id	sid	tid	token	lemma	pos
work_cwux37xbfjeudej4q7qbjorfyy	1	1	Teaching	Teaching	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	2	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	3	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	4	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	1	5	#	#	$
work_cwux37xbfjeudej4q7qbjorfyy	1	6	MeToo	MeToo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	7	Era	Era	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	8	Louise	Louise	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	9	Devenish	Devenish	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	10	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	12	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	13	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	14	louise.devenish@uwa.edu.a	louise.devenish@uwa.edu.a	NN
work_cwux37xbfjeudej4q7qbjorfyy	1	15	u	u	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	16	Cecilia	Cecilia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	17	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	18	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	19	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	20	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	21	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	22	cecilia.sun@uwa.edu.au	cecilia.sun@uwa.edu.au	''
work_cwux37xbfjeudej4q7qbjorfyy	1	23	Cat	Cat	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	24	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	25	Monash	Monash	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	26	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	27	cat.hope@monash.edu	cat.hope@monash.edu	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	28	Vanessa	Vanessa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	29	Tomlinson	Tomlinson	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	30	Griffith	Griffith	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	31	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	32	v.tomlison@griffith.edu	v.tomlison@griffith.edu	NNS
work_cwux37xbfjeudej4q7qbjorfyy	1	33	Abstract	Abstract	NNP
work_cwux37xbfjeudej4q7qbjorfyy	1	34	Over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	35	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	1	36	past	past	JJ
work_cwux37xbfjeudej4q7qbjorfyy	1	37	two	two	CD
work_cwux37xbfjeudej4q7qbjorfyy	1	38	decades	decade	NNS
work_cwux37xbfjeudej4q7qbjorfyy	1	39	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	1	40	significant	significant	JJ
work_cwux37xbfjeudej4q7qbjorfyy	1	41	changes	change	NNS
work_cwux37xbfjeudej4q7qbjorfyy	1	42	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	43	approaches	approach	NNS
work_cwux37xbfjeudej4q7qbjorfyy	1	44	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	1	45	gender	gender	VB
work_cwux37xbfjeudej4q7qbjorfyy	1	46	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	1	47	have	have	VB
work_cwux37xbfjeudej4q7qbjorfyy	1	48	taken	take	VBN
work_cwux37xbfjeudej4q7qbjorfyy	1	49	place	place	NN
work_cwux37xbfjeudej4q7qbjorfyy	1	50	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	51	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	1	52	fields	field	NNS
work_cwux37xbfjeudej4q7qbjorfyy	1	53	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	1	54	contemporary	contemporary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	1	55	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	1	56	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	1	57	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	1	58	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	1	59	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	2	1	However	however	RB
work_cwux37xbfjeudej4q7qbjorfyy	2	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	2	3	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	2	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	2	5	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	2	6	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	2	7	still	still	RB
work_cwux37xbfjeudej4q7qbjorfyy	2	8	disadvantaged	disadvantage	VBN
work_cwux37xbfjeudej4q7qbjorfyy	2	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	2	10	terms	term	NNS
work_cwux37xbfjeudej4q7qbjorfyy	2	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	2	12	income	income	NN
work_cwux37xbfjeudej4q7qbjorfyy	2	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	2	14	inclusion	inclusion	NN
work_cwux37xbfjeudej4q7qbjorfyy	2	15	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	2	16	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	2	17	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	2	18	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	3	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	3	2	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	3	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	3	4	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	3	5	national	national	JJ
work_cwux37xbfjeudej4q7qbjorfyy	3	6	approach	approach	NN
work_cwux37xbfjeudej4q7qbjorfyy	3	7	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	3	8	improving	improve	VBG
work_cwux37xbfjeudej4q7qbjorfyy	3	9	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	3	10	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	3	11	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	3	12	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	3	13	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	3	14	begun	begin	VBN
work_cwux37xbfjeudej4q7qbjorfyy	3	15	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	3	16	emerge	emerge	VB
work_cwux37xbfjeudej4q7qbjorfyy	3	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	3	18	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	3	19	once	once	RB
work_cwux37xbfjeudej4q7qbjorfyy	3	20	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	3	21	controversial	controversial	JJ
work_cwux37xbfjeudej4q7qbjorfyy	3	22	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	3	23	trialled	trialle	VBN
work_cwux37xbfjeudej4q7qbjorfyy	3	24	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	3	25	four	four	CD
work_cwux37xbfjeudej4q7qbjorfyy	3	26	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	3	27	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	3	28	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	3	29	become	become	VBN
work_cwux37xbfjeudej4q7qbjorfyy	3	30	established	establish	VBN
work_cwux37xbfjeudej4q7qbjorfyy	3	31	practices	practice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	3	32	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	3	33	address	address	VBP
work_cwux37xbfjeudej4q7qbjorfyy	3	34	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	3	35	challenges	challenge	NNS
work_cwux37xbfjeudej4q7qbjorfyy	3	36	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	4	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	2	article	article	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	3	discusses	discuss	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	4	4	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	5	successful	successful	JJ
work_cwux37xbfjeudej4q7qbjorfyy	4	6	inclusion	inclusion	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	7	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	8	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	4	9	including	include	VBG
work_cwux37xbfjeudej4q7qbjorfyy	4	10	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	11	commitment	commitment	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	12	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	13	balanced	balanced	JJ
work_cwux37xbfjeudej4q7qbjorfyy	4	14	programming	programming	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	15	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	16	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	17	concerts	concert	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	18	presented	present	VBN
work_cwux37xbfjeudej4q7qbjorfyy	4	19	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	20	Queensland	Queensland	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	21	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	22	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	23	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	24	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	25	2023	2023	CD
work_cwux37xbfjeudej4q7qbjorfyy	4	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	4	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	28	introduction	introduction	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	30	mandatory	mandatory	JJ
work_cwux37xbfjeudej4q7qbjorfyy	4	31	quotas	quota	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	32	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	33	recital	recital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	4	34	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	35	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	36	Monash	Monash	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	37	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	38	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	4	39	launch	launch	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	40	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	41	mentoring	mentor	VBG
work_cwux37xbfjeudej4q7qbjorfyy	4	42	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	43	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	44	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	45	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	46	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	47	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	48	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	49	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	50	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	51	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	4	52	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	4	53	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	54	development	development	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	55	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	56	coursework	coursework	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	57	devoted	devote	VBN
work_cwux37xbfjeudej4q7qbjorfyy	4	58	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	59	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	60	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	61	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	62	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	63	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	64	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	65	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	66	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	67	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	4	68	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	4	69	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	4	70	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	4	71	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	72	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	4	73	initiatives	initiative	NNS
work_cwux37xbfjeudej4q7qbjorfyy	4	74	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	4	75	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	4	76	emerged	emerge	VBN
work_cwux37xbfjeudej4q7qbjorfyy	4	77	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	78	them	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	4	79	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	4	80	both	both	CC
work_cwux37xbfjeudej4q7qbjorfyy	4	81	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	82	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	4	83	beyond	beyond	IN
work_cwux37xbfjeudej4q7qbjorfyy	4	84	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	4	85	institution	institution	NN
work_cwux37xbfjeudej4q7qbjorfyy	4	86	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	5	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	5	2	implementation	implementation	NN
work_cwux37xbfjeudej4q7qbjorfyy	5	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	5	4	challenges	challenge	NNS
work_cwux37xbfjeudej4q7qbjorfyy	5	5	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	5	6	impact	impact	NN
work_cwux37xbfjeudej4q7qbjorfyy	5	7	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	5	8	each	each	DT
work_cwux37xbfjeudej4q7qbjorfyy	5	9	approach	approach	NN
work_cwux37xbfjeudej4q7qbjorfyy	5	10	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	5	11	examined	examine	VBN
work_cwux37xbfjeudej4q7qbjorfyy	5	12	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	5	13	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	5	14	context	context	NN
work_cwux37xbfjeudej4q7qbjorfyy	5	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	5	16	broader	broad	JJR
work_cwux37xbfjeudej4q7qbjorfyy	5	17	global	global	JJ
work_cwux37xbfjeudej4q7qbjorfyy	5	18	discussions	discussion	NNS
work_cwux37xbfjeudej4q7qbjorfyy	5	19	around	around	IN
work_cwux37xbfjeudej4q7qbjorfyy	5	20	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	5	21	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	5	22	feminism	feminism	NN
work_cwux37xbfjeudej4q7qbjorfyy	5	23	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	6	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	6	2	unprecedented	unprecedented	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	3	public	public	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	4	willingness	willingness	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	5	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	6	6	engage	engage	VB
work_cwux37xbfjeudej4q7qbjorfyy	6	7	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	8	discussions	discussion	NNS
work_cwux37xbfjeudej4q7qbjorfyy	6	9	over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	10	sexual	sexual	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	11	harassment	harassment	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	6	13	sexual	sexual	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	14	assault	assault	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	15	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	6	16	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	17	discrimination	discrimination	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	18	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	19	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	6	20	workplace	workplace	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	21	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	6	22	resulted	result	VBD
work_cwux37xbfjeudej4q7qbjorfyy	6	23	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	6	25	#	#	$
work_cwux37xbfjeudej4q7qbjorfyy	6	26	MeToo	MeToo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	6	27	movement	movement	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	28	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	6	29	cited	cite	VBN
work_cwux37xbfjeudej4q7qbjorfyy	6	30	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	31	key	key	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	32	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	33	influencing	influence	VBG
work_cwux37xbfjeudej4q7qbjorfyy	6	34	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	6	35	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	36	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	37	engagement	engagement	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	38	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	39	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	6	40	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	6	41	professionals	professional	NNS
work_cwux37xbfjeudej4q7qbjorfyy	6	42	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	43	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	6	44	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	6	45	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	6	46	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	6	47	subsequent	subsequent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	48	influence	influence	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	49	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	50	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	51	practices	practice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	6	52	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	6	53	project	project	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	54	development	development	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	55	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	6	56	presentational	presentational	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	57	formats	format	NNS
work_cwux37xbfjeudej4q7qbjorfyy	6	58	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	6	59	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	6	60	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	6	61	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	7	1	Author	author	NN
work_cwux37xbfjeudej4q7qbjorfyy	7	2	biographies	biographie	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	7	3	Louise	Louise	NNP
work_cwux37xbfjeudej4q7qbjorfyy	7	4	Devenish	Devenish	NNP
work_cwux37xbfjeudej4q7qbjorfyy	7	5	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	7	6	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	7	7	contemporary	contemporary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	7	8	percussionist	percussionist	NN
work_cwux37xbfjeudej4q7qbjorfyy	7	9	whose	whose	WP$
work_cwux37xbfjeudej4q7qbjorfyy	7	10	creative	creative	JJ
work_cwux37xbfjeudej4q7qbjorfyy	7	11	practice	practice	NN
work_cwux37xbfjeudej4q7qbjorfyy	7	12	blends	blend	NNS
work_cwux37xbfjeudej4q7qbjorfyy	7	13	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	7	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	7	15	collaboration	collaboration	NN
work_cwux37xbfjeudej4q7qbjorfyy	7	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	7	17	artistic	artistic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	7	18	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	7	19	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	8	1	A	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	8	2	passionate	passionate	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	3	advocate	advocate	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	8	5	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	6	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	7	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	8	8	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	9	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	8	11	Louise	Louise	NNP
work_cwux37xbfjeudej4q7qbjorfyy	8	12	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	8	13	commissioned	commission	VBN
work_cwux37xbfjeudej4q7qbjorfyy	8	14	over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	8	15	50	50	CD
work_cwux37xbfjeudej4q7qbjorfyy	8	16	works	work	NNS
work_cwux37xbfjeudej4q7qbjorfyy	8	17	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	8	18	percussion	percussion	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	8	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	8	21	her	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	8	22	performances	performance	NNS
work_cwux37xbfjeudej4q7qbjorfyy	8	23	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	8	24	acknowledged	acknowledge	VBN
work_cwux37xbfjeudej4q7qbjorfyy	8	25	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	8	26	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	8	27	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	8	28	dazzling	dazzling	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	29	vitality	vitality	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	30	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	8	31	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	8	32	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	8	33	stunning	stunning	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	34	virtuosity	virtuosity	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	35	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	8	36	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	8	37	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	8	38	interpretive	interpretive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	39	flair	flair	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	40	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	8	41	technical	technical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	8	42	brilliance	brilliance	NN
work_cwux37xbfjeudej4q7qbjorfyy	8	43	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	8	44	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	9	1	Louise	Louise	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	9	3	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	9	4	core	core	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	5	artist	artist	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	6	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	9	7	acclaimed	acclaimed	JJ
work_cwux37xbfjeudej4q7qbjorfyy	9	8	electroacoustic	electroacoustic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	9	9	sextet	sextet	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	10	Decibel	Decibel	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	11	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	9	12	WA	WA	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	13	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	9	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	9	15	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	16	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	9	17	leading	leading	JJ
work_cwux37xbfjeudej4q7qbjorfyy	9	18	percussion	percussion	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	19	group	group	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	20	Speak	Speak	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	21	Percussion	Percussion	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	22	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	9	23	Vic	Vic	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	24	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	9	25	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	9	26	theatre	theatre	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	27	percussion	percussion	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	28	project	project	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	29	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	9	30	Sound	Sound	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	31	Collectors	Collectors	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	9	32	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	9	33	chamber	chamber	NN
work_cwux37xbfjeudej4q7qbjorfyy	9	34	ensemble	ensemble	JJ
work_cwux37xbfjeudej4q7qbjorfyy	9	35	Intercurrent	Intercurrent	NNP
work_cwux37xbfjeudej4q7qbjorfyy	9	36	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	10	1	With	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	10	2	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	10	3	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	10	4	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	10	5	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	10	6	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	10	7	soloist	soloist	NN
work_cwux37xbfjeudej4q7qbjorfyy	10	8	she	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	10	9	develops	develop	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	10	10	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	10	11	works	work	NNS
work_cwux37xbfjeudej4q7qbjorfyy	10	12	exploring	explore	VBG
work_cwux37xbfjeudej4q7qbjorfyy	10	13	graphic	graphic	NNP
work_cwux37xbfjeudej4q7qbjorfyy	10	14	notation	notation	NN
work_cwux37xbfjeudej4q7qbjorfyy	10	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	10	16	post	post	JJ
work_cwux37xbfjeudej4q7qbjorfyy	10	17	-	-	JJ
work_cwux37xbfjeudej4q7qbjorfyy	10	18	instrumental	instrumental	JJ
work_cwux37xbfjeudej4q7qbjorfyy	10	19	practice	practice	NN
work_cwux37xbfjeudej4q7qbjorfyy	10	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	10	21	collaborative	collaborative	JJ
work_cwux37xbfjeudej4q7qbjorfyy	10	22	creativity	creativity	NN
work_cwux37xbfjeudej4q7qbjorfyy	10	23	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	10	24	performing	perform	VBG
work_cwux37xbfjeudej4q7qbjorfyy	10	25	around	around	IN
work_cwux37xbfjeudej4q7qbjorfyy	10	26	Australasia	Australasia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	10	27	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	10	28	Europe	Europe	NNP
work_cwux37xbfjeudej4q7qbjorfyy	10	29	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	10	30	North	North	NNP
work_cwux37xbfjeudej4q7qbjorfyy	10	31	America	America	NNP
work_cwux37xbfjeudej4q7qbjorfyy	10	32	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	10	33	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	10	34	UK	UK	NNP
work_cwux37xbfjeudej4q7qbjorfyy	10	35	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	11	1	Louise	Louise	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	11	3	Chair	Chair	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	11	5	Percussion	Percussion	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	6	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	11	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	11	8	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	9	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	11	10	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	11	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	12	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	13	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	11	14	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	11	16	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	11	17	Churchill	Churchill	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	18	Fellow	Fellow	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	11	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	11	21	recently	recently	RB
work_cwux37xbfjeudej4q7qbjorfyy	11	22	published	publish	VBD
work_cwux37xbfjeudej4q7qbjorfyy	11	23	her	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	11	24	first	first	JJ
work_cwux37xbfjeudej4q7qbjorfyy	11	25	book	book	NN
work_cwux37xbfjeudej4q7qbjorfyy	11	26	Global	Global	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	27	Percussion	Percussion	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	28	Innovations	Innovations	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	11	29	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	11	30	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	11	31	Australian	Australian	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	32	Perspective	Perspective	NNP
work_cwux37xbfjeudej4q7qbjorfyy	11	33	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	12	1	Cecilia	Cecilia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	2	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	3	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	12	4	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	12	5	musicologist	musicologist	NN
work_cwux37xbfjeudej4q7qbjorfyy	12	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	12	7	pianist	pianist	NN
work_cwux37xbfjeudej4q7qbjorfyy	12	8	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	12	9	lecturer	lecturer	NN
work_cwux37xbfjeudej4q7qbjorfyy	12	10	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	12	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	12	12	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	13	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	12	14	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	15	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	16	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	17	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	12	18	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	12	19	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	13	1	She	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	13	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	13	3	interested	interested	JJ
work_cwux37xbfjeudej4q7qbjorfyy	13	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	13	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	13	6	relationship	relationship	NN
work_cwux37xbfjeudej4q7qbjorfyy	13	7	between	between	IN
work_cwux37xbfjeudej4q7qbjorfyy	13	8	scholarship	scholarship	NN
work_cwux37xbfjeudej4q7qbjorfyy	13	9	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	13	10	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	13	11	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	13	12	both	both	DT
work_cwux37xbfjeudej4q7qbjorfyy	13	13	classical	classical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	13	14	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	13	15	era	era	NN
work_cwux37xbfjeudej4q7qbjorfyy	13	16	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	13	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	13	18	post-	post-	NNP
work_cwux37xbfjeudej4q7qbjorfyy	13	19	1960s	1960s	CD
work_cwux37xbfjeudej4q7qbjorfyy	13	20	experimental	experimental	JJ
work_cwux37xbfjeudej4q7qbjorfyy	13	21	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	13	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	14	1	She	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	14	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	14	3	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	14	4	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	14	5	Co	co	JJ
work_cwux37xbfjeudej4q7qbjorfyy	14	6	-	-	NNP
work_cwux37xbfjeudej4q7qbjorfyy	14	7	Artistic	artistic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	14	8	Director	Director	NNP
work_cwux37xbfjeudej4q7qbjorfyy	14	9	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	14	10	Irwin	Irwin	NNP
work_cwux37xbfjeudej4q7qbjorfyy	14	11	Street	Street	NNP
work_cwux37xbfjeudej4q7qbjorfyy	14	12	Collective	Collective	NNP
work_cwux37xbfjeudej4q7qbjorfyy	14	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	14	14	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	14	15	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	14	16	project	project	NN
work_cwux37xbfjeudej4q7qbjorfyy	14	17	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	14	18	focuses	focus	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	14	19	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	14	20	historical	historical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	14	21	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	14	22	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	14	23	revitalises	revitalise	NNS
work_cwux37xbfjeudej4q7qbjorfyy	14	24	historically	historically	RB
work_cwux37xbfjeudej4q7qbjorfyy	14	25	informed	inform	VBD
work_cwux37xbfjeudej4q7qbjorfyy	14	26	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	14	27	throughout	throughout	IN
work_cwux37xbfjeudej4q7qbjorfyy	14	28	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	14	29	Perth	Perth	NNP
work_cwux37xbfjeudej4q7qbjorfyy	14	30	community	community	NN
work_cwux37xbfjeudej4q7qbjorfyy	14	31	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	15	1	Dr	Dr	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	2	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	3	completed	complete	VBD
work_cwux37xbfjeudej4q7qbjorfyy	15	4	postgraduate	postgraduate	JJ
work_cwux37xbfjeudej4q7qbjorfyy	15	5	studies	study	NNS
work_cwux37xbfjeudej4q7qbjorfyy	15	6	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	15	8	United	United	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	9	States	States	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	10	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	15	12	Eastman	Eastman	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	13	School	School	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	15	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	15	17	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	18	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	19	California	California	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	20	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	15	21	Los	Los	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	22	Angeles	Angeles	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	23	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	15	24	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	15	25	taught	teach	VBD
work_cwux37xbfjeudej4q7qbjorfyy	15	26	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	15	28	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	30	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	31	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	15	32	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	33	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	15	34	California	California	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	35	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	15	36	Irvine	Irvine	NNP
work_cwux37xbfjeudej4q7qbjorfyy	15	37	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	16	1	Cat	Cat	NNP
work_cwux37xbfjeudej4q7qbjorfyy	16	2	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	16	3	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	16	4	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	16	5	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	16	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	16	7	sound	sound	NN
work_cwux37xbfjeudej4q7qbjorfyy	16	8	artist	artist	NN
work_cwux37xbfjeudej4q7qbjorfyy	16	9	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	16	10	performer	performer	NNP
work_cwux37xbfjeudej4q7qbjorfyy	16	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	16	12	songwriter	songwriter	NN
work_cwux37xbfjeudej4q7qbjorfyy	16	13	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	16	14	noise	noise	NN
work_cwux37xbfjeudej4q7qbjorfyy	16	15	artist	artist	NN
work_cwux37xbfjeudej4q7qbjorfyy	16	16	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	17	1	She	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	17	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	17	3	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	17	4	classically	classically	RB
work_cwux37xbfjeudej4q7qbjorfyy	17	5	trained	train	VBN
work_cwux37xbfjeudej4q7qbjorfyy	17	6	flautist	flautist	NN
work_cwux37xbfjeudej4q7qbjorfyy	17	7	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	17	8	self-	self-	NNP
work_cwux37xbfjeudej4q7qbjorfyy	17	9	taught	teach	VBD
work_cwux37xbfjeudej4q7qbjorfyy	17	10	vocalist	vocalist	NN
work_cwux37xbfjeudej4q7qbjorfyy	17	11	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	17	12	experimental	experimental	JJ
work_cwux37xbfjeudej4q7qbjorfyy	17	13	bassist	bassist	NN
work_cwux37xbfjeudej4q7qbjorfyy	17	14	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	17	15	plays	play	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	17	16	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	17	17	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	17	18	soloist	soloist	NN
work_cwux37xbfjeudej4q7qbjorfyy	17	19	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	17	20	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	17	21	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	17	22	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	17	23	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	17	24	groups	group	NNS
work_cwux37xbfjeudej4q7qbjorfyy	17	25	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	18	1	Her	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	18	2	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	18	3	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	18	4	conceptually	conceptually	RB
work_cwux37xbfjeudej4q7qbjorfyy	18	5	driven	drive	VBN
work_cwux37xbfjeudej4q7qbjorfyy	18	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	18	7	exploring	explore	VBG
work_cwux37xbfjeudej4q7qbjorfyy	18	8	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	18	9	physicality	physicality	NN
work_cwux37xbfjeudej4q7qbjorfyy	18	10	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	18	11	sound	sound	NN
work_cwux37xbfjeudej4q7qbjorfyy	18	12	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	18	13	different	different	JJ
work_cwux37xbfjeudej4q7qbjorfyy	18	14	media	medium	NNS
work_cwux37xbfjeudej4q7qbjorfyy	18	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	18	16	using	use	VBG
work_cwux37xbfjeudej4q7qbjorfyy	18	17	graphic	graphic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	18	18	scores	score	NNS
work_cwux37xbfjeudej4q7qbjorfyy	18	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	18	20	acoustic	acoustic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	18	21	/electronic	/electronic	:
work_cwux37xbfjeudej4q7qbjorfyy	18	22	combinations	combination	NNS
work_cwux37xbfjeudej4q7qbjorfyy	18	23	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	18	24	aleatoric	aleatoric	NN
work_cwux37xbfjeudej4q7qbjorfyy	18	25	elements	element	NNS
work_cwux37xbfjeudej4q7qbjorfyy	18	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	18	27	drones	drone	NNS
work_cwux37xbfjeudej4q7qbjorfyy	18	28	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	18	29	noise	noise	NN
work_cwux37xbfjeudej4q7qbjorfyy	18	30	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	18	31	glissandi	glissandi	NN
work_cwux37xbfjeudej4q7qbjorfyy	18	32	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	19	1	Her	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	19	2	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	19	3	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	19	4	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	19	5	discussed	discuss	VBN
work_cwux37xbfjeudej4q7qbjorfyy	19	6	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	19	7	books	book	NNS
work_cwux37xbfjeudej4q7qbjorfyy	19	8	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	19	9	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	19	10	Loading	Loading	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	19	12	Silence	Silence	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	13	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	14	Kouvaris	Kouvaris	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	16	2013	2013	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	17	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	18	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	19	Women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	19	20	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	19	21	Note	Note	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	22	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	23	Appleby	Appleby	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	25	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	26	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	27	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	28	Sounding	Sounding	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	29	Postmodernism	Postmodernism	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	30	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	31	Bennett	Bennett	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	32	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	33	2011	2011	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	34	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	35	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	19	36	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	19	37	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	19	38	periodicals	periodical	NNS
