f * - y 1 ! i ■ I The Crime at the QROS SWAYS Brian Flynn THE CASE OF THE BLACK TWENTY-TWO THE MURDERS NEAR MAPLETON THE MYSTERY OF THE PEACOCK'S EYE THE BILLIARD ROOM MYSTERY THE CRIME AT THE CROSSWAYS The QRIME at the QROSSWAYS * by Brian Flynn MACRAE - SMITH - COMPANY Philadelphia FIRST PUBLISHED IN THE UNITED STATES, 1932 First Edition Manufactured in the United States of America C HAPTER I ♦ In the space of six weeks the name of " Creeping Jenny" had become notorious in the southern coun- ties of England and her capabilities immensely re- spected. A series of daring robberies had taken place from country houses and in each case where the robbery had occurred a card—in shape and size like a visiting-card—had been left behind in the bedroom where the actual theft had been perpetrated bearing the superscription in typewritten characters, "With Creeping Jenny's compliments. She takes but one." In two instances—those of Sir Graeme Grantham's diamond tie-pin and Mrs. Stanley Medlicott's pearl necklace with pendant and tassel of pearls—a ladder had evidently been employed at the front of the house while the company were seated at dinner, and also in each of these affairs very much more valu- able articles had been left behind—untouched, quite in accordance as it were with the terms of the visit- ing-card. Mrs. Medlicott's necklace, for example, which was stolen two nights after Sir Graeme's pin, was worth perhaps a mere matter of one hundred and fifty pounds, while her famous emeralds had been almost at the thief's mercy had a little more care been taken. The view taken by the Superin- tendent of Police who investigated the affair of the 8 THE CRIME AT I Medlicott robbery was that the marauder had been disturbed and also that the fantastic sobriquet that had been assumed, and the somewhat vainglorious declaration of policy were entirely misleading, and intended to deceive. The Superintendent, who was looked upon with justification as one of the ablest men in the service, formed the opinion that he was dealing with a man "cat-burglar" of the most ad- vanced and cleverest type who was throwing dust in the eyes of the police and preparing for much bigger "coups." When Sir Graeme Grantham's tie-pin had been stolen, a magnificent pair of amethyst cuff- links had been possibly overlooked and in the Medli- cott case it was definitely proved, when the evidence of the various witnesses intimate with the affair came to be examined and sifted, that the thief must have been hiding in the bedroom while Mrs. Medli- cott had actually been in there, for it was estab- lished beyond doubt that the ladder that had been used in connection with the theft must have been moved from its usual shelter and replaced within a period of no more than nine or ten minutes. Following upon the two robberies that have been described, very similar occurrences took place in somewhat alarming succession at Mrs. Arthur Mid- winter's near Crawley, Mrs. Topham-Garnett's on the outskirts of Rustington and then at the residence of Sir Gilbert and Lady Craddock at Cranwick in Sussex. Mrs. Arthur Midwinter lost a diamond chain with pendant of aquamarine, crystal and dia- monds, a guest of Mrs. Topham-Garnett's was re- lieved of a pair of long drop turquoise earrings and THE CROSSWAYS 9 at Cranwick Towers, Lady Craddock herself suf- fered a loss that caused her a great deal of annoy- ance. A very valuable opal ring was stolen from her bedroom—a ring for which she held a very strong sentimental regard—entirely apart from its intrinsic value. In this last affair the stains of mud upon a rug in the room, coupled with a broken pane of glass seemed to prove conclusively to the Police- Inspector who was called in by Sir Gilbert Craddock that yet another successful climbing feat had been executed by "Creeping Jenny" before the usual card had been deposited upon Lady Craddock's dressing-table. As a result of his operations several of the better known thieves of this particular type were combed out by the police from the unsavory seclusion of their respective haunts and their move- ments, comings and goings, most strictly investi- gated. But all to no purpose. The inquiry yielded no discovery of any importance and at last it be- came evident to Scotland Yard that a new star had arisen whose methods displayed a daring ingenuity and audacious originality worthy of a much better cause. For "Creeping Jenny's" unselfishness and altruistic principles still persisted and these traits, more than the qualities previously mentioned, cap- tured the imagination of the public. "She "—if it were truly "she "—still and always "took but one," for Mrs. Arthur Midwinter, Mrs. Topham- Garnett, Mrs. Topham-Garnett's guest and Lady Craddock herself, were enabled out of her Robin Hood-like magnanimity to retain more valuable possessions that might very easily have found their 10 THE CRIME AT way into this daring robber's pocket. An attempt made by the more sensational and less reliable press to call the thief " La Voleuse " met with immediate failure—" she" had christened herself "Creeping Jenny " and " Creeping Jenny " she remained. On the morning that the theft of Lady Crad- dock's opal ring was announced in the newspapers Henry Mordaunt K. C. of "The Crossways " near Cranwick, Sussex, read the account of the affair with somewhat mixed feelings. "Very good, Mitchell," he exclaimed to his butler who had upon instructions brought him the Morn- ing Message, "many thanks. That will do for the present." Very shortly after the withdrawal of the butler, the famous King's Counsel having exhausted the paragraph in question pressed the bell again. "I'm sorry, Mitchell," he declared upon the but- ler's reappearance, " but I shall have to trouble you 'again. Tell Mrs. Mordaunt I want to see her at once—will you?" Mitchell bowed. "Very good, sir. I will tell Mrs. Mordaunt immediately, sir." Mordaunt awaited his wife's arrival very pa- tiently, although patience was not his strongest suit. When she entered he greeted her with his customary courtesy. "Good morning, Olive. I hope I'm not worry- ing you. But I wanted to show you this. It's er— extremely interesting. You remember what we were talking about last week? Well—have a look here." THE CROSSWAYS II He pointed to the column in the paper that described "Creeping Jenny's" latest exploit at the Crad- docks'. Olive Mordaunt took the paper wonderingly. She was her husband's second wife and, of course, considerably his junior. Mordaunt's intimate circle had been extremely surprised at the marriage, for it was openly hinted that the lady chosen for the second union did not quite fill the bill as would have been generally expected. Physically she was de- cidedly attractive—her dark, somewhat meretricious beauty pleasing most men with whom she came into contact. She read the account that her husband had pointed out to her with an uplifting of the eyebrows. Then the suggestion of a smile played round her lips. "Getting nearer and nearer," she said. "Is that what you mean, Henry?" "It is," he replied, "and I am speaking, of course, with direct reference to next week. I wouldn't like anything to go wrong here next week —for Lorrimer's sake. His family I know has al- ways placed a tremendous value on the Lorrimer sapphire as is only natural." He smiled across at his wife. "You will remember, my dear, that I have an excellent reason for saying that. In fact only two other people could have as good a one." Olive Mordaunt returned her husband's smile and nodded brightly. "I know that, Henry. I remem- ber you telling me when you wrote to me at Cannes, informing me of Margaret's intended engagement. I look forward to meeting Captain Lorrimer." She 12 THE CRIME AT paused but proceeded almost immediately. "Rather a coincidence—don't you think—that Margaret and he, with Jane and Francis should be at Cranwick Towers at the moment? We shall at any rate get a first-hand account of this last 'Creeping Jenny' affair when they return here. It's an ill-wind, Henry" He stroked his firm, clean-shaven mouth. "Yes, I suppose we shall! All the same—I don't like it. I seem to be suffering this morning from a presenti- ment. I think that's the best word to use to describe how I feel. Our house party and the reason behind it—Margaret's twenty-first birthday and the an- nouncement of her engagement to Lorrimer—have been pretty extensively published—you know—in most circles. The Morning Message gave it three paragraphs, Olive, as recently as last Tuesday— very properly so, too. It stated, quite openly, • that ' Margaret Mordaunt, third child and younger daughter of Henry Mordaunt, K. C. etc., etc., was to receive from her fiance—Capt. Cyril Lorrimer, M. P. for the Froam division of Seabourne—the famous "Lorrimer Sapphire" for her engagement ring.' There followed some details—mainly incor- rect—concerned with the ring's history." He stopped and pursed his lips in the manner that juries knew so well. "Seems to me, Olive, that that would be just the type of ring—jewel—whatever you choose to call it—to attract this 'Creeping Jenny' person . . . as an incentive. I've got a 'hunch' as our cousins across the Atlantic say— especially as her latest operations were at the THE CROSSWAYS 13 'Towers'—no more than a couple of miles away from us." "Rubbish, Henry. Now what has that to do with it really? That's only a coincidence—they do happen sometimes. Besides we'll have people stay- ing here that we can form into a Committee of Defence—a Committee of Public Safety we'll call it." She laughed and clapped her hands gaily. "That would be rather fun, wouldn't it?" she cried, supplementing her previous remark. "How many shall we have?" asked Mordaunt seriously. "Our own three, back from the scene of the crime, as you might say, Captain Lorrimer and his mother, Adrian Challoner, John Raikes with Mr. and Mrs. Raikes, Mary Considine, Anne Ebbisham, Christine Massingham, Peter Daventry and Russell Streatfeild. You insisted on him—if you remember —although I don't know why—as well as your other old friend Adrian Challoner—another gentleman I am yet to have the pleasure of meeting. One or two of them have kept away a long time since you upset them all by marrying me, Henry." She added the last sentence mischievously, but Mordaunt made no sign that he appreciated its inner meaning. For there was bitterness allied with the mischief and he detected it. "When are the girls and Francis expected back? " he inquired. "To-morrow," she answered. "But Captain Lorrimer won't be coming over with them. So Margaret has told me,—at least. She 'phoned yes- THE CRIME AT terday afternoon. He has an appointment in town, I believe—business she says, that in all probability will take him a day or two so that we shan't see him at 'The Crossways' until Monday afternoon some time—the day before the great day." "H'm," he remarked, as though pondering over some aspect of the matter that had not previously occurred to him, " do any of the others come before Monday?" "You know there are some coming, Henry, as well as I do. Didn't I tell you so last week? Anne Ebbisham and Christine Massingham are coming over with Francis and the girls from the Craddocks' place and Peter Daventry will be coming down here for the week-end. Is there anything else that you want to know or have you remembered some of the things I have told you?" "No—I'm satisfied now, Olive. All the same— I've still that feeling of insecurity. In fact, I've had it for some time. I can't explain it as I told you just now. I've just got it and that is all I can say about it. It is one of those curious, unreasoned anxieties." No sooner had the words left his mouth than a light knock sounded on the door. Mitchell entered noiselessly at his master's invitation. "I beg your pardon, sir, but if it is convenient to you Inspector Baddeley would like to speak to you. He says it is very important, sir. What shall I tell him, sir?" Mordaunt's brow furrowed with annoyance as he considered the butler's statement. THE CROSSWAYS IS "Inspector Baddeley? " he queried. "What on earth does Inspector Baddeley want with me? Any idea, Mitchell? Did he say?" Mitchell shook his head gravely. "No, sir—he did not! And I did not inquire. If I had inquired I doubt very much whether the Inspector would have told me. I have noticed things like that be- fore, sir." Mordaunt looked across at his wife. "Better see him I suppose, Olive—though I can't imagine for a moment what he can want with me." He nod- ded with decision towards Mitchell. "All right, Mitchell! Tell the Inspector I'll see him at once. Leave him to me, Olive—you clear out—I don't suppose it's anything to cause either of us sleepless nights." Mrs. Mordaunt acquiesced with unusual readiness for her, and slipped out of the room. Inspector Baddeley of the Sussex Constabulary looked little changed since his investigation of the "Billiard Room Mystery" at Considine Manor some years previously. His closely cut dark hair still retained its color, his moustache was as trim as ever and his steady blue eyes had lost none of their brightness. When he spoke it was with the old snap and eminently business-like rapidity. "Mr. Mordaunt," he opened immediately, "I'm Inspector Baddeley, just put in charge of the Cranwick Towers case. May I claim a few mo- ments of your valuable time?" The man he addressed looked puzzled but was quick to give his assent. "With pleasure, Inspector. THE CROSSWAYS I? down a lane very rarely used by motorists in the ordinary way and two villagers who have come for- ward and given us information state very definitely that a car passed them in this very lane on the night of the burglary just about the time to fit in with this theory of mine regarding the affair." Mordaunt nodded. "Quite a reasonable theory, too, I should say, Inspector! Motor cars seem in- separable from crime these days. Certainly I can see nothing in your idea that would cause me Baddeley raised his hand in his eagerness. "Quite so, sir. But that isn't all. That doesn't explain why I'm here to see you. I haven't finished yet—by a long way. The lane to which I refer, Mr. Mordaunt, is that known locally as 'Hang- man's Hollow'—the very lane that comes out al- most exactly opposite your house here—' The Cross- ways.' In fact it might be said to be in a direct line of communication between 'The Crossways' and 'Cranwick Towers.'" He caressed his neat little moustache with an air of extreme satisfaction and watched carefully the expression on the K. C.'s face. "Well, Inspector?" said Mordaunt at length, with a certain amount of unconcealed amusement. "I don't deny that what you say is true—but still I find myself" Baddeley changed his tone. *' Your two daugh- ters and son, Mr. Mordaunt, are I believe guests for the time being of Sir Gilbert Craddock at Cran- wick Towers. That is so, isn't it? I am indebted i8 THE CRIME AT to Lady Craddock herself for the knowledge and— I understand that" "That's quite true, Inspector. But what's the point?" Baddeley was some little time before he answered Mordaunt's last question and when he actually did so, his reply was not entirely direct. "We have been unable so far, Mr. Mordaunt, to trace the tracks of the car beyond your house. Its tracks as a matter of fact seem to disappear com- pletely as soon as 'The Crossways' is reached. There were the impressions in the lane—plain enough for anybody to see who has the eyes to read and understand such things—but at the end of this lane—' Hangman's Hollow '—they stop quite sud- denly. You can't help me, I suppose, Mr. Mor- daunt?" Mordaunt's answer to this bore a tinge of annoy- ance. "How do you mean, Inspector? How is it pos- sible for me to help you? In fact I don't follow you at all." But Baddeley, although he realized the note of asperity, was quite unperturbed. "You can't make any suggestion, Mr. Mordaunt, that would assist me towards an explanation?" "None whatever, Inspector." "Then tell me this, sir. Am I right in stating that one of your cars is over in the Cranwick Towers' garage and has been there all the time your people have been staying there?" Mordaunt looked at him—the surprise on his THE CROSSWAYS 19 face unmistakable. "You are, Inspector. But I'm hanged if I know at what you're getting. If you must know, my son drove his sisters over to Sir Gilbert Craddock's ten days or so ago. He's got my six-cylinder Sunbeam over there. But there's nothing unusual in that surely." Baddeley turned his hat in his hands. "No," he ventured at length, "perhaps not. Perhaps I'm weaving a too fantastic theory about this ' Creeping Jenny' person. Still "He rose sharply from his chair and prepared to make his exit. "It's my way, you see, sir! I was always one to consider everything, no matter how improbable some of the things may be at first blush. Or seem to be would be a better way of putting it perhaps. However, in this case—I may have strayed a little too far. If I have I'll get back to the main path, never fear. But you never know. A 'Sunbeam' I think you said? Good-day, Mr. Mordaunt, and thank you." "Good-day, Inspector. Sorry you've had your journey for nothing." The eyes of the two men met and held each other across the room. Then the door closed behind In- spector Baddeley. Mordaunt took a cigar and lit it, and the hand that held the match was as steady as a rock. 20 THE CRIME AT CHAPTER II • "Christine, my child," said Anne Ebbisham, as she dexterously swung the car round a sharp curve of the road, " I'm not sorry to be leaving Cranwick Towers. It hasn't exactly been a home of rest these last few days. Take it from my own sweet self, that Inspector gentleman that was so inquisitive about Francis' car and how far 'The Crossways' was away and how long it would take to get there (a) in September travelling light and (b) at Christ- mas—carol-singing as you went—is no 'bimbo' as they'd say on the ' talkies.' Look out, I'm going to tread on the 'juice ' for a bit. The road's as clear as a City church." As the car gathered speed, Christine Massing- ham, her companion, looked at her curiously. "What do you mean, Anne—exactly? " she asked after a moment's hesitation, "about the In- spector?" "What do I mean? " Anne repeated the question after her very deliberately. "I mean this, my tem- porarily unintelligent precious. The jovial Baddeley won't have the wool pulled over his eyes quite as easily as some of his predecessors did. If you ask little Annie—and believe me, oh my Christine, you could do a lot worse than that—the sprightly Bad- deley has come to the conclusion that the 'Creep- THE CROSSWAYS 21 ing Jenny ' affairs have been worked ' on the inside.' I believe that is the correct expression to use in cases of this kind. I invariably buy the midday Wallace. Anyhow, I'll bet a pony to a peanut that he's properly poked the breeze up Papa Mordaunt; do him good too." She jerked her head at Chris- tine. "What was that jolt, dreamy-eyes? Did you notice anything?" "A hen, dear. Let's hope it was too old for laying." Anne gurgled delightfully. "You'll be the death of me, Christine." "If I am, Anne, I shall probably be merely get- ting my own back. I am noted for my powers of re- taliation." Miss Ebbisham repeated the gurgle. "' With your permission' I'm going to stop here for a moment, Cherub. We're quite near 'The Cross- ways,' another five minutes'll do it. I am going, Miss Massingham, to powder what Francis Mor- daunt always describes as my singularly attractive nose." The young lady immediately suited the action to the words. "He is not, I may add, alone in that respect. I always tell him he has catholic tastes. I know no surer way of getting him into a 'snork' than by saying that." She gave her deliciously tip-tilted nose another dab. "All the same, Christine, I was deadly serious just now in what I said and lingering here won't purchase new apparel for the necessitous infant. Inspector Bad- deley suspects somebody! Somebody definite, I mean. That's Anne Ebbisham's one-horse snip. 22 THE CRIME AT Send five pounds for my unbeatable certainty that's running on Saturday next at Sandown Park—a veritable ' rod in pickle '—and turn the bookmaker's complexion from pale yellow to a deeper saffron. What did I give you for the Lincoln in 1928—when every other sporting "Anne spoke with the utmost nonchalance, but again Christine threw her a glance of strong curiosity as she interrupted her. "Suspects somebody! What do you mean, Anne? I believe you know something. Do you mean somebody that you and I know or are you just" Miss Ebbisham pushed the self-starter. "I'm not saying any more, Cherry Blossom—my lips are sealed—but keep your ears and saucy eyes open. Old Baddeley looked at Francis as though he were hungry and had been invited to a good meal and when she saw it—as I'm cast iron sure she did— Jane Mordaunt, who had been hanging round, looked about as happy as a canary rubbing beaks with a chinchilla. And she's quite a resolute little person usually. Serve old Lady Craddock right," she added, "shouldn't leave her 'pretties' lying about with ' Creeping Jenny ' knocking round. Some people oughtn't to possess anything more valuable than 'bus tickets and tiddledy-winks counters, and then somebody should hold their little hands for them when they cross the road." Anne slowed the car down. "There's 'The Crossways,' Christi- linda, just ahead of us. That noble pile. So look your dainty best and don't appear too enviously green when Molly Mordaunt first shows you the THE CROSSWAYS 'Lorrimer Sapphire.' In case your virgin verdure should be hopelessly misunderstood and the wrong construction placed upon it. By the way—I've been going to ask you several times—how do you like my godfather—Adrian Challoner?" Christine smiled at the question and if possible her determined little face grew in attractiveness. "Very much, Anne. It takes one a little time perhaps to know him thoroughly and to understand him properly—but when you do, I think he's very charming. He's giving me quite a good chance in the new play. You agree with me, I know." "Oh, yes, Christine. I think he's as white as they make them, but it's a bit different for me to think so, isn't it? I've known him so long, you see. Of course he likes himself a lot but one gets used to that and perhaps in the end it makes him even more attractive." Christine nodded. "He's terribly fond of the Mordaunt girls, isn't he?" Anne Ebbisham showed unmistakable agreement. "Too true. Particularly Jane. She told me once when I suppose she felt very confidential that he'd do anything for her. You see he's Henry Mor- daunt's closest and oldest friend. Supposed to have been 'dippy' over the first Mrs. M. You know the old stunt, Christine, 'how happy could she have been with either, etc'—she married the barrister but the actor loved her still—and after her—her children. Since then he's been the stern, silent figure in the background who loved but once and who ever since has been wedded to the what 24 THE CRIME AT might have been. Dear, dear, very distressing, my precious, very distressing, but it has added to his attraction for the 'first-nighters' and at the same time he's had the exquisite felicity and supreme compensation of being godfather to yours truly. After all, the man can't have everything." She laughed and the mischief danced in her blue eyes. "He's a good sort, though, my angel—coming back to serious things again—and nobody could have been kinder to my brother and me than he has—and you'll find he'll help you no end at your job. If you've really got the talent, Christy Minstrel—be perfectly assured that Adrian Challoner will develop it. There's not a man on the London boards to touch him as far as that's concerned. But here we are. Hop out, my chicken. Francis and the girls will be wondering where the dickens we've got to, and we owe it to them to beautify the place as much as possible." As she spoke her eyes narrowed perceptibly, a fact that her companion noticed immediately. "What's the matter, Anne?" she asked. Miss Ebbisham's mouth set in the serious lines of determination. "Look, my angel," she returned. "Gaze lingeringly long upon the gentleman who has just finished his morning call at 'The Crossways' and then give me a reverential pat. Extend to me a gesture of congratulation." Christine Massingham followed the direction of Miss Ebbisham's eyes with her own, and she saw without difficulty the man whom Anne had indicated. It was Inspector Baddeley. She turned again to THE CROSSW AYS 25 Anne and marvelled at the glitter in her eyes. But whether it was of doubt, daring or defiance, she found it impossible to decide. Wherein she was not alone, for others had endeavored to read Miss Ebbisham and signally failed. "Wouldn't it be a ' spree,' " murmured that lady, "if 'Creeping Jenny' did a job of gate-crashing at' The Crossways ' and lifted the famous Lorrimer sapphire?" 