id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_himnslxtmzhijeyzcujc6rm3te	Swati Arora	Be a Little Careful: Women, Violence, and Performance in India	2019	16	.pdf	application/pdf	11027	707	61	In this article Swati Arora analyzes a contemporary Indian feminist performance, Thoda Thoda Dhyaan Se are limited to urban, middle-class, and upper-caste women and overlook the oppressive realities of women from non-urban, lower-class, and lower-caste of theatre and performance, feminist theory, critical urban studies, post/de-colonial theory, Key terms: gender, caste, violence, feminist theatre, Delhi, urban space, Mallika Taneja. of performance in the urban public spaces of limited to urban, middle-class, and uppercaste women and exclude the oppressive space afforded by the naked body of Taneja, concerns of urban women like her – middleclass, educated, liberal, English-speak ing, Women protesting against gender violence at Jantar Mantar on 16 December 2013. ing to limit women's mobility, Taneja's been dominated by middle-class, uppercaste women living in urban spaces, the Contemporary Women's Protests (New Delhi: Zubaan, Gender, Space and Resistance: Women and Theatre in India Practice in the Women's Movement in India (New Delhi:	./cache/work_himnslxtmzhijeyzcujc6rm3te.pdf	./txt/work_himnslxtmzhijeyzcujc6rm3te.txt