The third advice to a painter, how to draw the effigies of the whore of Rome whose character is lively represented by a bad woman. 1679 Approx. 11 KB of XML-encoded text transcribed from 3 1-bit group-IV TIFF page images. Text Creation Partnership, Ann Arbor, MI ; Oxford (UK) : 2003-01 (EEBO-TCP Phase 1). A64502 Wing T898 ESTC R2500 11950368 ocm 11950368 51389 This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. This Phase I text is available for reuse, according to the terms of Creative Commons 0 1.0 Universal . The text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. Early English books online. (EEBO-TCP ; phase 1, no. A64502) Transcribed from: (Early English Books Online ; image set 51389) Images scanned from microfilm: (Early English books, 1641-1700 ; 517:16) The third advice to a painter, how to draw the effigies of the whore of Rome whose character is lively represented by a bad woman. Marvell, Andrew, 1621-1678. Rochester, John Wilmot, Earl of, 1647-1680. 4 p. s.n., [London? : 1679] Caption-title. Variously attributed to Andrew Marvell and John Wilmot Rochester--cf. Osborne, M.T., Advice-to-a Painter poems, no. 25. Reproduction of original in Huntington Library. Created by converting TCP files to TEI P5 using tcp2tei.xsl, TEI @ Oxford. Re-processed by University of Nebraska-Lincoln and Northwestern, with changes to facilitate morpho-syntactic tagging. Gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. 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Copies of the texts have been issued variously as SGML (TCP schema; ASCII text with mnemonic sdata character entities); displayable XML (TCP schema; characters represented either as UTF-8 Unicode or text strings within braces); or lossless XML (TEI P5, characters represented either as UTF-8 Unicode or TEI g elements). Keying and markup guidelines are available at the Text Creation Partnership web site . eng Catholic Church -- Controversial literature. 2002-08 TCP Assigned for keying and markup 2002-09 Apex CoVantage Keyed and coded from ProQuest page images 2002-10 Judith Siefring Sampled and proofread 2002-10 Judith Siefring Text and markup reviewed and edited 2002-12 pfs Batch review (QC) and XML conversion The third Advice to A PAINTER , How to draw the EFFIGIES OF THE Whore of Rome . Whose Charactor is Lively represented by a BAD WOMAN . IF you 'l observe the Whore , as stript and strip'd , Let Painter take Advice , with Pencel wip'd ; First Draw this Bloody Harlot , naked Born , And thence grown up , unto a State Forlorn . Next Draw her , in her best Attire and Dress , Yet Charg'd with Crimes , that she 'l ne'r Confess : Observe her made the Subject of our Pen , But after this , thy Pencel wipe agen Thus Naked drawn , without her Golden Tire , Will make you Blush , and yet with cold Desire ; To be concern'd with one so shameless grown , That every Spark of Grace , is from her flow'n . 2. By Rapines , Slaughter and Murder ( Heaven to win , ) As tho a Sacrifice ( were we ) for Papists sin : When Artists Pencel's foul'd with such black Crimes , ( Is wip'd and dip'd again to draw the Lines Of her Effigies , whom this state aspir'd In Crimson Velvet , that the Whore acquir'd : ) The Effigies of a Strumpet , foul within , You justly may discry the stinck of Sin : Whom fair or foul , she may be call'd the Picture , Ordain'd ) by Pen ) to make out her Convicture , For thus contriving , how to cause a Slaughter , So Herod like , to some that should come after . 3. Whence they are charged with the Crimes of Murther Lately design'd , which makes its Cry go further Than Rome it self , that cannot stop the Tide Of Breach on Breach , by Inundations wide : Because in favour she was grown with them , Who of our Realm are both the Root and Stem : Since now to palliate her Crime , is not the way , Nor is there lest a mean , but doth bewray The falacy and pride of her grown high , Because , danger of Ruine was so nigh To us , whom once she thought so self-secure , That all her base Designs we must endure . 4. Under fresh colour for the war , and strife 'Bout Features and Forms , to her that Rome calls Wife ; The Painter by Advice , his Skill imploy'd , To pourtray the Effigies of a Bride : Who thus being married to the scarlot Beast , The Nuptials were confirm'd a bloody Feast , That she the Scarlot whore contriv'd , to make In such a fatal hour , that did bespeak Dispensing Bulls , and Pardons that were provided , A scourge for those , she cou●ts from her back-slided : That power claims , to charge and quit of Facts , The guiltless , or offenders ' ginst Romes Acts. 5. The Artist unadvis'd , a Picture drew , Considerlng not at first , what might accrew ; While Colours unprepar'd , such Painter try'd His Skill , about those works , could not abide A burning Fire of , the angry Fates , That every rash Attempt so cruelly hates ; In black and white where first such work begun , To be set out in matter too home-spun : Until on better thoughts a way prepar'd , The Painter took advice ( who then was cheer'd , To see not all pains taken lost or spoyl'd ; Tho , he was there about most sorely foyl'd . 6. Wrongly Compos'd prov'd very unexpedient , What other ways had made a good Ingredient . For time and place , wherein it was imploy'd , A Corosive of which the Patient dy'd : The pencel of that Muse ( not apt to doubt , ) An Artist took in hand , and yet was out : In touching upon matters without fear , Whence jealousies arise , in Natures Sphear . Wherein it was adventur'd ( Danger nigh , ) Upon a rugged Sea , rais'd storms high : As waves did swell and beat against the shore , Of safety fancy'd , in the Fates implore . Therefore , 7. Then he incourag'd was , fresh skill to try , By a sure friends Advice , how to imploy His Muse upon a subject , tho not Divine , Yet more agreeing with the place and time , For which occasions given are to detect All wickedness of Rome , that bloody Sect , Who Murther teach to Subjects 'gainst their Prince , How they may easily with Oaths dispence : How all the Laws of Nature they may break , And yet obsolv'd , may stand for Poperi's sake : Since her call'd Mother-Church , doth this allow , What we have undertook 's no fault I trow . 