |
| we must be | 5 |
| will not be | 5 |
| there are many | 5 |
| put on my | 5 |
| curtain representing the | 5 |
| them with a | 5 |
| the song of | 5 |
| and the lonely | 5 |
| to ask you | 5 |
| and the dog | 5 |
| grandad and granny | 5 |
| tyltyl turns the | 5 |
| i would rather | 5 |
| have no time | 5 |
| that would be | 5 |
| in her hand | 5 |
| that they were | 5 |
| children who are | 5 |
| he has put | 5 |
| on the floor | 5 |
| be afraid of | 5 |
| look at her | 5 |
| that is the | 5 |
| top of the | 5 |
| of the wood | 5 |
| have nothing to | 5 |
| song of the | 5 |
| pretty they are | 5 |
| tyltyl who is | 5 |
| to and fro | 5 |
| i will sing | 5 |
| and all her | 5 |
| the tricks of | 5 |
| bread and sugar | 5 |
| to the others | 5 |
| blows over the | 5 |
| pyramus and thisby | 5 |
| but i also | 5 |
| they will not | 5 |
| you can see | 5 |
| granny tyl yes | 5 |
| of the gates | 5 |
| those who have | 5 |
| i also love | 5 |
| brothers and sisters | 5 |
| the way to | 5 |
| of the night | 5 |
| how beautiful it | 5 |
| for a year | 5 |
| you know her | 5 |
| to do with | 5 |
| morgan le fay | 5 |
| always the same | 5 |
| of the palace | 5 |
| for i have | 5 |
| blows out of | 5 |
| it to the | 5 |
| all the trees | 5 |
| that i shall | 5 |
| of the curtain | 5 |
| nothing to do | 5 |
| the middle of | 5 |
| as in the | 5 |
| years of age | 5 |
| because it is | 5 |
| on the house | 5 |
| you will have | 5 |
| for i would | 5 |
| the veiled girl | 5 |
| come to me | 5 |
| in the house | 5 |
| in the midst | 5 |
| i am going | 5 |
| the fairy come | 5 |
| by the door | 5 |
| what a lot | 5 |
| the hearts of | 4 |
| of theseus and | 4 |
| it was a | 4 |
| of the oak | 4 |
| down to the | 4 |
| and even the | 4 |
| your heart is | 4 |
| more than once | 4 |
| turns the sapphire | 4 |
| into the hall | 4 |
| and the two | 4 |
| more than one | 4 |
| the cavern and | 4 |
| on the top | 4 |
| i am to | 4 |
| himself into a | 4 |
| i tire of | 4 |
| door on the | 4 |
| more do i | 4 |
| to tell you | 4 |
| nothing to say | 4 |
| since you have | 4 |
| until the end | 4 |
| an old man | 4 |
| columns in the | 4 |
| out of a | 4 |
| luck into the | 4 |
| go out on | 4 |
| and look at | 4 |
| the four lovers | 4 |
| i have heard | 4 |
| but you love | 4 |
| hippolyta and emilia | 4 |
| of the king | 4 |
| has laughed and | 4 |
| to go home | 4 |
| tyltyl is it | 4 |
| see you again | 4 |
| i have told | 4 |
| with the melons | 4 |
| i choose this | 4 |
| at once and | 4 |
| they have seen | 4 |
| and carries it | 4 |
| the children and | 4 |
| i will take | 4 |
| and from the | 4 |
| the table and | 4 |
| in his arms | 4 |
| on the other | 4 |
| the right to | 4 |
| the wise are | 4 |
| we are waiting | 4 |
| of huon of | 4 |
| are at the | 4 |
| in the old | 4 |
| there would be | 4 |
| and in a | 4 |
| that you were | 4 |
| is not a | 4 |
| on the ground | 4 |
| and that he | 4 |
| are too many | 4 |
| where is the | 4 |
| middle of the | 4 |
| mad merry pranks | 4 |
| while the faeries | 4 |
| each other by | 4 |
| beginning of the | 4 |
| great mendicant and | 4 |
| i pray thee | 4 |
| and who is | 4 |
| i see the | 4 |
| reprinted in this | 4 |
| will go with | 4 |
| there are too | 4 |
| names of the | 4 |
| i will roar | 4 |
| at the sight | 4 |
| mountains like a | 4 |
| never have believed | 4 |
| a ring on | 4 |
| wise are merry | 4 |
| to the two | 4 |
| his hand to | 4 |
| go out this | 4 |
| we have only | 4 |
| tossing their milk | 4 |
| of the first | 4 |
| what we have | 4 |
| they go out | 4 |
| she must be | 4 |
| a crowd of | 4 |
| child with the | 4 |
| on your head | 4 |
| of which the | 4 |
| to be the | 4 |
| take me out | 4 |
| the depths of | 4 |
| time and change | 4 |
| if i had | 4 |
| the old are | 4 |
| the door on | 4 |
| one with the | 4 |
| and there are | 4 |
| in all the | 4 |
| plot of the | 4 |
| heart is old | 4 |
| tyltyl of course | 4 |
| not one of | 4 |
| of a midsummer | 4 |
| the cat i | 4 |
| wait a bit | 4 |
| in the meantime | 4 |
| of the little | 4 |
| tyltyl do you | 4 |
| the fifteenth century | 4 |
| faeries dance in | 4 |
| the mountains like | 4 |
| but i heard | 4 |
| is the matter | 4 |
| what do they | 4 |
| it had been | 4 |
| underneath that greenwood | 4 |
| i am too | 4 |
| the dishevelled tide | 4 |
| because your heart | 4 |
| child what is | 4 |
| and the others | 4 |
| fate and time | 4 |
| to the left | 4 |
| are you coming | 4 |
| i have been | 4 |
| the wind has | 4 |
| of the knightes | 4 |
| and the great | 4 |
| for fear of | 4 |
| where even the | 4 |
| all kinds of | 4 |
| who is the | 4 |
| appears to be | 4 |
| as you are | 4 |
| turns the diamond | 4 |
| we will meet | 4 |
| of the blue | 4 |
| a company of | 4 |
| land where even | 4 |
| the child of | 4 |
| the doors of | 4 |
| do not be | 4 |
| out his hand | 4 |
| i am a | 4 |
| we have a | 4 |
| to do is | 4 |
| the columns in | 4 |
| in your heart | 4 |
| all those who | 4 |
| old are you | 4 |
| crafty and wise | 4 |
| i must kiss | 4 |
| one or two | 4 |
| you come to | 4 |
| a great deal | 4 |
| let me be | 4 |
| he went to | 4 |
| the little blue | 4 |
| even the wise | 4 |
| time of the | 4 |
| two noble kinsmen | 4 |
| they are coming | 4 |
| how good it | 4 |
| him in his | 4 |
| it for a | 4 |
| mytyl and the | 4 |
| him to be | 4 |
| and crafty and | 4 |
| in the distance | 4 |
| how lovely they | 4 |
| as to the | 4 |
| closes the door | 4 |
