| E. R. S. Tº OF MICHICAN UN |- |- |- |- |- |- |- |- Al THE CRIME COAST ELIZABETH GILL THE CRIME COAST A Murder Mystery of the French Riviera A new author enters the ranks of detective story writers with this brilliant story of murder and treach- ery in the fogs of London and the sunshine of southern France. GARDEN CITY, N. Y. PUBLISHED FOR THE CRIME CLUB, INC. BY DOUBLEDAY, DORAN & COMPANY, INC. PRInted at The Country Life Press, GARDEN city, N. Y., U. S. A. coPYRIGHT, 1931 BY DOUBLEDAY, DoRAN & company, INC. all, Richts Reserved FiRST EDITION ; i - - 7…a …& 44. **, * A, *...* *… tº * /*-44 CONTENTS charte- I FROM A MORNING PAPER II P.L.M. - III PRIVATE INQUIRY IV. P. L. M. CONTINUED V LA FêTE COMMENCE VI BENVENUTO BROWN VII THE ADVENTURES OF A TAXICAB VIII CORONA-CORONA IX COOKERY AND CRIME X THE PARTY XI THE DARK HOUSE XII A WORD WITH MISS MOON XIII “THE BEAUTIFUL CITY WITH DIRTY FEET’’ XIV ROUGH-HOUSE XV IN WHICH ADELAIDE IS BITTEN BY A MOSQUITO XVI WINGS XVII CLIMAX Pace II 22 32 58 7o 87 95 III I24 I34 I46 17o I8I 2O7 vi C O N T E N T S charre- XVIII XIX XXII XXIII XXIV XXVI XXVII ANTI-CLIMAX “LOU CAT” “DR. LIVINGSTONE, I PRESUME?” A YOUNG MAN OF TEMPERAMENT CONFESSION IMPACT CRIME —AND PUNISHMENT JUMPING TO CONCLUSIONS ON THE RAFT race 216 226 239 248 257 269 274 282 289 307 THE CRIME COAST ----- CHAPTER I F. R O M A M O R N IN G PA P E R DOUBLE CRIME AT LONDON HOTEL Body of Woman Found wrapped in Eiderdown COUNTESS’S JEWELS STOLEN A TRAGIc discovery was made at Bishop's Hotel last evening when a maid, on entering the suite of Signora da Costa, a rich Argentine guest at the hotel, found her dead body on the bed wrapped in an eiderdown. An extraordinary feature of the crime is that the body had on nothing but a number of mag- nificent jewels. Other jewels of great value were strewn on the dressing table, and so far nothing appears to be missing. The unfortunate woman had been smothered. Half an hour after this tragedy was discov- ered the Countess of Trelorne, on returning from a drive in her car, found that her room in 9 IO T H E CRIME COA ST the same corridor had been ransacked by thieves who had made off with her famous collection of jewels including the well-known Trelorne pearls. Scotland Yard officers are at work on the scenes of both crimes, and are anxious to get in touch with a young man who is known to have lunched with the Signora yesterday, and a wo- man who visited her later in the afternoon. The Signora arrived from Paris on Monday night. She was a woman of great beauty and had been painted by many artists of the modern school. CHAPTER II P. L. M. “DIJON, Maçon, Lyons, Valence, Avignon, Marseille!” shouted the conductors. Paul Ashby, standing on the platform at the Gare de Lyons, thought that no poem could please him better. His place was booked and his luggage stowed away in his sleeping car, and he walked up and down watching the tremendous bustle and excitement that attends the departure of a French train—rather as if, he thought, a great experiment were about to be made in transport, and the first steam-driven vehicle were starting on a hazardous journey across France. Porters shouted, whistles blew, bells rang, and passen- gers rushed madly up and down, losing and find- ing their places, their luggage, and their chil- dren. Everyone but Paul appeared to be travel- ling en famille. The third class was already crowded to bursting point and through the win- dows he could see perspiring faces of every nationality and every hue, peasants, soldiers, II I2 T H E C R IM E CO A ST and sailors; Moors, Turks, Lascars, Chinese, and French; brown, black, and yellow faces, white faces, painted faces. Paul caught sight of the gold teeth and flashing eyeballs of a Negro, and then the pale face and black hair of a French woman who had taken off her hat and was putting a shawl over her head for the night. The barrows of foodstuffs were doing a brisk trade with long loaves of bread and bottles of Vichy and wine, and the air was full of the smell of sulphur and smoke and, more intimately, with the odours of humanity, garlic, and French cigarettes. - The noise and excitement increased until the great iron girders of the Gare de Lyons seemed to vibrate with it, and then a bell rang with more determination than usual. Paul looked at his watch and walked towards his carriage. “En voiture, m'sieurs, dames, en voiture!” yelled the porters with the enthusiasm that Eng- lishmen reserve for a football match. Paul got into the train; doors banged, the whistle blew, and with a tremendous jerk the train started. With every revolution of the wheels Paul's spirits rose. His acquaintance with the Conti- nent extended at the moment no further than a view of Boulogne, with gray houses huddled to- gether in the rain; a rather dull countryside of P. L. M. I3 wide green fields and gray stone villages seen from the windows of the train, all of which looked surprisingly English, he thought; a re- markably good lunch in the restaurant car where it had been a relief to find his first order, spoken a little gruffly, in French, unhesitatingly obeyed; rain and more rain driving against the carriage windows and through it glimpses of long straight roads planted endlessly with plane trees which together with advertising signs im- parted a faintly foreign air to the landscape. “Byrrh,” he read, “Savon Cadum,” “Thé Lip- ton.” At last Paris, its outskirts shabby and rather sordid, lightened with an occasional view of the Seine, and finally the Gare du Nord where he was outraged at being taken for an Englishman by an officious Cook's man. Three hours to spare —what could one do in three hours? Deciding to damn the expense, he took a taxi and drove endlessly through the wet streets. Per- haps because of the weather, it was not quite the Paris he had expected—a glittering city of foun- tains and flowers, chic, elegant, and faintly sin- ful. Instead he found it a trifle sinister, old, and heavy with history, half expected a tumbril to clatter down the gray streets, and to see the full gutters flowing with blood. In the Place de la I4 T H E CRIME COAST Concorde the city surprised him again; here it was austere, intellectual, and grave, and then in a flash it changed and seemed to flutter a skirt at him as he drove down the Rue de Rivoli and saw through the arcades bright windows of pearls, flowers, and scents. There on his right were gardens and statues and a great palace which must be the Louvre. He decided to have a drink before seeing anything more, and tapping on the window told the man to drive to a café. Here he paid him off, sat down, ordered a bock, and listened to a bearded gentleman ex- plain to another with a good deal of passion how to mix a salad. He wondered if the animated conversations going on on each side of him were equally trivial, then, suddenly feeling lonely, he finished his drink and left. He was glad when his sight-seeing was over—if Brian and Evans had been with him it would have been different, but exploring cities alone was dreary work. They had planned this trip together, the three of them, standing over a map of France in Paul's rooms during their last term at Oxford. Then during the summer an unexpected job had sent Brian off to India, and as for Evans, he had sud- denly, inexplicably, got engaged to be married. Paul could make nothing of it, and feeling dis- P. L. M. I5 tinctly bereaved, he had decided on carrying out the holiday alone—partly from a temperamental dislike of altering his plans, partly to satisfy a craving for adventure which existed somewhere in the secret places of his soul. Once in the train he forgot to feel lonely—he was heading south, to a strange country, and unexpectedly on a stranger quest. The day before London had been in a particu- larly bad mood. It was the end of a long heat wave, and on this particular July evening the city lay sinister, tense, and expectant, not a breath stirring. In Bloomsbury the leaves of the plane trees hung limply, the Georgian houses looked shabby and discouraged. Paul, sitting in his rooms in Great James Street, sur- veyed his pile of neatly strapped and labelled luggage and wondered if he'd made a fool of himself. To go south in this weather . . . He stared out of the window, where the edge of a purple thunder cloud had rolled into view, got up, stretched his long legs, and mixed him- self a drink. “At least,” he thought, “I shall be able to swim in the Mediterranean, and go about in shirt sleeves. I wonder if I’ve packed enough shirts”—and, his thoughts reverting to his lug- gage, he sat down again and began to write in I6 T H E C R IM E CO AST his neat, rather academic hand an extra label for his largest suitcase: PAUL ASHBY PASSENGER TO MARSEILLE VIA BOULOGNE AND PARIS He blotted the label and paused, listening. Footsteps were passing his door and ascending the staircase, and in the tense atmosphere of the hot evening every sound had a peculiar signifi- cance. He wondered who it could be, for the top of the house was occupied only by the offices of a private inquiry agency which had closed for the night half an hour earlier. The footsteps hesitated—stopped—there was a crash, and the sound of something slithering down the staircase. Paul rushed to the door and opened it to find the body of a man lying at his feet. He appeared to be just conscious and was breathing fast, his face distorted with pain. Paul managed to get him onto his sofa and propped him up with cushions, looking down at him anxiously. It would be discouraging on the eve of a summer holiday to have an unknown man fall into one's rooms and die on one—and while half Paul's mind was engaged upon a picture of himself as chief witness at an inquest, the other half was taking in details of his precipitate guest. The P. L. M. 17 man was elderly and white-haired, with a sensi- tive, distinguished face. His clothes were beauti- fully cut and there was a nice harmony between shirt, socks, and tie. He looked pathetic lying there in his fine clothes. “How about a whisky, sir?” said Paul nerv- ously, rather at a loss as to how to deal with the situation. “Thank you—no—a little water,” gasped the old gentleman, his hand going feebly towards his breast pocket. Paul brought him a glass of water and saw a couple of little white pills disappear into his mouth. He didn't like to stand there watching the old man, so he strolled across to the window to await developments. There was no car outside; who on earth could he be? A scholarly soldier or a gentleman of leisure who dabbled in the fine arts? Certainly one who would look more at home in a club in St. James's than in the offices of a private inquiry agency. Presently Paul heard a movement behind him and turned to find his guest, shaky but obviously recovering, sitting up and dusting his trousers. “Came rather a crash,” he said apologetically. “Most good of you to pick me up. It's my I8 T H E C R IM E CO A ST wretched heart, you know, gets me like that sometimes. I do hope I didn't give you a shock. I'll be getting along now—and many many thanks.” “You mustn't think of it, sir. Please sit down and rest, and I'll get you a taxi later. It must have given you a nasty jar, coming down those stairs. Won't you drink a glass of sherry with me?” “Well, really, my dear fellow, you're very good—and if you're sure I'm not putting you out I will stay a few minutes longer.” He subsided on to the settee with an air of re- lief, and Paul went to fetch sherry and glasses. When he came back he found a card lying on the table, and read: “Major E. W. Kent, Black's Club.” He introduced himself as he poured out the drinks, and as he sat there, glass in hand, felt the situation becoming more normal. “Pleasant rooms you've got here,” said Major Kent appreciatively, looking at the green painted walls lined with bookshelves, the neatly framed etchings, and curtains of faded Indian red silk that hung from the high Georgian win- dows. “I’m afraid it looks like a left-luggage office at the moment,” apologized Paul. “As you see, I'm just off for abroad.” P. L. M. I9 “Are you staying in Marseille long?” asked Major Kent, looking at the label on the nearer suitcase. “You’ll find it a bit hot just now.” “I’ve no idea. This is the first time I’ve been able to go abroad since I was a kid and I'm off into the blue for a month or so before starting work. I've no plans and very little money, but the idea of seeing the Mediterranean makes me feel as adventurous as though I were about to explore darkest Africa. I want to stay in France because I know the language pretty well and I believe it's cheaper than Italy. I suppose, actu- ally, the French Riviera is about as exciting as Bath or Tunbridge Wells?” “That depends where you go. I have a son—” Major Kent hesitated, and a look of sadness crossed his face—“who is a painter and who has spent a good deal of time down there since he left the Slade. Before my heart went groggy I used to travel about with him, and I could give you the names of a good many delightful places off the beaten track if you'd care to have them.” “I say—that would be awfully good of you, Sir.” “I don't know what you're after, of course, but you'll find most of the so-called gay places like Monte Carlo and Cannes with their dust covers on at this time of year. Now what was 2O T H E CRIME COAST that little place Adrian was so fond of?—I have it—St. Tropez.” And for the next half hour Major Kent described to Paul the life of the Southern fishing ports, with their floating popu- lation of painters, writers, and étrangers from all parts of the world, while Paul, intensely in- terested and a little startled, listened and made some methodical notes in his notebook. Major Kent talked well, choosing his words with fastidious care and speaking from a slightly impersonal angle, as though his interest in life was from the observer's point of view; though whenever he mentioned his son a note of warmth and gentleness came into his voice. - He appeared to be still suffering from his fall, and when he rose to go Paul, who began to feel a sincere-liking for him, said: “Look here, sir, you'd be doing me a real favour if you'd care to stay and dine with me. I was feeling thoroughly bored when you—er— dropped in, and I’m in the desolate state of hav- ing nothing whatever to do till my train goes to-morrow morning. If you don't mind a rather scratch meal I’d be really grateful if you'd stay.” After a slight hesitation, Major Kent accepted and Paul telephoned to the near-by restaurant that sent up his meals. They were soon seated over an excellent sole, a bottle of Beaune and a P. L. M. 2 I roast chicken, and as the meal went on Paul felt he had known his guest for years. Major Kent talked a lot, and on a variety of subjects, yet all the time Paul felt that one half of his mind was engaged on some personal and acute problem. When the waiter had cleared away and left them with coffee and liqueurs, Major Kent said hesitatingly: “That place upstairs—d'you know anything about it?” “The inquiry agency? Can't say I do, except that I don't much like the look of the chap that runs it.” “H'm—I was a fool. I went there on the im- pulse of the moment.” Then abruptly: “I have been wondering as I talked to you whether I should put to you a rather extraordinary propo- sition. It must be on the clear understanding that if you don't like the sound of it you turn it down.” “But of course, sir, carry on. If there is any- thing I can do . . .” “Then I'll take you at your word, and ask you to listen to what is for me a tragic story.” CHAPTER III PRI W A T E IN QUIR Y “I DON'T want to fatigue you with my whole family history,” commenced Major Kent apolo- getically, “so I will tell you as briefly as I can how things stand. “You heard me speak just now of my son Adrian. Twenty-five years ago my wife, with whom I was very deeply in love, died in giving birth to him. We'd been very happily married for two years, and when she died I felt—well, I needn't go into that. I retired from the army and left England, leaving the child in the care of an old woman, a cousin of mine. I could hardly bear to set eyes on him, feeling that his birth had caused my wife's death. For ten years I wandered about the earth, doing nothing in particular, leading a life that was adventurous and not specially creditable. I had no wish to marry again, and my chief interest was in start- ing to make a small collection of paintings, which is still my hobby. “At the end of ten years I heard that the 22 PRIVATE IN QUIR Y 23 cousin to whom I had intrusted my son had died, and I returned to England to make new arrange- ments for him, but with no particular interest in seeing him again. “On arriving in England I went to the small country town where my cousin had lived. I found her house, which was a large gloomy Vic- torian affair surrounded by a garden full of depressing-looking shrubs and gravel paths. An elderly parlourmaid informed me that Master Adrian was in the garden, and feeling a little conscience-stricken at the idea of a child living in such an atmosphere, I went in search of him. He was sitting, dressed in deep black, in an ivy- covered arbour with a drawing book on his knee, and when he raised his head he showed me a face of such strange intelligence and faunlike beauty, a face which bore so strong a resem- blance to that of my dead wife that I stood silent and afraid in front of him. However, he was very polite, and got up and shook hands with me with a kind of Victorian courtesy, saying that I must be his father, and had I had any teaf “I took him away from that horrible house the same night, and we spent three months to- gether on the Norfolk Broads in a yacht. We had a good time, and I was very happy watch- ing him gradually throw off the influence of his PRIVATE IN QUIR Y 25 graph had been in every newspaper about ten years ago as the chief character in a particularly unsavoury divorce case? I had reason to remem- ber her, for this case had involved the disgrace and ultimate suicide of a man in my old regi- ment, a great friend of mine. My revulsion of feeling was so great that I was speechless. When I turned to my son I saw him gazing at the painting with such adoration that I lost my head and heaped abuse upon this woman. I told him all I knew about her, sparing no detail, and then suddenly realized as I caught sight of his face that he did not believe a word I was saying. It nearly broke my heart and I continued more and more fiercely, trying to justify myself. We said terrible things to each other—he accused me of trying to poison his mind against her. “The end of it all was that he rushed from the house and I have not seen him since. “Soon after my son disappeared I had the first of a series of bad heart attacks, and my doctors tell me I may have only a year to live. I have made every possible effort to trace my son, with no success, and as I am forbidden to travel I feel almost despairing, for I am con- Vinced he is not in England. A week or so ago I believed I had a clue to his whereabouts. I had a letter from the Leinster Galleries asking 26 T H E C R IM E COA ST me to come round and see some paintings which had just arrived from Paris, the work of a young English artist named Adelaide Moon, which they thought would interest me. I went along, and in looking through the paintings I saw one of a group of people at a café table in the south of France. It was dated July of this year—only a month ago—and one of the figures I felt cer- tain I recognized as that of my son, from the very typical attitude in which he is seated. I im- mediately got into touch with Miss Moon's Paris dealer, only to hear that she had gone off on a painting expedition in France and Italy, leaving no address. They have promised to let me know immediately she returns, but appar- ently she is erratic, and sometimes goes off for months at a time. “Then, this morning I received a typewritten envelope, posted in London, and inside it an- other envelope addressed in my son's hand- writing.” Major Kent felt in his pocket and brought out a letter, which after a moment's hesitation he handed to Paul. “Perhaps you'll read it,” he said. “As you will see, it gives me no clue as to where he is. It ex- plains better than I can the terrible mess the boy has got into.” PRIVATE IN QUIR Y 27 Paul read: DEAR DAD: I find it very hard to write to you, for I don't see that anything can make any difference now after the awful things I said to you before I went away. Sometimes I think we will forget about it one day and our life will go on as it used to. - Of course you were absolutely right about Luela. I loved her for months and was terribly unhappy most of the time. I couldn't leave her for a long time, even after I was unhappy. She seemed to make me mad, so that I forgot everything. She wouldn't let me paint, except sometimes she would want me to paint her. I used to think she was in- terested in my work, but I realized after a bit she would have much preferred nude photographs of herself. One day we had a terrible row and I went away. For a month I was very happy—I felt as if I’d recovered from some horrible disease. I started to work again, and made up my mind I would stay abroad for a few months painting until I had done some decent things I could bring back to you. I hadn't any money, but I was able to pawn my cigarette case and a few other things. Then one day I got very low and I sold that jewel Luela had given me when I was painting her portrait. By bad luck the jeweller I sold it to recognized it, and knew Luela and wrote to her. She immedi- ately came to see me and begged me to come away with her. It was all horrible and disgusting, and I refused. She continued to come and see me, and then one day got into a terrible passion and said 28 T H E C R IM E CO A ST unless I would come she would denounce me to the police as a jewel thief. She went away and I didn't hear any more for several weeks. Yester- day I had a letter from her saying she would give me one last chance to come to her, and if I didn't she would carry out her threat. I am going to see her about it, and if she won't relent I shall dis- appear for a few months, by which time she will have started a new affaire and forgotten. So please don't try to get in touch with me. I am not coming back until this business is all over and done with. And then—if you can possibly forget it all—how about that trip to the Pacific we promised ourselves? - All my love, ADRIAN. Paul finished reading, and sat for a few mo- ments sucking at his pipe and staring at the letter in his hand. He felt puzzled and embar- rassed, profoundly sorry for the old man whose story he had listened to, yet both shy and hesitant of offering sympathy or advice. He glanced up and caught the wistful and eager eye of Major Kent, who leant forward. “You must forgive me for inflicting on you the troubles of an absolute stranger,” he said. “I was feeling rather desperate this evening and felt that the only thing left for me to do was to go to an inquiry agency and employ a man to PRIVATE IN QUIR Y 29 look for my son. Much as I loathed the thought of it, I felt I couldn't go on any longer in a state of suspense. By an accident I find myself in- stead in your rooms, just as you are starting for that very part of the world where I feel my son to be, or at least where news of him could be had. You've been so very good already in enter- taining a perfect stranger and allowing him to take up your whole evening, that I am almost ashamed to go on.” “Look here, sir,” said Paul earnestly, “if you think there's anything I can do, please go ahead and don't hesitate for a moment.” “Find the boy for me!” said the old man, stretching out his hand in a kind of vague ap- peal. “I must see him—I must—and if he is in any danger from the police, as he imagines, I must help him. He does not know I am ill, and unless I get in touch with him soon I may never see him again.” He pulled himself together, and continued more quietly: “Could you possibly look upon it as a job to combine with your holiday? It would give you an object, and might lead you into places you would not otherwise see. Let me pay all your expenses; go and make inquiries among the colony of painters in different vil- lages in the South for my son and for this Miss 3O T H E C R IM E COA ST Adelaide Moon. You may fail, in which case there's no harm done, and meanwhile—well, I should feel a different man if I knew a real effort was being made. And I don't believe you would fail. . . .” Paul stood in the doorway, with his hands in the pockets of his Burberry, watching the tail light of Major Kent's taxi disappear down the road through a deluge of rain. The storm had burst, and Paul sniffed the rain appreciatively, watching the skyline of Great James Street, the Georgian fronts and plane trees illuminated by great flashes of lightning, with a loud accom- paniment in the bass. It was glorious after the dusty, sunbaked days and stuffy nights and Paul felt wildly exhilarated. He was committed to all kinds of adventure, he felt, and grinned as he thought of himself in his new character of sleuth. His holiday, which until now he'd thought of as an opportunity for doing a lot of reading, walking, and swimming, had taken on new and exciting colours. What was more, it wasn't going to cost him a penny, for Major Kent had insisted on paying all his expenses, and was seeing him off at Victoria in the morning with a large check, a letter to Adrian, and a photograph whereby Paul might identify him. PRIVATE IN QUIR Y 3I He went in, shut the door, and ran upstairs in the best of spirits. His foot kicked against some- thing as he reached the landing, sending it fly- ing with a clink of metal. He groped on the floor until he found it. It was a key. He stood looking at it for a moment. Then he said aloud: “When we notice the brass tab attached to the key, my dear Watson, we realize that our fellow detec- tives up above have been making investigations in an hotel.” He slipped the key into the pocket of his Burberry, thinking that he must remem- ber to give it to the caretaker in the morning, and went off to bed feeling that his career as a detective was launched. : CHAPTER IV P. L. M. C. O N T IN U E D PAUL stood in the corridor and watched Paris slip by, rain-swept under a leaden sky. The storm had followed him across the Channel and had broken over the whole of the north of France. The rain looked as though it would never stop, and he rather enjoyed the dreary landscape, knowing that every moment he was nearing a sunny coast he had never seen. How did the poem go—Dijon, Maçon, Lyons, Va- lence, Avignon, Marseille—the very names were full of sunlight and the smell of wine—it couldn't be raining in Valence or Avignon. His meditations were interrupted by the dinner stew- ard and he took a ticket for the premier service. He went along to his sleeper to clean up for dinner, and realized with a shock as he opened the door that he was to share the compartment with another. A very stout person was seated on the lower bunk. He was clad in a light gray suit covered with the largest checks Paul had ever seen, and 32 P. L. M. 33 on the floor beside him was an extremely pointed pair of light tan shoes. He was engaged in wrig- gling his toes, freed from their glacés prisons, with exquisite satisfaction, and mopping his face with a flowered bandana. As Paul came in he paused and looked out from the folds of flow- ered silk. The small eyes fringed with sandy lashes were set in a pink face. He was thick- necked and heavy-jowled, and his head being almost bald appeared to go up to a point, like some gleaming and highly coloured egg. Paul thought of a bookie he had once seen on Brighton Race Course. “Evenin’,” he said. “Good-evening,” replied Paul rather shortly. “Whew! Bit warm, ain't it? Glad to see you ain't one o' them Frenchies—can't get on with their lingo myself. 'Ave a cigar—Coronas, they are.” And he offered Paul an enormous Corona from his pocket. “Er—thanks awfully but I think I'd rather have a cigarette if you don't mind—I’m just going to have dinner.” “Oh, well—just as you like. Pity though— good cigars, they are.” He lit one himself and leant back with his thumbs in his waistcoat. “’Aving dinner on the train, d'you say? You're wrong, you know, you're wrong. I 'ad a 34 T H E C R IM E CO A ST slap-up meal in Paree before starting, and jolly good it was; cheap, too, only fifty francs for a bottle of 'Eidseick—and everything of the best.” To add point to his remarks, he removed his cigar and got to work with a toothpick. Paul lit a cigarette and stared at him coldly. His com- panion was rendered temporarily speechless, but having brought his excavations to a triumphant conclusion he went on: “You got the top bunk, I see. Just as well, p'raps—I ain't built for Al- pine sports meself.” He laughed wheezily. “Stayin' in Marsails?” he asked. “No,” said Paul, “I’m going straight through to a fishing village along the coast.” “Very nice, too,” said his companion. “Very nice indeed, I should say. I’m stoppin' in Mar- sails for a while, just to see a bit of night life— and then I’m for the seaside meself. Come in for a bit of the best lately,” slapping his pocket, “so I thought I'd 'ave a look at the Sunny Sarth, as they say.” The dinner bell came as a welcome interrup- tion and Paul got up hurriedly. “Well, I hope you'll like it,” he said. “Er— care to have a look at my papers while I’m at dinner?” “Well, that's very kind of you. I don't mind if I do.’Ere—take a cigar to 'ave with your din- 36 T H E C R IM E CO A ST Paul blushed again, and renewing his apolo- gies in English he turned to go on his way when a voice called him back. “I say, is this yours?” she said, and Paul saw her face round the door of the carriage now definitely laughing at him, and her hand hold- ing out a battered Corona-Corona. He went back to retrieve it, conscious of the fact that the whole carriage was looking on with delighted interest. “Thanks awfully,” he said. “Someone just gave me the wretched thing—how absurd!” and he caught her eye and laughed, and went on to dinner feeling he'd cut a figure that was far from heroic. And such a lovely girl. . . . Paul wondered if she'd had dinner—if he'd see her again—if he could possibly go back later to inquire about her foot. Sitting down to dinner, he found himself en- tirely unable to concentrate on the copy of Life and Letters he'd brought with him to read. What extraordinarily nice legs she'd got. Paul wasn't an expert on legs, but frequent visits to the British Museum to study the Greek vases made him recognize that hers really were the most classic shape. He sighed and ordered his food and wine, and found himself wishing he was the sort of chap who'd have the courage to 38 T H E C R IM E CO A ST handbag and frowned slightly into the mirror, which seemed to Paul extraordinary considering that it reflected a bronzed oval face with a flowerlike scarlet mouth and enormous brown eyes that looked frank and childish in spite of their heavy make-up. She was beautiful, she was startling, but to Paul she was a problem about which he had no data. Could she possibly be a lady of Uncertain Virtue? She summoned the waiter and ordered a cocktail and her dinner in faultless French. “Aren't these trains positively filthy?” Paul gave a slight start and said: “Er—yes.” She polished her glass, plate, knife, and fork with a napkin and smiled at him. The waiter brought her Martini and she leant across the table. “Won't you have a cocktail, too, to wash away our stormy encounter?” Paul gave in gladly; she was making a party of it, and, damn it, why not? After all, wasn't he in France? He summoned the waiter and ordered another. “I must explain about that cigar,” he said. “I don't generally carry them in my hand, but an awful fellow in my compartment pressed it on me. I don't smoke the things myself.” P. L. M. . 