mv: ‘./input-file.zip’ and ‘./input-file.zip’ are the same file Creating study carrel named subject-decorationAndOrnament-gutenberg Initializing database Unzipping Archive: input-file.zip creating: ./tmp/input/input-file/ inflating: ./tmp/input/input-file/19953.txt inflating: ./tmp/input/input-file/17730.txt inflating: ./tmp/input/input-file/23450.txt inflating: ./tmp/input/input-file/22427.txt inflating: ./tmp/input/input-file/25290.txt inflating: ./tmp/input/input-file/12625.txt inflating: ./tmp/input/input-file/7291.txt inflating: ./tmp/input/input-file/39749.txt inflating: ./tmp/input/input-file/49559.txt inflating: ./tmp/input/input-file/42317.txt inflating: ./tmp/input/input-file/43805.txt inflating: ./tmp/input/input-file/metadata.csv caution: excluded filename not matched: *MACOSX* === DIRECTORIES: ./tmp/input === DIRECTORY: ./tmp/input/input-file === metadata file: ./tmp/input/input-file/metadata.csv === found metadata file === updating bibliographic database Building study carrel named subject-decorationAndOrnament-gutenberg FILE: cache/22427.txt OUTPUT: txt/22427.txt FILE: cache/23450.txt OUTPUT: txt/23450.txt FILE: cache/12625.txt OUTPUT: txt/12625.txt FILE: cache/25290.txt OUTPUT: txt/25290.txt FILE: cache/19953.txt OUTPUT: txt/19953.txt FILE: cache/43805.txt OUTPUT: txt/43805.txt FILE: cache/39749.txt OUTPUT: txt/39749.txt FILE: cache/17730.txt OUTPUT: txt/17730.txt FILE: cache/49559.txt OUTPUT: txt/49559.txt FILE: cache/42317.txt OUTPUT: txt/42317.txt FILE: cache/7291.txt OUTPUT: txt/7291.txt === file2bib.sh === id: 25290 author: Crane, Walter title: Line and Form (1900) date: pages: extension: .txt txt: ./txt/25290.txt cache: ./cache/25290.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 1 resourceName b'25290.txt' Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/file2bib.py", line 107, in text = textacy.preprocessing.normalize.normalize_quotation_marks( text ) File "/data-disk/python/lib/python3.8/site-packages/textacy/preprocessing/normalize.py", line 32, in normalize_quotation_marks return text.translate(QUOTE_TRANSLATION_TABLE) AttributeError: 'NoneType' object has no attribute 'translate' 22427 txt/../ent/22427.ent 22427 txt/../pos/22427.pos 22427 txt/../wrd/22427.wrd 25290 txt/../ent/25290.ent 25290 txt/../pos/25290.pos 25290 txt/../wrd/25290.wrd Traceback (most recent call last): File "/data-disk/reader-compute/reader-classic/bin/txt2keywords.py", line 54, in for keyword, score in ( yake( doc, ngrams=NGRAMS, topn=TOPN ) ) : File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 96, in yake word_scores = _compute_word_scores(doc, word_occ_vals, word_freqs, stop_words) File "/data-disk/python/lib/python3.8/site-packages/textacy/ke/yake.py", line 205, in _compute_word_scores freq_baseline = statistics.mean(freqs_nsw) + statistics.stdev(freqs_nsw) File "/data-disk/python/lib/python3.8/statistics.py", line 315, in mean raise StatisticsError('mean requires at least one data point') statistics.StatisticsError: mean requires at least one data point === file2bib.sh === id: 22427 author: Jones, Owen title: One Thousand and One Initial Letters date: pages: extension: .txt txt: ./txt/22427.txt cache: ./cache/22427.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 2 resourceName b'22427.txt' 23450 txt/../wrd/23450.wrd 23450 txt/../pos/23450.pos 23450 txt/../ent/23450.ent === file2bib.sh === id: 23450 author: Delamotte, F. (Freeman) title: The Book of Ornamental Alphabets, Ancient and Medieval, from the Eighth Century With Numerals, including Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, Monograms, Crosses, &c. date: pages: extension: .txt txt: ./txt/23450.txt cache: ./cache/23450.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'23450.txt' 19953 txt/../pos/19953.pos 19953 txt/../wrd/19953.wrd 19953 txt/../ent/19953.ent === file2bib.sh === id: 19953 author: Holmes, William Henry title: Origin and Development of Form and Ornament in Ceramic Art. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466. date: pages: extension: .txt txt: ./txt/19953.txt cache: ./cache/19953.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'19953.txt' 49559 txt/../pos/49559.pos 49559 txt/../wrd/49559.wrd 17730 txt/../pos/17730.pos 17730 txt/../wrd/17730.wrd 17730 txt/../ent/17730.ent 49559 txt/../ent/49559.ent 43805 txt/../wrd/43805.wrd 43805 txt/../pos/43805.pos === file2bib.sh === id: 17730 author: Holmes, William Henry title: A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-'85, Government Printing Office, Washington, 1888, (pages 189-252) date: pages: extension: .txt txt: ./txt/17730.txt cache: ./cache/17730.