| is the great | 4 |
| white arms in | 4 |
| king of the | 4 |
| to open the | 4 |
| the fairy you | 4 |
| to see us | 4 |
| he thought that | 4 |
| old are fair | 4 |
| as we have | 4 |
| the one who | 4 |
| you have been | 4 |
| on his back | 4 |
| and mytyl are | 4 |
| i will give | 4 |
| the children who | 4 |
| what you will | 4 |
| the entrance to | 4 |
| shall be the | 4 |
| first of all | 4 |
| the forest and | 4 |
| i heard a | 4 |
| dance in a | 4 |
| of a land | 4 |
| of the dishevelled | 4 |
| to the children | 4 |
| tyltyl i know | 4 |
| mummy tyl what | 4 |
| the fairy that | 4 |
| to the next | 4 |
| the light of | 4 |
| than the others | 4 |
| you recognise me | 4 |
| blessed quicken wood | 4 |
| i am so | 4 |
| in with you | 4 |
| the king and | 4 |
| of drowsy love | 4 |
| let me kiss | 4 |
| of the great | 4 |
| i could not | 4 |
| at the table | 4 |
| with my little | 4 |
| get out of | 4 |
| has put on | 4 |
| dressed in a | 4 |
| no more do | 4 |
| arms in the | 4 |
| and gives a | 4 |
| in the blue | 4 |
| because he is | 4 |
| with the other | 4 |
| they are all | 4 |
| and he is | 4 |
| heard a reed | 4 |
| they have been | 4 |
| it was that | 4 |
| in the village | 4 |
| of coolaney say | 4 |
| how old are | 4 |
| dream and hope | 4 |
| in the garden | 4 |
| joy of being | 4 |
| he did not | 4 |
| the fairy called | 4 |
| i have lost | 4 |
| the hour is | 4 |
| let me go | 4 |
| feet in a | 4 |
| a land where | 4 |
| and it was | 4 |
| out this way | 4 |
| there is one | 4 |
| alone in the | 4 |
| a place apart | 4 |
| the son of | 4 |
| of the moon | 4 |
| i will put | 4 |
| your little friends | 4 |
| is no more | 4 |
| of this dull | 4 |
| from right to | 4 |
| you see them | 4 |
| wind has laughed | 4 |
| little queer old | 4 |
| how pretty they | 4 |
| and then the | 4 |
| that is too | 4 |
| is only a | 4 |
| little green hat | 4 |
| white feet in | 4 |
| i should think | 4 |
| not so much | 4 |
| pranks of robin | 4 |
| the hall and | 4 |
| the fairy king | 4 |
| he is not | 4 |
| but i can | 4 |
| and the other | 4 |
| so that they | 4 |
| reed of coolaney | 4 |
| in the fields | 4 |
| he could not | 4 |
| come and look | 4 |
| when i will | 4 |
| the dog i | 4 |
| and then come | 4 |
| at the other | 4 |
| good luck into | 4 |
| too many of | 4 |
| you must have | 4 |
| theseus and hippolyta | 4 |
| the faeries dance | 4 |
| the others are | 4 |
| up to tyltyl | 4 |
| in this world | 4 |
| and godly and | 4 |
| it has been | 4 |
| a reed of | 4 |
| a little of | 4 |
| the world and | 4 |
| an old woman | 4 |
| for there is | 4 |
| when i went | 4 |
| i would like | 4 |
| be one of | 4 |
| of course you | 4 |
| child i shall | 4 |
| choose this one | 4 |
| beautiful it is | 4 |
| yon is the | 4 |
| for the first | 4 |
| the tale of | 4 |
| bring good luck | 4 |
| into the cavern | 4 |
| old and godly | 4 |
| of a man | 4 |
| of the time | 4 |
| it shall be | 4 |
| by no means | 4 |
| a little queer | 4 |
| of thomas of | 4 |
| i assure you | 4 |
| came to the | 4 |
| are merry of | 4 |
| if it be | 4 |
| to choose the | 4 |
| but do not | 4 |
| at a distance | 4 |
| say that i | 4 |
| other end of | 4 |
| as you please | 4 |
| tyltyl who are | 4 |
| so did i | 4 |
| and murmured and | 4 |
| are the children | 4 |
| on one side | 4 |
| and here is | 4 |
| on the threshold | 4 |
| the juice of | 4 |
| the child with | 4 |
| and sing of | 4 |
| and time and | 4 |
| of robin goodfellow | 4 |
| that will be | 4 |
| look at my | 4 |
| the next scene | 4 |
| and he was | 4 |
| lovely they are | 4 |
| and of the | 4 |
| mummy tyl yes | 4 |
| and let me | 4 |
| to the other | 4 |
| as i can | 4 |
| the death of | 4 |
| the little man | 4 |
| i think that | 4 |
| them to the | 4 |
| and i must | 4 |
| the other end | 4 |
| lot of them | 4 |
| laughed and murmured | 4 |
| shaking their milk | 4 |
| have to do | 4 |
| how did you | 4 |
| she is a | 4 |
| i know that | 4 |
| they have power | 4 |
| from the fire | 4 |
| girl from the | 4 |
| the hand and | 4 |
| they hear the | 4 |
| in a place | 4 |
| that of the | 4 |
| we must now | 4 |
| me kiss you | 4 |
| and so forth | 4 |
| evil on the | 4 |
| name of the | 4 |
| for they hear | 4 |
| tyltyl i have | 4 |
| godly and grave | 4 |
| he was so | 4 |
| have been taken | 4 |
| what am i | 4 |
| in the romance | 4 |
| even the old | 4 |
| you were so | 4 |
| the child why | 4 |
| me out of | 4 |
| hear the wind | 4 |
| are many more | 4 |
| the court of | 4 |
| as they were | 4 |
| shall have the | 4 |
| to know what | 4 |
| a few steps | 4 |
| he should be | 4 |
| what a small | 4 |
| his mother was | 4 |
| they are going | 4 |
| them in the | 4 |
| upon may eve | 4 |
| that greenwood spray | 4 |
| as it is | 4 |
| is about to | 4 |
| name of all | 4 |
| they had been | 4 |
| they are a | 4 |
| what do i | 4 |
| light they are | 4 |
| you cannot know | 4 |
| right to left | 4 |
| sing of a | 4 |
| the wind laugh | 4 |
| merry of tongue | 4 |
| murmured and sung | 4 |
| like a flame | 4 |
| to the ground | 4 |
| coming out of | 4 |
| old and crafty | 4 |
| in the wind | 3 |
| are we to | 3 |
| luxuries of the | 3 |
| the heavens above | 3 |
| to tyltyl and | 3 |
| of ogier the | 3 |
| i have loved | 3 |
| what you do | 3 |
| one in the | 3 |
| are the luxury | 3 |
| shall have a | 3 |
| description of the | 3 |
| look at me | 3 |
| have come to | 3 |
| and emilia to | 3 |
| i will undertake | 3 |
| would be no | 3 |
