Iſlammoth IIll]STERU BOOK BOOK Iſlammoth IIll]STERU BOOK 0 0 K S BY ANGEL ESQUIRE ANGEL, OF TERROR THE BLACK THE BLACK ABBOT BLUB HAND CAPTAINS OF SOULS THE CLEVER ONE THE CLUE OF THE NEW PIN THE CLUE OF THE TWISTED CANDLE THE.CRIMSON CIRCLE THE.DAFFODIL MURDER THT DARK EYES OF LONDON DIANA OF KARA-KARA THE DOOR WITH SEVEN LOCKS THE FACE IN THE NIGHT THE FELLOWSHIP OF THE FROG THE.FLYING SQUAD THE FOUR JUST MEN THE FOURTH PLAGUE THE GIRL FROM SCOTLAND YARD THE GREEN ARCHER THE GREEN RIBBON GREEN RUST GUNMAN'S BLUFF THE HAIRY ARM THE INDIA-RUBBER MEN JACK O'JUDGMENT KATE PLUS 10 A KING BY NIGHT THE MAN WHO KNEW THE MELODY OF DEATH THE MISSING MILLIONS MR. COMMISSIONER SANDERS THE MURDER BOOK OF MR. J. Q. REEDER THE NORTHING TRAMP RED ACES THE RINGER THE RINGER RETURNS THE SILVER KEY SANDERS OF THE RIVER THE SECRET HOUSE THE SINISTER MAN THE SQUEALER THE STRANGE COUNTESS TAM O- THE SCOOTS THE TERRIBLE PEOPLE THE THREE JUST MEN TERROR KEEP THE TRAITORS' GATE THE TWISTER THE VALLEY OF GHOSTS WHITE FACE Uldmmom Iftysteru Book-I (Complete by" \ Edqar U?al lace A. L Burl Companu Publishers -I New York • • Chicago nf Michigan Copyright, 1924 by Street & Smith Corporation New York Copyright, 1925 by Small, Maynard & Co., Inc. Copyright, 1923 by Edgar Wallace Made in the U.S. A. f ,» (Contents i • 2 . THE HAIRY ARM II. III. IV. V. VIII. : XIII. XIV. XV. XVI. XVII. XVIII. XIX. XX. CONTENTS The Head-hunter - - - - Mr. Sampson Longvale Calls - The Niece . . . . . . The Leading Lady . . . . Mr. Lawley Foss - The Master of Griff . . The Swords and Bhag Bhag The Ancestor The Open Window The Mark on the Window A Cry from a Tower . The Trap That Failed Mendoza Makes a Fight . . . Two from the Yard . The Brown Man from Nowhere Mr. Foss Makes a Suggestion . The Face in the Picture . The Midnight Visit . . . . Michael Has a Visitor 10 18 24 31, 38 48 ss 63 71 79 86 94 101 111 114 122 127 135 146 V CONTENTS XXII. XXIII. XXIV. XXV. XXVII. , xxviii. XXIX. XXXIII. The Erasure The Head Clews at the Tower . The Marks of the Beast . The Man in the Car . The Hand . The Caves The Tower Bhag's Return The Advertisement John Percival Liggitt Gregory's Way . “I Want You” The Search What Happened to Adele . The Escape The Tower The Cavern of Bones Michael Knows for Sure . The Widow The Death . Camera 165 169 176 183 190 210 219 227 235 241 246 256 261 272 277 285 291 298 314 320 329 THE HAIRY ARM CHAPTER I THE HEAD-HUNTER To say that he was uninterested in crime, that burglars were less thrilling than golf scores, and the record of murders hardly worth the reading, might convey a wrong impression of Captain Mike Brixan to those who knew him as the clev- erest agent in the Foreign Office Intelligence Department. His official life was spent in meeting queer Continentals in obscure restaurants and in di- vers roles to learn of the undercurrents that were drifting the barks of diplomacy to unsus- pected ports. He had twice roamed through Europe in the guise of an open-mouthed tourist; had canoed a thousand miles or so through the gorges of the Danube to discover in little river- side beer houses secret mobilizations, odd tasks, but to his liking. Therefore he was not unnaturally annoyed when he was withdrawn from Berlin at a mo- 3 THE HAIRY ARM . as it seemed, the mystery of the Slc- was in a way to being solved, for he at a cost, a rough and accurate *l should have had a photograph of the actual jocument if you had left me another twenty- totir hours," he reproached his chief, Major George Staines, when he reported himself at Whitehall next morning. "Sorry," replied that unrepentant man, "but the truth is, we've had a heart-to-heart talk with the Slovakian prime minister, and he has prom- ised to behave, and he has practically given us the text of the treaty. It was only a commer- cial affair. Mike, did you know Elmer?" The foreign office detective sat down on the edge of the table. "Have you brought me from Berlin to ask me that?" he demanded bitterly. "Have you taken me from my favorite cafe on Unter den Linden by the way, the Germans are making small- ann ammunition by the million at a converted pencil factory in Bavaria—to discuss Elmer? He's a clerk, isn't he?" Major Staines nodded. "He VHU," he said, "in the Accountancy de- partment. He disappeared from view three THE HEAD-HUNTER 5 weeks ago, and an examination of his books •bowed that he had been systematically stealing funds which were under his control." Mike Brixan made a little face. "I'm sorry to hear that," he said. "He seems to be a fairly quiet and inoffensive man. But sorely yon don't want me to go after him? That is a job for Scotland Yard." "I don't want you to go after him," said Staines slowly, "because—well, he has been found." There was something very significant and sin- ister in his tone, and before he could take the little slip of paper from the portfolio on the desk, Michael Brixan knew what was coming. "Not The Head-hunter?" he gasped. Even Michael knew about The Head-bunter. Staines nodded. "Here's the note." He handed the typewritten sup across to his sub- ordinate, and Michael read: You vfll find a box in the hedge by the railway aicfc •tEaher. THE HEAD-HUNTE* That was all. 'The Head-hunter 1" repeated Michael me- chanically and whistled. • -We found the box, and, of course, we found 6 THE HAIRY ARM the unfortunate Elmer's head sliced neatly from his body," said Staines. "This is the twelfth head in seven years," Staines went on, "and in almost every case—in fact, in every case except two—the victim has been a fugitive from jus- tice. Even if the treaty question had not been settled, Mike, I should have brought you back." "But this is a police job," said the young man, troubled. "Technically you're a policeman," interrupted his chief, "and the Foreign Secretary wishes you to take this case in hand, and he does this with the full approval of the Secretary of State, who, of course, controls Scotland Yard. So far tha death of Francis Elmer and the discovery of his gruesome remains have not been given out to the press. There was such a fuss last time that the police want to keep this quiet . They have had an inquest—I guess the jury was packed, but it would be high treason to say so—and the usual verdict has been returned. The only in- formation I can give you is that Elmer was sees by his niece a week ago in Chichester. We dis- covered this before the man's fate was known. The girl, Adek Leamington, is working for tilt Knebworth Film Corporation, which has its studio in Chichester. Old Knebworth is aa THE HEAD-HUNTER 7 American and a very good sort. The girl is • jort of super—chorus—extra, that's the word." Michael gasped and looked at him uncer- tainly. "What do you wish me to do?" "Go along and see her," said the chief. "Here a the address." "Is there a Mrs. Elmer?" asked Michael, m fee put the slip into his pocket. The other nodded. "Yes, but she can throw no light upon the murder. She, by the way. is the only person who knows he is dead. She had not seen her kusband for a month, and apparently they had been more or less separated for years. She bene- fits considerably by bis death, for he was well insured in her favor." Michael read again the gruesome note from Head-hunter. "What is your theory about he asked curiously. The general idea is that he is a lunatic who called upon to mete out punishment to defaulters. But the two exceptions disturb that theory pretty considerably." Staines Lay back in his chair, a puzzled fiowa on his face. Take the case of WfltitL His head wm 8 THE HAIRY ARM found on Clapham Common two years ago. Willitt was a well-off man, the soul of honesty, well liked, and he had a very big balance at his bank. Crewling, the second exception, who was one of the first of The Hunter's victims, was also above suspicion, though in his case there is no doubt he was mentally unbalanced a few weeks before his death. "The typewritten notification has invariably been typed out on the same machine. In every case you have the half-obliterated 'u,' the faint 'g,' and the extraordinary alignment which the experts are unanimous in ascribing to a very old and out-of-date Kost machine. Find the man who uses that typewriter, and you have prob- ably found the murderer. But it is very un- likely that he will ever be found that way, for the police have published photographs pointing out the peculiarities of type, and I should imag- ine that Mr. Hunter does not use this machine except to announce the demise of his victims." Michael Brixan went back to his flat, a little more puzzled and a little more worried by his unusual commission. He moved and had hia being in the world of high politics. Thinnesses of diplomacy were his peculiar study, and the normal abnormalities of humanity, the thefts THE HEAD-HUNTER 9 and murders and larcenies which occupied the attention of the constabulary, did not come into Us purview. "Bill," said he, addressing the small terrier that lay on the hearthrug before the fireless grate of his sitting room, "this is where I fall down. But whether I do or not, I'm going to meet an extra—ain't that grand?" Bill wagged his tail agreeably. Whatever else might go wrong, Bill's comprehension was reliable. CHAPTER II MR. SAMPSON LONGVALE CALLS WHEN most of the people had left the studio, and it was almost empty, Adele Leamington came to where the white-haired man sat crouched in his canvas chair, his hands thrust into his trousers pockets, a malignant scowl on his forehead. It was not a propitious moment to approach him; nobody knew that better than she. "Mr. Knebworth, can I speak to you?" He looked up slowly. Ordinarily he would have risen, for this middle-aged American in normal moments was the soul of courtesy. But just at that moment his respect for womanhood was something below zero. His look was blank, though the director in him instinctively ap- proved her values. She was pretty, with regular features, a mop of brown hair in which the sun- shine of childhood still lingered. Her mouth firm, delicately shaped, her figure slim—perfect in many ways. Jack Knebworth had seen many beautiful extras in his career. They were dolls without 10 MR. LONGVALE CALLS 11 intelligence or initiative—just extras who could wear clothes in a crowd, who could smile and dance mechanically, fit for extras and nothing else all the days of their lives. "Well?" he asked brusquely. "Is there a part I could play in this produc- tion, Mr. Knebworth?" she asked. "Aren't you playing a part, Miss—can't re- member your name—Leamington, is it?" "I'm certainly playing. I'm one of the figures in the background," she smiled. "I don't want a big part, but I'm sure I could do better than I have done." "I'm mighty sure you couldn't do worse than some people," he growled. "No, there's no part for you, friend. There'll be no story to shoot unless things alter." She was going away, when he recalled her. "Left a good home, I guess?" he said. "Thought picture making meant a million dol- lars a year an' a new automobile every Thurs- day? Or maybe you were holding down a good job as a stenographer and got it under your hat that you'd make Hollywood feel small if you got your chance? Go back home, kid, and tell the old man that a typewriter's got a sunlight arc beaten to death as an instrument of commerce." 12 THE HAIRY ARM The girl smiled faintly. "I didn't come into pictures because I was stage-struck, if that is what you mean, Mr. Knebworth. I came in knowing just how hard a life it might be. I have no parents." He looked at her curiously. "How do you live?" he asked. "There's no money in extra work—not on this lot anyway. Might be if I was one of those billion-dollar directors who did pictures with chariot races. But I don't. My ideal picture has five char- acters." "I have a little income from my mother, and I write," said the girl. She stopped, as she saw him looking past her to the studio entrance, and, turning her head, she saw a remarkable figure standing in the doorway. At first she thought it was an actor who had made up for a film test. The newcomer was an old man, but his great height and erect carriage would not have con- veyed that impression at a distance. The tight- fitting tail coat, the trousers strapped to his boots, the high collar and black satin stock belonged to a past age, though they were newly made. The white linen bands that showed at his wrists were goffered, his double-breasted MR. LONGVALE CALLS 13 waistcoat of gray velvet was fastened by golden buttons. He might have stepped from a family portrait of one of those dandies of the fifties. He held a tall hat in one gloved hand, a hat with a curly brim, and in the other a gold-topped walking stick. The face was deeply lined, was benevolent and kind, and he seemed uncon- scious of his complete baldness. Jack Knebworth was out of his chair in a second and walked toward the stranger. "Why, Mr. Longvale, I am glad to see yon. Did you get my letter? I can't tell you how much obliged I am to you for the loan of your house." Sampson Longvale of the Dower House 1 She remembered now. He was known in Chichester at "the old-fashioned gentleman," and once, when she was out on location, somebody had pointed out the big rambling house, with its weed-grown garden and crumbling walls, where he lived. "I thought I would come over and see yoa," said the big man. His voice was rich and beautifully modulated. She did not remember having heard a voice quite as sweet, and she looked at the eccentric figure with a new interest. 