work_cwux37xbfjeudej4q7qbjorfyy	19	39	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	19	40	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	19	41	Gramophone	Gramophone	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	42	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	43	2017	2017	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	44	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	45	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	19	46	Wire	Wire	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	47	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	48	UK	UK	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	49	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	50	2013	2013	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	51	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	52	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	53	Limelight	Limelight	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	54	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	55	Aus	Aus	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	56	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	57	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	58	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	59	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	19	60	Neu	Neu	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	61	Zeitschrift	Zeitschrift	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	62	Fur	Fur	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	63	Musik	Musik	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	64	Shaft	Shaft	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	65	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	66	Germany	Germany	NNP
work_cwux37xbfjeudej4q7qbjorfyy	19	67	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	19	68	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	19	69	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	19	70	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	20	1	Her	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	20	2	works	work	NNS
work_cwux37xbfjeudej4q7qbjorfyy	20	3	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	20	4	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	20	5	recorded	record	VBN
work_cwux37xbfjeudej4q7qbjorfyy	20	6	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	20	7	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	20	8	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	20	9	German	german	JJ
work_cwux37xbfjeudej4q7qbjorfyy	20	10	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	20	11	Austrian	austrian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	20	12	national	national	JJ
work_cwux37xbfjeudej4q7qbjorfyy	20	13	radio	radio	NN
work_cwux37xbfjeudej4q7qbjorfyy	20	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	20	15	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	20	16	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	20	17	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	20	18	range	range	NN
work_cwux37xbfjeudej4q7qbjorfyy	20	19	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	20	20	international	international	JJ
work_cwux37xbfjeudej4q7qbjorfyy	20	21	labels	label	NNS
work_cwux37xbfjeudej4q7qbjorfyy	20	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	21	1	Vanessa	Vanessa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	21	2	Tomlinson	Tomlinson	NNP
work_cwux37xbfjeudej4q7qbjorfyy	21	3	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	21	4	active	active	JJ
work_cwux37xbfjeudej4q7qbjorfyy	21	5	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	21	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	21	7	fields	field	NNS
work_cwux37xbfjeudej4q7qbjorfyy	21	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	21	9	solo	solo	JJ
work_cwux37xbfjeudej4q7qbjorfyy	21	10	percussion	percussion	NN
work_cwux37xbfjeudej4q7qbjorfyy	21	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	21	12	improvisation	improvisation	NN
work_cwux37xbfjeudej4q7qbjorfyy	21	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	21	14	installation	installation	NN
work_cwux37xbfjeudej4q7qbjorfyy	21	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	21	16	site	site	NN
work_cwux37xbfjeudej4q7qbjorfyy	21	17	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	21	18	specific	specific	JJ
work_cwux37xbfjeudej4q7qbjorfyy	21	19	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	21	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	21	21	composition	composition	NN
work_cwux37xbfjeudej4q7qbjorfyy	21	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	22	1	She	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	22	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	22	3	currently	currently	RB
work_cwux37xbfjeudej4q7qbjorfyy	22	4	based	base	VBN
work_cwux37xbfjeudej4q7qbjorfyy	22	5	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	22	6	Brisbane	Brisbane	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	7	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	22	8	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	9	working	work	VBG
work_cwux37xbfjeudej4q7qbjorfyy	22	10	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	22	11	Professor	Professor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	12	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	22	13	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	14	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	22	15	Queensland	Queensland	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	16	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	22	18	Griffith	Griffith	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	19	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	22	21	Deputy	Deputy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	22	Director	Director	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	23	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	22	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	22	25	Queensland	Queensland	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	26	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	27	Research	Research	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	28	Centre	Centre	NNP
work_cwux37xbfjeudej4q7qbjorfyy	22	29	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	23	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	23	2	addition	addition	NN
work_cwux37xbfjeudej4q7qbjorfyy	23	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	23	4	Vanessa	Vanessa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	5	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	23	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	23	7	co	co	JJ
work_cwux37xbfjeudej4q7qbjorfyy	23	8	-	-	JJ
work_cwux37xbfjeudej4q7qbjorfyy	23	9	artistic	artistic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	23	10	director	director	NN
work_cwux37xbfjeudej4q7qbjorfyy	23	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	23	12	Clocked	clock	VBN
work_cwux37xbfjeudej4q7qbjorfyy	23	13	Out	out	RP
work_cwux37xbfjeudej4q7qbjorfyy	23	14	—	—	:
work_cwux37xbfjeudej4q7qbjorfyy	23	15	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	23	16	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	23	17	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	18	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	23	19	most	most	RBS
work_cwux37xbfjeudej4q7qbjorfyy	23	20	important	important	JJ
work_cwux37xbfjeudej4q7qbjorfyy	23	21	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	23	22	eclectic	eclectic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	23	23	arts	art	NNS
work_cwux37xbfjeudej4q7qbjorfyy	23	24	organisations	organisation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	23	25	—	—	:
work_cwux37xbfjeudej4q7qbjorfyy	23	26	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	23	27	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	23	28	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	23	29	artistic	artistic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	23	30	director	director	NN
work_cwux37xbfjeudej4q7qbjorfyy	23	31	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	23	32	Tyalgum	Tyalgum	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	33	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	34	Festival	Festival	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	35	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	23	36	Easter@The	Easter@The	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	37	Piano	Piano	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	38	Mill	Mill	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	39	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	23	40	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	23	41	Listening	Listening	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	42	Museum	Museum	NNP
work_cwux37xbfjeudej4q7qbjorfyy	23	43	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	24	1	Over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	24	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	24	3	years	year	NNS
work_cwux37xbfjeudej4q7qbjorfyy	24	4	Vanessa	Vanessa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	24	5	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	24	6	commissioned	commission	VBN
work_cwux37xbfjeudej4q7qbjorfyy	24	7	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	24	8	inspired	inspire	VBN
work_cwux37xbfjeudej4q7qbjorfyy	24	9	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	24	10	premiered	premiere	VBD
work_cwux37xbfjeudej4q7qbjorfyy	24	11	more	more	JJR
work_cwux37xbfjeudej4q7qbjorfyy	24	12	than	than	IN
work_cwux37xbfjeudej4q7qbjorfyy	24	13	100	100	CD
work_cwux37xbfjeudej4q7qbjorfyy	24	14	works	work	NNS
work_cwux37xbfjeudej4q7qbjorfyy	24	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	24	16	worked	work	VBD
work_cwux37xbfjeudej4q7qbjorfyy	24	17	alongside	alongside	IN
work_cwux37xbfjeudej4q7qbjorfyy	24	18	countless	countless	JJ
work_cwux37xbfjeudej4q7qbjorfyy	24	19	wonderful	wonderful	JJ
work_cwux37xbfjeudej4q7qbjorfyy	24	20	improvisers	improviser	NNS
work_cwux37xbfjeudej4q7qbjorfyy	24	21	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	24	22	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	24	23	collaborated	collaborate	VBN
work_cwux37xbfjeudej4q7qbjorfyy	24	24	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	24	25	artists	artist	NNS
work_cwux37xbfjeudej4q7qbjorfyy	24	26	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	24	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	24	28	globe	globe	NN
work_cwux37xbfjeudej4q7qbjorfyy	24	29	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	25	1	mailto:v.tomlison@griffith.edu	mailto:v.tomlison@griffith.edu	NNP
work_cwux37xbfjeudej4q7qbjorfyy	25	2	Teaching	Teaching	NNP
work_cwux37xbfjeudej4q7qbjorfyy	25	3	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	25	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	25	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	25	6	#	#	$
work_cwux37xbfjeudej4q7qbjorfyy	25	7	MeToo	MeToo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	25	8	Era	Era	NNP
work_cwux37xbfjeudej4q7qbjorfyy	25	9	Introduction	introduction	NN
work_cwux37xbfjeudej4q7qbjorfyy	25	10	Over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	25	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	25	12	past	past	JJ
work_cwux37xbfjeudej4q7qbjorfyy	25	13	two	two	CD
work_cwux37xbfjeudej4q7qbjorfyy	25	14	decades	decade	NNS
work_cwux37xbfjeudej4q7qbjorfyy	25	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	25	16	significant	significant	JJ
work_cwux37xbfjeudej4q7qbjorfyy	25	17	changes	change	NNS
work_cwux37xbfjeudej4q7qbjorfyy	25	18	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	25	19	approaches	approach	NNS
work_cwux37xbfjeudej4q7qbjorfyy	25	20	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	25	21	gender	gender	VB
work_cwux37xbfjeudej4q7qbjorfyy	25	22	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	25	23	have	have	VB
work_cwux37xbfjeudej4q7qbjorfyy	25	24	taken	take	VBN
work_cwux37xbfjeudej4q7qbjorfyy	25	25	place	place	NN
work_cwux37xbfjeudej4q7qbjorfyy	25	26	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	25	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	25	28	fields	field	NNS
work_cwux37xbfjeudej4q7qbjorfyy	25	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	25	30	contemporary	contemporary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	25	31	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	25	32	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	25	33	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	25	34	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	25	35	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	26	1	However	however	RB
work_cwux37xbfjeudej4q7qbjorfyy	26	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	26	3	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	26	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	26	5	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	26	6	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	26	7	still	still	RB
work_cwux37xbfjeudej4q7qbjorfyy	26	8	disadvantaged	disadvantage	VBN
work_cwux37xbfjeudej4q7qbjorfyy	26	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	26	10	terms	term	NNS
work_cwux37xbfjeudej4q7qbjorfyy	26	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	26	12	income	income	NN
work_cwux37xbfjeudej4q7qbjorfyy	26	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	26	14	inclusion	inclusion	NN
work_cwux37xbfjeudej4q7qbjorfyy	26	15	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	26	16	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	26	17	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	26	18	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	27	1	It	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	27	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	3	widely	widely	RB
work_cwux37xbfjeudej4q7qbjorfyy	27	4	known	know	VBN
work_cwux37xbfjeudej4q7qbjorfyy	27	5	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	6	there	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	27	7	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	8	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	9	50/50	50/50	CD
work_cwux37xbfjeudej4q7qbjorfyy	27	10	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	11	balance	balance	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	12	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	13	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	14	participation	participation	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	15	amongst	amongst	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	16	primary	primary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	27	18	secondary	secondary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	19	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	20	situations	situation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	21	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	27	22	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	27	23	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	24	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	25	balance	balance	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	26	disintegrates	disintegrate	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	27	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	28	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	29	move	move	VBP
work_cwux37xbfjeudej4q7qbjorfyy	27	30	through	through	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	31	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	32	levels	level	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	33	study	study	VB
work_cwux37xbfjeudej4q7qbjorfyy	27	34	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	27	35	continues	continue	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	36	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	27	37	worsen	worsen	VB
work_cwux37xbfjeudej4q7qbjorfyy	27	38	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	39	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	40	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	41	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	42	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	27	43	where	where	WRB
work_cwux37xbfjeudej4q7qbjorfyy	27	44	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	45	participation	participation	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	46	rate	rate	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	47	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	48	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	49	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	27	50	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	51	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	27	52	non-	non-	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	53	conforming	conform	VBG
work_cwux37xbfjeudej4q7qbjorfyy	27	54	people	people	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	55	together	together	RB
work_cwux37xbfjeudej4q7qbjorfyy	27	56	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	57	around	around	RB
work_cwux37xbfjeudej4q7qbjorfyy	27	58	20	20	CD
work_cwux37xbfjeudej4q7qbjorfyy	27	59	-	-	SYM
work_cwux37xbfjeudej4q7qbjorfyy	27	60	25%.1	25%.1	CD
work_cwux37xbfjeudej4q7qbjorfyy	27	61	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	62	some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	63	areas	area	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	64	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	65	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	66	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	67	industry	industry	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	68	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	27	69	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	70	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	71	diverse	diverse	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	72	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	73	representation	representation	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	74	amongst	amongst	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	75	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	76	programmed	program	VBN
work_cwux37xbfjeudej4q7qbjorfyy	27	77	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	78	international	international	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	79	festivals	festival	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	80	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	27	81	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	82	statistic	statistic	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	83	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	84	even	even	RB
work_cwux37xbfjeudej4q7qbjorfyy	27	85	lower.2	lower.2	VBN
work_cwux37xbfjeudej4q7qbjorfyy	27	86	A	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	87	result	result	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	88	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	89	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	90	increasing	increase	VBG
work_cwux37xbfjeudej4q7qbjorfyy	27	91	frequency	frequency	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	92	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	93	industry	industry	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	94	events	event	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	95	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	27	96	public	public	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	97	talks	talk	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	98	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	27	99	academic	academic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	100	conferences	conference	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	101	surrounding	surround	VBG
work_cwux37xbfjeudej4q7qbjorfyy	27	102	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	103	issue	issue	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	104	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	105	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	106	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	107	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	108	music,3	music,3	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	109	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	27	110	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	111	become	become	VBN
work_cwux37xbfjeudej4q7qbjorfyy	27	112	clear	clear	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	113	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	114	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	115	addition	addition	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	116	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	117	making	make	VBG
work_cwux37xbfjeudej4q7qbjorfyy	27	118	change	change	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	119	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	120	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	121	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	122	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	123	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	27	124	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	27	125	change	change	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	126	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	127	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	128	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	129	education	education	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	130	practices	practice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	27	131	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	27	132	needed	need	VBN
work_cwux37xbfjeudej4q7qbjorfyy	27	133	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	27	134	meaningful	meaningful	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	135	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	27	136	ongoing	ongoing	JJ
work_cwux37xbfjeudej4q7qbjorfyy	27	137	change	change	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	138	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	27	139	take	take	VB
work_cwux37xbfjeudej4q7qbjorfyy	27	140	place	place	NN
work_cwux37xbfjeudej4q7qbjorfyy	27	141	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	28	1	Since	since	IN
work_cwux37xbfjeudej4q7qbjorfyy	28	2	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	28	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	28	4	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	28	5	national	national	JJ
work_cwux37xbfjeudej4q7qbjorfyy	28	6	approach	approach	NN
work_cwux37xbfjeudej4q7qbjorfyy	28	7	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	28	8	improving	improve	VBG
work_cwux37xbfjeudej4q7qbjorfyy	28	9	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	28	10	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	28	11	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	28	12	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	28	13	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	28	14	begun	begin	VBN
work_cwux37xbfjeudej4q7qbjorfyy	28	15	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	28	16	emerge	emerge	VB
work_cwux37xbfjeudej4q7qbjorfyy	28	17	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	28	18	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	28	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	28	20	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	28	21	once-	once-	JJ
work_cwux37xbfjeudej4q7qbjorfyy	28	22	controversial	controversial	JJ
work_cwux37xbfjeudej4q7qbjorfyy	28	23	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	28	24	trialled	trialle	VBN
work_cwux37xbfjeudej4q7qbjorfyy	28	25	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	28	26	four	four	CD
work_cwux37xbfjeudej4q7qbjorfyy	28	27	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	28	28	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	28	29	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	28	30	become	become	VBN
work_cwux37xbfjeudej4q7qbjorfyy	28	31	established	establish	VBN
work_cwux37xbfjeudej4q7qbjorfyy	28	32	practices	practice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	28	33	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	28	34	address	address	VBP
work_cwux37xbfjeudej4q7qbjorfyy	28	35	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	28	36	challenges	challenge	NNS
work_cwux37xbfjeudej4q7qbjorfyy	28	37	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	29	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	29	2	article	article	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	3	discusses	discuss	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	29	4	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	29	5	successful	successful	JJ
work_cwux37xbfjeudej4q7qbjorfyy	29	6	inclusion	inclusion	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	7	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	8	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	29	9	including	include	VBG
work_cwux37xbfjeudej4q7qbjorfyy	29	10	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	11	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	29	12	balanced	balance	VBN
work_cwux37xbfjeudej4q7qbjorfyy	29	13	programming	programming	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	14	goals	goal	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	15	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	29	17	next	next	JJ
work_cwux37xbfjeudej4q7qbjorfyy	29	18	five	five	CD
work_cwux37xbfjeudej4q7qbjorfyy	29	19	years	year	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	20	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	29	21	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	29	22	introduction	introduction	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	23	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	24	mandatory	mandatory	JJ
work_cwux37xbfjeudej4q7qbjorfyy	29	25	quotas	quota	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	26	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	27	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	28	recital	recital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	29	29	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	30	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	29	31	mentoring	mentor	VBG
work_cwux37xbfjeudej4q7qbjorfyy	29	32	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	33	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	34	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	35	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	36	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	29	37	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	29	38	development	development	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	39	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	40	coursework	coursework	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	41	devoted	devote	VBN
work_cwux37xbfjeudej4q7qbjorfyy	29	42	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	43	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	44	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	45	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	46	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	29	47	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	29	48	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	29	49	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	50	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	29	51	initiatives	initiative	NNS
work_cwux37xbfjeudej4q7qbjorfyy	29	52	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	29	53	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	29	54	emerged	emerge	VBN
work_cwux37xbfjeudej4q7qbjorfyy	29	55	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	56	them	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	29	57	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	29	58	both	both	CC
work_cwux37xbfjeudej4q7qbjorfyy	29	59	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	60	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	29	61	beyond	beyond	IN
work_cwux37xbfjeudej4q7qbjorfyy	29	62	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	29	63	institution	institution	NN
work_cwux37xbfjeudej4q7qbjorfyy	29	64	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	30	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	30	2	implementation	implementation	NN
work_cwux37xbfjeudej4q7qbjorfyy	30	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	30	4	challenges	challenge	NNS
work_cwux37xbfjeudej4q7qbjorfyy	30	5	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	30	6	impact	impact	NN
work_cwux37xbfjeudej4q7qbjorfyy	30	7	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	30	8	each	each	DT
work_cwux37xbfjeudej4q7qbjorfyy	30	9	approach	approach	NN
work_cwux37xbfjeudej4q7qbjorfyy	30	10	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	30	11	examined	examine	VBN
work_cwux37xbfjeudej4q7qbjorfyy	30	12	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	30	13	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	30	14	context	context	NN
work_cwux37xbfjeudej4q7qbjorfyy	30	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	30	16	broader	broad	JJR
work_cwux37xbfjeudej4q7qbjorfyy	30	17	global	global	JJ
work_cwux37xbfjeudej4q7qbjorfyy	30	18	discussions	discussion	NNS
work_cwux37xbfjeudej4q7qbjorfyy	30	19	around	around	IN
work_cwux37xbfjeudej4q7qbjorfyy	30	20	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	30	21	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	30	22	feminism	feminism	NN
work_cwux37xbfjeudej4q7qbjorfyy	30	23	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	31	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	31	2	unprecedented	unprecedented	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	3	public	public	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	4	willingness	willingness	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	5	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	31	6	engage	engage	VB
work_cwux37xbfjeudej4q7qbjorfyy	31	7	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	8	discussions	discussion	NNS
work_cwux37xbfjeudej4q7qbjorfyy	31	9	over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	10	sexual	sexual	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	11	harassment	harassment	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	31	13	sexual	sexual	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	14	assault	assault	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	15	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	31	16	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	17	discrimination	discrimination	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	18	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	19	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	31	20	workplace	workplace	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	21	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	31	22	resulted	result	VBD
work_cwux37xbfjeudej4q7qbjorfyy	31	23	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	31	25	#	#	$
work_cwux37xbfjeudej4q7qbjorfyy	31	26	MeToo	MeToo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	31	27	movement	movement	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	28	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	31	29	cited	cite	VBN
work_cwux37xbfjeudej4q7qbjorfyy	31	30	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	31	key	key	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	32	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	33	influencing	influence	VBG
work_cwux37xbfjeudej4q7qbjorfyy	31	34	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	31	35	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	36	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	37	engagement	engagement	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	38	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	39	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	31	40	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	31	41	professionals	professional	NNS
work_cwux37xbfjeudej4q7qbjorfyy	31	42	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	43	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	31	44	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	31	45	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	31	46	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	31	47	subsequent	subsequent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	48	influence	influence	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	49	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	50	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	51	practices	practice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	31	52	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	31	53	project	project	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	54	development	development	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	55	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	31	56	presentational	presentational	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	57	formats	format	NNS
work_cwux37xbfjeudej4q7qbjorfyy	31	58	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	31	59	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	31	60	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	31	61	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	32	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	32	2	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	32	3	myth	myth	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	5	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	6	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	32	7	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	32	8	Vanessa	Vanessa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	32	9	Tomlinson	Tomlinson	NNP
work_cwux37xbfjeudej4q7qbjorfyy	32	10	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	11	2002	2002	CD
work_cwux37xbfjeudej4q7qbjorfyy	32	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	32	13	Dana	Dana	NNP
work_cwux37xbfjeudej4q7qbjorfyy	32	14	L.	L.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	32	15	Reason	Reason	NNP
work_cwux37xbfjeudej4q7qbjorfyy	32	16	Myers	Myers	NNP
work_cwux37xbfjeudej4q7qbjorfyy	32	17	exposed	expose	VBD
work_cwux37xbfjeudej4q7qbjorfyy	32	18	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	32	19	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	32	20	myth	myth	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	21	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	22	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	23	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	32	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	32	25	referring	refer	VBG
work_cwux37xbfjeudej4q7qbjorfyy	32	26	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	27	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	32	28	apparent	apparent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	29	lack	lack	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	30	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	31	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	32	experimental	experimental	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	33	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	34	improvisers	improviser	NNS
work_cwux37xbfjeudej4q7qbjorfyy	32	35	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	32	36	which	which	WDT
work_cwux37xbfjeudej4q7qbjorfyy	32	37	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	32	38	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	32	39	echoed	echo	VBN
work_cwux37xbfjeudej4q7qbjorfyy	32	40	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	41	subsequent	subsequent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	42	scholarship	scholarship	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	43	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	44	different	different	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	45	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	46	genres	genre	NNS
work_cwux37xbfjeudej4q7qbjorfyy	32	47	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	32	48	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	49	rock	rock	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	50	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	32	51	punk	punk	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	52	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	32	53	electronic	electronic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	54	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	32	55	contemporary	contemporary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	32	56	art	art	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	57	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	58	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	32	59	p.	p.	NN
work_cwux37xbfjeudej4q7qbjorfyy	32	60	132	132	CD
work_cwux37xbfjeudej4q7qbjorfyy	32	61	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	32	62	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	33	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	33	2	term	term	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	3	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	4	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	33	5	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	33	6	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	33	7	helpful	helpful	JJ
work_cwux37xbfjeudej4q7qbjorfyy	33	8	way	way	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	9	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	33	10	navigating	navigate	VBG
work_cwux37xbfjeudej4q7qbjorfyy	33	11	through	through	IN