| the opening of | 3 |
| end of it | 3 |
| key in the | 3 |
| the door of | 3 |
| got the blue | 3 |
| burst out laughing | 3 |
| would never have | 3 |
| my dear tyltyl | 3 |
| you ought to | 3 |
| the other ancestors | 3 |
| upon his knee | 3 |
| light there are | 3 |
| barefoot in the | 3 |
| when you are | 3 |
| how nice it | 3 |
| of the family | 3 |
| put on your | 3 |
| did not know | 3 |
| have you come | 3 |
| they must have | 3 |
| found in the | 3 |
| thou shalt see | 3 |
| through the same | 3 |
| king of fairy | 3 |
| by the way | 3 |
| there will be | 3 |
| that there is | 3 |
| will give you | 3 |
| clasping his knees | 3 |
| to see me | 3 |
| of the cave | 3 |
| the columns and | 3 |
| orpheus and eurydice | 3 |
| so have i | 3 |
| you turn the | 3 |
| of understanding nothing | 3 |
| with the little | 3 |
| on a may | 3 |
| to the temple | 3 |
| the trees and | 3 |
| because she is | 3 |
| for milk and | 3 |
| as i am | 3 |
| they come from | 3 |
| and i are | 3 |
| in the lock | 3 |
| to come to | 3 |
| the children in | 3 |
| i put on | 3 |
| they are quite | 3 |
| you and i | 3 |
| to come and | 3 |
| you are much | 3 |
| tyltyl because they | 3 |
| the two noble | 3 |
| the great door | 3 |
| to the tree | 3 |
| never have known | 3 |
| on the wall | 3 |
| she goes out | 3 |
| you loved me | 3 |
| that of a | 3 |
| the one whom | 3 |
| that i was | 3 |
| survives in the | 3 |
| see note on | 3 |
| thou now yon | 3 |
| i can do | 3 |
| you must not | 3 |
| and begins to | 3 |
| should have been | 3 |
| murmur and sing | 3 |
| because they are | 3 |
| meet in the | 3 |
| as in a | 3 |
| the first fytte | 3 |
| and the fairy | 3 |
| the biggest luxuries | 3 |
| him in a | 3 |
| is the child | 3 |
| to look for | 3 |
| sitting at the | 3 |
| do is to | 3 |
| of the romance | 3 |
| will keep all | 3 |
| opening of the | 3 |
| right to choose | 3 |
| is waiting for | 3 |
| have power to | 3 |
| he did in | 3 |
| at the fire | 3 |
| up to mytyl | 3 |
| at each other | 3 |
| the left is | 3 |
| they were so | 3 |
| nice he looks | 3 |
| hide behind the | 3 |
| a may eve | 3 |
| legend of good | 3 |
| the stage represents | 3 |
| is in the | 3 |
| with the dog | 3 |
| it is in | 3 |
| you are wise | 3 |
| great peasant and | 3 |
| is the joy | 3 |
| the truth of | 3 |
| them out of | 3 |
| said to be | 3 |
| the priest and | 3 |
| a hundred knights | 3 |
| she has no | 3 |
| out of it | 3 |
| the front of | 3 |
| behind the door | 3 |
| i have nothing | 3 |
| but we are | 3 |
| but you must | 3 |
| but this is | 3 |
| to the earth | 3 |
| seeing what is | 3 |
| the fire and | 3 |
| if you were | 3 |
| to the first | 3 |
| he had been | 3 |
| for we shall | 3 |
| the other hand | 3 |
| so that i | 3 |
| of the big | 3 |
| the things and | 3 |
| to return to | 3 |
| must be the | 3 |
| i have given | 3 |
| is he saying | 3 |
| always be there | 3 |
| tom shall play | 3 |
| queen of fairies | 3 |
| and if you | 3 |
| upon the floor | 3 |
| germander and sops | 3 |
| just look at | 3 |
| and there is | 3 |
| not to be | 3 |
| say it again | 3 |
| a ray of | 3 |
| how beautiful she | 3 |
| and so did | 3 |
| on the table | 3 |
| of the sky | 3 |
| tyltyl are they | 3 |
| for you and | 3 |
| it is night | 3 |
| come out of | 3 |
| i to do | 3 |
| going to be | 3 |
| we must not | 3 |
| me when you | 3 |
| no need to | 3 |
| is to be | 3 |
| is what i | 3 |
| i quite agree | 3 |
| with your quick | 3 |
| so that there | 3 |
| the world to | 3 |
| because of the | 3 |
| the heads of | 3 |
| the first of | 3 |
| few of them | 3 |
| we cannot see | 3 |
| tyltyl how can | 3 |
| beautiful she is | 3 |
| it in her | 3 |
| goes into the | 3 |
| what i am | 3 |
| it is very | 3 |
| six girls and | 3 |
| and they have | 3 |
| who know everything | 3 |
| a little more | 3 |
| of a horse | 3 |
| know that the | 3 |
| thomas the rhymer | 3 |
| know what i | 3 |
| are you all | 3 |
| of orpheus and | 3 |
| i left them | 3 |
| who is very | 3 |
| them there are | 3 |
| an end of | 3 |
| of the door | 3 |
| know me again | 3 |
| mytyl what are | 3 |
| things and the | 3 |
| and let us | 3 |
| from the table | 3 |
| and when i | 3 |
| i saw you | 3 |
| to look at | 3 |
| when it rains | 3 |
| waters and pale | 3 |
| of the sabbath | 3 |
| and for to | 3 |
| at this point | 3 |
| a hundred years | 3 |
| to one of | 3 |
| and murmur and | 3 |
| visit to the | 3 |
| they want to | 3 |
| of running barefoot | 3 |
| it seems to | 3 |
| where do they | 3 |
| back the door | 3 |
| to the blue | 3 |
| waiting for us | 3 |
| then i would | 3 |
| i charge thee | 3 |
| not blame her | 3 |
| give the poor | 3 |
| i will come | 3 |
| go laughing ho | 3 |
| going to cry | 3 |
| had no sooner | 3 |
| we will do | 3 |
| i am always | 3 |
| will go and | 3 |
| am very glad | 3 |
| and also the | 3 |
| i have only | 3 |
| not afraid of | 3 |
| those are the | 3 |
| but to the | 3 |
| with them a | 3 |
| against the door | 3 |
| good it is | 3 |
| bread i quite | 3 |
| i believe they | 3 |
| the veiled form | 3 |
| a cry of | 3 |
| you sit down | 3 |
| remain at the | 3 |
| when he was | 3 |
| for you so | 3 |
| i must have | 3 |
| of the window | 3 |
| she is so | 3 |
| that a midsummer | 3 |
| we shall find | 3 |
| you gave me | 3 |
| fairy mythology of | 3 |
| push back the | 3 |
| what shall i | 3 |
| and would not | 3 |
| with the big | 3 |
| but let us | 3 |
| that they would | 3 |
| if i were | 3 |
