Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. Eric Lease Morgan May 27, 2019 Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 329 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 5041 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 63 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 68 Renaissance 59 University 31 italian 26 PMC 23 history 21 art 16 Italy 15 Cambridge 13 Florence 12 Press 12 London 10 New 9 early 8 Europe 8 Cultural 7 german 7 figure 7 Museum 7 Michelangelo 7 Architecture 6 York 6 Vasari 6 Leonardo 6 California 6 Ariosto 5 mathematic 5 european 5 Medici 5 ISBN 5 Giovanni 5 Florentine 5 Berenson 4 work 4 spanish 4 human 4 fig 4 chinese 4 american 4 Venice 4 Rome 4 Literature 4 Ficino 4 English 4 Church 4 Christ 3 true 3 roman 3 portrait 3 jewish 3 image Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 4186 art 3255 work 3073 century 2981 history 2232 time 2010 study 1821 figure 1733 o 1708 book 1706 e 1468 r 1463 i 1449 term 1351 example 1343 painting 1326 use 1303 author 1266 year 1254 way 1249 p. 1242 text 1232 a 1227 t 1220 part 1203 artist 1186 image 1130 period 1105 n 1044 form 1036 life 1012 case 977 article 968 idea 966 world 962 � 957 analysis 941 material 933 point 876 subject 872 research 872 culture 861 volume 857 source 854 man 854 language 852 number 841 theory 835 order 835 object 820 c Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 3692 Renaissance 3388 � 3156 University 2828 e 2519 _ 1667 de 1570 Italy 1463 di 1425 New 1364 Press 1309 pp 1266 London 1221 J. 1106 Cambridge 1046 la 1016 M. 1012 et 1004 Florence 987 al 911 del 873 o 869 York 864 s 852 ed 829 Art 813 da 793 De 765 . 761 d 746 Europe 738 Museum 716 m 708 Journal 676 G. 674 Rome 644 C. 641 John 639 S. 601 Francesco 588 t 575 vol 574 R. 573 b 566 u 555 La 546 Figure 537 w 535 n 534 il 531 ’s Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 6889 it 4782 he 3370 i 2620 we 2269 they 1173 them 787 him 650 us 628 she 618 you 430 himself 403 itself 379 one 342 me 241 themselves 162 her 54 myself 48 herself 36 ourselves 18 на 18 em 15 � 13 oneself 12 yourself 11 ours 9 u 7 ’s 7 theirs 7 mine 7 je 7 his 6 au 5 de- 5 d''oro 4 å 3 yours 3 n 3 lexicological 3 hers 3 ha 3 di 3 chicago, 2 у 2 те 2 из 2 У 2 à 2 ya 2 s 2 o Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 41744 be 9655 have 3130 see 2677 do 2667 � 2522 use 2173 make 1361 write 1295 find 1271 include 1251 give 1157 show 1137 take 1080 know 1016 follow 986 provide 986 become 946 publish 848 describe 844 come 811 consider 811 appear 773 base 693 represent 688 call 675 die 667 create 656 seem 647 present 644 accord 636 develop 626 suggest 611 work 589 say 576 understand 571 note 558 lead 546 download 537 produce 528 remain 510 go 509 read 502 allow 495 think 490 bring 488 begin 486 look 483 study 483 discuss 477 paint Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 5779 not 3152 also 2738 more 2632 italian 2320 other 2208 first 2084 early 2078 only 1977 well 1954 such 1821 new 1684 most 1450 as 1292 modern 1284 even 1263 same 1203 so 1178 many 1147 historical 1113 however 1107 very 1070 great 1059 - 1058 different 989 own 979 important 892 cultural 874 then 822 thus 821 out 820 classical 782 rather 775 much 766 human 764 social 757 later 745 available 735 high 734 here 723 long 708 second 688 ancient 673 large 669 true 652 subject 650 late 642 particular 637 often 633 good 619 now Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 359 most 302 least 238 good 125 great 96 early 82 high 76 Most 74 short 48 late 44 large 26 close 25 fine 24 long 23 low 21 old 16 strong 15 bad 13 rich 13 manif 12 small 11 big 9 palimps 9 new 9 broad 8 pure 8 full 7 deep 6 simple 6 e 5 near 5 eld 4 heavy 4 foremost 4 clear 4 bright 3 young 3 slight 3 sharp 3 id 3 f 3 easy 3 Goethe 2 wide 2 weak 2 vile 2 true 2 ter 2 tall 2 poor 2 northw Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 1325 most 91 least 60 well 14 highest 2 worst 2 lowest 2 goethe 2 early 1 povijest 1 potest 1 long 1 greatest 1 finest 1 broadest Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 1394 www.cambridge.org 1038 doi.org 136 creativecommons.org 127 www.jstor.org 111 dx.doi.org 77 www.journals.uchicago.edu 48 crossmark.crossref.org 45 www.britannica.com 39 www.tandfonline.com 32 orcid.org 30 about.jstor.org 27 www.ncbi.nlm.nih.gov 27 www.britishmuseum.org 26 europepmc.org 22 www.mdpi.com 22 en.wikipedia.org 18 www.nationalgallery.org.uk 18 muse.jhu.edu 17 upload.wikimedia.org 17 hdl.handle.net 15 advances.sciencemag.org 14 jameelcentre.ashmolean.org 14 edblogs.columbia.edu 13 www.biomedcentral.com 12 www.theguardian.com 12 www.metmuseum.org 12 www.bmj.com 10 www.rug.nl 10 pmj.bmj.com 9 www.researchgate.net 9 www.japmnt.com 8 www 8 sti.bmj.com 8 purl.pt 8 metmuseum.org 8 dare.uva.nl 8 creat 8 collections.vam.ac.uk 8 