Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. This report is a terse narrative report, and when processing is complete you will be linked to a more complete narrative report. Eric Lease Morgan Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 6 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 50727 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 68 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 3 colour 2 Yellow 2 White 2 Red 2 Green 2 Black 1 wing 1 spot 1 section 1 prussian 1 pigment 1 light 1 instance 1 illustration 1 french 1 form 1 colouration 1 color 1 case 1 body 1 art 1 animal 1 Water 1 Vitriol 1 Ultramarine 1 Tincture 1 Sun 1 Spirit 1 Spectrum 1 Solution 1 Sienna 1 Scales 1 Salts 1 Pyrophilus 1 Purple 1 Prof. 1 Plate 1 Papilio 1 Paper 1 PRINCIPLE 1 Oyl 1 Orange 1 Ochre 1 Neri 1 Nature 1 Mr. 1 Madder 1 Liquor 1 Lake 1 Glass Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 1425 colour 1138 color 533 part 509 pigment 474 light 374 tint 315 body 264 water 264 effect 260 time 256 paper 251 tone 244 blue 237 experiment 236 case 235 disk 225 way 221 hue 215 red 210 shade 202 use 202 nature 194 eye 188 form 185 mixture 180 animal 178 yellow 175 spectrum 172 gray 171 work 167 spot 167 object 167 green 162 orange 157 thing 154 place 150 picture 150 matter 148 violet 144 one 141 line 140 other 140 oil 140 kind 137 change 136 art 135 combination 133 result 133 black 131 variety Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 6126 _ 580 Colour 344 Green 317 White 297 Colours 292 Red 259 Yellow 223 Black 207 Liquor 200 Blue 173 Experiment 169 Glass 160 Spirit 157 Bodies 152 Water 148 Blew 132 c. 126 Light 122 | 119 Brown 115 Purple 110 Orange 109 Oyl 106 Eye 105 Salts 103 Solution 102 Fig 101 Salt 100 Pyrophilus 89 Nature 89 Blackness 85 Sun 84 Paper 80 Vitriol 79 Acid 75 Beams 73 Tincture 70 Experiments 69 Ultramarine 68 Body 67 W. 65 hue 65 Mr. 64 Sienna 63 EXPERIMENT 62 Stone 62 Lake 61 Aqua 60 Copper 59 Mineral Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 3240 it 1596 i 1109 we 748 they 653 them 566 you 384 he 174 us 170 me 104 themselves 96 him 46 she 43 itself 33 himself 21 one 11 her 8 ourselves 6 ''s 5 ours 5 herself 4 ting''d 3 his 2 theirs 1 us''d 1 trye 1 oneself 1 myself 1 mine 1 adjoyn''d Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 10231 be 2358 have 889 make 594 do 464 find 375 see 353 give 334 produce 330 take 269 appear 264 say 263 seem 257 know 243 show 240 call 230 use 194 add 190 become 168 afford 164 reflect 152 think 142 form 142 follow 137 colour 136 employ 127 change 123 obtain 117 consider 114 tell 114 bring 113 look 111 contain 108 come 102 differ 99 compound 99 combine 99 accord 98 mix 98 hold 98 fall 97 pass 96 possess 89 require 89 mention 88 put 87 observe 85 turn 83 render 83 remember 80 work Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 1818 not 853 other 836 so 737 more 663 very 488 well 459 white 444 blue 432 much 409 such 397 red 389 green 375 most 366 same 363 black 361 as 359 only 357 great 314 good 303 yellow 300 little 282 many 273 also 257 less 253 first 212 even 210 now 207 several 200 pure 190 then 190 dark 178 deep 176 small 166 yet 165 thus 165 sometimes 164 true 162 almost 157 therefore 157 light 150 too 147 orange 145 far 140 rather 140 often 140 here 139 certain 137 however 133 common 131 brown Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 119 good 102 most 83 least 35 great 20 pure 18 near 17 deep 15 low 15 light 15 high 14 fine 14 early 13 bright 12 simple 12 manif 7 rich 6 strong 6 large 6 dark 5 small 5 Most 4 slight 4 old 4 close 3 soft 3 late 3 fit 3 famous 2 vivid 2 red 2 long 2 intense 2 considerable 2 common 2 Least 1 wide 1 weak 1 warm 1 thin 1 strict 1 solid 1 smooth 1 slow 1 short 1 safe 1 rough 1 remote 1 recent 1 proud 1 noble Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 273 most 15 well 5 least 1 hard Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 5 _ colour _ 4 _ appears _ 4 _ are not 4 colour is very 3 _ are _ 3 _ see plates 3 blue is not 3 colour is not 2 _ colouring _ 2 _ colours _ 2 blue colouring matter 2 colors are much 2 colors are not 2 colors are so 2 colour is display 2 colour is most 2 colour was not 2 colours are sometimes 2 colours is more 2 colours is so 2 shades are not 1 _ appear _ 1 _ are adjoyn''d 1 _ are black 1 _ are ingenerable 1 _ are minute 1 _ are now 1 _ are obtainable 1 _ are white 1 _ be external 1 _ be internal 1 _ be persons 1 _ being dissolv''d 1 _ being green 1 _ being remov''d 1 _ being very 1 _ call _ 1 _ call sun 1 _ calls _ 1 _ did before 1 _ do _ 1 _ does _ 1 _ does as 1 _ does somewhere 1 _ has normally 1 _ has sometimes 1 _ have _ 1 _ have much 1 _ have not 1 _ have sometimes Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 1 _ are not _ 1 _ are not generally 1 _ are not so 1 _ have not _ 1 black was not so 1 blue is no longer 1 blue is not discordant 1 blue is not yet 1 cases have no small 1 colors are not so 1 colour are not material 1 colour has no business 1 colour is not inherent 1 colour is not remarkably 1 colour was not real 1 colours did not always 1 experiments are not sufficiently 1 experiments be not rang''d 1 hues are not merely 1 light are not so 1 light were not strongly 1 pigments are not yet 1 pigments being no inconsiderable 1 pigments is not so 1 red is not uncommon 1 shades are not permanent 1 shades are not too 1 tones are not as A rudimentary bibliography -------------------------- id = 14504 author = Boyle, Robert title = Experiments and Considerations Touching Colours (1664) date = keywords = Acid; Aqua; Beams; Black; Blackness; Blew; Bodies; Colour; Experiment; Eye; Glass; Green; Liquor; Nature; Oyl; Paper; Pyrophilus; Red; Salts; Solution; Spirit; Sun; Tincture; Vitriol; Water; White; Yellow; body; instance; light summary = Colours, as we see in Marble that appears White or Black, or Red or Blew, Ribbon, of these seven Colours, Black, White, Red, Blew, Green, Yellow, and appear to the Eye a Lighter Colour than Blew, but (by our first Experiment A fifth way, by which a Liquor may change the Colour of a Body, is, by Liquor may alter the Colour of another Body, by putting the Parts of it Sun-beams being cast from a Coloured Body upon a neighbouring White Wall, Whiteness and Blackness, to shew, that those two Colours may by a change of mention''d may shew us, that where the change of Colour in Black Bodies is the Colours appear''d the same as to kind that they did to the naked Eye. _EXPERIMENT VI._ Bodies abounding in Sulphureous parts are to afford a Red Colour, is one, That the Colour (_Pyrophilus_) of a Body may be chang''d by a Liquor which id = 40896 author = Bradley, Milton title = Elementary Color date = keywords = Chart; Scales; Spectrum; color summary = white surface, the result is a color between the red and the orange. proportion of the red and orange color-effect which is produced by any a line of tints of that color, and with a black disk, shades. accepted standards and their disk combinations; and Colored Papers and the six spectrum colors red, orange, yellow, green, blue and violet and _Warm Colors._--Red, orange and yellow, and combinations in which they Young-Helmholtz theory red, green and violet are termed primary colors These effects are imitated on the color wheel by the use of a white disk nature three primary colors, red, yellow and blue; and by the mixture of color, white, black, gray or silver and gold; for example, a blue green sizes of disks on the color wheel in shade, standard and tint of red. "Pure Spectrum Scales" consists in part of the six standard colors, red, id = 20915 author = Field, George title = Field''s Chromatography or Treatise on Colours and Pigments as Used by Artists date = keywords = Black; Blue; Brown; Green; Lake; Madder; Ochre; Orange; Purple; Red; Sienna; Ultramarine; White; Yellow; colour; french; pigment; prussian summary = Of all colours, except black, blue contrasts white most powerfully. lastly of that gray tint which is known by the name of Ultramarine Ash. The refuse, containing little or no blue, furnishes the useful pigment, red, and Oxford ochre to yellow, this pigment is to the colour blue, yellows, reds, and blues, the following orange and green pigments are or predominating colour in russet is red, to which yellow and blue are is a water-colour pigment, transparent and inclining to red; deep, full, by the brown, Prussian blue, and black: an equally good slate colour " = 2 Purple-blue} + Light Brown, or Black + 2 White when we mix coloured materials, blues, yellows, and reds, the compound is never white, but grey or black; even if these coloured pigments are light colours; thus it _blues_ white, _greens_ yellow, _purples_ red, colour to form white light; thus, green is the complementary of red, id = 39286 author = Howard, Frank title = Colour as a Means of Art Being an Adaption of the Experience of Professors to the Practice of Amateurs date = keywords = CHAPTER; Neri; PRINCIPLE; art; colour; section summary = acknowledged general principles of Colouring as a means of Art, _Section 1._--PRINCIPLES OF COLOURING OBJECTS 71 principles by which the effects of Colouring, and light and shade have principles must regulate Colouring as a means of Art. The mere representation of any object, however accurately detailed and the lights be white, and the shadows black, or differently coloured, indispensable in a coloured Work of Art. As well as Breadth of Chiaroscuro, there must be BREADTH OF TONE, the affording a better means than Oil colours (in which the light tints PRINCIPLES OF COLOURING OBJECTS. the atmosphere reduces the colours of all objects to a blue tint, so When the atmosphere is coloured by the light of the sun, the blue is beautiful blue tint, slightly warmed by the golden colour of the difference of tint--the shadows being blue or purple, and the lights a Neri, "neither should appear in a finely coloured picture; the id = 44849 author = Tylor, Alfred title = Colouration in Animals and Plants date = keywords = Darwin; Fig; Mr.; Papilio; Plate; Prof.; animal; case; colour; colouration; form; illustration; spot; wing summary = this was due to the fact that in the lower, transparent, animals, colour differences of form, structure, colour, or habit, giving to the Natural science has shown us how the existing colouration of an animal uniform in colour, while the leopard is spotted, and the tiger striped. From a colouration point of view, we might readily divide the animal power of discriminating colours is possessed by the lower animals. that, on the one hand, a dark spot is often formed by the colouring cases of true decorative colouring in our sense of the term, for all by a spot, often of a different colour from the rest of the wing as in and this is especially the case with white or light coloured species. marked with colour, and we know of no case in which a pattern runs animals the colouring would still follow structural lines, and there