work_cwux37xbfjeudej4q7qbjorfyy	33	12	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	13	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	33	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	33	15	newspaper	newspaper	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	16	articles	article	NNS
work_cwux37xbfjeudej4q7qbjorfyy	33	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	33	18	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	33	19	blog	blog	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	20	posts	post	NNS
work_cwux37xbfjeudej4q7qbjorfyy	33	21	alike	alike	RB
work_cwux37xbfjeudej4q7qbjorfyy	33	22	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	33	23	ascertain	ascertain	VB
work_cwux37xbfjeudej4q7qbjorfyy	33	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	33	25	current	current	JJ
work_cwux37xbfjeudej4q7qbjorfyy	33	26	state	state	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	27	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	33	28	play	play	NN
work_cwux37xbfjeudej4q7qbjorfyy	33	29	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	34	1	Absence	Absence	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	2	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	34	3	become	become	VBN
work_cwux37xbfjeudej4q7qbjorfyy	34	4	increasingly	increasingly	RB
work_cwux37xbfjeudej4q7qbjorfyy	34	5	prominent	prominent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	34	6	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	34	8	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	34	9	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	34	10	pedagogical	pedagogical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	34	11	practice	practice	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	12	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	13	Queensland	Queensland	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	14	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	16	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	17	Professor	Professor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	18	Vanessa	Vanessa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	19	Tomlinson	Tomlinson	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	20	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	34	21	examining	examine	VBG
work_cwux37xbfjeudej4q7qbjorfyy	34	22	absent	absent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	34	23	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	34	24	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	25	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	34	26	ecology	ecology	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	27	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	34	28	Sonic	Sonic	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	29	Dreams	Dreams	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	34	30	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	34	31	2017	2017	CD
work_cwux37xbfjeudej4q7qbjorfyy	34	32	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	34	33	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	34	34	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	35	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	36	soil	soil	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	37	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	38	eroding	erode	VBG
work_cwux37xbfjeudej4q7qbjorfyy	34	39	landscapes	landscape	NNS
work_cwux37xbfjeudej4q7qbjorfyy	34	40	accelerated	accelerate	VBN
work_cwux37xbfjeudej4q7qbjorfyy	34	41	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	42	over	over	RB
work_cwux37xbfjeudej4q7qbjorfyy	34	43	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	34	44	grazing	grazing	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	45	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	34	46	tree	tree	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	47	clearing	clearing	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	48	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	34	49	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	34	50	Wrong	wrong	JJ
work_cwux37xbfjeudej4q7qbjorfyy	34	51	Kind	kind	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	52	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	53	Beauty	Beauty	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	54	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	34	55	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	34	56	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	34	57	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	34	58	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	34	59	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	34	60	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	61	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	62	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	34	63	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	34	64	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	34	65	composition	composition	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	66	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	34	67	Amazing	Amazing	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	68	Women	Women	NNP
work_cwux37xbfjeudej4q7qbjorfyy	34	69	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	70	series	series	NN
work_cwux37xbfjeudej4q7qbjorfyy	34	71	2007	2007	CD
work_cwux37xbfjeudej4q7qbjorfyy	34	72	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	34	73	2016	2016	CD
work_cwux37xbfjeudej4q7qbjorfyy	34	74	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	34	75	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	35	1	Absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	35	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	35	3	difficult	difficult	JJ
work_cwux37xbfjeudej4q7qbjorfyy	35	4	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	35	5	see	see	VB
work_cwux37xbfjeudej4q7qbjorfyy	35	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	35	7	easy	easy	JJ
work_cwux37xbfjeudej4q7qbjorfyy	35	8	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	35	9	avoid	avoid	VB
work_cwux37xbfjeudej4q7qbjorfyy	35	10	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	35	11	hard	hard	RB
work_cwux37xbfjeudej4q7qbjorfyy	35	12	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	35	13	raise	raise	VB
work_cwux37xbfjeudej4q7qbjorfyy	35	14	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	35	15	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	35	16	critical	critical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	35	17	issue	issue	NN
work_cwux37xbfjeudej4q7qbjorfyy	35	18	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	36	1	Within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	36	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	36	3	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	36	4	art	art	NN
work_cwux37xbfjeudej4q7qbjorfyy	36	5	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	36	6	context	context	NN
work_cwux37xbfjeudej4q7qbjorfyy	36	7	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	36	8	people	people	NNS
work_cwux37xbfjeudej4q7qbjorfyy	36	9	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	36	10	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	36	11	highlighting	highlight	VBG
work_cwux37xbfjeudej4q7qbjorfyy	36	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	36	13	issue	issue	NN
work_cwux37xbfjeudej4q7qbjorfyy	36	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	36	15	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	36	16	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	36	17	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	36	18	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	36	19	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	36	20	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	36	21	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	36	22	over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	36	23	two	two	CD
work_cwux37xbfjeudej4q7qbjorfyy	36	24	decades	decade	NNS
work_cwux37xbfjeudej4q7qbjorfyy	36	25	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	36	26	however	however	RB
work_cwux37xbfjeudej4q7qbjorfyy	36	27	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	36	28	only	only	JJ
work_cwux37xbfjeudej4q7qbjorfyy	36	29	limited	limited	JJ
work_cwux37xbfjeudej4q7qbjorfyy	36	30	effect	effect	NN
work_cwux37xbfjeudej4q7qbjorfyy	36	31	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	37	1	For	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	37	2	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	37	4	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	37	5	four	four	CD
work_cwux37xbfjeudej4q7qbjorfyy	37	6	Composing	Composing	NNP
work_cwux37xbfjeudej4q7qbjorfyy	37	7	Women	Women	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	37	8	Festivals	Festivals	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	37	9	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	37	10	1991	1991	CD
work_cwux37xbfjeudej4q7qbjorfyy	37	11	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	37	12	2001),4	2001),4	CD
work_cwux37xbfjeudej4q7qbjorfyy	37	13	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	37	14	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	37	15	site	site	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	16	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	37	17	challenge	challenge	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	18	invisibility	invisibility	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	37	20	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	37	21	huge	huge	JJ
work_cwux37xbfjeudej4q7qbjorfyy	37	22	local	local	JJ
work_cwux37xbfjeudej4q7qbjorfyy	37	23	positive	positive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	37	24	impact	impact	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	25	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	37	26	but	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	37	27	little	little	JJ
work_cwux37xbfjeudej4q7qbjorfyy	37	28	long	long	JJ
work_cwux37xbfjeudej4q7qbjorfyy	37	29	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	37	30	term	term	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	31	change	change	NN
work_cwux37xbfjeudej4q7qbjorfyy	37	32	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	37	33	MacArthur	MacArthur	NNP
work_cwux37xbfjeudej4q7qbjorfyy	37	34	et	et	NNP
work_cwux37xbfjeudej4q7qbjorfyy	37	35	al	al	NNP
work_cwux37xbfjeudej4q7qbjorfyy	37	36	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	37	37	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	38	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	2	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	38	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	38	4	Tomlinson	Tomlinson	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	5	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	38	6	Lisa	Lisa	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	7	Cheney	Cheney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	8	engaged	engage	VBD
work_cwux37xbfjeudej4q7qbjorfyy	38	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	10	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	38	11	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	12	project	project	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	13	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	14	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	38	15	Queensland	Queensland	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	16	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	17	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	18	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	19	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	20	Griffith	Griffith	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	21	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	22	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	38	23	QCGU	QCGU	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	24	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	38	25	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	38	26	understand	understand	VB
work_cwux37xbfjeudej4q7qbjorfyy	38	27	how	how	WRB
work_cwux37xbfjeudej4q7qbjorfyy	38	28	undergraduate	undergraduate	JJ
work_cwux37xbfjeudej4q7qbjorfyy	38	29	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	30	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	38	31	perceive	perceive	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	32	issues	issue	NNS
work_cwux37xbfjeudej4q7qbjorfyy	38	33	surrounding	surround	VBG
work_cwux37xbfjeudej4q7qbjorfyy	38	34	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	35	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	36	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	38	37	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	38	38	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	38	39	specifically	specifically	RB
work_cwux37xbfjeudej4q7qbjorfyy	38	40	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	38	41	gather	gather	VB
work_cwux37xbfjeudej4q7qbjorfyy	38	42	statistics	statistic	NNS
work_cwux37xbfjeudej4q7qbjorfyy	38	43	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	44	how	how	WRB
work_cwux37xbfjeudej4q7qbjorfyy	38	45	much	much	JJ
work_cwux37xbfjeudej4q7qbjorfyy	38	46	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	38	47	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	48	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	38	49	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	38	50	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	38	51	actually	actually	RB
work_cwux37xbfjeudej4q7qbjorfyy	38	52	programmed	program	VBN
work_cwux37xbfjeudej4q7qbjorfyy	38	53	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	38	54	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	38	55	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	38	56	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	39	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	39	2	results	result	NNS
work_cwux37xbfjeudej4q7qbjorfyy	39	3	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	39	4	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	39	5	study	study	NN
work_cwux37xbfjeudej4q7qbjorfyy	39	6	showed	show	VBD
work_cwux37xbfjeudej4q7qbjorfyy	39	7	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	39	8	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	39	9	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	39	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	39	11	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	39	12	staggeringly	staggeringly	RB
work_cwux37xbfjeudej4q7qbjorfyy	39	13	low	low	JJ
work_cwux37xbfjeudej4q7qbjorfyy	39	14	2.37	2.37	CD
work_cwux37xbfjeudej4q7qbjorfyy	39	15	%	%	NN
work_cwux37xbfjeudej4q7qbjorfyy	39	16	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	39	17	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	39	18	performed	perform	VBN
work_cwux37xbfjeudej4q7qbjorfyy	39	19	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	39	20	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	39	21	recitals	recital	NNS
work_cwux37xbfjeudej4q7qbjorfyy	39	22	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	39	23	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	39	24	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	39	25	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	39	26	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	40	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	2	addition	addition	NN
work_cwux37xbfjeudej4q7qbjorfyy	40	3	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	4	influencing	influence	VBG
work_cwux37xbfjeudej4q7qbjorfyy	40	5	programming	programming	NN
work_cwux37xbfjeudej4q7qbjorfyy	40	6	decisions	decision	NNS
work_cwux37xbfjeudej4q7qbjorfyy	40	7	made	make	VBN
work_cwux37xbfjeudej4q7qbjorfyy	40	8	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	9	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	40	10	researchers	researcher	NNS
work_cwux37xbfjeudej4q7qbjorfyy	40	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	40	12	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	40	13	statistic	statistic	NN
work_cwux37xbfjeudej4q7qbjorfyy	40	14	led	lead	VBD
work_cwux37xbfjeudej4q7qbjorfyy	40	15	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	16	many	many	JJ
work_cwux37xbfjeudej4q7qbjorfyy	40	17	changes	change	NNS
work_cwux37xbfjeudej4q7qbjorfyy	40	18	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	19	programming	programming	NN
work_cwux37xbfjeudej4q7qbjorfyy	40	20	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	21	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	40	22	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	40	23	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	40	24	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	40	25	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	40	26	recently	recently	RB
work_cwux37xbfjeudej4q7qbjorfyy	40	27	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	28	changes	change	NNS
work_cwux37xbfjeudej4q7qbjorfyy	40	29	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	40	30	curriculum	curriculum	NN
work_cwux37xbfjeudej4q7qbjorfyy	40	31	design	design	NN
work_cwux37xbfjeudej4q7qbjorfyy	40	32	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	41	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	41	2	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	41	3	announcement	announcement	NN
work_cwux37xbfjeudej4q7qbjorfyy	41	4	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	41	5	Queensland	Queensland	NNP
work_cwux37xbfjeudej4q7qbjorfyy	41	6	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	41	7	Director	Director	NNP
work_cwux37xbfjeudej4q7qbjorfyy	41	8	Professor	Professor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	41	9	Scott	Scott	NNP
work_cwux37xbfjeudej4q7qbjorfyy	41	10	Harrison	Harrison	NNP
work_cwux37xbfjeudej4q7qbjorfyy	41	11	announced	announce	VBD
work_cwux37xbfjeudej4q7qbjorfyy	41	12	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	41	13	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	41	14	institution	institution	NN
work_cwux37xbfjeudej4q7qbjorfyy	41	15	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	41	16	aiming	aim	VBG
work_cwux37xbfjeudej4q7qbjorfyy	41	17	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	41	18	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	41	19	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	41	20	balanced	balanced	JJ
work_cwux37xbfjeudej4q7qbjorfyy	41	21	program	program	NN
work_cwux37xbfjeudej4q7qbjorfyy	41	22	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	41	23	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	41	24	public	public	JJ
work_cwux37xbfjeudej4q7qbjorfyy	41	25	facing	face	VBG
work_cwux37xbfjeudej4q7qbjorfyy	41	26	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	41	27	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	41	28	2025	2025	CD
work_cwux37xbfjeudej4q7qbjorfyy	41	29	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	41	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	42	1	1	1	CD
work_cwux37xbfjeudej4q7qbjorfyy	42	2	Cooper	Cooper	NNP
work_cwux37xbfjeudej4q7qbjorfyy	42	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	42	4	R.	R.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	42	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	42	6	Coles	Coles	NNP
work_cwux37xbfjeudej4q7qbjorfyy	42	7	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	42	8	A.	a.	NN
work_cwux37xbfjeudej4q7qbjorfyy	43	1	&	&	CC
work_cwux37xbfjeudej4q7qbjorfyy	43	2	Hanna	Hanna	NNP
work_cwux37xbfjeudej4q7qbjorfyy	43	3	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	43	4	Osborne	Osborne	NNP
work_cwux37xbfjeudej4q7qbjorfyy	43	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	43	6	S.	S.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	43	7	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	43	8	2017	2017	CD
work_cwux37xbfjeudej4q7qbjorfyy	43	9	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	43	10	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	44	1	Skipping	skip	VBG
work_cwux37xbfjeudej4q7qbjorfyy	44	2	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	44	3	beat	beat	NN
work_cwux37xbfjeudej4q7qbjorfyy	44	4	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	44	5	Assessing	assess	VBG
work_cwux37xbfjeudej4q7qbjorfyy	44	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	44	7	state	state	NN
work_cwux37xbfjeudej4q7qbjorfyy	44	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	44	9	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	44	10	equality	equality	NN
work_cwux37xbfjeudej4q7qbjorfyy	44	11	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	44	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	44	13	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	44	14	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	44	15	industry	industry	NN
work_cwux37xbfjeudej4q7qbjorfyy	44	16	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	45	1	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	45	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	45	3	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	45	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	45	5	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	45	6	Business	Business	NNP
work_cwux37xbfjeudej4q7qbjorfyy	45	7	School	School	NNP
work_cwux37xbfjeudej4q7qbjorfyy	45	8	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	46	1	2	2	CD
work_cwux37xbfjeudej4q7qbjorfyy	46	2	Fure	fure	NN
work_cwux37xbfjeudej4q7qbjorfyy	46	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	46	4	A.	a.	NN
work_cwux37xbfjeudej4q7qbjorfyy	47	1	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	47	2	2016	2016	CD
work_cwux37xbfjeudej4q7qbjorfyy	47	3	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	47	4	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	48	1	GRID	GRID	NNP
work_cwux37xbfjeudej4q7qbjorfyy	48	2	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	48	3	Gender	Gender	NNP
work_cwux37xbfjeudej4q7qbjorfyy	48	4	Research	Research	NNP
work_cwux37xbfjeudej4q7qbjorfyy	48	5	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	48	6	Darmstadt	Darmstadt	NNP
work_cwux37xbfjeudej4q7qbjorfyy	48	7	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	49	1	Accessed	access	VBN
work_cwux37xbfjeudej4q7qbjorfyy	49	2	11	11	CD
work_cwux37xbfjeudej4q7qbjorfyy	49	3	September	September	NNP
work_cwux37xbfjeudej4q7qbjorfyy	49	4	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	50	1	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	50	2	Available	available	JJ
work_cwux37xbfjeudej4q7qbjorfyy	50	3	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	50	4	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	50	5	https://griddarmstadt.files.wordpress.com/2016/08/grid_gender_research_in_darmstadt.pdf	https://griddarmstadt.files.wordpress.com/2016/08/grid_gender_research_in_darmstadt.pdf	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	6	3	3	CD
work_cwux37xbfjeudej4q7qbjorfyy	50	7	Peggy	Peggy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	8	Glanville	Glanville	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	9	Hicks	Hicks	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	10	address	address	NN
work_cwux37xbfjeudej4q7qbjorfyy	50	11	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	50	12	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	50	14	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	50	15	Cheetham	Cheetham	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	16	etc	etc	FW
work_cwux37xbfjeudej4q7qbjorfyy	50	17	4	4	CD
work_cwux37xbfjeudej4q7qbjorfyy	50	18	Goh	Goh	NNP
work_cwux37xbfjeudej4q7qbjorfyy	50	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	50	20	T.	t.	NN
work_cwux37xbfjeudej4q7qbjorfyy	50	21	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	50	22	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	50	23	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	50	24	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	51	1	From	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	51	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	51	3	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	51	4	side	side	NN
work_cwux37xbfjeudej4q7qbjorfyy	51	5	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	51	6	Feminist	feminist	JJ
work_cwux37xbfjeudej4q7qbjorfyy	51	7	aesthetics	aesthetic	NNS
work_cwux37xbfjeudej4q7qbjorfyy	51	8	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	51	9	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	51	10	musicology	musicology	NN
work_cwux37xbfjeudej4q7qbjorfyy	51	11	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	52	1	Tempo	Tempo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	52	2	292	292	CD
work_cwux37xbfjeudej4q7qbjorfyy	52	3	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	52	4	https://griddarmstadt.files.wordpress.com/2016/08/grid_gender_research_in_darmstadt.pdf	https://griddarmstadt.files.wordpress.com/2016/08/grid_gender_research_in_darmstadt.pdf	NNP
work_cwux37xbfjeudej4q7qbjorfyy	52	5	QCGU	QCGU	NNP
work_cwux37xbfjeudej4q7qbjorfyy	52	6	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	52	7	chosen	choose	VBN
work_cwux37xbfjeudej4q7qbjorfyy	52	8	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	52	9	approach	approach	VB
work_cwux37xbfjeudej4q7qbjorfyy	52	10	change	change	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	11	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	52	12	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	52	13	number	number	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	52	15	different	different	JJ
work_cwux37xbfjeudej4q7qbjorfyy	52	16	angles	angle	NNS
work_cwux37xbfjeudej4q7qbjorfyy	52	17	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	52	18	tackle	tackle	VB
work_cwux37xbfjeudej4q7qbjorfyy	52	19	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	52	20	problem	problem	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	21	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	52	22	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	52	23	unbalanced	unbalanced	JJ
work_cwux37xbfjeudej4q7qbjorfyy	52	24	program	program	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	25	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	52	26	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	52	27	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	52	28	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	52	29	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	30	calendar	calendar	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	31	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	52	32	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	52	33	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	52	34	curriculum	curriculum	NN
work_cwux37xbfjeudej4q7qbjorfyy	52	35	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	53	1	From	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	53	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	53	3	perspective	perspective	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	53	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	53	6	outward	outward	JJ
work_cwux37xbfjeudej4q7qbjorfyy	53	7	facing	face	VBG
work_cwux37xbfjeudej4q7qbjorfyy	53	8	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	9	program	program	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	53	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	53	12	decision	decision	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	13	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	53	14	have	have	VB
work_cwux37xbfjeudej4q7qbjorfyy	53	15	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	53	16	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	17	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	53	18	balanced	balance	VBN
work_cwux37xbfjeudej4q7qbjorfyy	53	19	creative	creative	JJ
work_cwux37xbfjeudej4q7qbjorfyy	53	20	contribution	contribution	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	21	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	53	22	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	23	theatre	theatre	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	53	25	opera	opera	NNP
work_cwux37xbfjeudej4q7qbjorfyy	53	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	53	27	orchestra	orchestra	NNP
work_cwux37xbfjeudej4q7qbjorfyy	53	28	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	53	29	wind	wind	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	30	symphony	symphony	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	31	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	53	32	artist	artist	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	33	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	53	34	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	53	35	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	53	36	residence	residence	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	37	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	53	38	provides	provide	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	53	39	positive	positive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	53	40	leadership	leadership	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	41	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	53	42	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	53	43	broad	broad	JJ
work_cwux37xbfjeudej4q7qbjorfyy	53	44	cross	cross	JJ
work_cwux37xbfjeudej4q7qbjorfyy	53	45	-	-	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	46	section	section	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	47	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	53	48	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	53	49	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	50	body	body	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	51	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	53	52	faculty	faculty	NN
work_cwux37xbfjeudej4q7qbjorfyy	53	53	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	54	1	At	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	3	very	very	RB
work_cwux37xbfjeudej4q7qbjorfyy	54	4	least	least	JJS
work_cwux37xbfjeudej4q7qbjorfyy	54	5	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	6	means	mean	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	54	7	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	8	no	no	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	9	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	10	will	will	MD
work_cwux37xbfjeudej4q7qbjorfyy	54	11	graduate	graduate	VB
work_cwux37xbfjeudej4q7qbjorfyy	54	12	without	without	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	13	playing	play	VBG
work_cwux37xbfjeudej4q7qbjorfyy	54	14	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	15	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	16	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	17	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	54	18	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	54	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	54	21	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	54	22	positively	positively	RB
work_cwux37xbfjeudej4q7qbjorfyy	54	23	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	54	24	will	will	MD
work_cwux37xbfjeudej4q7qbjorfyy	54	25	provide	provide	VB
work_cwux37xbfjeudej4q7qbjorfyy	54	26	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	27	point	point	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	28	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	29	change	change	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	30	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	31	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	32	education	education	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	33	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	34	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	54	35	which	which	WDT
work_cwux37xbfjeudej4q7qbjorfyy	54	36	will	will	MD
work_cwux37xbfjeudej4q7qbjorfyy	54	37	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	54	38	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	54	39	circuit	circuit	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	40	breaker	breaker	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	41	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	54	42	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	54	43	own	own	JJ
work_cwux37xbfjeudej4q7qbjorfyy	54	44	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	54	45	teaching	teaching	NN
work_cwux37xbfjeudej4q7qbjorfyy	54	46	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	54	47	performing	perform	VBG
work_cwux37xbfjeudej4q7qbjorfyy	54	48	lives	life	NNS
work_cwux37xbfjeudej4q7qbjorfyy	54	49	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	55	1	With	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	55	2	regard	regard	NN
work_cwux37xbfjeudej4q7qbjorfyy	55	3	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	55	4	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	55	5	curriculum	curriculum	NN
work_cwux37xbfjeudej4q7qbjorfyy	55	6	numerous	numerous	JJ
work_cwux37xbfjeudej4q7qbjorfyy	55	7	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	55	8	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	55	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	55	10	development	development	NN
work_cwux37xbfjeudej4q7qbjorfyy	55	11	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	55	12	enhance	enhance	VB
work_cwux37xbfjeudej4q7qbjorfyy	55	13	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	55	14	transformations	transformation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	55	15	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	55	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	55	17	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	55	18	calendar	calendar	NN
work_cwux37xbfjeudej4q7qbjorfyy	55	19	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	56	1	Examining	examine	VBG
work_cwux37xbfjeudej4q7qbjorfyy	56	2	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	3	literature	literature	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	4	subjects	subject	NNS
work_cwux37xbfjeudej4q7qbjorfyy	56	5	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	56	6	those	those	DT
work_cwux37xbfjeudej4q7qbjorfyy	56	7	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	56	8	critically	critically	RB
work_cwux37xbfjeudej4q7qbjorfyy	56	9	explore	explore	VBP
work_cwux37xbfjeudej4q7qbjorfyy	56	10	historical	historical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	56	11	practices	practice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	56	12	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	56	13	many	many	JJ
work_cwux37xbfjeudej4q7qbjorfyy	56	14	different	different	JJ
work_cwux37xbfjeudej4q7qbjorfyy	56	15	contexts	contexts	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	56	17	genres	genre	NNS
work_cwux37xbfjeudej4q7qbjorfyy	56	18	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	56	19	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	20	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	56	21	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	56	22	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	56	23	perspective	perspective	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	24	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	56	25	absent	absent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	56	26	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	56	27	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	56	28	provides	provide	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	56	29	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	56	30	ideal	ideal	JJ
work_cwux37xbfjeudej4q7qbjorfyy	56	31	platform	platform	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	32	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	56	33	redesign	redesign	VB
work_cwux37xbfjeudej4q7qbjorfyy	56	34	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	56	35	curriculum	curriculum	NN
work_cwux37xbfjeudej4q7qbjorfyy	56	36	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	56	37	broadly	broadly	RB
work_cwux37xbfjeudej4q7qbjorfyy	56	38	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	57	1	Here	here	RB
work_cwux37xbfjeudej4q7qbjorfyy	57	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	57	3	absent	absent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	4	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	57	5	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	57	6	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	7	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	57	8	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	57	9	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	10	contributions	contribution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	57	11	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	57	12	broadly	broadly	RB
work_cwux37xbfjeudej4q7qbjorfyy	57	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	57	14	provide	provide	VB
work_cwux37xbfjeudej4q7qbjorfyy	57	15	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	57	16	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	57	17	look	look	VB
work_cwux37xbfjeudej4q7qbjorfyy	57	18	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	57	19	pluralistic	pluralistic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	20	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	57	21	collaborative	collaborative	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	22	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	57	23	community	community	NN
work_cwux37xbfjeudej4q7qbjorfyy	57	24	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	57	25	oriented	orient	VBN
work_cwux37xbfjeudej4q7qbjorfyy	57	26	developments	development	NNS
work_cwux37xbfjeudej4q7qbjorfyy	57	27	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	57	28	rather	rather	RB
work_cwux37xbfjeudej4q7qbjorfyy	57	29	than	than	IN
work_cwux37xbfjeudej4q7qbjorfyy	57	30	singular	singular	NNP
work_cwux37xbfjeudej4q7qbjorfyy	57	31	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	57	32	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	57	33	lone	lone	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	34	historical	historical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	57	35	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	57	36	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	58	1	These	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	58	2	transformations	transformation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	58	3	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	58	4	historical	historical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	58	5	subjects	subject	NNS