26 THE CRIME AT CHAPTER III « Peter Daventry has been heard to remark many times since, that Molly Mordaunt's "twenty- first and betrothal" dinner was the cause of giving to him the most curious little thrill of his life. He had worked with Anthony Lotherington Bathurst upon one of the latter's strangest investigations, namely "The Black Twenty-two," but the ad- venture and excitement that had been produced by that case was different from what he was destined to feel ultimately at "The Crossways." Dinner itself had been entirely delightful. Well cooked, well served and garnished by a company of manifold charm. For there were no very obvious passengers in the social boat that put out that eve- ning under the command of Henry Mordaunt K. C. On the left of the host sat Jane his elder daughter, Molly, the " principal " of the evening, flanking him on his right. Next to Jane Mordaunt and in order, came John Raikes, who had been at a preparatory school and afterwards at Winchester with Francis Mordaunt, Christine Massingham, Russell Streat- feild, solicitor of Hyde, Streatfeild and Digby, Anne Ebbisham, Francis Mordaunt, Olive Mordaunt, Adrian Challoner, the famous actor-manager, Mary Considine, Peter Daventry, Mrs. and Mr. Raikes, THE CROSSWAYS 27 parents of the John Raikes previously mentioned, Mrs. Lorrimer, (Captain Lorrimer's mother) and Captain Cyril Lorrimer, M. P., next, of course, to Molly herself. It said something for Adrian Chal- loner's quality of distinction and power of personal magnetism that they should show so unmistakably in a gathering of this kind. Anne had hoped secretly to have been seated next to her godfather for she found him invariably an intellectual stimulus, but in spite of her disappointment she found Russell Streatfeild, her right-hand neighbor, extremely entertaining. "You know, Miss Ebbisham," he said, with a twinkling grey eye and in his rather curiously high- pitched voice, "one should never let a host feel that one's first duty is to the cook. The ideal con- versationalist should be conscious of three duties— the first to his immediate neighbors—in my own case this evening that particular duty has become a most pleasing one "—he bowed gallantly to Anne and Christine—" the second to his host and hostess —the third to the company in general." Anne laughed delightfully. "I believe I'm going to like you, Mr. Streatfeild, and at first I was afraid that I shouldn't. I thought you looked a bit" She paused and screwed her nose up as though in doubt of her selection of the word. Streatfeild smiled. "A bit what? Don't spare me, Miss Ebbisham, if the adjective in question makes a strong appeal to you. I assure you that I of all people" "A bit ' legal,' " decided Anne triumphantly. 28 THE CRIME AT "Would you have preferred me then—to have conveyed the impression of being—' illegal'?" The lines of his mouth rippled humorously. Before Anne could reply Adrian Challoner's voice came across the table to them. "Don't be- lieve a tenth of what she says to you, Streatfeild. Let me tell you that I never do. I daren't! She's very nearly my worst production. Only my most meticulous care and painstaking assiduity in what I promised for her at her baptism have saved her from being "He shrugged his shoulders in effective completion of the sentence but there was a smile on his face and laughter in his words. Anne grinned at Challoner's remark, the imp as usual on duty in her eyes. Christine answered for Streatfeild who had turned laughingly to Miss Ebbisham herself. "If Anne's 'very nearly' your worst production, Mr. Challoner, what's your really worst? I'm intrigued." "Himself," snapped Anne, turning the tables with ready retaliation; " don't ask questions that are so obvious, Christine. That was apparent from the first." Challoner joined heartily in the general laugh at his expense. "How's the new show going?" questioned Streatfeild. "Which one—' Broken Threads '—or the one in rehearsal?" "The new one—the one that follows 'Broken Threads.'" THE CROSSWAYS 29 "Not too badly—ask Miss Massingham. She should be as good a judge as anybody." "Very well!" said Christine. "Everybody seems quite pleased with it." "There's only one thing, Streatfeild," put in the actor-manager, "it's a strong play; the big scene in the second act when I'm assassinated is immensely powerful, but, all the same, I'm thinking seriously of altering its title." "Why? What's it called? I can't remember for the moment." "' Sin and a Woman.'" Russell Streatfeild pursed his lips in the con- sideration of appraisement. "I don't know," he said eventually, "not a bad title as titles go. Why alter it? What's the alternative if you do?" "'Two women,' surely?" Challoner smiled. Anne's spontaneous explosion was accompanied by the more decorous laughter of the others. Mrs. Raikes laid her hand on her husband's arm with her usual gesture of proprietorship. "Defend my sex for me, George, against Mr. Challoner's most unjustifiable attack. The next time I sit in the stalls I shall remember it throughout the whole of the performance. It will probably spoil the entire evening for me." "Do you find us so alluring then, Mr. Chal- loner?" The question came from Mary Considine and as she spoke Peter thought that the answer would have come very easily if it had been demanded from him. He found himself wishing fervently that it had been. 3» THE CRIME AT "Not I only, Miss Considine, I am but one of a battalion," replied Challoner, "and as a champion of your own sex you yourself are irresistible. Besides, look round the table! What do you see? Each one of us is enslaved to one of you, at least. Who would have it otherwise?" He smiled and proceeded to amplify his statement. "Consider my proofs. Lorrimer is hopelessly in love with Molly. You've only got to glance at him to see that. Jane, my own little Jane whom I have ardently and openly worshipped from her cot upwards, has flagrantly entrapped Jack Raikes. Henceforward I walk in the shadows." "Go on," said Mary, "I find this distinctly dar- ing and decidedly interesting. I had no idea you would be so personal." "I knew that you would at once be interested if I were. A woman always is. To the average woman these suggestions are like the scent of the earth to the husbandman. What must they be to you therefore? But where was I—how far had I travelled round the table?" He looked round and found his bearings again. "Christine will dangle poor old Streatfeild's scalp from her belt consider- ably before midnight—Anne will—by Jove—I be- lieve the hussy's listening." "You bet I am," interposed that lady, "and everything I hear you say about me in that connec- tion will be used as evidence against you. And in the near future at that. If Mr. Mordaunt" Challoner waved her remark away lightly. "Anne, Miss Considine, as I have often stated to THE CROSSWAYS 31 my most favored friends, is very probably definitely and unashamedly polyandrous. Make out a list, will you? You can put down Francis, Peter Daventry" "You beast," flamed Miss Ebbisham, "of all the "He dodged something that she threw dexterously at him. "I'm next, Mr. Challoner—what about me?" It was Olive Mordaunt who spoke. Challoner's eyes met hers and he spoke a little cynically. "Your husband is your slave, Mrs. Mor- daunt, as he should be. Now." It is doubtful whether the last word carried to her ears for even Mary Considine and Peter Daventry, who were leaning nearer to the speaker than she was, scarcely caught it. "I come after Mrs. Mordaunt," Mary smiled the statement at Challoner. "You, Miss Considine?" "Yes." "Surely it is obvious whom you have enslaved— count me your eternally faithful servant." He in- clined towards her with a gesture of irreproachable courtesy and simulated homage. As he did so Lor- rimer rose from his seat bending down for a second or so to whisper to his mother. The likeness between mother and son as their two heads ranged side by side was strikingly ap- parent to everybody who watched them. They were of equal height. There was the same clean-cut profile, the same raven hair and large, dark eyes, the same laughing charm of countenance. Mrs. 32 THE CRIME AT Lorrimer, proud of her son and perhaps prouder of his success, patted him encouragingly on the arm as he bent down to her, almost as it were challeng- ing Molly Mordaunt for the prior right of posses- sion. The gesture of the ages! Lorrimer, as she did so, stroked his thick, almost turbulent hair, and faced the company. Adrian Challoner found himself inwardly complimenting Molly Mordaunt upon the soundness of her matri- monial choice. Lorrimer's forehead was broad and intellectual and his eyes held alertness and steadi- ness in addition to their other qualities. Challoner discovered in him unusual combinations. There were vigor and some refinement of taste, he thought, and the more usual alliance of intellect and character. But at the same time also a strong hint of sensuality. Looking more closely he considered that he could see besides both knowledge and capacity. Distinctly out of place in the House of Commons, thought the actor-manager. Lorrimer commenced to speak. "Mr. and Mrs. Mordaunt," he said, "and friends. You have heard what Mr. Mordaunt has said this evening about Molly—how he has wished her all the luck possible now that she has reached the age of twenty-one and how he has coupled my name with hers and formally announced our engage- ment. I am both gratified and honored. I want to thank him both on behalf of Molly and myself. The chief thought uppermost in my mind as I speak to you is that I'm a wonderfully lucky dog. At the moment I wouldn't change places with any man in THE CROSSWAYS 33 England—or in any other country of the world— come to that. At the same time I am going to ask you to be witnesses to a little ceremony, a ceremony that has fallen into comparative disuse. I refer to the ceremony of betrothal. Stand up, Molly, please." Molly—radiantly beautiful—obeyed the request of her lover with sunshine in her smile. "The ring I'm giving Molly for her engagement," continued Captain Lorrimer, "is the famous Lor- rimer sapphire that is known all over the world, and I'm perfectly certain that you will all agree with me when I say that I couldn't possibly find a more lovely hand upon which to place it." He turned to his fiancee and slipped the ring on her finger. "And thereto I plight thee my troth," he quoted gallantly. "Show them, Molly," he said, "let them see the sapphire—next to you and my mother I would rather lose anything in the world than that." Molly Mordaunt held up her left hand upon which was the great gleaming sapphire and a burst of clapping from the table immediately greeted her action. "Thank you, Cyril," she said very prettily and daintily, and then turning to the company. "It's perfectly sweet of you all to have come to wish me luck and it only adds enormously to my happiness to see you here. I am sure Cyril feels the same." She resumed her seat, but her lover remained stand- ing. "Before I sit down," he proceeded, "I want to tell you something else. Something that is doubt- 34 THE CRIME AT less unknown to most of you. It may seem a strange thing for me to say but in a way the Lor- rimer sapphire has come home. Mr. Mordaunt knows full well to what I refer." The speaker paused for a moment to glance at his host at the head of the table and during that fleeting second of time Adrian Challoner, exercising his usual habit of retrospection, took stock of the faces of the various people upon whom his eyes rested. Olive Mordaunt at her end of the table looked troubled—her eyes were heavy with an undoubted apprehension as they flickered from her husband to Molly and subsequently from Molly to Jane. Molly and her father were listening to and watching Lorrimer with eager rapture and keen interest, respectively—each giving Challoner the suggestion of hanging upon the speaker's words. On Jane's strong and determined face there was the usual air of quiet resolution to be seen even more plainly than normally. Anne Ebbisham's eyes still held the dancing lights of mischief, but Mary and Christine had their features in admirable control. Each was listening intently. He heard Lorrimer's voice again. "To us, gathered here to-night the history of the Lorrimer sapphire is more than interesting. For the Lorrimer sapphire has a distant connection with the Throne of England and must be at least three hundred and fifty years old. Although it is not known how she came by it, it belonged to Queen Elizabeth and was given by her as a mark of appreciation to Sir Gervaise Mordaunte, the famous THE CROSSWAYS 35 ancestor of the gentleman at whose table we are privileged to sit to-night. But Sir Gervaise of the wild and wayward spirit during a carousal one evening diced it away to a certain schemingly avaricious Gregory Lorrimer who happened to be an ancestor of mine. For him, ladies and gentle- men, I make no apology. My father, who told me the story when I was a lad, told me also how the loss of the great sapphire in these circumstances had rankled down the years in the Mordaunt family and how they had attempted many times, by both fair means and foul, to get it back. But they always failed. We Lorrimers, direct descendants of the grasping Gregory, nurture a habit of holding fast to what we have and we kept the great sapphire. Ladies and gentlemen, once again a Lorrimer has taken from a Mordaunt a most valuable possession. But neither by dice nor daring." Captain Lorrimer gestured gracefully towards the girl seated next to him. He went on. "And let me say—I do not think that I can find a better way of expressing what has happened than by saying that the Mor- daunts have got the sapphire in exchange. They have got it back at last. By fair means! By the fairest means in all the world!" He placed his hand on Molly Mordaunt's shoulder. As he took his seat to the accompaniment of uncontrolled enthusiasm he passed an arm round his mother and slipped the other into Molly's. "Lucky young beggar," whispered Adrian Chal- loner to Bertha Raikes on his left, "two women like that at his feet." 36 THE CRIME AT Mrs. Raikes nodded but threw out a defensive prophecy. "My John will prove just as successful as Cyril Lorrimer when the time and chance come, Mr. Challoner, and if they don't come he'll make them. You mark my motherly words." Challoner laughed and was about to reply to the lady when Henry Mordaunt rose with a curious ex- pression on his face and began to speak. The famous K. C. used the cold, incisive, almost passion- less tone that was inseparable from him whenever he spoke to a number of people. It might be described as his "coram publico " voice. "Ladies and gentlemen," he said, "it is now my turn. Captain Lorrimer, my future son-in-law, has told you something of the history of the Lor- rimer sapphire. That history it was already my privilege to know. To me and to all loyal members of my family, true descendants of Sir Gervaise— which name by the way I prefer to Gregory—it has always been known not as the Lorrimer sapphire but as the Mordaunt sapphire." He smiled. "We must regard, therefore, Molly's engagement as singularly felicitous. But what I have to say to you now touches more upon the present than the past. There is a fashion, nowadays, to deride the present, sometimes at the expense of the future, more often perhaps at the expense of the past. But its importance to my mind can never be over- estimated—because it is real—it is always certain— it is with us! So apparently is ' Creeping Jenny.'" The silence that followed the anti-climax of his last remark was definitely cold in its intensity. Mor- THE CROSSWAYS 37 daunt, as though keenly appreciative of the fact and of its influence on the situation, lost no time in pro- ceeding with what he had to say. He was always a keen judge of the possibilities of a situation and the talent had contributed largely to his success. Taking a square piece of paper from the inside pocket of his dress coat he startled the company with his next statement even more than he had done with his previous one. "I make that assertion," he said, "with the utmost confidence, for on this occasion the lady to whom I have just referred has been kind and con- siderate enough to notify me of her intentions in advance. I received this communication about an hour ago through the usual channel of the post. I will read it to you. 'The announcement in the papers concerning the Lorrimer sapphire fascinates me tremendously. I find myself dwelling on the subject to the exclusion of all other interests. So much so in fact that I have decided to honor your house with a visit in my professional capacity. Ex- pect me some time after eleven o'clock to-night. Creeping Jenny.'" Mordaunt replaced the paper in his pocket with a grave air and turned to his younger daughter and her fiance. "My boy," he declared, addressing Lorrimer, "we are warned. And forewarned is forearmed. Shall I take the necessary precautions to guard the ring on behalf of Molly, or are you content that I should leave them to you?" Captain Lorrimer raised his hand with a gesture of defiance. "I am quite content that you should 38 THE CRIME AT leave the matter in my hands,1 sir," he cried. "We Lorrimers have kept the sapphire for three hun- dred and fifty years. I think I can be trusted to keep it a bit longer, ' Creeping Jenny ' or no ' Creep- ing Jenny.'" The buzz of conversation prevented him saying any more but suddenly Adrian Challoner's voice could be distinctly heard above the rest. "Well," he cried, "whoever she is—or perhaps whoever 'he' is—for you never know in these cases—' Creeping Jenny's' a good plucked 'un and a rare sport, say what you like about her. 'Pon my soul I wouldn't be greatly surprised if she suc- cessfully carried out her threat." "Not she," cried Lorrimer, "not she, nor any- body else while I hold the sapphire." As he looked at the faces of the people facing him Challoner saw Jane, Christine and Francis shake their heads doubtfully and almost in unison in consideration of the opinion that he had ex- pressed. "You think not?" he cried, with a seemingly sudden impulse. "Well then, I wouldn't mind betting a level hundred that ' Jenny' pulls it off." Anne Ebbisham leaned across the table with out- stretched hand, her eyes aflame with excitement. "Done," she exclaimed, "done! That's a bet. Book it with me. I'll call on you for the hundred in the morning." Peter Daventry couldn't help noticing the expres- sion on Russell Streatfeild's face as he watched her fascinatedly. THE CROSSWAYS 39 CHAPTER IV * When Jane Mordaunt opened her eyes on the following morning, it was with a dim and vague sense of foreboding. The morning in question held the first touches of autumn that the year had so far given, but although Jane noticed the fact, the im- pression that it made upon her mind was but an ephemeral one. She would have found it utterly impossible to explain how she felt had she been interrogated, but the feeling had first come to her perhaps at the dinner-table on the previous evening when, following upon her father's sensational state- ment and Captain Lorrimer's subsequent challenge, Anne Ebbisham had made that somewhat fantastic wager concerning the Lorrimer sapphire with her father's old friend Adrian Challoner. She herself had known Challoner since the earliest days of her childhood-remembrance and something had told her when he gaily flung out the suggestion of the bet in his usual cavalier manner that he would be suc- cessful and not Anne Ebbisham. It was a mystic, shadowy and indefinable something, perhaps, but nevertheless she had had it and had known that it was there and John Raikes, at her side with his hand on her arm and his eyes looking into hers, was equally conscious that she was engulfed temporarily by a wave of emotion. When he had first noticed it 4° THE CRIME AT he had pressed her, half-seriously and half-laugh- ingly, for an explanation but she had shaken her pretty and determined little head and successfully evaded the issue of a direct answer. As she propped herself up in bed upon her right elbow the events of the previous evening came racing back to her one by one—at first nebulously—and, after that, with a distinct measure of clarity. What had Russell Streatfeild meant when he had whispered to her a few minutes after Anne had held out her hand across the table to The flowing current of her thoughts was checked suddenly, almost pre- cipitately. There was a knocking upon the door of the room next to hers and when she heard it Jane Mordaunt sat straight up in her bed. The knock- ing was repeated—once, twice, thrice, and grew in the nature of its attack. Then she heard her father's voice in the corridor and its tone held for her an unusual petulance. "What is it, Rayner?" she heard him say. "What is it? If you knock any louder you'll dis- turb everybody. Show a little common sense; do! What is it?" Rayner's voice came in immediate reply and the maid's voice contained a note of agitation that Jane even from the recesses of her bedroom detected at once. "I'm sorry, sir, but I can't wake the mistress. This is the third time I've tried, sir, and I can't get any answer from her at all. I don't mean the third time I've knocked, sir; I mean the third time I've come upstairs, sir. I must 'ave knocked a THE CROSSXPAYS 41 dozen times all told. I don't like it, sir, truth, I don't. It seems to me that something must be wrong.". "What on earth do you mean, Rayner? How can anything be wrong? Your mistress is asleep; she was very tired last night. I know that because she told me so before we came to bed. The time was only a quarter to twelve." Mordaunt was con- temptuous towards the maid's pessimism. But Rayner stuck obstinately to her point. "I've never known the mistress not to be awake a good hour before this time, sir! Besides, there's another thing that's not quite usual." "What's that?" Jane heard her father ask sharply. "Her bedroom's closed, sir. I can't get in. The door's locked, and that's not an ordinary thing for the mistress. I always take her tea straight in to her, sir, long before this time." If it failed to impress Henry Mordaunt, Jane realized the truth of the remark and slipped on her dressing-gown. "I will go into your mistress's room to satisfy you, Rayner," said Mordaunt, with the air of a man who is settling a vexed question for all time. He returned to his own apartment which evidently he had recently left somewhat hastily to interrogate the maid and passing quickly through the door that connected the two bedrooms entered the one ordinarily occupied by his wife. A moment's glance around it was enough to assure him that the room was empty. The door leading out on to the cor- 42 THE CRIME AT ridor had no key in the lock on the inside as he had half-expected to find. He tried it; it was locked. Then his eyes travelled instinctively to the bed. Here again he was puzzled, and it must be confessed somewhat shocked—the bed had not been slept in. It was—to all intents and purposes— untouched. He walked right up to it and save for a slight depression on one side as though some object had lain there for some little time it was as tidy and trim as though newly made. Where in the name of goodness, he asked himself, could Olive be? He turned to find his daughter Jane behind him. "I heard Rayner knocking, Father. I heard what she said to you. I came out of my room at once. Where's Olive? What does it mean?" She was breathless as she asked the two questions. Mordaunt shook his head blankly and the puzzled expression on his face became even more pro- nounced. "I can't make it out at all, Jane. I can't under- stand it. I last saw Olive about a quarter to twelve last night. She came up about twenty minutes or so before I did—she was tired and had a bit of a head, she told me. She also intimated that she wouldn't require her maid. As to this position this morning and her absence from this room, I can't make the slightest "He stopped and shook his head as though to emphasize his complete in- ability to understand the situation with which he found himself confronted. "What do you propose we do?" queried the practical Jane. THE CROSSW AY S 43 "Suppose we must have a look all round; she may have been taken queer in some way. Perhaps she's downstairs somewhere. Tell Francis—but try to keep it from the others—including Molly. For goodness sake don't let us disturb the guests if we can possibly help it. Don't tell Francis all we know either when you go to him—just let him see that I want him for something that's pretty important. Don't particularize." Jane disappeared immediately upon her errand. It was quickly executed and very soon Mordaunt had his son and elder daughter at his side in Mrs. Mordaunt's bedroom. "I had to tell Rayner," he announced, "that Olive wasn't here. I