8. Advice unto the Painter how to draw , The Effigies of the Whore , of old foresaw , Riding upon the Scarlot Beast with Horns , In number tenn , and heads under seven forms : How her to draw in such a Crimson Dye , The Saints of old so plainly did discry To be the Scarlot whore , whose seat was waters , Tongues , Nations , People , these her Sons and Daughters . VVho also thus doth set on seven Hills , Of her a City , that Romes will fulfils . This we do say , is such a work and task , That plainly doth the Bloody Quean unmask . Draw first her Head and Face , &c. where in a while , 9 Observe the Charactor of VVoman vile , VVho is the Strumpet , did her Bed defile : Remarking Head , her power to Rule and sway , Subjects in Nations fall , her doth obey : In Face is plac'd the Glory of that form , VVhich Nature for Ornament wears to adorn . I y 〈…〉 ead and Face is meant the lustful Ram , through growth declin'd from th'Nature of the Lamb : VVhen she this VVoman vile , did first assume , Mans Government and place ; who did presume Prerogative ( of self ) to rule and sway The little world Man , who must obey . Over her Head she then did Dominere , Authority she brought to her ●●n Sphear ; By usurpation thus procured their fall , In her posterity , once plac'd o'r all . Next draw her Neck and Throat , with Arms out-cast . 10. The Eye doth see , the Ear doth hear and Pallat taste , The Nose doth smell , the Nerves do feel laid waste A pleasant Garden , wherein they were plac'd . Who once might Challenge right all VVorlds to Rule , And then this Vaunting Harlots spirit was cool : VVhich now being set on fire , the Tongue can tell , Those Flames begotten from th'lowest Hell , 'T was Tongue bespoke the place where she doth dwell . VVhom thus inflam'd with Lust , her Head betray'd , Man she did then inslave , and self betray'd . In Neck observe the place prepar d for Yoke ; The Throat an open Sepulcher bespoke . On Shoulders born the Burthen that she Created , To Man disarm'd o th' Bliss wherein first stated : By Neck and Throat is meant the Roring Bull , VVho tho sprung up from Calf , of Lust is full . Next therefore draw her Breast , with Heart and Back . 11. Observing Twins , foreplac'd , proceed you may , To draw from Breasts the tokens where Lust lay . From Heart then draw the Veins , wherein Blood springs Then draw from Back , those spondels Marrow brings . Observe the Crabbed jestures of the whore , Any Cancerd qualities , Fops so adore . Postures they are , and mannors of a Mind , VVho unto Nature ( in all ) have proved unkind ; Those crooked wiles and paths found out to stear , The way wherein all Evils do appear : From Life proceeding , Tongue thereof doth blaze , The Coat ( her Arms ) at which her Fiends doth gaze . The Roring Lion that seeks , Men to devour , And crabbed VVolf ( in Breasts do both claim power . The Cancers's crabbed , Lyon's Beast of Prey , By Bancer's meant Night Mantion , by Leo Day , To Luna and Sol , thus tracing out mans way . Next , Draw the Bowels Reins and Loins , &c. 12. Bowels of Nature , once were form'd in her , As tender ( by Sex ● Nature did will transfer To the posterity of Mankind , that have lost , Restrictive power o'r Lust that must be Crost , The Lines perverss and crooked , such is her will , Who first did aim , and then her Lust fulfil . These drawn from Natures Center , by Wits skill , Observing next , depraved the soul that Lies , Of Bliss bereaved twixt twain her Fate discries ( That she Virginity hath lost , now grown a Harlot , Who tho a woman vile is Cloathed in Scarlot ; Her Reins being searcht , and Loins exactly tryed , Balance of Justice she could not abide : For thereinto being put , shee s found too Light , Humanity departed , up goes spight , But down goes Vertue buried out of sight . Next draw her secret Membrs and Thighs , &c. 6. For under that all secret Lusts arise , And therein working , there their Nature Lies A Scorpion lurking in the Night of Bliss , After whom comes the Sagiter with kiss — Who hides his Bow and Arrows , sharp and keen , Least unto us below , they shouid be seen ; The Scorpions Sting his Dart is made an Arrow , Who holds the Bow of Conquest , reached the Marrow , In Bone and Thigh of her , made Nature narrow ) Nature ( we say ) made narrow ; who cannot extend Those Acts of good , to us , that should defend Man from the Evils Planted here below , Which from that painted Harlot , first did flow : Most comely Dress we put on parts so vile , And yet unseemly is , what doth defile , More better parts ( exprest in Natures Stile . Last , Draw her Legs , her Knees and wandring Feet , &c. 14. On these are her support , where evils meet , Who first the power of wrath in head did Greet , Such Seed first sowen , such Fruit they may expect , To Reap from Lust and Envy , of that Sect Who gave her Body up to be defiled , And quickly by the same was Man beguiled . In subtilty and Craft , the Game was played , By her , who her belov'd was thus betrayed . That Children of wrath , brouhht forth , where Lust imbraced Contractive cause of wrath , Gods work defaced , The wanton Goat and powerful water Barer , The Fishes ply to work ( by Natures Labour ) Under the pain and Curse , of womans Crime , Who thus above her Sphear , was apt to climb ; But to conclude as Crooked as her Feet , So Crooked are the Paths where all this meet . FINIS .