id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_o6glea647famrhapeogartnweq	Marie-Louise Crawley	Dance as Radical Archaeology	2020	13	.pdf	application/pdf	7699	638	55	a key part of a wider practice-as-research project probing shifting experiences of temporality when choreography "performs" as museum exhibit.2 The project asked how we might consider the live female dancer in the archaeological museum as a counter-archive or, to use it, dancing in the museum of ancient history and archaeology seems a rare phenomenon, at least I asked of my spectators, also speaks to dance scholar Gabriele Brandstetter's work on the fragmentary nature of performance in the museum as offering an alternative to traditional historiography.11 museum is navigating past and present; she is "doing" history, remembering, storytelling; choreography, like archaeology, continually inscribes "the polyvalent qualities of the past" (Shanks and so, although the video acts as a "memory" of the dance practice as it was performed in the museum, issue of Dance Research Journal (2014); the "Theatre and the Museum: Cultures of Display," a special issue of the Theatre Journal (2107); and "Performance, Choreography and the Gallery," a special	./cache/work_o6glea647famrhapeogartnweq.pdf	./txt/work_o6glea647famrhapeogartnweq.txt