had to—it was imperative— there was no alternative. I've also told her to keep her mouth shut." He spoke to Jane and looked from her to his son at the same time with a sugges- tion of inquiry. "I just told him that you wanted him, Father, and that it was urgent—no more," explained his daughter, dutifully anticipating the remark that Henry Mordaunt was about to make. "We can't find Olive," Mordaunt informed his son, coming to the point at once, " and what is much more significant as I see it, is the alarming fact that her bed has not been slept in. I tell you frankly, Francis, I am at a complete loss what to make of it. I thought I had better send for you." Francis frowned as he digested the information. "Are her clothes gone? " he asked. His father stared at him for a second or two. 44 THE CRIME AT "There are no clothes to be seen in the room—if that's what you mean. You can see that for your- self, surely?" He gestured impatiently round the room to point his remarks. "I mean outdoor clothes, Father, in case she's had to go out somewhere. Have you looked in her wardrobe?" Mordaunt favored him with another stare. "What could she have wanted to go out for, Francis —and where? Be sensible, my boy, please! I'm afraid I'm in no mood at the moment to listen to moonshine and exaggerated theories like" Francis quietly intervened. "I'm sorry, Father— but you'll pardon me pointing it out to you, I'm sure, but you never know, do you? It's a pretty clear thing she has gone somewhere, isn't it? For in- stance, I've an idea! Goodness knows why, but it's just come to me. Supposing she got on the track of 'Creeping Jenny '—and followed her—or 'him' as Challoner said—for all we know. Eh? How about that for a possibility? Supposing too" Mordaunt's face paled, and his hand shook a little as he grasped his son's theory and all that it might mean. "Don't suggest that, my boy, whatever you do. The position as we know it is quite bad enough. For Heaven's sake don't make it any worse. Don't put ideas like that into my head." "Let's get to work then," exclaimed Francis. "Standing here arguing amongst ourselves won't find her—there's nothing more certain than that. What about the grounds?" THE CROSSWAYS 45 Mordaunt reluctantly concurred. "Yes, I sup- pose we'd better have a look round. You're quite right, Francis. Get Bennett at once; tell him we think that Olive may have been taken ill somewhere. Don't tell him any more than that. I'll be down and join you in a few moments. Get back to your room, Jane, and don't let Molly get wind of any- thing being wrong." He turned quickly away and his son and daughter did as he had directed them. Within the space of a few moments Mordaunt joined Francis and Ben- nett, the gardener, at the door of the garage and heard his son tell the latter that Mrs. Mordaunt was not in her bedroom. Beyond the mere state- ment of that fact he said nothing. "My father and I think we ought to have a squint round outside, Bennett, in case anything's wrong. So come along with us, will you?" The gardener, who was a quiet, undemonstrative and uncommunicative man, lifted his cap to the elder Mordaunt and gestured an assent. "Have you been all round the garden this morn- ing, Bennett?" "No, Mr. Mordaunt. I haven't been a step farther than the hothouse. There's been several jobs to see to in there for some time now and I never moved out of there till Mr. Francis here come along just now and told me as how you wanted me. So I've not been anything like round, sir—not yet, not by any manner of means." The tour of the garden of "The Crossways" yielded nothing of any importance, and the sugges- 46 THE CRIME AT tion to return was already being considered when Francis Mordaunt had another idea. "What about the old well?" he exclaimed. "We haven't thought about that? Could Olive have?" His father interrupted him sharply. "What are you talking about, Francis? Do you realize what you are saying? How could she possibly have gone down there? It will be a terrible thing if she has" Francis saw immediately what his father was thinking. "Of course I don't mean anything like that, Father. It was only the idea of searching everywhere that came to me and made me say what I did. I'm sorry if I upset you." The gardener looked at the elder man and shook his head as though in remonstrance. "After all, sir, look at it how you will, Mr. Francis is quite right. The old well's a right-down dangerous place, there's no gainsayin' that fact. Many a time I've said to folk round here that it ought to be covered up. In fact, I as good as said so to Mitchell only the other afternoon. Perhaps the mistress has had a fall or something. If so we ought to go and see." "I suppose you're right, Bennett. Anyhow, you and Mr. Francis between you have persuaded me that we ought to go to have a look. So don't let's waste any more time but get along there as quickly as possible." The well to which reference had been made was situated beyond the orchard at the eitjeme eastern THE CROSSWAYS 47 edge of the grounds belonging to " The Crossways." It was old and disused as Bennett had stated, and was a good ten minutes' walk from the house itself. As the three men made their way towards it over the grass, heavy with the autumnal dew, passing the apple trees with their windfalls at their feet each felt, although in a different way, that something had happened at " The Crossways " during the last few hours that would have the inevitable effect of chang- ing it for evermore. None of the three by some strange sense of anticipation as they more nearly approached the old well, entertained any doubt whatever that it was going to afford them some ex- planation of Olive Mordaunt's extraordinary ab- sence. Each felt the strange certainty that this last errand would not turn out to be fruitless. As they turned the last twist in the path that eventually brought the well into actual view there appeared to be nothing visible that could be termed in any way out of the ordinary. The grass all round sparkled with the sheen of the sun on the dew as it slowly triumphed over the curling wisps of mist that heralded chill October and the quick coming of autumn. Francis Mordaunt, unable to restrain his impatience, broke into a run for the last hundred yards or so and came first to the destination. If there were anything dreadful lying ahead he desired to face it first and be able on that account as it were to assume the greater part of its responsibility. When he came to the edge of the well and looked down into its depth, he was grateful for the few seconds' grace that his speed had given to him. The 48 THE CRIME AT body of his stepmother lay there at the bottom of the well in a huddled heap of horror, and Francis Mordaunt knew beyond any powers of contradiction that she was dead. But he kept his head and in a second his common sense asserted itself. He waved his father and the gardener back a few paces and cried to them sharply. "She's here. She's fallen down in some way. Perhaps she's only injured. We must get back to the house for help. We must have ropes and a hurdle." But Henry Mordaunt faced the shock that he knew the sight would give him before he turned with them upon the journey back to the house. Like his son before him he knew too that his wife was dead. He fell to worrying and wondering in the transient moments of his sorrow as to how her death had been encompassed, for it was grotesque and not in the order of things; she was years younger than he. When after considerable labor and difficulty the body was raised and brought back to the house and his son entered the library where he himself had retreated during the carrying out of the unhappy task, he put the question to him that had agitated his mind from the first moments of the discovery. "How did she die, Francis? From the fall only?" Francis Mordaunt shook his head gravely. "I'm afraid not, sir—although, of course, I can't say definitely till a doctor has seen her. I've sent Ben- nett along for one—also for the police. But to all THE CROSSWAYS 49 appearances she has been murdered—stabbed— through the heart." "Good God!" cried Mordaunt, "what does it all mean? What can it mean?" He paused and turned over in his mind another aspect of the matter that had occasioned him some anxiety. "Tell me, Francis," he said eventually, "how was she dressed —was it her evening cloak that I saw as I" "Yes, Father. She had her ermine cloak over her evening dress. She must have put it on on purpose to go out. Apparently she took her hand- bag as well, for we have found that also." He looked at his father and then quickly went on once more. "Have you thought of what I said, Father, when you first called me into the bedroom this morn- ing? I can't help referring to it again. About 'Creeping Jenny,' I mean—don't you think this af- fair all points that way? Supposing Olive did hear something? And then" Mordaunt bit his lip before shrugging his shoul- ders. "It hardly seems to me likely or even pos- sible that Olive would—still" A tap sounded on the door and there was also to be heard the buzz of voices. "Come in," he called. The door opened. "Good morning, Mr. Mordaunt," said the man who entered, "you sent for me, I believe?" It was Inspector Baddeley. THE CRIME AT CHAPTER V ♦ "I did, Inspector, or rather my son here did. We are in serious trouble. My wife, I fear, has been murdered." Mordaunt's voice broke as he made the announcement. "Did you bring a doctor with you, Inspector?" "Doctor Elliott will be here in a few moments, Mr. Mordaunt. I telephoned to him directly I received the message that your man brought. But tell me all you can, please, as quickly as possible. What are the circumstances of Mrs. Mordaunt's death?" Mordaunt told the story in detail as he knew it—from the moment that Rayner had first sounded the alarm, to the finding of the body in the well. He also mentioned when he had last seen his wife. Baddeley listened with the keenest attention. "Stabbed through the heart you think, sir," he said, addressing Francis. "Have you found the weapon that was used, by any chance?" Francis Mordaunt shook his head. "No. Haven't looked for it, Inspector. Haven't had time to look for it. It isn't half-an-hour since we got the body out of the well. My father and I have just waited for you to come. We haven't really had any time to do anything else." "I see." Baddeley rubbed his chin with his THE CROSSWAYS Si thumb and forefinger. "Any trouble that you know of during the night? Any alarm, for instance, that might have disturbed Mrs. Mordaunt and caused her to dress herself, lock her bedroom door, and go out of the house?" Father and son shook their heads in simultaneous denial of the Inspector's suggestion. "Neither of us heard anything, Inspector. I have asked my son about it," answered the elder man, "and my bedroom is, of course, connected with my wife's. If it were so, why should she take the key with her? Anything that might have hap- pened to upset or disturb her should most certainly have affected me in precisely the same way. And as it happened I was particularly on the qui vive last night." Baddeley noted the last remark but for the time being tried another tack. "Had Mrs. Mordaunt any personal trouble that you are aware of, sir?" "No, Baddeley, none whatever as far as I know. Certainly nothing that she has confided to me or that—provided that were not the case—I have ever observed." "Been in good spirits lately?" "Yes, I think so, Inspector. Much as usual I should say. Certainly there was nothing noticeable the other way. Of course we've been pretty busy for the last few days over the arrangements in respect of my younger daughter's engagement. But I should say that—making allowances for excite- ment and pressure of household responsibility—my wife's spirits had been quite normal." 52 THE CRIME AT "No!" The interruption came from Francis. His tone was sharp and short. His father turned to him with surprise. "No? What do you mean, Francis? That Olive was not in good spirits? If what you hint at is true it's news to me." Baddeley turned to the young man. "Tell me what you want to tell me—I shall be pleased to hear it. Perhaps it will assist me a great deal." Henry Mordaunt looked curiously at his son. "Surely, Francis, you aren't referring to that 'Creeping Jenny' business that I mentioned last night at dinner? Because if you are, I can tell you candidly" "No, Father, I'm not. I made up my mind to leave that to you to tell the Inspector later on. What I am about to say has nothing whatever to do with that. It is something quite different. But Olive was not herself all day yesterday. I am able to make that statement without fear of contradic- tion and with no reservations whatever. I noticed the fact on several occasions and I'm perfectly cer- tain that if you taxed them about it and told them what I have said that my sisters would confirm it— especially Molly. Because they noticed it, too." "How was the lady then, Mr. Mordaunt, prior to yesterday—all right?" Francis considered the question for a minute. "As far as I can judge, yes. That is to say that I didn't notice anything untoward or abnormal about her then like I did yesterday. But at the same time, Inspector, I should like to warn you that THE CROSSWAYS 53 that evidence of mine isn't worth very much. For I was out in the car nearly all Saturday and Sunday, so that I didn't see very much of her on those two days." "H'm, I see." Baddeley turned to the elder man. "And you noticed nothing of what your son has mentioned, Mr. Mordaunt?" "Nothing, Inspector. But what he says has rather disturbed me. It has made me even more worried than I was." Before Baddeley could develop the question, how- ever, a knock on the door heralded the entrance of Doctor Elliott. He intimated to the Inspector that he desired to see the body of the dead woman im- mediately. "Where is it, Baddeley?" "In the garage, Doctor. Young Mr. Mordaunt here gave orders for it to be taken in there. I quite see his point that the body had to be taken from the well to make sure that she was past help, but all the same I wish I had been on the spot when they did it. You had better come with us, Mr. Mor- daunt," he added addressing the K. C. "I'll have a chat with you later on about what you were on the point of telling me." As Mordaunt raised his eyebrows at the remark, Baddeley con- tinued in explanation, "About 'Creeping Jenny,' I mean." The four men entered the garage where the body of Olive Mordaunt lay. Doctor Elliott's inspection was quickly made. "A clear case of murder, in my opinion," he said 54 THE CRIME AT after a comparatively brief examination of the body. "And death, I should say, must have been almost instantaneous." "Stabbed through the heart, Doctor?" inquired Baddeley. "There is a deepish wound above the heart," re- plied the doctor. "The dagger or knife that has been used has been driven in with a good deal of force by the assailant. It has entered close to the breast-bone between the second and third ribs. The left lung has been punctured and the aortic arch almost divided. So great was the force of the blow, the pulmonary artery has also suffered severely. It would have been impossible for the victim to have lived more than a few seconds." Henry Mordaunt's face was colorless. He looked like a man who had seen a ghost. "One question, Doctor Elliott. Is it possible from what you have seen for my poor wife to have laid violent hands on herself?" The doctor rubbed his forehead. "Yes, just possible I think, perhaps—but highly improbable. Very, very highly improbable. So much so that you can rule out the bare possibility. It is quite true that the wound might, judging solely from its posi- tion, have been self-inflicted—but all my medical knowledge and experience prompt me to say that in my opinion it was not. For instance death would come to the victim so quickly—almost as I said just now—instantaneously, that I think the weapon that had been used would be found, of a certainty, either clasped in the hand or at least lying close beside the THE CROSSWAYS 55 body. There would be no time to rid oneself of it after it had been used." Baddeley uttered an explanation. "We can't say yet that it isn't close to the body, Doctor. It strikes me very forcibly that the weapon that was employed to murder Mrs. Mordaunt may be still down the well. What do you say, Mr. Francis?" "I think not, Inspector. There's just the possi- bility of it, I grant you, but I think we should have spotted anything in the nature of a dagger or knife when we recovered the body, had it been there. However, you can make certain on the point, In- spector, when you have a look yourself." Baddeley nodded with some suggestion of em- phasis. "I shall have to, there's no question about that." He turned again to the doctor. "Another point, Doctor Elliott, before I forget it. How long would you say that this lady has been dead?" "About twelve hours, Baddeley," replied the doctor, "perhaps more." He looked at his watch. "I should put the crime down to have taken place somewhere about midnight, say at a stretch between twelve and three." "Thank you, Doctor. What about the body generally? Are there any signs of a struggle hav- ing taken place before the blow was struck?" Doctor Elliott went back and looked at the dead woman's wrists and hands. "In my opinion, no, Inspector. The body is bruised very considerably, but the bruises are quite consistent with the fall, I should say, and entirely what I should have expected having regard to the circumstances of how, I im- $6 THE CRIME AT agine, she met her death. I think it came to her suddenly and was too surprising for her to struggle. There is a severe bruise on the left elbow, three scratches on the right wrist, an abrasion at the back of the skull and several bruises in the lumbar region of the back. I should assert without hesitation that directly the blow was struck, Mrs. Mordaunt fell backwards into the well and death came to her al- most at once." "H'm, I see," said Baddeley, as they left the building. "Now, Mr. Mordaunt, before I walk over to the scene of the crime, tell me, what was this 'Creeping Jenny' business about which you were talking? You can guess why I'm interested; apart from the murder of your wife." Mordaunt put his hand to his breast pocket and took out his wallet. From the wallet he extracted the letter he had received the day before and handed it to Baddeley. "There you are, Inspector," he said. "This is the matter to which my son referred. Read what the letter says." Baddeley read it with grim intentness. "Got the envelope, Mr. Mordaunt?" he asked somewhat curtly. "Here it is, Inspector." Mordaunt handed it over. "H'm. Address typed like the contents. Cran- wick postmark. The sender was on the spot in advance then, in all probability." Baddeley rubbed the ridge of his jaw as he spoke. "Very interesting, sir. Very interesting indeed. And makes me won- THE CROSSWAYS 57 der quite a hat-full, too. I should be very pleased to hear what you think of it yourself, Mr. Mor- daunt." "Well, that's a bit of a poser for me to answer, Baddeley. I may surprise you when I tell you, but I incline to the opinion that this letter that I re- ceived was authentic, something in the nature of a real warning. I think that this criminal—' Creep- ing Jenny '—was undoubtedly attracted by the Lor- rimer sapphire and intended, if possible, to get hold of it. As to the sending of the letter—well, history holds many instances of criminals giving warning of crimes that they intended to commit, and usually it was the victim you will find who received this advance information." "Yes, I'll concede its possibility. Did anybody besides you and your son know that you had re- ceived this letter? Did Mrs. Mordaunt know it herself?" "Yes, she did, and every one of my guests, every- body, Inspector. I told them all at dinner last evening." "I see! So that the 'Creeping Jenny' threat may be said to have been public property, eh?" '" Absolutely, Inspector. I think that if ' Creep- ing Jenny ' had put in an appearance at ' The Cross- ways ' last night a warm reception would have been in store." "There was no alarm of any kind you say in the night?" Mordaunt shook his head firmly. "None what- ever." THE CROSSWAYS 59 damage hasn't been done after all. I shall have to make a thorough investigation. But here we are, I fancy; let me have a look at the well-bottom." Bad- deley walked to the side and looked over. "De- scribe as accurately as you can if you please, sir, how your stepmother was lying and the exact place where her body was when you first looked down and saw her." Francis indicated the position. "Just there where I'm pointing. She was lying slightly on her left shoulder." "H'm—h'm—and her evening cloak was on?" "Yes." Baddeley took out his note-book and made an entry. "It means me going down there if I want to be sure of one or two points. All the same it's not a single-handed job, that's very plain." He turned away, his eyes fixed once again on the green expanse of grass that surrounded the old well. Sud- denly they saw him stoop. "Hallo—hallo, Mr. Mordaunt! What's this, eh? What's the meaning of this?" He picked something very carefully from the top edges of the grass. Francis Mordaunt saw that the Inspector held four or five pieces of charred paper in his hand. Baddeley held them out to the others for inspection. They were quite black and any writing that might once have been on them was now indecipherable. "Fragments of a letter it seems to me, gentlemen, from the sizes of the pieces. May be nothing in it, of course, affecting our case. Still, you never know / 6o THE CRIME AT and I'm not disposed to take any risks." He placed the fragments with careful deliberation between the leaves of his official note-book. "Have a glance round, do you mind, gentlemen," he ordered. "See if you can see any sign of a weapon anywhere about. It isn't likely, I grant, but there's no knowing. A murderer, very often loses his head after he's com- mitted his crime and throws a knife or a revolver away. Work round in all directions, will you, gentle- men?" Mordaunt and his son did as directed but to no purpose. "No luck, gentlemen," Baddeley made the an- nouncement eventually as a matter of course. "I think, Mr. Mordaunt," he added, " that I'll go back to the house for the time being and come out here again later. I should like to look into one or two matters inside the house, sir, before they get too cold, if it's all the same to you." Mordaunt acquiesced immediately. "Certainly. Anything you like, Inspector. What do you desire to do exactly, Baddeley?" he said when they had regained the house—" and where particularly do you wish to go?" Before the Inspector could frame his reply to the two questions there came an interruption. Sev- eral of the members of the house party, among whom, of course, by this time the dreadful news had spread, were grouped together in the hall. As the Inspector entered the house with the two Mordaunts one of the group stepped forward and accosted the K. C. It was Captain Lorrimer. THE CROSSWAYS 61 "Mr. Mordaunt," he said, "forgive me inter- rupting you but I have just heard the bad news. My sincerest sympathy to you in your trouble." He then looked round for a second, dropped his voice and said something else. Mordaunt looked up at him with an unmistakable start. "Certainly, Lorrimer, certainly," the others heard him say. "I am in entire agreement with you. By all means inform the Inspector at once." He turned to Baddeley. "Baddeley! This is Cap- tain Cyril Lorrimer, my prospective son-in-law. He has something to tell you that he considers of the greatest and gravest importance. He would like to speak to you privately, that is to say with nobody present beyond myself and my son." "Bring him into the library, Mr. Mordaunt," said Inspector Baddeley. "I have an idea that I know what it is that he wishes to tell me." 62 THE CRIME AT CHAPTER VI * As the door closed behind Captain Lorrimer the three men who had accompanied him into the room formed the opinion that he had excellent grounds very probably for the statement that he had just previously made to Henry Mordaunt. It was evi- dent to all three of them that Lorrimer's agitation was real and sustained. There was no doubt that he had had a shock of some kind. Inspector Baddeley motioned him to a seat and then took one himself at the head of the table. "What is it that you have to tell me, Captain Lorrimer? Let me see if it's in accordance with my anticipations. I'll play fair, and tell you if I'm wrong. No, I won't. I'll tell you." Lorrimer looked at him rather curiously. "I don't know quite what you mean by those remarks, Inspector. Anyhow, when I've told you what I'm going to you'll be in a position to judge for yourself if you're right or not." Baddeley raised his hand. "Just a minute, sir. One will be ample, I think. Before you put me wise as to this story of yours I'll tell you what you have come to tell me. Then there'll be no doubt about it. I'll tell you beforehand in order that you'll be able to see that everything's all square and above- board. You've come to tell me, Captain Lorrimer, 64 THE CRIME AT At this point Lorrimer himself took up the run- ning again. "You see the position, then, Inspector. Now, I should have let Miss Mordaunt keep the sapphire last night—it was my original intention that she should but for that letter Mr. Mordaunt here received by post from 'Creeping Jenny.' I take it that you have already been informed of that?" Inspector Baddeley immediately nodded an af- firmative. "Yes. Go on," he added. "That letter, Inspector, made me alter my mind and also come to a decision. I resolved not to risk either the sapphire or perhaps the safety of Molly herself, by letting her wear it during the night. It wouldn't have been fair to her—and besides that I've had plans in operation for some time now di- rected towards the safety of my sapphire. Now, gentlemen, I've had to inform you of these matters so that you can understand the position better. What I next have to tell you is this." He leaned over the table towards the Inspector and spoke very quietly and impressively. "Mrs. Mordaunt was murdered by somebody for possession of the Lor- rimer sapphire, I'm certain of itl" The husband of the murdered woman sat bolt upright in his chair at Lorrimer's surprising decla- ration. "What?" he exclaimed incredulously. "What on earth prompts you to say that? What do you mean?" Before Lorrimer could reply Henry Mordaunt went on, mastered temporarily by his excitement and emotion. "You will have a very difficult task THE CROSSWAYS 65 to convince me of that," he said with definite chal- lenge in his tone. Lorrimer's quiet response was intensely sympa- thetic. "I can understand you saying that, sir," he re- joined, "and I feel for you tremendously. But I know what I'm talking about. Listen carefully, please. After I left you last night, sir—you remem- ber my last words, by the way, in all probability— Mrs. Mordaunt sought me; she begged me to let her watch the sapphire during the night. Her ex- planation was that she felt absolutely certain that the attempt would be made to steal it from me that night and that if she had it, it would be quite safe. Well, Inspector—not to put too fine a point upon* it—I was puzzled. I may as well admit that at once. But I laughed at her fears, I told her that in my opinion the sapphire was in no danger whatever —that I had been successful in keeping it so long that I wasn't going to lose it now—and moreover when I had been warned—in the bargain. But try as I would, gentlemen, and argue as I might, I couldn't shake Mrs. Mordaunt's belief in what she was sure was going to happen. She was obsessed by the idea." "Just a minute, Captain Lorrimer," put in In- spector Baddeley, "did she seem certain that 'Creeping Jenny' was going to do the stealing? Emphasizing my point. Did she mention ' Creeping Jenny ' by name, can you remember?" "Oh yes, Inspector, every time. That undoubt- edly was the trouble. 