This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
| trigram | frequency |
|---|---|
| i do not | 250 |
| one of the | 221 |
| in spite of | 181 |
| he could not | 180 |
| out of the | 165 |
| there was a | 162 |
| it is a | 151 |
| it was a | 147 |
| it is not | 146 |
| he did not | 130 |
| in the world | 129 |
| it would be | 129 |
| she did not | 126 |
| the first time | 124 |
| a couple of | 120 |
| for a moment | 120 |
| that he had | 118 |
| for the first | 105 |
| he had been | 105 |
| i am not | 105 |
| i did not | 105 |
| what is the | 104 |
| there is no | 104 |
| the old countess | 104 |
| at the same | 103 |
| the midst of | 100 |
| it was the | 99 |
| which he had | 99 |
| in the midst | 98 |
| i could not | 97 |
| what do you | 96 |
| there is a | 96 |
| in order to | 95 |
| there was no | 93 |
| she had been | 90 |
| the old man | 87 |
| a kind of | 87 |
| on the contrary | 86 |
| for a while | 86 |
| she could not | 85 |
| which she had | 85 |
| it was not | 84 |
| do not know | 84 |
| would have been | 82 |
| the same time | 82 |
| as soon as | 82 |
| a man who | 81 |
| it is the | 79 |
| is the matter | 78 |
| the rest of | 78 |
| do you think | 77 |
| the end of | 77 |
| at the door | 77 |
| you do not | 76 |
| that he was | 75 |
| not to be | 74 |
| and in the | 74 |
| to be sure | 73 |
| do you know | 72 |
| did not know | 72 |
| here and there | 71 |
| that she had | 70 |
| at that time | 69 |
| he had not | 68 |
| and with a | 68 |
| he is a | 67 |
| that it was | 66 |
| as well as | 66 |
| i will not | 65 |
| the door of | 65 |
| he does not | 64 |
| all sorts of | 63 |
| more and more | 63 |
| as if he | 62 |
| to and fro | 62 |
| on the table | 62 |
| the old lady | 62 |
| up to the | 62 |
| of the world | 62 |
| of the room | 61 |
| from time to | 61 |
| not at all | 61 |
| what is it | 61 |
| time to time | 61 |
| as if she | 60 |
| i have not | 60 |
| i should like | 60 |
| i should have | 60 |
| in his arms | 60 |
| in the face | 59 |
| to see you | 59 |
| in which the | 59 |
| that you are | 59 |
| a great deal | 59 |
| in love with | 58 |
| she does not | 58 |
| after a while | 58 |
| would not have | 58 |
| to go to | 57 |
| but it was | 57 |
| now and then | 57 |
| the young man | 57 |
| had not been | 56 |
| should like to | 56 |
| do not understand | 56 |
| at this moment | 56 |
| he was a | 55 |
| that she was | 55 |
| who had been | 55 |
| there is nothing | 54 |
| he was not | 54 |
| that i have | 54 |
| is to be | 54 |
| could not be | 53 |
| to be a | 53 |
| as far as | 53 |
| with regard to | 53 |
| if i had | 53 |
| of a man | 53 |
| of the most | 53 |
| be able to | 52 |
| i have been | 52 |
| it is all | 52 |
| out into the | 52 |
| would like to | 52 |
| do you not | 52 |
| him in the | 52 |
| if he had | 51 |
| he would have | 51 |
| in the morning | 51 |
| that i am | 51 |
| he said to | 51 |
| a man of | 51 |
| i have a | 51 |
| of the house | 51 |
| to be the | 51 |
| of the old | 51 |
| of his own | 50 |
| in which he | 50 |
| you know that | 50 |
| in her eyes | 49 |
| in front of | 49 |
| rest of the | 49 |
| had come to | 49 |
| not in the | 49 |
| again and again | 49 |
| that he has | 49 |
| to do with | 49 |
| on the other | 48 |
| but it is | 48 |
| up to her | 48 |
| door of the | 48 |
| in the same | 48 |
| it must be | 48 |
| of all the | 48 |
| side of the | 48 |
| i have no | 47 |
| for the sake | 47 |
| to see the | 47 |
| had been a | 47 |
| to think of | 47 |
| she was a | 47 |
| the sake of | 47 |
| was in the | 47 |
| in her lap | 47 |
| left the room | 47 |
| it seemed to | 47 |
| a pair of | 47 |
| when he had | 46 |
| one of those | 46 |
| the fact that | 46 |
| he had never | 46 |
| could not have | 46 |
| it will be | 46 |
| as to the | 46 |
| to do so | 45 |
| on account of | 45 |
| and it was | 45 |
| that it is | 45 |
| you are a | 44 |
| what are you | 44 |
| the name of | 44 |
| one of them | 44 |
| of the castle | 44 |
| the sight of | 43 |
| and when the | 43 |
| with a smile | 43 |
| and then he | 43 |
| with all the | 43 |
| not wish to | 43 |
| back to the | 43 |
| to the ground | 43 |
| her in the | 43 |
| that he is | 43 |
| and there was | 43 |
| a few minutes | 43 |
| the young girl | 43 |
| all kinds of | 43 |
| you are not | 43 |
| was to be | 43 |
| whom he had | 43 |
| the middle of | 42 |
| that you have | 42 |
| spite of the | 42 |
| the sound of | 42 |
| in the least | 42 |
| and i have | 42 |
| he would not | 41 |
| part of the | 41 |
| a few days | 41 |
| to his wife | 41 |
| he had a | 41 |
| i know that | 41 |
| some of the | 41 |
| with which he | 40 |
| shrugged his shoulders | 40 |
| a long time | 40 |
| of his life | 40 |
| of the two | 40 |
| in his hand | 40 |
| and at the | 40 |
| seems to me | 40 |
| as long as | 40 |
| you will not | 40 |
| end of the | 40 |
| with the same | 40 |
| she would not | 40 |
| in the drawing | 39 |
| one of his | 39 |
| him to the | 39 |
| she was not | 39 |
| must have been | 39 |
| as if it | 39 |
| i would not | 39 |
| of an hour | 39 |
| into the garden | 39 |
| but he was | 38 |
| as he was | 38 |
| in the evening | 38 |
| have come to | 38 |
| him with a | 38 |
| she had a | 38 |
| the head of | 38 |
| said to himself | 38 |
| you must not | 38 |
| it had been | 38 |
| in the distance | 38 |
| in the middle | 38 |
| to him that | 38 |
| the edge of | 38 |
| as much as | 37 |
| of the young | 37 |
| in his eyes | 37 |
| that i should | 37 |
| it would have | 37 |
| shook his head | 37 |
| a piece of | 37 |
| i am very | 37 |
| to see him | 37 |
| away from the | 37 |
| a matter of | 37 |
| and it is | 36 |
| out of his | 36 |
| in the garden | 36 |
| in the most | 36 |
| that he would | 36 |
| it seems to | 36 |
| in his own | 36 |
| to meet him | 36 |
| in the village | 36 |
| and i am | 36 |
| the beginning of | 36 |
| if it were | 36 |
| of the law | 36 |
| up and down | 35 |
| down on the | 35 |
| to have a | 35 |
| been able to | 35 |
| you will be | 35 |
| there was nothing | 35 |
| in the first | 35 |
| go to the | 35 |
| i cannot understand | 35 |
| in a very | 35 |
| was about to | 35 |
| is it not | 35 |
| by no means | 35 |
| to come to | 35 |
| will you not | 35 |
| as it were | 35 |
| i shall be | 35 |
| to the door | 34 |
| in the air | 34 |
| seemed to him | 34 |
| the eyes of | 34 |
| quarter of an | 34 |
| on the floor | 34 |
| a young girl | 34 |
| and when he | 34 |
| madame de gandry | 34 |
| for the present | 34 |
| i am so | 34 |
| that i was | 34 |
| that is the | 34 |
| was wont to | 34 |
| but i cannot | 34 |
| the only one | 34 |
| a young man | 34 |
| this is the | 34 |
| at the end | 33 |
| and he was | 33 |
| turning to the | 33 |
| up to him | 33 |
| two or three | 33 |
| in which she | 33 |
| the rue ravestein | 33 |
| at her feet | 33 |