39 “Certes, vous n’avez pas l'air d'être banquier,” she retorted, nonplussing him for the moment. “We all hate bankers, don't we? Perhaps your expensive friend is one. Let's make him buy us some champagne. Isn't this soup almost too P. L. M.P I suppose you're going to India or somewhere from Marseiller” “Oh, no,” replied Paul. “I’m going to St. An- toine along the coast. Do you know it? I say, by the way, would you really like some cham- pagne?” “Oh my dear no. I was only joking. But thanks very much. St. Antoine! Why, it's my home town.” (She had called him “my dear,” and was going to St. Antoine.) “If you've never been there before you'll like it,” she went on. “Of course everyone's quite mad, or pretends to be. Lots of bright young people in bright young jumpers. They talk and drink and bathe at midnight and have amusing parties, but it's all froth, you know. Just a few really hard workers like myself go there every year.” She was speaking seriously, and Paul, who hadn't enough courage to ask her what she worked at, concluded she was probably a jour- nalist, or perhaps a professional dancer. Yes, 4O T H E C R IM E CO A ST very likely she was a dancer and he would see her in pearls in some Casino. “Do you paint, too?” she asked. (Good God! and he'd thought of her fox- trotting!) “No, I'm afraid I can't do anything like that. I'm a barrister. I say, do you really paint?” “Why do you look so astonished?” she laughed. - “Well, I don't know but—I’ve got a cousin who paints and she goes about in a sort of hand- woven bathrobe—like Burne-Jones, you know,” he added vaguely. She gave a peal of laughter. “Sandals and no sex appeal—I know. Funny old-fashioned thing. I don't see why one should dress the part, do you? And anyhow it's a far cry from Morris to Matisse.” “No, I don't—that is, I mean,” he stumbled, “I think you look awfully nice as you are.” She smiled into her coffee cup. “We shall get swept out with the crumbs if we stay here much longer. Why not come and have a cigarette in my carriage if you don't want to talk to your banker friend?” So Paul followed the entrancing creature along the lurching train, and they sat down in opposite corners of the carriage. She gave him a French cigarette from her case and then said: P. L. M. 4I “Is that to-day's London paper you've got? May I look at it? I crossed over last night, and for- got to get a Daily Mail in Paris.” She subsided behind it and Paul tried to bury himself in a magazine. He was rather proud of himself, for he'd insisted on paying for her din- ner. And she'd asked him to dine with her in St. Antoine. What a marvellous holiday he was going to have. With a sense of guilt he suddenly remembered Major Kent, and the quest he was on. By Jove—if she was a painter she would probably know Adelaide Moon—even Adrian himself. He would ask her. He leant across and addressed the Daily Mail. “I was wondering—do you know anyone called Adelaide Moon—or—” The paper dropped from her hands. She stood up, and her face was white. “I—I Good-night—I'm going to bed.” And she disappeared into the corridor. Paul sat staring at the empty seat in front of him. What had happened? Why had she rushed away? Could it have been his question—or something she'd read in the paper? He picked it up and scanned it. The Premier to visit America. Murder in a London hotel. Cricket results. There was noth- ing there. Could he have offended her? 42 T H E C R IM E. C. O A ST Puzzled and miserable, he went along to his carriage. Paul told afterwards of the strange effect that his first view of the South had on him that morning, after rattling through the night from the gray rain-swept North: “I woke up about half-past six, dressed and went out into the corridor. I suppose I was a bit sleepy still, and didn't have time to dissect things and look at them like a tourist. I know I felt, as I leant out of the window, that I had suddenly come to life in a new world—a world that really had been created by the sun. It was brilliant, hard, dry and clear, extraordinarily arresting and exciting. There was a great plain stretching away to the distant mountains under a pale clear blue sky, and peasants ploughing with teams of white oxen. I could see far away towns and villages, white and sharply defined in the clear morning air. Then some low hills of crumbling yellowish rock with a little green scrub on them, some of them cut away into ter- raced vineyards. I remember a square stone house looking as though it had grown out of the side of the rock, with tiny slits of windows like a Moorish fort, and an old peasant woman dressed in black sitting under a vine minding P. L. M. 43 some goats. The whole country was dried with sun so that the colours of the earth, sky, houses, and vegetation were pallid and full of light. I felt frightfully stimulated and excited, as though all kinds of adventure were waiting for me in this vital pagan land. Near Avignon I saw my first silvery gray olive trees—and then, as we drew in, the Palace of the Popes. I was torn between its castellated Italian towers and the smell of steaming bowls of coffee they were selling on the station. The coffee won!” CHAPTER V LA F # T E co M M E N C E PAUL strolled out on to the quay after dinner. It was his first night in St. Antoine and he was feeling very good after a couple of apéritifs, a cuisine bourgeoise dinner, and a bottle of white wine. The sun had disappeared behind the old houses round the port, and lights were coming out in the cafés. The whole town seemed to be out for a promenade, and Paul thought it all looked very like the scene in a ballet or an opera. Girls in bright-coloured shawls were walking up and down arm-in-arm, talking and laughing and very conscious of the matelots, smart in their flat white hats with red pom- pons and blue-and-white suits, who were stand- ing about in groups with the fishermen. The high masts and crossed rigging of sailing boats moored right up to the town made patterns against the twilit sky. Paul went into a big café with its tables spill- ing across the pavement, sat down and ordered 44 46 T H E C R IM E CO. A ST tables performing feats of balance with drink- laden trays. Outside, someone was playing a guitar. Paul turned to look at a long yellow-and- black Hispaño-Suiza which had just drawn up in front of the café with a gentle purr of its engine. Most of the people at the tables seemed to know the occupants, and conversation died down while greetings were shouted to them. A man got out of the driver's seat whom Paul mentally described as a Dago. Dressed to match his car, he wore a saffron-yellow tricot tucked into beautifully creased black trousers. He was tall and lithe, and Paul caught a momentary glimpse of almost jet-black eyes in an olive- skinned face, before he turned to speak to some- one in the car. He had evidently been dining extremely well and swayed a little on his feet. A man who got out the other side and strolled round the bonnet, patting it nervously as he passed, presented an extraordinary contrast to him. His clothes were rather eccentric, consist- ing of a very wide pair of almost white corduroy trousers, liberally, bespattered with paint, a viv- idly checked shirt open at the neck, and a black béret. He looked between thirty and forty, obvi- ously an Englishman, with a humorous, deeply lined face, rather a big nose, and a long upper LA F £ T E co M M E N c E 47 lip. Surveying the company through half- closed eyes, he waved a vague greeting in answer to shouts from the various tables, before turning to a girl who was getting out of the car. Evi- dently a popular figure, and an interesting- looking chap, Paul thought. But his attention was immediately concentrated on the third per- son, who stepped on to the pavement and slipped her hands into the arms of the two men. Very young and slim, she was hatless, and her chestnut-brown shingled hair, disordered by a drive in the open car, was blown back from her face. Her fresh white linen frock was moulded to her figure and was short and sleeve- less, showing up the startling tan of her arms and legs. Paul stared at her small oval face with its flowerlike mouth and half rose from his chair. At last, it was the girl of the train. But he sank back again; she seemed to know everyone in the place and was laughing and talking with people at the tables round her. “We represent Breughel's picture of the Blind leading the Blind. Imitation, very diffi- cile/* he heard her say. “My dears, I'm so glad to be back from the land of fogs and savages. It was raining, as usual.” She disentangled one of her hands to receive the kiss of an immaculate youth who bent over 48 T H E C R IM E COA ST it, saying, “I salute thee, O Moon of my delight! Did you survive the perils of the P.L.M.?” (Paul could have killed him.) “Barely,” she smiled. “I arrived completely shattered, but Ben and I have been dining at the Rich Man's Table and he stayed us with flagons and comforted us with caviar.” “Talking of flagons—” said the English- man in the check shirt, and started to pilot her across to a vacant table. Halfway over she caught sight of Paul in his corner. She stopped dead. All the laughter went out of her face, she paled and flushed, and then suddenly mak- ing up her mind she murmured an excuse to the two men with her and crossed over to Paul's table. She held out her hand with a friendly smile. Paul stood up and greeted her eagerly. “I say, it is nice to see you. I've been looking for you all the evening,” he said, and was puz- zled to see the curious expression that seemed very like fear flash across her face. It was quickly replaced by a smile as she sat down in the chair he offered her. (Of course he'd been mistaken.) “I think it's very nice of you to say so after the appalling way I rushed off last night,” she said. “As a matter of fact, I was—I was terribly LA F £ T E co M M E N c E 49 afraid you were a journalist on my tracks when you asked me if I knew Adelaide Moon because —well, I am Adelaide Moon myself, you see.” Before he could speak she rushed on: “I don't mean that I'm suffering from delusions that the whole of Fleet Street is hanging on my lips—but I have just had a show in London now, and I do so loathe being interviewed. You've no idea how humiliating it is to read things like ‘Girl Artist thinks women should use lipstick, just because some of one's miser- able canvases are hanging in a well-known gal- lery. I assure you!” as Paul laughed. “Why, last year the Cube Gallery bought one of my paintings; it was one I did down here of a Provençal farmhouse and there hap- pened to be a woman and a child sitting there while I was working so I put them in-rather a good design it made. My dear, would you believe it—the Ladies’ World wanted my views on Motherhood! When I come down here to paint I never tell anyone where I'm going or even leave an address for letters. It makes me feel absolutely free—and this place is so per- sonal and absorbing that I forget all about any other life, and then I can begin to paint.” “Yes, I can absolutely understand that,” said 5o T H E C R IM E COA ST Paul. “It is amazingly full of character and flavour down here—London seems quite a vague memory to me already. As a matter of fact, until you came in I was feeling rather like a disembodied spirit, not knowing a soul here. Everyone seems to know everyone else.” She laughed. “We'll soon put that right,” she said. “I want you to come over and meet a great friend of mine, Benvenuto Brown. Yes, over there in the check shirt. He's a perfect darling —I’ve known him for ever,” she added, and refusing his offer of a drink she led him across to the table where the two men were sitting. They stood up as she approached. Judging by the drinks on the table, they had not been idle. “Ben, I want to introduce you to a friend of mine, Mr.-” She hesitated, looked at Paul and laughed. “Paul Ashby,” he said, shaking hands with the Englishman, thinking as he did so that it would take him a long time to catch up in the matter of drinks. The Englishman was looking mellow and amiable, while the man in the yel- low jumper had apparently reached the morose stage. Adelaide introduced him. “Don Hernandez de Najera, Mr. Ashby,” she said. “He’s got a lot of other names as well, but that's all I can manage at the moment.” LA F £ T E co M M E N c E 5.I De Najera bowed stiffly and then smiled down at Adelaide in a way that Paul found himself very much disliking. “What are you two going to drink?” asked the Englishman as they seated themselves; and as he leant back to order brandies and sodas Paul turned to Adelaide. “Er—did you say his name was Benvenuto Brown?” he asked her quietly. She laughed. “It really is,” she said, and then, confidenially, “I do hope you're going to like him. He's a most frightfully nice and frightfully interesting person—but he's just a little bit drunk to-night.” She leant across the table. “Ben, Mr. Ashby wants to know if you were really christened Benvenuto.” He was surveying the world through half- closed eyes from behind a cloud of smoke, a pipe in the corner of his mouth, his chair tipped back, and wearing an expression at once dry and benign. He nodded gravely. “I had that honour,” he said. “Possibly it does merit expla- nation. I understand my parents were drawn together in the first instance by a mutual enthu- siasm for the Fine Arts which eventually led them to Italy on a honeymoon, Ruskin and Baedeker in hand. It appears that they dis- covered Florence to be their spiritual home and LA F £ T E co M M E N c E 53 to be getting extremely drunk, and Paul looked with some disgust at his vague smile and half- closed eyes. He was trying to draw De Najera into a conversation, but the latter either could not or would not respond. Suddenly a rather prim-looking woman at the next table got up and, followed by her hus- band, left the café, glaring at them as she did so. Adelaide laughed. “Ho, I ses, and swep' out,” she murmured. She turned to Paul. “I can't think why people like that come down here. Those people have been here for weeks, disapproving violently of the whole place. They hate our costumes, manners, and customs—so why not leave us alone? I do so resent the cold breath of disapproval on our in- nocent pleasures.” Benvenuto put down his glass with a crash and, rising with as much dignity as his unsteady legs would muster, addressed the café. “My friends,” he said, “we must all have noticed from time to time a dishthreshing tend- ency amongst the bourgeoisie—hic—of all nations to regard the artist,” drawing himself up, “as a creature of strange habits and unbri- dled passions.” He turned round to frown at the author of a feeble cheer, and continued. 54 T H E C R. I. M. E. C. O A ST “I feel that the time has come to dishpel this illusion and to show ourselves to the world as we are—as we have been—from Tintoretto to Tonks—gentle creatures of domestic habits, moderate drinkers—hic—fond of children and dogs.” He paused amid loud cheering and drained his glass. He turned and shook his fist at a mild- looking little man who was silently sipping his lemonade. “You tell me Van Gogh cut off his ear and sent it to his mistress when she betrayed him. Now I put it to you—wouldn't a business man have cut off hers?” He glared fiercely round. “Can anyone here tell me of a single instance of an artist who has committed a social scholeshism greater than being late for meals?” He happened to catch Paul's eye, who grinned nervously and said: “What about Adolphus Smith?” Benvenuto wrung him by the hand. “My dear sir, a thousand thanks. The crown- ing point to my argument. The great modern example of the artist's craving for domesticity, developed to such an exshtent that the man begins to found a family wherever he goes.” Benvenuto subsided into his chair amidst laughter. By this time the whole café had gath- LA F £ T E co M M E N c E 55 ered round them and people were standing on chairs and tables. Tom Mix had the black pajamaed girl perched on his shoulder, where she was screaming with laughter, and the bearded man in his infantile blue-and-white costume was listening with his mouth open while his blond companion translated Ben's speech into his ear. “Quel type,” he said, looking at Ben. De Najera was at last roused from his apathy. He put his arm across Benvenuto's shoulders. “You will drink with me, my friend,” he said thickly. He stared round at the crowd of people and summoned the patron, who hurried up all smiles, evidently knowing his man. De Najera went on: “You are all my friends—you will all drink with me,” he indicated the com- pany with a wide sweep of his arm. “I will give you music, dancing, wine—you will come with me.” Adelaide pulled at his arm. “Not to-night,” she whispered. “Another time.” He seized her hand and kissed it. “Lady, I obey, but to-morrow—to-morrow night, I invite you all to Les Palmiers and we will dance and drink.” He passed his hand across his forehead, evi- 56 T H E CRIM E COA ST dently trying to remember something. “Yes, I will come back from Cannes in time. To- morrow night at nine.” He looked round. People were whispering to one another, but they all accepted with enthusiasm. “You must come,” Adelaide murmured to Paul. “Hernandez's parties are always marvel- lous. You and I and Ben will go together— dine with me first.” Paul thanked her and agreed eagerly. This place was exceeding his wildest expectations. Meanwhile trays of drinks were arriving and people were settling down at their own tables, some talking in low voices and casting covert glances at De Najera, who drained his glass and relapsed into a stupor. Paul wondered what they were saying. He thought he'd take advan- tage of an interval and ask a question that he'd had on the tip of his tongue for some time. Even Benvenuto seemed to have got past talking and was blinking down at a vague drawing he'd made on the table top. Paul turned to Adelaide. “What I’ve been wanting to ask you all the evening is—do you know a man called Adrian Kent?” De Najera's chair went back with a crash as LA F £ T E co M M E N c E 57 he leapt to his feet. Paul looked at him in amazement. The man's eyes were flashing, his face was dark with fury. “Adrian Kent?” he shouted. “He murdered my sister!” Before Paul could open his mouth he felt a hard grip on his arm, and a voice said: “Don’t take any notice of him. He's drunk. Help me get him out of here, quick!” Paul felt as if he were going mad. For it was Benvenuto Brown speaking. The blinking half-closed eyes were wide open, amazing eyes, of steely clear blue that changed his entire face as he looked at Paul commandingly, urgently. The amiably smiling mouth had set in a hard line, and he issued curt directions to Paul under his breath. The man was dead sober. De Najera had slumped across the table. As they went to help him out Paul looked round for Adelaide. She had disappeared. CHAPTER VI B E N W E N U TO B R O W N “HALF a minute, till I find the switch. That's better.” Paul found himself in a square tiled hall, as Benvenuto closed the heavy front door behind him. There were enormous wine casks along the wall, and a strong sour-sweet, rather yeasty, smell. “Smells good, doesn't it?” remarked Benve- nuto, pausing on his way to the stairs. “My landlord's a wine grower—that's his cave down those steps where he keeps the stuff. He's a great character, a marvellous old chap. Spends most of his time in his cave, and you can never get through this hall in the daytime without a hoarse voice from below inviting you to un peu de win blanc. He calls it the Café des Hommes. Come on up and I'll make some real coffee.” Paul followed Benvenuto up an arched wind- ing staircase with carved stone balusters. “Amaz- ing place you've got,” he said. “These stairs remind me of that German film, Dr. Caligari.” 58 B E N V E N U TO B R O W N 59 Benvenuto laughed. “Come and see the stu- dio,” he said, and they went into an enormous whitewashed room with a shining red-tiled floor. Paul sank into a settee while Benvenuto went off to make coffee. He lit his pipe and looked round him. It was a delightful room, furnished with a few pieces of carved Provençal furniture, two easels, one holding a half-finished canvas, and some red flowers on a table. The long windows were hung with silver-gray cur- tains in a modernistic design, beautiful with the red floor and white walls. The rest of the room seemed to be furnished almost entirely with books. From the kitchen came the hiss of an expiring Primus, and Benvenuto appeared with bowls of coffee. “By Jove, this is nice,” said Paul. “Very decent of you to ask me up here at this time of night. I love your house.” “Very decent of you to help me send that drunken fool home,” replied Ben, “particularly as you must have thought I was blind to the world myself. I shall feel extremely hurt if you say you didn't,” as Paul protested, “after my praiseworthy imitation of a drunken man. I feel I owe you an explanation, but I wonder if you'd mind telling me first why you were asking for Adrian Kent?” 6o T H E C R IM E COA ST Paul made up his mind to take Benvenuto into his confidence. “Are you prepared to listen to a long story? I don't know the chap myself, and my connec- tion with him is rather extraordinary.” “Go ahead.” And so Paul told him about Major Kent's dramatic entry into his room, and the curious mission with which he'd been charged. Benve- nuto, leaning back in an armchair, regarded him steadily and put in one or two questions. He sucked at his pipe for a few minutes when Paul had finished and then said: “Thanks. I’m glad you’ve told me all that because now I know more where I am. This boy Adrian Kent is a great friend of mine, and of Adelaide's. You heard what that Argentine fellow said about him to-night? Well, unfortunately he isn't the only one who thinks so, and the boy is in very great danger. Now, I've taken it on myself to do a bit of investigation on his behalf, and it seems to me that this is where your job and mine link up. I may as well say at once that I believe the chap is perfectly innocent, but at the same time it may be a tough job to prove it. If you'd care to come in with me . . . .” He looked at Paul inquiringly. - B E N V E N U TO B R O W N 61 “Of course I will—this is terrible. Do you know where Kent is?” Benvenuto didn't answer directly. “I can tell you this much,” he said. “If you'll stick around here for a bit, and we succeed with some quiet sleuthing, so to speak, I can promise that you shall meet Adrian before long.” “That's a bargain then. Tell me, when was this woman murdered and who— Good Lord! Is she the woman Adrian Kent got in such a mess over?” Benvenuto nodded. “I expect you've read about the case in the paper. Three days ago she was found smothered on her bed in Bishop's Hotel in London. What makes everything so difficult is that the police know that Adrian lunched with her that day in her rooms. Accord- ing to the evidence in the paper, some woman also called on her in the afternoon, but at present they don't know who she was, nor what time either she or Adrian left. Of course, if they get hold of her it may clear the whole thing up. Did you notice a quiet-looking little chap in pince-nez who was sitting in the café to-night drinking lemonade? Well, that's Detec- tive Inspector Leech of Scotland Yard. Fortu- nately I know him a bit, because I was once 62 T H E C R IM E COA ST able to give him a hand over one of his cases. He's told me he's down here after Kent, and also after another chap, an old lag, commonly known as the Slosher, who he knows is some- where along this coast, and who I believe he thinks may have something to do with this case. He was a bit close about that though, and I couldn't get much out of him. “I think I'd better tell you something about this unfortunate woman Luela da Costa, who was done in. She's lived down her for some years on and off, with her brother De Najera, whom you met to-night. No one seems to know much about Da Costa, but rumour hath it that they were divorced some years ago. De Najera and his sister own the Château les Palmiers, a colossal affair along the Corniche that looks like a pastry cook's conception of an ancestral hall, all turrets and white icing. You'll see it to- morrow when we attend the party. They appear to be rich enough, their possessions—or his, I suppose I should say now—including a speed boat and a perfect fleet of cars, one of which you saw to-night. Almost indecent, isn't it? “Luela was a remarkably beautiful woman, a bit too fierce for my taste—all hips and flashing eyes, you know—but still very fine in her way. Anyhow, she succeeded in completely turning B E N V E N U TO B R O W N 63 young Kent's head, although she must have been at least fifteen years older than he, and he fol- lowed her about in a highly lovesick condition for some four months. He told me he wanted to marry her, and was only waiting till he'd made enough money to ask her. Well, I hate butting into other people's affairs of that sort, and anyhow he was too far gone to listen to advice, so I avoided discussing the thing with him as much as possible. He realized I didn't like her, and things cooled off a bit between us in consequence. While this was going on she had a terrific row with De Najera, and rushed off to Paris or London or somewhere. I don't know what it was about but it must have been pretty serious because she hasn't stayed at Les Palmiers since, putting up at the Continental when she came down once or twice. There is a . story to the effect that they quarrelled over Ade- laide, on whom, as you may have noticed, De Najera is casting a lustful eye, curse him! “Adrian was still doing the moth to her candle at that time and went off after her, but he reappeared at a village near here shortly afterwards and started to paint like mad. We became as good friends as ever and he told me he was completely cured. Evidently he'd had a bit of a shock and found out something highly 64 T H E C R IM E CO A ST sinister about her—but he never told me what it was. Just as he was getting back his usual form and starting to work really well (he's a damn good painter by the way), she descended on him, and like Diana she pursued him. Luela wasn't as young as she had been, and had got to the stage when she couldn't stand the idea of losing her power over a man. Adrian became a kind of obsession with her, I think, and when he presented a blind eye to all her allurements she turned savage and started to threaten him over that jewel business. If only the young fool had told me about it I might have been able to do something, but at the time I hadn't the least idea he’d quarrelled with his father or was short of cash. I believe he'd actually been pretty near starving before he sold that jewel, and though I knew him as well as anyone I hadn't the least idea of it. The end of it was she went off in a huff, and then started bom- barding him with letters ending with the one threatening to put the police on his track unless he went over to London immediately. He left a note for me telling me he'd gone to see her and would be back in a day or two, and then, as you know, the balloon went up.” Paul broke in, rather hesitatingly: “Of course—you know Kent, and I don't— B E N V E N U TO B R O W N 65 but on the face of it, it really does look as if he may have lost his head, and y) “I know it does. That's the devil of it. But wait a minute. Enter the second murderer. I've got a theory about the thing that I haven't told you yet, and that's where you come in. If Adrian is innocent, as I believe, it's going to be damned hard to prove it unless the real criminal is pro- duced. Now, the only other person I know of who was on bad terms with Luela is—De Na- jera. And by a fluke I hit on something the other day which may be interesting in that connection. “On the afternoon Luela was murdered, last Tuesday, at least fifty people in St. Antoine must have seen De Najera rushing up and down the coast in his speed boat, dressed in his usual yellow-and-black outfit, and waving to people on the beach. It so happened that that afternoon I'd gone for a pretty long swim, and was lying on some rocks a good way out having a breather. I must have been practically invisible because I'm burnt pretty dark, and my bathing pants are a dull reddish colour much the same as the rocks round here. The speed boat came tearing along quite near my rock, and I was just going to hail De Najera when I saw to my surprise that it wasn't him at all, but his valet, who is an 66 T H E C R IM E COA ST Argentine chap of much the same build and colouring—wearing De Najera's clothes—and waving to De Najera's friends on the beach. Presently, after going up and down the coast several times, the boat went back into the small private harbour which belongs to Les Palmiers. I puzzled lazily over the thing for a bit as I lay in the sun, and then dismissed it from my, mind. After all, it wasn't my business if the chap pinched his master's clothes for the after- noon. It seemed funny though, because I know De Najera brought him over from the Argen- tine and trusts him implicitly.” “Looks very fishy to me,” said Paul. Benvenuto went on. “There's more to come. As soon as I heard about Luela's death and Adrian being suspected I determined I'd culti- vate friend Hernandez rather more than usual, and this incident coming back to my mind, the next day—Wednesday, that was—I said to him while sitting over a drink, “How's the boat going?” “‘Better than ever,’ he said. ‘I nearly touched seventy when I had her out yesterday.' That was the day of the murder, mark you. It's a per- fectly sweet little alibi, isn't it?” “What time on Wednesday did you see him?” said Paul, feeling like the complete detective. B E N V E N U TO B. R.O.W. N. 67 “It was Wednesday evening, after I'd heard the news, that I asked him about the boat. But —he was down on the quay between nine and ten on Wednesday morning.” Paul's face fell. “Well then—he couldn't possibly have been in London on Tuesday. The night train doesn't reach Marseille till ten-thirty.” “Wait a minute,” said Benvenuto. “There are more ways of getting about than are dreamed of in the P.L.M. philosophy.” “That's true, I hadn't thought of a plane,” said Paul, feeling rather dashed. “Don’t you worry about that. I've already got an idea as to how I can check his movements. Meanwhile, I’m rather interested to know what he's up to to-morrow. He told me he was going into Marseille for the day to see the British consul about his sister's death, which is quite as it should be. But—he doesn't generally keep me posted in this touching way as to his where- abouts, and I thought it might be worth keeping an eye on him. What's more—to-night, when I'd got him thoroughly tight, he mentioned he was going to Cannes to-morrow—d'you re- member?” “Yes, of course—when he was issuing his princely invitation. You're right, he is worth º 68 T H E C R IM E COA ST watching. How are you going to manage it?” “Would you care to come along? Right, then be sitting in the Café de la Phare over your morning coffee to-morrow at nine, and I'll pick you up. Let's see—you're a bit conspicuous like that, aren't you?” looking at Paul's essentially quiet gray-flannel suit. “Fit yourself up in a few glad rags from the Marine Store—they keep everything the human frame requires—and wear some green glasses. I don't want him to spot either of us.” Paul laughed. “Anything you say. I was contemplating a sartorial change anyhow. I can't promise I’ve got the makings of a great detective, but if I can help you catch that swine out, well, I should love to be Watson to your Holmes.” “Don’t talk rot—two heads are better than one in a business of this sort, and I'm damn grateful to you for coming in on it.” Paul got up to go. “Till to-morrow then. And thanks for the coffee.” He got as far as the door and turned back. “Look here,” he said. “If this chap De Najera did kill his sister, and it looks very like it, surely he wouldn't be going about giving parties and drinking in cafés? He'd be certain to put up B E N W E N UT O B R O WN 69 an appearance of profound grief, I should have thought.” Benvenuto studied the interior of his pipe for a minute. Then he looked up with a smile. “That's the perfect reaction, isn't it? I’d thought about it myself—and as they were known not to have been on good terms, it seems to me that De Najera, being far from a fool, might have decided on a double bluff.” CHAPTER VII T H E A D W E N T U R E S OF A TA XI C A B PAUL woke up and looked at his watch. Only seven o'clock. He'd time for another snooze; and pulling the sheet over his head as protection from an importunate mosquito, he turned lazily over and closed his eyes. But sleep eluded him, and instead the events of the last two days came crowding into his mind. A procession of figures walked through his brain, people of whose ex- istence he'd been entirely ignorant three days before and who had taken their places with an urgent reality in his life. Adelaide Moon's laughing face; was he wrong in feeling that laughter had once or twice been the camouflage of fear? The gentle features of Major Kent towards whom Paul felt somehow responsible; Benvenuto Brown, a definite and eccentric per- sonality, very reassuring; the Argentine, whom Paul now thought positively loathsome, with his sallow handsome face; and mixed with them all a chorus of strange tongues and curious clothes. 