# ent

id: 20386
type: WORK_OF_ART
entity:
  Flowers, Plants and Fishes, Birds, Beasts, Flyes, and Bees, Hils, Dales, Plaines, Pastures, Skies, Seas, Rivers, Trees


id: 20386
type: LAW
entity:
  CHAPTER XVIII THE TECHNIQUE OF WEAVING Weaving--Commencing and Fastening Off--The Interlocking Stitch--


# bib

id: 16605
title: The Ladies'' Work-Book Containing Instructions In Knitting, Crochet, Point-Lace, etc.
author: Unknown
txt: ./txt/16605.txt
cache: ./cache/16605.txt
extension: .txt
mime: text/plain
summary:
  thread must be entirely passed round the needle, once for every stitch the thread round the needle as often as the stitch may require, insert 1st row: Make a chain of about 180 stitches, turn back, work 1 l. chain, make it round, and in the loop you have formed work 24 d.c.; 1 With cotton No. 24, and hook 3-1/2, 10 chain join round; work in round loop; * 1 d.c. 5 chain repeat * 5 times more. in loop work 12 d.c.; * 1 d.c. on 1st d.c., 5 chain, miss 1, repeat 5 and in round loop 1 d.c., 4 long, 3 chain; join to d.c. stitches 1st row: Make a chain of 261 stitches, turn back, and work 87 squares. the cotton twice over the hook instead of once, beginning on the d.c. stitches of the border, and working 5 l. row, the four stitches are worked on the loop.


id: 18971
title: Jacobean Embroidery: Its Forms and Fillings, Including Late Tudor
author: Fitzwilliam, Ada Wentworth
txt: ./txt/18971.txt
cache: ./cache/18971.txt
extension: .txt
mime: text/plain
summary:
  Op. III Details of Blue Crewel Work (the late Lady Maria Ponsonby''s). Op. VIII Solid Crewel Work 18th Century including the _Terra Firma_ and 20 Stem of leaf in Solid work (colour plate). worked in two shades of wool only--dark indigo blue and bright green; The medlar-like fruit is worked in Crewel stitch in bands of brown, stem sides, centre veinings in stem stitch, turnover in leaf, II, in block IV Flowers in soft blues in satin stitch, acorns have their cups worked The iris shown here was worked as follows: The contours in stem stitch veinings were worked in solid rows of outline stitch in brown shading to darned contour of double threads, the filling was in stem stitch, solid, plate is also shown a good example of basket stitch stem work. The small leaf is worked solid in shading stitch in blue with brown


id: 20386
title: Embroidery and Tapestry Weaving
author: Christie, Grace
txt: ./txt/20386.txt
cache: ./cache/20386.txt
extension: .txt
mime: text/plain
summary:
  Drawn Thread Work--Hem Stitching--Simple Border Patterns--Darned Thread good schemes of colour, and learn about stitches and methods of work by A spindle for winding gold thread upon whilst working is shown in fig. to work the lines of chain stitch in different shades of colour, and so a needle with two different coloured threads, commence the chain stitch Open chain stitch makes a good broad line; it looks best when worked centre of the working thread, which thus splits each stitch. when carrying out braid stitch, but work on the edge of the material as Patterns carried out in canvas stitches are sometimes to be seen worked In order to work it as a raised stitch, a line of some kind of Drawn Thread Work--Hem Stitching--Simple Border Patterns--Darned Thread Patterns--Corners--Cut or Open Work--Various Methods of Fig. 123 shows a couched line of gold thread outlining some silk embroidery,


id: 28269
title: Art in Needlework: A Book about Embroidery
author: Buckle, Mary
txt: ./txt/28269.txt
cache: ./cache/28269.txt
extension: .txt
mime: text/plain
summary:
  5. CROSS-STITCH SAMPLER--A and B, solid; C, line work; D, LAID-WORK SAMPLER, showing various ways (split-stitch and couching) chain, crewel, satin, and herringbone stitches, worked in dark blue silk Satin and other stitches were worked by the old Italians (Illustration [Illustration: THE WORKING OF G ON CREWEL-STITCH SAMPLER.] [Illustration: THE WORKING OF G ON CREWEL-STITCH SAMPLER.] [Illustration: THE WORKING OF G ON CREWEL-STITCH SAMPLER.] To work chain-stitch (A on the sampler, Illustration 17) bring the The braid-stitch shown at F on the sampler (Illustration 17) is worked [Illustration: THE WORKING OF G ON CHAIN-STITCH SAMPLER.] [Illustration: THE WORKING OF G ON CHAIN-STITCH SAMPLER.] [Illustration: THE WORKING OF A, B, C ON ORIENTAL-STITCH SAMPLER.] [Illustration: THE WORKING OF G ON KNOT-STITCH SAMPLER.] [Illustration: THE WORKING OF G ON KNOT-STITCH SAMPLER.] Other surface work, sometimes called LACE-STITCH, is illustrated in the The satin-stitch on Illustration 58 is all surface work.


id: 41717
title: Samplers and Tapestry Embroideries Second Edition
author: Huish, Marcus B. (Marcus Bourne)
txt: ./txt/41717.txt
cache: ./cache/41717.txt
extension: .txt
mime: text/plain
summary:
  CUT AND DRAWN-WORK: ENLARGEMENT FROM 17TH CENTURY SAMPLER 163 BACK-STITCH: ENLARGEMENT OF PORTION OF SAMPLER IN FIG. An early specimen of a bordered Sampler, dated 1747, the rows being Mrs Millett''s piece (Fig. 16), the figures which appear upon samplers are drawn-work samplers--one by Elizabeth Wood, dated 1666, which contains sampler in "rows." A case, for instance, probably occurred, as in Fig. 24,[6] where a piece of decoration had a vacant space at its sides, and Elizabeth Greensmith''s sampler (Fig. 27), worked two years later, in 1737, In the second row of the sampler, Fig. 24, it is seen in a much simpler form, and it will also be found in Plate "The earliest German samplers seem to be worked entirely in cross-stitch, The centre designs in the two samplers illustrated are worked in fine samplers are done entirely in this stitch, worked in lines round and