'Creeping Jenny's' letter 66 THE CRIME AT had done the trick as far as Mrs. Mordaunt was concerned, there's no doubt about that." "Thank you. Go on, sir, if you don't mind." Baddeley was getting more and more interested. Perhaps, after all, his theory wasn't going to prove so very wide of the actual mark. Things seemed to be shaping towards that direction. "Well, I stuck to my guns, Inspector, and poor Mrs. Mordaunt stuck to hers. I think that each of us had been born with more than an average supply of obstinacy. But in the end, I compromised—al- though, of course, Mrs. Mordaunt wasn't aware of that fact." "Compromised, Lorrimer?" asked Henry Mor- daunt, with a frown on his brow. "I don't follow you. How did you manage to do that?" "In this way, sir! For a long time now I have possessed a paste imitation of the Lorrimer sap- phire. It has formed the basis of my plan for keep- ing the original and is—I may tell you—an exact facsimile. I know the difference'" between the two, but it would take an expert to detect it when shown the two rings for the first time. Consider this fact alone. Geldarstein himself was seven seconds dis- tinguishing the real one. When I realized last night that Mrs. Mordaunt was in such deadly earnest an idea came to me suddenly, and at length I satisfied her by giving her the paste stone to mind, letting her imagine, of course, that she had the real Lor- rimer sapphire in her possession." Lorrimer rose and paced the room in extreme agitation. "Mr. Mordaunt, I shall never be able to forgive myself THE CROSSW AY S 67 for what I did for I fear that by doing so, I un- wittingly sent her to her death. For as I said just now I am afraid that Mrs. Mordaunt was murdered for possession of that sapphire. Doesn't it seem so to you, gentlemen? What else can I—in my position —think?" There was silence for the matter of a few seconds as each man contemplated the possibilities of what they had just heard. Then the elder Mordaunt broke it. "What I can't understand, Lorrimer, is this. Why on earth did my poor wife want to mind the wretched thing? Even if 'Creeping Jenny' had taken it, how would it worry her—beyond the fact of ordinary loss? In what way did it concern her more than me, for example? Why should she have been so perturbed about the prospect of it being stolen? That I find incapable of adequate answer." "And I agree with you, Mr. Mordaunt. Just what I think myself." Baddeley spoke crisply and curtly. "In fact," he continued, "it seems to me that there's only one possible explanation. What I've just listened to is corroborative. The key to the ' Creeping Jenny' puzzle will be found to be in this district somewhere, I'm pretty sure of it. And I'm sure of this too, Mrs. Mordaunt knew some- thing!" He brought his hand down on to the table in sharp emphasis, and drummed with his fin- gers on its surface. "And by Moses I'll find out what it was before I'm finished. What time did this interview take place?" "About a quarter past twelve," replied Lorrimer. 68 THE CRIME AT Baddeley turned to Francis. "Here we begin to progress, sir. This may account for her being somewhat unsettled on the Monday as you sug- gested, sir? Don't you think so?" Before Fran- cis could reply, Baddeley fired a second question at him. "I suppose she didn't confide in you at all, eh?" But Francis answered the question with the ut- most coolness. "She did not, Inspector. I should have told you if she had when I first mentioned the matter. Also I can't see myself that my step- mother's anxiety or worry or whatever you choose to call it could have had anything to do with this 'Creeping Jenny' business. At the time of which I speak my father hadn't received 'Creeping Jenny's' letter." "Very likely you can't, which doesn't concern me." Baddeley turned his attention to Captain Lor- rimer. "Where were you, Captain Lorrimer, when you handed this imitation sapphire of yours over to Mrs. Mordaunt? I'm interested to know that." "I gave it to her in the corridor outside her bed- room door." "Directly after your interview with her?" "Immediately, Inspector. It was the natural conclusion to the interview. I finished by saying that I would do as she wished and give way to her in the matter and go and get her the stone. I did so at once." "Nobody could have seen you in the corridor, I suppose?" "I hardly think so, Inspector. There was cer- THE CROSSWAYS 69 tainly nobody about that I saw. I think several of the house party had gone to bed." Baddeley changed his tactics again. He came back to Mordaunt the elder. "Something you said when I first arrived this morning has come back to me. You stated, if I remember your words correctly, that you were specially alert during the night. 'On the qui vive' was the expression which I think you used. Am I to understand that that was so out of compliment, shall we say, to the threat from ' Creep- ing Jenny,' or had you any other reasons for being so?" It was a moment or two before the K. C. es- sayed an answer. It seemed to those that awaited his reply that he was making up his mind about something. When he at length commenced to speak his words came very slowly. "Your question and the way in which you have put it, Inspector, bring me to something rather curi- ous that happened last night at dinner. Perhaps that was in my mind when I spoke to you before." "Curious? Please explain, sir." "I will," rejoined Mordaunt. "I don't know whether I told you the details before, but I read the letter that I had received from 'Creeping Jenny' to my company as they sat at the dinner- table. Naturally the reading of it created a good deal of interest and excitement. Captain Lorrimer expressed his opinion that ' Creeping Jenny' would be unsuccessful in her attempt; that he would hold his sapphire against her. The atmosphere was not only tense and dramatic—but also I think a little 70 THE CRIME AT theatrical—which is different. Then the incident happened that I just described as curious. It was born no doubt of this touch of the theatre. One of my guests is a very old and dear friend of mine— Adrian Challoner, the celebrated actor-manager of the Ramillies Theatre, London. You can imagine how he, of all people, reacted to this atmosphere that I have just described. He offered to bet a hundred pounds that 'Creeping Jenny' would get away with the Lorrimer sapphire. I think he stated that he was making the bet because her pluck—and —er—grit appealed to him. The challenge was a general one." Mordaunt stopped and wiped his forehead with his handkerchief—the three condi- tions of suspense, anxiety and grief through which he had travelled and through the last of which he was still journeying were proving a little too much for him. "Go on, Mr. Mordaunt," said Baddeley. "This is very interesting indeed. I should also like to know whether that bet was taken by anybody." "Challoner's bet was taken," replied Mordaunt. "It was taken by a very charming girl who is stay- ing here and who happens strangely enough to be Challoner's goddaughter. Her name is Ebbisham —Anne Ebbisham. Her people were close friends of my first wife." Baddeley furrowed his brows thoughtfully. "Anne Ebbisham?" He repeated the name slowly after Henry Mordaunt and the tone in which he said it held not only a definite question but also, it seemed, a doubt. "The name is familiar. I rather THE CROSSWAYS fancy I've had the pleasure of meeting that young lady before. Am I right in stating that she has recently been staying at Cranwick Towers, the resi- dence of Lady Craddock?" "That is so, Inspector; my two girls were staying there with her." "I thought so," added Baddeley. "I remember that particular young lady very well indeed. I don't think she'd want anybody to hold her hand crossing the road. I shouldn't say that she was afraid to go home in the dark either. And she took this Mr. Challoner's bet—eh? Bet him a hundred pounds that ' Creeping Jenny' wouldn't bring the job off— eh? And that the Captain here wouldn't lose his sapphire? Well now, I quite agree with you, Mr. Mordaunt, that is curious." He rubbed the ridge of his jaw again. "You will observe, gentlemen," he continued pleasantly, "that this young lady has apparently won her bet. Mr. Challoner has for- feited his hundred pounds. Just now I was won- dering what Mrs. Mordaunt knew. Now I'm won- dering what Miss Ebbisham knew." Baddeley stood at his chair by the head of the table for a few moments deep in thought. Then he turned to Cap- tain Lorrimer. "Thank you, sir," he said warmly, "for your information. As you stated, it is of the utmost importance, especially at this stage of the case. It may serve to put me on the right track when I get the threads of the affair into my hands. You have probably saved me a great deal of time. At any rate it has made me alter my arrangements. Please excuse me, gentlemen, for the time being." 72 THE CRIME AT The Inspector made a hurried exit from the library and made his way to the telephone in the hall. From there he quickly established communication with the men he wanted and outlined to them all what he desired them to do for him. In less than an hour's time he met them at the old well and further operations were at once commenced there. Roper, the Inspector's first assistant, carried them out very painstakingly and thoroughly. Despite the most assiduous search there was no weapon to be found within the well, but away in one corner lay two burnt match-ends which Roper brought to the top and handed with triumph to his Chief. Baddeley's eyes brightened perceptibly at the find and after examination he carefully placed the two ends in his pocket. "No sign of any weapon down there, Inspector," said Roper, "you can bank on that." "Quite sure, Roper?" "Absolutely, sir. I've been over every inch of the ground." "Well then, I'll say this, Roper, I think it's very strange. I should have expected a weapon of that kind to have been flung away by the murderer di- rectly after the crime had been committed, wouldn't you? Seems to me to have been that kind of mur- derer." "Yes, I think I should, Inspector. But you can't say! Which way did he go?" Roper looked round as though expecting to find the answer to his ques- tion plainly written somewhere or other for all to see. THE CROSSWAYS 73 "My dear Roper," replied Baddeley, " a herd of elephants couldn't have left more traces behind of their movements than the people here have done this morning. Anything of last night's origin has been beautifully obliterated. It's only in books that these wonderful footprint clues are found. I'd hug myself to be a detective in a book." Ten minutes later he pushed open the door of the library. As he did so his face registered sur- prise. Henry Mordaunt and his son were seated almost exactly and in the same places as they had been when the Inspector had left. But Captain Lor- rimer stood on the rug in front of the fireplace and faced them. Real as had been his agitation before, it had now increased tenfold, for the distress in his voice was evident to everybody present. "Inspector," he cried as Baddeley entered the room, " I'm very glad you've returned. I am sorry to say that my confidence has been misplaced. I have just discovered that the Lorrimer sapphire has been stolen during the night—stolen from my bed- room. 'Creeping Jenny' must have been in 'The Crossways' after all." He turned and sank into a chair.. 74 THE CRIME AT C H APTER VII Baddeley's eyes danced with excitement and his fingers went instinctively to caress the trim, military moustache of which he was secretly rather proud. It was a gesture of his that always followed a feel- ing of satisfaction. "Things are moving, Captain Lorrimer! What did I say when I spoke to you before?" He looked across at Lorrimer who seemed extremly cut up at the realization of his loss. "Come, sir," continued Baddeley, "we must unite our best forces to get it back to you. And if we work together that will be a very good reason why we should be successful. For there's one thing, gentlemen, that I'm pretty well certain about." He paused and looked at the com- pany of men as though challenging any one of them to ask his meaning. Henry Mordaunt sensed this and came to the question. "What's that, Inspector?" "That the Lorrimer sapphire isn't very far away —yet. I don't think it's had time to be." Baddeley brought his fist down on to the table with one of his emphatic thumps. Following up the action al- most immediately he swung round on to Captain Lorrimer. "By the way, Captain Lorrimer," he asked, "it's just occurred to me, any sign of the THE CROSSWAYS usual 'Creeping Jenny' visiting-card in your bed- room? You know what I mean, don't you?" Lorrimer jerked up his head with signs of sudden and almost startled interest, his eyes wide open. "By Jove, I never thought of that. I didn't notice any, Inspector, now you come to mention it, but I don't know that I can be said to have looked very carefully. I was so amazed when I discovered the loss that I just came straight down here to find you and tell you." , Baddeley rubbed his cheek with the knuckles of his left hand. "Quite so, sir. I can understand that. Well, there's nothing like making sure. We'll have a look ourselves. And now—at that. Lead the way to your bedroom, sir—do you mind?" Although it was to Lorrimer that Baddeley had addressed his last remark, Henry Mordaunt acted upon the instruction and piloted the three men up the stairs to the bedroom in question. As they ascended Baddeley spoke quietly to the man just in front of him. Mordaunt listened and nodded. "I will see that that is attended to, Inspector, in fact, I thought about issuing orders myself to that effect. Everybody shall be here when you want any of them." Entering the bedroom Francis gave a cry of quick discovery. His eyes alert and keen had picked up something that Lorrimer's in the first agitation of the loss had missed. Propped up against a photo frame that stood on the dressing-table was a visiting- card, or, to be exact, a card that looked like one. Baddeley swooped on to it, like an eagle descending 7<5 THE CRIME AT triumphantly upon its prey. What he read upon the card appeared to convey to him a certain measure of satisfaction for he turned to the others and ac- claimed his acquisition. "The usual typed message, gentlemen, and the usual name at the bottom. I say 'usual,' although I don't suppose anybody here has seen it before. But no doubt you've heard of it. It's the greeting that 'Creeping Jenny' always leaves behind her." The three men looked over the Inspector's shoul- der. The message they read was short, sharp and to the point. "With 'Creeping Jenny's' compli- ments. She takes but one." "As per invoice," remarked Baddeley. "The mixture as before. Now, Captain Lorrimer, tell me at once: you discovered the theft about half-an-hour ago, I presume?" Lorrimer became thoughtful. "Yes, it would be about that, Inspector. Not much more than that, certainly. But I think I had better explain one or two things to you before we go any farther. I shall save time in the end." "Just my idea, sir. For instance—you previously mentioned to me that you had made certain plans or arrangements—anything you like to call them— with regard to safeguarding your sapphire. May I ask what those particular plans were? That ques- tion, you see, arises now very pointedly." "Exactly what I was about to explain, Inspector Baddeley. Candidly I feel an awful ass about it now—speaking to you as I did." He looked at Mordaunt as he spoke and embarked at once upon THE CROSSWAYS 11 a venture that was almost in the nature of an apol- ogy. "I'm tremendously sorry, sir," he exclaimed sympathetically, "it must seem to you very much as though I'm putting my own slight loss before your loss—you know what I mean, sir. Please don't think that of me, it's just the fact that the loss of the sapphire has come along at this moment and taken ' center stage ' as it were for the time being." Mordaunt recognized the appeal in his voice and paid due deference to it. "I understand perfectly, Lorrimer, so don't worry about it. I can guess ex- actly how you feel about everything. There is no need for you to reproach yourself over anything that you have said." Lorrimer wiped his forehead with his handker- chief. "Thank you, sir. What you say makes me feel a lot easier. It's very generous of you to put it like that. Now I'll out with what I was going to tell you, Inspector. My plans for keeping the sapphire were excessively simple. You see those two sticks of shaving-soap?" He pointed to two sticks of shaving-soap of the ordinary variety, shape and size, that stood on the side of the table. Baddeley's and the eyes of the others followed his indicating finger. "Yes," snapped the first-named brusquely. "What about them?" "The first one—this one nearer to me—is a stick of soap that you could purchase in any shop that stocked it so we can pass over it. But look at the second—you'll see that it's somewhat different. Pick it up." The Inspector obeyed the bidding, 78 THE CRIME AT took the second stick and examined it. "Notice anything about it? " inquired Lorrimer eagerly. "It's a bit light," confessed Baddeley. "In weight I mean—certainly lighter than the other one." He tested one against the other in his hands. "Right," said Lorrimer. "Turn the second one upside down and look at the bottom of the stick." Baddeley did as ordered and what he saw sur- prised him. The soap had been hollowed out at the bottom something after the manner of a certain type of wine-bottle and there was a cavity into which the Inspector had no difficulty in inserting his finger. "That cavity there, Inspector, was my hiding- place for the sapphire," said Lorrimer sadly, "and it's always turned up trumps up till now for I have reason to believe that more than one attempt has been made in the past to steal it. I'd have laid a thousand to one against anybody getting away with it—' Creeping Jenny' included. But there you are —the impossible has come off this time." Baddeley looked up and fingered his chin reflect- ively. "I am going to ask you a very pertinent question, sir," he said, " and I want you to give me a very frank answer. Who else besides yourself knew of this secret of the shaving-stick? Don't except anybody—no matter how intimate that particular person may be." As he spoke Bad- deley watched Lorrimer's face. Was it fancy on his part or did a shade of anxiety cross it? However, there was no hesitation in Lorrimer's voice when he answered: THE CROSSWAYS 79 "The only other person in the world who knew of the hiding-place of the Lorrimer sapphire was my mother—which is equivalent to my saying— 'nobody else.' That is to say from your point of view, Inspector." "Not quite, sir—speaking as an Inspector of Police," returned Baddeley, " although I appreciate your meaning. Is Mrs. Lorrimer—I presume that is the lady's name—staying here now?" "She is," replied Lorrimer with some show of surprise, "but I don't quite follow why you should" "That's all right, sir. But if you'll allow me to say so again, my standpoint in the matter must be dissimilar to yours. I'm sure you won't mind me pointing that out to you." It seemed that Mordaunt was about to speak as Baddeley finished his sentence, but the latter, pro- ceeding again almost immediately, was too quick for him. "For instance, Captain Lorrimer,"—Baddeley seemed now to be speaking with a sense of great responsibility—" have I your word of honor that your fiancee, Miss Margaret Mordaunt, was un- aware of your method of hiding the sapphire? The sapphire, mark you, which you were going to pre- sent to her." Lorrimer flushed at the Inspector's question. "You have my word of honor, Inspector Baddeley! That should have been clear to you from my first answer. Only my mother knew! I have never discussed the matter with Molly in any way at all. 8o THE CRIME AT The question of my losing the sapphire while stay- ing down here was never definitely considered be- tween us prior to Mr. Mordaunt here getting the letter from ' Creeping Jenny.'" He turned impul- sively to the man to whom he had just referred. "You can corroborate that for me, sir—or at any rate you can" Mordaunt nodded. His face was now showing very obvious signs of the trouble that had come to him. To Francis it seemed that he had aged years in the short space of twelve hours. "I can't contradict you, Lorrimer," said the K. C. to the man that had appealed to him, "and I'm certain that the Inspector is quite satisfied on the point. Aren't you, Baddeley? But that brings me to something that I was about to say a moment or two ago. Something that came to me a little while back which I think Baddeley should know, although I must admit that I don't know why I think so," he continued wearily, "except for the fact that the more you tell a man in a case of this kind, the more chance you give him of obtaining results." Baddeley expressed his agreement with a quick movement of the head. "I'm all for that, Mr. Mordaunt. And I must say that I wish everybody thought in the same way as you do. It's the tight- lipped variety of people that so often ties a man's hands almost as soon as he's started. Makes you put up a couple of stone over-weight right from the beginning. I'm listening to what you've got to say." The K. C.'s drawn face grew a shade more trou- THE CROSSWAYS 81 bled. But he turned to Lorrimer as though eager to revive a memory in the latter's mind. "I'm going to take you back a stretch, old man—to a semi- private sort of conversation you had with me after I'd read 'Creeping Jenny's' warning to you all at the dinner-table." Lorrimer wrinkled his forehead in