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'17730.txt' === file2bib.sh === id: 49559 author: nan title: Modern Design in Jewellery and Fans date: pages: extension: .txt txt: ./txt/49559.txt cache: ./cache/49559.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'49559.txt' 12625 txt/../pos/12625.pos 43805 txt/../ent/43805.ent 12625 txt/../wrd/12625.wrd 12625 txt/../ent/12625.ent 7291 txt/../pos/7291.pos === file2bib.sh === id: 43805 author: Reveirs-Hopkins, A. E. (Alfred Edward) title: Little Books About Old Furniture. Volume II. The Period of Queen Anne date: pages: extension: .txt txt: ./txt/43805.txt cache: ./cache/43805.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'43805.txt' 42317 txt/../pos/42317.pos 7291 txt/../wrd/7291.wrd 42317 txt/../wrd/42317.wrd 7291 txt/../ent/7291.ent === file2bib.sh === id: 12625 author: Bragdon, Claude Fayette title: Architecture and Democracy date: pages: extension: .txt txt: ./txt/12625.txt cache: ./cache/12625.txt Content-Encoding UTF-8 Content-Type text/plain; charset=UTF-8 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'12625.txt' 39749 txt/../pos/39749.pos 39749 txt/../wrd/39749.wrd 42317 txt/../ent/42317.ent 39749 txt/../ent/39749.ent === file2bib.sh === id: 7291 author: Ruskin, John title: The Two Paths date: pages: extension: .txt txt: ./txt/7291.txt cache: ./cache/7291.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 3 resourceName b'7291.txt' === file2bib.sh === id: 42317 author: Varnum, William H. (William Harrison) title: Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen date: pages: extension: .txt txt: ./txt/42317.txt cache: ./cache/42317.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'42317.txt' === file2bib.sh === id: 39749 author: Dresser, Christopher title: Principles of Decorative Design Fourth Edition date: pages: extension: .txt txt: ./txt/39749.txt cache: ./cache/39749.txt Content-Encoding ISO-8859-1 Content-Type text/plain; charset=ISO-8859-1 X-Parsed-By ['org.apache.tika.parser.DefaultParser', 'org.apache.tika.parser.csv.TextAndCSVParser'] X-TIKA:content_handler ToTextContentHandler X-TIKA:embedded_depth 0 X-TIKA:parse_time_millis 4 resourceName b'39749.txt' Done mapping. Reducing subject-decorationAndOrnament-gutenberg === reduce.pl bib === id = 19953 author = Holmes, William Henry title = Origin and Development of Form and Ornament in Ceramic Art. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466. date = pages = extension = .txt mime = text/plain words = 8194 sentences = 505 flesch = 63 summary = FORM AND ORNAMENT IN CERAMIC ART. _Form_, as embodied in clay vessels, embraces, 1st, _useful shapes_, Clay has no inherent qualities of a nature to impose a given form or natural forms, both animal and vegetable, embodied in vessels of clay, art has acquired a multitude of new forms, some of which may be natural the art of pottery would use the stone vessels as models, and such forms probably many forms suggested by the use of the coil in vessel building, applied ornament, examples of which, from Pueblo art, are given in Fig. 479. Non-ideographic forms of ornament may originate in ideographic features, its possible origin through the modification of forms derived from In the latter art the forms of Ceramic art, Origin and development of form and Form modifies ornament in pottery 458 Origin and development of form and ornament in Origin and development of form and ornament in cache = ./cache/19953.txt txt = ./txt/19953.txt === reduce.pl bib === id = 23450 author = Delamotte, F. (Freeman) title = The Book of Ornamental Alphabets, Ancient and Medieval, from the Eighth Century With Numerals, including Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, Monograms, Crosses, &c. date = pages = extension = .txt mime = text/plain words = 797 sentences = 202 flesch = 60 summary = BOOK OF ORNAMENTAL ALPHABETS, Gothic; Church Text, Large and Small; German Arabesque; Initials for [Illustration: 11th Century, and Numerals.] [Illustration: Henry the Seventh. [Illustration: German Arabesque. [Illustration: German Arabesque. [Illustration: Metal Ornamental.] [Illustration: Numerals.] [Illustration: Numerals.] [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. cache = ./cache/23450.txt txt = ./txt/23450.txt === reduce.pl bib === id = 22427 author = Jones, Owen title = One Thousand and One Initial Letters date = pages = extension = .txt mime = text/plain words = 100 sentences = 33 flesch = 41 summary = cache = ./cache/22427.txt txt = ./txt/22427.txt === reduce.pl bib === id = 43805 author = Reveirs-Hopkins, A. E. (Alfred Edward) title = Little Books About Old Furniture. Volume II. The Period of Queen Anne date = pages = extension = .txt mime = text/plain words = 26318 sentences = 1623 flesch = 75 summary = What is termed the Queen Anne period of furniture may be said to date 11 and 12 are simple mirrors of the Queen Anne period. Another form of decoration applied to mirror-frames of the Queen Anne Fig. 20 is an example of a toilet mirror of the Queen Anne period, the early Queen Anne period covered with Petit-point needlework, with which Fig. 23 is a large stool of the Queen Anne period with escallop-shell Fig. 32 is a simple type of Queen Anne chair with cabriole legs, carved work, as in the chests of drawers, cabinets, and clock-cases showing SIMPLE WALL MIRROR (QUEEN ANNE PERIOD) SIMPLE TOILET MIRROR (QUEEN ANNE PERIOD) SIMPLE CHAIRS (PERIOD QUEEN ANNE) SIMPLE CHAIRS WITH CABRIOLE LEGS (QUEEN ANNE PERIOD) 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] WRITING TABLE (QUEEN ANNE PERIOD)] cache = ./cache/43805.txt txt = ./txt/43805.txt === reduce.pl bib === id = 17730 author = Holmes, William Henry title = A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-'85, Government Printing Office, Washington, 1888, (pages 189-252) date = pages = extension = .txt mime = text/plain words = 18270 sentences = 1078 flesch = 60 summary = features observed upon the surface, the colors and patterns (Fig. 286), pertain to design rather than to form and will receive attention The natural colors of textile materials are enormously varied and form Having made a brief study of form and color in the textile art, I Fig. 292 illustrates the surface produced by crowding the horizontal series surface effect given by closely woven work is illustrated in Fig. 294, that American art has produced few examples of tasseled work more EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. textile art to the parentage of geometric ornament and that the Form in textile art and its relation to ornament, with illustrations Geometric design, relations of, to textile ornament 202-244 Textile art in its relation to the development of form and ornament, Textile art in its relation to the development of form and ornament, cache = ./cache/17730.txt txt = ./txt/17730.txt === reduce.pl bib === id = 12625 author = Bragdon, Claude Fayette title = Architecture and Democracy date = pages = extension = .txt mime = text/plain words = 36819 sentences = 1541 flesch = 61 summary = the first time, the author having previously paid his respects to Mr. Sullivan's strictly architectural genius in an essay in _House and a frosting of beauty in the form of architectural style, in the democracy in his heart and let it create and determine its new forms effect of architecture by artificial illumination, and to use colored a color-evolution in architectural art. light and color expression, is the best approach to a new art of for some of the musical dissonances are of great beauty in color architectural art will become increasingly colorful. joy comes back into life, color will come back into architecture. nature, freshly sensed, will yield new symbols which art will organize things of this world which will produce a new language of symbols. need and the power to build," the spirit of great art alone is The correlation between music and architecture is no new thought; it cache = ./cache/12625.txt txt = ./txt/12625.txt === reduce.pl bib === id = 42317 author = Varnum, William H. (William Harrison) title = Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen date = pages = extension = .txt mime = text/plain words = 53206 sentences = 4276 flesch = 69 summary = [Sidenote: Divisions in Design Evolution and Enrichment] [Sidenote: Designing Objects with Horizontal Divisions--(_Continued_)] [Illustration: HORIZONTAL SPACE DIVISIONS OF THE PRIMARY MASS IN WOOD designer was required to form a vertical primary mass to conform with SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD major division of Industrial Arts Design, that of Surface Enrichment. [Illustration: STRAIGHT LINE SURFACE ENRICHMENT OF A SMALL PRIMARY MASS SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD--Continued [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN METAL WITH cache = ./cache/42317.txt txt = ./txt/42317.txt === reduce.pl bib === id = 39749 author = Dresser, Christopher title = Principles of Decorative Design Fourth Edition date = pages = extension = .txt mime = text/plain words = 68032 sentences = 4000 flesch = 73 summary = glass, wall decorations, carpets, floor cloths, window-hangings, dress the materials of which the Roman works were formed were considered, ornaments produced in the best periods of art (Fig. 15). centre, by three similar lines, the colours which form a harmony; costly works of inferior character, illustrative of Renaissance art, general form of all works of furniture should first be cared for, and 4. The material of which the object is formed must always be worked in which he forms his works than of the art-effect produced. If the ornament is very good, and the pattern is the work of a true question--what form of pattern, or what character of ornament, should Clay is a most desirable material with which to form works of utility pattern being formed by portions of various coloured glass being it, if possible, be formed of coloured glass having beauty of design Precious Materials in the Form of Art-works, 117, 118. cache = ./cache/39749.txt txt = ./txt/39749.txt === reduce.pl bib === id = 49559 author = nan title = Modern Design in Jewellery and Fans date = pages = extension = .txt mime = text/plain words = 18366 sentences = 1371 flesch = 75 summary = is needed to make a real work of art in the form of a brooch or a swan hair-pin, his seaweed buttons in gold and silver on greenish enamel _Design for a Comb in Enamel Shell, and incrusted Gold_ Kate Fisher and Miss McBean, in whose designs for clasps, etc., enamel DESIGNS FOR JEWELLERY IN GOLD, SILVER, [Illustration: _Silver Clasps and Gold Pendants set with Opals and [Illustration: _Silver and Enamel Clasps, Pins and Brooches_ secondary value in modern art-work to beauty of line and of colour. Working in enamel is of course an independent art in itself, and to In modern decorative work, silver is now very largely used and Wagner, who has produced amongst other tasteful work a beautiful silver [Illustration: _Pendant in Gold, Silver, Enamel, and Pearl_ Executed by [Illustration: _Design for a Necklet in Silver and Enamel_ jewellery is now made entirely from gold and silver, and enamel, and cache = ./cache/49559.txt txt = ./txt/49559.txt === reduce.pl bib === === reduce.pl bib === id = 7291 author = Ruskin, John title = The Two Paths date = pages = extension = .txt mime = text/plain words = 55981 sentences = 2106 flesch = 68 summary = the effect of art on the human mind; and they forced these questions power_ and _moral principal_; whereas art, devoted humbly and selfforgetfully to the clear statement and record of the facts of the universe, great law of art-life--can only be seen in these, the most powerful of As long as a school of art holds any chain of natural facts, the art is concerned with, great or small--over lines, over colours, works of inferior men, who present us with the greatness which we perfection in art;--then the question is, since this great man pursued beautiful and perfect art to such uses, and you want forms of inferior connection between figure-drawing and good ornamental work, in the the work was put far above the eye; but, on the other hand, as beauties THE WORK OP IRON, IN NATURE, ART, AND POLICY. THE WORK OP IRON, IN NATURE, ART, AND POLICY. cache = ./cache/7291.txt txt = ./txt/7291.txt Building ./etc/reader.txt 39749 7291 42317 42317 7291 49559 number of items: 11 sum of words: 286,083 average size in words: 28,608 average readability score: 64 nouns: art; illustration; work; design; enrichment; form; surface; forms; colour; figure; ornament; wood; mass; lines; color; time; character; nature; use; architecture; way; beauty; point; effect; divisions; life; metal; man; furniture; material; figures; works; decoration; o; sidenote; part; parts; period; clay; hand; order; value; power; mind; fig; colours; manner; side; example; people verbs: is; be; are; have; has; was; been; were; do; being; made; used; had; seen; give; find; see; make; say; produced; let; formed; does; shown; found; placed; given; having; said; designed; know; set; think; employed; look; take; applied; called; appear; come; consider; become; show; produce; use; known; becomes; form; considered; done adjectives: other; such; great; many; primary; beautiful; same; simple; vertical; horizontal; small; good; little; large; more; first; new; decorative; blue; certain; necessary; possible; old; own; natural; similar; much; true; full; human; general; various; green; best; red; different; free; modern; geometric; high; common; few; white; present; precious; right; fine; structural; strong; architectural adverbs: not; so; more; only; very; as; now; most; well; thus; then; also; even; however; always; here; out; still; much; first; too; often; just; never; far; almost; up; ever; less; yet; therefore; rather; generally; all; together; perhaps; again; already; quite; indeed; on; about; once; merely; readily; down; long; usually; especially; slightly pronouns: it; we; you; i; its; they; his; their; he; them; our; your; us; him; my; itself; me; her; themselves; himself; she; one; ourselves; herself; myself; yourselves; ours; yourself; theirs; yours; thy; oneself; mine; pl; passes--"you; lieut.-col; him,--"that; hers; c;-- proper nouns: _; fig; plate; rule; figure; mr.; enamel; 6d; anne; b; silver; queen; enrichment; william; m.; .; england; museum; mary; new; c; gold; design; c.; london; ornament; hue; primary; clay; b.; english; |; st.; ii; edition; chapter; j.; indians; chroma; china; arts; f.; blue; court; cassell; red; d; figures; surface; rules keywords: illustration; fig; art; mr.; form; work; plate; design; st.; new; nature; man; life; great; figure; england; colour; york; wren; wood; william; way; vols; vessel; vertical; velasquez; turner; titian; tintoret; thing; textile; surface; sullivan; south; silver; sidenote; rule; reynolds; queen; primary; power; plates; period; pendant; museum; mind; metal; masse; mary; italy one topic; one dimension: art file(s): ./cache/19953.txt titles(s): Origin and Development of Form and Ornament in Ceramic Art. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466. three topics; one dimension: art; enrichment; fig file(s): ./cache/7291.txt, ./cache/42317.txt, ./cache/39749.txt titles(s): The Two Paths | Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen | Principles of Decorative Design Fourth Edition five topics; three dimensions: art fig work; fig illustration colour; enrichment design figure; art fig color; letters 1864 lithographers file(s): ./cache/7291.txt, ./cache/39749.txt, ./cache/42317.txt, ./cache/17730.txt, titles(s): The Two Paths | Principles of Decorative Design Fourth Edition | Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen | A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-''85, Government Printing Office, Washington, 1888, (pages 189-252) | Line and Form (1900) Type: gutenberg title: subject-decorationAndOrnament-gutenberg date: 2021-06-05 time: 12:06 username: emorgan patron: Eric Morgan email: emorgan@nd.edu input: facet_subject:"Decoration and ornament" ==== make-pages.sh htm files ==== make-pages.sh complex files ==== make-pages.sh named enities ==== making bibliographics id: 12625 author: Bragdon, Claude Fayette title: Architecture and Democracy date: words: 36819.0 sentences: 1541.0 pages: flesch: 61.0 cache: ./cache/12625.txt txt: ./txt/12625.txt summary: the first time, the author having previously paid his respects to Mr. Sullivan''s strictly architectural genius in an essay in _House and a frosting of beauty in the form of architectural style, in the democracy in his heart and let it create and determine its new forms effect of architecture by artificial illumination, and to use colored a color-evolution in architectural art. light and color expression, is the best approach to a new art of for some of the musical dissonances are of great beauty in color architectural art will become increasingly colorful. joy comes back into life, color will come back into architecture. nature, freshly sensed, will yield new symbols which art will organize things of this world which will produce a new language of symbols. need and the power to build," the spirit of great art alone is The correlation between music and architecture is no new