7o T H E A D v E N T U R E S o F A T A x I c A B 71 This was no time for sleep. Paul jumped out of bed and went to the window. His hotel was on the quay, and when he threw back the shut- ters he found a glorious blue-and-white world glittering in the sun. Across the bay motorboats were coming in with the morning catch, leaving white trails in the vivid blue, their engines plop- plopping over the water. Below his window a group of fishermen was collected round a boat that had just come in. They were discussing an enormous swordfish that lay on top of a rainbow- coloured haul, their rich Provençal accents in- terspersed with words of Italian, and as different from Parisian argot as Devonshire is from Cockney. They all appeared to be filled with a passionate conviction about something or other, and Paul grinned as he listened to the rapid deep-voiced argument emphasized with oaths and gestures. Magnificent-looking chaps, he thought, with their muscular sunburnt arms and bare feet, set off by clothes that were washed and bleached to every conceivable shade of blue. What a morning—and what a marvellous sea. In the best of spirits Paul shaved rapidly, and slipping on a bathing suit under his shirt and trousers he hurried off for a swim. Halfway along the quay the Marine Store, already open, caught his eye, and remembering Benvenuto's 72 T H E C R IM E COA ST instructions he went in, to be profoundly embar- rassed by the keen personal interest that the patronne at once took in his toilette. Linen trou- sers, check shirts, coloured bérets, and tricots, being tight-fitting, short-sleeved jumpers of woven cotton and dyed in every tint, met his eyes, and he found himself being led to a mirror in front of which the enthusiastic patronne used him as a peg on which to hang all her wares in turn, keeping up a running comment the while. “Ah! Que c'est jolie, caſ” and then, “M'sieur va très bien comme ca.” Discarding a vermilion jumper as being a little conspicuous for a detective, he finally picked on one in broad stripes of blue and white, which besides toning, he felt, with the landscape had the advantage of being repeated all over the port. A black béret and a pair of rope-soled shoes laced across the instep, called, he discov- ered, espadrilles, completed his toilette. Firmly resisting offers of coloured trousers and clinging, metaphorically speaking, to his gray-flannel bags as a drowning man to a straw, he left the shop with a bundle under his arm amidst a chorus of “Au revoir, m'sieur” from the pa- tronne and her family, all of whom had by now drifted in to offer words of encouragement and advice. Next door he found green sun spectacles T H E A D v E N T U R E s of A T A x 1 c A B 73 and then continued on his way to the beach, feel- ing rather proud of his efforts. The beach was deserted, though the sand was already hot in the sun; the sea, almost motion- less, stretched before him like glittering blue glass. He took a running dive and found him- self borne to the top instantly. Feeling like a cork floating in blue soda water, he swam on his back, crawled, dived to the bottom, stood on his head, sent up mountains of spray, and then came out feeling tremendously exhilarated, and lay on the hot sand. His white skin looked terribly nude, he thought, as he lay stripped to the waist, and he wondered how long it would take him to get a rich veneer of sunburn. A pleasant process —he could feel his skin coming to life in the sun and air. Presently pangs of hunger drove him into his clothes, and feeling odd but comfortable in the unaccustomed tricot and soft shoes, he stood up, pulled on his béret, shook the sand off his clothes, and went back to the town. He ran up to his room to drop his other shirt and shoes before having breakfast, and started back in amazement at the stranger who looked at him from the mirror. Most modest of human beings though he was, he had to admit he really looked rather nice; these tricots certainly 74 T H E C R IM E CO A ST showed off one's shoulders if one had any—and not wearing a coat did reveal the fact that one had small hips. He tried on the green spectacles, and deciding that his dearest friend wouldn't recognize him, he put them back in his trouser pocket and went down to the café. Choosing a table on the pavement in order to look out for Benvenuto, he ordered coffee and brioches, and consumed them contentedly as he watched the life of the port. The early-morning activities were over and fish nets were spread out on the cobbles in long trails of dark brown. Some sailors were polishing the brass of a private yacht that had come in the night before. Paul paid for his coffee and lit a cigarette. Suddenly the yellow-and-black Hispaño- Suiza went past driven by De Najera and dis- appeared at a good speed. Immediately after- wards a closed Renault taxi drew up alongside the café and the driver looked about. He caught sight of Paul and leant out saying, “Pardon, m’sieur—vous avez fait rendezvous avec M. Brown, n'est-ce pas?” “Oui, c'est ca,” replied Paul. “Well then, hop in,” returned the taxi man. “I’m Brown, and don't look so startled!” Paul climbed obediently into the back. They T H E A D V E N T U R E S o F A T A x I C A B 75 didn't exchange a word until they were out of the town following the Hispaño-Suiza down the Marseille road. Then Paul slid back the win- dows between himself and the driver. “Congratulations,” he, said. “I should never have known you in that peaked cap and wearing that little moustache. Simply amazing the way it alters you.” “Well, you're looking rather dressy yourself, aren't you? I was a bit uncertain when I first caught sight of you. Ah—look at that!” Paul looked ahead and saw the tail of the Hispaño-Suiza disappearing off to the right up a small track through the wood. Benvenuto im- mediately reversed his taxi and shot back in the direction from which they'd come, going through St. Antoine on to the Cannes road. About four kilometres beyond St. Antoine he stopped just before a small road that entered the Route Nationale from the left, and turned round to speak to Paul. “Unless I’ve made a fool of myself we shall see our friend reappear out of that turning in a minute or two. We're certain to be ahead of him in time because the forest road makes a big circle at the back of the town, and it's a bad surface too—impossible to speed on. Didn't bring my 76 T H E C R IM E CO A ST own car—he knows it too well. Hired this taxi from a pal of mine.” “Jolly good way to hide your identity, too. But for God's sake put the flag up—all those francs totting up are making me nervous,” said Paul. Benvenuto suddenly held up his hand, listening, then got out and buried his head in the bonnet, as the Hispaño-Suiza turned into the road and headed for Cannes at a tremendous speed. “Enter through gap in hedge,” murmured Benvenuto in pleased tones. “Conduct's pretty suspicious, isn't it?” Before Paul could reply he had let in the clutch, and they started down the road at a hair- raising speed. On one side were high walls of pink rock, on the other a big drop to the sea, and Benvenuto went tearing round the hairpin bends with complete unconcern while Paul was shot from side to side of the car. To Paul's horror Benvenuto turned round to address him. “Afraid we can't catch him up, but if he's going to stop in Cannes it ought to be quite easy to find him with that super-shiny Hispaño- Suiza. Vulgar, I call it, what?” Paul's only answer was to point frantically at an enormous lorry that had appeared round a corner and was crashing down on them. They T H E A D V E N T U R E S OF A TA XI C A B 77 avoided it by a hair's breadth, and Paul decided to look at the scenery instead of treading on imaginary brakes. He realized as he looked about him what Homer meant by the “wine-dark sea,” for the blue was so intense as to appear al- most purple at the foot of the rocks. There was, however, little else to remind him of the classic coast, for as they approached the chic part of the Riviera he saw on the landward side, dotted amongst pine and palm trees, the hundreds of hotels and white villas of the cosmopolitan rich whose coming has created probably the most highly artificial landscape in the world. Swing- ing round a corner, he caught sight of the massed white buildings of Cannes—like lumps of sugar spilt on the edge of a blue bowl, he thought. They had long since lost sight of the Hispaño-Suiza, and another half hour's furious driving brought them into the town itself. Call- ing to Paul to keep a weather eye open, Benven- , uto drove along the water front, raised his hat politely to Edward VII in yachting costume, so perpetually unconcerned with the nude lady in bronze at his feet, and then turned back along the main street. There' was no sign of their quarry and Benvenuto drew up for a consulta- tion. “Judging by Hernandez's condition last night, 78 T H E C R IM E CO A ST I think we may safely say he's suffering from a decided thirst by this time,” he said. “How about going along to the Rendezvous Bar? I could do with a drink myself, and Louis the bar- man's a great friend of mine—one of the few people I know who would accept my present costume without blinking. If Hernandez has been in, Louis may know where he's lunching.” Paul assented with enthusiasm and they started off. Seeing no Hispaño outside the Ren- dezvous, they went in to find the place empty, it not yet being the hour of cocktails. Behind the bar a white-coated individual, whose face took Paul back with a rush to his native land, was delicately arranging some olives in a dish. “Good-morning, Louis,” said Ben. “God bless my soul, sir, good-morning. Haven't been in to see us lately, eh? Good-morn- ing, sir,” to Paul. “And what shall we do this morning?” “Oh, two of the usual, I think, Louis.” He turned to Paul. “Will a champagne cocktail suit you, Ashby? Louis's are the best in Europe.” “Sounds all right to me,” replied Paul. “Very good, sir, thank you, sir,” and he began the rite of mixing them with the air of a true artist. Perched on a high stool, Benvenuto chat- T H E A D V E N T U R E S OF A TA XI C A B 79 ted with him until, sipping his drink, he said casually, “Seen anything of Mr. de Najera lately, Louis?” - “Funny thing you should say that, sir—why, he went out not five minutes before you came in.” “Oh, sorry I missed him. Did you manage to nail him for lunch? What is it now, grouse?” Louis raised his eyes to heaven. “Wonderful birds, sir, wonderful. Just you look at these.” And bustling across to a Frigidaire, he produced two little carcasses on a plate and eyed them with affectionate pride. “Came over by plane yesterday, they did. Absolutely prime—just you smell 'em, sir. No, Mr. de Najera he wasn't in no mood for grouse. Generally lunches at one of them big hotels, I think. Now, can I tempt you, Sir P” “Afraid not to-day, Louis, I've got other fish to fry. Next week, perhaps. Well, we must be getting along. Er—by the way, I've not been in here this morning.” The barman permitted just a flicker of curi- osity to cross his face as he eyed Benvenuto's moustache. “Quite, sir, quite—entendu—good- morning, sir, and thank you very much.” “Now for ‘them big hotels,’” said Benvenuto, T H E A D V E N T U R E S OF A TA XI C A B 81 begin from the day of the murder—last Tues- day. I. “Inspector Leech tells me Adrian lunched with Luela on Tuesday at one o'clock in her rooms. We know that he had gone there to make a last attempt to part from her on good terms and dissuade her from taking vengeance on him through the police over the sold-jewel affair. Time of his departure unknown. “He also tells me that a woman called on her later in the afternoon—chambermaid thinks it was about five o'clock. Name and business unknown. Time of departure un- known. Description of back view which might apply to anyone. “Luela had given her maid Annette the afternoon off. This was unusual, according to Annette, and we presume Luela had hopes of subjugating Adrian. “Annette comes in at six-thirty. Unlocks door of suite with her own key. Goes in, finds Luela dead on the bed smothered by an eiderdown. Body has no clothes on but is covered with jewels. Scarlet silk dressing gown lying on floor beside bed. Bathroom in disorder, looking as though Luela had taken a bath shortly before. 82 T H E C R IM E CO A ST “It is known that a big jewel robbery took place in the hotel the same afternoon. Lu- ela's jewels are, however, intact, although those she was not wearing were found strewn about the dressing table. Maid is uncertain about a diamond brooch which is missing, but the police don't attach much importance to that as it had no very great value compared with other things in her collection, and Luela may have lost it or given it away. “Inspector Leech is down here in search of Adrian. He is also keeping an eye open for one known as the Slosher, who I imagine he thinks committed the jewel robbery. “De Najera accuses Adrian of murdering Luela, and has, I believe, told Leech some- thing about the affair of the jewel which Adrian sold, and Adrian's former infatu- ation for Luela. “I know De Najera to have quarrelled with Luela and to have been on bad terms with her at the time of her death. “On Tuesday afternoon last when the mur- der was committed De Najera establishes an alibi by sending his valet out in speed boat disguised as himself. Valet waves to De Najera's friends on beach. I, owing to TH E A D V E N T U R E S o F A T Ax I c A B 83 an accident, spot the fact that it is not De Najera. - Io. “De Najera is seen on the quay on Wednesday morning at ten o'clock. 11. “I hear of the murder on Wednesday, and becoming interested ask De Najera how boat is going. He tells me direct lie, saying he'd had it out on Tuesday afternoon. 12. “De Najera tells me he is going to Mar- seille for the day on Friday to see British consul about Luela's death. We follow him and find he starts for Marseille and doubles back to Cannes. “You notice that the end of De Najera's alibi is established at ten o'clock on Wednesday. Now I saw him myself late on Monday night, so what we've got to find out is what time he left St. Antoine, how he left, and if possible where he went. I've got an idea about it that I'm going to test when we get back this evening. Mean- while Entry No. 13 ought to prove interesting —here he comes.” Paul looked up to see De Najera walk down the hotel steps and stroll along the Promenade des Anglais. Hurriedly paying their bill, Benvenuto and Paul got into the taxi and started in pursuit. They saw De Najera glance at his watch and turn up a side street where he entered a very chic hairdresser's 84 T H E CR IM E CO A ST and perfumery shop. Benvenuto whistled softly, and drawing up to the curb he turned round to speak to Paul. “I know this place by reputation,” he said. “Very shady. More things go on upstairs than meet the eye. Now unless he comes out very soon or is having his hair cut he's here to meet someone. Convenient place, you know. Man goes into hairdresser's shop for an hour—what could be more natural and even commendable?” He got down from the driver's seat, signing to Paul to stay where he was, and walked past the shop. Returning immediately, he said, “No, he's not having his beauty improved. But—there are two vacant chairs. We go in. You have a face massage and I’ll have a haircut. If anyone comes out who looks to me suspicious I will follow him, or her. You will follow De Najera because he's seen you only once when he was dead drunk. They obviously won't come out together. We'll meet as soon as we can, where we had lunch. Compris?” Paul nodded and they went in. Lib- erté, Fraternité, Egalité,” murmured Benvenuto. “Thank God, this isn't London or my clothes might prove awkward.” They settled themselves in the two empty chairs, which faced a mirror giving them a good view of anyone passing behind them to the door. Benvenuto entrenched T H E A D W E N T U R E S OF A TA XI C A B 85 himself behind a copy of La Vie Parisienne and ordered a haircut, warning the barber to avoid his moustache which, he explained, he was bringing up by kindness. Meanwhile Paul de- livered himself unwillingly into the hands of an animated gentleman who proceeded to blind him with a wet pad and then attack his face in a businesslike fashion with towels dipped in hot water. Paul submitted himself as philosophi- cally as possible to being patted, pummelled, and tapped, to the application of strange smell- ing creams and stranger lotions, until, with the pad still over his eyes, he heard De Najera's voice saying good-bye to someone upstairs, fol- lowed by heavy footsteps descending. The next moment Benvenuto's voice in his ear said, “Even better than I’d hoped. I'm off—good- bye, and good hunting.” Tearing off the pad from his eyes, Paul saw Benvenuto hurriedly pay the bill and leave, and he resigned himself to the rest of the operation, which unfortunately came to an end before De Najera appeared. With a glowing face he stood up and glared angrily at his tormentor. “Combien?” he de- manded, and insult added to injury, found he had to part with an enormous sum. Feeling thoroughly martyred, he lingered in the shop, buying shaving materials he didn't want, until 86 T H E C R IM E COA ST at last De Najera came down the stairs, and muttering a word to the proprietor went out. Paul followed at a discreet distance, feeling reasonably secure with his pink face and sun glasses. CHAPTER VIII C OR O N A – C OR ON A DE NAJERA walked rapidly into the main street and entered a Bureau de Change, while Paul stationed himself at a shop window opposite in which he could see his prey reflected. It was a moment or two before he realized that the shining glass separated him from a delectable display of the more intimate garments worn by females, and blushing hotly he strolled on to the discreet establishment of a watchmaker. After about ten minutes, by which time he was beginning to fear that the Bureau had a back entrance, De Najera reappeared and set off briskly down the road, Paul following. He next went into an imposing-looking building which on inspection proved to be a bank, where he remained for some time. This was beginning to get boring—the man appeared to be going about some perfectly ordinary and legitimate business and Paul felt rather a fool. However, his interest revived somewhat when he saw that 87 88 T H E C R IM E COA ST the third port of call was another Bureau de Change, and rose to fever heat by the time De Najera had repeated the proceeding eight or nine times, calling at every bank and bureau as he came to it. At last he went back to the hotel, got his car from the garage, and disap- peared rapidly in the direction of St. Antoine. Paul hurried back to his rendezvous with Ben- venuto, feeling he had some really valuable news to impart, only to find to his disappoint- ment that his confederate had not yet returned. Paul sat down at the table where they had lunched and ordered some tea, pondering over his discovery. Was De Najera planning a get- away? He must have been handling a lot of money to have divided his patronage between so many places—and must also have been anx- ious to conceal the fact. Paul gave it up, and looking at his watch began to feel a little anxious about Benvenuto. It was nearly two hours since they had parted at the hairdresser's, and though he felt the extraordinary man was more capable of looking after himself than most people, still —it would be reassuring to see him turn up. Paul sat back and began to sort out his im- pressions. It was peculiar, when one came to think about it, the way he had placed complete trust in Brown after knowing him for only a few C O R O N A - C O R O N A 89 hours, and found it the most natural thing pos- sible to take the lead from him in the whole af- fair; particularly as Benvenuto was by no means a transparent or easily comprehensible character. It was impossible to fit him in with the popular conception of an artist, which Paul had previ- ously to some extent shared, the word calling up a vague mental image of some highly eccen- tric and impractical being whose concerns lay wholly in the realms of imagination. Eccentric, yes—his odd, rather puckish face and oblique turns of phrase fitted that; imaginative he cer- tainly was, for, apart from his painting, his atti- tude towards the problem they were tackling proved that, but impractical he definitely was not. His appearance that morning in a false moustache and a taxicab, which at the time Paul had privately felt to be a little like an incident in a detective serial for boys, now seemed to be the merest common sense, and his conduct at the wheel of the aforesaid taxicab certainly proved he had judgment and nerve control. Paul was wondering what part he had played in the war when the object of his medi- tations drove up to the entrance of the café, look- ing hot, tired, but triumphant. He got down and joined Paul, flourishing a hundred-franc note in his hand. 90 T H E CRIME COA ST “A little tip from my fare,” he said with modest pride. “I’d no idea taxi driving was so profitable.” “What happened?” asked Paul. “Well, quite a lot. It was a shame you were temporarily blinded because he wasn't the sort of thing one sees every day. Quite the last per- son one would expect to find hob-nobbing with De Najera in a scent shop. The Blackfriar's Ring would be a much more sympathetic set- ting. He was obviously in an opulent condition, oozing with food and glittering with rings and tie pins. I hopped into the Renault and fol- lowed him down the street, drove slowly past him, touched my cap, and said in my best broken English, “Taxi-you want taxi, milord?' He did, it seemed, and on hearing his native tongue an expression of such childish joy illumined his fat red face that he quite charmed me. ‘That's right, mate,’ he said. “Half a mo' and I'll give yer the address to go to.” He brought out a slip of paper from his pocket with the name K. Paleidos and an address in Cannes on it, in De Najera's handwriting, which I know well. Good enough, I thought, you're my man. I don't know Cannes too well, but by going into a garage, ostensibly to get some water, I learnt the direction, and the address turned out to be C O R O N A - C O R O N A 9I a dim little bric-a-brac shop near the port, with the name K. Paleidos, propriétaire, over the door, and looked like the sort of place where sailors get rid of things when they come ashore. Another establishment that doesn't wear its heart on its sleeve, I thought. My fat friend went inside, but reappeared in a minute or two and beckoned me to come in. “‘’Ere,” he said, ‘can you make out what this Jane is talking about? I want Mr. Pilidos and keep telling 'er so.” “There was rather a pretty girl in the shop who explained to me that the propriétaire had a little colic and was at home at his villa, ‘pas loin six kilometres derrière la ville sur la route de Grasse.” We got the address from her and went along to the Villa Spinx, which turned out to be a most palatial affair with nude ladies (in stone, of course) climbing about the façade. “My profiteer rang the bell and was let in, and presently I wandered round the shrubbery which came close up to the house to see if I could come upon anything interesting. As luck would have it, there was an open window and from it came the sound of my fare shouting at the top of his voice, more in sorrow than in anger, in a way the English have when trying 92 T H E C R IM E COA ST to make a foreigner understand them. I kept below the level of the window sill and had not the slightest difficulty in overhearing the con- versation. “‘Well, if yer won’t, yer won't,' he was say- ing disappointedly, and then I caught the chink of metal or glass. A suave voice replied, ‘M’sieur, I am désolé, but it is for me too dan- gereux. I like not to not oblige, but what will you? The affair is too recent; but if M'sieur will go to Marseille to my confrère, every satis- faction is assured to him.’ Then in a lower voice, ‘M'sieur will understand that here at Cannes I am municipal councillor, yes, friend with the police, but I cannot take such risk. At Marseille my confrère is more friend with the police, she has-how you say?—a graft. I give to you her address, enfin?’ Apparently he had to be con- tent with this and tried, as far as I could make out, to tip Mr. Paleidos, who was much shocked. The door opened and shut and their voices died away. In a second I was in the room, and luck was with me again, for on a bureau in the corner was a little writing pad for notes. I tore the top sheet off, slid out of the window, and ap- peared round the corner doing up my buttons just as my fare and the discreet Mr. Paleidos came out of the door. They seemed to have got 94. T H E C R IM E COA ST “That's it—but Brighton Race Course, I thought.” Benvenuto beamed. “The very man! What did you learn about him?” “Practically nothing, I'm afraid—I escaped as soon as I could and didn't go back till he was peacefully snoring.” “Great mistake, you know. Always talk to people in trains—I do. They'll tell you things in the intimacy of a railway carriage that they wouldn't breathe to their dearest friend. Most interesting. That chap would have told me how many gold teeth he'd got, what his income was, and where he'd bought his boots, which would have been a revelation in itself.” “Now I come to think about it,” said Paul, “he did tell me he'd come into some money lately.” “Oh, he did, did he?” Benvenuto jumped up. “Let's get to hell out of here. I want to think. And I want to hear what Hernandez does when he's alone.” They climbed into the taxi. CHAPTER IX C O O K E R Y A N D C R IM E AS THE Renault left the outskirts of Cannes Paul leant across to the driver's seat, and began to recount to Benvenuto his discoveries while trailing De Najera. When he had finished, Ben- venuto was silent, driving rapidly along the tortuous road and apparently devoting all his attention to the car. Suddenly he drew into the side, stopped the engine, got his pipe from his pocket, and having lit up turned round to Paul. He frowned. “Can't make it fit,” he said. “It's got all the elements of a neat little story in the usual tradition, only unfortunately everything contradicts everything else. What are your con- clusions about all this money changing?” “Don’t you think it looks as though he were planning a getaway?” Paul asked. Benvenuto shook his head. “I don't think that's likely to be his game. Far too dangerous. If he did go to London last Tuesday and has covered his tracks as neatly as he thinks, why attract attention to himself 95 96 T H E C R IM E CO A ST --" by disappearing? Let's suppose for a moment that he didn't do the job himself, but employed our boy friend of this afternoon, who is, as we know, fresh from England, to do it for him. Why then, in heaven's name, was De Najera receiving money from him instead of paying it to him? For it seems obvious from his visits to all these money-changing establishments that he'd just received a pretty handsome sum of foreign money, presumably English, from the fat man and was anxious to change it into French without attracting notice of the amount. It won't fit—it isn't even as though there'd been a motive of robbery, for Luela's jewels were found intact.” Suddenly Benvenuto sat up, his eyes wide open, and stared at Paul. “‘The Countess of Trelorne on returning from a drive found her room ransacked and her jewels stolen.’” A seraphic smile spread over his face. “The Slosher,” he said. “I’ve spent the after- noon with the Slosher and never knew it. How annoyed Leech will be.” “Good Lord—d'you really think it was?” “Of course—and our Mr. Paleidos is obvi- ously a jewel fence. It begins to shape—but does it though? For I don't see where Hernandez comes in. Whatever his source of income may be, I'm pretty certain he's not a jewel thief, or C O O K E R Y A N D C R IM E 97 he wouldn't have his headquarters in the seclu- sion of St. Antoine. Those sort of gentry lose themselves in big cities.” He clutched at his hair. “It’s all so beautifully suggestive and I can't get any shape into it. I shall have to do a painting to-morrow, I know I shall.” “A painting?” asked Paul in surprised tones. Benvenuto nodded. “I always paint best when I’ve got a problem to work out, likewise always work a problem out best when I'm painting. It seems to get the two sides of my mind free to work independently. I suppose that's why I took up criminology.” He laughed. “One ought to be able to project a world's masterpiece out of this affair. Meanwhile we shall be late for dinner if we don't get on, and so invoke the wrath of Adelaide. That girl's cooking doesn't deserve a slight, I assure you.” He kissed his fingers to the air and turned to the driving wheel, and they were soon racing to- wards the setting sun. Paul settled back in a corner of the taxi and surveyed the world contentedly. It was beauti- ful beyond words, the sea pale green in the evening light, and thrning he could see the mountains behind touched to burning rose by the sun. The air grew cool after the hot day, and as they swept past a village he could see 98 T H E C R IM E COA ST far below on a sandy beach people in gay- coloured clothes returning from their day's sun bathing. The sound of voices singing floated faintly up to him. It was very peaceful. Paul thought suddenly of Adrian, in hiding and in fear of his life possibly somewhere along this sunny coast. It was something to feel that their day's work might help towards clearing him, and the prospect of spending the evening at the house of De Najera was a stimulating one. With rising spirits Paul remembered Benve- nuto's remark about dining with Adelaide— apparently the invitation still held. His life was pretty good, he thought, and lay back, letting his thoughts slip in and out of his mind, lazily conscious of things round him, until Benvenuto deposited him at the door of his hotel. Arrang- ing to meet him in the café in half an hour, Paul went up to bathe and change. Twenty minutes later, leaning out of his bed- room window with a cigarette, he saw Benve- nuto down on the quay, dressed in his corduroys and minus the moustache, in earnest conversa- tion with a fisherman. They were too far away for him to overhear what they were saying and he stayed there leaning out of the window until he saw them part with a tremendous handshake. Benvenuto came striding along, looking pleased C O O K E R Y A N D C R IM E 99 with himself, and glanced up at Paul's window as he went by. He waved a greeting. “Joshua fit de battle of Jericho and de walls came tumbling down,” he said mysteriously, and passed on. Paul pondered over this statement and de- cided it was an optimistic one. Smiling to him- self, he completed his toilet and went down to the café where Benvenuto soon joined him. “Hullo—I take it you've been putting in some good work.” Benvenuto nodded. “Qa marche,” he said. “I’ll tell you about it later. We'd better get along to Adelaide's now or we'll be late. There's no time for a drink, but she'll give us a cocktail when we get there. Come on—it's just along the port.” Beyond the cafés and the Marine Store Ben- venuto stopped opposite a blue-painted door and pushed it open. He shouted up the stairs, and Adelaide's smiling face peered down at them. She waved a spoon. “Well met,” she said. “The cocktails are cold and the soup's hot, so enter. I’ve been wanting to show you my house,” smiling at Paul. Bending his head, he entered the low door- way, followed by Benvenuto, to find Adelaide in a white frock, her cheeks flushed with cook- IOO T H E C R. I. M. E. C. O A ST ing, against the background of a rose-and-blue room. As she turned to a cocktail shaker on the table, he looked about him. Long windows hung with curtains of transparent white material looked over the port. The walls, faintly washed with pink, were bare except for a Marie Lau- rencin flower piece in a silver frame, and cush- ions and divan were covered in faded blue silk. On the floor of polished red tiles was a modernis- tic rug in grays and blacks. It was all very simple, and never, Paul thought, had he seen a more charming room. He told her so and she smiled with pleasure. Giving them each a cock- tail, she led him to the window. “Come and see my view which I'm extremely proud of. I wish you'd been here earlier and seen the sunset. The cliffs looked as if you could toast bread on them.” Outside in the blue night he could see the houses of St. Antoine in a half circle round the port, their lights spilling reflections in the dark water. Above the mass of headland stars were coming out. Benvenuto joined them. “My dear, it's high time you went to live in Clapham Junction,” he expostulated. “Like Mrs. Aldwinkle of Barren Leaves, you're developing a proprietary interest in the beauties of Nature. You're begin- C O O K E R Y A N D C R IM E IOI ning to believe you're responsible for all this” —he indicated the night with a sweep of his 31 III. Her eyes twinkled. “At least I’m responsible for the fact that you can look at it through white curtains, with a moonshine cocktail inside you. And there's no need to be catty because you live up a nasty back street without a view. Come and have your savage breast soothed with soup and tell me what you've been doing with Mr. Ashby all day.” “Les affaires sont les affaires,” he replied darkly as they seated themselves at the table. “As a matter of fact, we’ve been out hunting— and it's quite possible that before long I shall invite you to join in the chase. Meanwhile I am preserving an enigmatic silence.” She looked at him curiously. “Has the Open Season for Crooks recom- menced?” she asked. She turned to Paul. “I don't know if you've discovered already—but Ben is quite the most brilliant detective outside fiction.” “Quel blagueſ’’ “It is so useful,” she went on. “He can pro- duce the lost umbrella or the missing heir within twenty-four hours. It's a little trying of course IO2 T H E C R IM E COAST in private life, for I can never deceive him about the simplest thing. Ben, do give a public performance and tell me what is in the soup?” “The result is nectar and ambrosia—my felici- tations. Chestnuts allied with white burgundy and cream were a pretty thought—and do I detect the least trace of Bacardi rum?” She looked at Paul despairingly. “You see? One can have no reserves—no delicate mysteries. All one's subtleties lie naked under his pitiless gaze.” Paul laughed. “Cookery is one of the holy mysteries to me,” he said, “though, believe me, I appreciate the results.” Benvenuto was tenderly apportioning some sauce-enveloped fish onto a plate. “You shopli take it up,” he said. “One of the most interesting of all the arts. I place it above painting, and below music, though of course it rides hand-in- hand with them. One has only to try the effect of a Bach concerto after a good dinner and the same work after a meal of canned salmon to prove that.” He handed Paul his plate. “Ade- laide, who practises both arts with extraordinary distinction, is the only woman I know who can give one pleasure in a Mediterranean fish. Her still-lifes are second only to her sole Normande. IO4 T H E C R IM E COA ST this type of crime the police deal with effec- tively, one case being as like another as two peas. There remains the subtle motive—the criminal who is actuated by something obscure, even praiseworthy. In cases like this the crime is possibly quite justified, or at least inevitable, and as far as I am concerned I should hate to be part of the machinery that inflicts the same pun- ishment in the one case as in the other. The English have invented a system of punishment that probably fits crime in general as well as any convention can. But it is difficult to forget that it is a convention, and that in Basutu land, for instance, it is an offence not to go out and slay the man who has run off with your wife. You see, a woman is worth three cows in that country, and they are a logical people. Like- wise a hungry man has the right to go into whoever's house he likes to take food—whereas our logic would retaliate with three months' hard in a similar case.” “But surely,” Paul objected, “you don't deny the necessity of protecting the individual's prop- erty? Speaking as a lawyer 27 “I neither deny it nor uphold it. Mine not to reason why. I only know that by instinct I prefer knocking the man down whom I catch stealing my watch to handing him over to a C O O K E R Y A N D C R IM E IO5 policeman. At the same time we all admire and respect the policemen who protect our old mothers. The reasons that would keep me out of the C.I.D. are purely illogical, and spring from an inherent desire to sit on the fence. Put yourself one side or the other of it and you never know the truth about anything. Take the case of murder now: When a murderer is brought to justice he has to pretend he did the bloody deed because he was inflamed with jeal- ousy or because the victim had a £Io note on him, the real reason being that he didn't like his face or that his conversation was intolerably bor- ing. But he can't say so at his trial—there are conventions to be observed. I am perfectly seri- ous; I have never felt any desire to murder for money, but often I have been on the verge of shooting someone out of sheer irritation. If I had, I should of course have pretended that he had run off with my wife. Noblesse oblige —one must have some consideration for th; corpse.” Paul's desire for a logical argument vanished in laughter led by Adelaide, and dinner being finished they moved over to the divan for coffee. “Make yourselves comfortable, you two, and I'll bring you your cups over there. Mr. Ashby, will you have some of my Spanish brandy? It's Ioé T H E C R IM E CO A ST really rather nice, and you'll need a fortifier before Hernandez's party.” “I’d love some,” said Paul, and came towards her. “Let me 7) She was pouring brandy into beautifully shaped goblets, when Benvenuto's voice came from the divan. “Talking of Hernandez's party—I’ve a fa- vour to ask you, my dear.” She paused and looked at him, glass in hand. “You can help me immensely in-something I'm trying to puzzle out—if you'd, well, repel his advances rather less than usual this evening. Let him drink—and let him talk. You were in London last Tuesday—” He stepped for- ward and bent to pick up the scattered frag- ments of the glass which had slipped from her hand. “Bad luck—but at least it wasn't full. Sit here and I’ll get you another.” * He went across to a cupboard in the corner, and when he came back Adelaide was lying among the cushions smoking a cigarette, Paul in a chair opposite her. Benvenuto gave her a drink, and taking one himself sat down beside her. He went on. “I want you, if you will, to pull his leg gently, Io8 T H E C R IM E COA ST suspected of the murder of Luela, and by an abominable bit of bad luck things look pretty black against him. I didn't want to tell you about it because I knew how it would worry you, but now every scrap of information I can get hold of will help, and you can help me to-night by doing this.” She was staring straight in front of her, and Paul was horrified to see tears running down her pale face. Benvenuto patted her hand. “My dear,” he said gently, “of course I'm ab- solutely sure he's innocent and it's only a ques- tion of time and hard work before we can prove it. It may not be so difficult after all, because, as you've no doubt read in the papers, some woman went to see Luela on the afternoon of her death, and if she comes forward her evidence will probably clear up the whole matter, so don't worry.” She snatched her hand away from him, and suddenly bursting into a fit of sobbing, she ran out of the room. Benvenuto got up quickly and went across to the window. Paul sat still and silent in his chair, fear and doubt and misery closing in on him. He thought of Adelaide in the train, the newspaper dropping from her hands, fear in her white face as she left him; Adelaide in the COO K E R Y AND CRIM E Io9 café, fear again in her face when she saw him and her hurried, too-quick explanations; Ade- laide gone so suddenly after De Najera's accu- sation of Adrian; Adelaide here to-night. With a feeling of terror himself, he looked quickly at Benvenuto to see him strolling back from the window, and braced himself to conceal the sus- picions that came half formed into his mind. Benvenuto sat down and poured out some drinks, handing one to Paul. He looked wor- ried and unhappy. “Poor kid,” he said, “it’s unlike her to let herself go, but she's as fond of Adrian as I am. Blasted fool I am to go frightening her like that. Better let her alone for a bit. Cigarette?” Paul took one, and they talked desultorily for a time, Paul trying to appear intelligent with questions beating in his brain. What was she hiding?