consideration of Mordaunt's statement and Francis looked anx- iously at his father—evidently in great wonderment at what was coming next. "Do you mean directly after or some consider- able time after? Because I'm not altogether sure that I" Mordaunt cut in. "Not directly after—I don't mean then at all. I mean towards the end of the evening when I spoke to you about Challoner's wager with Anne Ebbisham. Can you remember the terms of your reply to me?" "By Jove, sir,"—Lorrimer brought his two hands together under the stress of his excitement— "now you mention it I should just think I do. And I think I begin to see where you're heading! You're referring to the terms of my projected wager—if 'wager' it could be called." Mordaunt held up his hand to check any further explanation upon which he might venture. "You said to me that if 'Creeping Jenny' were success- ful in the threat that she had made, you wouldn't shave again while you were here. Tell me now, Lorrimer—so that Baddeley here may entertain no doubt upon the point—when you spoke in that face- tious way—were you thinking of the sapphire's hid- 82 THE CRIME AT ing-place? What was uppermost in your mind at the moment?" Lorrimer broke in, his impetuosity mastering his patience. "Oh yes, sir. Of course I was. I'm perfectly willing to admit it. The place where I was going to put the sapphire that night was un- doubtedly uppermost in my mind as I was speaking. All the same I don't see for the life of me how anybody could freeze on to an oblique reference like that. Even if anybody had been near enough to us to hear what I said. Which I'm pretty certain did not happen." He spoke with most decided emphasis. "What have you to say with regard to that, Mr. Mordaunt?" The question came from Baddeley. "I shouldn't like to say, Inspector. Because for me to confirm what Captain Lorrimer has just said to you will conflict with the theory with which I've been toying now for some little time." Baddeley regarded him curiously. "What theory is that, Mr. Mordaunt?" he asked very softly. "That somebody did hear Lorrimer's remark con- cerning his shave?" "And not only heard it but was smart enough to put two and two together. Although I agree with him that I saw nobody near us." Francis Mordaunt intervened here unable to re- strain himself. "But, Father," he said, " don't you see what that means? It means that 'Creeping Jenny's' somebody inside this house, which is ri- diculous." He lowered his voice as he spoke again. "Such a thing can't be." THE CROSSWAYS 83 At this last expression of opinion Baddeley looked up and threw out a disagreement. "Oh, why not? Tell me, please, why not? It's my turn now to make a confession. As a matter of fact that's a little idea that has commended itself to me for a matter of some days now. Surprised?" But Henry Mordaunt did not answer the question put to him. A tap sounded on the door and instead of replying he looked across the room in that direc- tion. Baddeley motioned to Francis Mordaunt to open the door. 84 THE CRIME AT CHAPTER VIII ♦ Adrian Challoner stood on the threshold. Al- though as well groomed as ever and just as fault- lessly attired his face nevertheless was not entirely unperturbed, for his striking features bore unmis- takable signs of worry and trouble. "May I come in, Mordaunt? " he asked, as Fran- cis opened the door to his knock. "Believe me, I wouldn't trouble you had I not a very grave reason for so doing." The likeness of the words he used to those that Lorrimer had employed struck Henry Mordaunt immediately. As Challoner spoke he held out his hand for the hand of the man to whom the words were directly addressed. Mordaunt understood the meaning of the gesture and extended his hand in obedience to it. Challoner pressed it in silent sympathy. His eyes then travelled towards Inspector Baddeley, who, if appearances went for anything, was far from being pleased at what he evidently considered an unfortunate interruption. But Adrian Challoner excelled at the handling of difficult, delicate and even embarrassing situations; it must be remembered that he frequently numbered two "Star" actresses in his casts and the female of that species is certainly more deadly than the male. At this moment—realizing the meaning of the THE CROSSWAYS f look on the Inspector's face—he brought the bat- tery of his personal charm to bear upon Baddeley. "I ask your pardon, Inspector," he said, with de- lightful and disarming candor, "for what must ap- pear in the nature of an interruption. I fear that I have disturbed what was perhaps a most important conference. You must forgive me. But, as I hinted to Mr. Mordaunt here a moment ago, my reason for so doing is neither whimsical nor fantastic. When you hear what I have to tell you I am sure that you will instantly acquit me of anything like unjustifiable interference—a quality nobody hates more fervently than I do." Baddeley bowed somewhat stiffly. "At the pres- ent moment, sir, I should like to point out that you have the advantage of me. I do not even know your name. If Mr. Mordaunt will remedy the omission—well then perhaps "The Inspector stopped and looked inquiringly at the man whose name he had mentioned. Mordaunt repaired the breach. "I am sorry," he apologized, "I forgot. This is Inspector Bad- deley of the Sussex Constabulary; he has come over from Lewes to investigate matters. Mr. Adrian Challoner, of the Ramillies Theatre, London." Baddeley was impressed and bowed rather jerkily. "Pleased to meet you, sir, although I'm sorry the circumstances are such as they are. Needless to say I've very often heard of you, although I've never had the pleasure of seeing you on the boards. I'm afraid I don't get as far as London very often. Not, of course, that it's too late for me to pop in 86 THE CRIME AT to see you one night. What was it that you were desirous of telling me, sir?" He indicated a chair at the side of the table which Adrain Challoner promptly accepted. The actor surveyed his audi- ence carefully before he commenced to speak. By now he was entirely at home and his atmosphere es- tablished. When he spoke his tones were measured and quiet. "The news of Mrs. Mordaunt's death is, of course, known now all over the house. These things are exceedingly difficult to keep secret. Rumors fly quickly, I'm afraid. And already there is an ugly word being whispered in connection with it—mur- der. The gardener—Bennett—has found it difficult to keep silent about what he knows. It is in rela- tion to that rumor that I have intervened in your conference. I will begin, Inspector, by asking you a question. How was Mrs. Mordaunt killed? Or if you prefer it at this stage—how did she meet her death?" "How have you heard that it happened? " Bad- deley countered question with question. "Very well, Inspector, have it your way." Adrian Challoner was the personification of urbanity. "I have been informed that Mrs. Mordaunt was stabbed to death. Is that correct?" "Near enough," replied Baddeley, "go on." "In that case, Inspector, may I ask you if the weapon with which the lady was killed has been found, or what you imagine may be the weapon? I will come to the point. Has any weapon been found?" THE CROSSWAYS 87 Baddeley rubbed his lip with his fingers. "We have not made a thoroughly exhaustive search yet, Mr. Challoner. That has been impossible. The grounds of 'The Crossways' are extensive, and there have been several other things to do. But the weapon is not anywhere near where the un- fortunate lady's body was found. I have been over the approximate ground thoroughly and have been able to establish that fact. I presume though that you have some special reason for asking the ques- tion that you have done?" He caressed his mous- tache, inviting Challoner's reply. The latter pulled the chair upon which he was sitting a trifle nearer to the table and lowered his voice. "You are right, Inspector, I have. A very special reason as you call it." He turned to the others who were listening intently. "You, my dear Mordaunt, are aware, I know, that I have a new production in rehearsal at the present time. But I will assume that Inspector Baddeley has no knowl- edge of the fact. This, then, for his information. I am putting on ' Broken Threads' at the moment but six weeks' time will see the premiere at the 'Ramillies' of my next play. It is called 'Sin and a Woman.' I tell you these seemingly irrele- vant facts in order that you may grasp the true significance of my next piece of information. 'Sin and a Woman' is a political drama and I play the part of a great statesman who becomes virtually the uncrowned King of England—a sort of British Mus- solini, if that will help you to understand the idea better. The climax of the play arrives at the third 88 THE CRIME AT act curtain when I am assassinated and the scene of the assassination is staged outside the Houses of Parliament. The author has followed as far as possible the assassination of Julius Cssar by the conspirators before the Capitol. There are modern counterparts in the play of Brutus, Cassius, the envious Casca, Marcus Antonius and the others. Now I come to the significant part of my story. In the script the playwright has given directions that the daggers used should be as nearly as possible like those used by the conspirators—on the basis of history inevitably being forced to repeat itself. I refer, naturally, to such matters as appearance, shape and size—actually they will be 'props,' of course. But I have made it my business to obtain a dagger of the old Roman pattern, and it was my intention to have the 'prop ' daggers manufactured to resemble this particular weapon in every detail. When I came down here, I brought it with me as I had very recently called upon the particular firm that I am employing to make the others and whom I also intended to see again immediately upon my return. That dagger, gentlemen, was taken from my room sometime last night and for all I know it may have been used to kill Mrs. Mordaunt. That's why I'm here now." Adrian Challoner paused to watch the effect of his ominous words upon the man to whom he had primarily addressed them. "Where did you keep this dagger?" Baddeley put his first question promptly. "Do you mean habitually, Inspector, or where did I keep it down here?" THE CROSSWAYS 89 Baddeley frowned. "What I mean is—where had you put it in your room—in your bedroom, I presume you mean. The room from where you say it has been taken?" "There, Inspector, I must plead guilty to a cer- tain amount of carelessness. When I unpacked my suit-case upon my arrival, I took the dagger out— among other things—and left it on the dressing- table. I intended to show it to Miss Massingham— one of my cast who is staying here. It was my intention to replace it in the suit-case later. But I forgot my intention and went down to dinner without it. When I went to bed later on all thoughts of the wretched thing slipped from my mind. It was not until this morning that I missed it." The Inspector knitted his brows again. "So that—strictly speaking—you couldn't swear whether it was there on your dressing-table when you went to bed or not?" Challoner tossed his head impatiently. "I sup- pose I couldn't, Inspector, and I know it's con- foundedly careless of me. All the same I'm certain in my own mind that it could not have been there, and I'll tell you why. If it had been, I should have been bound to have seen it and I should have put it away in accordance with my original intention. I'm convinced that the fact of it not being there was the real cause of my temporary forgetfulness. It's like everything else of that kind, if the" Baddeley interrupted him. "Perhaps, perhaps not. But you can't prove that and it's waste of 90 THE CRIME AT time trying to. Let's get on with the job, leave conjecture out of it and confine our attention to definite facts. Now one point about your story strikes me very forcibly. Did anybody know you had this dagger with you? You say that you didn't show it to this lady you mention." Adrian Challoner drummed with his fingers upon the table in front of him. "I was afraid that you would ask me that question, Inspector, and I realize that I cannot blame you for doing so. Must I answer?" Baddeley's face was set as he made his reply. "It is not in my power to bring any compulsion against you, Mr. Challoner, at this stage of the case, and I've no doubt that you know that very well. You must please yourself what you do. I imagine you will find it no new experience. But if your duty isn't plain enough for you to see in front of you—ignoring the fact of your friendship with Mr. Mordaunt here, which should make the call of duty even more imperative to you—well then all I can say "The Inspector broke off abruptly and shrugged his square shoulders with a wealth of meaning. Adrian Challoner, however, was not the man to be rattled by remarks of that sort. He was always the complete master of himself and Baddeley's in- sinuation was launched in vain against his unruffled imperturbability. When he next spoke he did so with as much dignity as ever before. "Very well, Inspector Baddeley. I accept the position as you point it out to me. I will give you THE CROSSWAYS 91 the information for which you have asked. There were three people in 'The Crossways' who knew that the dagger was in my bedroom. They knew because I told them. I use the past tense delib- erately—you will understand why when you hear their names. It came about like this. We had made up a bridge four and the subject of my new play cropped up in conversation just as it had done at dinner an hour previously." "Their names, if you please, Mr. Challoner," rapped Baddeley, all excitement. "Mrs. Mordaunt, the lady who we believe has been murdered, Mr. Russell Streatfeild and Mrs. Lorrimer—this gentleman's mother." "Nobody else?" "Not to my knowledge, Inspector, unless of course my remarks were overheard which I don't think could have been the case," Challoner stated firmly. Baddeley's next question was startling in the extreme. "Who is the author of your new play, Mr. Challoner? This murder play that you men- tioned just now?" Challoner eyed him with studied composure. "Why do you ask? What's the point?" Baddeley scratched his cheek. "Just an idea, Mr. Challoner, that's all. You can never tell where you'll get by following up everything." "I'm sorry then, Inspector, but I can't tell you. That's why it struck me that it was strange you should have asked. The play came to me from an agent—Surtees White, a well-known man—after 92 THE CRIME AT having been previously tried out by the Thespian Society. The author's name as shown on the type- script is Essex Kent—but it is an open secret to all of the people who are concerned with it, that this is a nom-de-plume. There is a rumor, I may inform you, however, that the pseudonym covers the identity of a woman who is well-known on the Turf, but I do not know if reliance can be placed upon it." "H'm, that doesn't get me very far, I'm afraid. Can you give me the address of this agent chap?" "Quite easily. Nine, Portsmouth Walk, Covent Garden." "Thank you." Baddeley produced his note-book and jotted down the information that Challoner had given him. After doing this he appeared to study something which had already found a place within his notes. Suddenly he looked up. "Mr. Russell Streatfeild?" He pronounced the name as an inquiry and looked in the direction of Henry Mordaunt. "A friend of mine, Inspector." Mordaunt's reply to the glance came at once. "He is staying here at my especial request." "What is the gentleman by—er—profession, Mr. Mordaunt?" "A solicitor, Baddeley, senior partner of Streat- feild, Hyde and Digby." The words came fluently and smoothly enough but Baddeley's sharp ears detected something in Mordaunt's voice that was not quite normal. Was it his imagination or was Mordaunt for some reason chary with regard to passing on the required in- THE CROSSWAYS 93 formation? He determined to leave the matter fallow for the time being without, however, dismiss- ing it from his mind altogether. There might come opportunities in the future for a successful re- opening. He referred again to his list and evi- dently found what he wanted. "There is a Miss Christine Massingham staying at 'The Crossways' I believe, Mr. Mordaunt. The lady, I take it, is the one Mr. Challoner men- tioned just now?" "That is so, Baddeley. She is a friend of the Miss Ebbisham who is Mr. Challoner's god- daughter." "Yes! I am aware of that fact. I've met the latter young lady very recently. Am I right in imagining from what Mr. Challoner said that these two young ladies are actresses—that is to say pro- fessional actresses?" "Not altogether. Miss Massingham is an actress certainly as Mr. Challoner informed you. Miss Ebbisham is not." Challoner proceeded to amplify Mordaunt's answer. "Christine Massingham is resting at the present time, Inspector Baddeley. But she goes into the cast of my next play ' Sin and a Woman.'" Baddeley's eyes opened wide. "That's very in- teresting, Mr. Challoner. Did this Miss Massing- ham know by any chance of the existence of this dagger of yours?" "Miss Massingham certainly knew of the dag- ger's existence—she could hardly rehearse without knowing of it—but she equally certainly did not 94 THE CRIME AT know that I had the dagger in my possession down here." "Might she not have overheard what you say that you told the others? The slightest hint in her case would have urged.her to connect matters." "Christine Massingham was not in the room when I was playing bridge so there was no pos- sibility of what you suggest." Challoner was de- cisive. "I can vouch for that," put in Francis. "I saw her with Jane and Anne Ebbisham. They were going to have some music or something while your four were playing bridge." "Very well, then, gentlemen," declared Baddeley, "I won't detain you any longer. Thank you, Mr. Challoner, for your information and you too, Captain Lorrimer. The problem that I have to solve is by no means a pretty or an easy one and it will take a lot of looking into. There are still several matters I want to attend to here so I'll arrange to call back in an hour or two's time. If convenient to you, that is, Mr. Mordaunt." As Mordaunt nodded acquiescence, Baddeley made his exit and closed the door behind him. The uppermost thought in his mind as he made his way out was this: Not only had Mrs. Lorrimer known the secret of the shaving-soap but she was also one of three people who knew the facts of the dagger that Adrian Challoner had brought with him to "The Crossways." In other words, she fitted into both sides of an equation. Baddeley decided that the case as a whole was looking a little brighter. THE CROSSW AYS 95 CHAPTER IX ❖ . Peter Daventry received the news of the mur- der of Mrs. Mordaunt with a sense of acute shock. Upon previous occasions when he had been con- cerned in the company of Anthony Bathurst with cases of a similar nature his association had been somewhat more indirect. He had, as it were, ap- proached the matter from the outer circle. But in this instance he found himself actually within the circle when the crime had been committed, and this consciousness aroused certain feelings within him that he had previously not experienced and which he now found somewhat difficult to analyze satis- factorily. His first thoughts after the full realiza- tion of what had occurred had come home to him were naturally of Anthony Bathurst. This surely would be a case after old Bathurst's own heart! Francis Mordaunt, in the temporary absence of his father who was in consultation with Russell Streat- feild, (and partly relieved no doubt from the op- pression of horror and suspense by the opportunity of recital,) had confided to most of the men of the house party at " The Crossways " the cardinal facts of the case as they had so far been elicited and would have proceeded to add more of the details had it not been for the advent upon the scene of Anne and Christine and his own two sisters. Peter THE CROSSWAYS 97 eminently delicious with her laughing vivacity and almost audacious charm, and this last-mentioned quality of her appearance had not deserted her now. The challenge still lurked in the dark-blue depths of her eyes and her delightful little nose had not lost its soupgon of aggressiveness but Mistress Anne was certainly not quite so " care-free " this morning as was her wont. It seemed to Peter Daventry as he watched her face that she was endeavoring to explain something to herself; that something was troubling her for which she was making continued and abortive attempts to discover a satisfying solu- tion. But she was on guard and obviously had strict hold upon herself and also upon her feelings. All the same this look that Peter Daventry noticed made fugitive appearances upon her face and in Peter's secret opinion, only served to enhance her adorableness. Christine Massingham, more used than her companion to public ordeals and conditions of "nerve-strain," was perhaps the least affected of the four girls; that is to say outwardly. But inwardly she felt the dreadfulness of the situation as keenly as any. She loved Beauty and beautiful things and her whole nature frowned with uncom- promising finality upon wanton wickedness whenever it disturbed her enjoyment of this power of loving. As Peter's glance left the roguish charm of Miss Ebbisham—it must be conceded with some re- luctance—and came to rest upon the more dignified loveliness of the inimitable Miss Massingham, he formed yet another opinion. If there were some- thing that was puzzling the former lady—then most 98 THE CRIME AT certainly this latter lady had noticed the fact just as he himself had done, for several times Christine had cast a swiftly penetrating look in the direction of her friend. Anne Ebbisham, unconscious of this, and as unconventional and daring as always, ap- proached Adrian Challoner with the directness of habit and somewhat startled Peter Daventry with her opening remark. She had gone right up to her godfather. "Mr. Challoner," he heard her say impetuously, "I don't want to seem or sound too utterly dreadful for anything, but there's something that I feel I must say to you. Let's try for the moment to forget about Mrs. Mordaunt. After all we shan't do her any harm if we do—shall we?" Her fingers worked nervously for a moment or two as she faced Chal- loner, and then she went on in a sudden burst of candor. "I'm not a callous cat—really I'm not— though I expect I sound like it and all of you are dotting me on the list as one. What I wanted to mention was my bet with you. It's perfectly awful, I know, that things should have turned out as they have—it seems like a judgment on some of us—but that isn't to say that we're very much to blame—is it? I said last night I'd call on you for the hundred in the morning—didn't I?" She surveyed him with vivid eagerness, commanding the attention of the whole group of onlookers as she did so. For a moment or so there was an intense silence. Chal- loner replied to her gravely. "You did, Anne." "Tell me," she said, as eagerly and as tensely 100 THE CRIME AT ment with an almost exaggerated nonchalance. But Anne Ebbisham to whom he had spoken seemed to pay no regard to its actual meaning or significance. "I wasn't thinking about the murder so much," she said quietly. "I was concerned more with the robbery." She stood there for a little while biting her lip and the look of puzzledom that Peter Daventry had detected on her face before returned for just a brief instant. Suddenly, however, she jerked up her head and looked at Challoner again. "I'm not paying the bet that I seem to have lost—yet a while. I'm not being unsporting. I've an idea that's almost a—I'm going to claim—what is it you call it in banking—three days grace? For I'm not sure that 'Creeping Jenny' did steal the sapphire. Despite what Inspector Baddeley knows or even thinks he knows. Come, Christine, my cherub, for I feel that I'm wanting your companion- ship. It's not going to be good for me to be alone." She linked her arm in Christine Massingham's and the two of them walked off slowly. Challoner commenced to quote. "One like the Rose when June and July kiss," but Peter let go a low whistle, as he watched them saunter away and the actor broke off to watch them likewise. But when the two girls were out of ear-shot Peter gave way to a sudden inclination. Lorrimer, Adrian Challoner, Francis Mordaunt, John Raikes and his father were standing together in a group. Peter Daventry went up to them and addressed the first named. THE CROSSW AY S 101 "Lorrimer," he opened a trifle nervously, "Heaven knows I'm far from wanting to butt in on this business and when I do shove my oar in it's only from a strong desire to lend a helping hand, so to speak. I hope you realize that's so and all that But