14 THE HAIRY ARM "I can only hope that the house and grounds are suitable to your requirements. I am afraid they are in sad disorder, but I cannot afford to keep the estate in the same condition as my grandfather did." "Just what I want, Mr. Longvale, I was afraid you might be offended when I told you" The old gentleman interrupted him with a •oft laugh. "No, no, I wasn't offended—I was amused You needed a haunted house; I could even sup- ply that quality, though I will not promise you that my family ghost will walk. The Dower House has been haunted for hundreds of yean. A former occupant in a fit of frenzy murdered his daughter there, and the unhappy lady is sup- posed to walk. I have never seen her, though many years ago one of my servants did. For- tunately I am relieved of that form of annoy- ance; I no longer keep servants in the house," he smiled, "though, if you care to stay the night, I shall be honored to entertain five or six of your company." Knebworth heaved a sigh of relief. He had made diligent inquiries and found that it was almost impossible to secure lodgings in the MR. LONGVALE CALLS 15 neighborhood, and he was most anxious to take night pictures, and for one scene he particularly desired the peculiar light value which he could only obtain in the early hours of the morning. "I'm afraid that would give you a lot of trouble, Mr. Longvale," he said. "And here and now I think we might discuss that delicate sub- ject of" The old man stopped him with a gesture. "If you are going to speak of money, please don't," he said firmly. "I am interested in mov- ing pictures—in fact, I am interested in most modem things. We old men are usually prone to decry modernity, but I find my chief pleasure in the study of those scientific wonders which this new age has revealed to us." He looked at the director quizzically. "Some day you shall take a picture of me in the one rdle in which I think I should have no peer—a picture of me in the rdle of my illustri- ous ancestor." The old man gestured magnificently. Jack Knebworth stared, half amused, half startled. It was no unusual experience to find people who wished to see themselves on the screen, but he never expected that little piece of vanity from Mr. Sampson Longvale. 16 THE HAIRY ARM "I should be glad," he said formally. "Your people were pretty well known, I guess?" Mr. Longvale sighed. "It is my regret that I do not come from the direct line that included Charles Henry, the most historic member of my family. He was my great-uncle. I come from the Bordeaux branch of Longvales, which has made history, sir." He shook his head regretfully. "Are you French, Mr. Longvale?" asked Jack. Apparently the old man did not hear him. He was staring into space. Then, with a start: "Yes, yes, we were French. My great-grand- father married an English lady whom he met in peculiar circumstances. We came to England in the days of the directorate." Then for the first time he seemed aware of Adele's presence, and he bowed toward her. "I think I must go," he said, taking a huge gold watch from his fob pocket. The girl watched them, as they passed out of the hall, and presently she saw the "old-fash- ioned gentleman" pass the window, driving the oldest-fashioned car she had ever seen. It must have been one of the first motor cars ever intro- duced into the country, a great, upstanding, MR. LONGVALE CALLS 17 cumbersome machine, that passed with a thun- derous sound and at no great speed down the gravel drive out of sight. Presently Jack Knebworth came slowly back. "This craze for being screened certainly gets 'em—old or young," he said. "Good night, Miss —forget your name—Leamington, isn't it? Good night." She was halfway home before she realized that the conversation that she had plucked up •uch courage to initiate had ended unsatisfac- torily for her, and she was as far away from her small part as ever. CHAPTER III THE NIECE SHE occupied a small room in a small house, and there were moments when Adele Leaming- ton wished it were smaller, that she might be justified in plucking up her courage to ask from the stout and unbending Mrs. Watson, her land- lady, a reduction of rent. The extras on Jack Knebworth's lot were well paid, but infre- quently employed, for Jack was one of those clever directors who specialized in domestic stories. She was dressing when Mrs. Watson brought In her morning cup of tea. "There's a young fellow been hanging round outside since I got up," said Mrs. Watson. "I •aw him when I took in the milk. Very polite he was, but I told him you weren't awake." "Did he want to see me?" asked the aston- ished girl. "That's what he said," said Mrs. Watson grimly. "I asked him if he came from Kneb- worth, and he said no. If you want to see him, you can have the use of the parlor, though I 18 THE NIECE 19 don't like young men calling on young girls. I've never let theatrical lodgings before, and you can't be too careful. I've always had a name for respectability, and I want to keep it." Adele smiled. "I cannot imagine anything more respectable than an early-morning caller, Mrs. Watson," she said. She went downstairs and opened the door. The young man was standing on the sidewalk with his back to her, but at the sound of the opening door he turned. He was good-looking and well dressed, and his smile was quick and appealing. "I hope your landlady did not bother to wake you up? I could have waited. You are Miss Adele Leamington, aren't you?" She nodded. "Will you come in, please?" she asked and took him into the stuffy little front parlor. Clos- ing the door behind her she waited. "I am a reporter," he said untruthfully, and her face fell. "You've come about Uncle Francis? Is any- thing really wrong? They sent a detective to see me a week ago. Have they found him?" "No, they haven't found him," he said care- 20 THE HAIRY ARM fully. "You knew him very well, of course, Miss Leamington?" She shook her head. "No, I have only seen him twice in my life. My dear father and he quarreled before I was born, and I only saw him once after Daddy died, and once before Mother was taken with her fatal illness." She heard him sigh and sensed his relief, though why he should be relieved that her uncle was almost a stranger to her, she could not fathom. "You saw him at Chichester, though?" he asked. "Yes, I saw him. I was on my way to Good- wood Park—a whole party of us in a char-a- banc—and I saw him for a moment walking along the sidewalk. He looked desperately ill and worried. He was just coming out of a sta- tioner's shop when I saw him; he had a news- paper under his arm and a letter in his hand." "Where was the store?" he asked. She gave him the address, and he jotted it down. "You didn't see him again?" She shook her head. "Is anything really very badly wrong?" she THE NIECE 21 asked, anxiously. "I've often heard Mother say that Uncle Francis was very extravagant, and a little unscrupulous. Has he been in trouble?" "Yes," admitted Michael, "he has been in trouble, but nothing that you need worry about. You're a great film actress, aren't you?" In spite of her anxiety she laughed. "The only chance I have of being a great film actress is for you to say so in your paper." "My what?" he asked, momentarily puzzled. "Oh, yes, my newspaper of course 1" "I don't believe you're a reporter at all," she said with sudden suspicion. "Indeed I am," he said glibly, and he dared to pronounce the name of that widely circulated sheet upon which the sun seldom sets. "Though I'm not a great actress and fear I never shall be, I like to believe it is because IVe never had a chance. I've a horrible suspicion that Mr. Knebworth knows instinctively that I am no good." Mike Brixan had found a new interest in the case, an interest which, he was honest enough to confess to himself, was not dissociated from the niece of Francis Elmer. He had never met anybody quite so pretty and quite so unsophisti- cated and natural. 22 THE HAIRY ARM "You're going to the studio, I suppose?" She nodded. "I wonder if Mr. Knebworth would mind my railing to see you?" She hesitated. "Mr. Knebworth doesn't like callers." "Then maybe I'll call on him," said Michael, nodding. "It doesn't matter whom I call on, does it?" "It certainly doesn't matter to me," said the girl coldly. "In the vulgar language of the masses," thought Mike, as he strode down the street, "she handed me a raspberry." His inquiries did not occupy very much of his lime. He found the little news shop, and th< proprietor, by good fortune, remembered the coming of Mr. Francis Elmer. "He came for a letter, though it wasn't addressed to timer," said the shopkeeper. 4'A lot of people have their letters addressed here. I make a little extra money that way." "Did he buy a newspaper?" "No, sir, he did not buy a newspaper; he had one under his arm—the Montmg Telegram. I remember that, because 1 noticed that he'd put a blue pencil mark round one of the 'agony' THE NIECE 23 advertisements on the front page, and I was wondering what it was all about. I kept a copy of that day's Morning Telegram. I've got it now." He went into the little parlor at the back of the shop and returned with a dingy newspaper which he laid on the counter. "There are six there, but I don't know which one it was." Michael examined the agony advertisements. There was one frantic message from a mother to her son, asking him to return, and saying that "all would be forgiven.'' There was a crypto- gram message which he had not time to de- cipher. A third was obviously the notice of an appointment. The fourth was a thinly veiled advertisement for a new hair waver, and at the fifth he stopped. It ran: Troubled Final directions at address I gave you. Courage. BENEFACTOR. "Some benefactor!" exclaimed Mike Brixan. "What was he like—the man who called? Was he worried?" "Yes, sir; he looked upset—all distracted. He seemed like a chap who'd lost bis head." "That seems a fair description," said Mike. CHAPTER IV THE LEADING LADY IN the studio of the Knebworth Film Cor- poration the company had been waiting in its •treet clothes for the greater part of an hour. Jack Knebworth sat in his conventional atti- tude, huddled up in his canvas chair, fingering his long chin and glaring from time to time at the clock above the studio manager's office. It wus eleven when Stella Mendoza flounced in, bringing with her the fragrance of wood vio- lets and a small, unhappy Peke. "Do you work on your own time?" asked Knebworth slowly "Or, perhaps, you thought the call was for afternoon. You've kept fifty people waiting, Stella." "I can't help their troubles." she said with a shrug of shoulder. "You told me you were going on location, and naturally I didn't expect there would be any hurty. I had to pack my things." "NaturAKv you didn't think there was any tavryl" Jack Knebworth reckoned to have three fights % y«ttr Tbas WJB the third. The first had been M THE LEADING LADY 25 with Stella, and the second had been with Stella, and the third was certainly going to be with Stella. "I wanted you to be here at ten. I've bad these boys and girls waiting since a quarter to ten." "What do you want to shoot?'' she asked with an impatient jerk of her head. "You mostly," said Jack slowly. "Get into number nine outfit and don't forget to leave your pearl earrings off. You're supposed to be a half-starved chorus girl. We're shooting at Griff Towers, and I told the gentleman who gave us the use of the house that I'd be through the day work by three. If you were a celebrated star you'd be worth waiting for; but Stella Men- doza has got to be on this lot by ten—and don't forget it!" Old Jack Knebworth got up from his canvas chair and began to put on his coat with ominous deliberation, the flushed and angry girl watching him, her dark eyes blazing with injured pride and hurt vanity. Stella had once been plain Maggie Stubbs, the daughter of a Midland grocer, and old Jack had talked to her as if she were still Maggie Stubbs and not the great film star of coruscating brfl- 26 THE HAIRY ARM Hum r, idol—or her press agent lied—of the screen fans of all the world. "All right, if you want a fuss you can have it, Knebworth. I'm going to quit—now! I think I know what is due my position. That part's got to be rewritten to give me a chance of put- ting my personality over. There's too much leading man in it, anyway. People don't pay real money to see men. You don't treat me fair, Knebworth. I'm temperamental, I admit it. You can't expect a woman of my type to be a block of wood." "The only thing about you that's a block of wood is your head, Stella," grunted the pro- ducer, and he went on, oblivious to the rising fury expressed in the girl's face. "You've had two years playing small parts in Hollywood, and youVe brought nothing back to England but a line of fresh talk, and you could have got that out of the Sunday supplements! Temperament! That's a word that means doctors' certificates, when a picture's half taken, and a long rest, un- less your salary's put up fifty per cent. Thank goodness, this picture isn't a quarter taken or an c /:•.rh. Quit, you mean-spirited upstart—and vj«;t as soon as you darn please!" Boiling with rage, her lips quivering so that THE LEADING LADY 27 she could not articulate, the girl turned and flung out of the studio. White-haired Jack K neb worth glared round at the silent company. "This is where the miracle happens," he said sardonically. "This is where the extra girl who's left a sick mother and a mortgage at home leaps to fame in a night. If you don't know that kind of thing happens on every lot in Hollywood, you're no student of fiction. Stand forth, Mary Pickford, the second!" The extras smiled, some amused, some uncom fortable, but none spoke. Adele was frozen stiff, incapable of speech. "Modesty don't belong to this industry," old Jack sneered amiably. "Who thinks she can play 'Roselle' in this piece—because an extra's going to play the part, believe me 1 I'm going to show this pseudo actress that there isn't an extra on this lot that couldn't play her head off. Somebody talked about playing a part yesterday —you!" His forefinger pointed to Adele, and with a heart that beat tumultuously she went toward hiny "I had a camera test of you six months ago,*1 28 THE HAIRY ARM said Jack suspiciously. “There was something wrong with her. What was it?” He turned to his assistant. That young man scratched his head in an effort of memory. “Ankles?” He hazarded a guess at random— a safe guess, for Knebworth had views about ankles. . “Nothing wrong with them. Get out the print and let us see it.” Ten minutes later Adele sat by the old man's side in the little projection room and saw her “test” run through. “Hair!” said Knebworth triumphantly. “I knew there was something. Don't like bobbed hair. Makes a girl too pert and sophisticated. You've grown it?” he added, as the lights were switched on. “Yes, Mr. Knebworth.” He looked at her in dispassionate admiration. “You’ll do,” he said reluctantly. “See the wardrobe and get Miss Mendoza's costumes. There's one thing I'd like to tell you before you go,” he said, stopping her. “You may be good, and you may be bad, but, good or bad, there's no use getting worked up over your future.” He snapped his finger. “Give Miss What's-her-name the Script, THE LEADING LADY 29 Harry. Say, go out somewhere and study it, wfll you? Harry, you see the wardrobe. I give you half an hour to read that script!" Like one in a dream, the girl walked out into the shady garden, that ran the length of the studio building, and sat down, trying to concen- trate on the typewritten lines. It wasn't true— it could not be true! And then she heard the crunch of feet on gravel and looked up in alarm. It was the young man who had seen her that morning—Michael Brixan. "Oh, please—you mustn't interrupt me!" she begged in agitation. "I've got a part—a big part to read." Her distress was very real. "I'm awfully sorry "he began. In her confusion she had dropped the loose sheets of the manuscript. Stooping with her to pick them up, Michael's head bumped hers. "Sorry—that's an old comedy situation, isn't it?" he began. And then he saw the sheet of paper in his hand and began to read. It was an elaborate description of a scene. The cefl is large, lighted by a swinging lamp. In center is a steel gate through which a soldier on guard u seen pacing to and fro 30 THE HAIRY ARM "Good Lord!" said Michael and went white. The "u's" in the type were blurred, the "g's" were indistinct. The page had been typed on the machine from which The Head-hunter sent forth his gruesome tales of death. CHAPTER V MR. LAWLEY Foss "WHAT is wrong?" asked Adele, seeing the young man's grave face. "Where did this come from?" He showed her the sheet of typewritten script. "I don't know. It was with the other sheets. I knew, of course, that it didn't belong to 'Ro- selle'." "Is that the play you're acting in?" he asked quickly. And then: "Who would know?" "Mr. Knebworth." "Where shall I find him?" "You go through that door," she said, "and you will find him on the studio floor." Without a word he walked quickly into the building. Instinctively he knew which of the party was the man he sought. Jack Knebworth looked up under lowering brows at the sight of the stranger, for he was a stickler for privacy in business hours; but, before he could demand an explanation, Michael was up to him. "Are you Mr. Knebworth?" 