—what was there that she couldn't tell them? “Ben, will I do?” He turned with a start to see Adelaide pirou- etting in the doorway, vivid as some tropical bird, in a scarlet frock, her feet in scarlet shoes showing below her long full skirts, and a scarlet flower in her hair. Though she was still pale, she had painted her lips and they were parted in a smile. His heart thumped as he looked at II2. T H E C R IM E COA ST Germans are too precise, the French take too short steps, Argentines crouch over one like panthers, Americans wear their shoulders too high. Letts and Finns I’ve never experienced. Come and join Ben among the trophies of the chase—he's looking pretty good.” The object of her last remark was seated on a pile of purple silk cushions that were heaped over a tiger skin. A bottle under one arm and a glass in his hand, he wore a beatific smile and was dividing his attention between the stuffed head of the tiger and a scantily clad little flapper who was lying beside him, gazing at him ador- ingly, holding his hand and talking in swift bursts of French. She greeted Adelaide with a bright smile and made a place for her, then, catching sight of Paul, she pulled him down beside her and climbed on to his knee. “Engleesh boy,” she remarked, “nice.” Putting her arms round his neck, she com- menced to sing in a curious husky voice: “’E’s got bright blue eyes, I nevaire caire for bright blue eyes, But 'e's got bright blue eyes, Et maintenant j'adore ca.” She peeped round at Benvenuto for applause. “Bravo, Tina!” he said, while Adelaide shook T H E P A R T Y II3 with laughter, looking at Paul. Profoundly em- barrassed, he groped for his cigarette case, and furnishing his newly found friend with a ciga- rette tried to achieve an air of complete noncha- lance. Hurriedly casting round in his mind for a suitable conversational opening, he was more than relieved when Benvenuto despatched the amorous Tina for some glasses. He looked at Paul gravely. “You’ve been received into St. Antoine so- ciety,” he said. “You must cultivate Tina.” “Her methods are rather—er—direct, aren't they?” Paul said. “Well—possibly. But she's a cheerful little piece and part of the tradition of this place. Curse her—she's forgotten about those glasses. I'll go and hunt some up.” A circle had formed round Tina, in the mid- dle of which she was dancing, her diminutive body shaken by an ecstatic Charleston, entirely abandoned to the feverish rhythm that was being stroked and torn from a ukulele by an American boy. He sang as he played: “Oh, sister, shake that thing . . .” His fingers thrumming and flying, his fair hair tumbled over his sunburnt forehead, his foot beating the ground, and his body jerking in time II4 T H E C R IM E CO AST to the Negro syncopation that he struck from his instrument, he played faster and faster, his eyes fixed on Tina's writhing body: “Oh, sister, shake that thing . . .” Hands and feet marking time all around her, she had forgotten her audience, and with her dark curls flying, her thin brown arms and legs twisting and stamping to the music, her hips swaying under the thin silk of her dress, she looked like a small negress from a Harlem cabaret. Some forgotten strain of dark blood was alive in her. Paul counted a dozen nationali- ties amongst the people round her, all intent on her, all swaying a little in rhythm to the curious half-savage dance. One immobile figure seated on a cushion, his arms folded in a tense stillness, was that of a Japanese painter. His Oriental face expressing neither pleasure nor interest, he kept his eyes fixed on her, and when at last she flung herself exhausted onto a divan amidst shouts of applause Paul saw him rise with star- tling suddenness and cross over to her. Someone put a record on the gramophone, and in a moment the floor was crowded. Benve- nuto reappeared with bottles and glasses and Paul, who was longing to dance again with Adelaide, waited for a drink before asking her. T H E P A R T Y II5 The noise of ice clinking as Benvenuto poured out brandies and sodas was good in the hot room, and he passed Adelaide a drink. The next moment De Najera was bending over asking her to dance, and they moved off together. Paul, looking after them blackly, was forced to admit he was a perfect dancer as he steered her easily over the crowded floor. His head bent, he was talking to her earnestly, and Paul wondered what he was saying. “Good Lord, look at that,” Benvenuto's voice interrupted his thoughts; and following the direction of his glance he saw a curious couple pass them: the man slightly bald on top with pince-nez perched on his nose and wearing an ill-fitting pair of plus-fours, the girl Tina gig- gling delightedly up at him as he held her awkwardly and looked down at her with ill- concealed nervousness. Paul chuckled as he looked at them. “By all that's holy—it's Leech,” murmured Benvenuto. “He’ll need a detachment from the Yard complete with truncheons to protect him if Tina's got designs on his virtue. Why in God's name did he come here?” “I suppose he took advantage of De Najera's general invitation and decided to combine pleas- ure with business—though I don't detect signs II6 T H E C R IM E CO A ST of very reckless abandon yet awhile. It must be the polka he's dancing. Can I have another drink?” “Pardon, mon vieux. And when you've fin- ished it—unless you feel like receiving the advances of the lady over there—perhaps you'd come on an expedition with me. I want to go up to Luela's room and explore. Not the height of good manners perhaps—but I feel all's fair just now.” Hastily averting his eyes from a languorous- looking lady in a Spanish shawl, Paul got up and put down his empty glass. He felt curiously unlike devoting himself to practical things. The brandy was good—it was perhaps his sixth —the summer night was hot, and scented breezes blowing in at the open windows made him long for a stroll. Later he would take Adelaide out there. Meanwhile the violins wailed and the saxophone spilled its plaintive notes through the room. In the dim light of shaded lamps couples locked in each other's arms swayed to the rhythm. Through the crowd he caught a glimpse of Adelaide's scarlet frock and her face lifted, smiling, to De Najera. Paul turned quickly and followed Benvenuto to the door. He found the latter mopping his brow and leaning against a gilt cupid in a highly ornate T H E P A R T Y 117 marble-tiled hall. Palms and flowering shrubs filled a well in the centre round which the stair- case rose to the floor above. Stucco ornaments and painted decorations covered every conceiv- able space in an orgy of depraved Baroque. Paul shuddered slightly as he looked about him. “This is considered extremely chic in the neighbourhood, let me tell you,” remarked Ben- venuto. “People have been known to come from miles round to catch a glimpse of it. I have a distinct weakness for it myself—don't you ad- mire the allegorical painting of Hope following Appetite? Come on, there's some more up the staircase.” Past overgrown ladies wallowing in a con- fusion of fruits and ruined towers against a blue sky, they mounted to the corridor above. “If questioned, ask for the bathroom,” said Benvenuto, but they met no one, and on coming to some large double doors he went in followed by Paul. The room was in darkness, but after a moment's pause Benvenuto found the switch, the light revealing a large bedroom of a luxuriant and rather exotic character, with other doors leading out of it. “Luela's suite,” Benvenuto explained. “This room and her boudoir look over the sea, and there is the bathroom. I’ll open the shutters, and I 18 T H E C R IM E CO AST if anyone comes in I'll explain that I was show- ing you the view, which is colossal.” He unshut- tered a long window and Paul went out onto the balcony to find a marvellous moonlit panorama and a sheer drop to the sea below his feet. On his left the lights of distant coast towns twinkled. Les Palmiers was built on a rock and had a stair- case carved out of the cliff down to a small natural harbour below, Benvenuto explained. They came in and went through to the boudoir. Both rooms seemed to have been untouched since they were last occupied, a heavy scent was in the air and photographs littered the tables. Benvenuto looked through the photographs with care until he came to one of a man, obviously taken a good many years before. Uttering a slight exclamation, he took it to the light and looked at it in a puzzled way, afterwards put- ting it in his pocket. Paul watched him curi- ously. “I feel rather like a ghoul,” he said, “but that reminds me of someone and I can't think of whom.” Frowning, he walked about the room and then went back to the bedroom, where Paul followed him and sat on the bed. Watching lazily, he thought Benvenuto looked rather like a well- bred pointer as he moved swiftly about examin- T H E P A R T Y II9 ing furniture, cupboards, and knick-knacks. He finally disappeared into the bathroom and was absent so long that Paul thought he must be try- ing to reconstruct the crime in that other suite. Getting impatient, he followed him in, and was somewhat irritated to find him sitting on a cork- covered bathstool gazing earnestly at a pile of powder boxes. Benvenuto looked up at him queerly. “Half a dozen brand new boxes of Loty's bath powder—enough to flour a regiment— only they're all empty.” Only mildly interested, Paul looked them OVer. “Notice anything peculiar about them? No? Well, look at the labels—the sticky ones which they use to seal the top to the bottom. They've all been carefully steamed open—not torn in half as one would expect.” He rubbed his chin, and then jumping to his feet he took Paul's arm and propelled him out of the room. “On with the dance—let joy be unconfined,” he said, and closing the shutters and switching off the lights they went into the corridor and down the stairs. There was still no one about, all the life of the house being confined, appar- ently, to the big salon which they reëntered and there helped themselves to drinks. A haze of I2O T H E C R IM E CO A ST cigarette smoke filled the room; for a moment the party was in repose as if in the interval between two acts of a pantomime. A sense of unreality took possession of Paul; he felt that at any moment something magical might happen, and by association of ideas looked about for Adelaide. She was lying on some cush- ions with Hernandez and talking lazily to him, his arm round her shoulders. Suddenly the rich twang of a guitar filled the room. A Spaniard dressed in blue jeans with one foot on a gilded chair began to sing an Andalusian love song, fierce and earthy. The jazz beginning of the party was over, and the Spaniard had timed his song for the altered mood of the guests, who were becoming quarrelsome or amorous or merely sentimental, according to their natures. As for Paul, he felt unnaturally heroic, and found himself, rather to his surprise, wanting both to sing and to hit someone. Controlling these unusual emotions, he went and sat on the floor by himself, and watched a couple dancing slowly a kind of elemental tango. He felt very much out of it all and became extremely, but exquisitely, sad: a mood which changed sud- denly to morbid softening of the heart as he re- ceived an unexpected wink from Adelaide. T H E P A R T Y I2 I The song went on, and suddenly through it he caught the sound of sobbing behind him. Turning round, he saw Tina lying on a divan crying as though her heart would break, and kneeling beside her the bald and pince-nezed Leech, who was trying valiantly to mop her tears up with a large pocket handkerchief, a worried look on his face. A few feet away sat the Japa- nese, expressionless as ever, staring at them. Tina continued to sob with unabated violence and Paul began to feel extremely concerned about her. Not liking to intrude himself, he went off in search of Benvenuto, whom he found talking to a group in a corner. He attracted his atten- tion and Benvenuto rose and came towards him quickly. “What's up?” he asked. “Well, it's about Tina—I'm afraid she's got into trouble of some sort. She's over there with Leech, crying bitterly. Oughtn't we to do some- thing? What d'you suppose is the matter?” Benvenuto caught sight of her and grinned. “Alcoholic remorse,” he said briefly, and walked across to her. As they reached the divan Leech looked an- grily at the Japanese, whose immobile stare seemed to infuriate him. I22 T H E C R IM E COA ST “What the devil do you want?” he demanded. A bland smile spread over the Oriental's face. “I want to dance like a flea,” he replied. Uttering an exclamation of rage, Leech turned his attention to Tina, when Benvenuto, who had been an amused spectator, intervened. “Tina, my little one, you've been at the gin again,” he said in French. “Silly child, you're washing your make-up all over your face—just look at it.” Taking a mirror from her handbag he held it in front of her, and checking a sob she directed a blurred gaze towards it. A look of concern came through her tears and the next moment she was busy with a puff and a lipstick. Having completed the picture, her mood changed in- stantly to one of extreme gaiety, and presently she was dancing with the American boy. Ben- venuto got up and looked at his watch. “I don't know about you, Ashby, but I'm going to push off,” he said. “The night is yet young—it's just one o'clock—so if you want to stay here and shake a leg, do, and come along to my rooms later for a drink.” Paul looked uncertainly across at Adelaide. She seemed very much occupied with De Najera. “What about Miss Moon?” he said. T H E D A R K H O U S E I25 any danger in it. But it's all right, you know— why, there were thirty or forty people we know there. We shall find the ball still rolling and Adelaide dancing without a thought for her miserable confederates—you'll see.” But his assurance sounded a bit thin, and Paul looked at him grimly. Suddenly he realized that Benvenuto's tone had somehow conveyed an apology to him—Paul—and something seemed to light up inside him. He crammed on his béret and marched out, shoulders well back. If that Dago had been up to any tricks he’d— The rest of his resolve became blurred but none the less determined. The silence of St. Antoine by night was sud- denly broken by the sound of singing, and Ben- venuto, hearing it, turned quickly down a side street that led to the port. They emerged to find a band of revellers straggling along arm in arm past the shuttered cafés, singing a little un- evenly: “Auprès de ma blonde.” The party halted in front of a café and the singing died down. “Arise, O woman, and let me in 2 2 Whisky—Johnny 22 came the voice of the American boy, and then Benvenuto tapped him on the shoulder. 126 T H E C R IM E CO A ST “Seen anything of Adelaide?” he asked. The American boy clapped his finger to his nose and looked at him sharply. - - “Sh!” he said, and began to get on with his song. Benvenuto shook him roughly, and he paused with his mouth open. Recovering from his surprise and adjusting his balance, he com- menced to peel off his coat. “You guys get ready to witness the middle- weight championship of Europe—Big Ben Brown versus the Colorado Chicken—purse Ioo francs and may the best man win, as Carnera said to Tunney.” He grasped Benvenuto's hand, looked at him fondly, and attempted to kiss him. The latter moaned with rage, and sent the boy sprawling into the arms of his companions. The road up to Les Palmiers was dark, for the moon was down and the town lighting had been cut off. Benvenuto set off quickly, and Paul was thankful he knew the road. The squat shapes of olive trees loomed up as they passed, and the only sound was the occasional clanking chain of some goat disturbed by their footsteps. A few minutes' walk brought them to the château which they found in complete darkness, grim and se- pulchral-looking with its mass of white stucco. Benvenuto pushed at the front door which gave T H E D A R K H O U S E 127 to his touch, and in a moment they were in the heavy flower-scented atmosphere of the hall. “Damn the lights—they won't function,” said Benvenuto, fumbling with the switches. “Got a match, Ashby?” Paul struck a light and they made for the door of the salon. It was dark in- side except for the first pale glimmer of dawn that showed through the windows. They were open and the early-morning wind blew the cur- tains towards Paul. He shivered and the match went out, and then Benvenuto said: “Come on, I'm going up to De Najera's rooms. There's nothing here.” Paul struck another match and was turning to follow him when his eye caught something stick- ing out from below the curtains of an alcove close beside him. It was a hand, a very small hand, lying palm uppermost on the carpet. Was it the light of the match—or had it a horrible deathly pallor? Perfectly still, Paul stood star- ing at it until the match burnt his fingers. Then he felt himself trembling violently so that he could not speak. At last: “Brown—come here— come here—” he said, and fumbled for his match box. His fingers shook so that it seemed to him an eternity before he struck a light. Ben- venuto was beside him. w I28 T H E C R IM E CO AST “What the devil—” he began, and caught sight of it, lying there. “God,” he whispered, and his hand shot out to the curtain, dragging it back. The next moment Paul heard himself gig- gling weakly, while Benvenuto, uttering an oath that was strange to him, directed a kick at the prostrate form of the Japanese. He, beyond stirring a little and folding his arms across his breast, gave no sign that his slumbers were dis- turbed and continued to wear an expressionless smile on his immobile face. “Eclipsé,” muttered Benvenuto, and then with nervous fury: “Why the devil does he want to go leaving his yellow hands about the place?” Somewhat shaken, they got out of the room and felt their way up the staircase. “Follow me,” whispered Benvenuto, “and don't make a noise. I'm going into De Najera's rooms, which are up on the next floor. When we get in, if there's no light and no sound, strike a match.” They climbed another flight, and then Ben- venuto silently opened a door at the top and they slipped inside, shutting it behind them. Their backs against the door, they stood in tense silence staring into the inky blackness, till Paul struck a match. The room was empty, the bed unslept in. T H E D A R K H O U S E I29 “Stay where you are—I’ll open the shutters and let in some light,” murmured Benvenuto in his ear, and Paul heard him creep across the room. The sound of a latch slipping, a creak, and things became faintly visible in the cold glimmer of early dawn. Benvenuto gave a muffled exclamation as he leant out of the window. “Come and look at this,” he whispered, and Paul joined him. A balcony over the sea ran along past the window, and where it ended an extraordinary sight met their eyes; for perched on the top of the white stone balustrade three or four feet up were a thin pair of legs protruding from plus-fours, standing perilously on tiptoe. The head and upper part of the figure were hid- den by a flying buttress round which the man's arm was clinging for support, but it was un- mistakably Leech. He was watching something or other with interest, and they could hear faintly the murmur of voices from above him. Paul and Benvenuto slid out into the balcony and went towards him. Hearing a sound behind him, his head appeared round the buttress, and recognizing the two men he climbed gingerly down. - “Looking for cat burglars?” whispered Ben- Venuto. 13o T H E C R. I. M. E. C.O AST The little detective looked somewhat sheep- ish. “The fact is,” he answered, “I was keeping an eye on Miss Moon. I've been trying to get a word with her all the evening, and . . .” Without waiting to hear the rest of his sen- tence, the two men clambered up onto the bal- ustrade, and were able to see through some stone tracery the flat roof garden above. Although the early light had brightened, Paul at first could see nothing but a large tele- scope mounted on a tripod which occupied the centre of the flat roof; but a voice, the silky voice of De Najera, was evident enough. He was talking earnestly to someone in the farther corner, someone who had backed against the balustrade and whose silhouette against the deep mauve sky was Adelaide's. “Let me go now, Hernandez. Let me go, you hurt me. I must go—I’ve got to meet Benven- uto.” “May he be damned in hell.” Then, less fiercely, “Come with me, my turtle dove, my little one. See, I only kiss your hand. Listen, I am rich, very rich now that Luela is dead. In Argentina I have a palace by the sea where we shall live, in country more beautiful than you have ever seen, My house is in a garden where T H E D A R K H O U S E I31 fountains play and flowers bloom all the year, and birds sing among the peach groves.” Paul could see him now, bending forward over her, talking with all the rich inflections of his voice, persuasively and passionately. He bent farther forward still over her shrinking figure; she turned her head from side to side like a bird looking for a way of escape. “Madre de Dios, you are beautiful,” he mur- mured, and caught her in his arms. Adelaide's shriek and Paul's climb onto the balcony coincided. For a sickening moment he saw far below him the black sea, then pulled himself over the parapet and he and his enemy were facing one another. The pale light on De Najera's face showed it distorted with rage, and as he saw Paul's threat- ening attitude he drew a knife from his belt and walked lightly forward, his thumb on the blade. The moment for Paul was critical. He knew that if his first blow failed he was in for it. De Na- jera crouched. Both men leapt at the same mo- ment—the Argentine with an upward sweep of the knife was a fraction late. Paul's left hand, with all the inhibitions of his evening behind it, caught his opponent very neatly on the jaw, and man and knife lifted for a second, then crashed backwards onto the floor. I32 T H E CRIM E CO AST Paul bent down to make sure he was uncon- scious, picked up the knife, and glowing all over started to rush back to Adelaide. Then he stopped—for she was in Benvenuto's arms, while he patted her shoulder and murmured words of encouragement. Paul stood quite still and went very cold. The next moment a sound beside him made him look down, to see the face of Leech, pink with exertion, his pince-nez askew on his nose, emerging through a trap door in the floor. “Ah!” he said. “Excuse me intruding, but I've been wanting to get a word with Miss Moon all the evening, and this seems quite an oppor- tunity.” “Just so, Leech,” returned Benvenuto, “cozy little spot for a chat. But supposing we defer it till we get back to my rooms.” By now Adelaide had pulled herself together and was wrapping her shawl round her. Ben- venuto walked over to the unconscious man. “He'll wake up with a headache, that's all,” he said. He bent down and grasped the limp hand. “Thanks so much for a delightful evening,” he murmured politely. Then straightening him- T H E D A R K H O U S E I33 self, “Allons y. Sheath your sword, Ashby, and come along.” Paul looked down at the knife in his hand and blushed, feeling suddenly rather a fool. He threw it into the sea and followed the others down the staircase and through the dark house. CHAPTER XII A W ORD W IT H M I SS M O ON ALMOST in silence they walked back to the town. In the east red streaks were appearing in the sky, which was a pallid translucent green by contrast, and though Leech remarked that it was the best part of the day and it was a pity you didn't see the sun rise more often, no one seemed disposed to enlarge upon the subject. Back in the studio the fire still burned, and they were grateful for it and for the hot coffee which Benvenuto soon produced. Seated round the fire they felt tired, nervous, and ill at ease. Adelaide, very pale in her scarlet frock, avoided Paul's eye, and he on his part was suffering from a reaction after the events of the night. Benven- uto puffed rapidly at his pipe and stared into his coffee cup. Leech was the only person who ap- peared to be entirely at ease, and enjoying him- self rather than not. He stirred bis coffee vigor- ously and took a large gulp, then sitting back with his feet to the blaze he turned to Adelaide. “As I was saying, Miss Moon, I've been want- 134 A wo R D WITH M I S S M o O N I35 ing to get a word with you all the evening,” he said. He looked at the other two. “Mr. Brown is an old friend of mine. Ahem— I take it I can speak quite frank in front of the other young gentleman?” “By all means—certainly,” said Adelaide and Benvenuto together, and Paul, who had made a movement towards departure, sank back in his chair. The detective rubbed his hands together. “Well, since we're all friends present, I'm going to ask you, Miss Moon, to give me some help about a little matter I’m engaged in. Now, I want you to tell me in your own words—take your own time, mind—the events which took place on the afternoon of last Tuesday the 24th when you were present in the suite of the late Signora da Costa at Bishop's Hotel, London.” Paul felt as though his inside had turned com- pletely over. Looking at Adelaide, he saw her paler than ever, but perfectly calm. She was about to speak when Benvenuto addressed Leech. - “On what grounds do you state—” he be- gan, when she interrupted him. “It's all right, Ben,” she said. “I was there, and I’ve been a fool not to tell you about it, but I was afraid ” She looked at Leech. 136 T H E C R IM E CO A ST “That's right, Miss Moon,” he said. “We know you were there, so there's no use in wasting time, is there?” He produced a notebook and pencil from his pocket and cocked his head at her expectantly. “I went there because Signora da Costa wished to buy one of my paintings from the Leinster Galleries,” Adelaide began quietly. “The show ended before she decided which one she wanted, and she wrote me a note asking me to call and see her if I came to London.” Inspector Leech was scribbling in his book. He paused. “Can you let me see that letter?” She looked at him, startled. “I don't know—I may have it somewhere— I—” “Quite so. I should like to see it if possible. Purely a matter of routine, Miss Moon. Go on, please.” “I rang her up at Bishop's Hotel about half- past four on Tuesday afternoon and arranged to go round and see her at half-past five. She ex- plained her maid was out, and asked me to come up, telling me the number of her room. When I got there she was having a bath, and I talked to her through her bathroom door.” “How did you enter her room?” A W O R D WITH M I S S M O O N I37 “How ? Oh, the key was in the door, and she called out to me to come in.” “I see. Did you actually see her before you left?” “Oh, yes—she came out when she'd finished her bath.” “Can you remember how she was dressed?” “In a silk wrap—a purple one. She excused herself, saying she was tired and was going to lie down.” “Did she say why she was tired—whether, for instance, she had had a tiring day, or what she had been doing?” “No. She told me nothing, nothing at all.” “You are sure?” Adelaide stiffened. “Quite sure.” “Just so, Miss Moon, just so. Did she mention she was expecting a guest?” “I have just told you—she said she was going to lie down.” “No mention at all was made of anyone com- ing to see her later in the day?” “None—none at all.” He looked at her. “I see. And what did you two ladies talk about?” “My paintings. She arranged to buy one, and I was to send it to her, and then I left.” 138 T H E C R IM E COA ST “What time was that?” “Five minutes to six.” “Excuse me—how do you happen to remem- ber the time? This is important.” “I looked at my watch so as to get away before —while there was still time to go back to my hotel and get some food before leaving for Paris. I was staying at Green's.” “Did you see anyone when you left her room —in the corridor, for instance?” “No-not that I remember. I think there was a chambermaid coming out of one of the rooms.” “But no one you knew by sight?” “Certainly not. I should remember that.” “Now, about the telephone call that came through while you were in the room. Please tell me all you can remember about that.” “But there was no telephone call.” “You are sure?” “Quite sure.” “Be careful, Miss Moon. The telephone operator says she put a call through between five forty-five and six when, by your own show- ing, you would have been in the room.” “It must have been later, when I had gone. There was no call!” Her voice sounded strained under the con- A W O R D WITH MI S S M O O N I39 tinued questioning, and she looked deadly tired. The inspector nodded. He made a few notes and closed his book. “I am very much obliged to you, Miss Moon —very much obliged, I’m sure. I hope I shall not have to trouble you again, but I must ask you to let me know your movements should you think of leaving St. Antoine. Purely a matter of routine, Miss Moon, but until the inquiry is over I must ask you to keep in touch with me.” She looked at him quickly. “I-am not going away,” she said. “Well, perhaps that is wisest.” He got up. “And now, Mr. Brown, allow me to thank you for some very pleasant refreshment, and very welcome, I’m sure.” He smiled genially round at them and rubbed his hands. “Well, my little white sheets are calling me, so allow me to wish you all a very good night— or morning, should I say? Ha, ha!” He shook hands all round and Benvenuto took him down- stairs. “Can I get you some more coffee? You must be dead beat,” said Paul. Adelaide started to laugh hysterically. “His little white sheets . . .” Her voice trailed off into something very like a sob. She smothered it and looked up at him. I40 T H E C R IM E CO A ST “Sorry,” she said. “It's been so awful all night.” She put her hand out to him impulsively. “I don't know how to thank you—it seemed like a miracle when you came. I don't know what I’d have done—” “Thank God he's gone,” said Benvenuto, walking in. “Hullo—all silent and all damned? How about some more coffee—and your excel- lent dinner, my dear, is now so much a thing of the past that there’ll be no offence offered if I suggest kippers.” “Ben, you are a genius sometimes. Have you been extracting them from the Mediterranean?” “Got them in Cannes, and I’ve waited in modest pride all the evening for the right mo- ment to produce them. Ashby probably doesn't realize the exile's craving for them, being as he is fresh from an English breakfast table. Any- one want to come and smell them cooking?” They repaired to the kitchen, where Adelaide, an apron over her frock, fanned the charcoal to a glow and insisted on grilling the kippers her- self. Paul ground the coffee while Benvenuto laid the studio table, and they were soon seated at an excellent meal, telling Adelaide their ad- ventures of the evening. Somewhat to Paul's surprise, Benvenuto made no reference to her A wo R D w IT H M 1 s s Moo N 141 f revelations to Leech, nor did he ask her what she had been able to get out of De Najera. At last with an effort she spoke herself. “Ben, couldn't you reproach me a bit?” she said. “I should feel less of a criminal if you did. I have been such a fool, and I felt so bad about not telling you I was in Luela's room. But you see, I thought the Missing Woman—if she re- mained a mystery to everyone—would be a point in Adrian's favour. I still don't know how Leech found out I was she. You must both think I was being a frightful coward.” “On the contrary.” “I think it must have taken a tremendous amount of pluck not to tell the truth before,” said Paul admiringly. Benvenuto looked at him for a minute. Then: “Ah, young man,” he said portentously, “what is Truth?” He turned to Adelaide, leaving Paul puzzled. “Don’t you think it's about time, my dear,” he said gently, “that you told me the truth?” She sat very still, staring at him. At last, “Ben, what do you mean? You heard me tell Leech what happened. There's—nothing else.” “What I mean, Adelaide, is this. I believe Adrian is innocent, and I mean to prove it. But I42 T H E C R IM E COA ST I can't do it if things are kept hidden from me. Something happened when you were in Luela's room that you think looks black for Adrian, and with a great deal of courage and tenacity you're hiding it. You can fool Leech—but you can't fool me. And it is probably only a question of time before Leech, or somebody else, finds out what it is. If it is something that looks as though it implicates Adrian, isn't it better to tell me, when I think he's innocent, what it is, and give me an opportunity of clearing him, than to leave it to chance that Scotland Yard won't find out?” She was swaying in her chair. “Don’t, Ben —don't go on. It's no good—nothing's any good. . . .” There was a pause. Benvenuto, with his arms folded on the table, stared at the girl and she stared back at him with vacant eyes. Suddenly he leapt to his feet, sending his chair spinning, and began pacing up and down the studio. Then he turned and faced her. He brought down his fist on the table with a crash that made the plates jump. “Adelaide,” he said, “you're a damned young fool. You're a criminal fool. I know you're tired, I know you're frightened, but I tell you this— if you don't tell me the truth now, at this mo- A W O R D WITH M I SS MO O N I43 ment, it may be too late. Answer me, am I Adri- an’s friend or not?” “Yes.” “Do you trust me?” “Yes, absolutely, but y) “Do you think I or Ashby would give Adrian away even if he had done it?” “No-but Oh, Ben, you are bullying me, and I am so tired.” “I’m bullying you, and I’m bullying you for the sake of Adrian, and I’m going to keep on bullying you.” “Oh, Ben, don't make me say it.” “Say what? Say what? Shall I tell you? Or will you tell me?” “Ben, you know?” “Yes.” Adelaide dropped her head on her arms and sobbed. Through her tears Paul heard her say brokenly, “Adrian killed her. Oh, Ben, what can we do?