are you open to receive sugges- tions, old man?" Lorrimer showed signs of surprise but nodded in semi-acquiescence. "That's quite all right, Daven- try. I understand what you mean. But what is it you want to say to me?" "I was wondering if an idea of mine would find favor with you—that was all. I take it nothing would please you better than to get to the bottom of this affair. Apart from the loss of your sapphire, you see there's the other" Lorrimer broke in eagerly upon Peter's expres- sion of opinion. "I shall leave no stone unturned to get to the bottom of it, Daventry—if it takes me all my time and best part of my money. You can rest assured on that. I feel "He clenched his hands in emotion. "I can't tell you how I feel," he concluded. "Good man—likewise good egg," returned Peter. "That's the kind of stuff I like to hear, because it clears the way so beautifully for what I'm going to say. Ever heard of Anthony Bathurst?" "Bathurst?" Lorrimer wrinkled his brows in- terrogatively. "Bathurst? You're referring to the" "Crime-investigator—that's the chap. He's cleared up at least half-a-dozen cases that had 102 THE CRIME AT Scotland Yard guessing properly and running round with their noses down to terra firma. I happen to know for an absolute fact that Sir Austin Kemble, the Commissioner of Police, simply swears by him and has called him in off his own bat for very awkward cases. One was the affair of the 'Pea- cock's Eye' at Seabourne. Remember it?" Lorrimer nodded and the men round him moved their heads in support. Francis observed that his father and Russell Streatfeild had by now joined the company and were evidently listening attentively to what Peter Daventry was saying. The tall clean- shaven solicitor seemed keenly interested and spoke in an undertone to Henry Mordaunt. Peter Daven- try, unobservant of his two additional hearers who stood some distance behind him, proceeded to sup- plement his suggestion. "Well, it's like this—cutting a long story short— I'm a close, personal friend of Anthony Bathurst and I'm pretty certain that a word from me would induce him to take up this case for you, Lorrimer. I can assure you that you couldn't put it in better hands." "This is tremendously good of you, Daventry. There's nothing that would please me better. As I told you just now I'll move heaven and earth to probe this mystery to the bottom. When do you think you could fix things? Is Bathurst in a posi- tion to" Before he could complete the question Henry Mordaunt took a step forward towards him. To the onlookers it seemed that he was not too well THE CROSSWAYS 103 pleased with something. When he spoke, this im- pression was confirmed. "I quite appreciate Daventry's offer, my dear Lorrimer, and also the spirit that prompted it. But if I may be allowed to say so, my own interest in this terrible affair is the paramount one. What I have lost can never be replaced. That I think would be conceded by anybody. I know that it would be by you, for it never occurs to me to doubt your generosity. That fact established, I must ask you then to consider my wishes before anybody's. I say emphatically, that I do not wish that a private investigator should take up the case. Certainly not at this juncture. Later on, if nothing transpires and the cloud still remains I might perhaps reconsider my attitude. I could not, however, even promise that, unconditionally." Mordaunt's voice was hard and his face a model of impassivity. "For the moment," he added very clearly and decisively, "I am very well content to leave the case in the hands of Inspector Baddeley. What do you say, Streatfeild?" THE CROSSWAYS you're quite right about this Baddeley Johnny. He'd skip like a regiment of rams and young sheep combined if he thought Bathurst and he were going to work in double harness. The mountains and the little hills wouldn't have an earthly with him—and for the best of all reasons, too." Peter Daventry emitted a reminiscent chuckle as Raikes regarded him inquiringly. "Because I happen to know that the very first case old Bathurst handled was down in Sussex here and this self-same Baddeley was the Police Inspector in charge. He was eating out of Bathurst's hand by the time the final curtain came down. Don't think old Bathurst told me so—he's not that sort—I've had it from others who know what they're talking about." Peter shrugged his shoulders sagaciously. "Still—there you are—if Mr. Mordaunt won't budge in the matter—there's an end to it—it's no use talking about it any more. After all, as he pointed out to us just now, it's his pigeon and that being so he's entitled to handle it in his own way. I'm sorry, Lorrimer." The man addressed shook his head slowly. "No need for you to apologize, Daventry. But I can't very well close with your offer in face of what was said, can I? Mr. Mordaunt may change his mind later on. If he does I hope your offer will still hold good. I certainly shan't forget it." Later, in the privacy of his bedroom, Peter began to examine the various facts as Francis Mordaunt had presented them to him. He started at the beginning and marshalled them in some order. Mrs. Mordaunt had been found at the bottom of io6 THE CRIME AT the old well wearing her evening cloak and with her handbag near to her; according to medical evi- dence stabbed through the heart, killed almost in- stantaneously. She had also, the evening before, been sufficiently interested in the safety of the famous Lorrimer sapphire to beg Captain Lorrimer to allow her to mind it for him during the night. Why? That was a poser. Disturbance on account of the threat from "Creeping Jenny"? If so— what kind of disturbance—ordinary, such as might be reasonably expected from anyone—or specially particular, arising from the possession of definite knowledge? Peter silently debated the two pos- sibilities for a moment or two. Then Anthony Bathurst's oft repeated maxim came home to him— "never commence to theorize in the absence of data." Its truth and effectiveness were more ap- parent to him now than they had ever been before, if only for the fact that on this occasion it was he himself who was in control of the thinking- machine. He determined to abandon the theoretical therefore and content himself for the present with a review of the facts and of the facts only. Surely, if Bathurst were here himself, he would concentrate for the time being upon the two "main" features of the case—" main," that is to say as far as in- vestigations had by this time reached. These, Peter concluded, were the stealing of the "pukka" sapphire from Lorrimer and the theft of the dagger from the bedroom occupied by Adrian Challoner. Who among all the people at "The Crossways" had the necessary knowledge to be able to obtain THE CROSSWAYS 107 either? That question appeared to him as- the crux of the whole affair. Peter embarked upon a process of elimination affecting the two categories. Whom could he eliminate from (a) Knowledge of the authentic sapphire's hiding-place and (b) Knowl- edge of the existence even of Challoner's dagger? Not having been placed by Francis in possession of the whole of the evidence given by Captain Lor- rimer and Adrian Challoner to Inspector Baddeley his adventure of embarkation finished very soon after it began. As far as he could see from the knowledge that he had at his command the only people whom he could fairly confidently place in his first category were Mrs. Lorrimer and Molly Mor- daunt. Concerning the second, the only suggestion that his brain could harbor was that possibly— only possibly, mind—Christine Massingham had known that Challoner had brought down the dagger from the Ramillies Theatre to "The Crossways." It soon became clear to him that he could insert no one person into each of the two divisions. Out of which conclusion there certainly came no help! It seemed to him that he was very much as he had started. He was about to indulge in a further survey of the incidents of the case when there came a knock upon his bedroom door. To his invitation of "Come in" there appeared Henry Mordaunt and Inspector Baddeley. The latter appeared to be exceedingly preoccupied, but the host of "The Crossways" seemed eagerly alive to the exigencies that the case was going to demand from him. He had recovered somewhat from the shock of the io8 THE CRIME AT first stroke that had been dealt him and was living now in a state of mental emotion—his mind, it might be said, under the potent influence of the drug of excitement. "Daventry," he opened quickly, "Inspector Baddeley wants to have a word with you. He has seen all the others and desires to complete his round of inquiries as soon as possible. I am sorry to intrude upon you, but of course, you quite realize that in affairs of this "Mordaunt stopped as though at a loss to continue. Peter helped him out. "I understand, Mr. Mor- daunt. Don't worry about that sort of thing. I've been expecting something of the kind. I shall be pleased to hear what the Inspector has to say. Chair, Mr. Mordaunt? Chair, Inspector?" Peter motioned the double invitation and each of the men accepted. The Inspector's eyes sought those of Mordaunt. "Where's Mr. Streatfeild got to? He was very anxious to be present at the other interviews, why isn't he with us now? Is he one of those people that soon get tired?" There was a spice of resentful sarcasm in his tone. "Or does he exempt Mr. Daventry from the necessity of being inter- viewed?" Mordaunt shook his head with a suggestion of cold annoyance. "I am sure I don't know and can't tell you. He has gone downstairs again, Baddeley. He informed me that he wished to have a look at something down there. I don't think that Mr. Daventry or your proposed interview with Mr. THE CROSSWAYS I00 Daventry had anything to do with it for a moment. And I fail to follow you when you refer to such a thing as Mr. Daventry's exemption. I'll leave you to it." Baddeley opened his mouth as though to reply to Mordaunt's statement but evidently thought better of his intention for he desisted as Mordaunt walked from the room. Instead he turned to Peter Daventry. "Just a few questions, Mr. Daventry— and the usual ones that fall to the lot of us police in matters of this kind. They're more or less a matter of routine, you know. Can you throw any light upon the murder of Mrs. Mordaunt?" Peter shook his head slowly but very certainly. "I can't, Inspector, and that's a fact. Haven't the foggiest! As a matter of fact when you came in here just now I was trying to piece things up a bit without being at all successful, I can tell you. I've missed the turning properly. It seems to me you know" "Tell me this, Mr. Daventry. Were you with the deceased to any extent, during the last day or two? I mean, did you have much opportunity to observe if she were pretty normal, as it were? In her usual spirits and so on? Nothing happened, for example, to upset her in any way?" Peter twisted his mouth to one side. "No, In- spector," he declared after due consideration. "No, I don't think so! Although perhaps—mind you, I only say 'perhaps'" "Perhaps what?" snapped Baddeley. "Please be as explicit as you can, Mr. Daventry." THE CROSSWAYS III heard a medley of voices outside. One was un- doubtedly Lorrimer's, the other Peter Daventry was unable immediately to recognize. But evidently Inspector Baddeley did for he crossed the room with rapidity and pulled open the door. "What is it, Roper?" he queried. "Do you want me?" The man addressed labored under the stress of an excitement. His cheeks were flushed and his eyes alive with interest. "Yes, Inspector. I asked this gentleman here to find you for me. Shall I come in?" Baddeley nodded. Roper entered followed by Captain Lorrimer. Before Roper spoke he looked askance in the direction of the last-named. "That's all right. You can speak before* these gentlemen, Roper," explained Baddeley in answer to the look. "What is it you have to tell me? Out with it, man." "Right, sir. In accordance with the orders you gave me and the others, a thorough search has been made at the bottom of the old well. There is no weapon to be found down there, Inspector—I'll go bail on that! Every inch of the ground has been turned over and been combed absolutely thoroughly. There's no weapon down there such as we've been seeking. But while we were looking for it we've found this, Inspector." He opened his hand and displayed a ring that held a huge blue stone. "This was down the well, Inspector, right away in one of the corners." Lorrimer's eyes blazed with excitement as he THE CROSSWAYS "3 CHAPTER XI ♦ Whatever talents Mr. Russell Streatfeild may have possessed in the direction of strict veracity, they were certainly not overwhelmingly in evidence when he excused himself to Henry Mordaunt a short time previously. For the errand of im- portance which he had mentioned to Mordaunt and Mordaunt to Baddeley as requiring his immediate presence downstairs was entirely non-existent. That is to say one must suppose so, judging by his sub- sequent actions. For having quitted the company of Mordaunt and the Inspector and having carefully watched them from a coign of vantage enter Peter Daventry's bedroom, Mr. Streatfeild quietly made his way upstairs again and slipped into another bedroom altogether. It happened to be the bed- room of his host. Passing quickly through the con- necting door that has been described before, he next entered the bedroom lately occupied by the woman that had been murdered. Once inside he made straight for the dressing-table. Prominent in the front thereof were several articles of cosmetic significance and inseparable these days from a lady's toilette. There were lip-stick (chanel-red), hare's- foot, powder-bowl, rose-ochre, Rachel soleil, eye- brow pencil and tiny lash-brush. As they had been left, an investigator would have been pardoned had THE CRIME AT H4 he formed the opinion that Mrs. Mordaunt had paid great pains towards the adornment of her complexion very shortly before she met her death. Russell Streatfeild nodded as though with a certain amount of satisfaction. He took from his pocket the torn corner of an envelope that had obviously passed through the hands of the Postal Authorities. It bore upon it three stamps—three half-penny stamps over-marked with the usual date, time and place. Looking carefully round the room and at the same time listening intently he walked across to the grate and went down upon his knees in front of it. But to no purpose. The grate was innocent of everything that he hoped he might have found there. He thought carefully over what Henry Mordaunt had told him. He dared not stay long in the room in case Baddeley finished with Peter Daventry over-quickly and then chanced to take a stroll in this direction. That was the last thing he desired to happen. He ran his eye over the bed, gave the dressing-table another quick glance and slipped out of the room as adroitly and noiselessly as he had entered. His next operation was one that required the greatest possible care. Mr. Streatfeild descended one flight of stairs and came to the turn that led to the next. Here stood a superb statuette of Polhymnia which Henry Mordaunt had had in- stalled there many years previously out of compli- ment to the profession that had made him famous. As is usual with statues of the Muse of Eloquence she was shown holding her dainty forefinger to her equally dainty lip. The other hand, fingers upwards, THE CROSSWAYS "5 was extended to the onlooker with an expressive gesture. Mr. Streatfeild approached the statuette and bent down to read the inscription upon its base. He thought he knew it but resolved to refresh his memory. "Apt Silence sets off Language to the best Advantage," he read. Once again he nodded, seemingly in enjoyable and even fastidious agree- ment, and then looked round about him almost stealthily. The coast was clear, he concluded. As far as he could judge there was no one whatever to be seen or heard anywhere near to him. He stood and listened for a moment. All was quiet. Mr. Streatfeild inserted the finger-tips of his left-hand into the corresponding pocket of his waistcoat and took out a key—in size, shape and general appear- ance an ordinary key of an ordinary door. This key he hung carefully upon the raised fingers of Polhymnia and in the same second glided away silently and retraced his steps upstairs. "The Golden Silence is the Silence which is the Fruit of Patience," he murmured to himself. Outside Peter Daventry's door he paused and listened—for dan- ger lurked for him inside. He could hear the voices of Peter himself, Henry Mordaunt, Inspector Bad- deley and Captain Lorrimer. There was also an- other voice in occasional action which for the moment he failed to recognize. But when he heard the Inspector address it in reply as "Roper" he realized and understood that it must belong to the man who seemed to be Baddeley's chief assistant. Mr. Streatfeild smiled in satisfaction. The con- ference from what he could gather seemed to him THE CRIME AT to be almost in its initial stages. The eyes of the listening Mr. Streatfeild gleamed with adventurous excitement as he decided there and then to take another chance. A matter of a few seconds more saw him inside Captain Lorrimer's bedroom, the door of which however he carefully left ajar. "I'm on more certain ground in here, at least," he said to himself upon entry. "Mrs. Mordaunt's bedroom may shed little light upon her murder—its actual relationship to it may very possibly be in- significant—but here was the sapphire—the Lor- rimer sapphire—from here it was taken—why on earth wasn't I more careful last night "His meditations ceased abruptly as he glanced quickly round the room. Facing the bed was the dressing- table. On the left of the dressing-table was a large basket-chair. The only other article of furniture of any size was the great carved wardrobe on the left of the entrance door, standing almost flush with the wall. An idea struck Mr. Russell Streat- feild as he stood there and as a result thereof he took another rapid glance at the land outside and then he tiptoed across the room to the wardrobe. He opened the doors as though about to venture upon an experiment but shook his head decisively and quickly shut them again. Walking round to the side of the big wardrobe he peered behind it. Then he tried to squeeze his body between the wardrobe and the wall. It was impossible. All the same, he considered, that wasn't to say necessarily that a feat impossible physically for him was impossible for everybody. He was a tall man and well-made THE CROSSWAYS 117 in addition to his height. A smaller man might find the attempt well within his power—much more so a slimmish girl or woman. He put his shoulder to the piece of furniture and with a steady heave shifted it slightly from its previous position. Was he mistaken or did the dullish line of almost in- visible dust that the wall behind bore as a result of the wardrobe's proximity show signs of a recent slight disturbance? He looked carefully at what he fancied he saw and even as he did so something at the back of the heavy wardrobe caught his eye. On a small projecting splinter of dark wood such as constantly adorns these articles of furniture there was caught a tiny wisp of flimsy something. Russell Streatfeild bent down with extreme care and with thumb and forefinger gently removed it. It was a minute piece of filmy biscuit-colored lace. He knew now what he had very much desired to know. Captain Lorrimer's bedroom ceased to interest him. He replaced the wardrobe and as he pulled the door of the room quietly behind him his thoughts turned to Inspector Baddeley. Should he inform the In- spector of what he had discovered behind the ward- robe? Or not? Perhaps it would be safer from his own point of view if he kept his own counsel. It might prove awkward if Baddeley got to know certain other things as he very well might if he were informed of this. Streatfeild pictured the unsuspecting Lorrimer watched from behind the wardrobe as he had put away his precious sapphire in its cunning hiding-place! Watched by whom? If he could answer that question it would solve n8 THE CRIME AT perhaps more problems than one. Mr. Streatfeild rubbed his cheek with his finger. He cast his mind back to the evening before the murder. His reflec- tions were sartorial. Could he remember the dresses of the various ladies? He had always prided himself upon the accuracy of the power of his visualization. Anne Ebbisham had worn a dainty frock of pale pink georgette with a deepish cascade at the waist line. Jane Mordaunt's frock had been a very attractive sleeveless pearl grey crepe-de-chine embroidered with linked circles of a light canary yellow. "Not bad for a mere man," said Russell Streatfeild to himself. "I don't know whether my descriptions would pass muster in a Society weekly but that's how they appeared to me at any rate. 'Twill serve my purpose at the moment." Who else of the ladies was there? Five more he counted. Mary Considine, Molly Mor- daunt, Christine Massingham, Mrs. Lorrimer and Olive Mordaunt herself. Even she could not be eliminated in this connection. Miss Considine had worn a frilly sort of skirt with rows of pleated tulle (he thought the stuff was) and Molly Mordaunt a sort of beige taffeta, with a pronounced "dip" at the back and !Lace to intensify the dip! Yes —that was undoubtedly so! He must remember that. Now for the others that remained. Mrs. Lorrimer had been attired as became her years, in black velvet, Christine Massingham with an eye no doubt to her dark hair and creamy skin had worn very pale green—realizing that pale neutral tints and clear cold colors heightened her very definite THE CROSSWAYS 119 allurement—while Mrs. Mordaunt herself had worn the frock in which she had been found dead. Streatfeild had seen it. It was entirely innocent of lace of any kind. Only Molly then could be defi- nitely placed in the lace category. And Molly was Lorrimer's fiancee! As far as he could see she, least of all, had occasion to covet possession of the Lor- rimer sapphire for it had been given to her. What reason could she have to steal it? He made his way from the bedroom stealthily, pondering over the situation as it now presented itself to him. On the whole it had changed somewhat, for his clan- destine investigations had yielded a good deal. He had seen what he wanted to see in Olive Mordaunt's, bedroom—he had discovered something highly im- portant in the bedroom from where the sapphire had been stolen, and best of all he had very cun- ningly disposed of that tell-tale keyl For he had felt very uncomfortable all the time that he had retained it in his possession. If Baddeley had dis- covered the fact—Mr. Streatfeild smiled grimly to himself. He had been exceedingly foolish he told himself to have retained it for so long as he had— and shook his head gently. As he did so he nearly collided with the gentleman whom he had just been considering. Evidently the conference in Peter Daventry's bedroom had terminated, for the In- spector was walking fast, obviously bound at once for another destination. 120 THE CRIME AT CHAPTER XII ❖ "Christine, my very beautiful one—sharer of my chintz-curtained bedroom and fellow-artiste," murmured Anne Ebbisham following upon her in- terview with Adrian Challoner that has been de- scribed, "I am tempted to doff my bonnet." She patted her hair. "Doff your bonnet? " queried Miss Massingham with uplifted eyebrows. "Explain, darling, do." "In recognition of true and undoubted worth, my sweet!' You're a better man than I am—" Creep- ing Jinn." '" Miss Ebbisham quoted her atrocious parody with delicious nonchalance. But for all that —and despite her consummate ease—a discerning observer would have detected something other than nonchalance in her tone. Anne's puzzle was not yet solved satisfactorily. "What do you mean, Anne, really and truly?" Christine knitted her brows and her eyes were full of her question.' "I mean just this, my pet of the harem. You heard what Cyril Lorrimer said last night at dinner, didn't you? You heard of his precautions for keep- ing his sapphire—and you heard me make my bet that Jane the Serpentine would be an also ran if she entered for that particular handicap. I thought THE CROSSWAYS 121 I was on a good thing, Christine; for frankly I was very sceptical indeed of 'Jenny' pulling the deal off in a house like this and under those conditions. Yet it appears that she has done it! Therefore I elevate my toque. Comprends-tu?" Christine's answer was not what Miss Ebbisham had expected. "Anne," she said quietly, but very directly, "you're 'rattled.' I've never seen you quite like this. 