thought; it id: 25290 author: Crane, Walter title: Line and Form (1900) date: words: nan sentences: nan pages: flesch: nan cache: txt: summary: id: 23450 author: Delamotte, F. (Freeman) title: The Book of Ornamental Alphabets, Ancient and Medieval, from the Eighth Century With Numerals, including Gothic; Church Text, Large and Small; German Arabesque; Initials for Illumination, Monograms, Crosses, &c. date: words: 797.0 sentences: 202.0 pages: flesch: 60.0 cache: ./cache/23450.txt txt: ./txt/23450.txt summary: BOOK OF ORNAMENTAL ALPHABETS, Gothic; Church Text, Large and Small; German Arabesque; Initials for [Illustration: 11th Century, and Numerals.] [Illustration: Henry the Seventh. [Illustration: German Arabesque. [Illustration: German Arabesque. [Illustration: Metal Ornamental.] [Illustration: Numerals.] [Illustration: Numerals.] [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. [Illustration: 16th Century. id: 39749 author: Dresser, Christopher title: Principles of Decorative Design Fourth Edition date: words: 68032.0 sentences: 4000.0 pages: flesch: 73.0 cache: ./cache/39749.txt txt: ./txt/39749.txt summary: glass, wall decorations, carpets, floor cloths, window-hangings, dress the materials of which the Roman works were formed were considered, ornaments produced in the best periods of art (Fig. 15). centre, by three similar lines, the colours which form a harmony; costly works of inferior character, illustrative of Renaissance art, general form of all works of furniture should first be cared for, and 4. The material of which the object is formed must always be worked in which he forms his works than of the art-effect produced. If the ornament is very good, and the pattern is the work of a true question--what form of pattern, or what character of ornament, should Clay is a most desirable material with which to form works of utility pattern being formed by portions of various coloured glass being it, if possible, be formed of coloured glass having beauty of design Precious Materials in the Form of Art-works, 117, 118. id: 19953 author: Holmes, William Henry title: Origin and Development of Form and Ornament in Ceramic Art. Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466. date: words: 8194.0 sentences: 505.0 pages: flesch: 63.0 cache: ./cache/19953.txt txt: ./txt/19953.txt summary: FORM AND ORNAMENT IN CERAMIC ART. _Form_, as embodied in clay vessels, embraces, 1st, _useful shapes_, Clay has no inherent qualities of a nature to impose a given form or natural forms, both animal and vegetable, embodied in vessels of clay, art has acquired a multitude of new forms, some of which may be natural the art of pottery would use the stone vessels as models, and such forms probably many forms suggested by the use of the coil in vessel building, applied ornament, examples of which, from Pueblo art, are given in Fig. 479. Non-ideographic forms of ornament may originate in ideographic features, its possible origin through the modification of forms derived from In the latter art the forms of Ceramic art, Origin and development of form and Form modifies ornament in pottery 458 Origin and development of form and ornament in Origin and development of form and ornament in id: 17730 author: Holmes, William Henry title: A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-''85, Government Printing Office, Washington, 1888, (pages 189-252) date: words: 18270.0 sentences: 1078.0 pages: flesch: 60.0 cache: ./cache/17730.txt txt: ./txt/17730.txt summary: features observed upon the surface, the colors and patterns (Fig. 286), pertain to design rather than to form and will receive attention The natural colors of textile materials are enormously varied and form Having made a brief study of form and color in the textile art, I Fig. 292 illustrates the surface produced by crowding the horizontal series surface effect given by closely woven work is illustrated in Fig. 294, that American art has produced few examples of tasseled work more EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. textile art to the parentage of geometric ornament and that the Form in textile art and its relation to ornament, with illustrations Geometric design, relations of, to textile ornament 202-244 Textile art in its relation to the development of form and ornament, Textile art in its relation to the development of form and ornament, id: 