id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_lbbspmqeqjapdcd6mzk76hgymm	Allison Langley	Scenes from the life of Picasso's Still Life (1922): history, materials, and conservation	2020	7	.pdf	application/pdf	3607	281	64	Pablo Picasso manipulated his paints to achieve a range of visual effects in his painting Still Life (Art Institute of Chicago, The addition of excess medium and the superposition of multiple paint layers with different drying rates contributed to localized areas of wrinkling, tenting, and lifting paint. that Picasso had originally painted a neo-classical still life on the canvas. over the first composition before painting the linear abstract Still Life dated February 4, 1922. chromatography-mass spectrometry analysis of paint samples and restoration coatings from past treatments helped to Keywords Pablo Picasso · Painting technique · Conservation · Technical imaging · THM-Py-GCMS · Copal Fig. 2 Infrared image of the reverse of Picasso's Still Life showing oil-based house paints such as Ripolin, which Picasso is red, green, and black paint indicated that Picasso did not glossy black paint sample (top) with mass spectra for trace pyrolysis markers, labeled C1 and C2, for copal resin.	./cache/work_lbbspmqeqjapdcd6mzk76hgymm.pdf	./txt/work_lbbspmqeqjapdcd6mzk76hgymm.txt