| opening the door | 3 |
| will see that | 3 |
| you called me | 3 |
| know what they | 3 |
| the cat in | 3 |
| not like that | 3 |
| never seen her | 3 |
| porringer with milk | 3 |
| bore her away | 3 |
| told you so | 3 |
| i would have | 3 |
| take a few | 3 |
| first child i | 3 |
| one would think | 3 |
| tyltyl and light | 3 |
| story of palamon | 3 |
| laugh and murmur | 3 |
| palace of happiness | 3 |
| what does it | 3 |
| they must be | 3 |
| granny tyl i | 3 |
| see what you | 3 |
| did not like | 3 |
| the curtain opens | 3 |
| the place of | 3 |
| to see it | 3 |
| to give it | 3 |
| teixeira de mattos | 3 |
| but he will | 3 |
| i have the | 3 |
| will come back | 3 |
| i love thee | 3 |
| mythology of shakespeare | 3 |
| are they not | 3 |
| the fairy i | 3 |
| but joy is | 3 |
| go up to | 3 |
| there is an | 3 |
| between his teeth | 3 |
| will be a | 3 |
| will do it | 3 |
| into the next | 3 |
| for all your | 3 |
| i am no | 3 |
| in his hand | 3 |
| possible that the | 3 |
| from the other | 3 |
| there they are | 3 |
| he was a | 3 |
| granny tyl come | 3 |
| are very happy | 3 |
| who i am | 3 |
| where are the | 3 |
| and the queen | 3 |
| little bird with | 3 |
| is a serious | 3 |
| of them to | 3 |
| but i have | 3 |
| in the wood | 3 |
| it out of | 3 |
| the one i | 3 |
| you have seen | 3 |
| give me your | 3 |
| when we were | 3 |
| for her sake | 3 |
| that is more | 3 |
| you have set | 3 |
| to the good | 3 |
| how happy i | 3 |
| i will make | 3 |
| on his shoulder | 3 |
| that is not | 3 |
| go with the | 3 |
| they may be | 3 |
| of the cottage | 3 |
| which he did | 3 |
| his arms and | 3 |
| never have thought | 3 |
| be seen in | 3 |
| think of this | 3 |
| you that you | 3 |
| where are your | 3 |
| in the form | 3 |
| into the power | 3 |
| luxury of understanding | 3 |
| other by the | 3 |
| lysander and demetrius | 3 |
| see that you | 3 |
| outside the door | 3 |
| the neighbour what | 3 |
| i think they | 3 |
| daddy and mummy | 3 |
| the bottom of | 3 |
| and the animals | 3 |
| to begin with | 3 |
| of maternal love | 3 |
| soul of sugar | 3 |
| to carry it | 3 |
| we should never | 3 |
| have to say | 3 |
| in the moon | 3 |
| have you got | 3 |
| and in his | 3 |
| the eagle cock | 3 |
| and make him | 3 |
| will show you | 3 |
| was not one | 3 |
| you coming with | 3 |
| the young man | 3 |
| who is this | 3 |
| speaking to you | 3 |
| round the table | 3 |
| that it is | 3 |
| i love them | 3 |
| it is just | 3 |
| up from the | 3 |
| and when they | 3 |
| see that i | 3 |
| in the way | 3 |
| the fairy have | 3 |
| going to kiss | 3 |
| of the luxuries | 3 |
| in the evening | 3 |
| me that you | 3 |
| was fain to | 3 |
| looking for the | 3 |
| only a little | 3 |
| which i will | 3 |
| than the rest | 3 |
| the first to | 3 |
| the next room | 3 |
| as long as | 3 |
| but tell me | 3 |
| sing for all | 3 |
| the best of | 3 |
| it on purpose | 3 |
| is a very | 3 |
| on the steps | 3 |
| tyltyl where is | 3 |
| of an old | 3 |
| what are those | 3 |
| and for her | 3 |
| i am right | 3 |
| that there was | 3 |
| never have done | 3 |
| the threshold of | 3 |
| merry pranks of | 3 |
| door is closed | 3 |
| quite agree with | 3 |
| are there many | 3 |
| i am very | 3 |
| i am afraid | 3 |
| it is for | 3 |
| will be the | 3 |
| if i could | 3 |
| all your pleasures | 3 |
| but what do | 3 |
| we are very | 3 |
| and gaze upon | 3 |
| do not come | 3 |
| so far as | 3 |
| would be the | 3 |
| you will no | 3 |
| ought to be | 3 |
| light of the | 3 |
| that all the | 3 |
| and waters and | 3 |
| a proper name | 3 |
| that they have | 3 |
| the grotesque plot | 3 |
| that his mother | 3 |
| she will grow | 3 |
| do you recognise | 3 |
| as you have | 3 |
| we are at | 3 |
| are they going | 3 |
| have you had | 3 |
| listen to me | 3 |
| there you are | 3 |
| himself like to | 3 |
| that it was | 3 |
| there many of | 3 |
| it was as | 3 |
| this is not | 3 |
| joy of seeing | 3 |
| crowd of children | 3 |
| fallen from the | 3 |
| we used to | 3 |
| i would stay | 3 |
| and turn the | 3 |
| and strawberry wire | 3 |
| me in the | 3 |
| as with the | 3 |
| coloured and sun | 3 |
| the most beautiful | 3 |
| should think so | 3 |
| have been very | 3 |
| way to heaven | 3 |
| of the forest | 3 |
| face of the | 3 |
| also love the | 3 |
| the key in | 3 |
| in one of | 3 |
| i did not | 3 |
| you love that | 3 |
| have you done | 3 |
| it seems that | 3 |
| do it again | 3 |
| to the child | 3 |
| on his head | 3 |
| let us kiss | 3 |
| the rest of | 3 |
| of the columns | 3 |
| him in the | 3 |
| palace of night | 3 |
| the rich children | 3 |
| if you please | 3 |
| to find a | 3 |
| and so on | 3 |
| up all the | 3 |
| a number of | 3 |
| of seeing what | 3 |
| representing the milky | 3 |
| nothing to fear | 3 |
| let me have | 3 |
| no sooner was | 3 |
| in a midsummer | 3 |
| rue on me | 3 |
| not my fault | 3 |
| doubt as to | 3 |
| through many a | 3 |
| you love him | 3 |
| what is beautiful | 3 |
| go back into | 3 |
| at the top | 3 |
| make a ring | 3 |
| seest thou now | 3 |
| and clasping his | 3 |
| does not concern | 3 |
| i take this | 3 |
| one by one | 3 |
| dog and the | 3 |
| what they are | 3 |
| is one of | 3 |
| he wants to | 3 |
| child i am | 3 |
| the oldest child | 3 |
| run up from | 3 |
| i was born | 3 |
| where he is | 3 |
| of this house | 3 |
| filled with a | 3 |
| shall go with | 3 |
| the next night | 3 |