'Creeping Jenny's' getting on your nerves, my girl! You're worried over it." Anne Ebbisham knocked the ash from the end of her cigarette and extended the hand that held it. The gesture was almost regal. "Look at that hand, my child. And mark it well. Does it shake or is it tremulous? No? Where then are those nerves of which our Christine speaks? I am still Anne, one hundred per cent." She was coolness personified. But Christine Mas- singham refused to be shaken off by her attitude. She reiterated her statement. "I don't care about that. I'm positive I'm right and I'm positive some- thing's worrying you. I've noticed it for hours now. You may be able to bluff old Baddeley, Anne, but you certainly won't bluff Christine." Miss Ebbisham's eyes flashed as she shot a glance at her companion. "Over-confident, aren't you, O Beauty of the Chorus? To call you a super-optimist would be hopelessly inadequate. The bright young friend of mine who makes it his practice to find ' the first three ' in a big race with a fork, having gradu- ated from the first stage of winner-finding with the 122 THE CRIME AT common household pin, pales into insignificance beside you, my world-beater." Miss Ebbisham dropped her banter suddenly and found a new seriousness. "Apropos of what you're saying though, Christine, has it occurred to you that mur- der's been done here while we slept; that our hostess of all people has come to a most horrible death? It isn't exactly a stupefying surprise therefore that I should be a bit jumpy, is it? I'm not used to hav- ing my friends stabbed or thrown down wells." Christine opened her lips as though about to re- ply, but then changed her mind and closed them again. Anne noticed the hesitation and according to her habit came at once to the challenging point. Miss Ebbisham usually saw her objective and went straight to it regardless of ordinary obstacles. "Well, what were you going to say, Christine?" Miss Massingham ran her forefinger along the lace square that did duty as her handkerchief. Then she shook her head dubiously. "I don't think I'll say it, Anne. After all I'm only judging by" Miss Ebbisham's interruption was very definite. "You certainly will say it, Christine, whatever it was! You aren't going to arouse my curiosity like that and then coldly ring off. Not in these cami- bockers! What was it, my angel?" Christine Massingham looked straight in her com- panion's eyes. But she could read nothing in them to cause her to alter the opinion that she had formed. "As you please, then, Anne. Have it your own way. It may as well come out now as later. What I was about to say was this. It isn't THE CROSSWAYS 12j Mrs. Mordaunt's murder that has made you 'nervy,' it's something else." "Really, Christilinda! Aren't you perfectly mar- vellous?" Miss Ebbisham's sang froid was by now a little too overwhelming to be sincere. She helped herself to another cigarette, but this time the hand that took it wavered a trifle. "And upon what particularly dazzling exercise of the science of de- duction do you base that statement?" "Don't be sarcastic, Anne," replied Christine. "It doesn't suit you. Remember you asked for my statement and you got it. So don't be unsporting about it. And it wasn't anything brilliant on my part either—come to that. For you were 'nervy' and 'rattled' first thing this morning; some time before you knew about Mrs. Mordaunt's murder. I noticed it when you were dressing. Well, how now—my child?" Anne grimaced to hide her discomfiture. The twin devils of mischief danced in her eyes, for she never knew defeat till the whistle. She made a last attempt to defend the position that she had taken up. "Oh," she declared lightly, "so it's Christine of the Ever-Open Optics, is it? And such beautiful ones at that. What a gorgeous stroke of luck for all the boys in the world. How I wish the fairies would change my sex for me. But how does our Christine of the Secret Service know when I first heard of Mrs. Mordaunt's murder? I await her statement thereon." Christine kept steadfastly to her course. "I pre- 124 THE CRIME AT sume that you heard of it at the same time that we all did. When Francis brought in the news! You were with me then; we were standing together in the morning-room. How is it possible for you to have known of it before? To have done so could only mean one thing, that you" Anne Ebbisham laughed. "Of course, of course. I'd forgotten that. I'll be good and confess nicely. I can see now it's the only thing for me to do. It wasn't the murder of Mrs. Mordaunt that put me on edge. It's something else. I say ' it is ' because I'm still like it." She lowered her voice consider- ably as she approached the kernel of her confession. "Have you noticed, Christine, that this 'Creeping Jenny' person—whoever she or he is—seems to be following us about? Or me to be more exact and truthful." Christine nodded gravely but with evident com- posure. "I have noticed it lately, Anne, I admit. But I can't remember all the early cases in which 'Creeping Jenny'" "Listen, cherub," cut in Anne using her finger- tips in emphasis, "I was at old Grantham's when 'Creeping Jenny' bumped off his diamond tie-pin, and I was at Flora Medlicott's when the pearl neck- lace vanished. Played two—won two! Don't you remember I wrote to you about each of the cases?" "Perfectly, Anne, and I've thought of it many times since. I was resting at the time those two happened. What came after them? Can you re- member?" Miss Ebbisham wrinkled her dainty forehead, THE CROSSWAYS 125 before proceeding to her next finger. "Then came the affair at the Midwinters' when the diamond pendant was stolen; then the Topham-Garnett rob- bery—earrings, wasn't it; and after that the busi- ness at Cranwick Towers last week. Now I'm in the thick of it again." "So am I," said Christine, "come to that! I've been with you on the last four occasions, remember! So that I can claim almost equally with you to have been" "Don't be feeble, Christine," returned Miss Ebbisham aggressively. "Pull yourself together. I'm on the bill every time. Jolly old Roast Beef and Yorkshire! The gladsome Baddeley can go right through the card with me; 'never absent, never late.' It's like taking money from a blind man. That's what's been whanging the grey matter about this morning, if you must know. You can't get away from it; I must be Balm in Gilead to a really bright detective—money for chocolate—a sit- ting pheasant—a miner's dream of home—a" Suddenly her tone changed as though a new idea had taken hold of her. "Christilinda, my Queen of the Eastern Sea, has anything struck you about what I have just been saying?" "Don't know that it has, Anne. What's the idea now?" "I can see a ray of hope. The blue sky is peep- ing through. I've just thought of something very strange, my chee-ild, and also very peculiar." "Let's hear it, then." "Well, it's just occurred to me that I am not the 126 THE CRIME AT only pebble on the foreshore! I am not the only soap-sud down the sink. I am not" "My dear Anne," expostulated Miss Massing- ham, "don't be so frightfully cryptic. Explain yourself—do." "That's exactly what I am doing, my sweet. Can't you see what I'm getting at? I am not the only Chili in the jar of Piccalilli—there are three others who have been present on every occasion when the ubiquitous ' Jenny ' has crept abroad. The honors are divided. Dost realize that, my Pride of the Circus?" Christine frowned. "Three others?" she ques- tioned. "Three! The Mordaunt Trinity—Francis, Molly and Jane. Yet not one Mordaunt, but three Mordaunts! I'd forgotten all about them! So after all I may only be Baddeley's alternative selec- tion—' if absent—Anne Ebbisham' just an each- way proposition—he may only have a 'to place' bet on me." She rocked herself to and fro. "That's a comfort- ing thought, Christine, that is. A very comforting thought, my pet. I feel a wee bit better and brighter. Things may not be so bad as I was im- agining they might be." "Anne," assented Miss Massingham with a dis- tinct touch of severity, "you're talking a lot of 'punk.' You're just babbling. Think—think— think! There were mud-stains in Lady Craddock's room. Don't you remember what the detective said —the rugs showed them unmistakably—and besides THE CROSSWAYS 127 the glass of the bedroom window had been broken. Those burglaries were all done by a professional thief working on the outside. I'll bet that with my trifling knowledge of the cases. When the truth comes eventually to be discovered—if, of course, it ever is—you'll find that ' Creeping Jenny' is a well- known cat-burglar or something working these 'coups' under another name. And no doubt it's all a matter of putting the police off the scent. You see if I'm not right. I don't know much about this sort of thing, but I'm confident I'm correct here." Christine grew quite heated in the development of her suggestion. "Perhaps, Lovely; perhaps not. I wouldn't bet on it myself, confident though you say you are, Christine. Now I'm going to surprise you again. Do you know what I've been thinking?" "Oh Lord—you're a perfect devil for holding things, MacEbbisham. Tell me straight out and have done with it." "This," replied Anne very deliberately. "' Jenny' might conceivably be substitute for 'Jane '—don't you think? Nothing wildly improb- able in the idea, is there? Ever thought of it your- self?" Christine whistled and the action gave her lips an adorable archness. "Hop away, Anne—hop away! Jane Mordaunt? I can't stand for that—it's incred- ible. Hand me out something better—do!" "Idiot," retorted Miss Ebbisham. "I didn't actually accuse Jane Mordaunt, did I? Don't put words into my mouth" 128 THE CRIME AT "There's never any need to, Anne darling," put in Christine sweetly, "you're never tongue-tied, are you? But that's what I read into your remark. What else did you mean if you didn't mean that?" "Nothing," came Miss Ebbisham's short reply— "all I meant was that ' Jenny ' was short for Jane." "Really?" returned Christine. "You surprise me—is that so—really short?" Miss Ebbisham's cushion was well and truly thrown. "Well 'long' then, you tantalizing fat- head." THE CROSSWAYS 120. CHAPTER XIII * Inspector Baddeley looked carefully at the dead woman's bag as Roper held it out to him, and thought over what had just been said. "I think I can see what you mean, Roper," he remarked at length. The bag was cream color in moire with a gilt catch on each side to open. Roper pointed to the two catches. "Those stains are undoubtedly blood stains, sir," he announced. "I've seen Doctor Elliott and shown them to him, and he says there's no possible doubt about it. When the bag came from the bottom of the well it was dirty as you know and it was extremely difficult for anybody to say what the marks were. They might have been caused in several ways. But I cleaned it up a bit and scraped some of the dust off and then I could see that these stains here were different. It seems to me, sir," said Roper waxing unusually eloquent and warming to his subject, " that the point is that there are no others like 'em anywhere else on the bag. See what I mean, sir?" Baddeley looked at him searchingly. "Roper, you'll make a detective yet; you're a credit to your mother and the Force," he declared. "I think I see where you're driving. But go on. Let me hear some more. Let me see if I'm thinking the same way as you are." THE CROSSE AYS You're still in the goose stage after all. You ought to know well enough, Roper, that Mrs. Mordaunt's hands and fingers have no blood stains on them. That was one of the first things I looked for when we recovered her body from the well. I made sure that you noticed me." Baddeley cupped his chin in his hands and looked fixedly at the handbag again. Roper, shrugging his shoulders under the implied reproach but by no means discouraged thereby, came back to his orig- inal point and the opinion he had put forward with' regard to it. "That means then, sir, when it's all boiled down, that you're inclined to hold in with my theory?" "Oh yes—come to that, Roper, I am. Not that you've given me anything fresh to think about. As a matter of fact it fits in rather with an idea of my own; an idea that I had already formed about the manner of the lady's death. Have a look at these, will you, Roper?" The Inspector took from his pocket his note-book and from the leaves of his note-book the few pieces of charred paper that he had picked up on the grass near to the well. He held them out to his subordinate in the palm of his hand. "I picked these up close to the scene of the murder. How about the idea that there were pa- pers in this handbag that Mrs. Mordaunt carried? That these were documents affecting or possibly incriminating 'Creeping Jenny' and that she was murdered for possession of them and not for the 'dud' sapphire as was supposed? How does that strike you, Roper?" 132 THE CRIME AT Roper nodded. "Shouldn't be surprised if you're right, sir! It certainly would appear to fit the case and the circumstances." "If that's so, then, Roper," continued Baddeley, waxing enthusiastic as his theory began to assume more definite shape, " the question arises—did Mrs. Mordaunt keep an assignation with somebody? That is to say—purposely—deliberately. The odds are very much in favor—seeing the time, how she was dressed and assuming she carried what we sug- gest she did. Did she know the identity of ' Creep- ing Jenny'; did she suddenly find it out, perhaps; or did somebody else, by chance, discover who 'Creeping Jenny' "Baddeley came to an ab- rupt stop. Then, as the new idea took hold of his imagination, "By Jove, Roper," he almost whis- pered, "that's a very different idea—that is—still —all the same" "What is, sir? " inquired Roper with dutiful re- spect and becoming appreciation. The Inspector frowned and then shook his head. "Wait, Roper; wait. Perhaps I'll tell you in a day or two; that is if things go as I hope they will." "You're fairly optimistic then, sir? " questioned Roper again. "You're on to something?" Baddeley smiled enigmatically. "I wouldn't say that, Roper; I wouldn't go as far as to say that at this stage of the case. I've been at the game too long to build castles. But this talk that we've just had together has set me thinking and it's just on the cards that I may have been able to put two and two together." He rubbed the ridge of his jaw with his THE CROSSWAYS 133 fingers. "I'm not going to tell you everything I'm thinking, Roper, but there's no reason as far as I can see why I shouldn't tell you some things. For instance, here's a piece of information that's by way of being news to you. I called at this very house— 'The Crossways '—days before the murder. You didn't know that, did you? That's a surprise for you, my boy, isn't it?" Roper's eyes opened in plain incredulity. "You called" "Ay, Roper. I interviewed Mr. Mordaunt him- self. You weren't aware of that, were you?" "I don't understand even now, sir," contributed Roper sturdily. "I don't quite see what the idea is that you're trying to" Baddeley embarked on an explanation. "As you know, Roper, I was put on to the ' Creeping Jenny' business after the robbery occurred at Sir Gilbert Craddock's place—the people at Lewes hoofed me into it at his request—and certain facts which came to my notice over at Cranwick made me call here. Made me have a chat with Mr. Mordaunt. An interesting little chat it was too. Then, by Moses, there comes another 'Creeping Jenny' business in the very house where I've just called—followed by a murder! A damn funny coincidence, Roper; say what you like about it. Funny if my call fanned the flames, what?" Roper stared at the Inspector fixedly. The fasci- nation of the idea that Inspector Baddeley had pro- pounded to him was beginning to grow in his brain as well. He licked his lips and was surprised to find / 1 134 THE CRIME AT how dry they were. An ordinary constable has enormous advantages over a " plain-clothes " unless, of course, he's a member of the Local Band of Hope and at that precise moment the arid Roper remem- bered the fact. "You mean, sir," he commenced, but Baddeley's eagerness and interest in his theory prevented Roper completing the sentence. "I mean this, Roper "—Baddeley's hand came down heavily on the table in front of him in emphasis of his statement—" that the key to the 'Creeping Jenny ' business lies here in ' The Cross- ways' and this last affair has brought matters to a climax. I'd lay a guinea to a gooseberry that some- body else discovered the fact and that's why" "They murdered Mrs. Mordaunt?" Roper was unable to restrain himself. The words leaped to his lips. Baddeley eyed him steadily, and the look had a touch of queerness and even of reproach about it. "I didn't say so, Roper. I wasn't going to say so, even. Other things happened in this house on the fatal night besides the murder of Mrs. Mor- daunt. Remember her strange, almost unaccount- able apprehension about the safety of this Lorrimer sapphire? Why on earth should she be so anxious about ' Creeping Jenny ' unless she knew something, or, on the other hand, unless "He paused, reflecting on the various points of the case as he marshalled them in his mind. "But that's my se- cret, Roper—for the time being at any rate." Roper's disappointment at the Inspector's abrupt THE CROSSWAYS 135 termination was manifestly acute. But he made one more attempt to fathom Baddeley's opinion. "Tell me one thing, sir. What's your real idea? Is this 'Creeping Jenny' person a woman as she makes out to be—or a man? That's the point I can't make up my own mind over, sir, because one or two features of all the affairs in which she's been concerned don't seem to tally with what I might call my idea of 'femininity'—don't you agree, In- spector? After all a woman's a woman and when she" Baddeley shook his head. "I am not satisfied myself yet. But ' femininity,' as you call it, Roper, is a darned peculiar thing." The Inspector laughed reminiscently. "I knew a woman who was elected an Alderman on her local Council. She was so full of the triumph of her sex as she called it that she swore she'd eventually live to be Mayor of the Borough and nominate her old man as Mayoress —to teach him his place, so she said." "Did it come off? " queried Roper. "No," said Baddeley laconically. "It came un- stuck." "Why?" "The old man taught her something instead. She resigned her seat in less than six months." "What made her do that?" "Twins—although she didn't know there were two of 'em when she resigned." Roper chuckled at the Inspector's pleasantry. "All the same," went on Baddeley, "coming back to our little discussion, there's one gentleman 136 THE CRIME AT in 'The Crossways' ' giddy throng that puzzles me con-siderably." He drummed with his fingers on the table. "I can't quite get him or his business and inquiries in his direction don't help me. Quite the reverse, in fact—they tend rather to increase my suspicions." "Who is the man?" "Mr. Russell Streatfeild," returned Inspector Baddeley quietly. Roper nodded slowly. "I'm listening, sir." "Yes, Roper, Mr. Russell Streatfeild causes me a certain amount of wonderment and—I may as well admit it—uneasiness. In the first place—what is he, Roper?" "I understood, sir, that he was a solicitor—an old friend of the Guv'nor—Mr. Mordaunt." "That is the story that is told me, Roper. But here's rather a curious fact. Bennett, the gardener, who expanded wonderfully under the influence of a little flattery regarding his horticultural efficiency, has been in the Mordaunts' service for just on eleven years, so he tells me. But although Streat- feild is represented by Mr. Mordaunt as an old friend—Bennett tells me that he has never seen him before! Funny, don't you think, Roper, that this old crony—you've seen how thick they are—Mor- daunt and Streatfeild are always together—has never stayed at' The Crossways ' before? What do you think yourself?" Baddeley rubbed his hands and continued. "Now a second point—take the solicitor part of the question. Russell Streatfeild is certainly not old Mordaunt's own solicitor, that is THE CROSSWAYS 137 to say in the sense of transacting his legal business. I've made it my business to establish that fact and also to find out incidentally who is. I put an inquiry or two—round Cranwick and district—discreet in- quiries of course, Roper—and I have discovered that Henry Mordaunt's solicitor is Reuben Older- shaw of Lewes. You know the man I mean—his place is at the ^nd of the High Street. Oldershaw has been solicitor to the Mordaunt family for two generations. Mrs. Raikes, one of the ladies staying here, happens to have been a Miss Oldershaw; she's the sister of this Reuben Oldershaw." Roper nodded again. "I'm beginning to see things a bit clearer. It's all of a piece." "It is, Roper—and I haven't finished yet. There's a third point about Russell Streatfeild still to come. According to Mr. Mordaunt, Streatfeild is a partner in a firm called 'Hyde, Streatfeild and Digby.' I'm certain that they were the names I had given to me. But when I casually inquired where their place of business was, Mordaunt told me 'London '—just that—vaguely—no more. Quite a small place, I believe—London. But I didn't press him for any more information at the time. I de- cided to wait a bit longer and go into the matter again myself. Well, Roper my boy, I've already done a bit of nosing round and I can tell you this. There's no such firm as 'Hyde, Streatfeild and Digby' to be found in any London directory. Therefore, friend Roper, I find myself saying— 'what's this gentleman's game?' Also incidentally —what is Mordaunt's game?" 138 THE CRIME AT Not without reason," concurred Roper. "It's certainly a thing that wants a bit of looking into; sifting, so to speak. You can't do too much sifting in cases of this kind. The bloke that I was under up in the North was a fair devil for it. He'd go so far as" "That's what I'm going to do; also have a look round the history of the first Mrs. Mordaunt and then the antecedents of the second Mrs. Mordaunt; the one that's been killed. I can't get it out of my head that there's a lot about her that wants explain- ing." Baddeley walked to the door and opened it to find Mitchell the butler on the point of knocking. "I beg your pardon, Inspector, but Mr. Mor- daunt would like to see you in the library at once. He sent me to tell you so, Inspector." Baddeley frowned as he considered the message. "Is he alone?" "No, Inspector. Mr. Streatfeild, Mr. Francis and Captain Lorrimer are with him." "Any idea what he wants me for?" "No, Inspector." "Very well. Take me to your master, will you?" When the Inspector entered the library, Mor- daunt was seated with Russell Streatfeild and Cap- tain Lorrimer on either side of him. Francis Mor- daunt was standing. Mordaunt's greeting to Bad- deley was ready and rapid. "Something very strange has come to light, In- spector. My son here has just discovered it. Come this way, will you, Baddeley?" Mordaunt beckoned him out of the room, the 140 THE CRIME At CHAPTER XIV « Recovery soon came to him. "Where the hell did that come from?" he demanded pointing to the key. "I wish I could tell you, Baddeley. My own curiosity would like that question answered as much as yours. But what do you make of it?" Baddeley ignored Mordaunt's question and took the key from the fingers of the statuette. "Who did you say called your attention to it—your son?" "Yes, Inspector, my son. Would you care to ask him any questions about it? He's here to an- swer them should you consider it necessary. I told him to come along with us." The Inspector examined the key with great care. "I suppose you are quite aware what this key is, Mr. Mordaunt?" he asked. The man addressed eyed his questioner steadily. "I think I know what you mean, Inspector, but I haven't actually tested it yet. But I take it that this key is the key of my wife's bedroom-door. Per- sonally I haven't the shadow of a doubt about it." "Exactly what I think myself, Mr. Mordaunt. And to find it on the fingers of this stone image fairly beats the band. There's somebody in this house here trying to pull the wool over my eyes. Somebody who thinks he's damned smart." He THE CROSSE AYS 141 turned to Francis Mordaunt. "Do I understand that you discovered this business, sir?" Francis nodded rather negligently. "That is so, Inspector. I imagined that my father had made that clear to you. I must say that / understood what he said." "H'm! When did you first discover the key?" Francis Mordaunt consulted his wrist watch with an exaggerated assiduity. "Approximately a matter of half-an-hour ago, Inspector. A little less, if anything." "Did you happen to be walking upstairs at the time or coming down?" The young man looked at Baddeley curiously. "I was going upstairs, Inspector Baddeley, and my birthday's on the seventeenth of October. My fa- vorite flower's the gardenia." "Thank you for the information, Mr. Mordaunt, and there's no call for a gibe on your part, either. I had a reason for my question—though