22427 author: Jones, Owen title: One Thousand and One Initial Letters date: words: 100.0 sentences: 33.0 pages: flesch: 41.0 cache: ./cache/22427.txt txt: ./txt/22427.txt summary: id: 43805 author: Reveirs-Hopkins, A. E. (Alfred Edward) title: Little Books About Old Furniture. Volume II. The Period of Queen Anne date: words: 26318.0 sentences: 1623.0 pages: flesch: 75.0 cache: ./cache/43805.txt txt: ./txt/43805.txt summary: What is termed the Queen Anne period of furniture may be said to date 11 and 12 are simple mirrors of the Queen Anne period. Another form of decoration applied to mirror-frames of the Queen Anne Fig. 20 is an example of a toilet mirror of the Queen Anne period, the early Queen Anne period covered with Petit-point needlework, with which Fig. 23 is a large stool of the Queen Anne period with escallop-shell Fig. 32 is a simple type of Queen Anne chair with cabriole legs, carved work, as in the chests of drawers, cabinets, and clock-cases showing SIMPLE WALL MIRROR (QUEEN ANNE PERIOD) SIMPLE TOILET MIRROR (QUEEN ANNE PERIOD) SIMPLE CHAIRS (PERIOD QUEEN ANNE) SIMPLE CHAIRS WITH CABRIOLE LEGS (QUEEN ANNE PERIOD) 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] 41 FINE CHAIR (LATE QUEEN ANNE PERIOD)] WRITING TABLE (QUEEN ANNE PERIOD)] id: 7291 author: Ruskin, John title: The Two Paths date: words: 55981.0 sentences: 2106.0 pages: flesch: 68.0 cache: ./cache/7291.txt txt: ./txt/7291.txt summary: the effect of art on the human mind; and they forced these questions power_ and _moral principal_; whereas art, devoted humbly and selfforgetfully to the clear statement and record of the facts of the universe, great law of art-life--can only be seen in these, the most powerful of As long as a school of art holds any chain of natural facts, the art is concerned with, great or small--over lines, over colours, works of inferior men, who present us with the greatness which we perfection in art;--then the question is, since this great man pursued beautiful and perfect art to such uses, and you want forms of inferior connection between figure-drawing and good ornamental work, in the the work was put far above the eye; but, on the other hand, as beauties THE WORK OP IRON, IN NATURE, ART, AND POLICY. THE WORK OP IRON, IN NATURE, ART, AND POLICY. id: 42317 author: Varnum, William H. (William Harrison) title: Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen date: words: 53206.0 sentences: 4276.0 pages: flesch: 69.0 cache: ./cache/42317.txt txt: ./txt/42317.txt summary: [Sidenote: Divisions in Design Evolution and Enrichment] [Sidenote: Designing Objects with Horizontal Divisions--(_Continued_)] [Illustration: HORIZONTAL SPACE DIVISIONS OF THE PRIMARY MASS IN WOOD designer was required to form a vertical primary mass to conform with SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD major division of Industrial Arts Design, that of Surface Enrichment. [Illustration: STRAIGHT LINE SURFACE ENRICHMENT OF A SMALL PRIMARY MASS SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD--Continued [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN WOOD [Illustration: SURFACE ENRICHMENT OF SMALL PRIMARY MASSES IN METAL WITH id: 49559 author: nan title: Modern Design in Jewellery and Fans date: words: 18366.0 sentences: 1371.0 pages: flesch: 75.0 cache: ./cache/49559.txt txt: ./txt/49559.txt summary: is needed to make a real work of art in the form of a brooch or a swan hair-pin, his seaweed buttons in gold and silver on greenish enamel _Design for a Comb in Enamel Shell, and incrusted Gold_ Kate Fisher and Miss McBean, in whose designs for clasps, etc., enamel DESIGNS FOR JEWELLERY IN GOLD, SILVER, [Illustration: _Silver Clasps and Gold Pendants set with Opals and [Illustration: _Silver and Enamel Clasps, Pins and Brooches_ secondary value in modern art-work to beauty of line and of colour. Working in enamel is of course an independent art in itself, and to In modern decorative work, silver is now very largely used and Wagner, who has produced amongst other tasteful work a beautiful silver [Illustration: _Pendant in Gold, Silver, Enamel, and Pearl_ Executed by [Illustration: _Design for a Necklet in Silver and Enamel_ jewellery is now made entirely from gold and silver, and enamel, and ==== make-pages.sh questions ==== make-pages.sh search ==== make-pages.sh topic modeling corpus Zipping study carrel