id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_y5pkc6y33fdtvefwdrhfqqio6e	Michael A. Fahey	Continuity in the Church amid Structural Changes	1974	16	.pdf	application/pdf	6375	424	46	art collective cobratheater.cobra to show how precarity has provoked organisational and I conclude that infrastructural performance criticises structural precarity through collective actions of infection, exposure, and disobedience. form of collective artistic organisation, which proposes the possibility of change in social At the end of the article, I speculate how infrastructural performance might change the conception of the art work itself. labelled cobratheater.cobra, I show how they, through infrastructural performances, criticize the demand for artistic signature, individualisation, austerity conditions of artistic freelance work to its extremes is the immateriality, embodiment, and ephemerality of the genre of performance art. if performance art serves the demands of capitalism perfectly in its productivity, and at the same time exhausts the artists through structural precarity, the explosive production of identities and dissonant aesthetics within the label cobratheater.cobra as an infrastructural performance criticising artistic the artists' infrastructural performance as an aesthetic and political form of 	./cache/work_y5pkc6y33fdtvefwdrhfqqio6e.pdf	./txt/work_y5pkc6y33fdtvefwdrhfqqio6e.txt