academ 7 www.washingtonpost.com 7 www.urologyannals.com 7 news.nationalgeographic.com 7 escholarship.org 7 commons.wikimedia.org 6 www.racollection.org.uk 6 www.paleopatologia.it 6 www.oltrepistoia.it 6 www.museum-folkwang.de 6 www.jameelcentre.ashmolean.org 6 www.ijsciences.com Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 736 http://www.cambridge.org/core 648 http://www.cambridge.org/core/terms 92 http://doi.org/10.1017/S000768052000001X 71 http://www.jstor.org/page/info/about/policies/terms.jsp 68 http://doi.org/10.1017/S0007680520000057 64 http://www.journals.uchicago.edu/t-and-c 46 http://doi.org/10.1017/S0018246X19000608 36 http://doi.org/10.1017/S0020859011000496 33 http://creativecommons.org/licenses/by/4.0/ 32 http://doi.org/10.1017/S0009840X00291786 30 http://about.jstor.org/terms 29 http://creativecommons.org/licenses/by-nc/4.0/ 28 http://doi.org/10.1017/S1743921310007428 26 http://europepmc.org/abstract/MED/ 26 http://doi.org/10.6092/issn.2611-0563/8222 26 http://doi.org/10.16995/ntn.831> 26 http://doi.org/10.16995/ntn.831 24 http://doi.org/10.1017/S0963926810000568 22 http://doi.org/10.1017/S1047951100003450 22 http://doi.org/10.1017/S0395264900081567 21 http://creativecommons.org/licenses/by-nc-nd/3.0/de/deed.en 16 http://www.nationalgallery.org.uk/paintings/learn-about-art/paintings-in-depth/art-in-the-making?viewPage=2 16 http://doi.org/10.1017/S0149767700005908 16 http://doi.org/10.1017/S0009640717001238 16 http://doi.org/10.1017/S0003581500018461 14 http://doi.org/10.1017/S1478570613000341 14 http://doi.org/10.1017/S0066622X00003968 14 http://doi.org/10.1017/S0025727300043349 14 http://doi.org/10.1017/S002085901100071X 14 http://doi.org/10.1017/S0009640700077453 14 http://doi.org/10.1017/S0009640700039330 14 http://creativecommons.org/licenses/by-nc-nd/4.0/ 13 http://doi.org/10.1017/S0361233300001393 12 http://doi.org/10.1017/S1743921311012671 12 http://doi.org/10.1017/S0940739197000519 11 http://advances.sciencemag.org/ 10 http://www.bmj.com/ 10 http://pmj.bmj.com/ 10 http://doi.org/10.1017/S0040298200035427 9 http://www.japmnt.com/ 8 http://www 8 http://sti.bmj.com/ 8 http://doi.org/10.1017/S1079902800000528 8 http://doi.org/10.1017/S0963926820001029 8 http://doi.org/10.1017/S0007087400043752 8 http://creat 8 http://academ 7 http://www.urologyannals.com 7 http://www.biomedcentral.com/1471-2474/15/301 7 http://dx.doi.org/10.1159%2F000488315 Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- 8 support@jstor.org 4 sales@biologists.com 4 openaccess@ed.ac.uk 4 editor@antiquity.ac.uk 3 ataman_si@yahoo.com 3 aleksandarkadije@sbb.rs 3 aguirreg@mail.med.upenn.edu 2 yysshanshui@gmail.com 2 y.yin@exeter.ac.uk 2 wrap@warwick.ac.uk 2 vshrimplin@dsl.pipex.com 2 v.shrimplin@gresham.ac.uk 2 ute.leonards@bristol.ac.uk 2 tours@andantetravels.co.uk 2 titiarixt.hoekstra@gmail.com 2 secretary@sahgb.org.uk 2 reviewseditor@sahgb.org.uk 2 reprints@benthamscience.net 2 raul.martinez-martinez@upc.edu 2 rafter.ant@gns.cri.nz 2 publicatons@warwick.ac.uk 2 przepona@wp.pl 2 piercard@inwind.it 2 petar.namicev@ugd.edu.mk 2 pablo.blitstein@ehess.fr 2 outsetservices@googlemail.com 2 orders@plymbridge.com 2 nrivere@club-internet.fr 2 melino@uniroma2.it 2 meheland@syr.edu 2 megrossman@utep.edu 2 mediarelations@frick.org 2 marco.sgarbi@unive.it 2 luca.mocarelli@unimib.it 2 lorenzo.vigotti@columbia.edu 2 liliane.louvel@wanadoo.fr 2 lighea@lns.infn.it 2 lib-eprints@bbk.ac.uk 2 leidulf.melve@hi.uib.no 2 kim@pu.if.ua 2 jkohl@ucr.edu 2 jdl188@txstate.edu 2 giovanni.benelli@unipi.it 2 gabriella.nesi@unifi.it 2 francois.sellal@ch-colmar.fr 2 francesca.tentori@dciinc.org 2 eveliendirix@outlook.com 2 eprints@mdx.ac.uk 2 emm2z@virginia.edu 2 emeshopova@gmail.com Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 1080 � � � 39 � � q 19 � � figure 18 � � bar 16 � was � 15 � � * 11 � � % 10 work is properly 10 � � # 8 � � symbolism 7 � � musicology 6 book is not 5 italy did not 5 � is � 4 books are available 4 renaissance was not 4 work is well 4 work was not 4 works made available 3 a given point 3 a given time 3 art did not 3 art is long 3 art is not 3 book is devoted 3 history does not 3 italy was not 3 studies have also 3 study is not 3 � have � 3 � � abstract 3 � � h 2 a given culture 2 a given moment 2 a given period 2 a given text 2 a written account 2 art is necessarily 2 art was also 2 art was more 2 art was not 2 art was sometimes 2 art were not 2 arts are not 2 book does not 2 book is dedicated 2 book is magnificently 2 century did not 2 century is also 2 d is such Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 1 art had not yet 1 art is not truth 1 art is not typically 1 art makes no attempt 1 art was no longer 1 art was not so 1 art were not entirely 1 art were not yet 1 arts are not intrinsically 1 arts are not merely 1 book is not easy 1 book makes no claims 1 centuries