| a cup of | 33 |
| to be seen | 33 |
| to his lips | 33 |
| and did not | 33 |
| was one of | 33 |
| do you mean | 33 |
| but i have | 33 |
| that she is | 32 |
| for an instant | 32 |
| at the last | 32 |
| if she were | 32 |
| do not be | 32 |
| the foot of | 32 |
| head to foot | 32 |
| if she had | 32 |
| the last time | 32 |
| the matter with | 32 |
| i beg you | 32 |
| the back of | 32 |
| in a low | 32 |
| the presence of | 32 |
| the course of | 32 |
| is not a | 32 |
| as she was | 32 |
| the thought of | 32 |
| spite of her | 32 |
| would be a | 32 |
| to his father | 32 |
| that she has | 32 |
| of the little | 32 |
| she would have | 32 |
| from head to | 32 |
| for a long | 32 |
| was not the | 32 |
| down to the | 31 |
| in the house | 31 |
| the last moment | 31 |
| to make a | 31 |
| it did not | 31 |
| she had never | 31 |
| to be done | 31 |
| her in his | 31 |
| with a sigh | 31 |
| when he was | 31 |
| the district governor | 31 |
| for the rest | 31 |
| come to the | 31 |
| so far as | 31 |
| with which she | 31 |
| is one of | 31 |
| the cause of | 31 |
| the next day | 31 |
| edge of the | 31 |
| her to the | 31 |
| it was no | 31 |
| with a laugh | 31 |
| it was in | 31 |
| if i were | 31 |
| one of her | 31 |
| in the room | 31 |
| to see her | 31 |
| nothing to do | 31 |
| it is so | 30 |
| spite of his | 30 |
| that of a | 30 |
| i would have | 30 |
| no one could | 30 |
| on the spot | 30 |
| in a tone | 30 |
| that you will | 30 |
| she is not | 30 |
| it might be | 30 |
| the men of | 30 |
| front of the | 30 |
| the pleasure of | 30 |
| that he could | 30 |
| he is not | 30 |
| not know what | 30 |
| was not a | 30 |
| of such a | 30 |
| which he was | 30 |
| as he had | 30 |
| i have never | 30 |
| the face of | 30 |
| but i am | 30 |
| might have been | 30 |
| for one moment | 30 |
| on the ground | 30 |
| of the kind | 30 |
| for the last | 30 |
| a tone of | 30 |
| i tell you | 30 |
| does not know | 30 |
| went up to | 30 |
| corner of the | 29 |
| i know what | 29 |
| do you want | 29 |
| could not but | 29 |
| he was the | 29 |
| as if to | 29 |
| the next morning | 29 |
| but in the | 29 |
| if i am | 29 |
| and i will | 29 |
| the courage to | 29 |
| she had not | 29 |
| with the most | 29 |
| which had been | 29 |
| that is all | 29 |
| could not help | 29 |
| is in the | 29 |
| in her hand | 29 |
| the day after | 29 |
| half an hour | 29 |
| of the day | 29 |
| of which he | 29 |
| way to the | 29 |
| seemed to her | 29 |
| that is to | 29 |
| the best of | 29 |
| if you will | 29 |
| for a few | 29 |
| if he were | 29 |
| sight of the | 29 |
| you have a | 29 |
| and all the | 29 |
| and then the | 29 |
| for some time | 28 |
| an expression of | 28 |
| at the foot | 28 |
| to the window | 28 |
| he went to | 28 |
| is not the | 28 |
| of a very | 28 |
| and he had | 28 |
| in the course | 28 |
| and at last | 28 |
| by way of | 28 |
| would not be | 28 |
| he had to | 28 |
| looked at him | 28 |
| to be able | 28 |
| went to the | 28 |
| and then she | 28 |
| as if the | 28 |
| he has been | 28 |
| that is a | 28 |
| how are you | 28 |
| i am a | 28 |
| is to say | 28 |
| was no longer | 28 |
| he will not | 28 |
| is not to | 28 |
| that he should | 28 |
| to her that | 27 |
| of one of | 27 |
| the old count | 27 |
| in an arm | 27 |
| that she would | 27 |
| it is very | 27 |
| as though he | 27 |
| to look at | 27 |
| to me to | 27 |
| at the piano | 27 |
| she was very | 27 |
| but there is | 27 |
| all at once | 27 |
| of the countess | 27 |
| to have been | 27 |
| with a very | 27 |
| windows of the | 27 |
| i should not | 27 |
| as if i | 27 |
| into the room | 27 |
| of a young | 27 |
| spite of all | 27 |
| there was something | 27 |
| for me to | 27 |
| at an end | 27 |
| for him to | 27 |
| and with the | 27 |
| will not be | 27 |
| midst of the | 27 |
| the consciousness of | 27 |
| i had not | 27 |
| i assure you | 27 |
| her with a | 27 |
| cup of tea | 26 |
| in the eyes | 26 |
| she was in | 26 |
| upon the table | 26 |
| he began to | 26 |
| the fragrance of | 26 |
| it is true | 26 |
| the air was | 26 |
| as it was | 26 |
| the side of | 26 |
| as she had | 26 |
| i am going | 26 |
| he had no | 26 |
| and left the | 26 |
| it is to | 26 |
| i had no | 26 |
| of the men | 26 |
| that she could | 26 |
| i cannot tell | 26 |
| in the country | 26 |
| i have to | 26 |
| it does not | 26 |
| to leave the | 26 |
| at last he | 26 |
| i want to | 26 |
| if he could | 26 |
| know that i | 26 |
| of the village | 26 |
| to speak to | 26 |
| in her arms | 26 |
| he had taken | 26 |
| after a pause | 26 |
| he looked at | 26 |
| which she was | 26 |
| nothing of the | 26 |
| to say to | 26 |
| have nothing to | 26 |
| out of her | 26 |
| out upon the | 26 |
| the first to | 26 |
| occurred to him | 26 |
| the next room | 25 |
| to take a | 25 |
| he was in | 25 |
| leaves the room | 25 |
| but she was | 25 |
| to tell you | 25 |
| man of the | 25 |
| had never been | 25 |
| the top of | 25 |
| the little one | 25 |
| when she was | 25 |
| is the only | 25 |
| is nothing to | 25 |
| to the village | 25 |
| of the first | 25 |
| it is only | 25 |
| to the right | 25 |
| great deal of | 25 |
| of course i | 25 |
| looked at her | 25 |
| and you will | 25 |
| in the street | 25 |
| at this time | 25 |
| you are right | 25 |
| away from her | 25 |
| in one of | 25 |
| in the park | 25 |
| had always been | 25 |
| in all the | 25 |
| he went on | 25 |
| to the young | 25 |
| an air of | 25 |
| is a very | 25 |
| that it would | 25 |
| the result of | 25 |
| i shall not | 25 |
| and on the | 25 |
| and if he | 25 |
| he has not | 25 |
| it may be | 25 |
| it could not | 25 |
| out in the | 25 |
| none of the | 25 |
| the other hand | 25 |
| middle of the | 25 |
| why do you | 25 |
| was the only | 25 |
| and of the | 25 |
| all the more | 25 |
| ought to have | 24 |
| looks at her | 24 |
| was the first | 24 |
| and in a | 24 |
| you have been | 24 |
| a glass of | 24 |
| as it is | 24 |
| in every limb | 24 |
| he is the | 24 |
| a quarter of | 24 |
| but he had | 24 |
| as i am | 24 |
| at last she | 24 |
| looked at the | 24 |
| as he is | 24 |
| man who has | 24 |
| so long as | 24 |
| a number of | 24 |
| to say that | 24 |
| i am sure | 24 |
| the door opened | 24 |
| foot of the | 24 |
| at last the | 24 |
| did you not | 24 |
| for fear of | 24 |
| he knew that | 24 |
| the son of | 24 |
| he seemed to | 24 |
| know how to | 24 |
| not know how | 24 |
| shrugged her shoulders | 24 |
| first time in | 24 |
| by this time | 24 |
| and he is | 24 |
| of the people | 24 |
| his hand to | 24 |
| her hand to | 24 |
| are going to | 24 |
| to her room | 24 |
| a sort of | 24 |
| but that is | 24 |
| but there was | 24 |
| a little while | 24 |
| what i have | 24 |