work_cwux37xbfjeudej4q7qbjorfyy	58	6	support	support	VBP
work_cwux37xbfjeudej4q7qbjorfyy	58	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	58	8	vision	vision	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	9	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	58	10	transforming	transform	VBG
work_cwux37xbfjeudej4q7qbjorfyy	58	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	58	12	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	13	calendar	calendar	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	58	15	but	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	58	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	58	17	third	third	JJ
work_cwux37xbfjeudej4q7qbjorfyy	58	18	leg	leg	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	19	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	58	20	transformation	transformation	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	21	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	58	22	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	58	23	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	58	24	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	58	25	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	58	26	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	58	27	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	58	28	teaching	teaching	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	29	studio	studio	NN
work_cwux37xbfjeudej4q7qbjorfyy	58	30	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	58	31	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	58	32	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	58	33	vital	vital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	58	34	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	59	1	Here	here	RB
work_cwux37xbfjeudej4q7qbjorfyy	59	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	59	3	focus	focus	NN
work_cwux37xbfjeudej4q7qbjorfyy	59	4	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	59	5	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	59	6	commissioning	commission	VBG
work_cwux37xbfjeudej4q7qbjorfyy	59	7	pedagogical	pedagogical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	59	8	works	work	NNS
work_cwux37xbfjeudej4q7qbjorfyy	59	9	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	59	10	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	59	11	technical	technical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	59	12	studies	study	NNS
work_cwux37xbfjeudej4q7qbjorfyy	59	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	59	14	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	59	15	numerous	numerous	JJ
work_cwux37xbfjeudej4q7qbjorfyy	59	16	instruments	instrument	NNS
work_cwux37xbfjeudej4q7qbjorfyy	59	17	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	59	18	all	all	RB
work_cwux37xbfjeudej4q7qbjorfyy	59	19	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	59	20	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	59	21	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	59	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	60	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	60	2	rationale	rationale	NN
work_cwux37xbfjeudej4q7qbjorfyy	60	3	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	60	4	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	60	5	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	60	6	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	60	7	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	60	8	many	many	JJ
work_cwux37xbfjeudej4q7qbjorfyy	60	9	instruments	instrument	NNS
work_cwux37xbfjeudej4q7qbjorfyy	60	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	60	11	there	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	60	12	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	60	13	simply	simply	RB
work_cwux37xbfjeudej4q7qbjorfyy	60	14	no	no	DT
work_cwux37xbfjeudej4q7qbjorfyy	60	15	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	60	16	when	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	60	17	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	60	18	comes	come	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	60	19	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	60	20	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	60	21	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	60	22	pedagogical	pedagogical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	60	23	texts	text	NNS
work_cwux37xbfjeudej4q7qbjorfyy	60	24	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	61	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	61	2	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	61	3	particular	particular	JJ
work_cwux37xbfjeudej4q7qbjorfyy	61	4	applies	apply	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	61	5	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	61	6	percussion	percussion	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	7	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	61	8	classical	classical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	61	9	saxophone	saxophone	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	61	11	first	first	JJ
work_cwux37xbfjeudej4q7qbjorfyy	61	12	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	61	13	year	year	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	14	jazz	jazz	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	15	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	61	16	piano	piano	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	61	18	string	string	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	19	deparments	deparment	NNS
work_cwux37xbfjeudej4q7qbjorfyy	61	20	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	61	21	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	61	22	interested	interested	JJ
work_cwux37xbfjeudej4q7qbjorfyy	61	23	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	61	24	explore	explore	VB
work_cwux37xbfjeudej4q7qbjorfyy	61	25	ways	way	NNS
work_cwux37xbfjeudej4q7qbjorfyy	61	26	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	61	27	diversify	diversify	VB
work_cwux37xbfjeudej4q7qbjorfyy	61	28	technical	technical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	61	29	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	61	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	62	1	Together	together	RB
work_cwux37xbfjeudej4q7qbjorfyy	62	2	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	62	3	three	three	CD
work_cwux37xbfjeudej4q7qbjorfyy	62	4	strategies	strategy	NNS
work_cwux37xbfjeudej4q7qbjorfyy	62	5	should	should	MD
work_cwux37xbfjeudej4q7qbjorfyy	62	6	combine	combine	VB
work_cwux37xbfjeudej4q7qbjorfyy	62	7	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	62	8	provide	provide	VB
work_cwux37xbfjeudej4q7qbjorfyy	62	9	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	62	10	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	62	11	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	62	12	educational	educational	JJ
work_cwux37xbfjeudej4q7qbjorfyy	62	13	experience	experience	NN
work_cwux37xbfjeudej4q7qbjorfyy	62	14	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	62	15	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	62	16	inclusive	inclusive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	62	17	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	62	18	diverse	diverse	JJ
work_cwux37xbfjeudej4q7qbjorfyy	62	19	voices	voice	NNS
work_cwux37xbfjeudej4q7qbjorfyy	62	20	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	62	21	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	62	22	levels	level	NNS
work_cwux37xbfjeudej4q7qbjorfyy	62	23	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	62	24	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	62	25	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	62	26	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	62	27	training	training	NN
work_cwux37xbfjeudej4q7qbjorfyy	62	28	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	63	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	63	2	transformation	transformation	NN
work_cwux37xbfjeudej4q7qbjorfyy	63	3	will	will	MD
work_cwux37xbfjeudej4q7qbjorfyy	63	4	move	move	VB
work_cwux37xbfjeudej4q7qbjorfyy	63	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	63	6	discussion	discussion	NN
work_cwux37xbfjeudej4q7qbjorfyy	63	7	away	away	RB
work_cwux37xbfjeudej4q7qbjorfyy	63	8	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	63	9	absence	absence	NN
work_cwux37xbfjeudej4q7qbjorfyy	63	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	63	11	toward	toward	IN
work_cwux37xbfjeudej4q7qbjorfyy	63	12	critical	critical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	63	13	discussions	discussion	NNS
work_cwux37xbfjeudej4q7qbjorfyy	63	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	63	15	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	63	16	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	63	17	produced	produce	VBN
work_cwux37xbfjeudej4q7qbjorfyy	63	18	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	63	19	context	context	NN
work_cwux37xbfjeudej4q7qbjorfyy	63	20	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	64	1	XXXX	XXXX	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	2	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	64	3	All	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	64	4	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	5	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	6	everyone	everyone	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	7	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	64	8	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	64	9	Cat	Cat	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	10	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	11	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	64	13	first	first	JJ
work_cwux37xbfjeudej4q7qbjorfyy	64	14	year	year	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	16	headship	headship	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	17	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	18	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	64	19	Sir	Sir	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	20	Zelman	Zelman	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	21	Cowen	Cowen	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	22	School	School	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	23	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	24	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	25	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	26	Monash	Monash	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	27	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	28	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	29	2017	2017	CD
work_cwux37xbfjeudej4q7qbjorfyy	64	30	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	64	31	Professor	Professor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	32	Cat	Cat	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	33	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	34	introduced	introduce	VBD
work_cwux37xbfjeudej4q7qbjorfyy	64	35	quotas	quota	NNS
work_cwux37xbfjeudej4q7qbjorfyy	64	36	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	37	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	64	38	final	final	JJ
work_cwux37xbfjeudej4q7qbjorfyy	64	39	year	year	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	40	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	64	41	graduating	graduate	VBG
work_cwux37xbfjeudej4q7qbjorfyy	64	42	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	64	43	Bachelor	Bachelor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	44	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	45	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	64	46	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	47	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	48	recitals	recital	NNS
work_cwux37xbfjeudej4q7qbjorfyy	64	49	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	50	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	64	51	genres	genre	NNS
work_cwux37xbfjeudej4q7qbjorfyy	64	52	covered	cover	VBN
work_cwux37xbfjeudej4q7qbjorfyy	64	53	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	54	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	64	55	degree	degree	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	56	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	64	57	classical	classical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	64	58	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	64	59	jazz	jazz	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	60	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	64	61	popular	popular	JJ
work_cwux37xbfjeudej4q7qbjorfyy	64	62	musics	music	NNS
work_cwux37xbfjeudej4q7qbjorfyy	64	63	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	64	64	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	64	65	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	64	66	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	64	67	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	68	technology	technology	NN
work_cwux37xbfjeudej4q7qbjorfyy	64	69	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	65	1	Each	each	DT
work_cwux37xbfjeudej4q7qbjorfyy	65	2	recital	recital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	65	3	program	program	NN
work_cwux37xbfjeudej4q7qbjorfyy	65	4	would	would	MD
work_cwux37xbfjeudej4q7qbjorfyy	65	5	feature	feature	VB
work_cwux37xbfjeudej4q7qbjorfyy	65	6	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	65	7	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	65	8	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	65	9	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	65	10	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	65	11	identifying	identify	VBG
work_cwux37xbfjeudej4q7qbjorfyy	65	12	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	65	13	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	65	14	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	65	15	non	non	JJ
work_cwux37xbfjeudej4q7qbjorfyy	65	16	-	-	JJ
work_cwux37xbfjeudej4q7qbjorfyy	65	17	binary	binary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	65	18	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	66	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	2	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	66	3	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	4	component	component	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	5	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	6	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	7	overall	overall	JJ
work_cwux37xbfjeudej4q7qbjorfyy	66	8	strategic	strategic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	66	9	direction	direction	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	10	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	12	department	department	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	66	14	focussing	focusse	VBG
work_cwux37xbfjeudej4q7qbjorfyy	66	15	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	16	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	17	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	18	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	66	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	66	20	equity	equity	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	21	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	66	22	collaboration	collaboration	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	23	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	66	24	innovation.5	innovation.5	NFP
work_cwux37xbfjeudej4q7qbjorfyy	66	25	It	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	66	26	represents	represent	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	66	27	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	66	28	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	30	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	31	series	series	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	32	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	33	interventions	intervention	NNS
work_cwux37xbfjeudej4q7qbjorfyy	66	34	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	66	35	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	36	way	way	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	37	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	66	38	school	school	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	39	addresses	address	NNS
work_cwux37xbfjeudej4q7qbjorfyy	66	40	gender	gender	VBP
work_cwux37xbfjeudej4q7qbjorfyy	66	41	equity	equity	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	42	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	66	43	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	66	44	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	67	1	It	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	67	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	67	3	important	important	JJ
work_cwux37xbfjeudej4q7qbjorfyy	67	4	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	67	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	67	6	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	67	7	graduating	graduate	VBG
work_cwux37xbfjeudej4q7qbjorfyy	67	8	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	67	9	Monash	Monash	NNP
work_cwux37xbfjeudej4q7qbjorfyy	67	10	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	67	11	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	67	12	familiar	familiar	JJ
work_cwux37xbfjeudej4q7qbjorfyy	67	13	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	67	14	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	67	15	that	that	DT
work_cwux37xbfjeudej4q7qbjorfyy	67	16	reflects	reflect	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	67	17	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	67	18	workplace	workplace	NN
work_cwux37xbfjeudej4q7qbjorfyy	67	19	we	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	67	20	aspire	aspire	VBP
work_cwux37xbfjeudej4q7qbjorfyy	67	21	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	67	22	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	67	23	which	which	WDT
work_cwux37xbfjeudej4q7qbjorfyy	67	24	includes	include	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	67	25	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	67	26	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	67	27	those	those	DT
work_cwux37xbfjeudej4q7qbjorfyy	67	28	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	67	29	identify	identify	VBP
work_cwux37xbfjeudej4q7qbjorfyy	67	30	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	67	31	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	67	32	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	68	1	If	if	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	2	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	68	3	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	68	4	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	68	5	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	68	6	exposed	expose	VBN
work_cwux37xbfjeudej4q7qbjorfyy	68	7	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	8	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	9	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	68	10	written	write	VBN
work_cwux37xbfjeudej4q7qbjorfyy	68	11	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	12	men	man	NNS
work_cwux37xbfjeudej4q7qbjorfyy	68	13	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	14	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	68	15	degree	degree	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	16	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	68	17	they	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	68	18	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	68	19	unlikely	unlikely	JJ
work_cwux37xbfjeudej4q7qbjorfyy	68	20	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	68	21	expect	expect	VB
work_cwux37xbfjeudej4q7qbjorfyy	68	22	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	68	23	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	68	25	workplace	workplace	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	68	27	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	68	28	unlikely	unlikely	JJ
work_cwux37xbfjeudej4q7qbjorfyy	68	29	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	68	30	program	program	VB
work_cwux37xbfjeudej4q7qbjorfyy	68	31	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	68	32	themselves	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	68	33	when	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	68	34	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	68	35	opportunity	opportunity	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	36	arises.6	arises.6	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	37	It	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	68	38	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	68	39	important	important	JJ
work_cwux37xbfjeudej4q7qbjorfyy	68	40	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	41	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	68	42	familiarity	familiarity	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	43	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	44	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	68	45	expectation	expectation	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	46	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	47	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	48	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	49	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	68	50	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	68	51	identify	identify	VBP
work_cwux37xbfjeudej4q7qbjorfyy	68	52	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	53	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	68	54	be	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	68	55	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	56	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	57	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	68	58	brand	brand	NN
work_cwux37xbfjeudej4q7qbjorfyy	68	59	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	68	60	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	68	61	graduating	graduate	VBG
work_cwux37xbfjeudej4q7qbjorfyy	68	62	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	68	63	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	69	1	Universities	university	NNS
work_cwux37xbfjeudej4q7qbjorfyy	69	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	69	3	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	69	4	providers	provider	NNS
work_cwux37xbfjeudej4q7qbjorfyy	69	5	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	69	6	terminal	terminal	JJ
work_cwux37xbfjeudej4q7qbjorfyy	69	7	degrees	degree	NNS
work_cwux37xbfjeudej4q7qbjorfyy	69	8	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	69	9	musicians	musician	NNS
work_cwux37xbfjeudej4q7qbjorfyy	69	10	entering	enter	VBG
work_cwux37xbfjeudej4q7qbjorfyy	69	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	69	12	workforce	workforce	NN
work_cwux37xbfjeudej4q7qbjorfyy	69	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	69	14	create	create	VB
work_cwux37xbfjeudej4q7qbjorfyy	69	15	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	69	16	canon	canon	NN
work_cwux37xbfjeudej4q7qbjorfyy	69	17	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	69	18	future	future	JJ
work_cwux37xbfjeudej4q7qbjorfyy	69	19	musicians	musician	NNS
work_cwux37xbfjeudej4q7qbjorfyy	69	20	use	use	VBP
work_cwux37xbfjeudej4q7qbjorfyy	69	21	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	69	22	build	build	VB
work_cwux37xbfjeudej4q7qbjorfyy	69	23	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	69	24	careers	career	NNS
work_cwux37xbfjeudej4q7qbjorfyy	69	25	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	70	1	It	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	70	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	70	3	important	important	JJ
work_cwux37xbfjeudej4q7qbjorfyy	70	4	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	5	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	70	6	canon	canon	NNP
work_cwux37xbfjeudej4q7qbjorfyy	70	7	reflects	reflect	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	70	8	contemporary	contemporary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	70	9	practice	practice	NN
work_cwux37xbfjeudej4q7qbjorfyy	70	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	70	11	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	70	12	enables	enable	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	70	13	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	70	14	graduates	graduate	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	15	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	70	16	engage	engage	VB
work_cwux37xbfjeudej4q7qbjorfyy	70	17	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	18	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	70	19	range	range	NN
work_cwux37xbfjeudej4q7qbjorfyy	70	20	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	21	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	22	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	23	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	70	24	industry	industry	NN
work_cwux37xbfjeudej4q7qbjorfyy	70	25	upon	upon	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	26	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	70	27	entrance	entrance	NN
work_cwux37xbfjeudej4q7qbjorfyy	70	28	into	into	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	29	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	70	30	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	70	31	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	32	performers	performer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	33	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	70	34	arts	art	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	35	administrators	administrator	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	36	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	70	37	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	70	38	plethora	plethora	NN
work_cwux37xbfjeudej4q7qbjorfyy	70	39	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	70	40	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	70	41	roles	role	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	42	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	70	43	graduates	graduate	NNS
work_cwux37xbfjeudej4q7qbjorfyy	70	44	find	find	VBP
work_cwux37xbfjeudej4q7qbjorfyy	70	45	themselves	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	70	46	in	in	RP
work_cwux37xbfjeudej4q7qbjorfyy	70	47	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	71	1	A	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	71	2	survey	survey	NN
work_cwux37xbfjeudej4q7qbjorfyy	71	3	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	71	4	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	71	5	taught	teach	VBN
work_cwux37xbfjeudej4q7qbjorfyy	71	6	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	71	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	71	8	school	school	NN
work_cwux37xbfjeudej4q7qbjorfyy	71	9	pointed	point	VBD
work_cwux37xbfjeudej4q7qbjorfyy	71	10	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	71	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	71	12	inclusion	inclusion	NN
work_cwux37xbfjeudej4q7qbjorfyy	71	13	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	71	14	very	very	RB
work_cwux37xbfjeudej4q7qbjorfyy	71	15	little	little	JJ
work_cwux37xbfjeudej4q7qbjorfyy	71	16	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	71	17	written	write	VBN
work_cwux37xbfjeudej4q7qbjorfyy	71	18	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	71	19	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	71	20	identifying	identify	VBG
work_cwux37xbfjeudej4q7qbjorfyy	71	21	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	71	22	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	71	23	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	72	1	After	after	IN
work_cwux37xbfjeudej4q7qbjorfyy	72	2	consulting	consult	VBG
work_cwux37xbfjeudej4q7qbjorfyy	72	3	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	72	4	around	around	IN
work_cwux37xbfjeudej4q7qbjorfyy	72	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	72	6	effectiveness	effectiveness	NN
work_cwux37xbfjeudej4q7qbjorfyy	72	7	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	72	8	quotas,7	quotas,7	NNP
work_cwux37xbfjeudej4q7qbjorfyy	72	9	they	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	72	10	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	72	11	implemented	implement	VBN
work_cwux37xbfjeudej4q7qbjorfyy	72	12	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	72	13	approval	approval	NN
work_cwux37xbfjeudej4q7qbjorfyy	72	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	72	15	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	72	16	Arts	Arts	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	72	17	Faculty	Faculty	NNP
work_cwux37xbfjeudej4q7qbjorfyy	72	18	Dean	Dean	NNP
work_cwux37xbfjeudej4q7qbjorfyy	72	19	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	73	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	73	2	anecdotal	anecdotal	JJ
work_cwux37xbfjeudej4q7qbjorfyy	73	3	response	response	NN
work_cwux37xbfjeudej4q7qbjorfyy	73	4	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	73	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	73	6	introduction	introduction	NN
work_cwux37xbfjeudej4q7qbjorfyy	73	7	varied	vary	VBD
work_cwux37xbfjeudej4q7qbjorfyy	73	8	considerably	considerably	RB
work_cwux37xbfjeudej4q7qbjorfyy	73	9	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	74	1	Some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	74	2	staff	staff	NN
work_cwux37xbfjeudej4q7qbjorfyy	74	3	felt	feel	VBD
work_cwux37xbfjeudej4q7qbjorfyy	74	4	they	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	74	5	should	should	MD
work_cwux37xbfjeudej4q7qbjorfyy	74	6	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	74	7	preparing	prepare	VBG
work_cwux37xbfjeudej4q7qbjorfyy	74	8	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	74	9	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	74	10	auditions	audition	NNS
work_cwux37xbfjeudej4q7qbjorfyy	74	11	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	74	12	postgraduate	postgraduate	JJ
work_cwux37xbfjeudej4q7qbjorfyy	74	13	studies	study	NNS
work_cwux37xbfjeudej4q7qbjorfyy	74	14	elsewhere	elsewhere	RB
work_cwux37xbfjeudej4q7qbjorfyy	74	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	74	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	74	17	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	74	18	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	74	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	74	20	spending	spend	VBG
work_cwux37xbfjeudej4q7qbjorfyy	74	21	more	more	JJR
work_cwux37xbfjeudej4q7qbjorfyy	74	22	time	time	NN
work_cwux37xbfjeudej4q7qbjorfyy	74	23	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	74	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	74	25	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	74	26	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	74	27	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	74	28	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	74	29	consider	consider	VBP
work_cwux37xbfjeudej4q7qbjorfyy	74	30	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	74	31	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	74	32	key	key	JJ
work_cwux37xbfjeudej4q7qbjorfyy	74	33	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	74	34	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	75	1	Students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	75	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	75	3	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	75	4	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	75	5	whole	whole	NN
work_cwux37xbfjeudej4q7qbjorfyy	75	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	75	7	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	75	8	supportive	supportive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	75	9	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	75	10	embraced	embrace	VBD
work_cwux37xbfjeudej4q7qbjorfyy	75	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	75	12	opportunity	opportunity	NN
work_cwux37xbfjeudej4q7qbjorfyy	75	13	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	75	14	searching	search	VBG
work_cwux37xbfjeudej4q7qbjorfyy	75	15	further	further	RB
work_cwux37xbfjeudej4q7qbjorfyy	75	16	afield	afield	RB
work_cwux37xbfjeudej4q7qbjorfyy	75	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	75	18	approaching	approach	VBG
work_cwux37xbfjeudej4q7qbjorfyy	75	19	teachers	teacher	NNS
work_cwux37xbfjeudej4q7qbjorfyy	75	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	75	21	library	library	JJ
work_cwux37xbfjeudej4q7qbjorfyy	75	22	staff	staff	NN
work_cwux37xbfjeudej4q7qbjorfyy	75	23	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	75	24	recommendations	recommendation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	75	25	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	76	1	When	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	76	2	submitting	submit	VBG
work_cwux37xbfjeudej4q7qbjorfyy	76	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	4	recital	recital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	76	5	program	program	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	6	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	7	approval	approval	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	8	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	76	9	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	76	10	sign	sign	VBP
work_cwux37xbfjeudej4q7qbjorfyy	76	11	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	12	tick	tick	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	13	box	box	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	14	which	which	WDT
work_cwux37xbfjeudej4q7qbjorfyy	76	15	says	say	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	76	16	they	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	76	17	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	76	18	included	include	VBN
work_cwux37xbfjeudej4q7qbjorfyy	76	19	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	20	piece	piece	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	21	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	22	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	23	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	24	identifying	identify	VBG
work_cwux37xbfjeudej4q7qbjorfyy	76	25	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	26	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	27	woman	woman	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	28	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	76	29	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	30	non	non	JJ
work_cwux37xbfjeudej4q7qbjorfyy	76	31	-	-	JJ
work_cwux37xbfjeudej4q7qbjorfyy	76	32	binary	binary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	76	33	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	76	34	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	76	35	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	36	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	76	37	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	76	38	checked	check	VBN
work_cwux37xbfjeudej4q7qbjorfyy	76	39	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	40	administration.8	administration.8	NNP
work_cwux37xbfjeudej4q7qbjorfyy	76	41	Students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	76	42	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	76	43	identify	identify	VBP
work_cwux37xbfjeudej4q7qbjorfyy	76	44	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	45	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	76	46	can	can	MD
work_cwux37xbfjeudej4q7qbjorfyy	76	47	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	76	48	submit	submit	VB
work_cwux37xbfjeudej4q7qbjorfyy	76	49	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	76	50	own	own	JJ
work_cwux37xbfjeudej4q7qbjorfyy	76	51	compositions	composition	NNS
work_cwux37xbfjeudej4q7qbjorfyy	76	52	toward	toward	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	53	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	76	54	quota	quota	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	55	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	76	56	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	76	57	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	58	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	76	59	jazz	jazz	NN
work_cwux37xbfjeudej4q7qbjorfyy	76	60	improvisations	improvisation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	76	61	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	76	62	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	77	1	For	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	77	2	5	5	CD
work_cwux37xbfjeudej4q7qbjorfyy	77	3	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	77	4	strategy	strategy	NN
work_cwux37xbfjeudej4q7qbjorfyy	77	5	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	77	6	outlined	outline	VBN
work_cwux37xbfjeudej4q7qbjorfyy	77	7	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	77	8	some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	77	9	detail	detail	NN
work_cwux37xbfjeudej4q7qbjorfyy	77	10	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	77	11	Cat	Cat	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	12	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	14	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	77	15	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	16	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	77	17	What	what	WP
work_cwux37xbfjeudej4q7qbjorfyy	77	18	Can	Can	MD
work_cwux37xbfjeudej4q7qbjorfyy	77	19	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	77	20	Should	Should	MD
work_cwux37xbfjeudej4q7qbjorfyy	77	21	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	77	22	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	77	23	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	24	School	School	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	25	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	77	26	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	77	27	Modern	modern	JJ
work_cwux37xbfjeudej4q7qbjorfyy	77	28	Australian	Australian	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	29	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	30	Look	look	VB
work_cwux37xbfjeudej4q7qbjorfyy	77	31	Like	like	IN
work_cwux37xbfjeudej4q7qbjorfyy	77	32	?	?	.