31 32 THE HAIRY ARM Jack nodded. "I surely am," he said. "Can I speak to you for two minutes?" "I can't speak to anybody for one minute," growled Jack. "Who are you, anyway, and who let you in?" "I am a detective from the Foreign Office," said Michael, lowering his voice, and Jack's manner changed. "Anything wrong?" he asked, as he accom- panied the detective into his sanctum. Mike laid down the sheet of paper with its typed characters on the table. "Who wrote that?" he asked. Jack Knebworth looked at the manuscript and shook his head. "I've never seen it before. What is it all about?" "You've never seen this manuscript at all?" "No, I'll swear to that, but I dare say my scenario man will know all about it. Ill send for him." He touched a bell, and to the clerk who came: "Ask Mr. Lawley Foss to come quickly," he said. "The reading of books, plots, and material for picture plays is entirely in the hands of my MR. LAWLEY FOSS 33 scenario manager," he said. "I never see a manuscript until he considers it's worth produc- ing; and even then, of course, the picture isn't always made. If the story happens to be a bad one, I don't see it at all. I'm not so sure that I haven't lost some good stories, because Foss" —he hesitated a second—"well, he and I don't see exactly eye to eye. Now, Mr. Brixan, what is the trouble?" IB a few words Michael explained the grave significance of the typewritten sheet. "The Head-hunter!" Jack whistled. There came a knock at the door, and Lawley Foss slipped into the room. He was a thinnish man, dark and saturnine of face, shifty of eye. His face was heavily lined, as though he suffered from some chronic disease. But the real disease which preyed on Lawley Foss was the bitterness of mind that comes to a man at war with the world. There had been a time in his early life when he thought that same world was at his feet. He had written two plays that had been pro- duced and had run for a few nights. Thereafter he had trudged from theater to theater in vain, for the taint of failure was on him, and no man- ager would so much as open the brown-covered manuscripts he brought to them. Like many 34 THE HAIRY ARM another man, he had sought easy ways to wealth, but the Stock Exchange and the race track had impoverished him still further. He glanced suspiciously at Michael, as he entered. "I want to see you, Foss, about a sheet of script that's got among the 'Roselle' script," said Jack Knebworth. "May I tell Mr. Foss what you have told me?" Michael hesitated for a second. Some cau- tioning voice warned him to keep the question of The Head-hunter a secret. Against his better judgment he nodded. Lawley Foss listened with an expressionless face, while the old director explained the signifi- cance of the interpolated sheet; then he took the page from Jack Knebworth's hand and examined it. Not by a twitch of his face or a droop of his eyelid did he betray his thoughts. "I get a lot of stuff in," he said, "and I can't immediately place this particular play; but if you'll let me take it to my office, I will look up my books." Again Michael considered. He did not wish that piece of evidence to pass out of his hands; and yet, without confirmation and examination, it was fairly valueless. He reluctantly agreed. MR. LAWLEY FOSS 35 "What do you make of that fellow?" asked Jack Knebworth when the door had closed upon the writer. "I don't like him," said Michael bluntly. "In fact, my first impressions are distinctly unfavor- able, though I am probably doing the poor gentleman a very great injustice." Jack Knebworth sighed. Foss was one of his biggest troubles, sometimes bulking larger than the temperamental Mendoza. "He certainly is a queer chap/' he said, "though he's diabolically clever. I never knew a man who could take a plot and twist it as Lawley Foss can, but he's difficult." "I should imagine so," said Michael dryly. They passed out into the studio, and Michael sought the troubled girl to explain his abrupt- ness. There were tears of vexation in her eyes when he approached her, for his startling disap- pearance with the page of the script had put all thoughts of the play from her mind. "I am sorry," he said penitently. "I almost wish I hadn't come." "And I quite wish it," she said, smiling in spite of herself. "What was the matter with that page you took? You are a detective, aren't you?" 36 THE HAIRY ARM "I admit it," Michael answered her recklessly. "Did you speak the truth when you said that my uncle "she stopped, at a loss for words. "No, I did not," replied Michael quietly. "Your uncle is dead, Miss Leamington." "Dead!" she gasped. He nodded. "He was murdered under ex- traordinary circumstances." Suddenly her face went white. "He wasn't the man whose head was found at Esher?" "How did yon know?" he asked sharply. "It was in this morning's newspaper," she said. Inwardly he cursed the sleuthhound of a re- porter who had got on to the track of this latest tragedy. She had to know sooner or later; he satisfied himself with that thought. The return of Foss relieved him of further explanations. The man spoke for a while with Jack Kneb- worth in a low voice, and then the director beck- oned Michael across. "Foss can't trace this manuscript," he said, handing back the sheet. "It may have been a sample page sent in by a contributor, or it may have been a legacy from our predecessors. I took over a whole lot of manuscript with the MR. LAWLEY FOSS 37 studio from a bankrupt production company." He looked impatiently at his watch. "Now, Mr. Brixan, if it's possible, I should be glad if you would excuse me. I've got some scenes to shoot ten miles away, with a leading lady from whose little head you've scared every idea that will be of the slightest value to me." Michael acted upon an impulse. "Would you mind my coming out with you to shoot—that means to photograph, doesn't it? I promise you I won't be in the way." Old Jack nodded curtly, and ten minutes later Michael Brixan was sitting side by side with the girl in a char-a-banc which was carrying them to the location. That he should be riding with the artists at all was a tribute to his nerve rather than to his modesty. CHAPTER VI THE MASTER OF GRIFF to* a long time Adele did not speak to him. Resentment that he should force his company upon her, and nervousness at the coming ordeal —a nervousness which became sheer panic as they drew nearer and nearer to their destination —made conversation impossible. "I see your Mr. Lawley Foss is with us," said Michael, glancing over his shoulder, and by way of making conversation. "He always goes on location," she said shortly. "A story has sometimes to be amended while it's being shot." "Where are we going now?" he asked. "Griff Towers first," she replied. She found it difficult to be uncivil to anybody. "It is a big place owned by Sir Gregory Penne." "But I thought we were going to the Dower House?" She looked at him with a little frown. "Why did you ask if you knew?" she de- manded, almost in a tone of asperity. "Because I like to hear you speak," said the 38 THE MASTER OF GRIFF 39 young man calmly. "Sir Gregory Penne? I seem to know the name." She did not answer. "He was in Borneo for many years, wasn't he?" "He's hateful," she said vehemently. "I de- test him!" She did not explain the cause of her detesta- tion, and Michael thought it discreet not to press the question, but presently she relieved him of responsibility. "I've been to his house twice. He has a very fine garden, which Mr. Knebworth has used before. I only went as an extra and was very much in the background. I wish I had been more sol He has queer ideas about women, especially about actresses—not that I'm an actress," she added hastily, "but I mean people who play for a living. Thank Heaven, there's only one scene to be shot at Griff, and perhaps he will not be at home, but that's unlikely. He's always there when I go." She seemed quite sure. Michael glanced at her out of the corner of his eye. His first impression of her beauty was more than confirmed. There was a certain wist- fillness in her face which was very appealing; an 40 THE HAIRY ARM honesty in the dark eyes that told him afl he wanted to know about her attitude toward the admiration of the unknown Sir Gregory. "It's queer how all baronets are villains in stories," he said, "and queerer still that most of the baronets I've known have been men of singular morals. I'm bothering you, being here, am I not?" he asked, dropping his tone of banter. She looked round at him. "You are a little," she said frankly. "You see, Mr. Brixan, this is my big chance. It's a chance that really never comes to an extra except in stories, and I'm frightened to death of what is going to happen. You make me nervous, but what makes me more panic-stricken is that the first scene is to be shot at Griff. I hate it—I hate it!" she said almost savagely. "That big, hard-looking house, with its hideous stuffed tigers and its awful-looking swords" "Swords?" he asked quickly. "What do you mean?" "The walls are covered with them—eastern swords. They make me shiver to see them. But Sir Gregory takes a delight in them; he told Mr. Knebworth the last time we were there that the swords were as sharp now as they were THE MASTER OF GRIFF 41 when they came from the hands of their makers, and some of them were three hundred years old. He's an extraordinary man; he can cut an apple in half on your hand and never so much as scratch you. That is one of his favorite stunts." Michael looked interested. "There is the housel" She pointed. "Ugh! It makes me shiver." Griff Towers was one of those old, bleak-look- ing buildings that it had been the delight of the early Victorian architects to erect. Its one gray tower, placed on the left wing, gave it a lopsided appearance, but even this distortion did not attract from its rectangular unloveliness. The place seemed all the more bare, since the walls were innocent of greenery, and it stood starkly in the midst of a yellow expanse of gravel. "Looks almost like a barracks," said Michael, "with a parade ground in frontl" They passed through the lodge gates, and the char-a-banc stopped halfway up the drive. The gardens apparently were in the rear of the build- ing, and certainly there was nothing that would attract the most careless of directors in its unin- teresting facade. Michael got down from his seat and found Jack Knebworth already superintending the un- 42 THE HAIRY ARM loading of a camera and reflectors. Behind the char-a-banc came the big dynamo lorry, with three sun arcs that were to enhance the value of daylight. "Oh, you're here, are you?" growled Jack. "Now you'll oblige me, Mr. Brixan, by not get- ting in the way? I've got a morning's work ahead of me." "I want you to take me on as a—what is the word?