| will have to | 3 |
| that you would | 3 |
| only by a | 3 |
| i had no | 3 |
| when she came | 3 |
| what she had | 3 |
| the miser i | 3 |
| you been doing | 3 |
| she has been | 3 |
| it to me | 3 |
| in his edition | 3 |
| am always the | 3 |
| the angels and | 3 |
| as it was | 3 |
| for the present | 3 |
| to dance with | 3 |
| afraid of the | 3 |
| who are those | 3 |
| to kiss you | 3 |
| they are in | 3 |
| the third day | 3 |
| into an ass | 3 |
| of the nightingales | 3 |
| fellow served a | 3 |
| does that mean | 3 |
| everything in the | 3 |
| that you shall | 3 |
| and was so | 3 |
| let us get | 3 |
| soul of the | 3 |
| one of my | 3 |
| that they had | 3 |
| he is to | 3 |
| of the many | 3 |
| shaped himself like | 3 |
| must leave the | 3 |
| is heard to | 3 |
| put on the | 3 |
| you are to | 3 |
| be found in | 3 |
| is not the | 3 |
| wind laugh and | 3 |
| you should have | 3 |
| among the children | 3 |
| it was on | 3 |
| for it is | 3 |
| queen of heaven | 3 |
| the chief of | 3 |
| is dressed in | 3 |
| with a red | 3 |
| the happinesses of | 3 |
| mummy tyl why | 3 |
| enter tyltyl and | 3 |
| so it is | 3 |
| legend of pyramus | 3 |
| of all the | 3 |
| have fallen from | 3 |
| and see what | 3 |
| it is i | 3 |
| right at the | 3 |
| and go out | 3 |
| and a half | 3 |
| are the great | 3 |
| at the inn | 3 |
| which they were | 3 |
| of them there | 3 |
| where are we | 3 |
| in the dew | 3 |
| name of philostrate | 3 |
| day and night | 3 |
| running barefoot in | 3 |
| you and the | 3 |
| your quick measures | 3 |
| for we are | 3 |
| of the halls | 3 |
| light said so | 3 |
| in a long | 3 |
| end of time | 3 |
| the fairy well | 3 |
| of good women | 3 |
| you all the | 3 |
| is it nice | 3 |
| cannot see beyond | 3 |
| good to eat | 3 |
| why do they | 3 |
| and with the | 3 |
| are waiting for | 3 |
| she had been | 3 |
| will no longer | 3 |
| the cage and | 3 |
| on the sleeves | 3 |
| my dear little | 3 |
| came to visit | 3 |
| taken by the | 3 |
| come from the | 3 |
| are said to | 3 |
| depths of the | 3 |
| made by the | 3 |
| if you go | 3 |
| one who is | 3 |
| must be one | 3 |
| see you soon | 3 |
| than the eagle | 3 |
| the pleasure of | 3 |
| that lady gay | 3 |
| one evening when | 3 |
| alexander teixeira de | 3 |
| to go back | 3 |
| the scene is | 3 |
| how nice he | 3 |
| and fire upon | 3 |
| upon the next | 3 |
| the stage is | 3 |
| that i am | 3 |
| here and there | 3 |
| the time of | 3 |
| it is too | 3 |
| romance of thomas | 3 |
| because you are | 3 |
| may be noted | 3 |
| goes up to | 3 |
| looking around him | 3 |
| with the fairy | 3 |
| and the child | 3 |
| on the stool | 3 |
| are you not | 3 |
| so much to | 3 |
| fairy have you | 3 |
| i shall make | 3 |
| there is not | 3 |
| side of the | 3 |
| do with the | 3 |
| of the other | 3 |
| and try to | 3 |
| we are going | 3 |
| gaffer tyl and | 3 |
| on the heart | 3 |
| we will go | 3 |
| get rid of | 3 |
| on the carpet | 3 |
| of being just | 3 |
| see nothing at | 3 |
| a long way | 3 |
| with a start | 3 |
| i am sure | 3 |
| and the children | 3 |
| and when she | 3 |
| shall i do | 3 |
| are afraid of | 3 |
| a faery child | 3 |
| in the dark | 3 |
| have made a | 3 |
| fairy king and | 3 |
| tyltyl are you | 3 |
| for the last | 3 |
| is too late | 3 |
| by that name | 3 |
| sugar and bread | 3 |
| but we will | 3 |
| like to the | 3 |
| but i shall | 3 |
| that the fairy | 3 |
| grass with your | 3 |
| of the three | 3 |
| we are only | 3 |
| i went away | 3 |
| is very ill | 3 |
| blame her greatly | 3 |
| from every side | 3 |
| bring her in | 3 |
| in the light | 3 |
| the mad merry | 3 |
| took away the | 3 |
| not allowed to | 3 |
| when any one | 3 |
| when that he | 3 |
| left is the | 3 |
| get into the | 3 |
| that you have | 3 |
| you have no | 3 |
| might and main | 3 |
| a tree when | 3 |
| are in a | 3 |
| are all the | 3 |
| you will find | 3 |
| in the text | 3 |
| door at the | 3 |
| midst of them | 3 |
| go with you | 3 |
| standing by the | 3 |
| come to the | 3 |
| must kiss you | 3 |
| those who do | 3 |
| in a sort | 3 |
| destiny and the | 3 |
| coming with us | 3 |
| of the old | 3 |
| more or less | 3 |
| scene the wood | 3 |
| to meet them | 3 |
| on the third | 3 |
| at a time | 3 |
| at one door | 3 |
| it is always | 3 |
| it is our | 3 |
| and pale lights | 3 |
| some of the | 3 |
| it is possible | 3 |
| and the words | 3 |
| us from the | 3 |
| if they would | 3 |
| at the last | 3 |
| joy of maternal | 3 |
| they will all | 3 |
| very glad to | 3 |
| do what you | 3 |
| there are some | 3 |
| you are so | 3 |
| them by the | 3 |
| the form of | 3 |
| the mysteries of | 3 |
| have all the | 3 |
| but we cannot | 3 |
| and the luxury | 3 |
| oak is that | 3 |
| they have the | 3 |
| you shall hear | 3 |
| her arms about | 3 |
| the impression of | 3 |
| what does that | 3 |
| as for you | 3 |
| in the first | 3 |
| which is the | 3 |
| as the story | 3 |
| your father and | 3 |
| to see her | 3 |
| luxury of being | 3 |
| i am glad | 3 |
| the father of | 3 |
| at the bottom | 3 |
| the next door | 3 |
| the abbey theatre | 3 |
| out to the | 3 |
| are they doing | 3 |
| they could not | 3 |
| to the cat | 3 |
| a voice singing | 3 |
| can see it | 3 |
| on either side | 3 |
| to talk to | 3 |
| men do not | 3 |
| the oak is | 3 |
| i will see | 3 |
| you have to | 3 |
| glad to see | 3 |
| as a rule | 3 |
| of the ancestors | 3 |