work_cwux37xbfjeudej4q7qbjorfyy	77	33	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	77	34	Available	available	JJ
work_cwux37xbfjeudej4q7qbjorfyy	77	35	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	77	36	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	77	37	http://musictrust.com.au/loudmouth/what-can-should-a-music-school-in-a-modern-australian-university-look-like/	http://musictrust.com.au/loudmouth/what-can-should-a-music-school-in-a-modern-australian-university-look-like/	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	38	6	6	CD
work_cwux37xbfjeudej4q7qbjorfyy	77	39	Bennett	Bennett	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	40	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	41	Dawn	Dawn	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	42	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	43	Sally	Sally	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	44	Macarthur	Macarthur	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	45	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	46	Cat	Cat	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	47	Hope	Hope	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	48	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	49	Talisha	Talisha	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	50	Goh	Goh	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	51	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	77	52	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	77	53	Sophie	Sophie	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	54	Hennekam	Hennekam	NNP
work_cwux37xbfjeudej4q7qbjorfyy	77	55	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	78	1	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	78	2	Creating	create	VBG
work_cwux37xbfjeudej4q7qbjorfyy	78	3	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	78	4	career	career	NN
work_cwux37xbfjeudej4q7qbjorfyy	78	5	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	78	6	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	78	7	woman	woman	NN
work_cwux37xbfjeudej4q7qbjorfyy	78	8	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	78	9	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	78	10	Implications	implication	NNS
work_cwux37xbfjeudej4q7qbjorfyy	78	11	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	78	12	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	78	13	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	78	14	higher	high	JJR
work_cwux37xbfjeudej4q7qbjorfyy	78	15	education	education	NN
work_cwux37xbfjeudej4q7qbjorfyy	78	16	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	78	17	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	78	18	British	British	NNP
work_cwux37xbfjeudej4q7qbjorfyy	78	19	Journal	Journal	NNP
work_cwux37xbfjeudej4q7qbjorfyy	78	20	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	78	21	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	78	22	Education	Education	NNP
work_cwux37xbfjeudej4q7qbjorfyy	78	23	35	35	CD
work_cwux37xbfjeudej4q7qbjorfyy	78	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	78	25	no	no	UH
work_cwux37xbfjeudej4q7qbjorfyy	78	26	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	79	1	3	3	CD
work_cwux37xbfjeudej4q7qbjorfyy	79	2	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	79	3	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	79	4	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	79	5	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	79	6	238	238	CD
work_cwux37xbfjeudej4q7qbjorfyy	79	7	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	80	1	7	7	CD
work_cwux37xbfjeudej4q7qbjorfyy	80	2	Franceschet	Franceschet	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	80	4	Susan	Susan	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	80	6	Mona	Mona	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	7	Lena	Lena	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	8	Krook	Krook	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	9	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	80	10	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	80	11	Jennifer	Jennifer	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	12	M.	M.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	13	Piscopo	Piscopo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	80	14	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	81	1	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	81	2	Conceptualizing	conceptualize	VBG
work_cwux37xbfjeudej4q7qbjorfyy	81	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	81	4	impact	impact	NN
work_cwux37xbfjeudej4q7qbjorfyy	81	5	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	81	6	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	81	7	quotas	quota	NNS
work_cwux37xbfjeudej4q7qbjorfyy	81	8	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	81	9	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	81	10	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	81	11	impact	impact	NN
work_cwux37xbfjeudej4q7qbjorfyy	81	12	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	81	13	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	81	14	quotas	quota	NNS
work_cwux37xbfjeudej4q7qbjorfyy	81	15	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	81	16	2012	2012	CD
work_cwux37xbfjeudej4q7qbjorfyy	81	17	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	81	18	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	81	19	3	3	CD
work_cwux37xbfjeudej4q7qbjorfyy	81	20	-	-	SYM
work_cwux37xbfjeudej4q7qbjorfyy	81	21	26	26	CD
work_cwux37xbfjeudej4q7qbjorfyy	81	22	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	81	23	Born	Born	NNP
work_cwux37xbfjeudej4q7qbjorfyy	81	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	81	25	Georgina	Georgina	NNP
work_cwux37xbfjeudej4q7qbjorfyy	81	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	81	27	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	81	28	Kyle	Kyle	NNP
work_cwux37xbfjeudej4q7qbjorfyy	81	29	Devine	Devine	NNP
work_cwux37xbfjeudej4q7qbjorfyy	81	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	82	1	"	"	``
work_cwux37xbfjeudej4q7qbjorfyy	82	2	Gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	82	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	82	4	creativity	creativity	NN
work_cwux37xbfjeudej4q7qbjorfyy	82	5	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	82	6	education	education	NN
work_cwux37xbfjeudej4q7qbjorfyy	82	7	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	82	8	digital	digital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	82	9	musics	music	NNS
work_cwux37xbfjeudej4q7qbjorfyy	82	10	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	82	11	sound	sound	JJ
work_cwux37xbfjeudej4q7qbjorfyy	82	12	art	art	NN
work_cwux37xbfjeudej4q7qbjorfyy	82	13	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	82	14	"	"	''
work_cwux37xbfjeudej4q7qbjorfyy	83	1	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	83	2	2016	2016	CD
work_cwux37xbfjeudej4q7qbjorfyy	83	3	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	83	4	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	83	5	1	1	CD
work_cwux37xbfjeudej4q7qbjorfyy	83	6	-	-	SYM
work_cwux37xbfjeudej4q7qbjorfyy	83	7	20	20	CD
work_cwux37xbfjeudej4q7qbjorfyy	83	8	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	83	9	Dahlerup	Dahlerup	NNP
work_cwux37xbfjeudej4q7qbjorfyy	83	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	83	11	Drude	Drude	NNP
work_cwux37xbfjeudej4q7qbjorfyy	83	12	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	84	1	Women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	84	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	84	3	quotas	quota	NNS
work_cwux37xbfjeudej4q7qbjorfyy	84	4	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	84	5	politics	politic	NNS
work_cwux37xbfjeudej4q7qbjorfyy	84	6	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	85	1	Routledge	Routledge	NNP
work_cwux37xbfjeudej4q7qbjorfyy	85	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	85	3	2013	2013	CD
work_cwux37xbfjeudej4q7qbjorfyy	85	4	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	85	5	Bell	Bell	NNP
work_cwux37xbfjeudej4q7qbjorfyy	85	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	85	7	Vikki	Vikki	NNP
work_cwux37xbfjeudej4q7qbjorfyy	85	8	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	86	1	Culture	culture	NN
work_cwux37xbfjeudej4q7qbjorfyy	86	2	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	86	3	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	86	4	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	86	5	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	86	6	challenge	challenge	NN
work_cwux37xbfjeudej4q7qbjorfyy	86	7	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	86	8	ethics	ethic	NNS
work_cwux37xbfjeudej4q7qbjorfyy	86	9	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	86	10	politics	politic	NNS
work_cwux37xbfjeudej4q7qbjorfyy	86	11	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	86	12	feminist	feminist	JJ
work_cwux37xbfjeudej4q7qbjorfyy	86	13	theory	theory	NN
work_cwux37xbfjeudej4q7qbjorfyy	86	14	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	87	1	A&C	A&C	NNP
work_cwux37xbfjeudej4q7qbjorfyy	87	2	Black	Black	NNP
work_cwux37xbfjeudej4q7qbjorfyy	87	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	87	4	2007	2007	CD
work_cwux37xbfjeudej4q7qbjorfyy	87	5	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	88	1	8	8	CD
work_cwux37xbfjeudej4q7qbjorfyy	88	2	There	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	88	3	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	88	4	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	88	5	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	88	6	check	check	NN
work_cwux37xbfjeudej4q7qbjorfyy	88	7	box	box	NN
work_cwux37xbfjeudej4q7qbjorfyy	88	8	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	88	9	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	88	10	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	88	11	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	88	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	88	13	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	88	14	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	88	15	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	88	16	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	88	17	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	88	18	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	88	19	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	88	20	quota	quota	NN
work_cwux37xbfjeudej4q7qbjorfyy	88	21	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	89	1	http://musictrust.com.au/loudmouth/what-can-should-a-music-school-in-a-modern-australian-university-look-like/	http://musictrust.com.au/loudmouth/what-can-should-a-music-school-in-a-modern-australian-university-look-like/	JJ
work_cwux37xbfjeudej4q7qbjorfyy	89	2	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	3	technology	technology	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	4	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	89	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	89	6	recital	recital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	89	7	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	89	8	should	should	MD
work_cwux37xbfjeudej4q7qbjorfyy	89	9	use	use	VB
work_cwux37xbfjeudej4q7qbjorfyy	89	10	software	software	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	89	12	hardware	hardware	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	13	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	89	14	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	89	15	plug	plug	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	16	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	89	17	in	in	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	18	devised	devise	VBN
work_cwux37xbfjeudej4q7qbjorfyy	89	19	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	89	20	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	89	21	woman	woman	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	22	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	89	23	non-	non-	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	24	binary	binary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	89	25	person	person	NN
work_cwux37xbfjeudej4q7qbjorfyy	89	26	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	90	1	Recital	recital	JJ
work_cwux37xbfjeudej4q7qbjorfyy	90	2	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	90	3	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	90	4	do	do	VBP
work_cwux37xbfjeudej4q7qbjorfyy	90	5	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	90	6	comply	comply	VB
work_cwux37xbfjeudej4q7qbjorfyy	90	7	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	90	8	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	90	9	quota	quota	NN
work_cwux37xbfjeudej4q7qbjorfyy	90	10	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	90	11	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	90	12	approved	approve	VBN
work_cwux37xbfjeudej4q7qbjorfyy	90	13	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	90	14	examination	examination	NN
work_cwux37xbfjeudej4q7qbjorfyy	90	15	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	91	1	To	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	91	2	support	support	VB
work_cwux37xbfjeudej4q7qbjorfyy	91	3	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	91	4	requirement	requirement	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	91	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	91	7	school	school	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	8	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	91	9	worked	work	VBN
work_cwux37xbfjeudej4q7qbjorfyy	91	10	closely	closely	RB
work_cwux37xbfjeudej4q7qbjorfyy	91	11	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	91	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	91	13	library	library	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	14	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	91	15	grow	grow	VB
work_cwux37xbfjeudej4q7qbjorfyy	91	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	91	17	collection	collection	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	18	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	91	19	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	20	composed	compose	VBN
work_cwux37xbfjeudej4q7qbjorfyy	91	21	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	91	22	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	91	23	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	91	24	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	91	25	variety	variety	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	26	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	91	27	styles	style	NNS
work_cwux37xbfjeudej4q7qbjorfyy	91	28	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	91	29	formats	format	NNS
work_cwux37xbfjeudej4q7qbjorfyy	91	30	–	–	:
work_cwux37xbfjeudej4q7qbjorfyy	91	31	scores	score	NNS
work_cwux37xbfjeudej4q7qbjorfyy	91	32	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	91	33	recordings	recording	NNS
work_cwux37xbfjeudej4q7qbjorfyy	91	34	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	91	35	lead	lead	NN
work_cwux37xbfjeudej4q7qbjorfyy	91	36	sheets	sheet	NNS
work_cwux37xbfjeudej4q7qbjorfyy	91	37	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	91	38	so	so	RB
work_cwux37xbfjeudej4q7qbjorfyy	91	39	on	on	RB
work_cwux37xbfjeudej4q7qbjorfyy	91	40	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	92	1	Further	further	RB
work_cwux37xbfjeudej4q7qbjorfyy	92	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	92	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	92	4	school	school	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	5	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	92	6	undertaking	undertake	VBG
work_cwux37xbfjeudej4q7qbjorfyy	92	7	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	92	8	process	process	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	9	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	92	10	ensures	ensure	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	92	11	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	12	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	92	13	context	context	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	14	units	unit	NNS
work_cwux37xbfjeudej4q7qbjorfyy	92	15	include	include	VBP
work_cwux37xbfjeudej4q7qbjorfyy	92	16	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	17	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	18	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	92	19	so	so	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	20	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	21	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	92	22	standard	standard	JJ
work_cwux37xbfjeudej4q7qbjorfyy	92	23	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	92	24	canon	canon	NNP
work_cwux37xbfjeudej4q7qbjorfyy	92	25	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	92	26	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	92	27	refreshed	refresh	VBN
work_cwux37xbfjeudej4q7qbjorfyy	92	28	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	92	29	reflects	reflect	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	92	30	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	92	31	contributions	contribution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	92	32	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	92	33	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	92	34	made	make	VBN
work_cwux37xbfjeudej4q7qbjorfyy	92	35	throughout	throughout	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	36	history.9	history.9	NNP
work_cwux37xbfjeudej4q7qbjorfyy	92	37	School	School	NNP
work_cwux37xbfjeudej4q7qbjorfyy	92	38	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	92	39	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	92	40	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	92	41	growing	grow	VBG
work_cwux37xbfjeudej4q7qbjorfyy	92	42	content	content	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	43	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	44	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	92	45	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	92	46	but	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	92	47	outside	outside	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	48	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	92	49	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	92	50	quota	quota	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	51	system	system	NN
work_cwux37xbfjeudej4q7qbjorfyy	92	52	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	93	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	93	2	university	university	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	3	orchestra	orchestra	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	4	features	feature	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	93	5	around	around	RB
work_cwux37xbfjeudej4q7qbjorfyy	93	6	thirty	thirty	CD
work_cwux37xbfjeudej4q7qbjorfyy	93	7	percent	percent	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	8	content	content	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	9	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	93	10	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	93	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	93	12	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	93	13	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	93	14	intention	intention	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	15	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	93	16	grow	grow	VB
work_cwux37xbfjeudej4q7qbjorfyy	93	17	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	93	18	number	number	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	19	over	over	IN
work_cwux37xbfjeudej4q7qbjorfyy	93	20	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	93	21	next	next	JJ
work_cwux37xbfjeudej4q7qbjorfyy	93	22	five	five	CD
work_cwux37xbfjeudej4q7qbjorfyy	93	23	years	year	NNS
work_cwux37xbfjeudej4q7qbjorfyy	93	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	93	25	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	93	26	fifty	fifty	CD
work_cwux37xbfjeudej4q7qbjorfyy	93	27	percent	percent	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	28	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	93	29	externally	externally	RB
work_cwux37xbfjeudej4q7qbjorfyy	93	30	engaged	engage	VBN
work_cwux37xbfjeudej4q7qbjorfyy	93	31	conductors	conductor	NNS
work_cwux37xbfjeudej4q7qbjorfyy	93	32	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	93	33	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	93	34	orchestra	orchestra	NN
work_cwux37xbfjeudej4q7qbjorfyy	93	35	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	93	36	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	93	37	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	94	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	2	school	school	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	3	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	94	4	joined	join	VBN
work_cwux37xbfjeudej4q7qbjorfyy	94	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	6	international	international	JJ
work_cwux37xbfjeudej4q7qbjorfyy	94	7	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	94	8	Keychange	Keychange	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	9	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	94	10	initiative	initiative	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	94	12	led	lead	VBN
work_cwux37xbfjeudej4q7qbjorfyy	94	13	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	14	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	15	UK	UK	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	16	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	94	17	PRS	PRS	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	18	Foundation	Foundation	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	94	20	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	21	partnership	partnership	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	22	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	23	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	94	24	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	94	25	organisations	organisation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	94	26	around	around	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	28	world	world	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	29	seeking	seek	VBG
work_cwux37xbfjeudej4q7qbjorfyy	94	30	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	94	31	encourage	encourage	VB
work_cwux37xbfjeudej4q7qbjorfyy	94	32	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	33	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	34	balanced	balanced	JJ
work_cwux37xbfjeudej4q7qbjorfyy	94	35	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	36	industry	industry	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	37	worldwide.10	worldwide.10	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	38	An	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	39	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	40	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	41	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	42	commitment	commitment	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	43	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	44	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	45	Keychange	Keychange	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	46	initiative	initiative	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	47	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	94	48	working	work	VBG
work_cwux37xbfjeudej4q7qbjorfyy	94	49	towards	towards	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	50	50/50	50/50	CD
work_cwux37xbfjeudej4q7qbjorfyy	94	51	parity	parity	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	52	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	53	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	54	make	make	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	55	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	94	56	up	up	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	57	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	58	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	94	59	school	school	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	60	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	94	61	weekly	weekly	JJ
work_cwux37xbfjeudej4q7qbjorfyy	94	62	lunchtime	lunchtime	NNP
work_cwux37xbfjeudej4q7qbjorfyy	94	63	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	64	series	series	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	65	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	94	66	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	67	performers	performer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	94	68	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	94	69	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	94	70	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	94	71	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	94	72	2022	2022	CD
work_cwux37xbfjeudej4q7qbjorfyy	94	73	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	95	1	Changing	change	VBG
work_cwux37xbfjeudej4q7qbjorfyy	95	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	95	3	narrative	narrative	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	4	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	95	5	Cecilia	Cecilia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	6	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	7	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	95	8	Louise	Louise	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	9	Devenish	Devenish	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	10	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	11	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	95	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	95	13	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	95	14	review	review	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	16	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	17	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	18	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	19	programming	programming	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	95	21	teaching	teaching	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	22	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	23	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	95	24	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	25	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	26	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	27	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	28	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	30	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	95	31	took	take	VBD
work_cwux37xbfjeudej4q7qbjorfyy	95	32	place	place	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	33	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	34	response	response	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	35	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	95	36	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	95	37	staff	staff	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	38	directions	direction	NNS
work_cwux37xbfjeudej4q7qbjorfyy	95	39	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	95	40	industry	industry	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	41	changes	change	NNS
work_cwux37xbfjeudej4q7qbjorfyy	95	42	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	95	43	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	44	initiatives	initiative	NNS
work_cwux37xbfjeudej4q7qbjorfyy	95	45	seeking	seek	VBG
work_cwux37xbfjeudej4q7qbjorfyy	95	46	greater	great	JJR
work_cwux37xbfjeudej4q7qbjorfyy	95	47	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	95	48	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	96	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	96	2	commenced	commence	VBD
work_cwux37xbfjeudej4q7qbjorfyy	96	3	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	96	4	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	96	5	review	review	NN
work_cwux37xbfjeudej4q7qbjorfyy	96	6	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	96	7	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	96	8	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	96	9	programming	programming	NN
work_cwux37xbfjeudej4q7qbjorfyy	96	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	96	11	which	which	WDT
work_cwux37xbfjeudej4q7qbjorfyy	96	12	revealed	reveal	VBD
work_cwux37xbfjeudej4q7qbjorfyy	96	13	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	96	14	most	most	JJS
work_cwux37xbfjeudej4q7qbjorfyy	96	15	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	96	16	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	96	17	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	96	18	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	96	19	exclusively	exclusively	RB
work_cwux37xbfjeudej4q7qbjorfyy	96	20	programmed	program	VBD
work_cwux37xbfjeudej4q7qbjorfyy	96	21	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	96	22	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	96	23	male	male	JJ
work_cwux37xbfjeudej4q7qbjorfyy	96	24	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	96	25	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	97	1	Additionally	additionally	RB
work_cwux37xbfjeudej4q7qbjorfyy	97	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	97	3	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	97	4	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	97	5	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	97	6	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	97	7	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	97	8	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	97	9	playing	play	VBG
work_cwux37xbfjeudej4q7qbjorfyy	97	10	diverse	diverse	JJ
work_cwux37xbfjeudej4q7qbjorfyy	97	11	repertoire	repertoire	NN
work_cwux37xbfjeudej4q7qbjorfyy	97	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	97	13	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	97	14	actively	actively	RB
work_cwux37xbfjeudej4q7qbjorfyy	97	15	seeking	seek	VBG
work_cwux37xbfjeudej4q7qbjorfyy	97	16	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	97	17	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	97	18	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	97	19	representation	representation	NN
work_cwux37xbfjeudej4q7qbjorfyy	97	20	through	through	IN
work_cwux37xbfjeudej4q7qbjorfyy	97	21	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	97	22	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	97	23	Students	Students	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	97	24	Society	Society	NNP
work_cwux37xbfjeudej4q7qbjorfyy	97	25	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	97	26	MSS	MSS	NNP
work_cwux37xbfjeudej4q7qbjorfyy	97	27	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	97	28	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	97	29	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	97	30	had	have	VBD
work_cwux37xbfjeudej4q7qbjorfyy	97	31	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	97	32	presenting	present	VBG
work_cwux37xbfjeudej4q7qbjorfyy	97	33	Women	Women	NNP
work_cwux37xbfjeudej4q7qbjorfyy	97	34	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	97	35	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	97	36	concerts	concert	NNS
work_cwux37xbfjeudej4q7qbjorfyy	97	37	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	97	38	lecture	lecture	NN
work_cwux37xbfjeudej4q7qbjorfyy	97	39	series	series	NN
work_cwux37xbfjeudej4q7qbjorfyy	97	40	since	since	IN
work_cwux37xbfjeudej4q7qbjorfyy	97	41	20XX	20xx	CD
work_cwux37xbfjeudej4q7qbjorfyy	97	42	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	98	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	98	2	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	98	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	98	4	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	98	5	Diversity	Diversity	NNP
work_cwux37xbfjeudej4q7qbjorfyy	98	6	Officer	Officer	NNP
work_cwux37xbfjeudej4q7qbjorfyy	98	7	position	position	NN
work_cwux37xbfjeudej4q7qbjorfyy	98	8	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	98	9	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	98	10	School	School	NNP
work_cwux37xbfjeudej4q7qbjorfyy	98	11	Executive	Executive	NNP
work_cwux37xbfjeudej4q7qbjorfyy	98	12	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	98	13	established	establish	VBN
work_cwux37xbfjeudej4q7qbjorfyy	98	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	98	15	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	98	16	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	98	17	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	98	18	address	address	VB
work_cwux37xbfjeudej4q7qbjorfyy	98	19	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	98	20	issue	issue	NN
work_cwux37xbfjeudej4q7qbjorfyy	98	21	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	98	22	Conservatorium	conservatorium	NN
work_cwux37xbfjeudej4q7qbjorfyy	98	23	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	98	24	wide	wide	JJ
work_cwux37xbfjeudej4q7qbjorfyy	98	25	changes	change	NNS
work_cwux37xbfjeudej4q7qbjorfyy	98	26	began	begin	VBD
work_cwux37xbfjeudej4q7qbjorfyy	98	27	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	98	28	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	98	29	trialled	trialle	VBN
work_cwux37xbfjeudej4q7qbjorfyy	98	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	99	1	For	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	99	2	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	99	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	99	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	99	5	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	99	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	99	7	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	99	8	large	large	JJ
work_cwux37xbfjeudej4q7qbjorfyy	99	9	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	99	10	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	99	11	i.e.	i.e.	FW
work_cwux37xbfjeudej4q7qbjorfyy	100	1	symphony	symphony	NNP
work_cwux37xbfjeudej4q7qbjorfyy	100	2	orchestra	orchestra	NNP
work_cwux37xbfjeudej4q7qbjorfyy	100	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	100	4	symphonic	symphonic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	100	5	chorus	chorus	NN
work_cwux37xbfjeudej4q7qbjorfyy	100	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	100	7	wind	wind	NN
work_cwux37xbfjeudej4q7qbjorfyy	100	8	ensemble	ensemble	NN
work_cwux37xbfjeudej4q7qbjorfyy	100	9	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	100	10	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	100	11	required	require	VBN
work_cwux37xbfjeudej4q7qbjorfyy	100	12	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	100	13	work	work	VB
work_cwux37xbfjeudej4q7qbjorfyy	100	14	towards	towards	IN
work_cwux37xbfjeudej4q7qbjorfyy	100	15	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	100	16	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	100	17	balance	balance	NN
work_cwux37xbfjeudej4q7qbjorfyy	100	18	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	100	19	programs	program	NNS
work_cwux37xbfjeudej4q7qbjorfyy	100	20	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	100	21	conductors	conductor	NNS
work_cwux37xbfjeudej4q7qbjorfyy	100	22	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	100	23	guest	guest	NN
work_cwux37xbfjeudej4q7qbjorfyy	100	24	artists	artist	NNS
work_cwux37xbfjeudej4q7qbjorfyy	100	25	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	101	1	After	after	IN
work_cwux37xbfjeudej4q7qbjorfyy	101	2	some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	101	3	teething	teethe	VBG
work_cwux37xbfjeudej4q7qbjorfyy	101	4	problems	problem	NNS
work_cwux37xbfjeudej4q7qbjorfyy	101	5	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	101	6	mixed	mixed	JJ
work_cwux37xbfjeudej4q7qbjorfyy	101	7	feelings	feeling	NNS
work_cwux37xbfjeudej4q7qbjorfyy	101	8	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	101	9	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	101	10	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	101	11	implemented	implement	VBN
work_cwux37xbfjeudej4q7qbjorfyy	101	12	successfully	successfully	RB
work_cwux37xbfjeudej4q7qbjorfyy	101	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	101	14	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	101	15	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	101	16	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	101	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	101	18	staff	staff	NN
work_cwux37xbfjeudej4q7qbjorfyy	101	19	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	101	20	audience	audience	NN
work_cwux37xbfjeudej4q7qbjorfyy	101	21	response	response	NN
work_cwux37xbfjeudej4q7qbjorfyy	101	22	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	101	23	overwhelmingly	overwhelmingly	RB
work_cwux37xbfjeudej4q7qbjorfyy	101	24	positive	positive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	101	25	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	102	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	102	2	2020	2020	CD
work_cwux37xbfjeudej4q7qbjorfyy	102	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	102	4	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	102	5	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	102	6	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	102	7	expanded	expand	VBN
work_cwux37xbfjeudej4q7qbjorfyy	102	8	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	102	9	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	102	10	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	102	11	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	102	12	i.e.	i.e.	FW
work_cwux37xbfjeudej4q7qbjorfyy	103	1	quartets	quartets	NNP
work_cwux37xbfjeudej4q7qbjorfyy	103	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	103	3	chamber	chamber	NN
work_cwux37xbfjeudej4q7qbjorfyy	103	4	groups	group	NNS
work_cwux37xbfjeudej4q7qbjorfyy	103	5	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	103	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	103	7	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	103	8	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	103	9	bank	bank	NN
work_cwux37xbfjeudej4q7qbjorfyy	103	10	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	103	11	online	online	JJ
work_cwux37xbfjeudej4q7qbjorfyy	103	12	resources	resource	NNS
work_cwux37xbfjeudej4q7qbjorfyy	103	13	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	103	14	finding	find	VBG
work_cwux37xbfjeudej4q7qbjorfyy	103	15	material	material	NN
work_cwux37xbfjeudej4q7qbjorfyy	103	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	103	17	artists	artist	NNS
work_cwux37xbfjeudej4q7qbjorfyy	103	18	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	103	19	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	103	20	complied	comply	VBN
work_cwux37xbfjeudej4q7qbjorfyy	103	21	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	103	22	collaboration	collaboration	NN
work_cwux37xbfjeudej4q7qbjorfyy	103	23	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	103	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	103	25	MSS	MSS	NNP