—extra," said Michael. The old man frowned at him. "Say, what's the idea?" he asked Brixan sus- piciously. "I have an excellent reason, and I promise you that nothing I do will in any way embarrass you. The truth is, Mr. Knebworth, I want to be around for the remainder of the day, and I need an excuse." Jack Knebworth bit his lip, scratched his long chin, scowled, and then: "All right," he said gruffly, "maybe you'll come in handy, though I'll have quite enough bother directing one amateur, and if you get into the picture on this trip, you're going to be lucky!" There was a man of the party, a tall young man whose hair was brushed back from his fore- THE MASTER OF GRIFF 43 head, and it was so tidy and well arranged that it seemed as if it had originally been stuck by glue and varnished over. He was a tall, some- what good-looking boy, who had sat on Adele's left throughout the journey and had not spoken once; now he raised his eyebrows at the appear- ance of Michael, and, strolling across to the harassed Knebworth, his hands in his pockets, he asked with a hurt air: "I say, Mr. Knebworth, who is this person?" "What person?" growled old Jack. "You mean Brixan? He's an extra." "Oh, an extra, is he?" said the young man. "I say, it's pretty desperately awful when extras hobnob with principals! And this Leamington girl—she's simply going to mess up the picture, by Jove1" "Is she, by Jove?" snarled Knebworth. "Now, see here, Mr. Connolly, I ain't so much in love with your work that I'm willing to admit in advance that even an extra is going to mess up this picture." "I've never played opposite to an extra in my life, dash it alll" "Then you must have felt lonely," grunted Jack, busy with his unpacking. "Now, Mendoza is an artiste" began the 44 THE HAIRY ARM youthful leading man, and Jack Knebworth straightened his back. "Get over there till you're wanted, you!" he roared. "When I need advice from pretty boys 111 come to you—see? For the moment you're de trap, which is a French expression meaning that you're standing on ground there's a better use for." The disgruntled Reggie Connolly strolled away, with a shrug of his thin shoulders, which indicated not only his conviction that the pic- ture would fail, but that the responsibility was everywhere but under his hat. From the big doorway of Griff Towers, Sir Gregory Penne was watching the assembling of the company. He was a thickset man, and the sun of Borneo and an unrestricted appetite had dyed his skin a color which was between purple and brown. His face was covered with innumer- able ridges, his eyes looked forth upon the world through two narrow slits. The rounded femi- nine chin seemed to be the only part of his face that sunshine and stronger stimulants had left in its natural condition. Michael watched him, as he strolled down the slope to where they were standing, guessing his jdentity. He wore a golf suit of a loud check, THE MASTER OF GRIFF 45 in which red predominated, and a big cap of the same material was pulled down over his eyes. Taking the stub of a cigar from his teeth, with a quick and characteristic gesture, he wiped his scanty mustache with his knuckles. "Good morning, Knebworth," he called to the director. His voice was harsh and cruel; a voice that had never been mellowed by laughter, or made soft by the tendernesses of humanity. "Good morning, Sir Gregory." Old Knebworth disentangled himself from his company. "Sorry I'm late." "Don't apologize," said the other. "Only I thought you were going to shoot earlier. Brought my little girl, eh?" "Your little girl?" Jack looked at him, frankly nonplused. "You mean Mendoza. No, she's not coming." "I don't mean Mendoza, if that's the dark girl. Never mind—I was only joking." Who the blazes was his little girl, thought Jack, who was ignorant of two unhappy experi- ences which an unconsidered extra girl had had on previous visits. The mystery, however, was soon cleared up, for the baronet walked slowly 46 THE HAIRY ARM to where Adele Leamington was making a pre- tense of studying her script. "Good morning, little lady," he said, lifting his cap an eighth of an inch from his head. "Good morning, Sir Gregory," she said coldly. "You didn't keep your promise." He shook his head waggishly. "Oh, woman, woman!" "I don't remember I made a promise," said the girl quietly. "You asked me to come to din- ner with you, and I told you that that was im- possible." "I promised to send my car for you. Don't say it was too far away. Never mind, never mind." And, to Michael's wrath, he squeezed the girl's arm in a manner which was intended to be paternal, but which filled the girl with indig- nant loathing. She wrenched her arm free and, turning her back upon her tormentor, almost flew to Jack Knebworth, with an incoherent demand for information on the reading of a line which was perfectly simple. Old Jack was no fool. He watched the play from under his eyelids, recognizing ail the symp- toms. "This is the last time we shall shoot at Grifi Towers," he told himself. THE MASTER OF GRIFF 47 For Jack Knebworth was something of a stickler on behavior, and he had views on women which were diametrically opposite to those held by Sir Gregory Penne. CHAPTER VII THE SWORDS AND BHAO THE little party moved away, and they left Michael alone with the baronet. For a period Gregory Perme watched the girl, his eyes glit- tering; then he became aware of Michael's presence and turned a cold, insolent stare upon the other. "What are you?" he asked, looking the detec- tive up and down. "I'm an extra," said Michael. "An extra, eh? Sort of chorus boy? Put paint and powder on your face and all that sort of thing? What a life for a man!" "There are worse," said Michael, holding his antagonism in check. "Do you know that little girl—what's her name, Leamington?" asked the baronet sud- denly. "I know her extremely well," said Michael untruthfully. "Oh, you do, eh?" said the master of Griff Towers with sudden amiability. "She's a nice little thing. Quite a cut above the ordinary THE SWORDS AND BHAG 49 chorus girl. You might bring her along to dinner one night. She'd come with you, eh?" The contortions of the puffy eyelids suggested to Michael that the man had winked. There was something about this gross figure that interested the scientist in Michael Brixan. He was ele- mental; an animal invested with a brain; and yet he must be something more than that if he had held a high administrative position under the government. "Are you acting? If you're not, you can come up and have a look at my swords," said the man suddenly. Michael guessed that, for a reason of his own, probably because of his claim to be Adele's friend, the man wished to cultivate his acquaint- ance. "No, I'm not acting," replied Michael. And no invitation could have given him greater pleasure. Had their owner but realized the fact, Michael Brixan had already made up his mind not to leave Griff Towers until he had inspected the peculiar collection. "Yes, she's a nice little girl." Penne returned to the subject immediately, as they paced up the slope toward the house. "As I say, a cut above chorus girls—young, 50 THE HAIRY ARM unsophisticated, virginal! You can have your sophisticated girls. There is no mystery to 'em! They revolt me. A girl should be like a spring flower. Give me the violet and the snowdrop; you can have a bushel of cabbage roses for one petal of the shy dears of the forest." Michael listened with a keen sense of nausea, and yet with an unusual interest, as the man rambled on. He said things which were sicken- ing, monstrous. There were moments when Brixan found it difficult to keep his hands off the obscene figure that paced at his side; and only by adopting toward him the attitude which the enthusiastic naturalist employs in his deal- ings with snakes, was he able to get a grip on himself. The big entrance hall into which he was ush- ered was paved with earthen tiles, and, looking up at the stone walls, Michael had his first glimpse of the famous swords. There were hundreds of them—poniards, scimitars, ancient swords of Japan, basket-hiked hangers, two-handled swords that had felt the grip of long-dead Crusaders. "What do you think of 'em, eh?" Sir Gregory Penne spoke with the pride of an enthusiastic collector. "There isn't one of them that could THE SWORDS AND BHAG SI be duplicated, my boy! and they're only a part of my collection." He led his visitor along a broad corridor, lighted by square windows set at intervals, and here again the walls were covered with shining weapons. Throwing open a door, Sir Gregory ushered the other into a large room which was evidently his library, though the books were few, and, so far as Michael could see at first glance, the conventional volumes that are to be found in the houses of the country gentry. Over the mantel were two great swords of a pattern which Michael did not remember having seen before. "What do you think of those?" Penne lifted one from the silver hook which supported it, and he drew it from its scabbard. "Don't feel the edge unless you want to cut yourself. This would split a hair, but it would also cut you in two, and you would never know what happened till you fell apart I" Suddenly his manner changed, and he almost snatched the sword from Michael's hand, and, putting it back in its sheath, he hung it up. "That is a Sumatran sword, isn't it?" "It comes from Borneo," said the baronet shortly. 52 THE HAIRY ARM "The home of the head-hunters." Sir Gregory looked around, his brows lowered. "No," he said, "it comes from Dutch Borneo." Evidently there was something about this weapon which aroused unpleasant memories. He glowered for a long time in silence into the little fire that was burning on the hearth. "I killed the man who owned that," he said at last, and it struck Michael that he was speak- ing more to himself than to his visitor. "At least I hope I killed him—I hope sol" He glanced around, and Michael Brixan could have sworn there was apprehension in his eyes. "Sit down—what's your name?" he asked, pointing to a low settee. "We'll have a drink." He pushed a bell, and, to Michael's astonish- ment, the summons was answered by an under- sized native, a little copper-colored man, naked to the waist. Gregory gave an order in a lan- guage which was unintelligible to Michael—he guessed, by its sibilants, it was Malaysian— and the servant, with a quick salaam, disap- peared and came back almost instantly with a tray containing a large decanter and two thin glasses. "I have no white servants—can't stand 'em," said Penne. taking the contents of his glass at THE SWORDS AND BHAG S3 a gulp. "I like servants who don't steal and don't gossip. You can lick 'em if they misbe- have, and there's no trouble. I got this fellow last year in Sumatra, and he's the best butler I've had." "Do you go to Borneo every year?" asked Michael. "I go al most every year," said the other. "I've got a yacht; she's lying at Southampton now. If I didn't get out of this cursed country once a year, I'd go mad. There's nothing here—noth- ing! Have you ever met that dithering old fool, Longvale? Rnebworth said you were going on to him—pompous old ass, who lives in the past and dresses like an advertisement for some- body's whiskey. Have another?" "I haven't finished this yet," said Michael with a smile, and his eyes went up to the sword above the mantelpiece. "Have you had that very long? It looks modem." "It isn't," snapped the other. "Modern—it's three hundred years old if it's a day. I've only had it a year." Again he changed the subject abruptly "I like you. I like people, or I dis- like them, instantly. You're the sort of fellow who'd do well in the East. I've made two mil- lions there. The East is full of wonder, full of 54 THE HAIRY ARM unbelievable things." He screwed his head round and fixed Michael with a glittering eye. "Full of good servants," he said slowly. "Would you like to meet the perfect servant?" There was something peculiar in his tone, and Michael nodded. "Would you like to see the slave who never aaks questions and never disobeys, who has no love but love of me"—he thumped himself on the chest—"no hate but for the people I hate —my trusty—Bhag?" He rose and crossing to his table, turned a little switch that Michael had noticed attached to the side of the desk. As he did so, a part of the paneled wall at the farther end of the room swung open. For a second Michael saw nothing, and then there emerged, blinking into the day- light, a most sinister, a most terrifying figure. And Michael Brixan had need of all his self- control to check the exclamation that rose to his lip* CHAPTER BHAG IT was a great orang-outang. Crouched as it was, gazing malignantly upon the visitor, with its beadlike eyes, it stood over six feet in height. The hairy chest was enormous; the arms that almost touched the floor were as thick as an average man's thigh. It wore a pair of work- man's dark blue overalls, held in place by two straps that crossed its broad shoulders. "Bhag!" called Sir Gregory in a voice so soft that Michael could not believe it was the man's own. "Come here." The gigantic figure waddled across the room to where they stood before the fireplace. "This is a friend of mine, Bhag." The great ape held out his hand, and for a second Michael's was held in its velvet palm. This done, he lifted his paw to his nose and sniffed loudly, the only sound he made. "Get me some cigars," said Penne. Immediately the ape walked to a cabinet, pulled open a drawer, and brought out a box. "Not those," said Gregory. "The small ones." 55 56 THE HAIRY ARM He spoke distinctly, as if he were articulating to somebody who was deaf, and, without a moment's hesitation, the hideous Bhag replaced the box and brought out another. "Pour me out a whiskey and soda." The ape obeyed. He did not spill a drop and, when bis owner said "Enough," replaced the stopper in the decanter and put it back. "Thank you, that will do, Bhag." Without a sound the ape waddled back to the open paneling and disappeared, and the door closed behind him. "Why, the thing is human," said Michael in an awe-struck whisper. Sir Gregory Penne chuckled. "More than human," he said. "Bhag is my shield against all trouble." His eyes seemed to go instantly to the sword above the mantelpiece. "Where does he live?" "He's got a little apartment of his own, and he keeps it clean. He feeds with the servants." "Good Lord!" gasped Michael, and the other chuckled again at the surprise he had aroused. "Yes, he feeds with the servants. They're afraid of him, but they worship him; he's a sort of god to them, but they're afraid of him. Do you know what would have happened if I'd BHAG 57 said 'This man is my enemy?'" He pointed his stubby finger at Michael's chest. "He would have torn you limb from limb. You wouldn't have had a chance, Mr. What's-your-name, not a dog's chance. And yet he can be gentle—yes, he can be gentle." He nodded. "And cunning! He goes out almost every night, and I've no complaints from the villagers. No sheep stolen, nobody frightened. He just goes out, loafs around in the woods, and doesn't kill as much as a hen partridge." "How long have you had him?" "Eight or nine years," said the baronet care- lessly, swallowing the whiskey that the ape had poured for him. "Now, let's go out and see the actors and actresses. She's a nice girl, eh? You're not forgetting you're going to bring her to dinner, are you? What is your name?" "Brixan," said Michael, "Michael Brixan." Sir Gregory grunted something. "Ill remember that—Brixan. I ought to have told Bhag. He likes to know." "Would he have known me again, if you had told him?" asked Michael, smiling. "Known you?" said the baronet contemptu- ously. "He will not only know you, but he wfll be able to trail you down. Notice him smelling 58 THE HAIRY ARM his hand? He was filing you for reference, my boy If I told him 'Go along and take this message to Brixan,' he'd find you." When they reached the lovely gardens at the back of the house, the first scene had been shot, and there was a smile on Jack Kneb- worth's face which suggested that Adele's mis- givings had not been justified. And so it proved. "That girl's a peach," Jack unbent to say. "A natural-born actress, built for this scene. It's almost too good to be true. What do you want?" It was Mr. Reggie Connolly, and he had the obsession which is perpetual in every leading man. He felt that sufficient opportunities had not been offered to him. "I say, Mr. Knebworth," he said in a grieved tone, "I'm not getting much of the fat in this story! So far there's about thirty feet of me in this picture. I say, that's not right, you know! If a johnny is being featured—" "You're not being featured," said Jack shortly. "And Mendoza's chief complaint was that there was too much of you in it." Michael looked around. Sir Gregory Penne had strolled toward where the girl was stand- ing, and in her state of elation she had no room BHAG 59 in her heart even for her resentment against the man she so cordially detested. "Little girl, I want to speak to you before you go," he said, dropping his voice, and for once she smiled at him. "Well, you have a good opportunity now, Sir Gregory," she said. "I want to tell you how sorry I am for what happened the other day, and I respect you for what you said, for a girl's entitled to keep her kisses for the men she likes. Am I right?" "Of course you're right," she said. "Please don't think any more about it, Sir Gregory." "I'd no right to kiss you against your will, especially when you're in my house. Are you going to forgive me?" "I do forgive you," she said and would have left him, but he caught her arm. "You're coming to dinner, aren't you?" He jerked his head toward the watchful Michaei. "Your friend said he'd bring you along." "Which friend?" she asked, her eyebrows raised. "You mean Mr. Brixan?" "That's the fellow. Why do you make friends with that kind of man? Not that he isn't a decent fellow. I like him personally. Will you come along to dinner?" 