were not so 1 century did not simply 1 century found no echo 1 e is no longer 1 figure is not consistent 1 figures are not ambiguous 1 figures are not limited 1 figures were not necessary 1 history did not really 1 history does not necessarily 1 history has not fully 1 history was not linear 1 italy are not as 1 italy is not essential 1 italy were no less 1 renaissance is no more 1 renaissance is not possible 1 renaissance made no such 1 renaissance was no more 1 renaissance was not only 1 renaissance were not alone 1 renaissance were not monolithic 1 study has not only 1 study is no longer 1 study is not just 1 time has not yet 1 times is no more 1 work has no clear 1 work is not simple 1 work was not as 1 work was not dependent 1 works is no longer 1 works were not necessarily Sizes of items; "Measures in words, how big is each item?" ---------------------------------------------------------- 73608 work_7p7h7giinfamvfajtnitpsygia 41158 work_j7nmsf55djdspckwocsp3zum5e 22279 work_cjryiy6sgbdorccfcv3ibrf5ju 19712 work_lcs2cdrzrbexvmveharbjoitoy 19075 work_rpfnvy7zqzhodpt4lzrsncpule 18932 work_ko7ngfvi3vckflkhlbzvsavuxq 17969 work_avyg4gyd6bfltgr3kmkwgu5y4y 17644 work_33mifywa6rgttcmle2p3n7fnei 17339 work_v7ck5kxosvfp7koz3yi6frajcu 15617 work_rv5f5umljvfq5bi7phut7fz3y4 15447 work_xmy75qtsgvhxbemie3hmgd6u6a 15168 work_n7aqni2sybbwfgfs7q3coipra4 14649 work_nlueipbdffbjjbtg6nadsgu2bm 14487 work_qk36od2cbjdbfkp3iskax7fh24 13793 work_f3fuzpnijvc6nk5axrr6bsjkce 13565 work_x5otsfv7bvalhcdqfrw653itha 13490 work_g6dfophsb5divdrzgi4w2osloi 13396 work_64ceqmrdrjfhndvhflpjgfgur4 13187 work_kpaiksyv3fb2ze4iziq6bam7mu 13144 work_qxafti4gx5g7deirz6g5kel2ni 13123 work_hzwke6umhrfxbocnluw4wwbmli 13088 work_be3khgmimzemfb2c64aluqvryi 12767 work_qyqvrq7om5hm5mspqieyhs3kxu 12637 work_n654sm7ypfftrcrv3imi3fimji 12417 work_jhnc4rbhtvd3jbi6y72ne6lqtm 12400 work_n2l3ffedhnc2pkzcw34llihdqi 11972 work_6ybfo7zywfawtd3uofeupgblzu 11601 work_zrzfcdrkb5gmxgocdyvstk62wq 11548 work_xc3xbeukojeytidelzjeztvuze 11425 work_v4mj6zift5dg7on5n2atqes6ve 11336 work_pr4q5gm7vnhblgolqq2ujdiql4 11283 work_fstfhgvg6ve4tmxjs2xhbxq3ta 11139 work_dbllj5j3lvguri2ppeiimlqc4e 11061 work_bhtvuqlpirh2dijvcd6jc4dzlq 11030 work_xa4uwnfgy5ajzdb4tyfrzk4v2u 10901 work_6gz4dwsda5ha3nr7yfkkaprpky 10806 work_zycg6gymcvamxosqe6jv6j4zoq 10617 work_72767d3fu5fevg3uf5k3rbk7vu 10611 work_es5wgnmjdjemvobxhxrsjtdhyi 10446 work_makljxq2yzajtaprkqnxxn3jhi 10290 work_bgljpqmhgjgqhgmo5odwxffzui 10244 work_nm6cbsskwfaapajiladh2a5qva 10160 work_czhyll5jrjan5oak6m2a4uwp2i 10060 work_4we3f6nw2ncirldjazvtmp7nz4 9856 work_5zyc52fwnfceba32yzaf2m72za 9813 work_c4xeq4nfxzffrm6w5esboioqka 9487 work_femegcta6nabhnp5yylntpz3qm 9472 work_3vrprdyoknbgxfyvuhgvu7eqwu 9452 work_tat5nea3cjhgpagdc7bbvbdlay 9399 work_4ddwhs7gxvevfnrrl2qoyha4ya 9388 work_tjca5n7vpba2zdlv7ffnxjq2hu 9325 work_w7b7ykvomrbizhicuzzvwuc5si 9075 work_ourgqjcxbvhyfagnhejs3rprxa 8958 work_mkjybojltndxtgkgvsb6stmhiq 8908 work_ls3eci5rsrbrve3efbykcxuqly 8860 work_pcafmyawcffjzbxa4voqncf7ra 8856 work_qfhaojdj45aa5k5qd73czm76am 8793 work_y75ooidbbfbw5oejxtiqsmemhy 8779 work_mso2mklylrcy3alvqwwc7zxkvy 8760 work_iv3nildxajhhlmp3vzsw7hf3xq 8745 work_z6kl2ubv6jckpjk7zks5yhqpau 8733 work_g2gxg745nbh5tg3xobf2gt46au 8687 work_e25keos5erhhxapt5sq3gseug4 8616 work_lask4pvip5fixdb6uf4extrktm 8432 work_do53ehbwtrcodc3ao4a2slg5fy 8068 work_ig53zppym5cm5mpxazcugkm5za 8066 work_2m6gvudwpnfufht6i5sceyxfva 7910 work_bchd6mir3ngnnf6romzbyi7po4 7867 work_ajbmzakuzvaqrcjumpuvvcg5f4 7854 work_s3jefpwjnndhvf5vietzfr3bxi 7844 work_tzvxdbvrarhwjntvft75l2p6j4 7826 work_q57cafylife2rmvihlvmu6hgue 7796 work_oiuwmjfrgbcrlg3uj3oz7yziqm 7664 work_b45vgls3mjcejkflq6gv5dbdum 7639 work_cwwnowqwojggxomm4bklamgzui 7632 work_gy6fgu7wujb3raw3bi3fxueoxa 7630 work_d6qplvfp6nc2zeynue3v2gb6hm 7589 work_g74m2o2prrc23gagfihi3yusfu 7572 work_3m2c6wnvmnh4fjdmncnkxrb5ce 7505 work_uk4akh4d25h6xjqvmx5srpwh7e 7479 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Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans work_2ei7tqntfveo7pirys7seuge7q https://dare.uva.nl/personal/pure/en/publications/a-new-field-history-of-humanities(db1a021e-8fcf-4645-9744-3c0f49373928).html No earlier journal has assembled scholarly studies on the history of the humanities disciplines across time and place. in the humanities, just as in the sciences, historical actors have applied practices, methods, and principles invented for specific disciplines to problems in other disciplines 9. See, e.g., Rens Bod, A New History of the Humanities (Oxford: Oxford University Press, 2013); All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). work_2fcjnshhyrbvtjjp5auvwein7m Background: The Medici project consisted in archeological and paleopathological researches on some members of The remains of Giovanni de'' Medici, so-called "dalle Bande Nere" (Forlì The