| soon as you | 3 |
| of the one | 3 |
| who is it | 3 |
| happiness of running | 3 |
| i will do | 3 |
| by the window | 3 |
| there was not | 3 |
| end of which | 3 |
| seem to have | 3 |
| up in the | 3 |
| no longer be | 3 |
| to him the | 3 |
| how well they | 3 |
| is no longer | 3 |
| are a little | 3 |
| but i will | 3 |
| not angry with | 3 |
| with me to | 3 |
| to make the | 3 |
| am the joy | 3 |
| king of ireland | 3 |
| the hand of | 3 |
| when the curtain | 3 |
| the fairy plot | 3 |
| as we shall | 3 |
| to give him | 3 |
| and twelfth centuries | 3 |
| i hope that | 3 |
| have told you | 2 |
| make a man | 2 |
| to be back | 2 |
| all this later | 2 |
| the hue of | 2 |
| by the hermitage | 2 |
| you like me | 2 |
| image of the | 2 |
| in thomas of | 2 |
| going to give | 2 |
| blessed bread under | 2 |
| a faint music | 2 |
| his own sweetheart | 2 |
| the dog with | 2 |
| to the front | 2 |
| business is it | 2 |
| tyltyl i tell | 2 |
| to avoid the | 2 |
| looks are all | 2 |
| with dreams none | 2 |
| has mixed your | 2 |
| i know them | 2 |
| been current in | 2 |
| gives her more | 2 |
| to whom i | 2 |
| to light his | 2 |
| they should have | 2 |
| in a conciliatory | 2 |
| hearts are wild | 2 |
| he comes to | 2 |
| that lieth over | 2 |
| for bidding fate | 2 |
| so that we | 2 |
| from maddening freedom | 2 |
| the date of | 2 |
| will not part | 2 |
| she has a | 2 |
| in which they | 2 |
| i know not | 2 |
| if he rode | 2 |
| i kiss you | 2 |
| figures of a | 2 |
| have not yet | 2 |
| is where i | 2 |
| the forest scene | 2 |
| the light wind | 2 |
| kinds of evil | 2 |
| let me play | 2 |
| more than the | 2 |
| the leaves of | 2 |
| i point you | 2 |
| have done them | 2 |
| will have made | 2 |
| we can see | 2 |
| bring the red | 2 |
| in their hands | 2 |
| one the other | 2 |
| heart with dreams | 2 |
| nothing marred or | 2 |
| your own heart | 2 |
| hour of their | 2 |
| and a great | 2 |
| talk of something | 2 |
| old man in | 2 |
| and a kind | 2 |
| of course it | 2 |
| do it in | 2 |
| as though he | 2 |
| i have decided | 2 |
| a singing man | 2 |
| said lovely lady | 2 |
| to have thought | 2 |
| or that he | 2 |
| embers of a | 2 |
| which may be | 2 |
| them at once | 2 |
| both of you | 2 |
| the one of | 2 |
| to go and | 2 |
| ball of twine | 2 |
| quiet of the | 2 |
| dear name of | 2 |
| bring all kinds | 2 |
| it hangs there | 2 |
| mine to give | 2 |
| poor attire into | 2 |
| common light of | 2 |
| am to do | 2 |
| given this house | 2 |
| waking with a | 2 |
| of them leave | 2 |
| were idle and | 2 |
| white as marble | 2 |
| beware of the | 2 |
| when you have | 2 |
| the main plot | 2 |
| far as to | 2 |
| world of fire | 2 |
| have come into | 2 |
| us like great | 2 |
| cannot know how | 2 |
| so that you | 2 |
| one for you | 2 |
| and every one | 2 |
| both the tongue | 2 |
| story of orpheus | 2 |
| shadow of a | 2 |
| you must leave | 2 |
| live a long | 2 |
| sun and moon | 2 |
| give her a | 2 |
| of the sort | 2 |
| mummy tyl of | 2 |
| the dresser and | 2 |
| at her pretty | 2 |
| are the dead | 2 |
| be revenged of | 2 |
| under a cloudy | 2 |
| of the temple | 2 |
| have a hundred | 2 |
| to meet you | 2 |
| her sit down | 2 |
| child of gentle | 2 |
| going to eat | 2 |
| idle and fine | 2 |
| been waiting for | 2 |
| it will take | 2 |
| he hurled the | 2 |
| open the shutters | 2 |
| for you to | 2 |
| is at the | 2 |
| thinking that all | 2 |
| you will know | 2 |
| here come some | 2 |
| to fetch me | 2 |
| what is going | 2 |
| to queen mab | 2 |
| head with foolish | 2 |
| you light up | 2 |
| pipes giving her | 2 |
| i want some | 2 |
| with my warm | 2 |
| child like you | 2 |
| the same one | 2 |
| all i have | 2 |
| and the terrors | 2 |
| which we have | 2 |
| give it me | 2 |
| and can the | 2 |
| to go to | 2 |
| what will they | 2 |
| died and rose | 2 |
| they did not | 2 |
| will have a | 2 |
| the fire of | 2 |
| we have already | 2 |
| in that stead | 2 |
| shawn and you | 2 |
| of the closed | 2 |
| longer be able | 2 |
| survives in a | 2 |
| almost out of | 2 |
| in the alcove | 2 |
| and then goes | 2 |
| not yet know | 2 |
| but in no | 2 |
| was entrusted to | 2 |
| if you do | 2 |
| speak to her | 2 |
| or else the | 2 |
| come over here | 2 |
| i went to | 2 |
| that fell from | 2 |
| child they say | 2 |
| i have forgotten | 2 |
| milk the cow | 2 |
| opening the doors | 2 |
| of gladness and | 2 |
| maeterlinck translated by | 2 |
| but fly from | 2 |
| seems very tired | 2 |
| very hand of | 2 |
| covers her eyes | 2 |
| airs and graces | 2 |
| returns with the | 2 |
| i do no | 2 |
| that we do | 2 |
| in minding children | 2 |
| we seem to | 2 |
| great deal to | 2 |
| in a play | 2 |
| leave the bread | 2 |
| where beauty has | 2 |
| to one side | 2 |
| we will come | 2 |
| know the meaning | 2 |
| idle boy could | 2 |
| the cat it | 2 |
| i call you | 2 |
| told me that | 2 |
| are only waiting | 2 |
| the black cross | 2 |
| world go round | 2 |
| much too cross | 2 |
| as if in | 2 |
| but they do | 2 |
| the sapphire from | 2 |
| he was here | 2 |
| child i have | 2 |
| will do you | 2 |
| not be born | 2 |
| bidding fate and | 2 |
| all the animals | 2 |
| since the beginning | 2 |
| light of common | 2 |
| indissoluble sacrament has | 2 |
| at his departure | 2 |
| love and eloquence | 2 |
| into a luminous | 2 |
| she will be | 2 |
| was a very | 2 |
| in the city | 2 |