60 THE HAIRY ARM "I'm afraid I can't," she said, her old aversion gaining ground. "Little girl," he said earnestly, "there's noth- ing you couldn't have from me. Why do you want to trouble your pretty head about this cheap play acting? I'll give you a company of your own, if you want it, and the best car that money can buy." His eyes were like points of fire, and she shivered. "I have all I want, Sir Gregory," she said. She was furious with Michael Brixan. How dared he presume to accept an invitation on her behalf? How dare he call himself her friend? Her anger almost smothered her dislike for her persecutor. "You come over tonight—let him bring you." said Penne huskily. "I want you tonight—do you hear? You're staying at old Longvale's. You can easily slip out." "Ill do nothing of the kind. I don't think you know what you're talking about, Sir Greg- ory," she said quietly. "Whatever you mean, it is an insult to me." Turning abruptly, she left him. Michael would have spoken to her, but she passed, her head in the air, a look on her face which dismayed him, BHAG 61 though, after a moment's consideration, he could guess the cause. When the various things were packed, and the company had taken their seats in the char- a-banc, Michael observed that she had very carefully placed herself between Jack Kneb- worth and the sulking leading man, and he wisely chose a seat some distance from her. The car was about to start when Sir Gregory came up to him, and stepping on the running board: "You said you'd get her over," he began. "If I said that," said Michael, "I must have been drunk, and it takes more than one glass of whiskey to reduce me to that disgusting con- dition. Miss Leamington is a free agent, and she would be singularly ill-advised to dine alone with you or any other man." He expected an angry outburst, but, to his surprise, the squat man only laughed and waved him a pleasant farewell. Looking around, as the car turned from the lodge gates, Michael saw him standing on the lawn, talking to a man, and he recognized Foss who, for some reason, had stayed behind. And then his eyes strayed past the two men to the window of the library, where the mon- 62 THE HAIRY ARM strous Bhag sat in his darkened room, waiting for instructions which he would carry into effect without reason or pity. Michael Brixan, hard- ened as he was to danger of every variety, found himself shuddering. CHAPTER IX THE ANCESTOR THE Dower House was away from the main toad. A sprawling mass of low buildings, it stood behind untidy hedges and crumbling walls. Once the place had enjoyed the services of a lodge keeper, but the tiny lodge was deserted, the windows broken, and there were gaps in the tiled roof. The gates had not been dosed for generations; they were broken and leaned crazily against the walls to which they had been thrust by the last person who had employed them to guard the entrance of the Dower House. What had once been a fair lawn was now a tangle of weeds. Thistles and weeds grew where the gallants of old had played their bowls; and it was dear to Michael, from his one glance, that only a portion of the house was used. In only one of the wings were the windows whole; the others were broken or so grimed with dirt that they appeared to have been painted. His amusement blended with curiosity, Michael saw for the first time the picturesque m 64 THE HAIRY ARM Mr. Sampson Longvale. He came out to meet them, his bald head glistening in the afternoon sunlight, his strapped fawn-colored trousers, vel- vet waistcoat and old-fashioned stock completely supporting Gregory Penne's description of him. "Delighted to see you, Mr. Knebworth. I've a very poor house, but I offer you a very rich welcome! I have had tea served in my little dining room. Will you please introduce me to the members of your company?" The courtesy and the Old World spirit of dig- nity were very charming, and Michael felt a warm glow toward this fine old man who had brought to this modern atmosphere the love and the fragrance of a past age. "I should like to shoot a scene before we lose the light, Mr. Longvale," said Knebworth; "so, if you don't mind the meal being a scrambling one, I can give the company a quarter of an hour." He looked around. "Where is Foss?" he asked. "I want to change a scene." "Mr. Foss said he was walking from Griff Towers," said one of the company. "He stopped behind to speak to Sir Gregory." Jack Knebworth cursed his dilatory scenario man with vigor and originality. "I hope he hasn't stopped to borrow money," THE ANCESTOR 65 he said savagely. "That fellow's going to ruin my credit if I'm not careful." He had overcome his objection to his new extra; possibly he felt that there was nobody else in the party whom he could take into his confidence without hurt to discipline. "Is he that way inclined?" "He's always short of money and always trying to make it by some fool trick which leaves him shorter than he was before. When a man gets that kind of bug in his head, he's only a block away from prison. Are you going to stay the night? I don't think you'll be able to sleep here," he said, changing the subject, "but I sup- pose you'll be going back to London?" "Not tonight," said Michael quickly. "Don't worry about me. I particularly do not wish to give you any trouble." "Come and meet the old man," said Kneb- worth under bis breath. "He's a queer old devil with the heart of a child." "I like what I've seen of him," said Michael. Mr. Longvale accepted the introduction aO over again. "I fear there will not be sufficient room in my dining room for the whole company. I have had a little table laid in my study. Perhaps yon and 66 THE HAIRY ARM your friends would like to have your tea there?" "Why, that's very kind of you, Mr. Longvale. You have met Mr. Brixan?" The old man smiled and nodded. "I have met him without realizing that I've met him. I never remember names—a curious failing which was shared by my great-great- uncle Charles, with the result that he fell into extraordinary confusion when he wrote his memoirs, and in consequence many of the inci- dents he relates have been regarded as apoc- ryphal." He showed them into a narrow room that ran from the front to the back of the house. The ceiling was supported by black rafters; the open wainscoting, polished and worn by gen- erations of hands, must have been at least five hundred years old. There were no swords over this mantelpiece, thought Michael with an in- ward smile. Instead, there was a portrait of a handsome old gentleman, the dignity of whose face was arresting. There was only one word to furnish an adequate description: it was ma- jestic. He made no comment on the picture, nor did the old man speak of it till later. The meal was hastily disposed of, and, sitting on the wall THE ANCESTOR 67 outside, Michael watched the last daylight scene shot, and he was struck by the plastic genius of the girl. He knew enough of motion pictures and their construction to realize what it meant to the director to have in his hands one who could so faithfully reproduce the movements and the emotions which the old man dictated. In other circumstances he might, have thought it grotesque to see Jack Knebworth pretending to be a young girl, resting his elderly cheek coyly upon the back of his clasped hand, and walking with mincing steps from one side of the picture to the other. But he knew that the American was a mason who was cutting roughly the shape of the sculpture and leaving it to the finer artist to express in her personality the delicate con- tours that would delight the eye of the picture- loving world. She was no longer Adele Leaming- ton; she was Roselle, the heiress to an estate, of which her wicked cousin was trying to de- prive her. The story itself he recognized as a half-and-half plagiarism of a well-known tale. He mentioned this fact when the scene was finished. "I guess it's a steal," said Jack Knebworth philosophically, "and I didn't inquire too closely into it. It's Foss' story, and I should be pained 68 THE HAIRY ARM to discover there was anything original in it." Mr. Foss had made a tardy reappearance, and Michael found himself wondering what was the nature of that confidential interview which the writer had had with Sir Gregory. Going back to the long sitting room he stood watching the daylight fade, as he speculated upon the one mystery within a mystery—the ex- traordinary effect which Adele had produced upon him. Michael Brixan had known many beautiful women, women in every class of society. He had known the best and the worst, he had jailed a few, and he had watched one face a French firing squad one gray, wintry morning at Vin- cenni-s. He had liked many, nearly loved one, and it seemed, cold-bloodedly analyzing his emo- tions, that he was in danger of actually loving a girl whom he had never met before that morning. "Which is absurd," he said aloud. "What is absurd?" asked Knebworth, who had come into the room unnoticed. "I also wondered what you were thinking," smiled old Mr. Longvale, who had been watch- ing the young man in silence. "I—er—well, I was thinking of the portrait." THE ANCESTOR 69 Michael turned and indicated the picture above the fireplace, and in a sense he spoke the truth, for the thread of that thought had run through all others. "The face seemed familiar," he said, "which is absurd, because it is obviously an old painting." Mr. Longvale lit two candles and carried one to the portrait. Again Michael looked, and again the majesty of the face impressed him. "That is my great-great-uncle, Charles Henry," said old Mr. Longvale with pride. "Or, as we call him affectionately in our family, the Great Monsieur." Michael's face was half turned toward the window, as the old man spoke. Suddenly the room seemed to spin before his eyes. Jack Knebworth saw his face go white and caught him by the arm. "What's the matter?" he asked. "Nothing," said Michael unsteadily. Knebworth was staring past him at the win- dow. "What was that?" he said. With the exception of the illumination from the two candles and the faint dusk light that came from the garden, the room was in dark- ness. 70 THE HAIRY ARM "Did you see it?" he asked and ran to the window, staring out. "What was it?" asked old Mr. Longvale, joining him. "I could have sworn I saw a head in the win- dow. Did you see it, Brixan?" "I saw something," said Michael unsteadily. "Do you mind if I go out into the garden?" "I hoped you saw it. It looked like a huge monkey's head to me." Michael nodded. He walked down the flagged passage into the garden, and, as he did so, slipped a Browning from his hip, pressed down the safety catch, and dropped the pistol into his jacket pocket. He disappeared, and five minutes later Knebworth saw him pacing the garden path and went out to see him. "Did you see anything?" "Nothing in the garden. You must have been mistaken." "But didn't you see him?" Michael hesitated. "I thought I saw some- thing," he said with an assumption of careless- ness. "When are you going to shoot those night pictures of yours?" "You saw something, Brixan—was it a face?" Mike Brixan nodded. CHAPTER X THE OPEN WINDOW THE dynamo wagon was bumming, as he walked down the garden path, and, with a hiss and a splutter from the arcs, the front of the cottage was suddenly illuminated by their fierce light. Outside on the road a motorist had pulled up to look upon the unusual spectacle. "What is happening?" he asked curiously. "They're taking a picture," said Michael. "Oh, is that what it is? I suppose it is one of Knebworth's outfits?" "Where are you going?" demanded Michael suddenly. "Forgive my asking you, but if you're heading for Chichester you can render me a very great service if you give me a lift." "Jump in," said the man. "I'm going to Petworth, but it will not be much out of my way to take you into the city." Until they came to the town he plied Michael with questions, betraying that universal inquis- itivencss which picture making invariably incites in the uninitiated. 