work_cwux37xbfjeudej4q7qbjorfyy	103	26	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	103	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	103	28	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	103	29	library	library	NN
work_cwux37xbfjeudej4q7qbjorfyy	103	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	104	1	At	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	104	2	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	104	3	same	same	JJ
work_cwux37xbfjeudej4q7qbjorfyy	104	4	time	time	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	104	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	104	7	implementation	implementation	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	104	9	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	104	10	units	unit	NNS
work_cwux37xbfjeudej4q7qbjorfyy	104	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	104	12	updating	update	VBG
work_cwux37xbfjeudej4q7qbjorfyy	104	13	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	104	14	existing	exist	VBG
work_cwux37xbfjeudej4q7qbjorfyy	104	15	units	unit	NNS
work_cwux37xbfjeudej4q7qbjorfyy	104	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	104	17	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	104	18	number	number	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	19	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	104	20	events	event	NNS
work_cwux37xbfjeudej4q7qbjorfyy	104	21	designed	design	VBN
work_cwux37xbfjeudej4q7qbjorfyy	104	22	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	104	23	raise	raise	VB
work_cwux37xbfjeudej4q7qbjorfyy	104	24	awareness	awareness	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	25	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	104	26	connect	connect	VB
work_cwux37xbfjeudej4q7qbjorfyy	104	27	staff	staff	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	28	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	104	29	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	104	30	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	104	31	community	community	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	32	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	104	33	current	current	JJ
work_cwux37xbfjeudej4q7qbjorfyy	104	34	praxis	praxi	NNS
work_cwux37xbfjeudej4q7qbjorfyy	104	35	took	take	VBD
work_cwux37xbfjeudej4q7qbjorfyy	104	36	place	place	NN
work_cwux37xbfjeudej4q7qbjorfyy	104	37	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	105	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	105	2	review	review	NN
work_cwux37xbfjeudej4q7qbjorfyy	105	3	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	105	4	public	public	JJ
work_cwux37xbfjeudej4q7qbjorfyy	105	5	facing	face	VBG
work_cwux37xbfjeudej4q7qbjorfyy	105	6	activity	activity	NN
work_cwux37xbfjeudej4q7qbjorfyy	105	7	revealed	reveal	VBD
work_cwux37xbfjeudej4q7qbjorfyy	105	8	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	105	9	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	105	10	imbalance	imbalance	NN
work_cwux37xbfjeudej4q7qbjorfyy	105	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	105	12	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	105	13	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	105	14	highlighted	highlight	VBD
work_cwux37xbfjeudej4q7qbjorfyy	105	15	gaps	gap	NNS
work_cwux37xbfjeudej4q7qbjorfyy	105	16	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	105	17	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	105	18	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	105	19	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	105	20	internal	internal	JJ
work_cwux37xbfjeudej4q7qbjorfyy	105	21	activities	activity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	105	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	106	1	For	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	2	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	106	4	although	although	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	5	some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	106	6	examination	examination	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	7	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	8	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	10	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	11	had	have	VBD
work_cwux37xbfjeudej4q7qbjorfyy	106	12	existed	exist	VBN
work_cwux37xbfjeudej4q7qbjorfyy	106	13	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	14	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	106	15	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	106	16	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	17	at	at	RB
work_cwux37xbfjeudej4q7qbjorfyy	106	18	least	least	JJS
work_cwux37xbfjeudej4q7qbjorfyy	106	19	ten	ten	CD
work_cwux37xbfjeudej4q7qbjorfyy	106	20	years	year	NNS
work_cwux37xbfjeudej4q7qbjorfyy	106	21	through	through	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	22	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	106	23	small	small	JJ
work_cwux37xbfjeudej4q7qbjorfyy	106	24	module	module	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	25	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	26	honours	honour	NNS
work_cwux37xbfjeudej4q7qbjorfyy	106	27	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	28	Contemporary	Contemporary	NNP
work_cwux37xbfjeudej4q7qbjorfyy	106	29	Debates	Debates	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	106	30	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	106	31	nothing	nothing	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	32	existed	exist	VBD
work_cwux37xbfjeudej4q7qbjorfyy	106	33	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	106	34	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	106	35	bachelor	bachelor	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	36	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	106	37	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	107	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	2	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	107	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	107	4	Dr	Dr	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	5	Cecilia	Cecilia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	6	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	7	designed	design	VBD
work_cwux37xbfjeudej4q7qbjorfyy	107	8	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	107	9	taught	teach	VBD
work_cwux37xbfjeudej4q7qbjorfyy	107	10	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	107	11	first	first	JJ
work_cwux37xbfjeudej4q7qbjorfyy	107	12	class	class	NN
work_cwux37xbfjeudej4q7qbjorfyy	107	13	devoted	devote	VBN
work_cwux37xbfjeudej4q7qbjorfyy	107	14	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	15	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	107	16	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	17	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	107	18	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	19	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	107	20	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	21	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	22	Western	Western	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	23	Australia	Australia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	24	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	107	25	UWA).11	UWA).11	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	26	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	107	27	had	have	VBD
work_cwux37xbfjeudej4q7qbjorfyy	107	28	come	come	VBN
work_cwux37xbfjeudej4q7qbjorfyy	107	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	30	musicological	musicological	JJ
work_cwux37xbfjeudej4q7qbjorfyy	107	31	age	age	NN
work_cwux37xbfjeudej4q7qbjorfyy	107	32	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	33	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	107	34	time	time	NN
work_cwux37xbfjeudej4q7qbjorfyy	107	35	when	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	107	36	there	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	107	37	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	107	38	two	two	CD
work_cwux37xbfjeudej4q7qbjorfyy	107	39	distinctive	distinctive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	107	40	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	107	41	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	107	42	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	107	43	always	always	RB
work_cwux37xbfjeudej4q7qbjorfyy	107	44	mutually	mutually	RB
work_cwux37xbfjeudej4q7qbjorfyy	107	45	exclusive	exclusive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	107	46	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	107	47	scholarly	scholarly	JJ
work_cwux37xbfjeudej4q7qbjorfyy	107	48	paths	path	NNS
work_cwux37xbfjeudej4q7qbjorfyy	107	49	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	50	those	those	DT
work_cwux37xbfjeudej4q7qbjorfyy	107	51	interested	interested	JJ
work_cwux37xbfjeudej4q7qbjorfyy	107	52	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	107	53	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	107	54	area	area	NN
work_cwux37xbfjeudej4q7qbjorfyy	107	55	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	108	1	First	first	RB
work_cwux37xbfjeudej4q7qbjorfyy	108	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	108	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	108	4	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	108	5	Women	Women	NNP
work_cwux37xbfjeudej4q7qbjorfyy	108	6	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	108	7	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	108	8	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	108	9	option	option	NN
work_cwux37xbfjeudej4q7qbjorfyy	108	10	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	108	11	where	where	WRB
work_cwux37xbfjeudej4q7qbjorfyy	108	12	scholars	scholar	NNS
work_cwux37xbfjeudej4q7qbjorfyy	108	13	applied	apply	VBD
work_cwux37xbfjeudej4q7qbjorfyy	108	14	traditional	traditional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	108	15	modes	mode	NNS
work_cwux37xbfjeudej4q7qbjorfyy	108	16	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	108	17	musicological	musicological	JJ
work_cwux37xbfjeudej4q7qbjorfyy	108	18	inquiry	inquiry	NN
work_cwux37xbfjeudej4q7qbjorfyy	108	19	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	108	20	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	108	21	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	108	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	109	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	109	2	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	109	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	109	4	period	period	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	5	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	109	6	produced	produce	VBD
work_cwux37xbfjeudej4q7qbjorfyy	109	7	landmark	landmark	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	8	biographies	biography	NNS
work_cwux37xbfjeudej4q7qbjorfyy	109	9	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	109	10	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	109	11	those	those	DT
work_cwux37xbfjeudej4q7qbjorfyy	109	12	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	109	13	Nancy	Nancy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	14	Reich	Reich	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	15	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	109	16	Clara	Clara	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	17	Wieck	Wieck	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	18	Schumann	Schumann	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	109	20	Judith	Judith	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	21	Tick	Tick	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	22	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	109	23	Ruth	Ruth	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	24	Crawford	Crawford	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	25	Seeger	Seeger	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	109	27	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	109	28	Adrienne	Adrienne	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	29	Fried	Fried	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	30	Block	Block	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	31	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	109	32	Amy	Amy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	33	Beach.12	beach.12	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	34	And	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	109	35	second	second	RB
work_cwux37xbfjeudej4q7qbjorfyy	109	36	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	109	37	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	109	38	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	109	39	Gender	Gender	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	40	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	109	41	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	109	42	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	109	43	option	option	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	44	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	109	45	that	that	RB
work_cwux37xbfjeudej4q7qbjorfyy	109	46	is	is	RB
work_cwux37xbfjeudej4q7qbjorfyy	109	47	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	109	48	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	109	49	use	use	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	50	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	109	51	feminist	feminist	JJ
work_cwux37xbfjeudej4q7qbjorfyy	109	52	theory	theory	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	53	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	109	54	critique	critique	VB
work_cwux37xbfjeudej4q7qbjorfyy	109	55	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	109	56	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	109	57	male	male	JJ
work_cwux37xbfjeudej4q7qbjorfyy	109	58	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	109	59	classical	classical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	109	60	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	61	canon	canon	NN
work_cwux37xbfjeudej4q7qbjorfyy	109	62	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	110	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	110	2	included	include	VBD
work_cwux37xbfjeudej4q7qbjorfyy	110	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	110	4	paradigm	paradigm	NN
work_cwux37xbfjeudej4q7qbjorfyy	110	5	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	110	6	shifting	shift	VBG
work_cwux37xbfjeudej4q7qbjorfyy	110	7	scholarship	scholarship	NN
work_cwux37xbfjeudej4q7qbjorfyy	110	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	110	9	Susan	Susan	NNP
work_cwux37xbfjeudej4q7qbjorfyy	110	10	McClary	McClary	NNP
work_cwux37xbfjeudej4q7qbjorfyy	110	11	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	110	12	Suzanne	Suzanne	NNP
work_cwux37xbfjeudej4q7qbjorfyy	110	13	Cusick.13	Cusick.13	NNP
work_cwux37xbfjeudej4q7qbjorfyy	110	14	While	while	IN
work_cwux37xbfjeudej4q7qbjorfyy	110	15	acknowledging	acknowledge	VBG
work_cwux37xbfjeudej4q7qbjorfyy	110	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	110	17	importance	importance	NN
work_cwux37xbfjeudej4q7qbjorfyy	110	18	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	110	19	scholarship	scholarship	NN
work_cwux37xbfjeudej4q7qbjorfyy	110	20	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	110	21	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	110	22	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	110	23	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	110	24	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	110	25	latter	latter	JJ
work_cwux37xbfjeudej4q7qbjorfyy	110	26	option	option	NN
work_cwux37xbfjeudej4q7qbjorfyy	110	27	seemed	seem	VBD
work_cwux37xbfjeudej4q7qbjorfyy	110	28	like	like	IN
work_cwux37xbfjeudej4q7qbjorfyy	110	29	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	110	30	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	110	31	exciting	exciting	JJ
work_cwux37xbfjeudej4q7qbjorfyy	110	32	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	110	33	progressive	progressive	JJ
work_cwux37xbfjeudej4q7qbjorfyy	110	34	path	path	NN
work_cwux37xbfjeudej4q7qbjorfyy	110	35	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	111	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	111	2	belated	belate	VBN
work_cwux37xbfjeudej4q7qbjorfyy	111	3	introduction	introduction	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	5	feminist	feminist	JJ
work_cwux37xbfjeudej4q7qbjorfyy	111	6	theory	theory	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	7	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	8	musicology	musicology	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	9	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	111	10	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	12	what	what	WP
work_cwux37xbfjeudej4q7qbjorfyy	111	13	many	many	JJ
work_cwux37xbfjeudej4q7qbjorfyy	111	14	felt	feel	VBD
work_cwux37xbfjeudej4q7qbjorfyy	111	15	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	111	16	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	111	17	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	111	18	necessary	necessary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	111	19	move	move	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	20	away	away	RB
work_cwux37xbfjeudej4q7qbjorfyy	111	21	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	22	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	111	23	old	old	JJ
work_cwux37xbfjeudej4q7qbjorfyy	111	24	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	111	25	fashioned	fashioned	JJ
work_cwux37xbfjeudej4q7qbjorfyy	111	26	positivistic	positivistic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	111	27	approach	approach	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	28	towards	towards	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	29	what	what	WP
work_cwux37xbfjeudej4q7qbjorfyy	111	30	Joseph	Joseph	NNP
work_cwux37xbfjeudej4q7qbjorfyy	111	31	Kerman	Kerman	NNP
work_cwux37xbfjeudej4q7qbjorfyy	111	32	famously	famously	RB
work_cwux37xbfjeudej4q7qbjorfyy	111	33	called	call	VBD
work_cwux37xbfjeudej4q7qbjorfyy	111	34	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	35	criticism.14	criticism.14	NNP
work_cwux37xbfjeudej4q7qbjorfyy	111	36	There	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	111	37	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	111	38	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	111	39	galvanizing	galvanize	VBG
work_cwux37xbfjeudej4q7qbjorfyy	111	40	scholarship	scholarship	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	41	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	42	constructions	construction	NNS
work_cwux37xbfjeudej4q7qbjorfyy	111	43	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	111	44	masculinity	masculinity	NN
work_cwux37xbfjeudej4q7qbjorfyy	111	45	9	9	CD
work_cwux37xbfjeudej4q7qbjorfyy	111	46	Citron	Citron	NNP
work_cwux37xbfjeudej4q7qbjorfyy	111	47	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	111	48	M.	M.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	111	49	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	111	50	1993	1993	CD
work_cwux37xbfjeudej4q7qbjorfyy	111	51	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	111	52	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	112	1	Gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	112	2	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	112	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	112	4	musical	musical	JJ
work_cwux37xbfjeudej4q7qbjorfyy	112	5	canon	canon	NN
work_cwux37xbfjeudej4q7qbjorfyy	112	6	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	113	1	Cambridge	Cambridge	NNP
work_cwux37xbfjeudej4q7qbjorfyy	113	2	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	113	3	Cambridge	Cambridge	NNP
work_cwux37xbfjeudej4q7qbjorfyy	113	4	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	113	5	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	113	6	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	114	1	10	10	CD
work_cwux37xbfjeudej4q7qbjorfyy	114	2	“	"	``
work_cwux37xbfjeudej4q7qbjorfyy	114	3	Keychange	Keychange	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	4	Manifesto	Manifesto	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	5	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	114	6	Recommendations	recommendation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	114	7	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	8	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	9	Gender	Gender	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	10	Balanced	Balanced	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	11	Industry	Industry	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	12	”	"	''
work_cwux37xbfjeudej4q7qbjorfyy	114	13	can	can	MD
work_cwux37xbfjeudej4q7qbjorfyy	114	14	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	114	15	found	find	VBN
work_cwux37xbfjeudej4q7qbjorfyy	114	16	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	17	https://keychange.eu/wp-	https://keychange.eu/wp-	ADD
work_cwux37xbfjeudej4q7qbjorfyy	114	18	content	content	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	19	/	/	SYM
work_cwux37xbfjeudej4q7qbjorfyy	114	20	uploads/2018/11/1052-keychange	uploads/2018/11/1052-keychange	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	21	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	114	22	A5-v15-web.pdf	a5-v15-web.pdf	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	23	11	11	CD
work_cwux37xbfjeudej4q7qbjorfyy	114	24	Sun	Sun	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	25	had	have	VBD
work_cwux37xbfjeudej4q7qbjorfyy	114	26	previously	previously	RB
work_cwux37xbfjeudej4q7qbjorfyy	114	27	offered	offer	VBN
work_cwux37xbfjeudej4q7qbjorfyy	114	28	classes	class	NNS
work_cwux37xbfjeudej4q7qbjorfyy	114	29	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	30	some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	31	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	32	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	33	material	material	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	34	before	before	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	35	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	36	other	other	JJ
work_cwux37xbfjeudej4q7qbjorfyy	114	37	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	114	38	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	114	39	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	114	40	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	41	XXXX	XXXX	NNP
work_cwux37xbfjeudej4q7qbjorfyy	114	42	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	114	43	however	however	RB
work_cwux37xbfjeudej4q7qbjorfyy	114	44	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	45	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	114	46	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	47	first	first	JJ
work_cwux37xbfjeudej4q7qbjorfyy	114	48	time	time	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	49	offering	offer	VBG
work_cwux37xbfjeudej4q7qbjorfyy	114	50	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	51	class	class	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	52	under	under	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	53	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	54	title	title	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	55	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	56	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	114	57	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	58	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	59	rather	rather	RB
work_cwux37xbfjeudej4q7qbjorfyy	114	60	than	than	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	61	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	114	62	broader	broad	JJR
work_cwux37xbfjeudej4q7qbjorfyy	114	63	umbrella	umbrella	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	64	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	114	65	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	66	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	114	67	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	114	68	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	115	1	12	12	CD
work_cwux37xbfjeudej4q7qbjorfyy	115	2	Nancy	Nancy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	3	B.	B.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	4	Reich	Reich	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	6	Clara	Clara	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	7	Schumann	Schumann	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	8	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	115	9	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	115	10	Artist	Artist	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	11	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	115	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	115	13	Woman	Woman	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	14	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	115	15	Ithaca	Ithaca	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	16	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	17	NY	NY	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	18	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	115	19	Cornell	Cornell	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	20	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	21	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	22	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	23	1985	1985	CD
work_cwux37xbfjeudej4q7qbjorfyy	115	24	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	115	25	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	115	26	Judith	Judith	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	27	Tick	Tick	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	28	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	29	Ruth	Ruth	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	30	Crawford	Crawford	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	31	Seeger	Seeger	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	32	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	115	33	A	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	115	34	Composer	Composer	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	35	’s	’s	,
work_cwux37xbfjeudej4q7qbjorfyy	115	36	Search	Search	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	37	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	115	38	American	American	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	39	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	40	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	115	41	New	New	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	42	York	York	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	43	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	115	44	Oxford	Oxford	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	45	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	46	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	47	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	48	1997	1997	CD
work_cwux37xbfjeudej4q7qbjorfyy	115	49	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	115	50	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	115	51	Adrienne	Adrienne	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	52	Fried	Fried	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	53	Block	Block	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	54	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	55	Amy	Amy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	56	Beach	Beach	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	57	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	58	Passionate	passionate	JJ
work_cwux37xbfjeudej4q7qbjorfyy	115	59	Victorian	Victorian	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	60	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	115	61	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	115	62	Life	Life	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	63	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	115	64	Work	Work	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	65	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	115	66	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	115	67	American	American	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	68	Composer	Composer	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	69	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	70	1867–1944	1867–1944	CD
work_cwux37xbfjeudej4q7qbjorfyy	115	71	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	115	72	New	New	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	73	York	York	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	74	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	115	75	Oxford	Oxford	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	76	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	77	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	115	78	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	115	79	1998	1998	CD
work_cwux37xbfjeudej4q7qbjorfyy	115	80	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	115	81	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	116	1	13	13	CD
work_cwux37xbfjeudej4q7qbjorfyy	116	2	See	see	VBP
work_cwux37xbfjeudej4q7qbjorfyy	116	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	4	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	116	5	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	116	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	7	Susan	Susan	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	8	McClary	McClary	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	9	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	10	Feminine	Feminine	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	11	Endings	Endings	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	116	12	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	116	13	Music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	116	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	15	Gender	Gender	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	16	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	116	18	Sexuality	Sexuality	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	19	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	116	20	Minneapolis	Minneapolis	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	21	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	116	22	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	23	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	116	24	Minnesota	Minnesota	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	25	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	27	1991	1991	CD
work_cwux37xbfjeudej4q7qbjorfyy	116	28	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	116	29	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	116	30	Suzanne	Suzanne	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	31	Cusick	Cusick	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	32	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	33	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	116	34	Gendering	gendere	VBG
work_cwux37xbfjeudej4q7qbjorfyy	116	35	Modern	modern	JJ
work_cwux37xbfjeudej4q7qbjorfyy	116	36	Music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	116	37	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	116	38	Thoughts	thought	NNS
work_cwux37xbfjeudej4q7qbjorfyy	116	39	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	116	40	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	116	41	Monteverdi	Monteverdi	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	42	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	116	43	Artusi	Artusi	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	44	Controversy	Controversy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	45	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	46	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	116	47	Journal	Journal	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	48	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	116	49	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	116	50	American	American	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	51	Musicological	Musicological	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	52	Society	Society	NNP
work_cwux37xbfjeudej4q7qbjorfyy	116	53	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	116	54	46	46	CD
work_cwux37xbfjeudej4q7qbjorfyy	116	55	no	no	UH
work_cwux37xbfjeudej4q7qbjorfyy	116	56	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	117	1	1	1	LS
work_cwux37xbfjeudej4q7qbjorfyy	117	2	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	117	3	April	April	NNP
work_cwux37xbfjeudej4q7qbjorfyy	117	4	1993	1993	CD
work_cwux37xbfjeudej4q7qbjorfyy	117	5	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	117	6	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	117	7	1–25	1–25	CD
work_cwux37xbfjeudej4q7qbjorfyy	117	8	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	118	1	14	14	CD
work_cwux37xbfjeudej4q7qbjorfyy	118	2	Joseph	Joseph	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	3	Kerman	Kerman	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	4	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	118	5	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	118	6	How	how	WRB
work_cwux37xbfjeudej4q7qbjorfyy	118	7	We	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	118	8	Got	got	VBP
work_cwux37xbfjeudej4q7qbjorfyy	118	9	Into	into	IN
work_cwux37xbfjeudej4q7qbjorfyy	118	10	Analysis	Analysis	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	11	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	118	12	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	118	13	How	how	WRB
work_cwux37xbfjeudej4q7qbjorfyy	118	14	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	118	15	Get	get	VB
work_cwux37xbfjeudej4q7qbjorfyy	118	16	Out	out	RP
work_cwux37xbfjeudej4q7qbjorfyy	118	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	118	18	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	118	19	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	118	20	Write	Write	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	21	All	all	PDT
work_cwux37xbfjeudej4q7qbjorfyy	118	22	These	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	118	23	Down	down	RB
work_cwux37xbfjeudej4q7qbjorfyy	118	24	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	118	25	Essays	essay	NNS
work_cwux37xbfjeudej4q7qbjorfyy	118	26	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	118	27	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	28	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	118	29	Berkeley	Berkeley	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	30	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	118	31	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	32	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	118	33	California	California	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	34	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	118	35	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	118	36	1994	1994	CD
work_cwux37xbfjeudej4q7qbjorfyy	118	37	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	118	38	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	118	39	12–32	12–32	CD
work_cwux37xbfjeudej4q7qbjorfyy	118	40	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	119	1	https://keychange.eu/wp-content/uploads/2018/11/1052-keychange-A5-v15-web.pdf	https://keychange.eu/wp-content/uploads/2018/11/1052-keychange-A5-v15-web.pdf	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	2	https://keychange.eu/wp-content/uploads/2018/11/1052-keychange-A5-v15-web.pdf	https://keychange.eu/wp-content/uploads/2018/11/1052-keychange-A5-v15-web.pdf	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	3	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	119	4	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	5	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	119	7	Robert	Robert	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	8	Walser	Walser	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	9	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	119	10	1991	1991	CD
work_cwux37xbfjeudej4q7qbjorfyy	119	11	book	book	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	12	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	13	heavy	heavy	JJ
work_cwux37xbfjeudej4q7qbjorfyy	119	14	metal	metal	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	15	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	119	16	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	119	17	queer	queer	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	18	theory	theory	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	19	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	119	20	including	include	VBG
work_cwux37xbfjeudej4q7qbjorfyy	119	21	Philip	Philip	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	22	Brett	Brett	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	23	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	119	24	ground	ground	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	25	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	119	26	breaking	break	VBG
work_cwux37xbfjeudej4q7qbjorfyy	119	27	studies	study	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	28	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	29	Benjamin	Benjamin	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	30	Britten	Britten	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	31	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	119	32	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	119	33	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	34	publication	publication	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	35	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	36	Queering	queer	VBG
work_cwux37xbfjeudej4q7qbjorfyy	119	37	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	38	Pitch	Pitch	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	39	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	40	1994	1994	CD
work_cwux37xbfjeudej4q7qbjorfyy	119	41	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	119	42	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	119	43	defined	define	VBD
work_cwux37xbfjeudej4q7qbjorfyy	119	44	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	45	field	field	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	46	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	47	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	48	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	119	49	gender.15	gender.15	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	50	At	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	51	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	52	time	time	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	53	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	54	new	new	JJ