enigma of the fatal injury and leg amputation of the famous Captain excited curiosity of paleopathologists, medical scientists and Italian Society of Orthopedic and Traumatology which contributed to realize the project of exhumation and study of his skeletal remains. Case presentation: The tomb of Giovanni and his wife Maria Salviati was explored and the skeletal remains were Keywords: Giovanni dalle Bande Nere, Leg amputation, Paleopathology The Medici Project (2004–2007) consisted in the exhumation, exploration and paleopathological investigations on Figure 1 Portrait of Giovanni dalle Bande Nere (1498–1526) Skeletal remains of Giovanni dalle Bande Nere and his Skeletal remains of Giovanni dalle Bande Nere appeared Giovanni dalle Bande Nere is a central figure of the Italian study on Giovanni dalle Bande Nere revealed interesting work_2gk324xzmjdcvpudk6to6ak3hm RQX_73_2_Book-Reviews 664..666 Renaissance Woman: The Life of Vittoria Colonna. the first woman in Italy to see a collection of her poetry in print. received news from Milan of his death. Colonna traveled to Rome, seeking a vocation Ramie Targoff tells Colonna''s story with empathy and imagination, gracefully circumventing academic conceits and disciplinary boundaries. Targoff describes the circumstances of Colonna''s approaching death and her late meditations on paradigms of female piety, Catherine of Alexandria, and Mary Magdalene, Order (of whom Colonna was a champion), and the format of a Renaissance originality of Colonna''s works. Whether Colonna was a "Renaissance woman," Vasari''s Words: The "Lives of the Artists" as a History of Ideas in the Italian studied Lives of the Artists is a neglected chapter in the intellectual history of Renaissance Biow needs to articulate his view of the fundamental design of the Lives: profession, work_2hnsj5pbofa3rpnjg7kat4meca research in a number of areas create new knowledge. face-blindness, is an impairment individuals by their faces, in face recognition, known as in face perception and social difficulties in object recognition, on non-face visual cues, such as reflecting damage to a cognitive face recognition was nonetheless faces and other objects. the candle-lit painting appears same painting illuminated with specifically, the glow of the gold glow effect when lit by candles, the eye to fixate in a different part less at the faces of the Angel faces (looking at them directly eyes could have been directed of ''glowing'' gold to direct the experiment, however, eye visual image of faces. for faces is not specific to impairment for faces versus other object classes in prosopagnosic Disorders of face What is special about face What cognitive systems are affected in prosopagnosia? What neural systems are affected in prosopagnosia? Aren''t faces just harder to recognize? work_2kycckjoyzb2tn45yazfmcvqte Alois Riegls Schriften zur Denkmalpflege [Piece of Art or Monument? Paris: Documentation francaise: Direction des Archives de France 1996. des objets d''art voles ou illicitement exportes. Archaeology and Law. London & New York: Leicester University Press 1996. Le droit et l''objet d''art: le droit de suite des artistes plasticiens dans l''Union Europeenne [The Law and the Object of Art: The Droit de Suite of Artists in the European Union] La collection des tableaux de Lucien Bonaparte, prince de Canino [The Picture Gallery of Lucien Bonaparte, the World''s Greatest Works of Art. New York: Basic 1997. Theoretische Objekte, Fakes und Souvenirs [Merchandise (True) Art. The Museum Shop as Chamber of Miracles. Die Kunstwerke des Kaiser-Friedrich-Museums-Vereins Berlin [100 The Art Objects of the Kaiser-Friedrich-Museums-Verein Berlin]. Images of the Italian Renaissance in the Museum of Art York: Yale University Press/The Metropolitan Museum of Art. 1997. (Schriften des Kunsthistorischen Museums, vol. work_2m6gvudwpnfufht6i5sceyxfva second half of the fifteenth century: Tomaso Garzoni''s La piazza universale di the World], and Leonardo Fioravanti''s Dello specchio di scientia universale [On the 1. See Luca Mocarelli, ''''The Attitude of Milanese Society to Work and Commercial Activities: because Tomaso Garzoni and Leonardo Fioravanti, the authors of the treatises in question, La piazza universale di tutte le professioni del mondo [The La piazza, it owes a great deal to the work of Fioravanti, as we shall see.6 Giorio, ''''Una fonte del Garzoni: ''Dello specchio di scienza universale'' di Leonardo Fioravanti'''', economic success of the late Italian Renaissance, starting with the processing of wool, in which cities such as Milan, Florence, and Venice, as The difference between Garzoni and Fioravanti is even more apparent in consider what Garzoni and Fioravanti had to say about stonemasons and The attitude of Fioravanti is totally different; he exalts the art of the