—how can we save him?” “Drink this brandy. That's it. Now take a deep breath and tell me about it calmly.” She sat up gallantly and wiped her eyes. Ben- venuto gave her a cigarette, and there was silence for a moment while she lit it; then, in a voice still shaken by tears, she began. I44 T H E CR IM E COAST “It started just as I told Leech—I talked to Luela through her bathroom door, and then while she was still in her bath the telephone rang. She called out and asked me to answer it, and then a man's voice asked for her. I said she was engaged and could I take a message—and he said would I ask her if she could see Adrian Kent at six o'clock. When I told her, she sounded very excited and said yes, she could.” “Was it Adrian speaking?” “No, it was someone speaking for him. A minute after I'd rung off she came running in in her dressing gown, and went to her dressing table. We fixed up about the painting, and then I could see she was anxious to get rid of me— and I was anxious to go, for I didn't want to meet him, there. I said good-bye to her, and she could hardly turn from her mirror—and when I left her she was putting on her jewels for him. The next thing I knew was when Paul lent me a paper in the train.” Adelaide's voice broke, and there was silence in the studio. Then Benvenuto got up and went out of the room. When he came back he had a heavy overcoat on his arm, which he wrapped Adelaide in, very carefully. “Listen,” he said, “you're to go home and A W O R D WITH M I SS MO O N I45 you're to go to bed and you're not to think about anything any more until you've had a good sleep. D'you see? And nothing is your responsibility any more—it's mine, and you've got to trust me. “Here, Paul, take her home.” CHAPTER XIII “T H E B E A U TIF U L CITY WITH D I R T Y F. E. E. T. " TAP-TAP-TAP! So they'd come for him. They'd found him after all, and now they'd come to take him away, him, Paul Ashby, and hang him by the neck till he was dead for the murder of Luela da Costa. Tap-tap-tap/ By God! they shouldn't catch him—he'd see them in hell first. There was still time—he'd run for it. But the room had no window—no door except that one which trembled with the insistent knocking. If it was that damned little Leech he'd trip him up and run for it. But of course it wouldn't be— they'd never send Leech by himself. They'd sent him to torture Adelaide, though. Tap-tap-tap/ God! he hadn't much longer—they'd break the door down. Adelaide—would she be sorry when she heard?—would she cry, as she had for Adrian? Tap-tap-TAP-TAP/ Could nothing save him? They were opening it . . . Oh, God! they'd got him! 146 “T H E c 1 TY w IT H D 1 RTY FE E T * 147 He struggled, and woke to find Benvenuto shaking him by the arm. “You lazy devil, get up. I’ve been banging on your door for the last ten minutes. Thought I'd better come in and see if you'd passed away in your sleep. Buck up and dress—we're going to Marseille in the car.” “MarseilleP” said Paul half awake. “What the devil for?” “I want to find our friend the Slosher. Ex- plain later. How soon can you be ready? Ade- laide is having coffee with me down at the café —join us as soon as you can.” “Ten minutes,” said Paul, springing out of bed, and the door banged behind Benvenuto. He turned on the bath, and splashing himself with cold water tried to get his thoughts into shape. Why on earth was Benvenuto interested in the Slosher now—when Adelaide had made plain Adrian's guilt? Or was that all a dream, too? He shook himself, and started to scrub vigorously. Of course it wasn't—he could re- member the whole thing, and taking her home afterwards, she leaning on his arm. Was Ben- venuto trying to get hold of something to put the authorities off the scent while he got Adrian away into safety? If that was it, he'd help, too. Adrian, poor devil—Paul was able to feel noth- I48 T H E C R IM E COA ST ing but sympathy for this man he'd never met. Tough luck on his father; shock would prob- ably kill the old chap. So thinking, Paul shaved and dressed as quickly as possible, and ran down to join the others. He saw them drinking coffee on the quay, and Adelaide waved as he came towards them. He was sorry when he saw she had no hat; she couldn't be coming. Dressed in one of her usual white linen frocks, she looked very fresh and trim, her hair waving back from her face. Her smile was almost as gay as usual when she greeted him. “Forgive all this handshaking,” she said. “Touche la main is the great national sport of France. We shake hands when we meet a friend, regardless of the fact that we'd met round the corner five minutes before. He sits down at our table, finds he has no cigarettes, rises to go and buy some, shakes hands all round, is absent two minutes, and the ceremony is repeated on his return. I shook hands thirty-five times in one morning with a woman who was doing her marketing at the same shops that I was, and she'd have been deeply offended if I hadn't. Do try to remember!” “I will,” said Paul fervently. “Useful little “T H E c 1 TY w IT H D I RTY FE E T * 149 tip that. Do you mind if we practise it? I find I'm out of cigarettes.” “Bon voyage,” they said, and he left them, his brain rather in a whirl, to find the nearest tobac- conist's. How were they managing to be so cheer- ful when things had taken on such a sinister appearance? “Upon my word, I believe I'm more concerned for Adrian than they are,” thought Paul, walking back from the shop; and then had an idea so startling that he stopped dead. Supposing someone else had used Adrian Kent's name on the telephone in order to throw suspicion on him? This was interesting. He lit a cigarette and stared out to sea. But who could have done it? Adelaide would have recognized De Najera's voice with its rich Southern drawl, and yet who else was there? . . . Ah, he had it —the Slosher, his companion of the train. He hurried back to the café full of his idea to put it to Benvenuto, and somehow his enthusiasm evaporated when he found them calmly discuss- ing painting. Sitting down to his coffee, he determined to test his theory. “You know that chap you spoke to on the phone, who made an appointment for Kent,” he said to Adelaide. “D'you remember if he had an extraordinary uneducated voice?” “No, he hadn't in the least,” she said, be- I5o T H E C R IM E COA ST wildered. “Why?” Benvenuto shook his head at Paul. “I’m afraid we can't hang my late fare on his accent, strong as it is,” he said. “That's disappointing. But didn't you say just now that we're going after the Slosher to- day?” “Mr. Herbert Dawkins, to you,” corrected Benvenuto. “I got his name from Leech this morning. Yes, at the moment he's our only line of action, for since you laid out De Najera last night we can't expect to glean anything from friendly intercourse with him. Still, I must say it was worth it.” He smiled reminiscently. “Meanwhile Leech is keeping a firm eye on the château. You know, there's no doubt that Her- bert is mixed up in the affair, more so than I can explain to you just at present, for I've no facts, and only an inkling as to how. Now, it seems to me more than likely that he'll be in Marseille to-day, for it was only yesterday he got that address in the Rue Galette from Mr. Paleidos.” “Seems like weeks to me,” said Paul. Benven- uto nodded. “Me too. If you've finished your coffee I think we'd better be getting along.” They said good-bye to Adelaide and climbed into Benvenuto's car, a rakish-looking two- seater. Driving along the Marseille road they “T H E cl TY w IT H D 1 RTY FEET * 151 passed the spot where De Najera had doubled back the day before and continued inland for a time, the white dusty road, already very hot in the sun, winding up through the hills above the town. Paul caught a glimpse of the port of St. Antoine far below him, the church raised up over the houses like a hen brooding over her chickens, the bay lively with boats. A big wine ship was coming in, its siren hoarsely summon- ing the town pilot. Along the road the olive trees were a dusty gray, and through them Paul could see vineyards heavy with grapes, and sometimes a stone-built farmhouse with a shaded court in front where children played and hens scratched about. It got hotter as they went inland, and the peasants at work in the fields wore wide straw hats to protect them from the sun. Topping a rise, a great plain spread out before them bounded by range upon range of bare mountains. They passed an ancient Provençal village, for- mal as an Italian hill town, its red roofs packed closely round a square-towered church, and be- yond it a massive wedge-shaped mountain jutted into the plain. The side facing them was perpen- dicular, formed of different stratas of rock, and Paul imagined the sea washing against it thou- sands of years before. “Montague de Ste. Victoire,” said Benvenuto, I52 T H E CRIME COA ST taking off his hat. “You’re on holy ground— rapidly approaching the birthplace of Cézanne. All this country looks to me as though it had been created by him—indeed was, as far as I'm concerned. Five minutes, and we'll drink to his memory on the Grande Place.” Aix-en-Provence proved to be a town of mel- low and faded magnificence, very quiet and for- gotten. Paul caught glimpses of enormous carved gateways and ancient courtyards where fountains played, and determined he would come back one day and stay for a bit. They drove down a fine wide Place with a great fountain playing at one end, and had drinks in a café in the shade of plane trees, watching the towns- people go by with their market baskets, and stu- dents from the university with books under their arms. It was very tranquil and orderly. Half an hour's drive down the main road brought them to the outskirts of Marseille, and Paul asked Benvenuto his plan of campaign. “Well, the only real clue we've got to the Slosher's whereabouts is Madame V.,” he re- plied, “but it would be difficult to watch her house all day, particularly as the Rue Galette is down in the Vieux Quartier, and it's no place to hang about in. I think the best thing to do is to go straight to the Gare, for the station detec- “T H E c 1 TY w I TH D I RTY F E E T * 153 tive is a pal of mine and he might give us a lead. Fortunately the Slosher isn't one of these people one would overlook.” Paul agreed, and on arriv- ing at the station Benvenuto went in to make in- quiries, leaving him in the car. He reappeared in a few minutes. “Bad luck,” he said. “Chap's gone off duty. However I’ve got his address and we shall have to go and hunt him up. Damn waste of time.” They started off again, crossed the Canne- bière, the main street of Marseille, and drove into the suburbs; Benvenuto held his own with great skill amongst the Marseille taxi drivers, possibly the most temperamental in the world, and presently arrived at a small villa surrounded by a neat garden on the outskirts of the town. He rang the bell and they were let in by a cheerful-looking woman with a shrill voice, who explained her husband was in bed, but if they would give themselves the trouble of entering she would go and speak with him. With many apologies on their part and much volubility on hers they seated themselves in a dark little par- lour where heavy Provençal furniture smoth- ered in knick-knacks and fringed mats stood uneasily against an execrable modern wallpaper. Presently their hostess returned and begged them to mount to her husband's bedroom, where I54 T H E C R. I. M. E. C. O A S T he would have much pleasure to see them if they would excuse . . . Passing through a tiny hall, where mingled odours of charcoal and garlic issued from the kitchen, they went up the stairs and into a bedroom, preceded by Madame. Here, lying in an enormous bed draped with mosquito netting, lay a fat Frenchman with fierce moustaches who greeted Benvenuto en- thusiastically. “Ah, mon vieux, vous allez bien?” he roared, grasping his hand, and Paul saw to his great delight that he was wearing a flannel nightgown. Then Paul's hand was crushed in his grasp while the great voice said: “Enchanté, m'sieu, enchanté—et qu'est-ce que. vous voulez boire? Mais oui, mais oui, il faut prendre un petit verre.” The preliminaries over, healths drunk and compliments passed on the brandy, Benvenuto broached the subject of their errand, to find that the detective had been on duty the night before and remembered a monsieur who might be their friend arriving on the nine o'clock train from Cannes. The monsieur was carrying two suit- cases, one large, one small, but helas/ he re- gretted infinitely he knew not what had become of him after leaving the station. Benvenuto thanked him profusely, and with many hand- “T H E c 1 TY w IT H D 1 R T Y FE ET * 155 shakes they left him among his pillows and went down to the car. “That's something anyhow,” remarked Paul. “What do we do now—try the hotels?” Benvenuto considered, and then said: “I think on the whole we'll try the station again first. The town is stiff with hotels and it would be a long business, whereas if we're lucky we might get hold of a taxi driver or a porter who remembers him and knows where he went.” Back in the station yard Paul sat in the car while Benvenuto strolled over to the taxi rank, where he soon had all the drivers round him, gesticulating and talking. After various sugges- tions had been made and discarded Paul saw him hand a note to one man and walk on one side with him. Presently he came back looking very pleased and said: “Smart fellow—remembers taking him to the Hôtel George W. Attaboy”— and off they went again. Leaving the car in a garage, they walked to the hotel, where things were simple, for after a murmured consultation with the hotel clerk and a further note expended, they were allowed to look at the register. Benvenuto ran his finger down the names entered on the previous night and stopped opposite one of them. A delighted smile overspread his face. “Percy de Winter, 156 T H E C R IM E CO A ST London,” he said softly, and Paul bent over and read it, written with many flourishes. A confer- ence with the clerk confirmed their suspicion— Percy was undoubtedly the Slosher, and he had, it seemed, left the hotel half an hour before, saying he would not be back for lunch. Whilst standing in consultation at the hotel entrance they were approached by a very shabby, genteel, elderly Englishman. “May I have the pleasure of showing you round this city, sirs?” he began, taking off his greasy hat and speaking in a sprightly tone which went badly with his threadbare clothes and furtive-looking face. They turned away hastily, but he was not to be put off. “Very interesting, the old quarters of the town, sir,” went on the voice insinuatingly. “Churches — antiquities — unusual cinemas — lovely women—” Benvenuto drove him off with a curse, and then suddenly took Paul's arm and went back to him. He drew a fifty-franc note from his pocket which the man eyed hungrily. Benvenuto gave it to him and said, “This your usual pitch?” “Yes, Captain, night and day. I have many clients among the English visitors.” “Well, look here. A stout man came out of this hotel this morning—an Englishman with sandy 158 T H E C R IM E CO A S T to meet his little friend of last night. He did not mention where, sir.” The man appeared to be speaking the truth and they left him, though not before he had made another attempt to show them the sights. “Ten to one it's the Cintra,” said Benvenuto to Paul. “Everyone goes there, and it's a likely rendezvous with a poule. And look here, when and if we do run him to earth he's certain to recognize you. Don't cut him—but on the same hand don't be too eager, for I imagine you didn't exactly part like brothers. I flatter myself he won't know me, for I was pretty well camou- flaged the other day.” The Cintra they found crowded, and noisy with many tongues. Pushing their way to the bar, they ordered brandies and sodas, and looked about them. Paul was the first to discover their quarry, and murmuring to Benvenuto he edged sideways through the crowd. The Slosher was sitting at a small table with a man and a girl, and the party seemed to be in the best of spirits. In fact the laughter was so loud that it was at- tracting general attention. The girl was quite young, and crudely painted, with coarse black hair plastered in curls on her cheeks. She was extremely smartly dressed, though when she laughed she displayed teeth that made Paul “T H E c 1 TY w IT H D 1 RTY FE ET * 159 shudder. Her companion was a thin dark man in an exaggeratedly cut suit, a typical bar lounger. Paul was doubtful of his nationality, though he appeared to be acting as interpreter to the party. They were both laying themselves out to please the Slosher, who responded cheerfully. “Wot abaht painting the town pink ternight?” he was saying expansively, as they got near enough to catch his words. The interpreter was unequal to this and said, “Pardon?” “Seein’ a bit of life,” elaborated the host, raising his voice hoarsely. “Ah/ mais out—yes, yes, parfaitement,” said his companion. He smiled and translated to the girl, who broke into a torrent of agreement. “Je connais une boite beaucoup plus curieuse que celle d'hier soir, ou y trouve des jolies gon- zes—et on y boit bien,” she finished, looking at the Slosher eagerly. He was bewildered for a moment, but the man explaining, he proved en- tirely agreeable. “Tell 'er,” he said, pressing his companion's waistcoat with a podgy forefinger, “tell 'er if she's a good girl I'll give 'er a brace of hear- rings.” “Herrings?” queried the guide, again baffled. The Slosher frowned as if he suspected a joke in bad taste, and then decided to laugh. He “T H E C IT Y w IT H D I R T Y F E E T * 161 to-day to meet a friend of mine, Mr. Brown, who's just landed.” “Pleased to meet you, Mr. Brown,” said the Slosher, shaking hands, his face clearing. “’Ave a cigar. This is some town, this is, 'ot stuff I can tell you. Now where's my little bit o' skirt gone? 'Ere, Fifine, come and say 'ow do to the gentle- men.” “Enchanté, m'sieurs,” said Fifine, looking far from enchanted, and a moment later hurried after her companion who had strolled to the door and was waiting with a frown on his face and a cigarette dangling from his lips. “Little bit of orl right,” said the Slosher, winking at Benvenuto who nodded sympatheti- cally. “Well, sorry I can't stop—pressin'engage- ment and I got to get a bite to eat first. So-long, all.” By this time the bar had emptied, and Ben- venuto turned to Paul. “Look here—can you lunch on sandwiches? They'll give us some here, and we've not much time,” he said. “Rather—I'll go and order some at the bar,' said Paul. When he came back Benvenuto had moved over to a corner table. He bent forward eagerly. “Now for a council of war. If I mistake not, y 162 T H E C R IM E COA ST things are going to hum this afternoon. I'm de- termined on a quiet interview with the Slosher, and we must waylay him before he gets to Madame V.'s—for that's obviously where he's going after lunch—he's full of it. The Rue Ga- lette is down in the Vieux Quartier and I warn you that place is no picnic. Want to come?” Paul chuckled. “You bet I do. I’m told it's as fierce as the underworld of Chicago. It doesn’t seem possible, cheek by jowl with this well- gendarmed city.” “Believe me, it is. Last winter I spent three months down there, painting, and more or less received the ‘freedom.” I’d got no money and nothing they wanted. I didn't poke my nose into their business, and that being so, I found thieves and harlots extremely good company when off duty. The Senegalese are the worst. Last time I was over here I went into a gunshop to get some shot for my rifle, and while I was there five buck niggers came in and purchased between them twenty revolvers, discussing meanwhile some gentleman of the name of André. But to return —I'm afraid the plot is thickening round the Slosher's head.” “How d'you mean?” “Well, I'm pretty well convinced that his young woman is the decoy of a gang. Poor “T H E c 1 TY w IT H D 1 RTY FE E T * 163 Slosher—he may be a grand criminal in his own country, but he's a sucking babe in this town. I don't think their plans for trapping their rich Anglais will mature till to-night—you remem- ber she was very enthusiastic about some place of amusement she intends taking him to–and there's our chance. We must act this afternoon or there'll be no more jewels, and very possibly no more Slosher. When I’ve got hold of him I propose doing a bit of blackmailing. We've got to get his story of last Tuesday evening, and the threat I can hold over him is my knowledge, or suspicion that amounts to knowledge, of his theft of Lady Trelorne's jewels. Hence the haste—for once he's disposed of them to Madame V. the thread is valueless. Finished lunch? Well, let's go. I have a revolver (which doesn't revolve, it's true) and you have a fist. Forward to Madame V., and for the love of heaven obey me exactly.” “Yes, Captain!” said Paul, and they started off down the Cannebière, a wide street of hotels, shops, and cafés, with a tramway down the centre, crowded and noisy. It terminated on the Old Port, and while they were held up at the corner by a stream of traffic Paul looked about him. Sea and sky were a burning blue, the sun blazed down baking the cobbles so that they hurt his feet, the noise was terrific, the air full of the I64 T H E C R IM E CO AST tang of fish, salt, and gasoline fumes. A wide cobbled causeway ran round three sides of the port, backed by tall houses huddled unevenly together and sun-dried to a dusty white. Fish- wives were throwing pails of sea water over their stalls. It glistened on the bright green of seaweed and the yellow skins of lemons which decked trays of strange shell fish. Plaques stuck in them announced the price and the different varieties—piades, piadons, esques, moredues, violets, moules, portugaises. The harsh accents of the fishwives rose' above the noise of traffic as they called their wares or shouted across at each other from throats apparently of brass. Enormously strong, rather short and broad in the beam, they were dark and swarthy-skinned, and seemed to Paul, as they clattered about in wooden clogs with baskets of fish and pails, to be the embodiment of this harsh and vigorous town. He stared about him, fascinated, till Ben- venuto pulled him by the arm through the traffic to the other side, where boats were moored up against the causeway. Here they could walk with comparative safety, picking their way among ropes and barrels, and eluding the boat- men who sought custom for a trip round the bay. Another five minutes brought them to the be- ginning of the Vieux Quartier, where every I66 T H E C R IM E COA ST dame V. Corsets. 5me étage.” They walked on to the end of the street, turned and came back, and suddenly Benvenuto pulled Paul into a doorway. Coming towards them was the girl Fifine, her hands on her hips, whistling. She had not seen them and they crouched back as she went by, and then suddenly Paul felt hands pulling him back- wards into the house. Not daring to struggle, he looked behind him to see an old hag with a painted mouth smiling horribly at him. Ben- venuto thrust ten francs into the hands, mutter- ing something in an argot Paul did not under- stand, and he was released. “Can't go out for a minute—curse the girl— but what did I tell you? Unfortunate Slosher!” said Benvenuto in his ear. “Still, this isn't a bad observation post for the moment, for he must pass this way to get to Madame V.'s.” As he spoke a taxi turned up the street that was only just wide enough to take it, and as it went quickly past them they could see the Slosher inside. “Damn!” said Paul with emphasis, and Ben- venuto broke into a string of curses. “I never thought of the fool coming up here in a taxi-didn't think it could be done. Come on, after him.” They saw the Slosher alight, hand the taxi man a note, and enter the bistro, “T H E cl TY w IT H D I RTY FE E T * 167 and then Benvenuto pulled Paul back into the doorway. For the girl, who had been whistling all the time in the street, suddenly stopped doing so, and three men emerged from a house and walked quickly across into the bistro. “Hell! he's trapped. They won't attack him till he comes out, for money is money and jewels are hard to get rid of. Come on—we'll have to do our best and Lord help us.” Fifine had apparently done her bit and was walking off. They waited till she disappeared and then walked down towards the bistro, which was empty except for the three men, one of them a Negro, who were seated at a table drinking. They walked straight through and met the bar- man, a small green-faced diseased-looking pimp, who stopped them. “I have an appointment with Madame V.,” said Benvenuto in French. “Elle est occupée,” returned the barman. “Yes, I know, but it is my friend with her and I have some important information for him.” “On ne passe pas.” It was getting difficult, for the gang were all looking at them and talking in low voices. Sud- denly Benvenuto leant forward and whispered something in the barman's ear. His sickly face immediately became wreathed in smiles, and he I68 T H E CRIM E COA ST made way for them to reach the staircase, mak- ing a sign to the three men as he did so. “Bit of luck,” whispered Benvenuto. “Fifth story—top of the house. Now follow me, and if you make a single sound, even breathe, you're as good as dead.” With which cheerful remark he preceded Paul up the dark staircase. Very slowly and quietly they climbed five flights without encountering anyone, and found themselves in a long narrow landing at the top with two doors facing them. Benvenuto bent down and examined the lock on the first door very carefully, and listened with his ear to the keyhole, then, making a cheerful gesture to Paul, he crept along to the next door. After repeating the proceeding he took what appeared to be a small tire lever from his pocket, and in- serting it between the door and the lintel he levered very gently at the lock until the door swung quietly inwards. They slipped inside and found themselves in a passage with a thick car- pet on the floor. Benvenuto closed the door be- hind them, and went towards another at the end of the passage. This proved to be unlocked and he opened it very slowly, looked inside, and beckoned to Paul to follow him. They found themselves in a large bedroom ornately and vulgarly furnished, dim daylight coming in “T H E c 1 TY w IT H D 1 RTY FE ET * 169 through the shutters. Another door, opposite the one they had entered by, obviously led into the second room which communicated directly with the staircase. They crossed over to it, thanking heaven for a thick flowered carpet on the floor; they heard the sound of voices, and it seemed to Paul an eternity before Benvenuto had turned the handle, pushed the door inwards, and re- leased the handle without making a sound. He peered round the door, his revolver in his hand, and motioned to Paul to do likewise. They saw a large room with a window straight ahead of them, and in front of this an ormolu table was drawn up. Sitting up to it, his back towards them, was the Slosher, and on his left another man, enormously fat, with a microscope in his eye. So Madame V. was a man! The table was covered with jewels which flashed and glittered as the men handled them. Benvenuto covered the two men with his re- volver, walked into the room and said: “Mr. Dawkins, I presume.” CHAPTER XIV R O U G H – H O U S E THE Slosher had turned round, and was looking at them with the air of a paralyzed pig. The jewel merchant clasped his fat hands in front of him and smiled in a noncommittal sort of way, as if to say, “This is no affair of mine.” Benvenuto advanced further into the room. “It's all right, Mr. Dawkins, I'm not going to shoot you if you keep quite still,” he said, taking a chair, while Paul stationed himself behind him. - “Now listen to me,” he went on. “We want some information from you and you don't leave here until we’ve got it. We have no connection with the police”—here the Slosher took on an easier attitude and gingerly turned his chair towards them—“but on the other hand I can, if I choose, put them on your tracks in ten min- utes. Meanwhile I have three of the toughest thugs in Marseille downstairs in the bar, and unless you tell me what I want to know you will never leave this place alive. D'you understand? 17o R O U G H - H O U S E 171 Your fat body will be rotting down a drain this evening instead of drinking champagne on the proceeds of the Trelorne jewels. Oh, yes—I know what I’m talking about.” The Slosher blinked. “You fair took me by surprise, as the saying goes. Oo are yer, anyway?” “Never mind about that. The point is I’ve got you by the short hairs, and unless 9) “Anything I can do to oblige,” the Slosher cut in hastily. “You will tell me exactly why you went to the rooms of the Signora da Costa in Bishop's Hotel last Tuesday evening about six o'clock.” The Slosher gave a spasmodic jump. “I never done it—wajjer mean? I wasn't never in 'er bloody rooms, s'welp me Gawd I wasn't.” “I am not asking you whether you smothered the lady,” said Benvenuto soothingly. “We will not touch on such a delicate matter, and even if you did I couldn't expect you to admit it. No. But you were there, and now's your chance to explain why. Quick, Mr. Dawkins.” “I take me bleedin' oath I never went near.” Benvenuto smiled. “Does Loty's bath powder mean anything to you? Or this?” With a stride he had reached the table, and from the tangle of pearls and 172 T H E CRIM E CO AST bracelets he picked up a small diamond brooch and held it in front of the Slosher, who quailed. “You seem to know a 'ell of a lot. I’ll come across; that's ter say, you get me out of this 'ome of rest and I'll come across.” Benvenuto thrust his revolver nearer. “You’ll tell me now or you're a dead man,” he said threateningly. “Orl right, orl right, don't be so 'asty. Yer see, it was like this 'ere. The lidy you mention 'ad come over from Paris with a packet of snow— that's ter say, cocaine. A big packet it was, and a friend of mine 'oo'd 'ad a row wiv 'er—” “Yes, yes—her brother.” “Well, it was 'er bruvver, now you mention it. 