| which she has | 24 |
| after he had | 24 |
| the light of | 24 |
| him on the | 24 |
| in the beginning | 24 |
| down into the | 24 |
| i was not | 24 |
| like to know | 24 |
| should not have | 23 |
| do you say | 23 |
| of which she | 23 |
| i had to | 23 |
| on his shoulder | 23 |
| to take her | 23 |
| out on the | 23 |
| had been the | 23 |
| did not wish | 23 |
| it is quite | 23 |
| turned to the | 23 |
| of the window | 23 |
| at all events | 23 |
| had not yet | 23 |
| the two men | 23 |
| do not wish | 23 |
| and as he | 23 |
| of an old | 23 |
| in a large | 23 |
| in the direction | 23 |
| at that moment | 23 |
| and that he | 23 |
| the royal eagle | 23 |
| an old man | 23 |
| i should be | 23 |
| that there was | 23 |
| i must go | 23 |
| to him and | 23 |
| account of the | 23 |
| you are the | 23 |
| not a word | 23 |
| to him as | 23 |
| the direction of | 23 |
| more than a | 23 |
| was not to | 23 |
| is the most | 23 |
| not think of | 23 |
| at him with | 23 |
| to be found | 23 |
| the point of | 23 |
| in his heart | 23 |
| it to the | 23 |
| at the thought | 23 |
| it was impossible | 23 |
| that is not | 23 |
| to his own | 23 |
| of the great | 23 |
| him that he | 23 |
| seemed to have | 23 |
| i have come | 23 |
| i have had | 23 |
| her that she | 23 |
| and that the | 23 |
| as if in | 23 |
| not a little | 22 |
| it on the | 22 |
| men of zulawce | 22 |
| to him to | 22 |
| in an undertone | 22 |
| i would rather | 22 |
| is no longer | 22 |
| but if you | 22 |
| that you should | 22 |
| he must have | 22 |
| the memory of | 22 |
| it was an | 22 |
| on a sudden | 22 |
| he no longer | 22 |
| face of the | 22 |
| his wife and | 22 |
| i know it | 22 |
| by the way | 22 |
| that she should | 22 |
| at the time | 22 |
| in his hands | 22 |
| who did not | 22 |
| do you really | 22 |
| there had been | 22 |
| one of these | 22 |
| a moment he | 22 |
| i cannot help | 22 |
| and to the | 22 |
| and the old | 22 |
| it was so | 22 |
| was not so | 22 |
| all the rest | 22 |
| ought not to | 22 |
| him to be | 22 |
| in such a | 22 |
| you did not | 22 |
| it has been | 22 |
| and began to | 22 |
| she is a | 22 |
| only a few | 22 |
| on the edge | 22 |
| not the slightest | 22 |
| her head and | 22 |
| such a thing | 22 |
| the heart of | 22 |
| if you had | 22 |
| in accordance with | 22 |
| must not be | 22 |
| it was to | 22 |
| in his ears | 22 |
| it cannot be | 21 |
| there is something | 21 |
| and the countess | 21 |
| with such a | 21 |
| it is too | 21 |
| it is my | 21 |
| her hands in | 21 |
| felt as if | 21 |
| would you have | 21 |
| did not understand | 21 |
| in his life | 21 |
| on his knees | 21 |
| in her heart | 21 |
| with his wife | 21 |
| a question of | 21 |
| you have not | 21 |
| you know how | 21 |
| it is an | 21 |
| under the circumstances | 21 |
| the little girl | 21 |
| the worst of | 21 |
| they had been | 21 |
| the adjoining room | 21 |
| up to his | 21 |
| had been so | 21 |
| not want to | 21 |
| was on the | 21 |
| head of the | 21 |
| he had always | 21 |
| was going to | 21 |
| the windows of | 21 |
| had never seen | 21 |
| that had been | 21 |
| of the same | 21 |
| for a time | 21 |
| returned to the | 21 |
| on the stage | 21 |
| he shook his | 21 |
| to the countess | 21 |
| seemed to be | 21 |
| that he might | 21 |
| at the head | 21 |
| in her life | 21 |
| at first she | 21 |
| have liked to | 21 |
| you need not | 21 |
| his head and | 21 |
| no idea of | 21 |
| in the little | 21 |
| of his father | 21 |
| he was very | 21 |
| at his feet | 21 |
| i am glad | 21 |
| the part of | 21 |
| out his hand | 21 |
| frau von geroldstein | 21 |
| the day before | 21 |
| any one else | 21 |
| you have no | 20 |
| in a few | 20 |
| and she was | 20 |
| in his face | 20 |
| in the corridor | 20 |
| the wife of | 20 |
| looking at him | 20 |
| me in the | 20 |
| most of the | 20 |
| himself to the | 20 |
| think of it | 20 |
| when she had | 20 |
| of the manor | 20 |
| no need to | 20 |
| the air is | 20 |
| but i will | 20 |
| at her with | 20 |
| the daughter of | 20 |
| shook her head | 20 |
| the death of | 20 |
| to him in | 20 |
| to take the | 20 |
| and his voice | 20 |
| it to his | 20 |
| that of the | 20 |
| to me that | 20 |
| at any rate | 20 |
| in that case | 20 |
| and there is | 20 |
| at first he | 20 |
| a second time | 20 |
| a few hours | 20 |
| on the whole | 20 |
| he wished to | 20 |
| the young lady | 20 |
| i pray you | 20 |
| the voice of | 20 |
| and i shall | 20 |
| one or two | 20 |
| you would have | 20 |
| we are not | 20 |
| he looked up | 20 |
| he left the | 20 |
| to the other | 20 |
| in the rue | 20 |
| sooner or later | 20 |
| it was all | 20 |
| you think that | 20 |
| in the afternoon | 20 |
| with the greatest | 20 |
| to the drawing | 20 |
| him from the | 20 |
| she tried to | 20 |
| to each other | 20 |
| she went on | 20 |
| i had been | 20 |
| a word of | 20 |
| the idea of | 20 |
| a while he | 20 |
| in a moment | 20 |
| in the end | 20 |
| it was only | 20 |
| but what is | 20 |
| to her to | 20 |
| but he is | 20 |
| thought of the | 19 |
| not at home | 19 |
| on his lips | 19 |
| he turned to | 19 |
| he could have | 19 |
| not know that | 19 |
| you must have | 19 |
| not going to | 19 |
| she has a | 19 |
| that you were | 19 |
| we shall be | 19 |
| no one else | 19 |
| but when the | 19 |
| out her hand | 19 |
| as if they | 19 |
| good to me | 19 |
| have been a | 19 |
| a crowd of | 19 |
| of the evening | 19 |
| and from the | 19 |
| is a matter | 19 |
| how could i | 19 |
| she must have | 19 |
| a young lady | 19 |
| i am afraid | 19 |
| and you are | 19 |
| he had made | 19 |
| how can you | 19 |
| i will go | 19 |
| the most beautiful | 19 |
| in view of | 19 |
| is sure to | 19 |
| with his own | 19 |
| how do you | 19 |
| he saw the | 19 |
| of the place | 19 |
| that there is | 19 |
| the way to | 19 |
| to take leave | 19 |
| the moment when | 19 |
| on one side | 19 |
| as you please | 19 |
| i am quite | 19 |
| did not think | 19 |
| the hand of | 19 |
| right and left | 19 |
| come to be | 19 |
| to him with | 19 |
| but he could | 19 |
| and his wife | 19 |
| being able to | 19 |
| a sense of | 19 |
| and if i | 19 |
| you ought to | 19 |
| his arms and | 19 |
| to the old | 19 |
| if you knew | 19 |
| face in the | 19 |
| of the ladies | 19 |
| and if you | 19 |
| for the moment | 19 |
| he tried to | 19 |
| is it you | 19 |
| seemed to me | 19 |
| that i could | 19 |
| she looked at | 19 |
| if he would | 19 |
| at the window | 19 |
| on his arm | 19 |
| to be had | 19 |
| with the old | 19 |
| a short time | 19 |
| are you not | 19 |
| for a little | 19 |
| wife and children | 19 |
| and he has | 19 |
| i wanted to | 19 |
| to one of | 19 |
| in the presence | 19 |