71 72 THE HAIRY ARM Michael got down near the market place and made his way to the house of a man he knew, a former master at his old school, now settled down in Chichester, who had, among other pos- sessions, an excellent library. Declining his host's pressing invitation to dinner, Michael stated his needs, and the old master laughed. "I can't remember that you were much of a student in my days, Michael," he said, "but you may have the run of the library. Is it some line of Virgil that escapes you? I may be able to save you a hunt." "It's not Virgil," said Michael. "Something infinitely more full-blooded." He was in the library for twenty minutes, and when he emerged there was a light of tri- umph in his eye. "I'm going to use your telephone, if I may," he said, and he got London without delay. For ten minutes he was speaking with Scot- land Yard, and, when he had finished, he went into the dining room, where the master, who was a bachelor, was eating his solitary dinner. "You can render me one more service, men- tor of my youth," he said. "Have you in this abode of peace an automatic pistol that throws a, heavier shell than this?" THE OPEN WINDOW 73 And he put his own on the table. Michael knew Mr. Scott had been an officer of the army and incidentally an instructor of the officers' training corps, so that his request was not as impossible of fulfillment as it appeared. "Yes, I can give you a heavier one than that. What are you shooting—elephants?" "Something a trifle more dangerous," said Michael. "Curiosity was never a weakness of mine," said the master and went out to return with a Browning of heavy caliber and a box of cart- ridges. They spent five minutes cleaning the pistol, which had not been in use for some time, and, with his new weapon weighing down his jacket pocket, Mike took his leave, carrying a lighter heart and a clearer understanding than he had enjoyed when he arrived at the house. He hired a car from a local garage and drove back to the Dower House, dismissing the car just short of his destination. Jack Knebworth had not even noticed that he had disappeared. But old Mr. Longvale, wearing a coat with many capes and a soft silk cap, from which dangled a long tassel, came to him almost as soon as he entered the garden. 74 THE HAIRY ARM "Can I speak to you, Mr. Brixan?" he said in a low voice, and they went into the house to- gether. "Do you remember Mr. Knebworth was very much perturbed because he thought he saw somebody peering in at the window— something with a monkey's head?" Michael nodded. "Well, it is a most curious fact," said the old gentleman impressively, "that a quarter of an hour ago I happened to be walking in the far end of my garden, and looking across the hedge toward the field I suddenly saw a gigantic form rise, apparently from the ground, and move toward these bushes." He pointed through the window to a clump in a field on the opposite side of the road. "He seemed to be crouching forward and moving furtively." "Will you show me the place?" said Michael quickly. He followed the other across the road to the bushes, a little dump which was now empty when they reached it. Kneeling down to make a new sky line, Michael scanned the limited hori- zon, but there was no sign of Bhag. For tb%t it was Bhag, he had no doubt. There might be nothing in it. Penne told him that the animal was in the habit of taking nightly strolls, and THE OPEN WINDOW 75 that he was perfectly harmless. Suppose—. The thought was absurd, fantastically absurd. And yet the animal had been so extraordinarily hu- man that no speculation in connection with it was quite absurd. When he returned to the garden, he went in search of the girl. She had finished her scene and was watching the stealthy movements of two screen burglars, who were creeping along the wall in the subdued light of the arcs. "Excuse me, Miss Leamington, I'm going to ask you an impertinent question. Have you brought a complete change of clothes with you?" "Why ever do you ask that?" she demanded, her eyes wide open. "Of course I did! I always bring a complete change in case the weather breaks." He went on. "That's one question. Did you lose anything when you were at Griff Towers?" "I lost my gloves," she said quickly. "Did you find them?" "No. When did you miss them?" "I missed them immediately. I thought for a moment—" She stopped. "It was a foolish idea, but—" "What did you think?" he asked. 76 THE HAIRY ARM "I'd rather not tell you. It is a purely personal matter." "You thought that Sir Gregory had taken them as a souvenir?" Even in the half darkness he saw her color come and go. "I did think that," she said, a little stiffly. "Then it doesn't matter very much about your change of clothing," he said. "Whatever are you talking about?" She looked at him suspiciously. He guessed she thought that he had been drinking, but the last thing in the world he wanted to do at that moment was to explain his somewhat disjointed questions. "Now, everybody is going to bed!" It was old Jack Knebworth talking. "Everybody! Off you go! Mr. Foss has shown you your rooms. I want you up at four o'clock tomorrow morning, so get as much sleep as you can. Foss, you've marked the rooms?" "Yes," said the man. "I've put the names on every door. I've given this young lady a room to herself. Is that right?" "I suppose it is," said Knebworth dubiously. "Anyway, she won't be there long enough to get used to it." THE OPEN WINDOW 77 The girl said good night to the delective and went straight up to her apartment. It was a tiny room, smelling somewhat musty and was simply furnished. A small bed, a chest of drawers with a swinging glass on top, and a small table and chair completed the furniture in the apartment. By the light of her candle the floor showed signs of having been recently scrubbed, and the center was covered by thread- bare carpet. She locked the door, blew out the candle, and, undressing in the dark, went to the window and threw open the casement. And then for the first time she saw on the center of one of the small panes a circular disk of paper. It was pasted on the outside of the window, and at first she was about to pull it off, when she guessed that it might be some indicator placed by Knebworth to mark an exact position that he required for the morning picture taking. She did not immediately fall asleep, her mind, for some curious reason, being occupied unprofitably with a tumultuous sense of annoy- ance directed toward Michael Brixan. For a long time a strong sense of justice fought with a sense of humor equally powerful. He was a nice man, she told herself; the sixth sense of woman 78 THE HAIRY ARM had already delivered that information, heavily underlined. He certainly had nerve. In the end humor brought sleep. She was smiling when her eyelids closed. She had been sleeping two hours, though it did not seem two seconds. A sense of impending danger wakened her, and she sat up in bed, her heart thumping wildly. She looked around the room. In the pale moonlight she could see al- most every corner, and it was empty. Was it somebody outside the door that had wakened her? She tried the handle of the door; it was locked, as she had left it. The window? It was very near to the ground, she remembered. Stepping to the window, she pulled one case- ment dose. She was dosing the other when, out of the darkness below, reached a great hairy arm, and a hand closed like a vise on her wrist. She did not scream. She stood breathless, dying of terror, she felt. Her heart ceased beat- ing, and she was conscious of a deadly cold. What was it? What could it be? Summoning all her courage, she looked out of the window into a hideous, bestial face and two round, green eyes that stared into hers. CHAPTER XI THE MARK ON THE WINDOW THE thing was twittering at her, soft, birdlike noises, and she saw the flash of its teeth in the darkness. It was not pulling, it was simply hold- ing; one hand was gripping the tendrils of the ivy up which it had climbed, the other hand firmly about her wrist. Again it twittered and pulled. She drew back, but she might as well have tried to draw back from a moving piston rod. A great, hairy leg was suddenly flung over the sill; the second hand came up and covered her face. The sound of her scream was deadened in the hairy paw, but somebody heard it. From the ground below came a flash of fire and the deaf- ening noise of an exploding pistol. A bullet zipped and crashed amongst the ivy, striking the brickwork, and she heard the whirr of the rico- chet. Instantly the great monkey released his hold and dropped down out of sight. Half swooning, Adele dropped upon the window sill, incapable of movement. And then she saw a 79 80 THE HAIRY ARM figure come out of the shadow of the laurel bush, and instantly she recognized the midnight prowler. It was Michael Brixan. “Are you hurt?” he asked in a low voice. She could only shake her head, for speech was denied her. “I didn't hit him, did I?” With an effort she found the husk of a voice in her dry throat. “No, I don't think so. He dropped.” Michael pulled an electric torch from his pocket and was searching the ground. “No sign of blood. He was rather difficult to hit. I was afraid of hurting you, too.” A window had been thrown up, and Jack Knebworth's voice bawled into the night. “What's the shooting? Is that you, Brixan?” “It is I. Come down, and I'll tell you all about it.” The noise did not seem to have aroused Mr. Longvale, or, for the matter of that, any other member of the party; and when Knebworth reached the garden he found no other audience than Mike Brixan. In a few words Michael told him what he had seen. “The monkey belongs to friend Penne,” he said. “I saw it this morning.” THE MARK ON THE WINDOW 81 “What do you think—that he was prowling round and saw the open window?” Michael shook his head. “No,” he said qui- etly, “he came with one intention and purpose, which was to carry off your leading lady. That sounds highly dramatic and improbable, and that is the opinion I have formed. This ape, I tell you, is nearly human.” “But he wouldn't know the girl. He has never seen her.” “He could smell her,” said Mike instantly. “She lost a pair of gloves at the Towers today, and it's any odds that they were stolen by the noble Gregory Penne, so that he might introduce to Bhag an unfailing scent.” “I can't believe it; it is incredible! Though I'll admit,” said Jack Knebworth thoughtfully, “that these big apes do some amazing things. Did you shoot him?” “No, sir; I didn't shoot him, but I can tell you this, he's an animal that's been gunned before, or he'd have come for me, in which case he would have been dead by now.” “What were you doing round here, anyway?” “Just watching out,” said the other carelessly. “The earnest detective has so many things on his conscience that he can't sleep like ordinary 82 THE HAIRY ARM people. Speaking for myself, I never intended leaving the garden, because I expected Brer Bhag. Who is that?" The door opened, and a slim figure, wrapped in a dressing gown, came out into the open. "Young lady, you're going to catch a very fine cold," warned Knebworth. "What happened to you?" "I don't know." She was feeling her wrist tenderly. "I heard something and went to the window, and then this horrible thing caught hold of me. What was it, Mr. Brixan?" "It was nothing more alarming than a mon- key," said he with affected unconcern. "I'm sorry you were so scared. I guess the shooting worried you more?" "You don't guess anything of the kind. You know it didn't. Oh, it was horrible, horrible 1" She covered her white face with her trembling hands. Old Jack grunted. "I think she's right, too. You owe something to our friend here, young lady. Apparently he was expecting this visit and watched in the garden." "You expected it?" she gasped. 'Mr. Knebworth has made rather more of the THE MARK ON THE WINDOW 83 part I played than can be justified," said Mike. "And if you think that this is a hero's natural modesty, you're mistaken. I did expect this gentleman, because he'd been seen in the fields by Mr. Longvale. And you thought you saw him yourself, didn't you, Knebworth?" Jack nodded. "In fact, we all saw him," Mike went on, "and, as I didn't like the idea of a coming star being subjected to the annoyance of visiting monkeys, I sat up in the garden." With a sudden impulsive gesture she put out her little hand, and Michael took it. "Thank you, Mr. Brixan," she said. "I have been wrong about you." "Who isn't?" asked Mike with an extrava- gant shrug. She returned to her room, and this time she closed the window. Once, before she finally went to sleep, she rose and, peeping through the curtains, saw the little glowing point of the watcher's cigar; then she went back to bed, comforted. It seemed only a few min- utes before Foss began knocking on the doors to awaken the company. The literary man himself was the first down. The garden was beginning to show in the pale 84 THE HAIRY ARM light of dawn, and he bade Michael Brixao a gruff good morning. "Good morning to you," said Michael. "By the way, Mr. Foss, you stayed behind at Griff Towers today to see our friend, Penne?" "That's no business of yours," growled the man, and he would have passed on, but Michael stood squarely in his path. "There is one thing which is some business of mine, and that is to ask you why that little white disk appears on Miss Leamington's window?" He pointed up to the white circle that the girl had seen the night before. "I don't know anything about it," said Foss with rising anger, but there was also a note of fear in his voice. "If you don't know, who does? I saw you put it there just before it got dark last night." "Well, if you must know," said the man, "it was to mark a vision boundary for the camera man." That sounded a plausible excuse. Michael had seen Jack Knebworth marking out boun- daries in the garden to insure the actors being in the picture. At the first opportunity, when Knebworth appeared, he questioned him on the subject. THE MARK ON THE WINDOW 85 "No, I gave no instructions to put up marks. Where is it?" Michael showed him. "I wouldn't have a mark up there, anyway, would I? Right in the middle of a window! What do you make of it?" "I think Foss put it there with one object. The window was marked at Gregory's request." "But why?" asked Knebworth, staring. "To show Adele Leamington's room to Bhag —that's why," said Michael, and he was confi- dent that his view was an accurate one. CHAPTER XII A CRY FROM A TOWER WITHOUT waiting to see the early morning scenes shot, Michael had decided upon a course of action. As soon as he conveniently could, he made his escape from Dower House and, crossing a field, reached the road which led to Griff Towers. Possessing a good eye for coun- try, he had duly noted the field path which ran along the boundary of Sir Gregory Penne's estate; it was, he guessed, a short cut to Griff; and a short walk brought him to the stile where the path joined the road. He walked quickly, his eyes on the ground, looking for some trace of the beast; but there had been no rain, and, unless he had wounded the animal, there was little hope that he would pick up the trail. Presently he came to the high flint wall which marked the southern end of the baronet's grounds, and this he followed until he came to a postern let in the wall, a door that appeared to have been recently in use; for it was ajar, he noted with satisfaction. 