work_cwux37xbfjeudej4q7qbjorfyy	119	55	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	56	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	57	UWA	UWA	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	58	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	119	59	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	60	development	development	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	61	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	119	62	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	63	#	#	$
work_cwux37xbfjeudej4q7qbjorfyy	119	64	MeToo	MeToo	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	65	movement	movement	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	66	had	have	VBD
work_cwux37xbfjeudej4q7qbjorfyy	119	67	yet	yet	RB
work_cwux37xbfjeudej4q7qbjorfyy	119	68	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	119	69	gather	gather	VB
work_cwux37xbfjeudej4q7qbjorfyy	119	70	steam	steam	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	71	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	119	72	but	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	119	73	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	74	changing	change	VBG
work_cwux37xbfjeudej4q7qbjorfyy	119	75	global	global	JJ
work_cwux37xbfjeudej4q7qbjorfyy	119	76	political	political	JJ
work_cwux37xbfjeudej4q7qbjorfyy	119	77	climate	climate	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	78	around	around	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	79	issues	issue	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	80	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	81	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	82	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	119	83	rights	right	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	84	made	make	VBD
work_cwux37xbfjeudej4q7qbjorfyy	119	85	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	119	86	seem	seem	VB
work_cwux37xbfjeudej4q7qbjorfyy	119	87	urgent	urgent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	119	88	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	89	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	90	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	119	91	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	119	92	at	at	RB
work_cwux37xbfjeudej4q7qbjorfyy	119	93	least	least	RBS
work_cwux37xbfjeudej4q7qbjorfyy	119	94	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	119	95	class	class	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	96	devoted	devote	VBN
work_cwux37xbfjeudej4q7qbjorfyy	119	97	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	98	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	99	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	100	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	101	when	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	119	102	most	most	JJS
work_cwux37xbfjeudej4q7qbjorfyy	119	103	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	104	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	119	105	others	other	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	106	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	119	107	de	de	FW
work_cwux37xbfjeudej4q7qbjorfyy	119	108	facto	facto	FW
work_cwux37xbfjeudej4q7qbjorfyy	119	109	units	unit	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	110	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	111	men	man	NNS
work_cwux37xbfjeudej4q7qbjorfyy	119	112	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	119	113	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	119	114	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	120	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	120	2	title	title	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	3	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	120	4	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	120	5	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	6	does	do	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	120	7	run	run	VB
work_cwux37xbfjeudej4q7qbjorfyy	120	8	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	120	9	risk	risk	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	10	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	120	11	ghettoizing	ghettoize	VBG
work_cwux37xbfjeudej4q7qbjorfyy	120	12	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	120	13	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	120	14	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	120	15	already	already	RB
work_cwux37xbfjeudej4q7qbjorfyy	120	16	marginal	marginal	JJ
work_cwux37xbfjeudej4q7qbjorfyy	120	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	120	18	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	120	19	may	may	MD
work_cwux37xbfjeudej4q7qbjorfyy	120	20	seem	seem	VB
work_cwux37xbfjeudej4q7qbjorfyy	120	21	old	old	JJ
work_cwux37xbfjeudej4q7qbjorfyy	120	22	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	120	23	fashioned	fashioned	JJ
work_cwux37xbfjeudej4q7qbjorfyy	120	24	given	give	VBN
work_cwux37xbfjeudej4q7qbjorfyy	120	25	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	120	26	current	current	JJ
work_cwux37xbfjeudej4q7qbjorfyy	120	27	understanding	understanding	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	28	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	120	29	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	120	30	fluidity	fluidity	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	31	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	120	32	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	33	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	120	34	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	35	roles	role	NNS
work_cwux37xbfjeudej4q7qbjorfyy	120	36	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	120	37	but	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	120	38	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	120	39	hope	hope	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	40	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	120	41	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	120	42	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	120	43	would	would	MD
work_cwux37xbfjeudej4q7qbjorfyy	120	44	compensate	compensate	VB
work_cwux37xbfjeudej4q7qbjorfyy	120	45	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	120	46	providing	provide	VBG
work_cwux37xbfjeudej4q7qbjorfyy	120	47	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	120	48	overwhelmingly	overwhelmingly	RB
work_cwux37xbfjeudej4q7qbjorfyy	120	49	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	120	50	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	51	body	body	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	52	important	important	JJ
work_cwux37xbfjeudej4q7qbjorfyy	120	53	role	role	NN
work_cwux37xbfjeudej4q7qbjorfyy	120	54	models	model	NNS
work_cwux37xbfjeudej4q7qbjorfyy	120	55	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	121	1	Another	another	DT
work_cwux37xbfjeudej4q7qbjorfyy	121	2	prime	prime	JJ
work_cwux37xbfjeudej4q7qbjorfyy	121	3	motivation	motivation	NN
work_cwux37xbfjeudej4q7qbjorfyy	121	4	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	121	5	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	121	6	discover	discover	VB
work_cwux37xbfjeudej4q7qbjorfyy	121	7	what	what	WP
work_cwux37xbfjeudej4q7qbjorfyy	121	8	different	different	JJ
work_cwux37xbfjeudej4q7qbjorfyy	121	9	kinds	kind	NNS
work_cwux37xbfjeudej4q7qbjorfyy	121	10	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	121	11	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	121	12	histories	history	NNS
work_cwux37xbfjeudej4q7qbjorfyy	121	13	can	can	MD
work_cwux37xbfjeudej4q7qbjorfyy	121	14	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	121	15	told	tell	VBN
work_cwux37xbfjeudej4q7qbjorfyy	121	16	when	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	121	17	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	121	18	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	121	19	placed	place	VBN
work_cwux37xbfjeudej4q7qbjorfyy	121	20	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	121	21	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	121	22	centre	centre	NN
work_cwux37xbfjeudej4q7qbjorfyy	121	23	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	121	24	that	that	DT
work_cwux37xbfjeudej4q7qbjorfyy	121	25	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	121	26	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	122	1	With	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	122	2	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	122	3	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	122	4	mind	mind	NN
work_cwux37xbfjeudej4q7qbjorfyy	122	5	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	122	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	122	7	Women	Women	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	122	8	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	122	9	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	122	10	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	122	11	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	122	12	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	122	13	just	just	RB
work_cwux37xbfjeudej4q7qbjorfyy	122	14	about	about	IN
work_cwux37xbfjeudej4q7qbjorfyy	122	15	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	122	16	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	122	17	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	123	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	123	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	123	3	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	123	4	because	because	IN
work_cwux37xbfjeudej4q7qbjorfyy	123	5	there	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	123	6	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	123	7	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	123	8	enough	enough	JJ
work_cwux37xbfjeudej4q7qbjorfyy	123	9	worthy	worthy	JJ
work_cwux37xbfjeudej4q7qbjorfyy	123	10	candidates	candidate	NNS
work_cwux37xbfjeudej4q7qbjorfyy	123	11	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	123	12	fill	fill	VB
work_cwux37xbfjeudej4q7qbjorfyy	123	13	twelve	twelve	CD
work_cwux37xbfjeudej4q7qbjorfyy	123	14	weeks	week	NNS
work_cwux37xbfjeudej4q7qbjorfyy	123	15	—	—	:
work_cwux37xbfjeudej4q7qbjorfyy	123	16	there	there	EX
work_cwux37xbfjeudej4q7qbjorfyy	123	17	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	123	18	—	—	:
work_cwux37xbfjeudej4q7qbjorfyy	123	19	but	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	123	20	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	123	21	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	123	22	contributions	contribution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	123	23	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	123	24	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	123	25	expand	expand	VB
work_cwux37xbfjeudej4q7qbjorfyy	123	26	far	far	RB
work_cwux37xbfjeudej4q7qbjorfyy	123	27	beyond	beyond	IN
work_cwux37xbfjeudej4q7qbjorfyy	123	28	composition	composition	NN
work_cwux37xbfjeudej4q7qbjorfyy	123	29	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	124	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	124	2	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	124	3	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	124	4	opportunity	opportunity	NN
work_cwux37xbfjeudej4q7qbjorfyy	124	5	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	124	6	attempt	attempt	VB
work_cwux37xbfjeudej4q7qbjorfyy	124	7	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	124	8	construct	construct	VB
work_cwux37xbfjeudej4q7qbjorfyy	124	9	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	124	10	class	class	NN
work_cwux37xbfjeudej4q7qbjorfyy	124	11	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	124	12	moved	move	VBD
work_cwux37xbfjeudej4q7qbjorfyy	124	13	away	away	RB
work_cwux37xbfjeudej4q7qbjorfyy	124	14	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	124	15	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	124	16	traditional	traditional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	124	17	Great	Great	NNP
work_cwux37xbfjeudej4q7qbjorfyy	124	18	Man	Man	NNP
work_cwux37xbfjeudej4q7qbjorfyy	124	19	/	/	SYM
work_cwux37xbfjeudej4q7qbjorfyy	124	20	Great	Great	NNP
work_cwux37xbfjeudej4q7qbjorfyy	124	21	Work	Work	NNP
work_cwux37xbfjeudej4q7qbjorfyy	124	22	model	model	NN
work_cwux37xbfjeudej4q7qbjorfyy	124	23	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	125	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	2	rejecting	reject	VBG
work_cwux37xbfjeudej4q7qbjorfyy	125	3	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	125	4	assumption	assumption	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	5	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	125	7	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	125	8	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	9	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	10	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	11	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	125	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	125	13	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	15	composition	composition	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	16	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	125	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	125	18	David	David	NNP
work_cwux37xbfjeudej4q7qbjorfyy	125	19	Schiff	Schiff	NNP
work_cwux37xbfjeudej4q7qbjorfyy	125	20	offered	offer	VBD
work_cwux37xbfjeudej4q7qbjorfyy	125	21	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	125	22	alternative	alternative	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	23	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	125	24	Until	until	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	25	recently	recently	RB
work_cwux37xbfjeudej4q7qbjorfyy	125	26	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	125	27	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	28	course	course	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	29	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	125	30	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	125	31	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	125	32	played	play	VBN
work_cwux37xbfjeudej4q7qbjorfyy	125	33	very	very	RB
work_cwux37xbfjeudej4q7qbjorfyy	125	34	little	little	JJ
work_cwux37xbfjeudej4q7qbjorfyy	125	35	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	36	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	125	37	composition	composition	NN
work_cwux37xbfjeudej4q7qbjorfyy	125	38	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	126	1	…	…	NFP
work_cwux37xbfjeudej4q7qbjorfyy	126	2	But	but	CC
work_cwux37xbfjeudej4q7qbjorfyy	126	3	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	126	4	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	126	5	long	long	RB
work_cwux37xbfjeudej4q7qbjorfyy	126	6	played	play	VBN
work_cwux37xbfjeudej4q7qbjorfyy	126	7	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	126	8	great	great	JJ
work_cwux37xbfjeudej4q7qbjorfyy	126	9	role	role	NN
work_cwux37xbfjeudej4q7qbjorfyy	126	10	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	126	11	performance	performance	NN
work_cwux37xbfjeudej4q7qbjorfyy	126	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	126	13	patronage	patronage	NN
work_cwux37xbfjeudej4q7qbjorfyy	126	14	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	126	15	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	126	16	pedagogy	pedagogy	NN
work_cwux37xbfjeudej4q7qbjorfyy	126	17	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	127	1	Imagine	imagine	VB
work_cwux37xbfjeudej4q7qbjorfyy	127	2	twentieth	twentieth	JJ
work_cwux37xbfjeudej4q7qbjorfyy	127	3	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	127	4	century	century	NN
work_cwux37xbfjeudej4q7qbjorfyy	127	5	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	127	6	without	without	IN
work_cwux37xbfjeudej4q7qbjorfyy	127	7	Wanda	Wanda	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	8	Landowska	Landowska	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	9	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	127	10	Nadia	Nadia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	11	Boulanger	Boulanger	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	127	13	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	127	14	Princess	Princess	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	15	de	de	IN
work_cwux37xbfjeudej4q7qbjorfyy	127	16	Polignac	Polignac	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	17	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	127	18	Elizabeth	Elizabeth	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	19	Sprague	Sprague	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	20	Coolidge	Coolidge	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	21	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	127	22	Betty	Betty	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	23	Freeman	Freeman	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	127	25	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	127	26	Rosina	Rosina	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	27	Lhévinne	Lhévinne	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	28	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	127	29	Dorothy	Dorothy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	30	DeLay	DeLay	NNP
work_cwux37xbfjeudej4q7qbjorfyy	127	31	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	128	1	If	if	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	2	performers	performer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	128	3	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	128	4	given	give	VBN
work_cwux37xbfjeudej4q7qbjorfyy	128	5	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	128	6	rightful	rightful	JJ
work_cwux37xbfjeudej4q7qbjorfyy	128	7	place	place	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	8	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	9	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	128	10	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	12	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	13	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	128	14	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	128	15	could	could	MD
work_cwux37xbfjeudej4q7qbjorfyy	128	16	easily	easily	RB
work_cwux37xbfjeudej4q7qbjorfyy	128	17	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	128	18	shown	show	VBN
work_cwux37xbfjeudej4q7qbjorfyy	128	19	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	20	Callas	Callas	NNP
work_cwux37xbfjeudej4q7qbjorfyy	128	21	exerted	exert	VBD
work_cwux37xbfjeudej4q7qbjorfyy	128	22	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	128	23	far	far	RB
work_cwux37xbfjeudej4q7qbjorfyy	128	24	greater	great	JJR
work_cwux37xbfjeudej4q7qbjorfyy	128	25	influence	influence	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	26	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	27	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	128	28	course	course	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	30	opera	opera	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	31	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	32	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	128	33	past	past	JJ
work_cwux37xbfjeudej4q7qbjorfyy	128	34	forty	forty	CD
work_cwux37xbfjeudej4q7qbjorfyy	128	35	years	year	NNS
work_cwux37xbfjeudej4q7qbjorfyy	128	36	than	than	IN
work_cwux37xbfjeudej4q7qbjorfyy	128	37	any	any	DT
work_cwux37xbfjeudej4q7qbjorfyy	128	38	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	128	39	did	do	VBD
work_cwux37xbfjeudej4q7qbjorfyy	128	40	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	129	1	Might	may	MD
work_cwux37xbfjeudej4q7qbjorfyy	129	2	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	129	3	feminist	feminist	VB
work_cwux37xbfjeudej4q7qbjorfyy	129	4	musicology	musicology	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	5	profitably	profitably	RB
work_cwux37xbfjeudej4q7qbjorfyy	129	6	shift	shift	VB
work_cwux37xbfjeudej4q7qbjorfyy	129	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	129	8	focus	focus	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	9	away	away	RB
work_cwux37xbfjeudej4q7qbjorfyy	129	10	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	129	11	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	129	12	male	male	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	13	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	129	14	controlled	control	VBN
work_cwux37xbfjeudej4q7qbjorfyy	129	15	cultural	cultural	JJ
work_cwux37xbfjeudej4q7qbjorfyy	129	16	product	product	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	17	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	129	18	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	129	19	female	female	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	20	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	129	21	centred	centre	VBN
work_cwux37xbfjeudej4q7qbjorfyy	129	22	cultural	cultural	JJ
work_cwux37xbfjeudej4q7qbjorfyy	129	23	process	process	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	24	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	129	25	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	129	26	celebrate	celebrate	VB
work_cwux37xbfjeudej4q7qbjorfyy	129	27	these	these	DT
work_cwux37xbfjeudej4q7qbjorfyy	129	28	areas	area	NNS
work_cwux37xbfjeudej4q7qbjorfyy	129	29	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	129	30	real	real	JJ
work_cwux37xbfjeudej4q7qbjorfyy	129	31	feminine	feminine	JJ
work_cwux37xbfjeudej4q7qbjorfyy	129	32	dominance	dominance	NN
work_cwux37xbfjeudej4q7qbjorfyy	129	33	?	?	.
work_cwux37xbfjeudej4q7qbjorfyy	130	1	Our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	130	2	notion	notion	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	3	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	130	4	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	5	would	would	MD
work_cwux37xbfjeudej4q7qbjorfyy	130	6	be	be	VB
work_cwux37xbfjeudej4q7qbjorfyy	130	7	appropriately	appropriately	RB
work_cwux37xbfjeudej4q7qbjorfyy	130	8	challenged	challenge	VBN
work_cwux37xbfjeudej4q7qbjorfyy	130	9	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	130	10	enriched.16	enriched.16	NNP
work_cwux37xbfjeudej4q7qbjorfyy	130	11	Further	further	RB
work_cwux37xbfjeudej4q7qbjorfyy	130	12	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	130	13	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	130	14	became	become	VBD
work_cwux37xbfjeudej4q7qbjorfyy	130	15	clear	clear	JJ
work_cwux37xbfjeudej4q7qbjorfyy	130	16	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	130	17	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	130	18	overwhelmingly	overwhelmingly	RB
work_cwux37xbfjeudej4q7qbjorfyy	130	19	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	130	20	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	21	body	body	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	22	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	130	23	enrol	enrol	VBP
work_cwux37xbfjeudej4q7qbjorfyy	130	24	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	130	25	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	130	26	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	27	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	130	28	looking	look	VBG
work_cwux37xbfjeudej4q7qbjorfyy	130	29	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	130	30	more	more	JJR
work_cwux37xbfjeudej4q7qbjorfyy	130	31	than	than	IN
work_cwux37xbfjeudej4q7qbjorfyy	130	32	just	just	RB
work_cwux37xbfjeudej4q7qbjorfyy	130	33	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	130	34	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	35	lesson	lesson	NN
work_cwux37xbfjeudej4q7qbjorfyy	130	36	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	131	1	Some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	131	2	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	131	3	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	131	4	finding	find	VBG
work_cwux37xbfjeudej4q7qbjorfyy	131	5	possible	possible	JJ
work_cwux37xbfjeudej4q7qbjorfyy	131	6	role	role	NN
work_cwux37xbfjeudej4q7qbjorfyy	131	7	models	model	NNS
work_cwux37xbfjeudej4q7qbjorfyy	131	8	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	131	9	inspiration	inspiration	NN
work_cwux37xbfjeudej4q7qbjorfyy	131	10	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	132	1	As	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	132	2	mentioned	mention	VBN
work_cwux37xbfjeudej4q7qbjorfyy	132	3	above	above	RB
work_cwux37xbfjeudej4q7qbjorfyy	132	4	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	132	5	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	132	6	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	132	7	ran	run	VBD
work_cwux37xbfjeudej4q7qbjorfyy	132	8	along	along	IN
work_cwux37xbfjeudej4q7qbjorfyy	132	9	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	132	10	larger	large	JJR
work_cwux37xbfjeudej4q7qbjorfyy	132	11	ongoing	ongoing	JJ
work_cwux37xbfjeudej4q7qbjorfyy	132	12	UWA	UWA	NNP
work_cwux37xbfjeudej4q7qbjorfyy	132	13	initiative	initiative	NN
work_cwux37xbfjeudej4q7qbjorfyy	132	14	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	132	15	perform	perform	VB
work_cwux37xbfjeudej4q7qbjorfyy	132	16	more	more	JJR
work_cwux37xbfjeudej4q7qbjorfyy	132	17	pieces	piece	NNS
work_cwux37xbfjeudej4q7qbjorfyy	132	18	composed	compose	VBN
work_cwux37xbfjeudej4q7qbjorfyy	132	19	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	132	20	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	132	21	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	132	22	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	133	1	As	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	2	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	133	3	result	result	NN
work_cwux37xbfjeudej4q7qbjorfyy	133	4	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	133	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	133	6	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	133	7	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	133	8	able	able	JJ
work_cwux37xbfjeudej4q7qbjorfyy	133	9	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	133	10	write	write	VB
work_cwux37xbfjeudej4q7qbjorfyy	133	11	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	133	12	review	review	NN
work_cwux37xbfjeudej4q7qbjorfyy	133	13	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	14	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	133	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	16	their	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	133	17	assignments	assignment	NNS
work_cwux37xbfjeudej4q7qbjorfyy	133	18	about	about	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	19	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	133	20	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	21	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	133	22	campus	campus	NN
work_cwux37xbfjeudej4q7qbjorfyy	133	23	UWA	UWA	NNP
work_cwux37xbfjeudej4q7qbjorfyy	133	24	concert	concert	NN
work_cwux37xbfjeudej4q7qbjorfyy	133	25	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	133	26	included	include	VBD
work_cwux37xbfjeudej4q7qbjorfyy	133	27	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	28	least	least	RBS
work_cwux37xbfjeudej4q7qbjorfyy	133	29	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	133	30	piece	piece	NN
work_cwux37xbfjeudej4q7qbjorfyy	133	31	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	133	32	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	133	33	female	female	JJ
work_cwux37xbfjeudej4q7qbjorfyy	133	34	composer	composer	NN
work_cwux37xbfjeudej4q7qbjorfyy	133	35	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	134	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	134	2	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	134	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	134	4	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	134	5	meant	mean	VBD
work_cwux37xbfjeudej4q7qbjorfyy	134	6	they	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	134	7	had	have	VBD
work_cwux37xbfjeudej4q7qbjorfyy	134	8	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	134	9	choice	choice	NN
work_cwux37xbfjeudej4q7qbjorfyy	134	10	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	134	11	fourteen	fourteen	CD
work_cwux37xbfjeudej4q7qbjorfyy	134	12	out	out	RP
work_cwux37xbfjeudej4q7qbjorfyy	134	13	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	134	14	total	total	NN
work_cwux37xbfjeudej4q7qbjorfyy	134	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	134	16	twenty	twenty	CD
work_cwux37xbfjeudej4q7qbjorfyy	134	17	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	134	18	six	six	CD
work_cwux37xbfjeudej4q7qbjorfyy	134	19	concerts	concert	NNS
work_cwux37xbfjeudej4q7qbjorfyy	134	20	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	135	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	135	2	assignment	assignment	NN
work_cwux37xbfjeudej4q7qbjorfyy	135	3	would	would	MD
work_cwux37xbfjeudej4q7qbjorfyy	135	4	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	135	5	have	have	VB
work_cwux37xbfjeudej4q7qbjorfyy	135	6	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	135	7	possible	possible	JJ
work_cwux37xbfjeudej4q7qbjorfyy	135	8	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	135	9	previous	previous	JJ
work_cwux37xbfjeudej4q7qbjorfyy	135	10	year	year	NN
work_cwux37xbfjeudej4q7qbjorfyy	135	11	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	136	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	2	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	136	3	imbalance	imbalance	NN
work_cwux37xbfjeudej4q7qbjorfyy	136	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	6	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	136	7	who	who	WP
work_cwux37xbfjeudej4q7qbjorfyy	136	8	enrol	enrol	VBP
work_cwux37xbfjeudej4q7qbjorfyy	136	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	10	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	11	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	136	12	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	136	13	remained	remain	VBN
work_cwux37xbfjeudej4q7qbjorfyy	136	14	consistent	consistent	JJ
work_cwux37xbfjeudej4q7qbjorfyy	136	15	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	16	all	all	PDT
work_cwux37xbfjeudej4q7qbjorfyy	136	17	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	18	iterations	iteration	NNS
work_cwux37xbfjeudej4q7qbjorfyy	136	19	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	20	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	21	class	class	NN
work_cwux37xbfjeudej4q7qbjorfyy	136	22	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	136	23	perhaps	perhaps	RB
work_cwux37xbfjeudej4q7qbjorfyy	136	24	due	due	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	25	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	26	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	27	title	title	NN
work_cwux37xbfjeudej4q7qbjorfyy	136	28	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	29	Women	Women	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	136	30	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	31	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	136	32	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	136	33	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	136	34	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	136	35	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	136	36	overwhelming	overwhelm	VBG
work_cwux37xbfjeudej4q7qbjorfyy	136	37	taken	take	VBN
work_cwux37xbfjeudej4q7qbjorfyy	136	38	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	136	39	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	136	40	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	136	41	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	137	1	What	what	WP
work_cwux37xbfjeudej4q7qbjorfyy	137	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	137	3	significantly	significantly	RB
work_cwux37xbfjeudej4q7qbjorfyy	137	4	different	different	JJ
work_cwux37xbfjeudej4q7qbjorfyy	137	5	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	137	6	2019	2019	CD
work_cwux37xbfjeudej4q7qbjorfyy	137	7	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	137	8	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	137	9	more	more	RBR
work_cwux37xbfjeudej4q7qbjorfyy	137	10	politicized	politicized	JJ
work_cwux37xbfjeudej4q7qbjorfyy	137	11	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	137	12	body	body	NN
work_cwux37xbfjeudej4q7qbjorfyy	137	13	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	138	1	This	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	138	2	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	138	3	due	due	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	138	5	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	6	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	138	7	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	138	8	post	post	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	9	-	-	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	10	Weinstein	weinstein	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	11	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	138	12	scandal	scandal	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	13	culture	culture	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	14	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	138	15	greater	great	JJR
work_cwux37xbfjeudej4q7qbjorfyy	138	16	openness	openness	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	138	18	awareness	awareness	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	138	20	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	138	21	perhaps	perhaps	RB
work_cwux37xbfjeudej4q7qbjorfyy	138	22	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	138	23	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	138	24	result	result	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	25	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	138	26	iconic	iconic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	27	figures	figure	NNS
work_cwux37xbfjeudej4q7qbjorfyy	138	28	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	138	29	popular	popular	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	30	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	31	such	such	JJ
work_cwux37xbfjeudej4q7qbjorfyy	138	32	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	138	33	Taylor	Taylor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	138	34	Swift	Swift	NNP
work_cwux37xbfjeudej4q7qbjorfyy	138	35	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	138	36	Beyoncé	Beyoncé	NNP
work_cwux37xbfjeudej4q7qbjorfyy	138	37	publicly	publicly	RB
work_cwux37xbfjeudej4q7qbjorfyy	138	38	embracing	embrace	VBG
work_cwux37xbfjeudej4q7qbjorfyy	138	39	feminism	feminism	NN
work_cwux37xbfjeudej4q7qbjorfyy	138	40	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	139	1	When	when	WRB
work_cwux37xbfjeudej4q7qbjorfyy	139	2	once	once	IN
work_cwux37xbfjeudej4q7qbjorfyy	139	3	students	student	NNS
work_cwux37xbfjeudej4q7qbjorfyy	139	4	were	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	139	5	reluctant	reluctant	JJ
work_cwux37xbfjeudej4q7qbjorfyy	139	6	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	139	7	even	even	RB
work_cwux37xbfjeudej4q7qbjorfyy	139	8	associate	associate	VB
work_cwux37xbfjeudej4q7qbjorfyy	139	9	themselves	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	139	10	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	139	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	139	12	label	label	NN
work_cwux37xbfjeudej4q7qbjorfyy	139	13	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	139	14	feminist	feminist	NN
work_cwux37xbfjeudej4q7qbjorfyy	139	15	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	139	16	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	139	17	now	now	RB
work_cwux37xbfjeudej4q7qbjorfyy	139	18	it	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	139	19	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	139	20	not	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	139	21	uncommon	uncommon	JJ
work_cwux37xbfjeudej4q7qbjorfyy	139	22	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	139	23	encounter	encounter	VB
work_cwux37xbfjeudej4q7qbjorfyy	139	24	many	many	JJ
work_cwux37xbfjeudej4q7qbjorfyy	139	25	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	139	26	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	139	27	versed	verse	VBN
work_cwux37xbfjeudej4q7qbjorfyy	139	28	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	139	29	4th	4th	JJ
work_cwux37xbfjeudej4q7qbjorfyy	139	30	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	139	31	Wave	wave	NN
work_cwux37xbfjeudej4q7qbjorfyy	139	32	feminism	feminism	NN
work_cwux37xbfjeudej4q7qbjorfyy	139	33	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	139	34	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	139	35	importance	importance	NN
work_cwux37xbfjeudej4q7qbjorfyy	139	36	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	139	37	intersectionality	intersectionality	NN
work_cwux37xbfjeudej4q7qbjorfyy	139	38	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	140	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	2	most	most	RBS
work_cwux37xbfjeudej4q7qbjorfyy	140	3	interesting	interesting	JJ
work_cwux37xbfjeudej4q7qbjorfyy	140	4	question	question	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	5	—	—	:
work_cwux37xbfjeudej4q7qbjorfyy	140	6	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	140	7	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	140	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	140	9	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	10	reasons	reason	NNS
work_cwux37xbfjeudej4q7qbjorfyy	140	11	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	140	12	teaching	teach	VBG
work_cwux37xbfjeudej4q7qbjorfyy	140	13	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	14	unit	unit	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	15	—	—	:
work_cwux37xbfjeudej4q7qbjorfyy	140	16	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	140	17	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	18	historiographic	historiographic	JJ
work_cwux37xbfjeudej4q7qbjorfyy	140	19	one	one	CD
work_cwux37xbfjeudej4q7qbjorfyy	140	20	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	140	21	What	what	WP
work_cwux37xbfjeudej4q7qbjorfyy	140	22	does	do	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	140	23	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	24	consideration	consideration	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	25	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	140	26	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	27	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	28	teach	teach	VB
work_cwux37xbfjeudej4q7qbjorfyy	140	29	us	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	140	30	about	about	IN
work_cwux37xbfjeudej4q7qbjorfyy	140	31	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	32	history	history	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	33	that	that	IN
work_cwux37xbfjeudej4q7qbjorfyy	140	34	a	a	DT
work_cwux37xbfjeudej4q7qbjorfyy	140	35	male	male	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	36	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	140	37	dominated	dominate	VBN
work_cwux37xbfjeudej4q7qbjorfyy	140	38	narrative	narrative	NN
work_cwux37xbfjeudej4q7qbjorfyy	140	39	does	do	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	140	40	n’t	not	RB
work_cwux37xbfjeudej4q7qbjorfyy	140	41	?	?	.