'E'd 'ad a row wiv'is sister and wanted to get one back on 'er, like. Likewise 'e wanted the money, and 'e 'ated 'er like 'ell 'cos 'e said she was double-crossin' 'im and not goin' fifty-fifty, if yer get me.’Er part of the job was to smuggle the stuff across from Paris to London, see? Jolly smart she was at it, too, and done it lots o' times before. Well, as I was sayin', this 'ere Dago and me, we fixed it up as I was to take a room in Bishop's 'Otel, nab the stuff, sell it in London, and give 'im two thirds of the doin's. The stuff was done up in Loty's bath-powder boxes, four of 'em, wiv a little real powder on the top. He R O U G H - H O U S E 173 tips me the wink from Paris, and I dresses up and takes the room the same day as the Signora arrives. I made all me plans to sell the stuff quick, and I 'ung around until 'er room was empty, as I thort. While I was 'anging around I managed to pick up this little lot from a room near,” he gestured towards the table. “Couldn't keep me 'ands orf 'em like—saw the door open and slipped in easy as kiss me 'and. Well, then I went back to No. 62 and the key was in the door, and I'd seen the maid go out. In I went and what should I'ear but the Signora splashin' about in 'er bath. 'Owever, I’m used to the work yer know,” he smiled modestly, “and I took a chance. Didn't 'ave much trouble in findin’ the stuff—there it was in a dressing case in the next room where'er clothes was 'angin' up. I’ad me little bag and popped 'em in, likewise that there brooch, like a bloody fool, never could say no to diamonds. I wos just going to slip out when strike me pink if there wasn't a knock at the door, and under the bed I was in a twinklin'. ‘Come inl’ yells the Signora, and a girl comes in, leastways judgin' by 'er ankles she was a girl, and they 'ad a set-to about art or some rot and me sweatin' like 'ell under the bed wiv the big- gest scoop I ever 'ad. Well, after a bit the girl goes orf y) R O U G H - H O U S E I75 to the dealer, poked him in the stomach with his revolver, and said quietly, “Ask who is there and what they want.” “Qui va là?” said the dealer obediently, in a voice so high and squeaky that Paul wanted to laugh, in spite of an inner conviction that they were in a tight place should the gunmen be outside. The reply was unexpected, and was rumbled out in such a mixture of French and Italian that Paul could only catch its drift with difficulty. “It is I, Julius Caesar,” said the voice. “We came up to see if all goes well. The fat English is still there, yes?” Benvenuto closed his hand over the dealer's mouth, pressed the gun yet further into the yielding flesh, and turned his head towards the door. “Go down, my children,” he said in a very fair imitation of his victim's high treble, “and wait for ten minutes. All goes well.” It was a critical moment. Benvenuto's sug- gestion seemed to be causing a difference of opinion outside the door, and voices were raised in argument. It was obvious they weren't going to risk the chance of a fortune if they could help it. Paul suddenly realized the danger they were in, and looked round for something 176. T H E C R IM E COA ST heavy to use in self-defense. The Slosher, mean- while, not understanding French, was at a total loss as to what to think of the situation. He was rapidly replacing the jewels in his little black suitcase, and wearing the expression of a man who knew not who was his friend and who his foe. The consultation outside came to a climax with a heavy blow on the door, and a voice, this time not belonging to Julius Caesar, said, “Open.” Benvenuto, still with a firm grasp on Madame W., said to Paul softly, “Shove furniture across the door and keep low in case they fire,” and then to the dealer, in French, “Your private entrance, quick, or I'll shoot.” The dealer hesitated but for a moment, met Benvenuto's fiery eye, and a sob shaking his fat body he gestured towards the bedroom door with a small ringed hand. “Come on!” This time Benvenuto had to shout, for blow on blow battered at the solid door, and a revolver shot through the lock lost itself in a heavy wooden armoire which Paul had managed to drag in front of it. First went the dealer, tripping neatly forward, then Benvenuto, using the revolver barrel as a 178 T H E C R IM E COA ST ing down the fat and powdered cheeks. Was it a man or a woman? He had a moment of com- passion. A couple of hundred yards brought them to a populous thoroughfare; five minutes more and they were on the port near the Cannebière and dropped their pace to a quiet walk. “Good exercise, that,” panted Benvenuto. “Splendid for the liver. D'you know—I almost feel I could do with a drink.” Three empty glasses were on the table. Three men, sitting back in their chairs, presented a friendly spectacle to the outward eye, each smoking respectively a cigar, a pipe, and a ciga- rette. The centrepiece of the scene was a small black suitcase placed conspicuously on the table, at which they were all staring ruminatively. Benvenuto was the first to break the silence. “Well, Mr. Dawkins, as you were saying when you were so rudely interrupted ” he began, when the Slosher sighed dismally. “Orl right,” he said, “I’ll come across wiv the rest of it, but couldn' we 'ave another drop o' the old nonsense first?” He placed his hand over the region where his heart might be pre- sumed to lie. “I feels quite faint after all that there.” And he sighed again. His face had cer- R O U G H - H O U S E I79 tainly taken on a purplish hue, and Benvenuto looked at him reprovingly. “You should try banting, Mr. Dawkins,” he said. “A rusk and a dash of lemon juice for dinner would do wonders for you. Meanwhile, if you feel some liquid refreshment would make your story flow I think you might have it. Here —garçon/ But if it doesn't—and quickly, too— we go hand in hand to the nearest gendarme, taking this little lot,” pointing to the bag, “with us. You realize that, don't you?” “I’ll come across,” repeated the Slosher ear- nestly, “specially after your getting me out of that there joint.” “Very well, then. Garçon/ Curse the waiter —see if you can wake him up, Ashby, will you?” Paul jumped up, and went to the back of the empty café to summon the waiter from a room beyond. He hurried, for as he rose from his chair the Slosher bent over the table towards Benvenuto. “Well, it was like this ” he was beginning, and Paul didn't want to lose a word of the story. He had picked his way through half a dozen tables and chairs when a shout from the Slosher arrested him. “Look out!—'ere comes them bleedin' thugs!” he bellowed, and Paul was in time to see Benvenuto, who had turned to look I8o T H E C R IM E COAST behind him, bashed on the head with a water bottle by the Slosher, who thereupon grabbed the case of jewels and ran for the door with surprising agility. Paul tore down the room after him, his progress impeded by the tables and chairs in his path, and as he passed Benve- nuto, saw him slip to the floor with a groan, blood and water pouring down his face. Paul reached the door in time to see the Slosher jump into a moving taxi, flinging a note to the driver as he did so. The taxi put on speed, and Paul, looking wildly round, saw there was no other in sight and not a gendarme for miles. He ran a long way down the road before he realized the chase was hopeless—a French crowd will not concern itself with cries of “Stop thief!” and the taxi had disappeared into a maze of side streets. Back to the café Paul ran, cursing himself at every step, to find a scared-looking waiter bending over the unconscious form of Benvenuto. Paul wiped the blood from the side of his head and forced some brandy through his lips. Presently his eyes opened. “Dear me, Ashby,” he said weakly, “you have triangular eyes,” and returned to unconscious- Il CSS. I82 T H E C R IM E CO A ST in persuading him to stay in the studio and have his dinner sent round.” They were sitting in the Café de la Phare having after-dinner coffee, while Paul recounted to Adelaide the day's adventures. It was very hot, and a full moon hung over the port, turn- ing the night into a brilliant and phosphorescent day. All St. Antoine was out to enjoy it, and fishermen were taking parties of people across the bay in their motorboats. Outside the next café, sailors, home on leave from Toulon, were dancing together, spinning round very fast to a curious Provençal tune played by a pink- shirted man with an accordion. “Enter bottle-scarred veteran.” Paul turned with a start to see Benvenuto, the side of his head artistically decorated with sticking plaster, looking down at them gloomily. “Ben, oughtn't you to be in bed?” Adelaide looked critically at him as he sat down beside her. “Paul has been telling me of your bloody, bold, and resolute deeds—and I’m feeling so proud of being an English Girl.” “Never felt finer in my life. I've just been interviewing Leech, which is always interesting. And talking of blood ” He bent forward, and Adelaide jumped as his hand came down on her shoulder. “Got it,” he murmured, and stared 184 T H E C R IM E COA ST ing the town with his presence this afternoon, and quite all right apparently. Leech tells me he called on you when you were out, my dear,” he said to Adelaide. She shivered. “Thank goodness I was. I went up into the hills to do a painting. I wonder what he wanted.” Benvenuto laughed. “I think I can guess,” he said. “But let's get down to business. Look here, Paul—you're a lawyer—I suggest it would be good practice for you to present the case to us up to date. I've got various theories germinating, and it would clear things up in my mind to hear the facts as we know them expressed from your point of view.” “Right—I’ll do my best. But first of all I'd like to hear what you found out about De Najera's alibi from that fisherman yesterday— you never told me, if you remember.” “Neither did I. Well, I had a talk with old Gallo, who's a great pal of mine, and it so hap- pened he was down on the shore painting his boat at about seven o'clock last Tuesday morn- ing, and he remembers seeing De Najera put out from his private harbour in the speed boat. It stuck in his mind because it was a bit early for the gentleman to be about, and he's certain it was De Najera on account of his yellow A D E L A I D E I S B ITT EN 185 jumper and white hat. He was alone, he said. Then at about ten-thirty he saw the boat come back and turn into the harbour, De Najera still alone in it. As we know, it was seen later in the afternoon by dozens of people, and by a pure bit of luck we know it was the valet dis- guised as his master who was in it. With this knowledge it seems fairly obvious what hap- pened in the morning.” “Why, of course,” assented Paul. “They both started out from Les Palmiers, one of them lying in the bottom of the boat covered with a sailcloth or something. Then De Najera prob- ably changed into ordinary clothes if he wasn't in them already, landed somewhere along the coast near Marseille, took a train or taxi into the town, and sent the valet back alone. How's that?” Benvenuto nodded. “Very pretty. And, so long as it was unsuspected, a very nice little alibi in- deed. If we're right it will be quite easy to prove. Meanwhile I think we can take it for granted that he can have had a good twenty- four hours away from St. Antoine, beginning at about 7 A.M. on Tuesday. Now carry on.” “Well,” began Paul, “we know the history of the afternoon at Bishop's Hotel up to, ap- proximately, six o'clock—that is, five minutes 186 T H E C R IM E CO A ST after Adelaide left, when the Slosher's story came to an end. At six-thirty the maid entered the suite to find that Signora da Costa had been murdered. Let us say that five minutes elapsed between the departure of the murderer and the entrance of the maid—and possibly ten minutes for the murder itself. That leaves fifteen min- utes unaccounted for; probably less. “Who entered the Signora's room between six and six-fifteen? “First we must consider Adrian, for he's obvi- ously the perfect suspect from the police point of view. He had a motive, or at least what the police would certainly consider a motive, know- ing as they do that Luela was threatening him with an accusation of theft. Further, he has dis- appeared, which is in itself extremely suspicious. Worse than all, he had a telephone appointment with Luela for six o'clock, although thanks to Adelaide the police do not know this.” He paused. The other two were silent until Benvenuto, in a low voice, said, “Go on.” “Suspicion next falls on the Slosher. He was, on his own showing, still in the room at six o'clock. He had in his possession a big haul of jewels stolen from Lady Trelorne's room, to say nothing of what must, I imagine, have been several thousand pounds' worth of cocaine, and A D E L A I D E IS B ITT EN 187 a diamond brooch belonging to the Signora. Therefore he was a desperate man in a very tight place. What more likely than that in order to escape he crept out from under the bed, pos- sibly at a moment when the Signora had turned to get a dress from the dressing room, seized the eiderdown from the bed, flung it over her head, smothered her without a sound, laid her body on the bed, and slipped quietly away? He is, we know to our cost, a strong brute and a treacherous one.” “I’ll tell the world he is,” murmured Benve- nuto, ruefully rubbing his head. “And you make a strong case against him. But go on.” “Next—we have De Najera, and here is a definite motive, according to the Slosher's story. He and his sister had been partners in the ille- gal and highly dangerous business of cocaine smuggling. They had fallen out, apparently be- cause the Signora had ‘double-crossed’ him, as Mr. Dawkins put it, and De Najera wanted money and he wanted revenge. He employed the Slosher ostensibly to steal a packet of cocaine from her; but isn't it quite probable that this was a blind—that he really intended murdering her and was proposing to use the Slosher, caught red-handed in a burglary, to divert suspicion? Further, isn't it at least possible that to make I88 T H E C R IM E CO A ST assurance doubly sure he telephoned, or got someone to telephone for him, making an ap- pointment in Adrian Kent's name for the fateful hour? If so, it was an ingenious idea, for Kent is known to have been her lover, to have quarrelled with her, and to have been threatened by her. The most damning evidence against De Najera is, of course, the fact that he troubled to estab- lish an alibi for himself on that day. “Fourthly and lastly there is the possibility of some unknown person or persons—either someone who had a grudge against the Signora, or one of her dope-smuggling colleagues—who knew of the valuable booty concealed in her TOOITIS. “Now I propose we try to defend each one in turn. “Take Kent first. The only thing in his favour, as far as I am concerned, is your belief in his innocence. The fact of his disappearance is what chiefly troubles me.” “H'm. He's a curious chap—I wish you knew him,” said Benvenuto. “As I've told you, I know him pretty well, and he's never to be relied on to do the obvious thing. In my opinion he is the sort of chap who, if he had committed the mur- der, would have given himself up. If he hadn't, and knew that suspicion had fallen on him, he A DE LA ID E IS BITT EN 189 would be quite likely to go into hiding in order to avoid being questioned and so on, believing that the real murderer would be caught, and not realizing that he was making things look doubly black against himself. Not only that, he was suffering from extreme contrition at the quarrel he had had with his father and at the worry and anxiety he had caused the old chap. He's a highly nervous and sensitive fellow, and his first thought on learning that he was sus- pected of murder would probably be to keep it from his father at all costs, and to save him the horror of seeing his son standing for trial. If you remember, in that letter you told me about he said he was going away ‘until this business was all over and done with'—meaning Luela's trumped-up case about the jewel—and that gives one an idea as to what his reaction to the really serious charge would be.” “I suppose that's possible,” said Paul slowly, when Adelaide broke in. “Oh, Ben,” she said, “I’ve been so terribly afraid all the time that he did do it in a fit of madness, and that he killed himself afterwards.” Benvenuto didn't speak for a moment. Then: “You know him as well as I do, Adelaide,” he said, “and it looks—pretty bad—if you, too, think he may have done it. And yet—I can't I90 T H E C R IM E CO A ST believe it. Go on, Paul—clear your next man.” Paul considered for a minute. “The great point in the Slosher's favour,” he said, “is, of course, the telephone call, which certainly indicates that someone came to the Signora's room at the appointed hour. It cuts both ways, of course, because the Slosher had overheard the conversation and knew someone was coming. Also he realized, no doubt, that a hue and cry after Lady Trelorne's jewels would soon start and that the hotel would prob- ably be searched—and his fears may have in- cited him to try and get away at all costs. But it would have been a bit risky, to say the least of it, to attack her when he knew someone might arrive at any moment.” “Quite so. He was confronted with the devil and the deep sea all right. And remember—he hasn't the figure for playing hide-and-seek un- der a bed. But go on.” “Well, there are, it seems to me, three reason- able explanations: I. “The Slosher committed the murder. In which case the Unknown, that is, Kent or someone using his name, would, one would have thought, have given the alarm, though this might not apply (a) if the visitor were De Najera or (b) if it were someone who A D E L A ID E I S B I TT EN I91 took to his heels when confronted with a corpse, and hasn't come forward for fear of being suspected. 2. “The Slosher managed to slip away un- noticed while the Signora was in the bath- room or dressing room, and before the visitor arrived. Or, 3. “He lay hidden under the bed while the murder was committed, and escaped after- wards. He may not have seen the murderer, or even realized at the time that the Signora was dead. Remember his view was a bit re- stricted—an ankle was all he saw of Ade- laide. By the way, d'you know anything about his past record?” - “Who? Oh, the Slosher.” Benvenuto had been gazing abstractedly out to sea, and pulled his attention back with an effort. “Yes, I learnt a few things from Leech this evening. He's an ex-pugilist—got turned out of the ring some years ago, and seems to have run to fat and crime ever since. He's been in clink twice—once for robbery, once for robbery with violence. Also he's known to be mixed up with an extremely shady racing gang in London—a man of parts, you perceive. I told Leech a garbled version of our encounter with him in Marseille, and he A D E L A I D E IS B ITT E N I93 was about to suggest that to-morrow we go into Marseille again, and visit the aérodrome.” “Please can I come too, Ben?” said Adelaide. “I don't much want to lose sight of you two again after what you've been up to to-day, and besides, I want my hair cut.” Benvenuto looked at her dubiously. “I suppose it is a bit long,” he said, “but if you think you're going to have a private view of Marseille gunmen you're wrong. We're going to spend a sober and uneventful day making a few discreet inquiries, so perhaps it would be better for you to come along with us than to stay here and be wooed by Hernandez. By the way, did you tell Paul about your bit of research last night about ačroplanes?” “Oh! Paul, I forgot.” She looked at him con- tritely. “And it was so exciting. I feigned a girl- ish enthusiasm for flying, and told him how I longed to go up. Actually I’ve flown a good deal, but he didn't know that, and he rose beautifully and said he would be honoured to take me on my first trip. So then I got quite ecstatic and said how marvellous it would be, but how could it be done? and he confessed to having a private plane of his own which he uses for going across to his place in Spain, and which he keeps in an I94 T H E C R IM E COA ST aérodrome along the coast. He didn't say where, and I didn't like to seem too inquisitive, think- ing that the best plan would be to go up with him one day soon. After that—well, things be- gan to get rather difficult, as you know.” Paul congratulated her on her tactics, and then the council of war became gradually mori- bund. One by one they dropped into silence, watching the pale beauty of the night, and oc- cupied with their own particular thoughts. From the town, along the mole, came a small group of men and women, and with them a musician, striking now and again a few chords on his guitar. They climbed down into a boat painted pink and blue and, one taking the oars, rowed out across the bay. “L’Embarquement pour la Cythére,” mur- mured Benvenuto. The voices of the singers came to them across the water: “Chaque soir à la brune Quand au ciel monte la lune, Au loin dans des Savanes on entend Un chanson que fredonnent les amants. . . .” As the song faded softly in the distance Paul found Adelaide's hand resting in his own. Benvenuto yawned and got up. A DE LA ID E IS BITT EN I95 “For your own sakes I will leave you,” he said. “Why for our sakes?” asked Adelaide quickly. “I might recite one of my own poems,” Ben- venuto replied gloomily. “Good-night, my chil- dren.” W I N G S I97 over to the waiting car that she was to spend the morning in so scented and civilized an oasis. Benvenuto looked at him critically as he got into the car. “I was wondering which of us most nearly resembles a merchant prince,” he said. “I rather feel I do.” He looked into the driving mirror and carefully placed a bowler hat over his plast- ered head. “How's that?” “Charming,” replied Paul, regarding him in some astonishment. “But may I ask y) “Got a card on you?” interrupted Benvenuto. Extracting one from his case, he handed it to him, and watched him take out a fountain pen and add to the name of the club it already bore, “Directeur du Commerce Civil Aéro- nautique d’Angleterre.” Regarding it with some satisfaction, Benve- nuto said, “Most impressive. And I think for the time being, with your permission, the card is my own. You, of course, are Our Mr. Brown, and we represent an English firm desirous of arranging an air route between London, Paris, Marseille, and Nice with a view to supplying the Riviera with salmon, pheasants etc., and taking back flowers and fruit. We may require a hangar at Marseille and so, of course, wish to inspect the accommodations available.” 198 T H E C R IM E CO A ST Paul laughed. “I don't feel it has the makings of a commercial success,” he said, “but it cer- tainly ought to get us round the aérodrome.” They drove through the town, and leaving the outskirts behind them came presently to a big flying ground on which stood numerous sheds and hangars. Benvenuto drove through the gates and up to the manager's office, leaving Paul in the car while he went in. The rain had sub- sided somewhat, and he got down and looked about him with interest. Through the open door of a hangar he could see mechanics at work on a machine, cleaning and polishing the gleaming metal, while in the distance across the muddy landing fields a big liner was taking off, the roar of its engine filling the air. Paul watched it bumping across the ground, the figures of the mechanics small and insignificant beside it, saw it rise into the air while its engine roared louder still, and then sail away in what seemed a curi- ously effortless flight over the distant trees and buildings, and gradually disappear into the gray clouds. He turned, to see Benvenuto and some- one who was obviously the manager descending the steps of the office. Benvenuto's personality combined with the card had worked wonders, and the man was being very polite and talking ------------ 2OO T H E CR IM E CO A S T the backs of the row of small private hangars. He drew up to the roadside, stopped the engine, and took out his cigarette case. “Five to twelve,” he said. “In five minutes exactly the mechanics will go to lunch, if I know anything about the French—and there is our chance to do a bit of investigation. The hangar with the monoplane in it is the third from this end, and I feel pretty well convinced it's De Najera's. If we can get inside we may be able to make certain, and also find out a few details about tank capacity, etc. Damn the rain! —it's worse than ever. I hope to God it won't keep those mechanics in the sheds.” A few moments later a hooter blew, and they could hear the sound of heavy doors being pulled to and locked. They got out of the car, and standing on the step could see some men running over the landing ground in the rain toward the entrance gate. Benvenuto replaced his bowler with a béret and they started across the muddy field. When they reached the fence and looked through there wasn't a soul about, and they scrambled over, and walked along to the third hangar, keeping a sharp look-out. Each hangar had a small door at the back, and after making sure there was no sound from inside, Benvenuto brought out a bunch of keys from W I N G S 2OI his pocket and inserted one after another in the lock. “I don't want to break the lock if I can help it,” he said. “It would attract too much atten- tion to our visit. I'm afraid these are all too small. Got any keys on you?” “I don't think so,” said Paul. “Here's the key of my room in the hotel—try that.” This proved to be far too large, but after groping about he found another in the pocket of his mackintosh, which he handed to Benvenuto, who was so long fiddling about at the lock that Paul began to think they would have to break in. At last, how- ever, the door gave and they stepped inside. Ben- venuto slipped the keys into his pocket and cursed the rain as the water ran off their clothes. “I hope to God this will dry up before the chap comes back from his lunch,” he said. “We're flooding the place out. It's bad luck be- cause it's not the sort of contingency one reckons with out here. Most unusual at this time of year. Was it wet when you left England?” Paul nodded. “Rained like fury the night be- fore I left, and probably hasn't stopped yet. I say, what a beauty!” The monoplane in front of them lay impres- sive, shining, and competent. Benvenuto took it in from propeller to skid with an expert eye, 2O2 T H E C R IM E COA ST climbed into the cabin, and then, looking down at Paul, said, “Note down a few readings while I sing them out, will you? “Cabin monoplane, L’Hirondelle. Six months old. High lift wing. Horsepower, on a rough calculation from the French, 375. Got that? Two seats, pilot and mechanic. Aérial charts have been removed. That's food for thought. Mileage, roughly, 11,000. Can you beat it? Tanks. Here we are. Service tank, capacity IOO gallons, down to twenty according to the gauge. Reserve tank No. 1, same capacity, full. Reserve tank No. 2, same capacity, full. Reserve tanks 3 and 4, same capacity, empty. Most curious.” He descended abruptly and seized Paul's notebook and pencil. “Now, the total gasoline capacity of this plane is 500 gallons, and the fuel consumption half a pint an hour for each horsepower of the engine. Any schoolboy, therefore, will tell you that it is capable of twenty hours' flying without descending or refuelling, taking it that he'd use twenty-five gallons an hour. Actually he'd not use quite so much. But twenty hours, mark you! Fly to London? He could fly to New York.” He stamped his foot irritably. “To the devil with these calculations. We can work them out later.” He turned to examine the hangar. A long W IN G S 2O3 bench with a row of tools above it; spare landing wheels slung to the roof; empty cans; and many complicated garnishings of modern flight. In a corner a couple of leather coats hung on nails caught his eye, and he promptly examined every pocket. “Nothing.” He turned away but as he did so his sleeve caught in a button of one of the coats, and it slid to the ground, disclosing a pile of papers care- lessly stuck on a nail in the wall. “Gasoline receipts. Good. Stick 'em in your pocket, Paul. No, wait a minute. Last Tuesday —a hundred gallons.” He had flicked off the top sheet and was examining it closely. “A hundred gallons, Paul, on that day. We're getting on.” - But he did not seem to Paul, who was getting nervous about the return of the mechanic, to be getting on. He stood still, looked at the ground, gave a deep sigh, and filled his pipe. Suddenly he roused himself, and murmuring, “All is van- ity,” took Paul's arm and they walked towards the door. At the door Benvenuto stopped, still grasping his companion's arm, and stared at him. Paul felt slightly embarrassed, and was about to sug- gest moving on when Benvenuto turned and 2O4. T H E C R IM E COA ST walked back to the plane, saying, “Those reserve tanks, you know . . .” He carefully unlaced the canvas covering of the fuselage behind the pilot's seat and, bring- ing out an electric torch from his pocket, exam- ined the tank tops with minute care. The cap of each one of the four reserve tanks had a bar across it fastened with a small but strong steel padlock and chain, making it impossible, short of forcing the locks, to unscrew the caps. Paul, watching with interest, was told to fetch a span- ner from the bench. “No time for scruples,” said Benvenuto, and taking the tool he got a leverage on the chain of tank No. 4, snapped it, and removed the round brass cap. He looked quizzically at Paul. “The fate of a certain gentleman of our acquaintance de- pends on the brand of gasoline,” he remarked, and bending over the aperture he lowered his rather large nose into it and sniffed. There was a pause while he hung suspended over the tank and then he turned with a seraphic smile on his face. “Smell it—I beg you'll just smell it,” he mur- mured. Paul smelt. Certainly it was not in the least W I N G S 2O5 like gasoline. A sweet, rather stimulating smell came from the tank. “It's cough mixture—or—no, toothpaste,” he said turning in perplexity to his companion. Benvenuto laughed. “La sorcière glauqueſ” he said exultantly. “Never tasted absinthe, Paul? It's forbidden in France—sent too many people mad—and, smuggled over from Spain in concentrated form very simply by our friend De Najera, it must be a paying commodity. Very paying indeed, I should say, judging by the price it fetches in the more dubious dives of Paris. Really, I admire the man.” “But,” expostulated Paul, “he's a wealthy chap. Why 77 “So would you be if you were a successful absinthe and dope smuggler,” returned Ben- venuto shortly. “Let’s get to hell out of here— I don't want to be shot up by his mechanic.” They hurriedly left the hangar; Benvenuto, Paul noticed, didn't trouble to relace the fuse- lage or even close the door, and when he asked him why, replied, “The game was up for De Najera when I broke the chain on the tank. Sure to be noticed. Why trouble to hide anything now?” He relapsed into a gloomy silence. As the car shot back down the Marseille 206 T H E C R IM E COA ST road Paul thought to himself that this fresh evidence of De Najera's criminal activities would be valuable to them when he was arrested for murder. What was even better, they had proved beyond a doubt that he could have reached London, killed his sister, and returned to St. Antoine well within the period of his alibi. CHAPTER XVII C L I M A X BENVENUTo stopped the car in the Cannebière. “We’re late,” he said. “It's getting on for one o'clock. You go along to the Bristol and meet Adelaide, and I'll join you there in a few min- utes. I’ve got to send a wire.” Paul hurried down the road, and reaching the Bristol looked for Adelaide among the crowded tables. He did not see her, and walked past a second time anxiously scanning every face. But she was not there, and he sat down at a table to wait. He ordered a Vermouth, and while he sipped it kept a watchful eye on the crowds passing along the pavement. Everyone seemed to have come out after the rain, and mixed with the townspeople were African and Moorish troops, spahis in flowing robes, and peasants from the country wearing shawls and white linen caps, the children dragging at their mothers' hands while they stared at the shops and traffic. At any other time Paul would have enjoyed it, sitting there with his drink and 207 208 T H E C R IM E CO A ST watching the people. But at that moment no face interested him that was not Adelaide's, and his eye slipped from dark skins to light ones, from the flat, coarse profile of an African to that of a trim bearded French bourgeois, without registering what he saw. He looked at his watch. A quarter-past one; it was absurd to get oneself into a state—a thou- sand things might have detained her. But he was on the point of getting up from his table to see if he could find her at the coiffeur's when Ben- venuto walked in, looking thoughtful and rather gloomy. “Sorry I’ve been so long,” he said. “Garçon/ Donnez moi un Pernod.” And he relapsed into silence, staring in front of him. “I can't think what's happened to Adelaide— she's not turned up yet,” said Paul. “Hasn't she?” Benvenuto answered abstract- edly. “She'll be along in a minute or two.” “I think I'll just go up to the hairdresser's and see if she's still there—it's a long time since she was due.” “Right.” Then, just as Paul was leaving, he called after him. “Oh-it's no good doing that— all the shops shut from twelve till two. Much better sit down and wait for her.” Paul returned to his seat moodily. If all the C L I M A X 2 II In which direction he did not know. If M'sieur liked he would call the waiter who had served them. Benvenuto said he would like to speak to him, and Paul fumed at the delay while the man was fetched from the kitchen. At last he appeared and Benvenuto, thrusting a note into his hand, questioned him in French. But yes, he remembered perfectly. The Span- ish m'sieur had wanted his bill rather hurriedly after he had been called out to speak with a man who was asking for him. Yes, the man who had called was possibly a mechanician, and had driven away with the m'sieur and madame in the big auto. They hurried out into the street and hailed a taxi. Benvenuto told the man the direction and bribed him to go as fast as he knew how. “It would take even longer to get the car—I ran it into a garage before I met you,” he said as he climbed in. The drive through the crowded streets was maddening, and cross streams of traffic seemed to hold them up at every moment. Paul, sitting on the extreme edge of the seat and peering through the glass window in front of him, tread- ing in imagination on the accelerator and taking off the brakes, would have been both annoyed 2I2 T H E C R IM E COA ST and incredulous had anyone suggested he was not hastening their progress. He banged on the window in exasperation when the driver wasted precious moments in a rich stream of Marseil- laise invective directed at another taxi which had cut in front of them. At last they got away into the less crowded streets and were soon leav- ing the town behind them. Paul suddenly real- ized they were taking a different road from the one they had followed in the morning, and was about to expostulate when Benvenuto pulled him back. “Let him alone,” he growled. “There are two roads and this is probably shorter.” Paul sat back feeling thoroughly impotent, only to spring up in his seat a moment later. “Look!” he said, clutching Benvenuto's arm. Far above them was a small plane, rising rap- idly and heading in the direction of the sea. They stared at it, then met each other's eyes. Paul was very white. “It's De Najera. Hold on, Paul. She may not be in it. We'll know in a second. If she is—we'll get him.” They swung into the gates, nearly colliding with a taxi coming out, and saw in front of them the empty Hispaño-Suiza drawn up just outside the manager's office. At that moment the man- CL I M A X 2I3 ager emerged and walked down the steps, pull- ing on his gloves in a leisurely way, to receive a violent shock as Benvenuto leapt out of the taxi, Paul at his heels, and addressed him. “Was that De Najera's plane that went up a few minutes ago?” he demanded. Recovering from his surprise, the man drew himself up. “By what right, m'sieur, do you question me regarding my clients?” he began, when Benve- nuto interrupted him savagely. “Your precious client is an absinthe smuggler, carrying on his business under your nose. Had he a lady with him when he went up?