work_2qnly4fkejbtrgzmorqaqn2ray Michiel Coxcie (1499–1592) and the Giants of His Age. Exh. author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. https://research.rug.nl/en/publications/review-of-koenraad-jonckheere-ed-michiel-coxcie-14991592-and-the-giants-of-his-age-exh-cat-museum-leuven-turnhout-harvey-miller-publishers-2013(2cf28a65-0037-4a0e-b5b6-244c3e8e9729).html Michiel Coxcie (1499–1592) and the Giants of His Age. Koenraad Jonckheere, ed. During his long career, Coxcie was an internationally and highly respected artist, In eight chapters, Coxcie''s reputation and career are discussed, and his works, According to the authors, Coxcie''s work was also (or still) important in the 1560s, when Coxcie kept receiving respectable commissions until the end of his life, his work must by career and assessing his importance, Jonckheere concludes that "Coxcie can be regarded attempt to rebut Van Mander''s critical remark and restore Michiel Coxcie "to his rightful Coxcie a better painter from the artistic point of view that Van Mander was talking assessment of Coxcie''s work still holds true. work_33acxxkmznfkbgw4vudbsvznse Shaping and understanding sound : Violin makers, musicians and scientists from Renaissance to Romantism Shaping and understanding sound : Violin makers, The training of instrument-makers in Renaissance Italy is linked to a rediscovery of theoretical works on physics eighteenth century lead the establishment of acoustic as a modern science, with the distinction of partials from The test for judging the results is the playing of the instrument by a very competent musician. have transformed the instruments from the Renaissance to the beginning of the 19th century. time were rediscovering the works of Vitruvius. town reknown for its musical instrument maker in the 16th instruments, and in the early Stradivari''s, the arches are instruments to enhance the sound of the violin to satisfy cornerless arched violin, made by a young maker: JeanBaptiste Vuillaume. The violin maker Jean-Baptiste Vuillaume came to Paris the theoretical works of the time and the design of the work_33mifywa6rgttcmle2p3n7fnei Capitalism does not seem like a concept in danger of disappearing.1 Atthe Fourth Congress of the International Economic History Association, which met in Bloomington, Indiana, in September 1968, however, Lane, "Meanings of Capitalism," in "The Tasks of Economic History," ed. so-called new history of capitalism is only one strand in this story, but for an enlightening discussion of one of its predominant themes, see John J. A. Friedman, "Recent Trends in Business History Research: Capitalism, Democracy, and Innovation," Enterprise & Society 18, no. the Middle Ages with economically sophisticated merchants, imbued with a capitalist mentality." Sombart, "Medieval and Modern Commercial Enterprise," in Enterprise and Secular Mueller has also, more generally, noted the influence of Gras''s business history group on Lane. Since the time of Sombart, the "origins" of "modern" economic conditions, alternatively identified with "capitalism" or even "the economy" work_342rv3hnmnfgnny6eoj6rmxybm work_3ke7io55efeldayk6hk4hnl3oq as Rudolf Wittkower''s only student at the Warburg Institute in London. unpublished Master''s thesis, titled "The Theoretical Drawings of Inigo Jones: Rowe lucidly observes that the Renaissance villas of architect Palladio and villas of Le Corbusier and Palladio is, in Rowe''s terms, a return to the This positioning of architectural history by Rowe in "The Mathematics of the unpublished thesis, titled "The Theoretical Drawings of Inigo Jones: Their the Warburg Institute for both Wittkower and Rowe. did not use diagrams, as Rowe did in "The Mathematics of the Ideal Villa," or Rowe''s argument is very similar to that of the exhibition put on by Wittkower ("theoretical") drawings, which Rowe argued is the evidence of Jones'' Rowe can argue that Inigo Jones intended to construct a theoretical treatise 7 Colin Rowe, The Architecture of Good Intentions (London: John Wiley & Sons, 1994), 48. 15 Colin Rowe, "Prefatory Note," in The Theoretical Drawings of Inigo Jones: Their Sources work_3m2c6wnvmnh4fjdmncnkxrb5ce " Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University. " Lessons From the Culturally Diverse Classroom: Intellectual Challenges and Opportunities of Teaching in the American University. In the classrooms of a modern university students and teachers from literally all university instruction that questions both established student and teacher models. what it means to work as teaching assistants in the humanities in an American university from understanding of student-teacher roles, literacy, and identity that the multicultural classroom Students and teachers of English in the 21st century inhabit a global classroom. even personal challenge teachers face