work_cwux37xbfjeudej4q7qbjorfyy	141	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	141	2	spotlighting	spotlighting	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	3	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	4	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	5	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	6	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	141	7	study	study	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	9	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	10	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	141	11	seen	see	VBN
work_cwux37xbfjeudej4q7qbjorfyy	141	12	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	141	13	question	question	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	14	resonate	resonate	VB
work_cwux37xbfjeudej4q7qbjorfyy	141	15	across	across	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	141	17	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	141	18	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	141	19	an	an	DT
work_cwux37xbfjeudej4q7qbjorfyy	141	20	increase	increase	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	21	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	22	student	student	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	23	research	research	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	24	projects	project	NNS
work_cwux37xbfjeudej4q7qbjorfyy	141	25	focussing	focusse	VBG
work_cwux37xbfjeudej4q7qbjorfyy	141	26	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	27	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	28	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	141	29	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	30	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	141	31	particularly	particularly	RB
work_cwux37xbfjeudej4q7qbjorfyy	141	32	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	33	opera	opera	NNP
work_cwux37xbfjeudej4q7qbjorfyy	141	34	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	141	35	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	36	popular	popular	JJ
work_cwux37xbfjeudej4q7qbjorfyy	141	37	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	38	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	141	39	emerged	emerge	VBN
work_cwux37xbfjeudej4q7qbjorfyy	141	40	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	141	41	honours	honour	NNS
work_cwux37xbfjeudej4q7qbjorfyy	141	42	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	141	43	postgraduate	postgraduate	JJ
work_cwux37xbfjeudej4q7qbjorfyy	141	44	level	level	NN
work_cwux37xbfjeudej4q7qbjorfyy	141	45	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	142	1	It	-PRON-	PRP
work_cwux37xbfjeudej4q7qbjorfyy	142	2	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	142	3	also	also	RB
work_cwux37xbfjeudej4q7qbjorfyy	142	4	highlighted	highlight	VBN
work_cwux37xbfjeudej4q7qbjorfyy	142	5	awareness	awareness	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	6	that	that	DT
work_cwux37xbfjeudej4q7qbjorfyy	142	7	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	8	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	9	is	be	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	142	10	far	far	RB
work_cwux37xbfjeudej4q7qbjorfyy	142	11	from	from	IN
work_cwux37xbfjeudej4q7qbjorfyy	142	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	142	13	only	only	JJ
work_cwux37xbfjeudej4q7qbjorfyy	142	14	form	form	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	142	16	diversity	diversity	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	17	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	142	18	needs	need	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	142	19	addressing	address	VBG
work_cwux37xbfjeudej4q7qbjorfyy	142	20	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	142	21	our	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	142	22	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	23	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	142	24	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	142	25	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	142	26	tertiary	tertiary	JJ
work_cwux37xbfjeudej4q7qbjorfyy	142	27	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	142	28	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	142	29	globally	globally	RB
work_cwux37xbfjeudej4q7qbjorfyy	142	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	143	1	Creating	create	VBG
work_cwux37xbfjeudej4q7qbjorfyy	143	2	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	143	3	structural	structural	JJ
work_cwux37xbfjeudej4q7qbjorfyy	143	4	luck	luck	NN
work_cwux37xbfjeudej4q7qbjorfyy	143	5	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	143	6	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	143	7	initiatives	initiative	NNS
work_cwux37xbfjeudej4q7qbjorfyy	143	8	mentioned	mention	VBN
work_cwux37xbfjeudej4q7qbjorfyy	143	9	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	143	10	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	143	11	article	article	NN
work_cwux37xbfjeudej4q7qbjorfyy	143	12	are	be	VBP
work_cwux37xbfjeudej4q7qbjorfyy	143	13	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	143	14	no	no	DT
work_cwux37xbfjeudej4q7qbjorfyy	143	15	means	means	NN
work_cwux37xbfjeudej4q7qbjorfyy	143	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	143	17	only	only	JJ
work_cwux37xbfjeudej4q7qbjorfyy	143	18	ones	one	NNS
work_cwux37xbfjeudej4q7qbjorfyy	143	19	present	present	JJ
work_cwux37xbfjeudej4q7qbjorfyy	143	20	within	within	IN
work_cwux37xbfjeudej4q7qbjorfyy	143	21	Australian	australian	JJ
work_cwux37xbfjeudej4q7qbjorfyy	143	22	institutions	institution	NNS
work_cwux37xbfjeudej4q7qbjorfyy	143	23	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	144	1	For	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	2	example	example	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	4	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	5	2017	2017	CD
work_cwux37xbfjeudej4q7qbjorfyy	144	6	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	7	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	8	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	9	first	first	JJ
work_cwux37xbfjeudej4q7qbjorfyy	144	10	iteration	iteration	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	13	Gender	Gender	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	14	Diversity	Diversity	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	15	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	16	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	17	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	144	18	Art	art	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	19	conference	conference	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	20	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	21	Professor	Professor	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	22	Liza	Liza	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	23	Lim	Lim	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	24	spoke	speak	VBD
work_cwux37xbfjeudej4q7qbjorfyy	144	25	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	26	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	27	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	144	28	structural	structural	JJ
work_cwux37xbfjeudej4q7qbjorfyy	144	29	luck	luck	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	30	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	144	31	that	that	WDT
work_cwux37xbfjeudej4q7qbjorfyy	144	32	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	144	33	contributed	contribute	VBN
work_cwux37xbfjeudej4q7qbjorfyy	144	34	to	to	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	35	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	36	gender	gender	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	37	imbalance	imbalance	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	38	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	39	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	40	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	41	Australia.17	australia.17	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	42	Creating	create	VBG
work_cwux37xbfjeudej4q7qbjorfyy	144	43	structural	structural	JJ
work_cwux37xbfjeudej4q7qbjorfyy	144	44	luck	luck	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	45	or	or	CC
work_cwux37xbfjeudej4q7qbjorfyy	144	46	15	15	CD
work_cwux37xbfjeudej4q7qbjorfyy	144	47	Robert	Robert	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	48	Walser	Walser	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	49	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	50	Running	run	VBG
work_cwux37xbfjeudej4q7qbjorfyy	144	51	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	52	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	53	Devil	Devil	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	54	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	144	55	Power	Power	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	56	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	57	Gender	Gender	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	58	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	59	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	144	60	Madness	Madness	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	61	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	62	Heavy	Heavy	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	63	Metal	Metal	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	64	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	65	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	66	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	144	67	Hanover	Hanover	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	68	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	69	NH	NH	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	70	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	144	71	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	72	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	73	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	74	New	New	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	75	England	England	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	76	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	77	1993	1993	CD
work_cwux37xbfjeudej4q7qbjorfyy	144	78	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	144	79	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	144	80	Philip	Philip	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	81	Brett	Brett	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	82	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	144	83	essays	essay	NNS
work_cwux37xbfjeudej4q7qbjorfyy	144	84	on	on	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	85	Britten	Britten	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	86	have	have	VBP
work_cwux37xbfjeudej4q7qbjorfyy	144	87	been	be	VBN
work_cwux37xbfjeudej4q7qbjorfyy	144	88	collected	collect	VBN
work_cwux37xbfjeudej4q7qbjorfyy	144	89	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	144	90	published	publish	VBN
work_cwux37xbfjeudej4q7qbjorfyy	144	91	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	92	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	93	posthumous	posthumous	JJ
work_cwux37xbfjeudej4q7qbjorfyy	144	94	collection	collection	NN
work_cwux37xbfjeudej4q7qbjorfyy	144	95	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	144	96	Philip	Philip	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	97	Brett	Brett	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	98	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	144	99	George	George	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	100	E.	E.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	101	Haggerty	Haggerty	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	102	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	103	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	104	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	144	105	Sexuality	Sexuality	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	106	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	107	Britten	Britten	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	108	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	144	109	Selected	select	VBN
work_cwux37xbfjeudej4q7qbjorfyy	144	110	Essays	Essays	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	111	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	144	112	Berkeley	Berkeley	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	113	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	144	114	University	University	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	115	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	144	116	California	California	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	117	Press	Press	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	118	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	119	2006	2006	CD
work_cwux37xbfjeudej4q7qbjorfyy	144	120	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	144	121	;	;	:
work_cwux37xbfjeudej4q7qbjorfyy	144	122	Philip	Philip	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	123	Brett	Brett	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	124	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	125	Elizabeth	Elizabeth	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	126	Wood	Wood	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	127	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	128	Gary	Gary	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	129	Thomas	Thomas	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	130	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	131	eds	eds	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	132	.	.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	133	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	134	Queering	queer	VBG
work_cwux37xbfjeudej4q7qbjorfyy	144	135	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	144	136	Pitch	Pitch	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	137	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	144	138	New	New	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	139	York	York	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	140	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	144	141	Routledge	Routledge	NNP
work_cwux37xbfjeudej4q7qbjorfyy	144	142	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	144	143	1994	1994	CD
work_cwux37xbfjeudej4q7qbjorfyy	144	144	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	144	145	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	145	1	16	16	CD
work_cwux37xbfjeudej4q7qbjorfyy	145	2	David	David	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	3	Schiff	Schiff	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	4	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	145	5	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	145	6	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	145	7	Bounds	Bounds	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	145	8	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	145	9	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	10	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	145	11	The	The	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	12	Strange	Strange	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	13	New	New	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	14	Direction	Direction	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	15	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	145	16	Musical	Musical	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	17	Criticism	Criticism	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	18	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	145	19	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	145	20	New	New	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	21	Republic	Republic	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	22	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	145	23	3	3	CD
work_cwux37xbfjeudej4q7qbjorfyy	145	24	Feb	Feb	NNP
work_cwux37xbfjeudej4q7qbjorfyy	145	25	1992	1992	CD
work_cwux37xbfjeudej4q7qbjorfyy	145	26	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	145	27	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	145	28	36	36	CD
work_cwux37xbfjeudej4q7qbjorfyy	145	29	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	146	1	17	17	CD
work_cwux37xbfjeudej4q7qbjorfyy	146	2	Lim	Lim	NNP
work_cwux37xbfjeudej4q7qbjorfyy	146	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	146	4	L.	L.	NNP
work_cwux37xbfjeudej4q7qbjorfyy	146	5	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	146	6	2017	2017	CD
work_cwux37xbfjeudej4q7qbjorfyy	146	7	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	146	8	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	147	1	Luck	Luck	NNP
work_cwux37xbfjeudej4q7qbjorfyy	147	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	147	3	Grief	Grief	NNP
work_cwux37xbfjeudej4q7qbjorfyy	147	4	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	147	5	Hospitality	Hospitality	NNP
work_cwux37xbfjeudej4q7qbjorfyy	147	6	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	147	7	Rerouting	reroute	VBG
work_cwux37xbfjeudej4q7qbjorfyy	147	8	power	power	NN
work_cwux37xbfjeudej4q7qbjorfyy	147	9	relationships	relationship	NNS
work_cwux37xbfjeudej4q7qbjorfyy	147	10	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	147	11	music	music	NN
work_cwux37xbfjeudej4q7qbjorfyy	147	12	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	148	1	Available	available	JJ
work_cwux37xbfjeudej4q7qbjorfyy	148	2	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	148	3	:	:	:
work_cwux37xbfjeudej4q7qbjorfyy	148	4	https://lizalimcomposer.files.wordpress.com/2017/08/1-final_lim_rerouting-power-anu-keynote.pdf	https://lizalimcomposer.files.wordpress.com/2017/08/1-final_lim_rerouting-power-anu-keynote.pdf	NNP
work_cwux37xbfjeudej4q7qbjorfyy	148	5	https://lizalimcomposer.files.wordpress.com/2017/08/1-final_lim_rerouting-power-anu-keynote.pdf	https://lizalimcomposer.files.wordpress.com/2017/08/1-final_lim_rerouting-power-anu-keynote.pdf	NNP
work_cwux37xbfjeudej4q7qbjorfyy	148	6	structural	structural	JJ
work_cwux37xbfjeudej4q7qbjorfyy	148	7	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	148	8	has	have	VBZ
work_cwux37xbfjeudej4q7qbjorfyy	148	9	formed	form	VBN
work_cwux37xbfjeudej4q7qbjorfyy	148	10	part	part	NN
work_cwux37xbfjeudej4q7qbjorfyy	148	11	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	148	12	Lim	Lim	NNP
work_cwux37xbfjeudej4q7qbjorfyy	148	13	’s	’s	POS
work_cwux37xbfjeudej4q7qbjorfyy	148	14	work	work	NN
work_cwux37xbfjeudej4q7qbjorfyy	148	15	at	at	IN
work_cwux37xbfjeudej4q7qbjorfyy	148	16	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	148	17	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	148	18	Conservatorium	Conservatorium	NNP
work_cwux37xbfjeudej4q7qbjorfyy	148	19	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	148	20	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	148	21	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	148	22	most	most	RBS
work_cwux37xbfjeudej4q7qbjorfyy	148	23	significantly	significantly	RB
work_cwux37xbfjeudej4q7qbjorfyy	148	24	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	148	25	her	-PRON-	PRP$
work_cwux37xbfjeudej4q7qbjorfyy	148	26	mentoring	mentoring	NN
work_cwux37xbfjeudej4q7qbjorfyy	148	27	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	148	28	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	148	29	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	148	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	149	1	The	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	149	2	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	149	3	National	National	NNP
work_cwux37xbfjeudej4q7qbjorfyy	149	4	Women	Women	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	149	5	Composers	Composers	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	149	6	Development	Development	NNP
work_cwux37xbfjeudej4q7qbjorfyy	149	7	Program	Program	NNP
work_cwux37xbfjeudej4q7qbjorfyy	149	8	’	'	''
work_cwux37xbfjeudej4q7qbjorfyy	149	9	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	149	10	established	establish	VBN
work_cwux37xbfjeudej4q7qbjorfyy	149	11	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	149	12	Matthew	Matthew	NNP
work_cwux37xbfjeudej4q7qbjorfyy	149	13	Hindson	Hindson	NNP
work_cwux37xbfjeudej4q7qbjorfyy	149	14	in	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	149	15	2016	2016	CD
work_cwux37xbfjeudej4q7qbjorfyy	149	16	offering	offer	VBG
work_cwux37xbfjeudej4q7qbjorfyy	149	17	four	four	CD
work_cwux37xbfjeudej4q7qbjorfyy	149	18	women	woman	NNS
work_cwux37xbfjeudej4q7qbjorfyy	149	19	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	149	20	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	149	21	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	149	22	work	work	VB
work_cwux37xbfjeudej4q7qbjorfyy	149	23	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	149	24	high	high	JJ
work_cwux37xbfjeudej4q7qbjorfyy	149	25	profile	profile	JJ
work_cwux37xbfjeudej4q7qbjorfyy	149	26	professional	professional	JJ
work_cwux37xbfjeudej4q7qbjorfyy	149	27	ensembles	ensemble	NNS
work_cwux37xbfjeudej4q7qbjorfyy	149	28	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	149	29	artists	artist	NNS
work_cwux37xbfjeudej4q7qbjorfyy	149	30	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	150	1	In	in	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	2	2018	2018	CD
work_cwux37xbfjeudej4q7qbjorfyy	150	3	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	4	this	this	DT
work_cwux37xbfjeudej4q7qbjorfyy	150	5	was	be	VBD
work_cwux37xbfjeudej4q7qbjorfyy	150	6	developed	develop	VBN
work_cwux37xbfjeudej4q7qbjorfyy	150	7	by	by	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	8	Lim	Lim	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	9	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	150	10	include	include	VB
work_cwux37xbfjeudej4q7qbjorfyy	150	11	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	150	12	two	two	CD
work_cwux37xbfjeudej4q7qbjorfyy	150	13	-	-	HYPH
work_cwux37xbfjeudej4q7qbjorfyy	150	14	year	year	NN
work_cwux37xbfjeudej4q7qbjorfyy	150	15	‘	'	``
work_cwux37xbfjeudej4q7qbjorfyy	150	16	Composing	Composing	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	17	Women	Women	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	150	18	’	’	POS
work_cwux37xbfjeudej4q7qbjorfyy	150	19	program	program	NN
work_cwux37xbfjeudej4q7qbjorfyy	150	20	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	21	facilitating	facilitate	VBG
work_cwux37xbfjeudej4q7qbjorfyy	150	22	opportunities	opportunity	NNS
work_cwux37xbfjeudej4q7qbjorfyy	150	23	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	24	composers	composer	NNS
work_cwux37xbfjeudej4q7qbjorfyy	150	25	to	to	TO
work_cwux37xbfjeudej4q7qbjorfyy	150	26	work	work	VB
work_cwux37xbfjeudej4q7qbjorfyy	150	27	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	28	organisations	organisation	NNS
work_cwux37xbfjeudej4q7qbjorfyy	150	29	including	include	VBG
work_cwux37xbfjeudej4q7qbjorfyy	150	30	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	150	31	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	32	Symphony	Symphony	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	33	Orchestra	Orchestra	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	34	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	35	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	36	Chamber	Chamber	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	37	Opera	Opera	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	38	(	(	-LRB-
work_cwux37xbfjeudej4q7qbjorfyy	150	39	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	40	NIDA	NIDA	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	41	)	)	-RRB-
work_cwux37xbfjeudej4q7qbjorfyy	150	42	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	43	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	44	Dance	Dance	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	45	Company	Company	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	46	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	47	Sydney	Sydney	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	48	Philharmonia	Philharmonia	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	49	Choirs	Choirs	NNPS
work_cwux37xbfjeudej4q7qbjorfyy	150	50	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	51	Musica	Musica	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	52	Viva	Viva	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	53	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	54	ABC	ABC	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	55	Classic	Classic	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	56	FM	FM	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	57	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	58	APRA	APRA	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	59	AMCOS	AMCOS	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	60	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	61	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	150	62	Australian	Australian	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	63	Music	Music	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	64	Centre	Centre	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	65	and	and	CC
work_cwux37xbfjeudej4q7qbjorfyy	150	66	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	150	67	Tasmanian	Tasmanian	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	68	Symphony	Symphony	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	69	Orchestra	Orchestra	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	70	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	150	71	as	as	RB
work_cwux37xbfjeudej4q7qbjorfyy	150	72	well	well	RB
work_cwux37xbfjeudej4q7qbjorfyy	150	73	as	as	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	74	with	with	IN
work_cwux37xbfjeudej4q7qbjorfyy	150	75	flautist	flautist	NN
work_cwux37xbfjeudej4q7qbjorfyy	150	76	Claire	Claire	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	77	Chase	Chase	NNP
work_cwux37xbfjeudej4q7qbjorfyy	150	78	.	.	.
work_cwux37xbfjeudej4q7qbjorfyy	151	1	Together	together	RB
work_cwux37xbfjeudej4q7qbjorfyy	151	2	,	,	,
work_cwux37xbfjeudej4q7qbjorfyy	151	3	all	all	DT
work_cwux37xbfjeudej4q7qbjorfyy	151	4	of	of	IN
work_cwux37xbfjeudej4q7qbjorfyy	151	5	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	151	6	initiatives	initiative	NNS
work_cwux37xbfjeudej4q7qbjorfyy	151	7	offer	offer	VBP
work_cwux37xbfjeudej4q7qbjorfyy	151	8	some	some	DT
work_cwux37xbfjeudej4q7qbjorfyy	151	9	suggestions	suggestion	NNS
work_cwux37xbfjeudej4q7qbjorfyy	151	10	for	for	IN
work_cwux37xbfjeudej4q7qbjorfyy	151	11	changing	change	VBG
work_cwux37xbfjeudej4q7qbjorfyy	151	12	the	the	DT
work_cwux37xbfjeudej4q7qbjorfyy	151	13	narrative	narrative	NN
work_cwux37xbfjeudej4q7qbjorfyy	151	14	.	.	.