—answer me.” A startled look crossed the man's face. “The Señor arrived with a lady and has taken her up for a pleasure trip—he told me himself. It is monstrous what you say, m'sieur, impos- sible. . . . I shall complain to the police.” “You’ll soon have ample opportunity, m'sieur —they will be here in a few moments. Come on, Paul”—and leaving him aghast on the steps, they tumbled into the taxi, Benvenuto giving hurried directions to the driver, and started back down the road. Benvenuto's face was grim as he turned to Paul. “We're going straight to the gendarmerie— CHAPTER XVIII A NT I – C L IMAX “My BLESSED children, what is the matter? Aren't you glad to see me?” The two men had dropped into chairs on each side of her, and she regarded their paralyzed expressions with amusement as they stared at her unbelievingly. At last, “Glad to see her,” murmured Ben- venuto weakly. “She wants to know if we're glad to see her, Paul.” Paul removed his gaze with difficulty from Adelaide's face and met Benvenuto's eye. Sud- denly they started to laugh as though they would never stop, and Adelaide looked at them with amazement, concern, and finally petulance. “I’ve always been told women have no sense of humour,” she said, “and really I begin to be- lieve it. All the same, if it's such an exception- ally good one I do think you might try it on me. Ben! Paul!” Exhausted, they lay back, and then Benvenuto 216 A N T I - C L I MA X 217 addressed her with something like fury. “Oh, disgraceful and abominable woman,” he said, “d'you realize that the police of every country in Europe are this moment writing down de- scriptions of you—and that Paul and I have been spilling our heart's blood because we be- lieved you'd been abducted?” She dimpled. “I very nearly was,” she said, “and it's entirely due to my native wit and femi- nine intuition that I'm with you now—so don't be rough with me. Hadn't you both better have some tea and hear my piteous story? But-oh, Ben!—what about the poor police- men? Oughtn't we to go and reassure them?” Benvenuto looked at her wearily. “I refuse to stir from this spot until I've had a drink and a sandwich,” he said. “I’ll write a note to the gen- darmerie to tell them you've been found, and you'll have to come around and explain after- wards.” He scribbled a note while Adelaide poured out tea, and despatched a messenger with it, after which both men fell upon sandwiches and brioches with fury. Paul suddenly remembered he'd had no food all day—he'd not given it a thought before. “Fire away,” said Benvenuto with his mouth full. 22O T H E C R IM E COA ST stare at us, and I tried to interpose a few sooth- ing words, but it was no use. Apparently he'd been turning over in his mind what I'd said the other night about seeing him in London, and he asked me why I'd said it. I opened my eyes inno- cently and said I really thought I'd seen him, but that seemed to make him worse and he swept on and said he was surrounded by an atmosphere of suspicion—and what were you and Leech doing in his house the other night? Apparently his servant had seen us when we went out, and had told him, and he was beginning to believe we all suspected him of something. I thought this would never do, so I did my level best to disabuse him of the idea—and succeeded only too well, for the next thing was he asked me out to lunch. I said I couldn't possibly come because I was meeting you two at half-past twelve, and he begged me to leave a note for you and come with him. He said he wouldn't believe I had forgiven him unless I did, and began to work himself up into a state again, about our all being in league against him, so finally I agreed and wrote you that note and gave it to Georges. You see, Ben, I really thought it better not to antag- onize him while you were still making investiga- tions, and I didn't dare to do anything that A NT I - C L I M A X 22 I might hinder our clearing Adrian. It was a per- fectly hateful business—I simply loathed eating his food, and I was so miserable the caviar tasted like sawdust. “However, the lunch was quite a success, I suppose—I was very bright and encouraged him to talk, hoping he might let drop something use- ful, but he would enlarge on the beauties of Spain and the Argentine. I could see we were ap- proaching dangerous ground—another minute and he'd have proposed again—so I was terribly relieved when the waiter came and said some- body called Miguel wanted to speak to him. He excused himself and went outside. He was away quite a time and I lay back and looked out of the window, and wished I were sitting over a nice honest bouillabaisse with you, instead of eating everything that was geographically and seasonably improbable. However, I cheered my- self up with the thought that I was being terri- bly knowing and helping you two like anything, really. “When he came back he looked rather ex- cited, I thought, but he only apologized about being away so long, and said he'd been speaking to his mechanic who knew where he generally lunched, and had come along to tell him that 222 T H E CR IM E COA ST he'd finished working on his plane and it was in perfect shape. Then he remarked that the weather had cleared up and looked like being a nice afternoon—would I care to come up for a short trip?—and that we'd have plenty of time to get back so that I could meet you at three, if we hurried. Well, of course I didn't know how successful you might have been in running his plane to earth this morning, so I was quite en- thusiastic at the idea, having a private vision in my own mind of meeting you both afterwards and your looking very discouraged and saying you'd entirely failed to find out where the ma- chine was kept, and my remarking, casual-like, ‘Oh, I've just been up in it.’ Sensation. “What a lucky thing for us that we've got Adelaide to help us.’” She smiled mournfully at them. “I take it you'd actually been there first?” Benvenuto smiled back at her. “We did man- age to catch a glimpse of it as a matter of fact. But go on—I can't bear the suspense.” She sighed, and continued: “After he'd paid the bill we went out, and there was the mechanic waiting with the car. He scowled when he saw me, and I thought it rather funny for a minute. However, he touched his hat and opened the door for me and then climbed in at the back, and 224 T H E CR IM E CO AST again, and I stared at the muddy field and the gray clouds, and all at once I began to feel most peculiar. All my excitement had gone, and I began to get terribly frightened. Hernandez came towards me looking very white and shak- ing and began to hurry me into the plane, and all the while Miguel went on talking, his voice get- ting angrier and angrier. I’d got one foot up on the plane when he suddenly dashed forward and pulled Hernandez's arm, and then they both started to shout at each other. I listened for a bit, and although I don't speak Spanish I began to understand that Miguel wanted to go up in the plane instead of me, and that he kept on refer- ring to the police. Suddenly I remembered Her- nandez's violent haste—his visit to the bank— the way he'd examined some part of the plane and then tried to hurry me into it—now Miguel refusing to be left behind; and while they were still arguing with each other and getting more and more angry, I slipped down and tore out of the shed and across the field as fast as I could go. There was a taxi standing in the yard and I told the man to drive to the Bristol, and then fairly collapsed on the seat. When we'd got down the road a little way I told him to stop and then got out—and I knew my fears had been A NT I - C L I M A X 225 justified, for I could hear the roar of the engine. A minute later the plane appeared over the trees and made off—so it seems”—she looked at them comically—“Hernandez wasn't going to risk his skin in following me!” CHAPTER XIX “L OU CAT * SHE lay at anchor, rocking gently in the water of a sheltered cove. She was painted pink, the chilly pink of an ice cream, her line accentuated by a thin band of green, and on her bow was written Lou Cat in white lettering. She looked coquettish, conscious of her finery as she rode the glittering water, Paul thought, and he paused in his scramble over the rocks to admire her. The picture was completed by Adelaide, in a short white frock, as she jumped on board and began to handle the ropes in a seamanlike man- In CT. “I don't know that rig,” Paul called to her as he continued his descent. The sail came down with a rattle and flapped in the breeze. “It's a tartan—usual Mediterranean rig,” she answered, her hands busy. “You won't like it if you're used to yachting in the grand manner. I prefer it myself—it's such a relief to have an up- right boom that doesn't clip you on the head. I’ll 226 “L O U CAT * 227 be captain this morning till you're used to it. Will you take the sheet?” He clambered on board as she started the engine, and in a moment they were chug-chug- ging out of the little bay. Away from the shelter of the coast there was a light breeze, and soon she bent forward, close-hauled the mainsail and stopped the engine, and Lou Cat slipped through the water in an exquisite silence. The only sound was the water slapping the bow, the only colour an illimitable blue, and Paul was divinely happy, sniffing up the salt breeze and feeling his skin burn in the sun. He did not want to speak—he felt himself and Adelaide existing for the moment as part of the boat, the sea, and the clean wind. Presently when he looked at her she was sitting still and straight as a figurehead, the tiller under her hand and her eyes fixed on the distant horizon. Conscious of him, she brought them back to his face with a smile. “This is more like it, isn't it?” she said. “It's nice to do something normal again. I’m always happy in Lou Cat—Ben taught me to sail her four years ago when I first came down here.” “Are you certain he won't mind our taking her out—I mean, oughtn't I to have asked him?” She laughed. “Of course he won't mind. Didn't you see him this morning?” 228 T H E cr IM E co Ast He bent forward. “Well, yes, for a minute. I wanted to tell you about it. You see, I didn't get much chance to talk to him yesterday—he got very silent and absorbed, and I thought prob- ably he was tired. So first thing this morning I went round to the studio; as you know, there are a million things to discuss since we were at the aérodrome yesterday—calculations to be made about De Najera's possible journey to London last Tuesday, and so on. Also, I should have thought that this was the right moment to compile our suspicions against him and hand them to the police, because although Ben told the French authorities in Marseille yesterday about the absinthe smuggling, he didn't say a word about suspecting him of murder. Of course, that isn't their affair, I know; Scotland Yard is the place to inform, and I naturally thought Ben would be taking some steps in the matter. Instead of which, when I get round to the studio I found him sitting opposite a col- lection of eggs and oyster shells, a loaf of bread and some wine bottles, painting away like mad at a still-life. The room was full of smoke— he must have been at work for hours, and he'd hardly speak to me. Meanwhile I'm afraid De Najera will get clear away in that plane of his “L O U c AT * 229 to some country like Paraguay or Chile where there's no extradition.” Adelaide regarded him with wrinkled brow, and shook her head slowly. “You can depend on it, Ben hasn't been idle,” she said. “Either he's got an idea incubating in his head or else he's taken action of some sort and is waiting for re- sults. It's no good trying to probe him when he's in one of his moods. The only thing to do is to leave him alone till he emerges of his own ac- cord. In the meantime”—she shook her head in the wind and broke into a smile—“let’s have a day off. I say, wouldn't you like to bathe soon?” “Rather. Shall we put ashore or bathe from the boat?” “There's an island about a couple of miles along the coast—no one ever goes there, and I know a strip of shore out of the wind where we could tie up.” She held her hand up to the breeze. “It’s freshening a bit—we ought to do it in about a quarter of an hour if you can hang out till then. Hot, even out here, isn't it?” Paul stretched himself along the deck and looked up at her in perfect content, slowly took out his cigarette case, lazily gave one to her and one to himself. “As leading ladies say on first nights, this is the happiest moment of my life,” he murmured, 23o T H E CRIM E COAST watching blue smoke vanish into the blue air. “It's the sort of thing one dreams about on a wet, gray day in London—only better. I’ve never had the imagination to dream of such a day as this or such a boat, or—or you,” he added, only so low that he thought perhaps she hadn't heard. The coast was changing, the gray rocks of St. Antoine were left behind, and instead high cliffs of deep red, capped with pine trees, rose from the water, casting purple shadows on to the intense blue. Rounding a point, a chain of small islands three or four miles from the coast came into view. Paul, propping himself on an elbow, looked at them with interest. “What a marvellous place,” he said. “Does anyone live out there?” Adelaide shook her head. “There's no water, and in rough weather it's difficult to land. There's nothing on them but what you see— rocks and a few pine trees—and they're very seldom visited. I landed once with Ben, when we were out sailing last year. Ben's a wonderful sailor—the fishermen round here think he's crazy, the weather he goes out in.” She laughed. “We were out once in a mistral, the big wind they get round here, and when we got back to the town we found the natives offering up prayers for us.” 232 T H E C R IM E CO A ST and paint, Ben was here too, and he took me under his wing, pacified my irate guardian, and persuaded him to let me do what I wanted. We've been tremendous pals ever since—we both come here every year. Then, two years ago, Adrian turned up and we always went about together, all three. Oh, Paul, I wish—I wish I knew what had happened to him!” She sighed and then shook her head. “Sorry. I said we'd have a day off. And here we are at the islands— we'll run into the biggest one, it's the best beach. Stand by to go about.” Quite a high sea was running as they tacked, and their faces were drenched with spray be- fore Adelaide skillfully piloted Lou Cat into a kind of rocky fjord that cut into the island, end- ing in a sandy beach. Here there was no wind, and Paul took the oars for the last few yards until the boat grounded on the sand. Adelaide jumped out and made fast, splashing through the surf in her bare feet. “Bring the bathing things,” she called. “Isn't this a wonderful place? There are a lot of these fjords along the coast—calanques they call them here.” Paul followed her and stared about him. It was curiously impressive, like some roofless cathedral, for water action had twisted and tor- “L O U CAT * 233 tured the walls of gray rock into high pillars, some resembling organ pipes, others in the shapes of men and beasts. Adelaide's voice had wakened a dozen echoes, and Paul felt a little awed as he stood there. The calanque continued some way inland, turning at an angle so that the end was not in sight, and what looked like a stony path was overgrown with bushes and stunted pine trees. Adelaide, seated on the shore, was pulling her frock over her head, and Paul retired behind a bush to get into his bathing suit. When he emerged she was already in the water, her scarlet costume bright as a poppy, and one brown arm flashing up into the sun as she swam swiftly out towards the open sea. Paul was a strong swimmer, and overtaking her they went side by side down the calanque to a rocky ledge. Together they climbed a natural stairway, and looked down from twenty feet into the clear deep water. “Can you dive with your eyes open?” she said. He nodded, and in a second she was a red bird skimming through the air, a moment later a goldfish in the translucent depths. It was a good dive, and Paul pulled himself together—she was watching him. He went in neatly and for cool moments of silence saw the green world slide past his eyes, saw the smooth stones of the ocean 234 T H E C R IM E COA ST thed, and fish that flickered and vanished mys- teriously, before he shot up into the dazzling sunshine. When they were lazily swimming back she said, “I’d like to live here forever.” In the boat was a bottle of wine and some cakes they had brought with them, and they lay on the sand and drank from the bottle, turn and turn about. The sun and wine were making him relaxed and sleepy, Paul felt—and it was fine. Here he was, alone for the first time with Ade- laide; she was terribly attractive, they were on a desert island. He wished he could express what he felt about everything, especially about her; he would give anything to tell her. How did one begin? He could think of nothing but a classical quotation, and cursed himself for a clumsy fool. Why wasn't he able to flirt graciously with her? He had just decided to begin by saying he wished the boat would sink and they would be marooned, when she said, looking up at the sky, “What I like about you, Paul, is that you don't try to make love to me.” “Damn,” he thought, and then aloud, “Per- haps it's because I haven't the courage.” “You know,” she went on, ignoring his re- mark, “there are awfully few men I could come out here alone with who would behave nicely, ***-*-** = - “L O U C AT * 235 like you do, and not spoil everything by flatter- ing me, and making me use all my wits to stop them being what the Americans call ‘fresh.’ And all without making enemies of them, if you see what I mean.” “I say,” said Paul indignantly, “how perfectly horrible for you.” “On the contrary I find it most agreeable,” she said, and gave a peal of laughter at his bewilder- ment. “I believe somebody has poisoned your life,” she went on solemnly, making him em- barrassed to a degree, “and I think it's mon- strous.” He sat up. “You're making fun of me and I deserve it; I must be an intolerably boring com- panion. But honestly I don't know much about women, except that I think they are wonderful.” “You don't deserve anything of the kind and I’m awfully sorry. Really we have a good time, don't we, Paul? And—I only wanted to make you talk to me.” He bent forward eagerly. “You know, I be- lieve I could talk to you. . . .” Dressing again behind a clump of bushes, he decided to explore the calanque a little until she was ready to go. It looked desolate and mysteri- ous, and he thought he heard an animal moving “L O U CAT * 237 engine waking echoes across the water on each side of them. “The breeze has gone,” she said. “We'll have to go back on the engine. Oh, Paul, I'm so hungry—where shall we lunch?” Half an hour brought them back to the little cove, and making fast the boat they scrambled over the rocks towards the town. They passed the American boy perched up on a ledge, intent on a canvas he was painting. He waved a brush to Adelaide and begged a cigarette as they passed. “The Mark of the Beast,” she laughed, as they turned to leave him, and pointed to the rock beside him streaked with different-coloured paints. Paul stood still, staring at it. In one place a blob of paint was running down the hot rock —of what did it remind him? He followed Ade- laide, puzzling over it. After all, it was too hot to think consecutively about anything—and then, just as they reached the town, it came to him. The green lizard on the island that seemed to grow longer as it crawled was nothing but green paint—and wet paint at that, fresh from somebody's palette. He remembered the move- ment through the undergrowth that he had thought was some animal startled by his ap- proach, and determined he would go back to the island and investigate. Better not say any- 238 T H E C R IM E COA ST thing to Adelaide—after all, it might be a mis- take, it might have been a lizard and his eyes had played him tricks in the sun. Meanwhile there was lunch to think of. Inside the little restaurant it was cool and dark. “Let's have some of these hors d’aeuvres,” he said, paus- ing on the way to their table; “they look de- licious.” CHAPTER XX “D R. L. I V I N G S T O N E, I P R E S U M E?” AS HE left Adelaide at her door Paul half regretted his resolve. Before lunch it had been hot—now, for the first time in his life, he real- ized why the sun is not always regarded as the friend of man. He went down to the quay to see if he could hire a boat, but the sun-baked port was deserted; for everyone but himself it appeared to be the hour of siesta. The only sign of life was an old woman mending some nets, her chair tipped back in the shade of a pink house, and as Paul approached her an ancient dog at her feet opened one eye and growled half-heartedly at him, then stretched himself out and resumed his slumbers. “Bon jour, madame.” Her reply, accompanied by a toothless smile, was unintelligible to Paul. He tried with French and Italian to make his desire for a boat known to her, and deciding that she spoke nothing but Provençal he sighed and went on his way. The only thing to do was to take out 239 24O T H E C R IM E COA ST Lou Cat again—he would have to apologize to Benvenuto afterwards, but anything seemed bet- ter than disturbing him at work. With a vague sense of guilt he bought a can of gasoline and went on his way, to feel somewhat encouraged as he passed the paint-daubed rock where they had seen the American. Sea and sky were a milky blue. The boards of the Lou Cat scorched Paul's hands as he climbed in and busied himself in setting off. He was glad to get away from the coast to where the air was cooler, and put his feet over the side into the water. The town, the port, the white rocks diminished slowly but did not lose definition. The island, when it came into view, was black against the sun. “When I get there,” he thought, “at least I can bathe,” and remembered his morning with Adelaide. He fell to thinking of his search—and even more of what he had al- ready found, and between the two reached the island before he realized it. The sea was calm now; he swung into the calanque, and shutting off the engine drifted down towards the white beach. It was best not to disturb the possible inhabitant. Following his path of the morning, he came upon the rock where he had seen his green lizard. There was the emerald paint, now “L I v I N G s To N E , 1 P R Es U M E * * 243 Paul thought that to announce himself as “a friend” would sound too melodramatic. “Sorry to break in,” he said. “I think you must be Adrian Kent,” he continued pacifically. “No!” said the young man, preserving his tense attitude, his eyes blazing out of the shadow. “Never heard of him. My name is Short, and I've been here for a long time, painting.” Paul usually tended to believe what people said, too much so, perhaps, for a barrister, and a doubt began to creep into his mind as to whether, in spite of the unusual face, the resem- blance to the photograph, and the man's obvious fear, he might not be making a mistake. After all, it was difficult to tell—the shadow was deep, the man was bearded. “Well,” he said, “I’m sorry. I'm looking for a man called Kent. You see, his father is ill, and I have a letter from him.” He looked keenly at the other's face, where conflicting emotions became only too apparent. “Benvenuto Brown is a friend of mine,” he added. “Oh!” The young man looked enormously relieved. “In that case—” He realized that he had given himself away, and after a second's pause straightened himself and came forward courteously. “Please come in. I am Kent but I “L 1 v 1 N G s To N E , 1 P R Es U M E f * 245 bethan poets with this strange, burning-eyed young man, and as he did so his gaze wandered round the shelter he sat in. It was a natural chamber in the rock and had the semblance of three walls and a roof, the lower part of the walls jutting out in shelves. On these were ar- ranged, very neatly, the few clothes, books, and cooking pots of the occupant; on one side a heap of canvases, with tubes of paint and brushes in a row, on the other a group of sea shells ar- ranged with sprigs of flowering herbs. It was very orderly, almost feminine. Paul looked at lis watch and jumped up, anxious to be gone while the conversation remained impersonal. “Time I was going,” he said. The young man laughed. “Time!” he said. “There is no time here, only light and darkness, hunger and food. I had forgotten time. Must you go? I am glad you like Donne. He was the best of them all.” He said good-bye at the door of his shelter, and when Paul looked back he seemed to have forgotten his very existence, and was leaning against a tree, broodingly examining some leaves he held in his hand. . . . Paul felt more mysti- fied about him than before he had found him. Once out of the calanque and the boat heading “L I v I N G s to N E , 1 P R E s U M E * * 247 ill—though it had found no expression beyond his seizing the letter and placing it, unopened, in his pocket. Had his mind become unhinged by his solitude? Paul gave it up, and hoped for enlightenment from Benvenuto. CHAPTER XXI A Y O U N G M A N OF T E M P E R A M E N T AT HALF-PAST three Paul was mounting the studio stairs, nervous as to what his reception would be, and extremely nervous of explaining to Benvenuto that he had found Adrian. He felt —illogically, he knew—like a spy about to con- vict himself. It would have been easier if only he had not used Lou Cat. A savoury smell greeted his nose as he got higher, and at the top he met Benvenuto emerg- ing from the kitchen with a spluttering pan of bacon and eggs. “Good man,” he said, “just in time to share my breakfast, lunch, and tea. Come along in. Afraid I was a bit terse this morning. My crea- tive powers were better than my temper—at least I hope so.” Considerably relieved, Paul followed him into the studio, and earnestly refusing offers of food he stopped opposite a canvas on the easel. Here were the eggs, the oyster shells, and the wine bottle sublimated into a still-life of re- 248 A Y O U N G M A N OF T E M P E R A M E N T 249 markable beauty. The colour was pallid and cold, the form suggested rather than stated, the brush work nervous and sensitive. It gave Paul an impression both restrained and austere, and he eyed it with delight. “I think it's fine,” he said. Benvenuto grunted. “They're always so damn fine while you're doing them. You think to yourself, “At last I’ve got it'—and in the end, of course, you haven't. Still, it has its points.” He sat down at the table, his head on one side looking at it. “Well, have you been giving detec- tion a rest?” “As a matter of fact, since I saw you, I've found Adrian.” Paul blurted it out half de- fiantly. Benvenuto paused with his fork halfway to his mouth. Then, after consuming a mouthful of egg and bacon, “Nice chap, isn't he?” he said. The remark for some reason enraged Paul— really, this taking things for granted was going too far—and he burst into an explanation of how he and Adelaide had borrowed Lou Cat and gone to the island, of how he had seen the paint on the rock, and realizing later its signifi- cance, had gone back to investigate, without sus- pecting for one moment that Benvenuto knew of Adrian's hiding place. 