in a cross-cultural classroom environment. background students and teachers bring to the classroom that creates a rewarding learning democratization of the university classroom, professors and teaching assistants alike have to U.S. universities have long employed graduate students as teaching assistants to work work_3r2nuqzigrab7f2wwf7zhiewvy the emphasis on the role of intermediaries as reducing the frictions of transaction costs and asymmetric information is too strong; while these factors may ®nancial industry, we focus on their concept of participation costs, we argue Financial intermediaries, according to that theory, have a function only because ®nancial markets are not perfect. more prominent role of public markets, ®nancial intermediaries appear to Relative size of the US ®nancial sector and the banking industry (Source: Barth et al., 1997). We agree with AS that risk management has become a prominent function of ®nancial intermediation. In our opinion, AS are right in suggesting a central role of risk in the intermediation process and proposing that risk management become the main AS associate the risk management function of ®nancial intermediaries that the use of derivatives by ®nancial institutions for risk management has participation cost can be relevant in understanding new roles of the ®nancial work_3usctspz3fdczcukjxotc5szda visual image of faces. the eye to fixate in a different part Lighting conditions can affect the significance of parts of a painting as The top two panels show Duccio''s "The Annunciation" rendered either using synthetic diffuse illumination (A), or synthetic candle light (B). such paintings, they make about three eye movements a second, and where they choose to fixate will be determined by both the visual characteristics of the picture (C) The density of eye fixations from observers, estimated using The density of fixations to the diffuse illumination is shown in green; the fixations to the candle light are shown in red, and hence regions fixated in both conditions are shown as yellow. (D) The differences in fixation patterns between candle lit and diffusely lit show areas significantly more fixated when viewed using synthetic candle light, and and light-reflecting objects in paintings is to use lighting illuminant for art paintings by computing work_3utibwenwngcbow7ua6lgcwfcq The rst long-awaited volume of the new edition of the works of St Maxim the Greek has been published by renowned Moscow scholar Nina Sinitsyna in collaboration with one of the strongest teams working with pre-Peter texts and the old-believer tradition — the N. (1518–1525) as well as works preserved in Greek (with Russian translation), wri en in Italy and on Mt Athos (1498–1516) by Michael (Maximos) Trivolis. The rst publication of the Greek part of the heritage of St Maxim The basis for the publication of the new volume are the manuscripts, created in Maxim''s manuscript tradition of the texts included in the volume was carefully The new edition is a pioneering work in many aspects. Metropolitan Filaret (Philaret) (1903–1985) was the third First-Hierarch of the Russian Orthodox Church Outside Russia (ROCOR). The book is a fascinating read for both scholars and laymen interested in the history of the Orthodox Church in the 20th century. work_3vrprdyoknbgxfyvuhgvu7eqwu Religious belief had a negative impact on muscle study when interfering with dissection of human corpse. Incidental discovery of electro stimulation effect on muscle in Galvani''s laboratory and electric current concomitant of muscles contraction by Matteucci and Du Bois Reymond were major breakthroughs. engineers and physiologists in Berkeley (1945) systematically recorded EMG during gait of normal man. Marey recorded changes of the volume of muscles of the muscles functions and pattern of muscular activity. History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 History of the Study of Skeletal Muscle Function The Open Rehabilitation Journal, 2010, Volume 3 93 work_4ddwhs7gxvevfnrrl2qoyha4ya years ago, by Vasari in the second edition of his Vite, and by van Mander in his century canons of two groups of artists (Italians and Flemish) who, according to large number of artists in narrative works written by important art scholars at time The Italian Renaissance and Flemish Realism Canons at the End of the 20th Century canons are defined by the names that appear in Grove''s (1996) entries for the Italian For Italian art, Michelangelo is the artist whose entry is the longest (Grove Rubens is first in the Flemish canon, followed by Breughel and Van Dyck, while For Italy, the 20th century canon is formed by painters whose names appear in mentioned in the entry on Flemish painting in Grove (1996, vol. given by previous art historians (Vasari to Chastel for Italians, and van Mander to van Some artists