Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. This report is a terse narrative report, and when processing is complete you will be linked to a more complete narrative report. Eric Lease Morgan Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 11 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 28608 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 65 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 9 illustration 5 art 4 form 4 Mr. 4 FIG 3 work 3 design 2 nature 2 man 2 life 2 great 2 colour 2 St. 2 PLATE 2 New 2 England 1 wood 1 way 1 vessel 1 vertical 1 thing 1 textile 1 surface 1 sidenote 1 primary 1 power 1 mind 1 metal 1 masse 1 indian 1 gothic 1 good 1 footnote 1 figure 1 enrichment 1 color 1 building 1 beauty 1 architecture 1 York 1 Wren 1 William 1 Vols 1 Velasquez 1 Turner 1 Titian 1 Tintoret 1 Sullivan 1 South 1 Silver Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 935 art 917 illustration 807 form 746 work 661 design 516 enrichment 506 figure 495 surface 491 colour 394 line 381 ornament 378 part 344 man 336 color 332 time 320 point 320 material 316 wood 291 effect 291 character 283 mass 280 example 277 metal 272 division 271 way 269 thing 267 use 259 wall 256 pattern 250 object 244 nature 244 decoration 239 case 238 hand 234 architecture 232 beauty 229 life 226 value 222 vessel 215 hue 212 fig 210 stone 206 furniture 203 result 203 power 199 period 199 o 195 sidenote 195 side 195 building Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 3042 _ 318 Fig 304 FIG 238 Rule 204 Figure 203 PLATE 168 Mr. 122 6d 107 Silver 97 Queen 87 Anne 86 M. 81 . 78 England 76 Plate 75 Enamel 72 Enrichment 67 enamel 62 William 62 Gold 58 Museum 57 B 56 New 55 b 53 B. 50 | 50 St. 49 Mary 49 II 48 London 47 J. 47 Indians 46 English 44 F. 44 Edition 43 PRIMARY 42 hue 42 C 41 Figures 39 Sidenote 39 I. 39 Court 37 E. 37 Design 37 C. 36 Wren 36 Ornament 36 H. 35 W. 35 Titian Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 2965 it 1277 we 1081 you 1073 i 795 they 628 he 479 them 276 us 206 him 156 itself 128 me 84 themselves 76 himself 61 she 42 one 39 ourselves 21 herself 20 her 18 myself 13 yourselves 9 yourself 9 ours 8 theirs 3 oneself 2 yours 2 mine 2 his 1 pl 1 lieut.-col 1 him,--"that 1 hers 1 c;-- Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 11802 be 2379 have 742 do 598 make 524 give 497 see 392 find 368 use 357 show 335 say 311 produce 287 form 244 know 227 take 211 become 209 consider 203 design 197 come 184 appear 173 think 173 look 172 apply 169 call 168 let 167 place 165 work 161 follow 159 employ 151 draw 143 represent 143 add 131 bring 129 set 126 lead 117 illustrate 114 go 109 leave 103 suggest 100 pass 99 get 97 seem 97 bear 96 paint 94 require 93 speak 93 carve 92 enrich 90 carry 88 present 88 develop Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 1587 not 642 so 642 more 557 other 480 great 422 such 415 well 413 only 401 very 351 most 348 first 339 good 310 as 304 much 301 now 299 many 272 primary 267 simple 265 thus 265 then 260 also 257 small 256 large 251 beautiful 246 same 234 vertical 228 horizontal 217 even 214 little 211 high 194 however 184 less 183 always 178 new 178 here 176 out 171 decorative 168 blue 166 long 165 still 163 old 163 certain 160 necessary 159 possible 159 far 153 own 152 too 152 often 152 just 148 natural Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 128 good 71 least 67 most 38 great 37 high 23 simple 18 fine 16 early 11 strong 10 low 10 Most 9 manif 8 wide 8 noble 7 pure 7 late 7 easy 6 rich 5 safe 5 common 5 bad 4 small 4 minute 4 large 4 fair 4 close 3 narrow 3 light 3 few 3 broad 3 bright 2 wild 2 true 2 subtle 2 slight 2 short 2 rare 2 near 2 mighty 2 lovely 2 lofty 2 happy 2 grand 2 farth 2 faint 2 dark 2 cheap 1 weak 1 unmanif 1 thick Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 284 most 11 well 7 least 2 ¦ 1 hard 1 close Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 14 _ see _ 4 _ is _ 3 colors are usually 3 colour is not 3 figure is not 3 time be sympathetically 3 work is not 2 _ form _ 2 _ represented _ 2 art has not 2 art is not 2 colours are present 2 design is not 2 design is often 2 divisions are much 2 divisions are often 2 enrichment is generally 2 examples are so 2 illustration is also 2 man has ever 2 material is capable 2 ornament is generally 2 surface design evolution 2 work is always 2 work is very 1 _ applied _ 1 _ are _ 1 _ are then 1 _ be _ 1 _ be decorative 1 _ be useful 1 _ do _ 1 _ does _ 1 _ doing _ 1 _ draw _ 1 _ found voice 1 _ had nothing 1 _ have _ 1 _ have not 1 _ is entirely 1 _ is even 1 _ is pleasing 1 _ is subject 1 _ is wider 1 _ look _ 1 _ made up 1 _ make money 1 _ produces _ 1 _ seeing _ 1 _ thinking _ Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 1 art has no _ 1 art having no parallel 1 art is not sufficiently 1 colour has no proper 1 colour is not always 1 examples are not _ 