| you can wait | 2 |
| is to discover | 2 |
| a house which | 2 |
| and a cat | 2 |
| speak to them | 2 |
| where stars walk | 2 |
| a conciliatory tone | 2 |
| to hold you | 2 |
| she took that | 2 |
| moment and then | 2 |
| of weddings and | 2 |
| not the same | 2 |
| shut the door | 2 |
| children in the | 2 |
| not yet come | 2 |
| and with a | 2 |
| they have not | 2 |
| edition of this | 2 |
| week to clover | 2 |
| upon a mountain | 2 |
| wont to walk | 2 |
| girls and destiny | 2 |
| sometimes i find | 2 |
| in the tenth | 2 |
| face were strange | 2 |
| i will have | 2 |
| morning stars in | 2 |
| to her and | 2 |
| make it out | 2 |
| disappear in the | 2 |
| and the like | 2 |
| him that he | 2 |
| at last they | 2 |
| have you brought | 2 |
| and shrieks and | 2 |
| a votaress of | 2 |
| agree with sugar | 2 |
| away the blessed | 2 |
| you it was | 2 |
| them a great | 2 |
| of erceldoune is | 2 |
| can see the | 2 |
| fair she be | 2 |
| her parents are | 2 |
| are you waiting | 2 |
| the size of | 2 |
| and a little | 2 |
| after they had | 2 |
| too godly and | 2 |
| no one can | 2 |
| fire i shall | 2 |
| hands and at | 2 |
| it is nothing | 2 |
| and for all | 2 |
| win his lady | 2 |
| to get it | 2 |
| english metrical romances | 2 |
| it appears that | 2 |
| do they want | 2 |
| night this is | 2 |
| of ribbons for | 2 |
| simple and rustic | 2 |
| it is but | 2 |
| even lay the | 2 |
| thou yet yon | 2 |
| do not leave | 2 |
| small steps beating | 2 |
| glad to have | 2 |
| as many as | 2 |
| score of times | 2 |
| we see them | 2 |
| the others who | 2 |
| none trod before | 2 |
| number of them | 2 |
| they are my | 2 |
| the arthurian cycle | 2 |
| looking into the | 2 |
| a little to | 2 |
| i am of | 2 |
| about with ribbons | 2 |
| so young and | 2 |
| man with the | 2 |
| think of me | 2 |
| the fairy there | 2 |
| no longer alive | 2 |
| of the things | 2 |
| your heart that | 2 |
| to find them | 2 |
| by the sea | 2 |
| laid in the | 2 |
| can lead you | 2 |
| the door that | 2 |
| a mass of | 2 |
| saw her read | 2 |
| i could do | 2 |
| blinks and blinks | 2 |
| it up and | 2 |
| if you will | 2 |
| enter the fairy | 2 |
| the wind is | 2 |
| the first person | 2 |
| the oldest thing | 2 |
| they have left | 2 |
| water and milk | 2 |
| the stage and | 2 |
| a few thousand | 2 |
| after the ghosts | 2 |
| mysteries of love | 2 |
| father of theseus | 2 |
| were wont to | 2 |
| granny tyl of | 2 |
| red flare again | 2 |
| till it was | 2 |
| is a poem | 2 |
| with light hopes | 2 |
| care of children | 2 |
| she is blaspheming | 2 |
| out of sight | 2 |
| mytyl is it | 2 |
| by day their | 2 |
| than once since | 2 |
| and the world | 2 |
| well fitted for | 2 |
| like great wings | 2 |
| with his hands | 2 |
| nine angelic hierarchies | 2 |
| i may say | 2 |
| the closed shutters | 2 |
| no more of | 2 |
| and die for | 2 |
| i have begun | 2 |
| he must be | 2 |
| will teach you | 2 |
| but this time | 2 |
| thus would he | 2 |
| of a king | 2 |
| the adoring magi | 2 |
| all the world | 2 |
| would you be | 2 |
| tyl i can | 2 |
| child points out | 2 |
| sight of this | 2 |
| of different sizes | 2 |
| beating upon the | 2 |
| but i knew | 2 |
| is the one | 2 |
| if you are | 2 |
| only waiting for | 2 |
| there never was | 2 |
| must be tender | 2 |
| to the world | 2 |
| anything in the | 2 |
| is derived from | 2 |
| go into the | 2 |
| the elf queen | 2 |
| it in the | 2 |
| long to tread | 2 |
| tyltyl they say | 2 |
| would think it | 2 |
| the people of | 2 |
| before the duke | 2 |
| him all the | 2 |
| would never please | 2 |
| tyltyl we have | 2 |
| just such things | 2 |
| who ride the | 2 |
| to wake up | 2 |
| are sitting at | 2 |
| in the fifteenth | 2 |
| but with a | 2 |
| above all things | 2 |
| his head he | 2 |
| have seen that | 2 |
| heart is puffed | 2 |
| the dying embers | 2 |
| fight with them | 2 |
| madly round the | 2 |
| what was the | 2 |
| away your dreams | 2 |
| maternal love no | 2 |
| down in the | 2 |
| most of the | 2 |
| act v scene | 2 |
| them in my | 2 |
| was bewitched by | 2 |
| but years went | 2 |
| fairy there are | 2 |
| pitched battle and | 2 |
| is just possible | 2 |
| when we have | 2 |
| my sunday clothes | 2 |
| fear because of | 2 |
| they are and | 2 |
| the second part | 2 |
| one of you | 2 |
| merchant of venice | 2 |
| get up at | 2 |
| suddenly sees the | 2 |
| come and see | 2 |
| was a duke | 2 |
| age bring the | 2 |
| when the wind | 2 |
| goes with them | 2 |
| bursts into sobs | 2 |
| with his blood | 2 |
| light hopes and | 2 |
| who are going | 2 |
| never have a | 2 |
| are not often | 2 |
| my poor tylette | 2 |
| afraid of man | 2 |
| all the happinesses | 2 |
| some wrecked angel | 2 |
| things to you | 2 |
| still walk by | 2 |
| he will have | 2 |
| in his own | 2 |
| i never cwy | 2 |
| marriage dawn and | 2 |
| in the graveyard | 2 |
| die at the | 2 |
| the following passage | 2 |
| day their power | 2 |
| in the other | 2 |
| born child like | 2 |
| romance of sir | 2 |
| tyl what are | 2 |
| it with the | 2 |
| kiss you again | 2 |
| the chamber to | 2 |
| i am in | 2 |
| change to the | 2 |
| quarter to nine | 2 |
| rage and thee | 2 |
| the jovial tinker | 2 |
| they had a | 2 |
| i know what | 2 |
| the canterbury tales | 2 |
| want to kiss | 2 |
| will undertake to | 2 |
| biggest luxuries of | 2 |
| going to have | 2 |
| he fell into | 2 |
| to the light | 2 |