entered the canon at later times, given that art historians work_4dl72z3tira6peb3anajf2etrq sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218036895 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:09 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_4ffmtdl4hfhedga3v745ot5gge Homosexuality and Old Art: Notes to Interpretation of Male Portraits of Renaissance Keywords: Portraits; Renaissance; homosexuality; Italy; art history; paintings; sexuality; o to, co se vnímá jako homosexualita při uvažování o uměleckém díle a co tak bylo vnímáno šest staletí před tím. stejné pohledy, oblečení a jiné věci, které jsou dnes považovány za „symboly" homosexuality, nemusely být vnímané stejně člověkem minulosti. Klíčovým momentem pro pochopení homosexuality je vědomí toho, že homosexualita jako taková ve starší době vlastně vůbec neexistovala. toho, zda pro určité bádání bude použito pojetí „autora", je každopádně velice důležité, portrétu.12 Publikace Armandea Maggiho, primárně profesora literatury a dějin středověké italské kultury, jsou přínosné i pro renesanční umění, a to v tom smyslu, že dává Interpretace veršů viz také Liubov Marsova, Přátelské portréty v italském renesančním malířství (diplomová práce), Ústav pro dějiny umění FF UK v Praze, Praha 2017, s. rovněž ve výtvarném umění, například pro žánr portrétu. work_4ir6mfe7a5hmheaidkipdxhfvi Designed, published and printed in Italy by artworks, carried out with a science-based approach, Museum of Modern Art (New York), at Centre Instead art and science share joy in discovery which combine art and science. With reference to an artist''s wealth of knowledge, characterizes Adam Elseimer''s work (German artist Yet in our own time, artists can not understand arts and sciences was an artificial one perpetuated science and that artists contributed to the invention The idea that great advances in art and In fact, the idea that artists have special abilities wrote that the knowledge that artists and architects Vitruvius advised that artists should know something arts and sciences have become far too specialized and Vitruvius advised that artists should possess and dwindling public support for science, art, the the humanities moving away from the sciences, the artists may be too impatient to wait for art to fully work_4kaqpb7lqvhyffchpvq2durlja The Spanish Presence in Sixteenth-Century Italy: Images of Iberia. volume, The Spanish Presence in Sixteenth-Century Italy: Images of Iberia, offers a valuable addition to the current scholarship. The Spanish Presence in Sixteenth-Century Italy begins with Simon Ditchfield''s excellent introductory essay that highlights the fraught relationship between the Spanish conquerors and their Italian subjects in the wake of the Part One of the volume, "The Spanish Presence in Italian Politics, Society, and Culture," offers three substantive essays that evaluate, in turn, what Moving southward to Spanish Naples, in "Encountering Spain in Early Modern Naples: Language, Customs and Sociability," Stephen Cummins hopes to Where Pattenden plays up the limitations of the Spanish crown''s hegemony over the Roman Church, Paolo Broggio instead highlights the monarchy''s material cultural exchange in the Spanish and Italian relationship of the early The Spanish Presence in Sixteenth-Century Italy provides a series of thoughtful interventions into the rich history of Iberian-Italian relations in the early work_4kyxg4drgvbxfae3aat2jfukcy teenth-century Italian grammar schools: his treatises, De officiis, De senectute and De amicitia were recommended by Aeneas Sylvius in his De indicative of Cicero''s role as a grammar school author in the twelfth century are the number of different accessus now accompanying the moral In the fifteenth century, such copies of the shorter moral-philosophical treatises now abound(59), demonstrating the secure place which Cicero had regained in the grammar school curriculum. "Sapientia tres habet partes, scilicet, memoriam, intelligentiam et providentiam;''(63); but the overwhelming fare in teaching the shorter Ciceronian moral treatises in the fifteenth century was the simple philology typical of the grammar school: figures, etymology, mythology, geography, one fifteenth-century text of De amicitia may have pointed to the moralizing intentions of the teacher: "Est ergo Ciceronis in hoc opere materia The stylistic use of Cicero''s letters in fifteenth-century schools is also suggested by their distinctive appearance in manuscripts; unlike his shorter moral treatises, they are rarely work_4mn7mq6q2nfm3ocekkk6zfxqqi In the satellite images of Google Earth we can easily see the King s Knot of the Stirling Castle, a knot of sunrise and sunset on satellite maps, we can study the orientation of this Knot in relation to the Abstract: In the satellite images of Google Earth we can