250 T H E C R IM E CO A ST Benvenuto nodded. “Unless a man is temper- amentally a good liar,” he said, “it always seems to me a pity to load him up with information that he may have to conceal. There seemed noth- ing to be gained by telling you where Adrian was. I’ve been able to keep him supplied with everything he needs, and I gave him a small dinghy which he's got hidden somewhere and could use in the event of my being eaten by a shark. Actually I don't believe he'd notice if I didn't appear for a week or two. He's always pleased to see me, but I often find he's com- pletely forgotten to eat the food I take him. I've given up taking him fish—he invariably uses it as the subject of a painting, and leaves it about in the heat until it has to be returned hurriedly to the sea from whence it came. He's doing some magnificent work—did you see any of it?” Paul shook his head. “What an extraordinary chap he is. He betrayed not the slightest inter- est in the progress of events—and instead we discussed the Elizabethan poets. He's a complete enigma to me.” Benvenuto sat back from his meal and lit his pipe. “Nero fiddled while Rome burned,” he remarked, “and doubtless was denounced by his friends for callousness, bravado, or affectation. Actually, I expect he had got A Y O U N G M A N OF T E M P E R A M E N T 253 an eye on him. Also he said he was after a jewel thief, who was, of course, our friend the Slosher, as I learnt later. He said he was going on to St. Antoine the next day, in the guise of an ordinary tourist. I said good-bye, after recommending a hotel, and went back to wait for the rest of the train, which turned up half an hour later com- plete with Adrian. He was looking thoroughly worn out so I took him to the station restaurant for a meal, and bought a copy of the Daily Mail, which comes down from Paris on that train. I gave him a cocktail, and opened the paper to give him time to recover from the journey before asking him how things had turned out. You can imagine I was a bit taken aback to read an account of the murder of Luela in Bishop's Hotel, and it immediately occurred to me that this was the case Leech was working on. I didn't say anything about it to Adrian, but asked him how he'd got on in London and if he'd been able to pacify Luela. He shook his head gloomily, and said they had had a terrific dust-up over lunch the day before and parted on the worst of terms. I asked him how he'd passed the time before the boat left in the evening, and he was completely vague about it—said he'd wandered about, and thought he'd been in the park because 258 T H E C R IM E COA ST intolerable and impossible. Paul grew hot all over as he considered it. Yet, all the afternoon a growing suspicion of Adrian had been form- ing in his mind, a suspicion which had not been dispelled by Benvenuto's explanation of his character, and which had been definitely strengthened by the account of the events which led up to Adrian's flight to the island. Every- thing pointed to his guilt—the motive, the op- portunity, the subsequent flight—and he, Paul, had allowed his judgment to be warped by Ben- venuto's professed faith in his innocence. God! what a fool he had been. He looked at Benve- nuto, half determined to have things out with him, and felt his anger die down. Benvenuto's humorous, sunburnt face looked worn with anxiety, his keen blue eyes were fixed on the rapidly approaching shores of the island. He was so obviously unaware of Paul's confusion of mind, so obviously concerned with some ur- gent problem of his own, that it was impossible to interrogate him, Paul felt, and he resigned himself as philosophically as possible to waiting for whatever his third visit to the island might reveal. As the boat entered the calanque he looked towards the shore with feelings of excitement and, for some reason that he couldn't account 26o T H E C R IM E COA ST breathless to the door in the rocks. For a moment he could see nothing, then as his eyes accus- tomed themselves to the shadow he realized the room was empty except for Benvenuto kneeling on the bed, looking at two sheets of paper he held in his hand. He read them in silence, his breath coming fast after his run, and gave some- thing like a groan as he finished. He looked at Paul standing in the door, and after hesitating a moment handed the letter to him. This is to confess that I, Adrian Kent, mur- dered Luela da Costa in her room at Bishop's Hotel, London, on the evening of Tuesday, July 29th. We had quarrelled and I killed her in a mo- ment of passion. No one else is implicated in any way. The second sheet read: DEAR BEN: Please give my confession to the police. It is no good their trying to catch me, or you either. It has been the worst of all, deceiving you. ADRIAN. “My God—do you think he's killed himself?” Benvenuto jumped up from the bed. “No, I don't—but we'll make sure the boat's gone.” He hurried off, his face drawn and white, and went down the path away from the beach. A few mo- C O N F E S S I O N 261 ments brought them to the opposite shore and Paul joined Benvenuto as he stood examining the tracks of a boat that had been dragged out from the shelter of some bushes. “As I thought—and he's got a good start be- cause he's got a better engine than Lou Cat's. There's no time to be lost,” he said as he turned to go back. Catching sight of Paul's face, a faint smile broke through his troubled expression. “Expecting me to take out my truncheon? Believe me, Paul, I'm not a policeman but all the same I’ve got to catch Adrian.” Paul followed him down the path. “Are you going to bring him back here?” he asked. “No, I'm not. He can't stay in hiding any longer.” It was nearly six by the time they were back in the town. The voyage home had been silent, for Benvenuto, beyond telling Paul that he be- lieved Adrian would make for Marseille and take the night train to Paris unless they could intercept him, had been wrapped in his own thoughts. Back in St. Antoine they started to hurry to the garage, and everything contrived to delay them. From the terrace of the Café de la Phare Adelaide hailed them, and Paul looked longingly at her sitting there, cool and beautiful, 262 T H E C R IM E COA ST a cocktail in her hand and an empty chair opposite. “Don’t tell her,” said Benvenuto sharply in his ear, then, “Can't stop, my dear—we've got to go into Marseille. See you later.” She looked at them disconsolately. “Oh, Ben, and I am so consumed with curiosity.” “What about?” He paused a moment. “Why, the elegant closed limousine that dis- gorged some person unknown into your flat. I thought you were having a party and hadn't asked me.” “Oh, my God—I hadn't realized it was so late! Come on, Paul.” To Paul's surprise he went on to the garage, and there, while the mechanic filled the car with gasoline and oil, he hurriedly scribbled a note and sent it round to the studio. They got in and drove quickly through the town. Soon they were climbing the now familiar road, Benvenuto driving into the eye of the setting sun, and keep- ing up a good speed in spite of the blinding glare, the bad surface, and the tortuous route. He looked at the clock on the dashboard from time to time. “I don't believe we can do it,” he said. Mile after dusty mile rushed by. Paul had ceased to think, his mind so torn by conjecture C O N F E S S I O N 263 that it no longer functioned, and he felt himself identified with the engine that bore him swiftly onwards. Benvenuto's urgency had somehow conveyed itself to him and he felt the need of nothing but speed and still more speed as he stared ahead, his eyes smarting with the dust and sun, the wind blowing past his face, while the car lurched and skidded round corners. For one mile the sun would be straight in their faces, for the next, as the road went off at an angle, it would stream through the plane trees planted regularly along the ditch, staining the road with zebra-striped light and shadow, until Paul was mesmerized into thinking he would ride on like this for ever, chasing something that perpetually eluded him. He was brought back to reality with a start by a loud report and the shriek of brakes as Benvenuto drew into the roadside. The two men stared at each other in dismay for a moment. Then, “Damn!” said Benvenuto, “that's a burst tire.” He opened the door and got down. “We'll have to get the spare on as quickly as we can, but I'm afraid that's torn it.” While he hurriedly jacked up the car Paul unscrewed the spare wheel, but a precious ten minutes had been lost before, hot, greasy, dusty, and bad-tempered, they resumed their journey. 264 T H E CRIM E COA ST Paul had a momentary vision of a whisky and soda, iced, with a slice of lemon, so vivid that he said the words aloud. Benvenuto groaned, his eyes fixed on the road ahead. “Mint julep,” he replied briefly. At last the outskirts of Marseille came into view, and tram lines and traffic forced them to slacken speed. The clock on the dashboard showed them the train was due to leave in five minutes. “But I don't know if it's right,” said Benve- nuto. “There's the railway over there—and just ahead is Marseille Blancard, the suburban sta- tion. The trains for Paris go straight through it.” Paul kept his eyes glued to the railway line —there was no sign of the train. They passed Marseille Blancard and then heard the shriek of a whistle as a long train with every window alight thundered through the station. “Grandes Expresses Europeans. Wagon Lits. Restaurant Car,” Paul read, and then in white letters on a black board, “Paris.” So he'd got away. Paul, to his surprise, felt a lifting of the heart. Benvenuto paused but for a moment before he ran the car into a side turning and reversed it. “I’m sorry, Paul,” he said. “We shall have to try and make Avignon before the train gets there. We've got an hour—and a fairly good C O N F E S S I O N 265 road. Eighty kilometres—now for a race with the P.L.M.” Off again in the gathering dusk, lights begin- ning to twinkle in the roadside cafés, slow tram- cars alive with hordes of home-going workmen blocking the road. At last they were out in the open country, making good going along the now empty roads, but slowing down of necessity through villages where the peasants were all out for their evening promenade in the cobbled streets. Many had brought their chairs out into the road and were seated there, the men,smoking, the women with their hands busy at work, chat- tering with their neighbours who collected in groups round them. It was impossible to hurry, and Benvenuto's hand was perpetually on the horn, though the loudest warning made little difference to the strollers. In France the street is a social club to which the natives feel they have prior rights over the bustling noisy étrangers. Through Aix, where the going was easier, for the streets were empty of pedestrians and the traffic well ordered; through Orange with its Roman gateway and crumbling walls, mysteri- ous in the half light; through smaller towns of which Paul did not know the names, and then at last they crossed the Rhône and drew into 266 T H E C R IM E COA ST Avignon. A few more minutes and they were at the station, and Paul leant out and shouted to a porter as they drove up the yard. “Encore dix minutes m'sieur,” he replied, and strolled off when he saw they had no luggage. “Ten minutes to spare,” Paul breathed. “What a marvellous run!” Benvenuto got down stiffly, mopping his brow. “Time for a swift one—and two platform tick- ets,” he said. They consumed two bottles of weak French beer and arranged that Benvenuto should search the front of the train while Paul took the back, and they'd meet afterwards under the clock. Seven minutes for their search; Paul felt nerv- ous when at last the train was signalled, and envied the innocent passengers around him who had moved their bundles and suitcases to the front of the platform and were full of prepara- tions to embark. He left Benvenuto and took up his place nearer the end of the platform. Suppose Adrian offered resistance—or worse, denied all knowledge of him and refused to move from his seat? Paul shrugged his shoul- ders resignedly; it was likely to be a difficult encounter, particularly if he had to use force in a carriage full of French bourgeoisie. The idea of Benvenuto finding him in his half of the train C O N F E S S I O N 267 never occurred to him, somehow. The line of passengers bowed down to their luggage like trees in a wind, porters with bags slung over their shoulders stood to attention, the hissing of the engine and interminable lines of lighted windows flashed past him and came to a stand- still, and in a second Paul had boarded the end compartment. The first coach was easy, no one seemed to be alighting at Avignon, and Paul pushed his way through the corridor, passing in review a double line of faces, pale in the lamplight, in each carriage. Then his troubles began, and his progress was impeded at every step, as he came into contact with the oncoming passengers who surged towards him, weighed down with their luggage, anxiously searching every compartment for a resting place for the night. He was further confused by those trying to get out, most of whom were engaged in thrust- ing their bags and boxes through the corridor windows to porters waiting on the platform below. The train was hot and stuffy, and Paul was pushed and buffeted and his feet were mer- cilessly trampled, but he persisted doggedly, and did not let a single face escape him. Once or twice a trick of light or a young man's face . imperfectly seen brought his heart to his mouth, but each time he found, half with relief, half CHAPTER XXIII I M P A CT SEATED in the dickey, while the car bumped along the dark country roads, Paul considered rather miserably the state of mind of the two men in front of him. Adrian's youthful face had looked wretched and hopeless, very white under his sunburn, as Paul saw him into the front seat. Benvenuto he could make nothing of —for his action in hunting down his best friend seemed totally opposed to his character as Paul understood it, and for the past two days he had preserved most of the time a moody silence, making his motives doubly incomprehensible. Until the moment of Adrian's capture Paul had felt a secret hope he would get away—or failing that, that Benvenuto would help him towards escape. Now—they were bound for St. Antoine, where Leech might already have returned, thought Paul as he stared into the darkness, and Adrian's fate as a self-confessed murderer left no room for doubt. He tried to put himself in 269 272 T H E C R IM E COA ST fumbling with the clothes on the chest. He rose slowly. “There's nothing to be done—he was killed instantly. Justice has been done for you, Leech. Would you like me to send the doctor out from St. Antoine, while you stay by the body?” Leaving Leech and his chauffeur standing in the road, Paul and Benvenuto walked slowly back towards their own car. “I didn't see him very clearly,” said Paul, “but was it—the Slosher?” Benvenuto nodded. “Yes. Nasty business. Poor old scoundrel— he didn't get much of a run for his money, did he? Well, after all, the very least that awaited him was a long term of imprisonment. It was a swift finish.” They had reached the car and Paul suddenly remembered Adrian. He was still sitting there, sunk back in a corner, his face in shadow. What was Benvenuto going to do? Paul wondered, as he climbed into the dickey; he hadn't said a word to Leech. As they drove on every detail of the roadside was vividly illuminated by the wreckage of the car, there was a strong smell of burning rubber and oil, and they passed through a zone of scorching heat before round- ing a bend into complete darkness. They were I M P A CT 273 descending the hills to St. Antoine, and another quarter of an hour brought them to the town. Benvenuto drove through the back streets and stopped at the door of his own house, where he got down and came round to speak, to Paul. “I’m going in for a minute—if you'll wait in the car I'll drive you down to the café.” He took Adrian into the house and joined Paul a few minutes later. “God! what a day. And it's not over yet, be- lieve me. Look here, what you'd better do is this: Go and get some food—if you're as hungry as I am you need it—and then in half an hour call for Adelaide and bring her along to the studio. You've been most forebearing, Paul, and I’m grateful to you, and I hope that to-night matters will clear up. We're going to have a difficult time, and I shall want your support. Here we are—see you later.” CHAPTER XXIV C R IM E HIS heart beating uncomfortably, Paul stood with his hand on the studio door, and looked down at Adelaide standing beside him. “I’m frightened, Paul,” she said. He slipped his hand into her arm, opened the door, and drew her into the room. Three people were sitting round the fireplace: Benvenuto on one side, his pipe in his hand, Adrian opposite him, and a third man, whose back was towards them. He rose with the others, and when he turned round, Paul, in a flash of realization, felt he understood at last the signifi- cance of Benvenuto's actions. He had brought Adrian back to St. Antoine for a last meeting with his father—for the man who came towards Paul with his hand outstretched, his face worn with grief, was Major Kent. He seemed to have aged by ten years since Paul had seen him last, and looked very frail and ill. After a few words of greeting Major Kent looked expectantly at Benvenuto, who was standing by the fireplace. 274 CR IM E 277 piness to his father, whom she knew he cared for more deeply than he had ever cared for her. At last he escaped and rushed away, to wander about London in a state of complete misery and indecision. He thought of going to his father's house, but pride and the fear of hurting him kept him from this. “We will leave Adrian and go back to Luela, lying in floods of tears in her room. She was dis- turbed at last by the telephone, and pulling her- self together she answered it. It was Adelaide, asking if she might come round and see her about some paintings that Luela had written to her about. Anything was welcome as a distrac- tion—she could not lie in her room all day, it would send her mad—so she arranged with Ade- laide to come round. She decided she'd have a bath—it would make her feel better and repair the ravages of her tears—so she placed a key in the outer keyhole of her door in case she was not ready to open it, and went to the bathroom. Per- haps ten minutes later the outer door of her suite was quietly opened, and one Herbert Dawkins, alias the Slosher, a jewel thief and habitual criminal, slipped into her room. He had been sent there by Luela's brother, De Na- jera, to steal a big packet of cocaine which she had smuggled to England. The unfortunate man 28o T H E C R IM E CO A ST that at last Luela, inspired by God knew what feelings of disappointment, lust, arrogance, tore off her silk wrapper and stood defiantly before him in the pride of her beauty. “I think there was only one instinct in the man —to hide her from his eyes—to get her out of his sight, forget she had ever come into his life. He stood at the end of her bed, and hardly knowing what he did, he put out his hand blindly for something—anything—to cover her with. He advanced towards her holding in his hand the silk eiderdown, and she, fear beginning to creep over her, backed away from him until she reached the bed. In an instant he had thrown the eiderdown over her, covered her, pressed her backwards. She struggled under his hands, but by now a kind of madness had seized him and he pushed her down and down, the thick silk cover- ing over her body and over her face, hiding her from his eyes, until at last she lay still. I don’t know what he did then—whether he tried to wake her, to make her speak. I think he simply crept away out of the room, hardly knowing what he had done, locking the door behind him, putting the key in his pocket with a kind of instinctive caution. Perhaps he knew she was dead—I don't know. He hadn't gone there to C R IM E 28I kill her—he'd gone there to plead with her, to bribe her. . . .” “She had been my mistress when Adrian was a child.” Benvenuto looked at Major Kent, who stood facing him, and gave a sigh that was al- most of relief. CHAPTER XXV – A N D P UN IS H M E N T THERE was silence for a moment. Adrian's face was hidden in his hands, Paul and Adelaide sat in paralyzed stillness, while Benvenuto and Major Kent faced each other. Then the old man, as if in answer to some unspoken word of Ben- venuto's, sank back in his chair and went on, his voice suddenly quiet and expressionless. “I saw in the morning paper that she had ar- rived in London, and I knew from my son's letter that he was going to see her. I decided I would make one more attempt to find him, for although I had little hope of appealing to her humanity or decency—I had learnt too much about her before we parted fifteen years ago to expect that—still, I thought, I might be able to find out from her his whereabouts. I rang up her suite at the hotel and someone answered for her, and gave me an appointment at once. Appar- ently, as it turned out later, she thought I was my son, and was waiting for him when I arrived. “I tried to talk to her quietly, without bitter- 282 — A N D P U N IS H M E N T 285 for enforcing a very wise and very sound judi- cial system which we have built up in our own interests, and for which I have as great a respect as any of you. It succeeds in making us the most law-abiding people in the world, and under its rule the majority of us live in peace and secur- ity, able to sleep at night with a reasonable con- viction that we shall not be murdered in our beds. I very much doubt if this state of affairs could exist unless the punishment of willful murder were death, or at least life imprison- ment, which instils into most people a deep- rooted conviction that murder, as a means of satisfying greed or lust, is a game that simply isn't worth the candle. The result is that the ma- jority of murders are committed by people who are mentally, physically, or morally diseased, and so are better out of the way. There remains the minority—the rare murders which are com- mitted by the sane, the essentially gentle and law-abiding specimens of humanity who are un- der the influence of obscure, even ethical mo- tives. In some cases a wisdom above law and a merciful ruler may extend pardon, but not be- fore the agony of a prolonged trial and the re- sultant suspense and suffering have done their work. “Surely, to all of us who are not servants of 286 T H E C R IM E COA ST the law it is the spirit, and not the letter of the law, that matters. If that is so, surely it is pos- sible to conceive of a situation in which an ordi- nary thinking man might arrive at a better un- derstanding of what is justice than a judge and jury, who are bound to apply general principles in individual cases?” Now he was directly addressing Major Kent. “Everything that you have told us to-night I knew, before I sent you that telegram which brought you out here. How I came by that knowledge I will explain to you later; it is suffi- cient for the moment to say that it would have been extremely difficult for me to offer proofs of what I knew, and further, that no one beyond the five people in this room share this knowl- edge. You told us just now that you have been waiting to see your son before going to the police with your confession. I want you to realize that at this moment the police hold no shred of evi- dence against you, and it is extremely improb- able, indeed practically impossible, that they can ever find any. Such evidence as exists points to one man, and he—” “Do not go on.” It was Major Kent speaking. “Believe me I am grateful for what you have done for me, and grateful to all of you for what you have done for – A N D P UN IS H M E N T 287 Adrian. But my mind is made up, and nothing that you can say can make any difference. Sus- picions exist—and the only thing that I can do is to give myself up to-morrow—” The quiet voice stopped as a loud knock sounded on the door. Each one of them turned with a start, and after a hardly perceptible pause Benvenuto called, “Entrez.” The door opened, and Leech stood there, be- hind him two uniformed gendarmes. They came in and stood in a group round the door. Leech looked straight at Benvenuto. “Sorry to intrude, Mr. Brown, I didn't know you had company. I just came in, knowing you was interested in the matter, to tell you we know who committed the murder in that Bishop's 'Otel case.” He paused for dramatic effect, and there was a breathless silence in the room. Paul jumped to his feet. “Who d'you mean?” he demanded hoarsely. But Leech was not to be hurried. “Of course, nothing's proved yet, but there's evidence that makes it as plain as a pikestaff. I had my suspicions all along. Herbert Dawkins, alias the Slosher, it was, him as you saw dead on the road this evening. When I came to search the body, bless me if I didn't find the missing diamond brooch with initials L. da C. on it, 288 T H E C R IM E coast. and alongside of it the actual key of her room. It beats me, the way they'll carry incriminating evidence about on them, even the most experi- enced ones.” “Extraordinary,” interjected Benvenuto. “You may well say so, Mr. Brown. Well, he's no great loss to the world. He's been suspected of murder before, but we could never fix any- thing on 'im. I must be getting along now.” Major Kent rose from his chair and took a step towards the little detective, and then Paul placed himself between them. “Congratulations, Leech,” he said, shaking him warmly by the hand. “Pretty good evening's work, that. He looked a thorough-going scoun- drel, that fellow, and I can't say I'm surprised. Well, he saved you some trouble at the end, didn't he? C'est la Justice, eh?” he added, ad- dressing himself to the two men in uniform. “C'est la Justice Divine,” said the fatter of the two gendarmes, taking off his hat. “That's true enough,” agreed Leech. “And now I must be O. P. H., so good-night all.” “Good-night,” said Major Kent. CHAPTER XXVI J U M P I N G TO C O N C L U S I O N S THE next day towards dusk Paul and Adelaide climbed Benvenuto's stairs, for he had asked them to dine with him, promising to take them in retrospect through his investigations. Pleas- antly tired, they sat down on the big settee, while a fat peasant woman laid plates and glasses on a check tablecloth. The day had passed like some agreeable dream, Paul thought, for Adelaide had painted him, sitting on the rocks in his blue tricot, and at frequent intervals they had bathed. Impatient to hear Benvenuto's story, they also felt remarkably hungry, and while there were obvious preparations for dinner and an appetiz- ing smell, the principal character was still miss- ing. Soon, however, his footsteps were heard on the staircase, accompanied by a song to the effect that “He was her man But he done her wrong,” and Benvenuto opened the door and greeted them. 289 290 T H E C R IM E COA ST “Food is what we need,” he cried. “Rosette, the soup!” and they sat down to dine in the cool twilight. “I can't tell whether my wine is red or rosé,” expostulated Adelaide. “Do turn on the lights, Ben.” He got up and turned the switch, flooding the large room with amber light, and at once was answered by a subdued twittering that came from a house across the narrow street. The sound grew, swelled, and mounted into a burst of watery bird song, and as they sat silent, listening, Paul half expected to see eggs and bacon on the table before him, such a morning exuberance was in the air. “Poor silly things,” said Benvenuto at last. “Those birds are kept in cages on the shutters of a fisherman's house across the way, and each evening when I turn on the light they think the sun has risen. They jump to the wrong conclu- sion, in fact, and what right have we to laugh at them? Haven't we all been doing the same thing for the past week?” “Speak for yourself,” said Adelaide, holding out her plate. “Well,” said Benvenuto, serving her to bouche de la reine, “there would have been no mystery at all if you hadn't jumped to the conclusion J U M P I N G To co N c L U S I o N s 291 that a certain telephone call was from Adrian Kent, and not from Major Kent. You expected the name of Adrian, and you heard it, my dear, or thought you did.” “And you jumped to the conclusion that I'd made a mistake, I suppose?” said Adelaide. Benvenuto smiled. “Perhaps you'd better hear the whole story. I started off in birdlike inno- cence myself, jumped to a false conclusion, and saw what I expected to see. I think I shall have to give up reading detective fiction—it tends to make one so horribly conventional. I ought not to have been led away by the fact that De Najera was an obviously perfect villain, but I was, and wasted a lot of time disabusing my mind of the idea that he was our particular villain. Still, I must say in my own defense that there did seem to be a reasonable amount of evidence against him.” “Indeed there was,” Paul agreed. “The false alibi alone was enough to make anyone suspi- cious.” Benvenuto nodded. “The trouble with us was that, a murder hav- ing been committed, we allowed it to over- shadow everything else, and forgot that business was as usual in other branches of crime. We both of us felt about De Najera that we were dealing 292 T H E C R IM E COA ST with a criminal, and we were perfectly right. His elaborate alibi was obviously covering one of his little absinthe smuggling expeditions, and no doubt the valet masquerading as his master was a precaution that De Najera had taken many times before. It was unfortunate for us that I happened to spot it at the very time when darker deeds were afoot—though I think even without the incident I should have been obliged to sus- pect the man.” “Why d'you say 'obliged’?” “Simply because he was such a perfect sus- pect, both from the point of view of his own character, and our knowledge that all was not well between him and Luela. Never at any time did I feel an inner conviction about his guilt, but I didn't dare to disregard the apparently logical chain of thought which directed suspi- cion against him. From the moment that I heard Adrian's story, a fugitive idea began to float about in the back of my mind, something flimsy and unsubstantial that had no foundation in evi- dence or in logic. It was far too slight to be called a “suspicion,” and was directed against no one, yet it had sufficient vitality to rob me of a comfortable degree of conviction in my suspi- cions against De Najera. In almost every in- vestigation I’ve ever made I have had this same J U M P L N G To co N c L U S I O N s 293 experience—of something which begins to roam about in my subconscious mind, and worry me, in contradiction to any amount of apparently satisfactory evidence. I can only describe it as the ghost of an idea, that is, as Chesterton says, the ‘right shape,” and though I don't know myself what shape it is, yet by contrast it makes other apparently well-fitting pieces of a puzzle appear the wrong shape. The only thing to do, I've found, is to carry on with one's investiga- tions, follow up every clue that offers itself, and keep one's mind on the alert for anything—a chance word, a turn of a head, even a smell, that will suddenly drag this elusive wisp of an idea out into the broad light of day. In the present instance it was borne forth on the wings of a mosquito, but I’ll come to that later.” “I think I see,” said Paul. “It must be rather like having a word on the tip of your tongue that you can't for the life of you bring out—or find- ing one day that you can't whistle a single note of a tune which actually you're perfectly fa- miliar with.” “Exactly. Now, to get to business. I heard Adrian's story and took him to the island. I talked with De Najera, and, putting two and two together, produced a spurious four on the strength of his false alibi. I heard your story, J U M P I N G To co N C L U S I O N S 295 wasn't a certainty, and its value was negligible compared with the other jewels; though its value as evidence was great, as it turned out later. To make confusion worse confounded—why had De Najera established an alibi if he hadn't done it himself? I decided to continue along the safe paths of research and wait for an inspiration. “The next problem that confronted me was the behaviour of Adelaide. Never, never at- tempt to earn your living on the stage, my dear,” he smiled at her. “Your dismay on first catching sight of Paul in the café was sufficiently obvious to set my inquisitive mind working, though I naturally didn't connect it in any way with the crime. Actually, I take it, you thought he was a detective engaged in tracking you down in your character of the Missing Woman? I thought so. Anyhow, later in the evening when De Najera made his drunken and melodramatic denuncia- tion of Adrian in the café, it struck me you looked really unnaturally alarmed even in the circumstances, and beat rather too hasty a re- treat. The following night when Paul and I dined with you after our adventures in Cannes, I determined to find out if you had in some mysterious way got yourself involved in the affair, and when I told you of Adrian's danger and asked you to do a bit of espionage, your J U M P 1 N G To co N c L U S I O N S 303 of faint illogical hope came to me as I thought of these two, and I determined to go on, just as though I didn't know. Suddenly I thought of the faded photograph, and leaving you two at the lighthouse I hurried home to look at it. It might, I thought, establish a link between Major Kent and Luela in the past. I held it to the light and round went the roulette wheel. It was Adrian it reminded me of but wait a minute. Could I be sure? Wasn't I seeing what I ex- pected to see—jumping to conclusions? I didn't know, I only knew I had no proof but my inner certainty, and on that I could not act. I stumbled into bed, feeling dizzy and pretty miserable. “It's difficult to say how things would have turned out next day if it hadn't rained.” To the exasperation of his two listeners Benvenuto stared at the fire absent-mindedly before con- tinuing. “When we burgled the aéroplane shed, the rain, if you remember, was coming down like fury. We stood outside the little door at the back of the shed fumbling at the lock and curs- ing, and when I'd tried all my keys unavailingly I asked you, Paul, if you'd got any on you. You said you hadn't except your hotel key, which we tried and found too big, and then to your sur- prise you found another in the pocket of your J U M P I N G To co N C L U S I O N S 305 I tried to make sound casual, you told me it had rained the night before you left England, I knew there was no escape. All the time we were exam- ining the plane I was torn with indecision, and when we found the absinthe tank I knew I had accounted for De Najera's false alibi, and so destroyed the last bit of evidence against him. Directly I got back to Marseille I wired to Major Kent to come. “After that—well, I was faced by two prob- lems. What to do finally, after I had spoken with Major Kent; and how to conceal from everyone my suspicions until the time when he arrived. As it turned out, Adelaide and De Na- jera provided a quite sufficient distraction to engage Paul's attention for the rest of the day, and I must say my own problems didn't enter my head for an hour or two. “My visit that night to Adrian was brief, for after unpacking my basket of food and wine, I left him hurriedly, afraid to talk with him. I passed a melancholy night, trying unsuccessfully to persuade myself that I had constructed a fabric of lies out of a diseased imagination, got up early next morning and threw all my energies into that canvas over there. It had the double advantage of absorbing me and frightening Paul, who, coming round after breakfast to talk 306 T H E C R IM E CO A ST about the crime, beat a hasty retreat down the stairs on catching sight of the Artistic Tempera- ment. While painting that picture the details of the crime sorted themselves out in my head, and I began to know what I would, and finally did, say to Major Kent. If he came by plane he would probably arrive that afternoon; mean- while you and Adelaide were out for the day and all went well. However, I soon discovered I was living in a fool's paradise when you came in and said you'd found Adrian and given him a letter from his father. The rest you know—and it's odd, when one comes to think about it, that throughout all our investigations you were carrying in one pocket a letter of confession from Major Kent to Adrian, in another the only real piece of evidence—the key.” Adelaide bent forward. “Ben—I know I’m stupid—but I don't see why that key was such important evidence. After all, the Slosher had a key, and Luela's brooch, in his pocket when they searched the body.” Benvenuto looked at her blandly. “My child, I put them there myself.” 308 T H E C R IM E CO A ST and smiled lazily at him, and suddenly he found that he did want many things, and had no words to ask for them. He turned away and stared at the shore, where the bright houses of the port seemed painted against the mountains and scat- tered bathers on the beach so many spots of pig- ment. As he watched, a figure separated itself from the rest, and climbed a high rock, dived neatly, and reappearing a moment later, struck out towards the raft. Suddenly brave, Paul slipped his hand over Adelaide's. “There's somebody coming,” he said. “Oh, Paul!” She sat up and rubbed the sun from her eyes; then, looking across the water, “I believe it's Ben.” The swimmer was still a long way off, thought Paul . . . and Adelaide's face . . . so very close to his own . . . When Benvenuto arrived at the raft he half swung himself on to it and shook the water from his eyes. Then he paused. “What happy hours a man attend That hath a cultured female friend,” he murmured, slipping back unseen into the sea. THE END DO NOT REMOVE