86 A CRY FROM A TOWER 87 Pushing it open he found himself in a large field which evidently served as kitchen garden for the house. There was nobody in sight. The gray tower looked even more forbidding and ugly in the early morning light. No smoke came from the chimneys; Griff was a house of the dead. Nevertheless he proceeded cau- tiously and, instead of crossing the field, moved back into the shadow of the wall until he reached the high boxwood fence that ran at right angles and separated the kitchen garden from that beautiful pleasance which Jack Knebworth had used the previous morning as a background for his scenes. And all the time he kept his eyes roving, expecting at any moment to see the hideous fig- ure of Bhag appear from the ground. At last he reached the end of the hedge. He was now within a few paces of the graveled front and less than half a dozen yards from the high, square, gray tower which gave the big, dismal house its name. From where he stood he could see the whole front of the house. The drawn white blinds and the general lifelessness of Griff might have convinced a less skeptical man than Mike Brixan that his suspicions were unfounded. 88 THE HAIRY ARM He was hesitating as to whether he should go to the house or not, when he heard a crash of glass, and he looked up in time to see fragments falling from the topmost room of the tower. The sun had not yet risen, the earth was still wrapped in the illusory dawn light, and the hedge made an admirable hiding place. Who was breaking windows at this hour of the morning? Surely not the careful Bhag. So far he had reached in his speculations when the morning air was rent by a shrill scream of such fear that his flesh went cold. It came from the upper room and ended abruptly, as though some- body had put his hand over the mouth of the unfortunate from whom that cry of terror had been wrung. Hesitating no longer, Michael stepped from his place of concealment, ran quickly across the gravel, and pulled at the bell before the great entrance, which was immediately under the lower. He heard the dang of the bell and looked quickly round, to make absolutely sore that Bhag or some of the copper-colored retainers of Griff Towers were not trailing him. A minute passed—two—and bis hand was again raised to the iron bell pull, when he heard heavy feet in the corridor, a shuSk of sappers on A CRY FROM A TOWER 89 the tiled floor of the hall, and a gruff voice demanded: "Who's there?" "Michael Brixan." There was a grunt, a rattle of chains, a snap- ping of locks, and the big door opened a few inches. Gregory Penne was wearing a pair of gray flannel trousers and a shirt the wristbands of which were unfastened. "What do you want?" he demanded and opened the door a few more inches. "I want to see you," said Michael. "Usually call at daybreak?" growled the man, as he dosed the door on his visitor. Michael made no answer, but followed Greg- ory Penne to his room. The library had evi- dently been occupied throughout the night. The windows were shuttered, the electroliers were burning, and before the fire were a table and two whiskey bottles, one of which was empty. "Have a drink?" said Penne mechanically, and he poured himself out a potion with an un- steady hand. "Is your ape in?" asked Michael, refusing the proffered drink with a gesture. "What, Bhag? I suppose so. He goes and 90 THE HAIRY ARM comes as he likes. Do you want to see him?" "Not particularly," said Michael. "I've seen him once tonight." Penne was lighting the stub of a cigar from the fire, as he spoke, and he looked round quickly. "You've seen him before? What do you mean?" "I saw him at Dower House, trying to get into Miss Leamington's room, and he was as near to being a dead orang-outang as he has ever been." The man dropped the lighted cigar stub on the hearth and stood up. "Did you shoot him?" he asked. "I shot at him." Gregory nodded. "You shot at him," he said softly. "That accounts for it. Why did you shoot him? He's perfectly harmless." "He didn't strike me that way," said Michael coolly. "He was trying to pull Miss Leaming- ton from her room." The man's eyes opened. "He got so far, did he? Well?" There was a pause. "You sent him to get the girl," said Michael. "You also bribed Foss to put a mark on the win- A CRY FROM A TOWER 91 dow so that Bhag should know where the girl was sleeping.'- He paused, but the other made no reply. "The cave-man method is fairly beastly, even when the cave man does his own kidnaping. When he sends an anthropoid ape to do his dirty work, it passes into another category." The man's eyes were invisible now; his face had grown a deeper hue. "So that's your line, is it?" he said. "I thought you were a pal." "I'm not responsible for your illusions," said Michael. "Only I tell you this"—he tapped the man's chest with hL« finger—"if any harm comes to Adele Leamington that is traceable to you or your infernal agent, I shan't be contented with shooting Mr. Bhag; I will come here and shoot you! Do you understand? And now you can tell me, what is the meaning of that scream I heard from your tower?" "Who in thunder do you imagine you're cross- questioning?" spluttered Penne, livid with fury. "You dirty, miserable little actor 1" Michael slipped a card from his pocket and put it in the man's hand. "You 11 find my title to question you legibly inscribed," he said. The man brought the card to the table lamp 92 THE HAIRY ARM and read it. The effect was electrical. His big jaw dropped, and the hand that held the card trembled so violently that it dropped to the floor. "A detective!" he croaked. "A—a detective! What do you want here?" "I heard somebody scream," said Michael. "One of the servants, maybe. We've got a Papuan woman here who's ill. In fact, she's a little mad, and we're moving her tomorrow. I'll go and see, if you like?" He looked toward Michael, as though seeking permission. His whole attitude was one of humility, and Michael required no more than the sight of that pallid face and those chattering teeth to turn his suspicion to certainty. Some- thing was happening in this house that he must get to the bottom of. "May I go and see?" asked Penne. Michael nodded. The stout man shuffled out of the room, as though he were in a hurry to be gone, and the lock clicked. Instantly Michael was at the door, turned the handle and pulled. It was locked! He looked round the room quickly and, run- ning to one of the windows, flung back the cur- tain and pulled at the shutter. But this, too, A CRY FROM A TOWER 93 was locked. It was, to all intents and purposes, a door with a little keyhole at the bottom. He was examining this when all the lights in the room went out, the only illumination being a faint red glow from the fire. CHAPTER XIII THE TRAP THAT FAILED AND then Michael heard a faint creak in one corner of the room. It was followed by the almost imperceptible sound of bare feet on the thick pile carpet and the noise of quick breathing. He did not hesitate. Feeling again for the keyhole of the shutter, he pulled out his pistol and fired twice at the lock. The sound of the explosion was deafening in the confined space of the room. It must have had an electrical effect upon the intruder. With a wrench the shutter opened, and at a touch the white blind sprang up, flooding with light the big, ornate room, but it was empty. Almost immediately afterward the door opened through which the baronet had passed. If he had been panic- stricken before, his condition was now pitiable. "What's that? What's that?" he whimpered. "Did somebody shoot?" "Somebody shot," said Michael calmly, "and I was the somebody. And the gentlemen you sent into the room to settle accounts with me M THE TRAP THAT FAILED 95 are very lucky that I confined my firing prac- tice to the lock of your shutter, Penne." He saw something white on the ground and, crossing the room with quick strides, picked it up. It was a scarf of coarse silk, and he smelt it. "Somebody dropped this in their hurry," he said. "I guess it was to be used." "My dear fellow, I assure you I didn't know." "How is the interesting invalid?" asked Michael with a curl of his lip. "The lunatic lady who screams?" The old man fingered his trembling lips for a moment, as though he were trying to control them. "She's all right. It was as I—as I thought," he said; "she had some sort of fit." Michael eyed him pensively. "I'd like to see her if I may," he said. "You can't." Penne's voice was loud, defiant. "You can't see anybody! What do you mean by coming into my house at this hour of the morning and damaging my property? Ill have this matter reported to Scotland Yard, and 111 get the coat off your back, my man! Some of you detectives think you own the earth, but 111 show you you don't!" 96 THE HAIRY ARM The blustering voice rose to a roar. He was smothering his fear in weak anger, Michael thought, and looked up at the swords above the mantelpiece. Following the directions of his eyes, Sir Gregory wilted, and again his manner changed. "My dear fellow, why exasperate me? I'm the nicest man in the world if you only treat me right. You've got crazy ideas about me— you have indeed!" Michael did not argue. He walked slowly down the passage and out to meet the first sector of a blazing sun. As he reached the door, he turned to the man. "I cannot insist upon searching your house, because I have not a warrant, as you know, and by the time I'd got a warrant there would be nothing to find But you look out, my friend!" He waved a warning finger at the man. "I hate dragging in classical allusions, but I should advise you to look up a lady in mythology who was known to the Greeks as Adrastia. And with this he left, walking down the drive, watched with eyes of despair by a pale-faced girl from the upper window of the tower; while Sir Gregory went back to his library and, by much THE TRAP THAT FAILED 97 diligent searching, discovered that Adrastia was another name for Nemesis. Michael was back at Dower House in time for breakfast. It was no great tribute to his charm that his absence had passed unnoticed—or so it appeared—though Adele had marked his dis- appearance and had been the first one to note his return. Jack Knebworth was in his most cheery mood. "I can't tell, of course, until I get back to the laboratory and develop the pictures; but so far as young Leamington is concerned, she's wonder- ful. I bate predicting at this early stage, but I believe that she's going to be a great artist." "You didn't expect her to be?" asked Michael in surprise. "I was very annoyed with Mendoza, and when I took this outfit on location I did so expecting that I should have to return and retake the picture with Mendoza in the cast. Film stars aren't born, they're made; they're made by bit- ter experience, patience, and suffering. But your girl has skipped all the intervening phases and has won at the first time asking." "When you talk about my girl," said Michael carefully, "will you be good enough to remem- 98 THE HAIRY ARM her that I have the merest and most casual inter- est in the lady?" "If you're not a liar," said Jack Knebworth, "you're a piece of cheese!" "What chance has she as a film artist?" asked Michael, anxious to turn the subject. Knebworth ruffled his white hair. "Precious little here in England," he said, "but she may be playing in Hollywood in twelve months' time in an English story directed by Americans!" In the outer lobby of his office—they had returned to Chichester—he found a visitor wait- ing for him and gave her a curt and steely good morning. "I want to see you, Mr. Knebworth," said Stella Mendoza, with a smile at the leading man who had followed Knebworth into his office. "You want to see me, do you? Why, you can see me now. What do you want?" She was pulling at a lace handkerchief, with a pretty air of penitence and confusion. Jack was not impressed. He himself had taught her all that handkerchief stuff. "I've been very silly, Mr. Knebworth, and I've come to ask your pardon. Of course it was wrong to keep the boys and girls waiting, and THE TRAP THAT FAILED 99 I really am sorry. Shall I come in the morning —or I can start today?" A faint smile trembled at the corner of the director's big mouth. "You needn't come in the morning, and you needn't stay today, Stella," he said. "Your substitute did remarkably well, and I don't feel inclined to retake the picture." She flashed an angry glance at him, a glance at total variance with her softer attitude. "I've got a contract. I suppose you know that, Mr. Knebworth?" she said shrilly. "I'd ever so much rather play opposite Miss Mendoza," murmured a gentle voice. It was the youthful Reggie Connolly, he of the sleek hair. "It's not easy to play opposite Miss—I don't even know her name. She's so—well, she lacks artistry, Mr. Knebworth." Old Jack didn't speak. His gloomy eyes were fixed upon the youth. "What's more, I don't feel I can do myself justice with Miss Mendoza out of the cast," said Reggie. "I really don't: I feel most awfully, terribly nervous, and it's difficult to express one's personality when one's awfully, terribly nervous. In fact," he said recklessly, "I'm not inclined to go on with the picture unless Miss Mendoza returns." 