| tale of orpheus | 2 |
| name his name | 2 |
| can this be | 2 |
| begin to dance | 2 |
| had got a | 2 |
| set eyes on | 2 |
| both of us | 2 |
| you see it | 2 |
| a ladder leads | 2 |
| any idle boy | 2 |
| and he who | 2 |
| ring on the | 2 |
| this palamon and | 2 |
| not very far | 2 |
| a fairy play | 2 |
| to say that | 2 |
| the child the | 2 |
| am leaving you | 2 |
| think they must | 2 |
| this warm little | 2 |
| till children come | 2 |
| with her wand | 2 |
| of deeds and | 2 |
| time there was | 2 |
| no one else | 2 |
| a right good | 2 |
| the side of | 2 |
| i can say | 2 |
| book down out | 2 |
| come into this | 2 |
| many more of | 2 |
| of the clock | 2 |
| were not well | 2 |
| of the same | 2 |
| eve like this | 2 |
| their power is | 2 |
| here is some | 2 |
| for are not | 2 |
| a very high | 2 |
| the next day | 2 |
| tyltyl a long | 2 |
| from these poor | 2 |
| how naughty your | 2 |
| to let him | 2 |
| methods and tools | 2 |
| blow from the | 2 |
| tread a way | 2 |
| by the fairies | 2 |
| out the candles | 2 |
| hundred acres of | 2 |
| pretend to be | 2 |
| you see nothing | 2 |
| where it is | 2 |
| is the ruler | 2 |
| this loving couple | 2 |
| as though they | 2 |
| the winter of | 2 |
| the knives and | 2 |
| are there any | 2 |
| in the face | 2 |
| was i who | 2 |
| would have it | 2 |
| because i have | 2 |
| sit down beside | 2 |
| things trouble your | 2 |
| would come to | 2 |
| tyltyl and how | 2 |
| only a few | 2 |
| when i die | 2 |
| my fault if | 2 |
| the lives of | 2 |
| of his bed | 2 |
| not seeing them | 2 |
| but a pack | 2 |
| to himself and | 2 |
| and stands in | 2 |
| a long time | 2 |
| go so far | 2 |
| the nine angelic | 2 |
| in that case | 2 |
| a sod of | 2 |
| when you went | 2 |
| by and they | 2 |
| in a green | 2 |
| tired and hungry | 2 |
| that they can | 2 |
| by love alone | 2 |
| believe that they | 2 |
| i am never | 2 |
| and you will | 2 |
| content and wisdom | 2 |
| they are dangerous | 2 |
| are quite well | 2 |
| do at court | 2 |
| where he heard | 2 |
| are not they | 2 |
| and spread the | 2 |
| on a stick | 2 |
| the moon is | 2 |
| have stopped growing | 2 |
| more of a | 2 |
| a seemly tree | 2 |
| enough to do | 2 |
| into a common | 2 |
| have power upon | 2 |
| containing the dying | 2 |
| how can i | 2 |
| see all that | 2 |
| would rather not | 2 |
| there are three | 2 |
| working at the | 2 |
| and went about | 2 |
| of evil on | 2 |
| holding each other | 2 |
| candles burning to | 2 |
| to where the | 2 |
| you will not | 2 |
| more bitter than | 2 |
| tyltyl very well | 2 |
| him with a | 2 |
| dying embers of | 2 |
| mutter just such | 2 |
| might be a | 2 |
| they kiss each | 2 |
| to the point | 2 |
| opens it and | 2 |
| shall no longer | 2 |
| than dewdrops on | 2 |
| as quiet as | 2 |
| could make you | 2 |
| never be able | 2 |
| gave me the | 2 |
| buss his own | 2 |
| by robin good | 2 |
| at the left | 2 |
| because i am | 2 |
| overwhelms him with | 2 |
| and opens upon | 2 |
| but those who | 2 |
| man does not | 2 |
| daddy tyl what | 2 |
| from us the | 2 |
| of blessed quicken | 2 |
| have seen more | 2 |
| was so nice | 2 |
| and hack them | 2 |
| makes the world | 2 |
| because it filled | 2 |
| way of escape | 2 |
| knocking at the | 2 |
| to get a | 2 |
| light of course | 2 |
| to fairy land | 2 |
| all those that | 2 |
| in and out | 2 |
| and him who | 2 |
| restless and ill | 2 |
| heads together and | 2 |
| heavens above us | 2 |
| leave you alone | 2 |
| you behold the | 2 |
| has a pimple | 2 |
| then i heard | 2 |
| a gift from | 2 |
| and break it | 2 |
| was in love | 2 |
| seen more than | 2 |
| happinesses of the | 2 |
| there are two | 2 |
| with pride and | 2 |
| corpus poeticum boreale | 2 |
| other small steps | 2 |
| the drunken ancestor | 2 |
| you had enough | 2 |
| and the white | 2 |
| a bitter tongue | 2 |
| a quarter to | 2 |
| down upon his | 2 |
| ask you to | 2 |
| is not there | 2 |
| shawn bruin goes | 2 |
| heard other small | 2 |
| assigned to the | 2 |
| be their mother | 2 |
| a dream and | 2 |
| in huon of | 2 |
| afraid of everything | 2 |
| i was courteous | 2 |
| my grandfather would | 2 |
| and a merry | 2 |
| harm out of | 2 |
| i come in | 2 |
| or talking of | 2 |
| what business is | 2 |
| us to himself | 2 |
| for any one | 2 |
| jocund and facetious | 2 |
| the children of | 2 |
| to be light | 2 |
| day it is | 2 |
| how to look | 2 |
| glad that i | 2 |
| come the wrecked | 2 |
| will be quite | 2 |
| that old book | 2 |
| of love and | 2 |
| i would take | 2 |
| the western host | 2 |
| our queen and | 2 |
| wise because your | 2 |
| of which they | 2 |
| date of the | 2 |
| now in a | 2 |
| begun to be | 2 |
| have forgotten they | 2 |
| mytyl do they | 2 |
| call you robin | 2 |
| of no common | 2 |
| told her that | 2 |
| the spirits of | 2 |
| the curtain represents | 2 |
| origin of the | 2 |
| is ready now | 2 |
| i never dared | 2 |
| would bring evil | 2 |
| prevent them from | 2 |
| here you are | 2 |
| from the twelfth | 2 |
| spirit still walk | 2 |
| how a princess | 2 |
| find the excellent | 2 |
| are they here | 2 |
| so as to | 2 |
| but she is | 2 |
| you would do | 2 |
| whom thou dost | 2 |
| much as i | 2 |
| by alexander teixeira | 2 |
| at once into | 2 |
| kneels upon the | 2 |
| you in the | 2 |
| the other trees | 2 |
| made of sugar | 2 |
| till we have | 2 |
| that some of | 2 |
| what fools these | 2 |