| in the last | 19 |
| of the best | 19 |
| like to see | 18 |
| i shall have | 18 |
| and for the | 18 |
| leave the room | 18 |
| she said to | 18 |
| the burden of | 18 |
| you think of | 18 |
| take care of | 18 |
| which he could | 18 |
| out of a | 18 |
| of the family | 18 |
| if it is | 18 |
| away from him | 18 |
| had been in | 18 |
| name of the | 18 |
| entered the room | 18 |
| all about it | 18 |
| am very sorry | 18 |
| in this respect | 18 |
| with which the | 18 |
| what you are | 18 |
| i am sorry | 18 |
| ought to be | 18 |
| to see it | 18 |
| no time to | 18 |
| there was the | 18 |
| do not believe | 18 |
| and her eyes | 18 |
| mistress of the | 18 |
| what would you | 18 |
| the centre of | 18 |
| after the first | 18 |
| it to him | 18 |
| could no longer | 18 |
| of their own | 18 |
| out of breath | 18 |
| from the first | 18 |
| him to his | 18 |
| was obliged to | 18 |
| this was the | 18 |
| but do not | 18 |
| himself in the | 18 |
| not without a | 18 |
| to look for | 18 |
| to his heart | 18 |
| why did you | 18 |
| you that i | 18 |
| she is very | 18 |
| beg you to | 18 |
| in a white | 18 |
| you have done | 18 |
| a feeling of | 18 |
| the other side | 18 |
| seems to have | 18 |
| the impression of | 18 |
| you are very | 18 |
| in the castle | 18 |
| opened the door | 18 |
| with whom he | 18 |
| seemed as if | 18 |
| not to have | 18 |
| not come to | 18 |
| has not yet | 18 |
| to her in | 18 |
| for a man | 18 |
| of his wife | 18 |
| but with a | 18 |
| for her to | 18 |
| am not mistaken | 18 |
| the corners of | 18 |
| in the avenue | 18 |
| the first place | 18 |
| point of view | 18 |
| but he has | 18 |
| which he has | 18 |
| what have you | 18 |
| the state of | 18 |
| was ready to | 18 |
| to the end | 18 |
| it seemed as | 18 |
| to have the | 18 |
| in her room | 18 |
| that i shall | 18 |
| at erlach court | 18 |
| course of the | 18 |
| the little fellow | 18 |
| do not want | 18 |
| knew how to | 18 |
| of a woman | 18 |
| light of the | 18 |
| nothing but a | 18 |
| have not the | 18 |
| would not hear | 18 |
| a right to | 18 |
| not one of | 18 |
| him by the | 18 |
| i should say | 18 |
| a trace of | 18 |
| he came to | 17 |
| frau von leskjewitsch | 17 |
| it is no | 17 |
| and no one | 17 |
| in this case | 17 |
| you say to | 17 |
| a look of | 17 |
| in the matter | 17 |
| i think i | 17 |
| of the night | 17 |
| said the countess | 17 |
| it is that | 17 |
| to which he | 17 |
| in the night | 17 |
| she wished to | 17 |
| to speak of | 17 |
| put up with | 17 |
| as a man | 17 |
| soon as possible | 17 |
| glad to see | 17 |
| on either side | 17 |
| of his friend | 17 |
| i thought you | 17 |
| of those who | 17 |
| whom she had | 17 |
| the poor child | 17 |
| not have been | 17 |
| him in his | 17 |
| to which she | 17 |
| a man like | 17 |
| in those days | 17 |
| view of the | 17 |
| know that you | 17 |
| in any case | 17 |
| passed his hand | 17 |
| in this world | 17 |
| and she had | 17 |
| the way of | 17 |
| a few words | 17 |
| with that he | 17 |
| was a great | 17 |
| to play the | 17 |
| hands in his | 17 |
| for the most | 17 |
| up in the | 17 |
| she had to | 17 |
| he had left | 17 |
| but at the | 17 |
| he was always | 17 |
| in the dining | 17 |
| the odour of | 17 |
| in the hotel | 17 |
| i am to | 17 |
| but she is | 17 |
| she wore a | 17 |
| she no longer | 17 |
| it was very | 17 |
| herr von sydow | 17 |
| what it is | 17 |
| in his pocket | 17 |
| in the old | 17 |
| of which the | 17 |
| by his own | 17 |
| and i was | 17 |
| i was so | 17 |
| her from the | 17 |
| going to the | 17 |
| to tell me | 17 |
| the young fellow | 17 |
| with a shrug | 17 |
| not hear of | 17 |
| on her lips | 17 |
| and went to | 17 |
| of all his | 17 |
| and the children | 17 |
| upon the stage | 17 |
| who has been | 17 |
| back to her | 17 |
| along the road | 17 |
| as if you | 17 |
| that he must | 17 |
| she began to | 17 |
| and down the | 17 |
| i have done | 17 |
| this is not | 17 |
| her face in | 17 |
| with both hands | 17 |
| men of the | 17 |
| full in the | 17 |
| midst of his | 17 |
| there is not | 17 |
| not like to | 17 |
| and i cannot | 17 |
| am going to | 17 |
| lord of the | 17 |
| the feet of | 17 |
| daughter of a | 17 |
| glance at the | 17 |
| did not even | 17 |
| he kissed her | 17 |
| more or less | 17 |
| it was quite | 17 |
| the people of | 17 |
| come with me | 17 |
| if you are | 17 |
| if it had | 17 |
| had to be | 17 |
| without looking at | 17 |
| which they had | 17 |
| of her own | 17 |
| would have liked | 17 |
| one in the | 17 |
| as you are | 17 |
| really do not | 17 |
| have you been | 17 |
| do you remember | 17 |
| an end to | 17 |
| his hand on | 17 |
| in her face | 17 |
| that in the | 17 |
| something of the | 17 |
| hand in his | 17 |
| they do not | 17 |
| down in the | 17 |
| and now he | 17 |
| a girl of | 17 |
| something in the | 17 |
| i must confess | 17 |
| was at the | 17 |
| you wish to | 17 |
| it would not | 17 |
| without a word | 17 |
| the dying man | 16 |
| where he had | 16 |
| at this hour | 16 |
| i have nothing | 16 |
| was a little | 16 |
| he was so | 16 |
| when i am | 16 |
| to do it | 16 |
| had reached the | 16 |
| think that i | 16 |
| all that was | 16 |
| before he could | 16 |
| to his room | 16 |
| to whom he | 16 |
| with a glance | 16 |
| take leave of | 16 |
| you in the | 16 |
| soon as he | 16 |
| the trouble to | 16 |
| to be in | 16 |
| had gone to | 16 |
| he has a | 16 |
| i had a | 16 |
| but all the | 16 |
| came up to | 16 |
| where is the | 16 |
| if i could | 16 |
| hand upon his | 16 |
| she seemed to | 16 |
| to the heart | 16 |
| the hotel de | 16 |
| you know i | 16 |
| for it is | 16 |
| is a great | 16 |
| to the left | 16 |
| thought of his | 16 |
| worth the trouble | 16 |
| if he is | 16 |
| through the open | 16 |
| that they were | 16 |
| eyes of the | 16 |
| she had always | 16 |
| to the castle | 16 |
| and then i | 16 |
| that i cannot | 16 |
| because of the | 16 |
| where are you | 16 |
| in the next | 16 |
| is about to | 16 |
| was not at | 16 |
| the room with | 16 |
| if you do | 16 |
| looking at her | 16 |
| in the very | 16 |
| but you must | 16 |
| she had no | 16 |
| of the austrian | 16 |
| well as the | 16 |
| she has no | 16 |
| him in her | 16 |
| with a certain | 16 |
| come to me | 16 |
| they did not | 16 |
| the only thing | 16 |
| are the only | 16 |
| so as to | 16 |
| the time of | 16 |
| against the wall | 16 |
| is a little | 16 |
| up at him | 16 |
| if she would | 16 |
| and the little | 16 |
| could not understand | 16 |
| had no idea | 16 |
| the evening of | 16 |
| him with the | 16 |
| seem to have | 16 |
| a deep breath | 16 |
| from that time | 16 |
| she would be | 16 |
| you will come | 16 |
