id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_ynav7roqqnglbizhvc5ihhjlx4	Patricia A. Favero	Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso	2017	18	.pdf	application/pdf	9694	835	67	The existence of a portrait hidden beneath The Blue Room (1901) by Pablo Picasso prompted a comprehensive technical study of this early Blue period painting. The Blue Room (Fig. 1) was painted by Pablo Picasso in Fig. 3 Details of The Blue Room showing colors from an underlying composition revealed by voids and cracks in surface paint layers. and c light blue paint layers of sample X7 identify these red particles as the red pigment vermilion Fig. 8 Reflectance imaging spectroscopy (RIS) maps for Prussian blue, ultramarine blue, lead white, zinc white, viridian green, and vermilion red. Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso	./cache/work_ynav7roqqnglbizhvc5ihhjlx4.pdf	./txt/work_ynav7roqqnglbizhvc5ihhjlx4.txt