100 THE HAIRY ARM She shot a grateful glance at him and then turned with a slow smile to the silent Jack. "Would you like me to start today?" "Not today or any other day," roared the old director, his eyes flaming. "As for you, you nut-fed chorus boy, if you try to let me down 111 blacklist you at every studio in this country, and every time I meet you 111 kick you from here to Halifax!" He came stamping into the office, where Michael had preceded him, a raging fury of a man. "What do you think of that?" he asked when he calmed down. "That's the sort of stuff they try to get past youl He's going to quit in the middle of a picture 1 Did you hear him? That sissy boy—that mouse! Say, Brixan, would you like to play opposite this girl of mine? You can't be worse than Connolly, and it would fill in your time while you're looking for The Head- hunter." Michael shook his head slowly. "No, thank you," he said. "That is not my job. And as for The Head-hunter"—he lit a cigarette and sent a ring of smoke to the ceiling —"I know who he is, and I can lay my hands on him just when I want." CHAPTER XIV MENDOZA MAKES A FIGHT THE director stared at him in amazement. "You're joking!" he said. "On the contrary, I am very much in earnest," said Michael quietly. "But to know The Head- hunter and to bring his crimes home to him are quite different matters." Jack Knebworth sat at his desk, his hands thrust into his trousers pockets, a look of blank incredulity on the face turned to the detective. "Is it one of my company?" he asked, trou- bled, and Michael laughed. "I haven't the pleasure of knowing all your company," he said diplomatically, "but, at any rate, don't let The Head-hunter worry you. What are you going to do about Mr. Reggie Connolly?" Jack shrugged. "He doesn't mean it, and I was a fool to get wild," he said. "That kind of ninny never means anything. You wouldn't dream, to see him on the screen, full of tender- ness and love and manliness, that he's the poor 101 102 THE HAIRY ARM little jellyfish he is! As for Mendoza," he swept his hands before him, and the gesture was significant. Miss Stella Mendoza, however, was not accepting her dismissal so readily. She had fought her way up from nothing, and she was not prepared to forfeit her position without a struggle. Moreover her position was a serious one. She had money—so much money that she need never work again; for, in addition to her big salary, she enjoyed an income from a source which need not be too closely inquired into. But there was a danger that Knebworth might carry the war into a wider field. Her first move was to go in search of Adele Leamington who, she learned that morning for the first time, had taken her place. Though she went in a spirit of conciliation, she choked with anger to discover that the girl was occupying the star's dressing room, the room which had always been sacred to Stella Mendoza's use. Infuriated, yet preserving an outward calm, she knocked at the door. That she, Stella Mendoza, should knock at a door rightfully hers, was maddening enough. Adele was sitting at the bare dressing table, gaaing, a little awe-stricken, at the array of mir- MENDOZA MAKES A FIGHT 103 rors, lights, and the vista of dresses down the long alleyway which served as a wardrobe. At the sight of Mendoza she went red. "Miss Leamington, isn't it?" asked Stella sweetly. "May I come in?" "Do, please," said Adele, hastily rising. "Please do sit down," said Stella. "It's a very uncomfortable chair, but most of the chairs here are uncomfortable. They tell me you have been 'doubling' for me?" "Doubling?" said Adele, puzzled. "Yes, Mr. Knebworth said he was doubling you. You know what I mean. When an artist can't appear they sometimes put in an under- study in scenes where she's not very distinctly shown—long shots." "But Mr. Knebworth took me close up," said the girl quietly. "I was only in one long shot." Miss Mendoza masked her anger and sighed. "Poor old chap! He's very angry with me, and really I oughtn't to annoy him. I'm coming back tomorrow, you know." The girl went pale. "It's fearfully humiliating for you, I realize, but, my dear, we've all had to go through that experience. And people in the studio will be very nice to you." 104 THE HAIRY ARM "But it's impossible," said Adele. "Mr. Knebworth told me I was to be in the picture from start to finish." Mendoza shook her head smilingly. "You can never believe what these fellows tell you," she said. "He's just told me to be ready to shoot tomorrow morning on the South Downs." Adele's heart sank. She knew that was the rendezvous, though she was not aware of the fact that Stella Mendoza had procured her infor- mation from the disgruntled Mr. Connolly. "It is humiliating," Stella went on thought- fully. "If I were you I would go to town and stay away for a couple of weeks, till the whole thing has blown over. I feel very much to blame for your disappointment, my dear, and if money is any compensation "She opened her bag and, taking out a wad of notes, detached four of them and put them on the table. "What is this for?" asked Adele coldly. "Well, my dear, you'll want money for expenses." "If you imagine I'm going to London without seeing Mr. Knebworth and finding out for my- self whether you're speaking the truth" Mendoza's face flamed. "Do you suggest MENDOZA MAKES A FIGHT 105 I'm lying?" She had dropped all pretense of friendliness and stood, a veritable virago, her hands on her hips, her dark face thrust down into Adele's. "I don't know whether you're a liar or whether you are mistaken," said Adele, who was less afraid of this termagant than she had been at the news she had brought. "The only thing I'm perfectly certain about is that for the moment this is my room, and I will ask you to leave it I" She opened the door, and for a moment she was afraid that the girl would strike her; but the broad-shouldered Irish dresser, a silent, but passionately interested, spectator and audience, interposed her huge bulk and good-humoredly pushed the raging star into the corridor. "Ill have you out of there 1" she screamed across the woman's shoulder. "Jack Kneb- worth isn't everything in this company! I've got influence enough to fire Knebworthl" The innuendoes that followed were not good to hear, but Adele Leamington listened in scorn- ful silence. She was only too relieved—for the girl's raging fury was eloquent—to know that she had not been speaking the truth. For one hor- rible moment Adele had believed her, knowing that Knebworth would not hesitate to sacrifice 106 THE HAIRY ARM her, or any other member of the company if, by so doing, the values of the picture could be strengthened. Knebworth was alone when his ex-star was announced, and his first instinct was not to see her. Whatever his intentions might have been, she determined his action by appearing in the doorway, just as he was making up his mind what line to take. He fixed her with his gimlet eyes for a second and then, with a jerk of his head, called her in. "There are many things I admire about you, Stella, and not the least of them is your nerve. But it is no good coming to me with any of that let-bygones-be-bygones stuff. You're not ap- pearing in this picture, and maybe you'll never appear in another picture of mine." "Is that so?" she drawled, sitting down unin- vited and taking from her bag a little gold ciga- rette case. "You've come in to tell me that you've got influence with a number of people who are finan- cially interested in this corporation," said Jack to her dismay. She wondered if there were telephone communication between the dressing room and the office: then remembered there wasn't. MENDOZA MAKES A FIGHT 107 "I've handled a good many women in my time," he went on, "and Fve never had to fire one but she didn't produce the president, vice president, or treasurer and hold them over my head, with their feet ready to kick out my brains! And, Stella, none of those holdups ever got by. People who are financially interested in a company may pass as your friends, but their first interest is the money." "Well see if Sir Gregory thinks the same way," she said and Jack Knebworth whistled. "Gregory Penne, eh? I didn't know you had friends in that quarter. Yes, he is a stockholder in the company, but he doesn't hold enough to make any difference. I guess he told you that be did. And if he held ninety-nine per cent of it, Stella, it wouldn't make any difference to old Jack Knebworth, because old Jack Knebworth's got a contract which gives him a free hand, and the only getting-out clause is the one that gets me out! You can't touch me, Stella." "I suppose you're going to blacklist me?" she said sulkily. This was the one punishment she most feared —that Jack Knebworth should circulate the story of her unforgivable sin of letting down a picture when it was half shot. 108 THE HAIRY ARM "I thought about that," he nodded, "but I guess I'm not vindictive. I'll let you go and say the part didn't suit you, and that you resigned, which is as near the truth as any story I'll have to repeat." He waved her out of the office, and she went, somewhat chastened. Outside the studio she met Lawley Foss and told him the result of the interview. "If it's like that, you can do nothing," he said. "I'd speak for you, Stella, but I've got to speak for myself," he added bitterly. "The idea of a man of my genius truckling hat in hand to this old Yankee is very humiliating." "You ought to have your own company, Law- ley," she said, as she had said a dozen times before. "You write the stuff, and 111 be the leading woman and put it over for you. Why, you could direct Kneb's head off. I know, Lawley 1 I've been to the only place on earth where art is appreciated, and I tell you that a four-flusher like Jack Knebworth wouldn't last a light mile at Hollywood!" Her voice was emphatic. "Light mile" was a term she had acquired from a scientific admirer. It had the double advantage of sounding grand and creating a MENDOZA MAKES A FIGHT 109 demand for an explanation. To her annoyance Foss was sufficiently acquainted with elementary physics to know that she meant the period of time that a ray of light would take to traverse a mile. "Is he in his office now?" She nodded, and without any further word Lawley Foss, in some trepidation, knocked at his chief's door. "The truth is, Mr. Knebworth, I want to ask a favor of you." "Is it money?" demanded Jack, looking up from under his bushy brows. "Well, it was money, as a matter of fact . There have been one or two little bills I've overlooked, and the bailiffs have been after me. IVe got to raise fifty pounds by two o'clock this afternoon." Jack pulled open a drawer, took out a book, «nd wrote a check, not for fifty pounds but for eighty. "That's a month's salary in advance," he said. "You've drawn your pay up to today, and by the terms of your contract you're entitled to one month's notice or pay therefor. You've got it." Foss went an ugly red. 110 THE HAIRY ARM "Does that mean I'm fired?" he asked loudly. Jack nodded. "You're fired, not because you want money, not because you're one of the most difficult men on the lot to deal with, but for what you did last night, Foss." "What do you mean?" "I mean I am taking Mr. Brixan's view that you fastened a white label to the window of Miss Leamington's room in order to guide an agent of Sir Gregory Penne. That agent came and nearly kidnaped my leading lady." The man's lips curled in a sneer. "You've got melodrama in your blood, Kneb- worth," he said. "Kidnap your leading ladyl That sort of thing may happen in the United States, but it don't happen in England." "Close the door as you go out," said Jack, preparing for work. "Let me say this," began Foss. "If you" "I'll let you say nothing," snarled Kneb- worth "Not even good-by. Get!" When the door slammed behind his visitor, the old director pushed a bell on his table, and to his assistant who came he said: "Get Miss Leamington down here. I'd like contact with something that's wholesome." CHAPTER XV TWO FROM THE YARD CERTAINLY Chichester is not famous for its restaurants, but the dining room of a little hotel, where three people foregathered that after- noon, had the advantage of privacy. When Mike Brixan got back to his hotel he found two men waiting to see him; and, after a brief intro- duction, he took them upstairs to his sitting room. "I'm glad you've come," he said, when the inspector had dosed the door behind him. "The fact is that sheer criminal work is a novelty to me, and I'm afraid that I'm going to make it a mystery to you," he smiled. "At the moment I'm not prepared to give expression to all my suspicions." . Detective Inspector Lyle, the chief of the two, laughed. "We have been placed entirely under your orders, Captain Brixan," he said, "and neither of us is very curious. The information you asked for, Sergeant Walters has brought." He indicated his tall companion. 111 112 THE HAIRY ARM "Which information—about Penne? Is he known to the police?" asked Michael, interested. Sergeant Walters nodded. "He was convicted and fined a few years ago for assaulting a servant—a woman. Appar- ently he took a whip to the girl, and he very narrowly escaped going to prison. That was the first time our attention was attracted to him, and we made inquiries both in London and in the Malay States, and we found out all about him. He's a very rich man, and, being a distant cousin of the late baronet, you may say he fluked his title. In Borneo he lived practically in the bush for fifteen or twenty years, and the stories we have about him aren't particularly savory. There are a few of them which you might read at your leisure, Mr. Brixan. They're in the record." Michael nodded. "Is anything known of an educated orang-outang which is his companion?" To his surprise the officer answered: "Bhag? Oh, yes, we know all about him. He was captured when he was quite a baby by Penne and brought up in captivity. It has been rather difficult to trace the man, because he never returns to England by the usual steam- ship lines, so that it's almost impossible to have TWO FROM THE YARD 113 a tag on him. He has a yacht, a fine, sea-going boat, the Kipi, which is practically officered and manned by Papuans. What comes and goes with him I don't know. There was a complaint came through to us that the last time Penne was abroad he nearly lost his life as the result of some quarrel he had with a local tribesman. Now, Mr. Brixan, what would you like us to do?" Michael's instructions were few and brief. That evening, when Adele walked home to her lodgings, she was conscious that a man was fol- lowing her, and after her previous night's adven- ture this fact would have played havoc with her nerves, except for the note she found waiting when she got indoors. It was from Michael. Would you mind if I put a Scotland Yard man to watch you, to see that you do not get into mischief? I don't think there's any danger that you will, but I shall feel ever so much easier in my mind if you will endure this annoyance. She