| i thank you | 16 |
| she knew that | 16 |
| with each other | 16 |
| his face was | 16 |
| like that of | 16 |
| the day when | 16 |
| will not have | 16 |
| the herr baron | 16 |
| the society of | 16 |
| with all her | 16 |
| in the dark | 16 |
| at the sight | 16 |
| at her in | 16 |
| to ask you | 16 |
| her hand and | 16 |
| her to his | 16 |
| his hand over | 16 |
| it is really | 16 |
| i thought it | 16 |
| it to you | 16 |
| used to be | 16 |
| you know the | 16 |
| she knows that | 16 |
| he had given | 16 |
| in her hands | 16 |
| down from the | 16 |
| to the wall | 16 |
| man in the | 16 |
| for you to | 16 |
| in the hall | 16 |
| and when i | 16 |
| as a child | 16 |
| was in a | 16 |
| with a great | 16 |
| you tell me | 16 |
| of the party | 16 |
| in consequence of | 16 |
| did not come | 16 |
| the expression of | 16 |
| at the table | 16 |
| alone in the | 16 |
| no one can | 16 |
| that a man | 16 |
| all the same | 16 |
| with him in | 16 |
| rooted to the | 16 |
| that i would | 16 |
| all that he | 16 |
| cannot help it | 16 |
| the time when | 16 |
| be glad to | 16 |
| there in the | 16 |
| he could see | 16 |
| no one had | 16 |
| him as if | 16 |
| him with her | 16 |
| he thought of | 16 |
| matter with you | 16 |
| had not the | 16 |
| why should i | 16 |
| the conviction that | 16 |
| to the very | 16 |
| went into the | 16 |
| at the back | 16 |
| that i can | 16 |
| know what you | 16 |
| he might have | 16 |
| was not in | 16 |
| she had heard | 16 |
| i would like | 15 |
| he must be | 15 |
| it to me | 15 |
| i cannot bear | 15 |
| in the autumn | 15 |
| of the situation | 15 |
| it to her | 15 |
| and that is | 15 |
| been obliged to | 15 |
| to all the | 15 |
| it is as | 15 |
| and she is | 15 |
| idea of the | 15 |
| an hour later | 15 |
| the countess zriny | 15 |
| are you going | 15 |
| him as a | 15 |
| her by the | 15 |
| as if a | 15 |
| of a certain | 15 |
| he took up | 15 |
| herr von bauer | 15 |
| but when he | 15 |
| from the german | 15 |
| which he is | 15 |
| have been so | 15 |
| i hope you | 15 |
| to her cheeks | 15 |
| must go to | 15 |
| of the country | 15 |
| in the background | 15 |
| before his eyes | 15 |
| with an air | 15 |
| she has not | 15 |
| on the shoulder | 15 |
| on the road | 15 |
| of the bed | 15 |
| with a look | 15 |
| you not think | 15 |
| was it not | 15 |
| to the people | 15 |
| him of the | 15 |
| the two ladies | 15 |
| look at her | 15 |
| but you will | 15 |
| and looks at | 15 |
| for he was | 15 |
| has come to | 15 |
| the master of | 15 |
| he took the | 15 |
| if i should | 15 |
| him for a | 15 |
| to his breast | 15 |
| far as i | 15 |
| and for a | 15 |
| the princess oblonsky | 15 |
| says to himself | 15 |
| do not think | 15 |
| it was as | 15 |
| anything of the | 15 |
| on the point | 15 |
| i have the | 15 |
| the open window | 15 |
| nothing to be | 15 |
| the rustle of | 15 |
| i will tell | 15 |
| in her ears | 15 |
| will come to | 15 |
| but i was | 15 |
| a letter from | 15 |
| early in the | 15 |
| the black water | 15 |
| will tell you | 15 |
| nothing in the | 15 |
| to the hotel | 15 |
| he asked himself | 15 |
| it was his | 15 |
| had long been | 15 |
| to listen to | 15 |
| and the general | 15 |
| in a little | 15 |
| you are an | 15 |
| of no consequence | 15 |
| must confess that | 15 |
| how could he | 15 |
| even in the | 15 |
| it must have | 15 |
| me that you | 15 |
| he had come | 15 |
| he had done | 15 |
| i went to | 15 |
| had formerly been | 15 |
| a cry of | 15 |
| the close of | 15 |
| had begun to | 15 |
| him in a | 15 |
| me a little | 15 |
| i have heard | 15 |
| the loss of | 15 |
| is not that | 15 |
| no right to | 15 |
| for the right | 15 |
| to make his | 15 |
| after she had | 15 |
| and kissed her | 15 |
| the door opens | 15 |
| the countess lenzdorff | 15 |
| to see that | 15 |
| at the feet | 15 |
| for love of | 15 |
| and that she | 15 |
| and could not | 15 |
| she is in | 15 |
| to his feet | 15 |
| he took her | 15 |
| it was too | 15 |
| her on the | 15 |
| this moment the | 15 |
| the hem of | 15 |
| he ought to | 15 |
| to the house | 15 |
| on the top | 15 |
| to know what | 15 |
| stretched out her | 15 |
| and would have | 15 |
| in the centre | 15 |
| of the water | 15 |
| all over the | 15 |
| with a kind | 15 |
| you would not | 15 |
| between him and | 15 |
| look at the | 15 |
| the feeling of | 15 |
| both her hands | 15 |
| with him to | 15 |
| but this is | 15 |
| he could do | 15 |
| in the moonlight | 15 |
| of the park | 15 |
| and there a | 15 |
| me to the | 15 |
| the following day | 15 |
| the man who | 15 |
| an old woman | 15 |
| always ready to | 14 |
| to her lips | 14 |
| and had been | 14 |
| in the second | 14 |
| when he is | 14 |
| in the spring | 14 |
| sitting in the | 14 |
| to her and | 14 |
| have told you | 14 |
| that would be | 14 |
| him her hand | 14 |
| on the wall | 14 |
| apart from the | 14 |
| he returned to | 14 |
| never occurred to | 14 |
| he says to | 14 |
| sound of a | 14 |
| he will be | 14 |
| he did so | 14 |
| for the poor | 14 |
| what has happened | 14 |
| in the present | 14 |
| the arrival of | 14 |
| where he was | 14 |
| of the table | 14 |
| a mixture of | 14 |
| with all his | 14 |
| a woman who | 14 |
| of the whole | 14 |
| to say something | 14 |
| on the street | 14 |
| and turned away | 14 |
| or at least | 14 |
| looking at the | 14 |
| her eyes were | 14 |
| to the mountains | 14 |
| the beauty of | 14 |
| will have to | 14 |
| have no idea | 14 |
| in the way | 14 |
| in all her | 14 |
| was filled with | 14 |
| to be taken | 14 |
| the lord of | 14 |
| a man in | 14 |
| to the station | 14 |
| she was sitting | 14 |
| open the door | 14 |
| like a child | 14 |
| which no one | 14 |
| hand on his | 14 |
| to the ladies | 14 |
| i knew that | 14 |
| for which he | 14 |
| as in the | 14 |
| of the drawing | 14 |
| the countess erika | 14 |
| his name was | 14 |
| that time he | 14 |
| he was to | 14 |
| leave me alone | 14 |
| to her with | 14 |
| to me as | 14 |
| from the room | 14 |
| the strength of | 14 |
| the hands of | 14 |
| when he came | 14 |
| seems to him | 14 |
| you will have | 14 |
| not take it | 14 |
| he had seen | 14 |
| as they were | 14 |
| he turned away | 14 |
| the door behind | 14 |
| lived in the | 14 |
| nothing but the | 14 |
| is it possible | 14 |
| to try to | 14 |
| back into the | 14 |
| of the spring | 14 |
| she has been | 14 |
| the mistress of | 14 |
| you think so | 14 |
| what you have | 14 |
| like to have | 14 |
| that the old | 14 |
| of all that | 14 |
| from his lips | 14 |
| looks at him | 14 |
| at her writing | 14 |
| the poor little | 14 |
| hem of her | 14 |
| to give the | 14 |
| who is it | 14 |
| when i was | 14 |
| he entered the | 14 |