1 figure is not at 1 figure is not so 1 formed has no liberty 1 illustrations are not only 1 lines have no direct 1 man was not primarily 1 materials were not ornament 1 men are not able 1 metal has no power 1 ornaments are not amenable 1 parts are not too 1 wood is not nearly 1 work is not overdone 1 work were not beloved A rudimentary bibliography -------------------------- id = 12625 author = Bragdon, Claude Fayette title = Architecture and Democracy date = keywords = Mr.; New; Plate; Sullivan; York; architecture; art; beauty; building; color; figure; form; great; illustration; life; man; mind; nature; thing summary = the first time, the author having previously paid his respects to Mr. Sullivan''s strictly architectural genius in an essay in _House and a frosting of beauty in the form of architectural style, in the democracy in his heart and let it create and determine its new forms effect of architecture by artificial illumination, and to use colored a color-evolution in architectural art. light and color expression, is the best approach to a new art of for some of the musical dissonances are of great beauty in color architectural art will become increasingly colorful. joy comes back into life, color will come back into architecture. nature, freshly sensed, will yield new symbols which art will organize things of this world which will produce a new language of symbols. need and the power to build," the spirit of great art alone is The correlation between music and architecture is no new thought; it id = 23450 author = Delamotte, F. (Freeman) title = The Book of Ornamental Alphabets, Ancient and Medieval, from the Eighth Century With Numerals, including Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, Monograms, Crosses, &c. date = keywords = illustration summary = BOOK OF ORNAMENTAL ALPHABETS, Gothic; Church Text, Large and Small; German Arabesque; Initials for [Illustration: 11th Century, and Numerals.] [Illustration: Henry the Seventh. [Illustration: German Arabesque. [Illustration: German Arabesque. [Illustration: Metal Ornamental.] [Illustration: Numerals.] [Illustration: Numerals.] [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. id = 39749 author = Dresser, Christopher title = Principles of Decorative Design Fourth Edition date = keywords = Coloured; Edition; Egyptians; Fig; Figs; Illustrated; Mr.; Museum; New; Plates; South; Vols; art; colour; form; gothic; illustration; indian; work summary = glass, wall decorations, carpets, floor cloths, window-hangings, dress the materials of which the Roman works were formed were considered, ornaments produced in the best periods of art (Fig. 15). centre, by three similar lines, the colours which form a harmony; costly works of inferior character, illustrative of Renaissance art, general form of all works of furniture should first be cared for, and 4. The material of which the object is formed must always be worked in which he forms his works than of the art-effect produced. If the ornament is very good, and the pattern is the work of a true question--what form of pattern, or what character of ornament, should Clay is a most desirable material with which to form works of utility pattern being formed by portions of various coloured glass being it, if possible, be formed of coloured glass having beauty of design Precious Materials in the Form of Art-works, 117, 118. id = 17730 author = Holmes, William Henry title = A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-''85, Government Printing Office, Washington, 1888, (pages 189-252) date = keywords = FIG; Indians; art; form; illustration; textile; work summary = features observed upon the surface, the colors and patterns (Fig. 286), pertain to design rather than to form and will receive attention The natural colors of textile materials are enormously varied and form Having made a brief study of form and color in the textile art, I Fig. 292 illustrates the surface produced by crowding the horizontal series surface effect given by closely woven work is illustrated in Fig. 294, that American art has produced few examples of tasseled work more EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. textile art to the parentage of geometric ornament and that the Form in textile art and its relation to ornament, with illustrations Geometric design, relations of, to textile ornament 202-244 Textile art in its relation to the development of form and ornament, Textile art in its relation to the development of form and ornament, id = 19953 author = Holmes, William Henry title = Origin and Development of Form and Ornament in Ceramic Art. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466. date = keywords = FIG; art; form; illustration; vessel summary = FORM AND ORNAMENT IN CERAMIC ART. _Form_, as embodied in clay vessels, embraces, 1st, _useful shapes_, Clay has no inherent qualities of a nature to impose a given form or natural forms, both animal and vegetable, embodied in vessels of clay, art has acquired a multitude of new forms, some of which may be natural the art of pottery would use the stone vessels as models, and such forms probably many forms suggested by the use of the coil in vessel building, applied ornament, examples of which, from Pueblo art, are given in Fig. 479. Non-ideographic forms of ornament may originate in ideographic features, its possible origin through the modification of forms derived from In the latter art the forms of Ceramic art, Origin and development of form and Form modifies ornament in pottery 458 Origin and development of form and ornament in Origin and development of form and ornament in id = 22427 author = Jones, Owen title = One Thousand and One Initial Letters date = keywords = illustration summary = id = 43805 author = Reveirs-Hopkins, A. E. (Alfred Edward) title = Little Books About Old Furniture. Volume II. The Period of Queen Anne date = keywords = Anne; Court; England; FIG; Gibbon; Hampton; Mary; Mr.; PERIOD; Queen; St.; William; Wren; illustration summary = What is termed the Queen Anne period of furniture may be said to date 11 and 12 are simple mirrors of the Queen Anne period. Another form of decoration applied to mirror-frames of the Queen Anne Fig. 20 is an example of a toilet mirror of the Queen Anne period, the early Queen Anne period covered with Petit-point needlework, with which Fig. 23 is a large stool of the Queen Anne period with escallop-shell Fig. 32 is a simple type of Queen Anne chair with cabriole legs, carved work, as in the chests of drawers, cabinets, and clock-cases showing SIMPLE WALL MIRROR (QUEEN ANNE PERIOD) SIMPLE TOILET MIRROR (QUEEN ANNE PERIOD) SIMPLE CHAIRS (PERIOD QUEEN ANNE) SIMPLE CHAIRS WITH CABRIOLE LEGS (QUEEN ANNE PERIOD) 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] WRITING TABLE (QUEEN ANNE PERIOD)] id = 7291 author = Ruskin, John title = The Two Paths date = keywords = England; Italy; Mr.; Reynolds; St.; Tintoret; Titian; Turner; Velasquez; art; colour; design; footnote; good; great; life; man; nature; power; way; work summary = the effect of art on the human mind; and they forced these questions power_ and _moral principal_; whereas art, devoted humbly and selfforgetfully to the clear statement and record of the facts of the universe, great law of art-life--can only be seen in these, the most powerful of As long as a school of art holds any chain of natural facts, the art is concerned with, great or small--over lines, over colours, works of inferior men, who present us with the greatness which we perfection in art;--then the question is, since this great man pursued beautiful and perfect art to such uses, and you want forms of inferior connection between figure-drawing and good ornamental work, in the the work was put far above the eye; but, on the other hand, as beauties THE WORK OP IRON, IN NATURE, ART, AND POLICY. THE WORK OP IRON, IN NATURE, ART, AND POLICY. id = 42317 author = Varnum, William H. (William Harrison) title = Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen date = keywords = Figure; PLATE; Rule; design; enrichment; illustration; masse; metal; primary; sidenote; surface; vertical; wood summary = [Sidenote: Divisions in Design Evolution and Enrichment] [Sidenote: Designing Objects with Horizontal Divisions--(_Continued_)] [Illustration: HORIZONTAL SPACE DIVISIONS OF THE PRIMARY MASS IN WOOD designer was required to form a vertical primary mass to conform with SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD major division of Industrial Arts Design, that of Surface Enrichment. [Illustration: STRAIGHT LINE SURFACE ENRICHMENT OF A SMALL PRIMARY MASS SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD--Continued [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN METAL WITH id = 49559 author = nan title = Modern Design in Jewellery and Fans date = keywords = Brooch; Enamel; FIG; Gold; PLATE; Pendant; Silver; design; illustration summary = is needed to make a real work of art in the form of a brooch or a swan hair-pin, his seaweed buttons in gold and silver on greenish enamel _Design for a Comb in Enamel Shell, and incrusted Gold_ Kate Fisher and Miss McBean, in whose designs for clasps, etc., enamel DESIGNS FOR JEWELLERY IN GOLD, SILVER, [Illustration: _Silver Clasps and Gold Pendants set with Opals and [Illustration: _Silver and Enamel Clasps, Pins and Brooches_ secondary value in modern art-work to beauty of line and of colour. Working in enamel is of course an independent art in itself, and to In modern decorative work, silver is now very largely used and Wagner, who has produced amongst other tasteful work a beautiful silver [Illustration: _Pendant in Gold, Silver, Enamel, and Pearl_ Executed by [Illustration: _Design for a Necklet in Silver and Enamel_ jewellery is now made entirely from gold and silver, and enamel, and