perhaps your intelligence didn't realize the fact." A spot of color burned in each of Baddeley's cheeks while Francis Mordaunt whitened under his usual tan. The latter seemed to be on the point of replying but his father, seeking to pour oil on troubled waters, summarily checked him with raised hand. "Confine yourself to answering the Inspector's questions as they are put to you, Francis, please! We have many more things to do than to indulge in recriminations or criticism of one another." Francis plunged his hands into the pockets of his 142 THE CRIME AT trousers and stuck out a determined jaw. But he said nothing. Baddeley returned to the attack. "I'm perfectly certain that earlier in the morning this key was not where you recently found it. For the very good reason that if it had been I should have seen it myself. I used this staircase on several occasions this morning and I'll go bail this heathen lady— Polly Hymn-Book or whatever her name is—wasn't playing St. Peter then. So therefore that key's been placed there since this morning and the person that put it there is very likely still in the house and in all probability Mrs. Mordaunt's murderer." He looked at the group of men to whom he ventured the statement with an odd touch of defiance. "If any one of you gentlemen that's with me now is able to help me in any way—if only by the merest trifle— may I ask you to do so in any circumstances? Any reticence and withholding of vital knowledge will mean me working under a very heavy handicap. I appeal to you, one and all." His eyes rested on Russell Streatfeild as he spoke and he saw at the same time that Captain Lorrimer had noticed it and was watching Streatfeild as intently as he was. But » Streatfeild, seemingly unconscious of the two scru- tinies, gave no sign and the Mordaunts also main- tained silence. Baddeley made a last attempt. "I'm quite aware, gentlemen, that it's unlikely that anybody among us here knows anything about this key business. At the same time it's very evident that there's somebody in the house that does, and it's possible that one of you may suspect that some- THE CROSSWAYS 143 body. I know quite well you gentlemen's ideas of what you call ' playing the game.' You're all a bit tight-lipped when it comes to a question of what you consider is 'telling tales.' I took the Boys' Own Paper for years when I was a boy and revelled in Talbot Baines Reed, so I think I can honestly say that I know what I'm talking about and I under- stand how you feel. Granted all that, however— there's another side to the question if you'll allow me to say so." Mordaunt answered him immediately. "Rest assured, Inspector, that each one of us here is only too anxious to help you all he knows how. I can assure you, too, that Captain Lorrimer intends to leave no stone unturned to recover his jewel and I will avenge the murder of my wife if it takes me years to do it. So rely on each one of us, Baddeley." "Very good, sir. I'll work on that understand- ing." Baddeley turned away from Mordaunt. "Oh, while I think of it, sir, could you give me your address in town, sir? I fancy Mr. Mordaunt did give it to me a day or two ago but I've been careless and mislaid it?" Baddeley made a pretence of searching through his pockets. His request was ad- dressed to Russell Streatfeild. "In town?" queried the solicitor casually. "Yes, sir. The address of the firm of which you're a partner, what we'll term your professional address. Did Mr. Mordaunt tell me it was in Ely Place or was it?" Streatfeild interrupted him. "I'm afraid you're 144 THE CRIME AT running past yourself a bit, Baddeley. I have noth- ing whatever to do with Ely Place. Mr. Mordaunt could never have told you that. Hyde, Streatfeild and Digby went out of business some years ago. For excellent reasons, too. Both Hyde—er, and—er— Digby are dead. I am the sole survivor." "Sorry to hear that, sir, but I seem to have some recollection of a solicitor named Digby dying now you mention the fact—about four years ago—wasn't it? Would that be about the time or am I a triBe" "You haven't any recollection of it at all, In- spector Baddeley. I am quite certain on the point. You are entirely under a misapprehension. Mr. Digby's death was unreported and aroused no com- ment worth mentioning." Baddeley bit his lip at his discomfiture. There was a note in Streatfeild's voice that seemed to hold a hint of warning. What the devil was this man playing at; what was his little game? The Inspector decided for the moment to steer a middle course; danger always seemed to lie near extremes. He therefore retreated a little. "Suppose my memory must be playing me false then, sir, and I'm mistaken. How long ago was it?" "What, Mr. Digby's death?" "Yes." "I really couldn't give you the exact year, In- spector. Is it dreadfully important?" Baddeley laughed but there was a strong sugges- tion of effort about the performance. "Not a bit, THE CROSSWAYS 145 sir. At my game I suppose questioning other people becomes a sort of second nature and we lose our- selves sometimes. Did Digby die before Hyde?" "They died together, Inspector. In one an- other's arms, which was the end that each of them would have chosen had he been asked. Quite touch- ing, I assure you, Baddeley. They were kicked to death by wild butterflies." He turned on his heel and left the speechless Bad- deley almost purple with volcanic indignation. The other saw the back of Streatfeild's shoulders mov- ing convulsively. ****** Coincidentally with the seeds of wonderment be- ing sown in Inspector Baddeley's mind concerning the puzzling behavior of Mr. Russell Streatfeild, the man with two dead partners, Peter Daventry was deciding upon taking a certain step. He had been considering this particular action for some little time and at last he had determined to take the bull by the horns and move in the matter. Tak- ing fountain pen and a sheet of note-paper he ven- tured upon the writing of a letter. For a period he wrote easily and smoothly but after a time the task would have appeared to a careful observer to have become a matter of much greater difficulty. Even- tually, however, he completed his letter to his satis- faction and read it through carefully. This took an appreciable time for the letter was a lengthy one. Had the same careful observer before-mentioned been present and looking over Peter Daventry's 146 THE CRIME AT shoulder at the completed effort this is what he would have read in Peter's small but distinctive handwriting. "' The Crossways,' "Near Cranwick, "Sussex. "October nth. "My dear Bathurst, "Salaam, Sahib and many of 'em! If this letter is in the nature of a surprising incident to you cast your weather-eye upon the address. When you have digested the valuable information therein con- tained—say unto yourself 'whose image and super- scription is this?' For I, Peter, of the ilk Daventry, erstwhile companion of your noble self in much dirty work at the cross-roads and other unsavory resorts, am once again involved in a sinister piece of business. You have doubtless had full Press in- formation re ' The Crime at " The Crossways " '— the looting of the Lorrimer sapphire and the mur- der of the poor lady who was my hostess. I know what a glutton you are for the columns that crawl with crime. But it has penetrated to my dull brain that if I provide you with the data right from the gee-gee's mouth as it were, (from the 'os' of the 'oss—not bad that) you will help me more than anybody—knowing you as I do—' O my Hornby and my Barlow—long ago'! Therefore, open thine ears to hear the law, O my Bathurst, and in- cline them to the voice of little Peter. For in choirs and places where they can't sing here followeth the anthem. I blew down here last week—for the week- end! Joy! But short-lived!' It melted like a cloud THE CROSSWAYS 147 on the silent summer Heaven.' Personnel—varied —but distinctly select. I got my invitation, of course, through being an old friend of the Mor- daunt family—the Guv'nor and Henry Mordaunt were very thick for years, used to divide doughnuts in the Tuck when they were boys and when the oc- casion of Molly Mordaunt's 'twenty-first' rolled along they honored yours truly with the alluring old R. S. V. P. Now for the names of the gallant band that sat down to dinner on the night when the trou- ble began to warm up. Men first. Adrian Chal- loner—the Adrian Challoner—no need to describe him (remember his 'Aubrey Tanqueray' that we saw together?); a man named Raikes—his son Jack Raikes—dippy on Jane Mordaunt, and who had been at Winchester with Francis Mordaunt. He'll talk for hours if you'll let him on Rockley Wilson and how there never was his like—or ever will be. But not to me! I choked him off after a bit and thought of you. Uppingham for ever! Captain Cyril Lorrimer, M. P.—Molly's fiance—seems a very decent sort although perhaps inclined to put on a bit of roll—properly taken the count though over what's been happening down here these last few days; Russell Streatfeild, a tall, grey-haired, clean- shaven solicitor, friend of old Mordaunt's—they follow one another about—he and H. M.—like the lamb and Mary, proper Damon and Pythias sort of business—and lastly the two male Mordaunts— Henry, the famous, and Francis his only son. The women are mixed—as usually happens at this sort of crush—but taking everything into consideration, distinctly above the average in qualities of attrac- tion. We have the two daughters of the house who 148 THE CRIME AT floated about (prior to the murder of course) with their twain swains, Lorrimer and Raikes, Mary Con- sidine (a peach of a girl this)—any relation to your Considines by the way, of Considine Manor—I in- tended to ask her as a matter of fact, but the idea skidded somewhere; a Miss Anne Ebbisham who strikes P. D. (that's me) as being extremely ef- ficient and equally charming (unusual combina- tion) ; Christine Massingham, the actress, played in 'Purple Depths '—remember—and a winner all over from a looks' standpoint; Mrs. Lorrimer— Lorrimer's mother, and Mrs. Raikes, mother of the 'Manners Makyth Man' merchant who reveres Rockley. I think that little catalogue covers the whole menagerie. Now for doings up to the fall of the last wicket. Bowlers' names and full analy- sis. Everything went swimmingly till Papa Mor- daunt poked the breeze up us at dinner. 'Creeping Jenny' entered the arena via the Post! Quite openly, she advertised herself as 'positively appear- ing' at 'The Crossways' that night; her objective being Lorrimer's sapphire which seems to have been pinched by the way by a strange coincidence many moons since from the jolly old Mordaunt clan. '" Convey" the wise it call.' Well, Lorrimer turned pasty-white—real floured Albino—when he heard the news and swore that Jenny would toil all night and catch nothing—or words to that effect. You know the old stunt—' what I have I hold, by Gad—and my dripping sword for the scurvy knave that comes a-pilfering'! Well, anyhow, old Chal- loner rose to the spirit of the occasion and offered to bet that the ' Jenny' girl pulled it off—a hundred Jimmy O'Goblins I fancy was his offer. To my THE CROSSWAYS 149 utter surprise the Ebbisham girl snapped it like a shot; licked it up like a Tortoise-shell Tom well away with his daily dose of Alderney cream. 'Done,' she gurgles, ' and I'll have the money in the morning.' Most of us opened our eyes, I can tell you—the Ebbisham girl seemed so sure of her ground. Why? That's the point that's got me guessing. It had when she made the bet and it still has. Who had been telling tales to little Anne? A hundred of the best—mind you—not a box of choc- olates with hard centers. Well, we all slid off to Uncle Ned and personally I slept like the proverbial old peg, whip or humming, whichever you like to put your shirt on. But the news quickly buzzed round in the morning that something was vitally wrong; that Mrs. Mordaunt's bed hadn't been slept in and that Mrs. Mordaunt herself was missing. You've doubtless read how she was found—in the old well down at the end of 'The Crossways' grounds—stabbed through the heart. Wearing her evening cloak and with her 'pochette' affair found lying near her. "Now for some additional startling details that have reached me down here but which aren't re- ported in the Press as far as I have been able to see. (a) Lorrimer had two sapphires—one a 'dud.' Mrs. Mordaunt had some strange premonition or something the night before she was murdered that the gallant would lose his ring if he didn't keep his eyes skinned and 'watch out.' She begged him to let her mind the family keepsake during the night. Lorrimer compromised on her suggestion by giving her the imitation. This imitation has been found down the well by Baddeley and close, I believe, to 150 THE CRIME AT Mrs. Mordaunt's dead body. So much for the sap- phire! (b) Adrian Challoner has had a dagger stolen from the dressing-table in his bedroom. Just such a weapon as indicated by the wounds on the dead lady. So Francis Mordaunt tells me. More- over there is no sign of this dagger anywhere about. At least so report has it. (c) What has happened to the 'pukka' Lorrimer sapphire? This question is influenced by the fact that it has been stolen from a very cunning hiding-place in Captain Lorrimer's bedroom. One devised by Lorrimer himself! It was concealed in a stick of shaving-soap but the thief apparently knew this little bit of news and profited thereby—no doubt it was child's play for 'Creeping Jenny.' Or perhaps there are two of 'em and they hunt in 'Pears.' (Damned good that.) Anyhow—she left her usual card and joyous greeting—but that's by the way. The whole thing's got me whacked to a frazzle—although I've been trying to use your methods in order to freeze on to something. Not a hope! Not an earthly! I haven't the foggiest! Can you suggest anything? As a matter of fact Lorrimer's rather keen on you butting into the case but Papa Mordaunt isn't hav- ing any and properly choked him off when he coughed up the idea. Of course it was mine in the first place as you may guess. Still, as I said, Papa M. won't hear of the idea so there's an end of it. It was like a carmine cloth to an Andalusian. If you can possibly spare the time, drop me a comforting line and if it's not asking too much of you, let me know what you think about the whole bag of tricks. If you can suggest any line of action that I can conveniently take up, with reasonable hope of sue- THE CROSSWAYS cess, don't hesitate, old man. In the meantime bags of apologies for having troubled you. Au 'voir, old son! "Chin Chin and likewise Tinketty-Tonk, "Peter Daventry. "P. S. The Ebbisham girl's eyes are wonderful. They make me all 'swimmy.' So are Christine Massingham's if you catch 'em in the right light. I'm going to try this evening." ****** Having dropped the epistle in an out-of-the-way pillar box (Peter had resolved to take no risks in the matter but to post it himself) he started to cross the broad expanse of heath and common that lay between him and "The Crossways." He had over three miles to cover as he had purposely come some distance for his postal tryst. For a matter of twenty minutes or so he had swung along jauntily thinking over his letter to Anthony Bathurst and the sinister events of the last few days. It was quite on the cards, he reflected, that Bathurst would see a glimmer of light shining through the haze of the puzzle as he had presented it to him and be able to put him on the road to a solution. It was amaz- ing how old Bathurst could pick out the right strand from the tangled ends of problems like this one and although on this occasion his attack would be as it were from a distance, Peter hoped secretly that his precis of the case would be sufficiently illuminating to counteract this condition and achieve results by correspondence. He was so engrossed in this traffic 152 THE CRIME AT of thought that he was hardly conscious of the ap- proach across the coarse, tussocky grass of the man who accosted him. "Pardon me," said the stranger, raising a broad-, brimmed hat, "but would you be good enough to tell me if I am going in the right direction for ' The Crossways'? I've come over from Cranwick and I seem to have gone amiss somewhere. I'm not sure that I haven't taken the wrong turning somehow or the other." Peter looked at him curiously. The man was a gentleman—that is to say in the usually accepted sense of that much-abused word. His speech was cultured and his clothes, although old, " right." He was fair with a fresh complexion and "tooth- brush" moustache. Peter put him down as some- where in the early twenties, a year or so junior to himself. "Certainly," he replied. "But you need not worry. You can make ' The Crossways ' quite easily this way. When you get to the edge of the heath cut across the road that you'll find directly in front of you and then cross the stile and turn sharply to your left. Carry straight on from there, past the church and then on beyond an old cow-byre and you can't miss it." "Thank you," said the young man. "Thanks awfully. Sorry to have" Then Peter said something which, immediately it had been spoken, he regretted and also the impulse that had prompted it. "As a matter of fact," he said carelessly, "I THE CROSSWAYS 153 happen to be going to 'The Crossways' myself. I'm staying there as it happens. If you care to accompany me—delighted." At once he could have sworn that the young man was taken aback and that a strange look of something very much like annoyance flitted across his face. Simultaneously Peter Daventry began to wonder—that look—that expression—where the devil But his period of wonderment was very brief. It was summarily checked by the stranger. "I—I— I'm afraid I've misled you. I suppose I must have spoken as though my personal destination was 'The Crossways.' I'm sorry, although it was quite unintentional on my part. I'm not really going there, you see. I simply wanted to have a squint at the place as I passed through. I'm on a sort of walking tour, I suppose you'd call it—and hear- ing such a lot and reading so much about 'The Crossways' these last few days set my curiosity going. I thought I'd like to Put it down to morbid inquisitiveness," he broke off rather lamely and evidently waiting for Peter to say some- thing. Without appearing to do so Peter looked him over. Save for the ground ash that he carried in his right hand he had nothing at all with him. Of impedimenta he was beautifully free. Travelling light for a walking-tour, concluded Peter Daventry. He had known two fellows up at Oxford with him who had once tramped best part of the way across England with a safety-razor, shaving brush, two 154 THE CRIME AT tooth-brushes and one suit of silk pajamas between them. They had joyously explained afterwards to an admiring and interested circle, that had hung upon their words, that one had worn the jacket and the other the trousers when bed had been really essential. Peter Daventry, who had been one of the above-mentioned circle of auditors to which reference has been made, had formed the opinion that these occasions of dormancy must have been extremely rare—the beer had been too good for any time or opportunities to be wasted. But this chap had no signs of "personal props " of any kindl "That's quite all right," declared Mr. Daventry. "I understand perfectly and it doesn't matter in the least. But you can come along with me just the same as I suggested. When we get there I'll" "You're very kind but I couldn't think of it and if you'll excuse me I'll push on at once. I've got to be in Pyfold by this evening, and I've none too much time now." Turning on his heel he waved a valedictory hand and walked rapidly ahead; leav- ing a rather irritated Mr. Daventry behind him. Peter followed his figure with a look of sorely- puzzled interest, for the last glance he had had of the man as he turned had only served to strengthen his curiosity and intensify his previous feeling of wonderment. "Now where the devil "—he said to himself as he stared after the stranger—" have I seen your face before?" THE CROSSWAYS 155 CHAPTER XV ❖ The next twenty-four hours yielded nothing to Inspector Baddeley—nothing that is to say that he considered of any importance. It is true that the key that had been discovered on the fingers of the Muse of Eloquence fitted the lock of Mrs. Mor- daunt's bedroom door but he had felt certain of that before he tried it. Just as he was beginning to get a trifle despondent, for several lines of inquiry that he had followed up had proved barren and profit- less, something unexpected turned up. And as is very often the case in affairs of the kind that he was investigating, it came from near at hand quite spontaneously and not as the result of any direct piece of investigation on his own. part. On the Thursday morning following upon the murder he had called at "The Crossways" with reference to the inquest on the body of Mrs. Mordaunt which had been fixed to take place on the following day. Henry Mordaunt received him in his study and from his manner it was quickly apparent to the Inspector that Mordaunt had news for him. The K.C. came to the point almost immediately. "Some- thing's turned up, Baddeley, and from a most un- expected quarter too. I heard of it last night first of all but as I knew you intended coming along this morning I thought it would keep till you came. i56 THE CRIME AT Very likely there's nothing in it, so many of the stories that are brought to one's notice peter out into nothing directly they're looked into, that I've grown chary of accepting anything at its face value. But you never know; the unlooked for is always happening, and you'd better hear this yarn for yourself. I think you'll be able to assess it better if you do than if I give it to you second-hand." He touched the bell on his desk for Mitchell to appear. The butler looked even more pale and cadaverous than usual. "Tell Bennett to make himself present- able—if it's necessary, that is—and bring him in here to me, Mitchell." "Yes, sir." Mitchell bowed stiffly and withdrew. "Bennett's my gardener," added Mordaunt to Baddeley, by way of an explanation that was un- necessary. "He was with my son and me when we found my wife's body. A story has been brought to him which he felt forced to bring in turn to me. You shall hear it yourself when he comes." "Reliable man?" queried the Inspector. "Absolutely, as far as I know. I've no com- plaints against him, if that's what you mean; always found him efficient and trustworthy." "Been with you a long time, hasn't he?" "Several years. Recommended strongly by Sir John Harrison, the banker over at Pyfold. As I said, he's suited me." "H'm," muttered Baddeley, "all right as far as it gaps." Mordaunt came to what was almost an expostu- THE CROSSWAYS 157 lation in defence of his servant. "Bennett's a man far above the average and right away from the ordinary gardener. He's more of an all-round man than most of them. For instance I'll give you an example of what I mean. I run my gardens as far as practicable upon what I try to make business lines. It interests me to work that way. Especially the kitchen garden. Bennett prepares a statement in the nature of an inventory for me at the end of every year. All vegetables grown and er—pro- duced, are priced as they are gathered and used in the kitchens at the market price reigning at the time, Such things as potatoes and onions and all vegetables that are husbanded for the winter, are also priced before they are stored. So far he has produced eminently satisfactory results and I am more than pleased with him and his work. There's not much leakage, I can tell you." Bennett upon arrival wasted no time and came to what he had to say very quickly. "What I'm going to tell you, Inspector, is not my own story. I'd like you to understand that at once. If it had been you wouldn't have had to wait so long for it. I'll tell it you as it was told to me—then you can decide for yourself what you'll do about it." His face grew more serious. "What I've got to say," he proceeded, "goes back to the night of Miss Margaret's engagement and the dinner that you, sir, gave in honor of the event." He gestured towards his employer. "Which is, I suppose, the night that the mistress was murdered or at any rate just before. Cook hadn't been feeling too well for THE CROSS WAYS 159 woman a few paces ahead of her going in the direc- tion of the old well." Baddeley whistled. "She does, does she? This is getting interesting, Bennett. Go on." Bennett shook his head somewhat despondently. "There isn't much more to tell you, Inspector. I wish that there was. All that Ada—that's the maid Perkins, her daughter,—can get out of her is that the woman she saw was wearing a yellow dress. That is how the old girl describes it, anyhow. She says she just managed to get a glimpse of the