| he would like | 14 |
| can it be | 14 |
| turned away from | 14 |
| seems to be | 14 |
| said the general | 14 |
| of course he | 14 |
| in a corner | 14 |
| there were no | 14 |
| at the hotel | 14 |
| on her knees | 14 |
| to take his | 14 |
| all that is | 14 |
| up from the | 14 |
| the air of | 14 |
| and he could | 14 |
| and it would | 14 |
| it should be | 14 |
| his voice was | 14 |
| and with that | 14 |
| but that was | 14 |
| have passed since | 14 |
| out of doors | 14 |
| he has never | 14 |
| you used to | 14 |
| you should not | 14 |
| i must have | 14 |
| beginning to be | 14 |
| come to see | 14 |
| in her own | 14 |
| were to be | 14 |
| he would be | 14 |
| tell you that | 14 |
| she sat down | 14 |
| of the poor | 14 |
| the day of | 14 |
| seem to be | 14 |
| the first of | 14 |
| she had had | 14 |
| though he were | 14 |
| on to the | 14 |
| will be a | 14 |
| to see how | 14 |
| fragrance of the | 14 |
| men and women | 14 |
| could not possibly | 14 |
| should have been | 14 |
| at the young | 14 |
| him like a | 14 |
| the countess lodrin | 14 |
| is not at | 14 |
| shrugs his shoulders | 14 |
| for which reason | 14 |
| of the past | 14 |
| leaning back in | 14 |
| of the district | 14 |
| at sight of | 14 |
| you seem to | 14 |
| then he would | 14 |
| for an hour | 14 |
| it is just | 14 |
| when at last | 14 |
| if they had | 14 |
| monsieur de hauterive | 14 |
| this is a | 14 |
| if you have | 14 |
| down at the | 14 |
| whom i have | 14 |
| the room was | 14 |
| of all this | 14 |
| him from his | 14 |
| on the sofa | 14 |
| to go out | 14 |
| and his face | 14 |
| he was an | 14 |
| but i do | 14 |
| to this day | 14 |
| that was not | 14 |
| her with the | 14 |
| since i have | 14 |
| looked like a | 14 |
| what i am | 14 |
| with an expression | 14 |
| i will make | 14 |
| was the same | 14 |
| the old woman | 14 |
| go to bed | 14 |
| of a great | 14 |
| you know what | 14 |
| with a slight | 14 |
| do you suppose | 14 |
| upon his arm | 14 |
| from the window | 14 |
| am so glad | 14 |
| for his own | 14 |
| a low tone | 14 |
| it as a | 14 |
| but what of | 13 |
| i will do | 13 |
| but no one | 13 |
| on the evening | 13 |
| appeared in the | 13 |
| they were not | 13 |
| her as if | 13 |
| me to be | 13 |
| have you to | 13 |
| himself to his | 13 |
| and the young | 13 |
| love with her | 13 |
| permit me to | 13 |
| the arm of | 13 |
| after a short | 13 |
| there could be | 13 |
| nothing at all | 13 |
| did not like | 13 |
| as that of | 13 |
| is not so | 13 |
| to think that | 13 |
| he had the | 13 |
| of the hotel | 13 |
| stay at home | 13 |
| them in the | 13 |
| hand to his | 13 |
| come to him | 13 |
| we will not | 13 |
| a few steps | 13 |
| the heads of | 13 |
| the world is | 13 |
| listen to me | 13 |
| she had made | 13 |
| frau von norbin | 13 |
| only one who | 13 |
| he was still | 13 |
| returned to his | 13 |
| of his men | 13 |
| they had not | 13 |
| have thought it | 13 |
| go back to | 13 |
| said to herself | 13 |
| have been the | 13 |
| to accompany him | 13 |
| can no longer | 13 |
| her out of | 13 |
| let us go | 13 |
| and even if | 13 |
| he knew the | 13 |
| of the forest | 13 |
| looked forward to | 13 |
| will of god | 13 |
| she will be | 13 |
| one who has | 13 |
| to a certain | 13 |
| it is nothing | 13 |
| she was so | 13 |
| one of my | 13 |
| but when she | 13 |
| he drew a | 13 |
| you have come | 13 |
| the fashion of | 13 |
| a while she | 13 |
| to do the | 13 |
| told me that | 13 |
| is of no | 13 |
| that she did | 13 |
| occurred to her | 13 |
| an opportunity of | 13 |
| to such a | 13 |
| her to be | 13 |
| attention to the | 13 |
| i must say | 13 |
| his back to | 13 |
| the history of | 13 |
| between his teeth | 13 |
| a degree of | 13 |
| of course she | 13 |
| in his veins | 13 |
| shrugs her shoulders | 13 |
| to make the | 13 |
| and one of | 13 |
| was conscious of | 13 |
| i am no | 13 |
| with whom she | 13 |
| late in the | 13 |
| of it all | 13 |
| a volume of | 13 |
| tell you how | 13 |
| she was the | 13 |
| be satisfied with | 13 |
| of a few | 13 |
| into the house | 13 |
| face of a | 13 |
| to the poor | 13 |
| back of the | 13 |
| of her dress | 13 |
| of which was | 13 |
| of a girl | 13 |
| that was the | 13 |
| was able to | 13 |
| and when she | 13 |
| there was not | 13 |
| it in the | 13 |
| grew more and | 13 |
| in the early | 13 |
| her for the | 13 |
| if you only | 13 |
| no one has | 13 |
| in the vestibule | 13 |
| breath of the | 13 |
| master of the | 13 |
| the figure of | 13 |
| thank you for | 13 |
| that the countess | 13 |
| i love you | 13 |
| she turned away | 13 |
| that she might | 13 |
| of the child | 13 |
| a very good | 13 |
| at the close | 13 |
| arrived at the | 13 |
| i know how | 13 |
| none the less | 13 |
| been wont to | 13 |
| up his mind | 13 |
| think of that | 13 |
| you want to | 13 |
| there must be | 13 |
| at the first | 13 |
| but on the | 13 |
| the care of | 13 |
| i wish you | 13 |
| he would say | 13 |
| the exception of | 13 |
| can you not | 13 |
| you shall not | 13 |
| i am in | 13 |
| mingled with the | 13 |
| is an old | 13 |
| should not be | 13 |
| made no reply | 13 |
| it is well | 13 |
| the power of | 13 |
| he was one | 13 |
| of a little | 13 |
| to see me | 13 |
| that the young | 13 |
| of the town | 13 |
| and that you | 13 |
| a man with | 13 |
| towards the end | 13 |
| it in his | 13 |
| day before yesterday | 13 |
| his face in | 13 |
| to look after | 13 |
| to carry out | 13 |
| it no longer | 13 |
| since he had | 13 |
| for a couple | 13 |
| from the world | 13 |
| a short pause | 13 |
| had been wont | 13 |
| the thought that | 13 |
| with the exception | 13 |
| her best to | 13 |
| could not bear | 13 |
| lay on the | 13 |
| with his little | 13 |
| said in a | 13 |
| is a man | 13 |
| the depths of | 13 |
| in the adjoining | 13 |
| is not yet | 13 |
| pointing to the | 13 |
| as i was | 13 |
| by means of | 13 |
| a state of | 13 |
| of the heart | 13 |
| a fit of | 13 |
| place in the | 13 |
| in a word | 13 |
| it possible that | 13 |
| wish to be | 13 |
| and turning to | 13 |
| bit his lip | 13 |
| allow me to | 13 |
| i ask you | 13 |
| can tell you | 13 |
| was in his | 13 |
| he is an | 13 |
| they would not | 13 |
| is no need | 13 |
| he made a | 13 |
| it with the | 13 |
| a few years | 13 |
| into the world | 13 |
| to give her | 13 |
| him as he | 13 |
| of his time | 13 |
| to dine with | 13 |
| his wife had | 13 |
| came to the | 13 |
| state of affairs | 13 |
| what he had | 13 |
| there was an | 13 |
| i was a | 13 |
| i was very | 13 |
| a knock at | 13 |
| in the best | 13 |
| and what is | 13 |
| a letter to | 13 |
| and do you | 13 |
| resting on the | 13 |
| no longer be | 13 |
| and looked at | 13 |
| she is so | 13 |
| out to her | 13 |
| is only a | 13 |
| a sigh of | 13 |
| not take the | 13 |
| of her life | 13 |
| the right and | 13 |
| his young wife | 13 |
| and in her | 13 |
| that i will | 13 |
| on the day | 13 |
| as he spoke | 13 |
| a marriage with | 13 |
| she had taken | 13 |
| and a very | 13 |
| she came to | 13 |
| a man whose | 13 |
| did not care | 13 |
| on the threshold | 13 |
| he had gone | 13 |
| the last few | 12 |
| but for the | 12 |
| not understand how | 12 |
| what does it | 12 |
| a pity that | 12 |
| on the old | 12 |
| towards the door | 12 |
| of the head | 12 |
| on the first | 12 |
| said to me | 12 |
| with the young | 12 |
| me that she | 12 |
| the habit of | 12 |
| and yet he | 12 |
| so much to | 12 |
| so much the | 12 |
| he was no | 12 |
| is a good | 12 |
| was of a | 12 |
| i have just | 12 |
| the door closed | 12 |
| on her breast | 12 |
| on the horizon | 12 |
| the other day | 12 |
| interest in the | 12 |
| not seem to | 12 |
| know what i | 12 |
| the leaves of | 12 |
| the position of | 12 |
| son of a | 12 |
| down upon the | 12 |
| had never before | 12 |
| a few weeks | 12 |
| everything in the | 12 |
| him that the | 12 |
| that you had | 12 |
| of the court | 12 |
| tell me what | 12 |
| laid his hand | 12 |
| regard to the | 12 |
| of the trees | 12 |
| a cousin of | 12 |
| at first it | 12 |
| the manor house | 12 |
| you are going | 12 |
| i saw him | 12 |
| assure you that | 12 |
| of the emperor | 12 |
| his hands in | 12 |
| the other end | 12 |
| opens the door | 12 |
| but i did | 12 |
| as he did | 12 |
| hand over his | 12 |
| to have to | 12 |
| of the way | 12 |
| come back to | 12 |
| not be so | 12 |
| few minutes later | 12 |
| went to his | 12 |
| to see what | 12 |
| i came to | 12 |
| but before he | 12 |
| couple of days | 12 |
| a few moments | 12 |
| from a distance | 12 |
| he himself was | 12 |
| she had lost | 12 |
| she was always | 12 |
| the old baron | 12 |
| to the theatre | 12 |
| to the piano | 12 |
| shall not be | 12 |
| in the light | 12 |
| in the slightest | 12 |
| like a man | 12 |
| is but a | 12 |
| had been obliged | 12 |
| of my own | 12 |
| but you are | 12 |
| man with a | 12 |
| young man who | 12 |
| do not look | 12 |
| over his shoulder | 12 |
| was that of | 12 |
| of the question | 12 |
| trembling in every | 12 |
| it to be | 12 |
| through the night | 12 |
| standing in the | 12 |
| was a very | 12 |
| he should have | 12 |
| do as you | 12 |
| would not let | 12 |
| no one to | 12 |
| of the dead | 12 |
| times a week | 12 |
| of the other | 12 |
| something like a | 12 |
| looked after her | 12 |
| may i ask | 12 |
| does not hear | 12 |
| shakes her head | 12 |
| not the courage | 12 |
| her like a | 12 |
| to find a | 12 |
| to her as | 12 |
| to her eyes | 12 |
| you to be | 12 |
| over her shoulder | 12 |
| the picture of | 12 |
| who could not | 12 |
| to him from | 12 |
| it was that | 12 |
| without the slightest | 12 |
| the breath of | 12 |
| if they were | 12 |
| as if rooted | 12 |
| he passed his | 12 |
| the matter of | 12 |
| of the good | 12 |
| of the future | 12 |
| the charm of | 12 |
| he had forgotten | 12 |
| the following morning | 12 |
| of her heart | 12 |
| she was an | 12 |
| down at her | 12 |
| the unhappy man | 12 |
| by and by | 12 |
| of my life | 12 |
| a moment of | 12 |
| and in his | 12 |
| he was about | 12 |
| in a voice | 12 |
| when he returned | 12 |
| and that was | 12 |
| the influence of | 12 |
| the young men | 12 |
| she was about | 12 |
| did not take | 12 |
| going to be | 12 |
| the recollection of | 12 |
| it is hard | 12 |
| as he could | 12 |
| that she will | 12 |
| knock at the | 12 |
| voice of the | 12 |
| other side of | 12 |
| he laid his | 12 |
| with bowed head | 12 |
| but i must | 12 |
| more than ever | 12 |
| i am ready | 12 |
| of life and | 12 |
| is the first | 12 |
| top of the | 12 |
| was impossible to | 12 |
| there would be | 12 |
| for the child | 12 |
| to any one | 12 |
| in a dream | 12 |
| in a state | 12 |
| to tell him | 12 |
| as i have | 12 |
| think of the | 12 |
| it is impossible | 12 |
| in the neighbourhood | 12 |
| if she could | 12 |
| and a few | 12 |
| him for the | 12 |
| in the right | 12 |
| bent over the | 12 |
| was no one | 12 |
| very good to | 12 |
| as for the | 12 |
| what is that | 12 |
| of the earth | 12 |
| such a man | 12 |
| he would fain | 12 |
| be allowed to | 12 |
| evening of the | 12 |
| i have known | 12 |
| he seems to | 12 |
| of the baroness | 12 |
| hand of the | 12 |
| a last time | 12 |
| which you have | 12 |
| of one who | 12 |
| on the forehead | 12 |
| to his sister | 12 |
| was not only | 12 |
| he used to | 12 |
| if you were | 12 |
| as not to | 12 |
| all that i | 12 |
| in her whole | 12 |
| the happiness of | 12 |
| he took his | 12 |
| back from her | 12 |
| the look of | 12 |
| before he had | 12 |
| she could have | 12 |
| but the old | 12 |
| a sensation of | 12 |
| what did you | 12 |
| any of the | 12 |
| only for a | 12 |
| herself to the | 12 |
| back in the | 12 |
| and fro in | 12 |
| away his head | 12 |
| heart of the | 12 |
| her a little | 12 |
| and as the | 12 |
| have thought of | 12 |
| would have given | 12 |
| the love of | 12 |
| away in the | 12 |
| if there were | 12 |
| had gone out | 12 |
| give me your | 12 |
| high in the | 12 |
| her hand on | 12 |
| it could be | 12 |
| and her mother | 12 |
| the room to | 12 |
| could not tell | 12 |
| that i had | 12 |
| with her mother | 12 |
| he might be | 12 |
| that is what | 12 |
| his little son | 12 |
| who had not | 12 |
| in the lowlands | 12 |
| for my part | 12 |
| cleared his throat | 12 |
| it is in | 12 |
| not believe that | 12 |
| has gone to | 12 |
| he raised his | 12 |
| in the long | 12 |
| not been able | 12 |
| a little bit | 12 |
| filled with a | 12 |
| he has gone | 12 |
| let us be | 12 |
| to his friend | 12 |
| in the mountains | 12 |
| you love me | 12 |
| is a pity | 12 |
| away her head | 12 |
| opened his eyes | 12 |
| it is better | 12 |
| close to the | 12 |
| she will not | 12 |
| was a good | 12 |
| for my sake | 12 |
| that you do | 12 |
| him at the | 12 |
| and as for | 12 |
| if rooted to | 12 |
| as in a | 12 |
| to his men | 12 |
| on his knee | 12 |
| had nothing to | 12 |
| a woman of | 12 |
| with a little | 12 |
| the world of | 12 |
| would be to | 12 |
| it were a | 12 |
| a good deal | 12 |
| would be the | 12 |
| of a new | 11 |
| reminds me of | 11 |
| will not do | 11 |
| with the world | 11 |
| is at stake | 11 |
| for this reason | 11 |
| his wife to | 11 |
| looked out upon | 11 |
| day after day | 11 |
| with the other | 11 |
| said the baroness | 11 |
| that she must | 11 |
| direction of the | 11 |
| most of them | 11 |
| consciousness of his | 11 |
| goswyn von sydow | 11 |
| then he said | 11 |
| because she was | 11 |
| but they are | 11 |
| in my life | 11 |
| feet of the | 11 |
| all the others | 11 |
| for all i | 11 |
| you are mistaken | 11 |
| him when he | 11 |
| i was in | 11 |
| out to the | 11 |
| is beginning to | 11 |
| and not to | 11 |
| a very little | 11 |
| the same thing | 11 |
| to receive him | 11 |
| she had gone | 11 |
| intercourse with the | 11 |
| music of the | 11 |
| have not been | 11 |
| the poor woman | 11 |
| i think of | 11 |
| the use of | 11 |
| i cannot endure | 11 |
| in honor of | 11 |
| as i can | 11 |
| was such a | 11 |
| shadows of the | 11 |
| the district town | 11 |
| the bottom of | 11 |
| heard in the | 11 |
| ask you to | 11 |
| but i never | 11 |
| she shook her | 11 |
| in the large | 11 |
| the news of | 11 |
| was convinced that | 11 |
| and does not | 11 |
| fact that the | 11 |
| as he would | 11 |
| fell on the | 11 |
| proud of you | 11 |
| knew that he | 11 |
| of human nature | 11 |
| but they were | 11 |
| at first i | 11 |
| you think i | 11 |
| to his son | 11 |
| there was one | 11 |
| is it that | 11 |
| tone in which | 11 |
| had no time | 11 |
| her eyes and | 11 |
| the country round | 11 |
| had no right | 11 |
| are to be | 11 |
| desperately in love | 11 |
| had been to | 11 |
| i have made | 11 |
| could never be | 11 |
| of all her | 11 |
| if you please | 11 |
| do not like | 11 |
| half a dozen | 11 |
| the greatest pleasure | 11 |
| you cannot imagine | 11 |
| i have seen | 11 |
| into the next | 11 |
| to give him | 11 |
| but she had | 11 |
| on his own | 11 |
| is the same | 11 |
| do you hear | 11 |
| to attend to | 11 |
| he felt the | 11 |
| would have done | 11 |
| her large eyes | 11 |
| he was quite | 11 |
| which would have | 11 |
| as to his | 11 |
| about in the | 11 |
| sure to be | 11 |
| for all the | 11 |
| one after another | 11 |
| time he had | 11 |
| the baroness melkweyser | 11 |
| that no one | 11 |
| a glance at | 11 |
| of the street | 11 |
| what is there | 11 |
| upon which the | 11 |
| him that she | 11 |
| either side of | 11 |
| to act as | 11 |
| he was too | 11 |
| at the side | 11 |
| and what a | 11 |
| of a poor | 11 |
| the young countess | 11 |
| her to him | 11 |
| you not to | 11 |
| had become a | 11 |
| to meet her | 11 |
| her back to | 11 |
| that was all | 11 |
| in the wrong | 11 |
| as to be | 11 |
| what had happened | 11 |
| and then all | 11 |
| he is silent | 11 |
| into the hall | 11 |
| the little town | 11 |
| an old friend | 11 |
| be in the | 11 |
| me to do | 11 |
| the whole world | 11 |
| at the opera | 11 |
| and if she | 11 |
| i know you | 11 |
| in the conversation | 11 |
| round his neck | 11 |
| just at the | 11 |
| her in a | 11 |
| and he did | 11 |
| with his back | 11 |
| they reached the | 11 |
| the necessity of | 11 |
| in the army | 11 |
| after the fashion | 11 |
| for so long | 11 |
| over to the | 11 |
| and now the | 11 |
| sat in the | 11 |
| the effect of | 11 |
| up from his | 11 |
| did not seem | 11 |
| even in his | 11 |
| what was the | 11 |
| his sense of | 11 |
| is not in | 11 |
| from her temples | 11 |
| the door and | 11 |
| for all that | 11 |
| he is quite | 11 |
| received a letter | 11 |
| which the old | 11 |
| he had finished | 11 |
| she looked up | 11 |
| of the company | 11 |
| de gandry and | 11 |
| if it was | 11 |
| with these words | 11 |
| turned her head | 11 |
| page scan source | 11 |
| cannot tell you | 11 |
| it was for | 11 |
| hand on the | 11 |
| her hands and | 11 |
| you were in | 11 |
| good enough for | 11 |
| because it is | 11 |
| held out his | 11 |
| told him that | 11 |
| frau von harfink | 11 |
| where she had | 11 |
| at his writing | 11 |
| he said in | 11 |
| there is an | 11 |
| she went to | 11 |
| for the night | 11 |
| more beautiful than | 11 |
| do not ask | 11 |
| out to him | 11 |
| had left the | 11 |
| in the heavens | 11 |
| was going on | 11 |
| the young wife | 11 |
| that would have | 11 |
| of the morning | 11 |
| was the most | 11 |
| he stood still | 11 |
| you are so | 11 |
| the art of | 11 |
| of course you | 11 |
| the number of | 11 |
| and so i | 11 |
| had been able | 11 |
| into the night | 11 |
| you are always | 11 |
| into the water | 11 |
| some of them | 11 |
| and his eyes | 11 |
| even if i | 11 |
| and as she | 11 |
| you are quite | 11 |
| a man to | 11 |
| you not see | 11 |
| from which the | 11 |
| could it be | 11 |
| about her shoulders | 11 |
| the poor fellow | 11 |
| in a long | 11 |
| her little hands | 11 |
| her in her | 11 |
| with a few | 11 |
| to his head | 11 |
| i see you | 11 |
| been in the | 11 |
| for which she | 11 |
| and therefore i | 11 |
| has never been | 11 |
| his best to | 11 |
| as you have | 11 |
| once more to | 11 |
| himself to be | 11 |
| of the door | 11 |
| have you forgotten | 11 |
| you could not | 11 |
| to know that | 11 |
| not so much | 11 |
| seized with a | 11 |
| was like a | 11 |
| and the other | 11 |
| to have you | 11 |
| only one of | 11 |
| and once more | 11 |
| but i could | 11 |
| to which the | 11 |
| could not think | 11 |
| to return to | 11 |
| in honour of | 11 |
| i could have | 11 |
| but i shall | 11 |
| to be so | 11 |
| he heard a | 11 |
| of the new | 11 |
| that his wife | 11 |
| was it possible | 11 |
| which i had | 11 |
| eugene von rhoeden | 11 |
| that they had | 11 |
| me if i | 11 |
| it was just | 11 |
| ashamed of his | 11 |
| to you to | 11 |
| the child in | 11 |
| you would be | 11 |
| all the while | 11 |
| gave him a | 11 |
| look at me | 11 |
| i was going | 11 |
| hand to him | 11 |
| the same moment | 11 |
| he takes his | 11 |
| you are in | 11 |
| himself and his | 11 |
| was nothing more | 11 |
| what she had | 11 |
| far as the | 11 |
| will be the | 11 |
| you for your | 11 |
| goes up to | 11 |
| with her hands | 11 |
| far as possible | 11 |
| just as he | 11 |
| had seemed to | 11 |
| i daresay you | 11 |
| and then a | 11 |
| he is going | 11 |
| for any one | 11 |
| she might have | 11 |
| he and his | 11 |
| at the very | 11 |
| stood before him | 11 |
| must not take | 11 |
| in which i | 11 |
| should have to | 11 |
| old countess lenzdorff | 11 |
| of the church | 11 |
| as a young | 11 |
| had wished to | 11 |
| to make her | 11 |
| end of a | 11 |
| on the piano | 11 |
| goes to the | 11 |
| the weight of | 11 |
| surface of the | 11 |
| she was wont | 11 |
| but i know | 11 |
| to see if | 11 |
| it in a | 11 |
| i really do | 11 |
| be difficult to | 11 |
| his head in | 11 |
| i am an | 11 |
| it is always | 11 |
| of the lowlands | 11 |
| if you can | 11 |
| that you would | 11 |
| put an end | 11 |
| how can i | 11 |
| you will see | 11 |
| to her mother | 11 |
| after a long | 11 |
| and i know | 11 |