easily see the King''s Knot of the Stirling Castle, a sunrise and sunset on satellite maps, we can study the orientation of this Knot in relation to the apparent In the Figure 1, we can see an image from Google Earth of the castle and of the garden. Figure 1 – Stirling Castle and its King''s Knot as it is shown by Google Earth. Retrieved 27 Dec 2015, https://canmore.org.uk/site/46256/stirling-kings-knot The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. The orientation of the Kings Knot of Stirling Castle. work_4revxqlkmbe4pamtg5ni24qc2u This article advances a novel interpretation of Leonardo Bruni''s understanding of the link between Latin and vernacular languages of early quattrocento Florence and the cultural and political spaces Bruni''s recognition of the strengths and weaknesses in both Latin and the Florentine languages represents a radical departure from the perception of vernacular Equally, from the point of view of Bruni, Dante''s vernacular mirrored the spoken Florentine of his time, and it is his writing that it subjected to criticism, not his fundamental contribution to the rhetorical power and In the words of Niccoli/Bruni, Dante''s vernacular has an elegance of speech that makes it perfect in its own realm, even if In other words, Bruni stresses Dante''s fundamental contribution to vernacular oratory and the influence the language shaped by the poet had on public speaking. work_4we3f6nw2ncirldjazvtmp7nz4 organic, technologically engaged and "mechanical" notion of disegno, in which design 1 For an extensive discussion of disegno, also in relation to the "minor arts", see Luke Syson and 5 Vasari calls disegno the father of the three arts of architecture, sculpture and painting (see Vasari subsumes all the arts under the rubric of painting, sculpture or architecture – position within the Renaissance debate on the arts, Benedetto Varchi''s Lezzione nella [14] I would like to explore these issues further by looking at pottery as a mechanical art. mimesis, whereby pottery might be transformed into other arts, such as painting or [15] The notion of the mechanical art fits well with Renaissance pottery. Renaissance pottery that has most often been associated with notions of disegno and Pottery in Renaissance Italy," in: The Art Market in Italy (15th-17th Centuries), ed. design, technology and materiality, where pottery connects meaningfully with other arts, work_53ui56gfifgbno25w6dnpdylrm for durable, simple, functional, yet perfect furniture pieces, finds its connection to the ancient design Today''s modern Scandinavian style, as a design of Keywords: armchair, stool, chair, shape, design, Greek furniture is mainly characterized by representative seating furniture, of white many more modern furniture designs characteristics of Scandinavian furniture is furniture are wooden chairs with a seat elements of the furniture of both styles, we 3.1.Antique furniture design Characteristics of antique furniture according to form, furniture, materials and color Scandinavian furniture design Scandinavian furniture design Scandinavian furniture design Scandinavian furniture design Furniture: Materials: Form: Color: Furniture: Materials: Form: Color: Characteristics of Scandinavian furniture according to form, furniture, materials and color Scandinavian style, as a design of the 20th characteristic pieces of furniture, use of natural materials, shape, design and color. Ancient furniture: Similarities and differences between ancient design and Scandinavian • Similarities in shape and furniture design development of the design of furniture. work_56nc3yc2lncbvphhqvqrsic6iq historical buildings are provided, with special reference to stop-splayed scarf joints (so-called ''Bolt Next, the results of the authors'' own research on beams with stop-splayed scarf joints, and capping beams in the building frames of historical structures, scarf and splice joints were used Examples of scarf and splice joints found in historical structures are presented in Figure 1. Stop-splayed scarf joints (presented inter alia in [11–15] and referred to as ''Bolt of lightning'', Sketches presenting scarf and splice joints in wooden beams (a) according to Leon Battista An analysis of the behaviour of a stop-splayed scarf joint subjected to tensile forces is presented experimental testing was carried out on the static behaviour of stop-splayed scarf joints subjected to references, whereas series E, F, and G included beams with stop-splayed scarf joints in the horizontal Stop-splayed scarf joints are common in historical structures where there are elements that are work_5it3u352k5g6njvgiikhn4o54a considers the "new cardiology" in Britain, 1880-1930. late-nineteenth-century research in experimental physiology effected a reconstruction of the clinical conceptions of the heart that were held in British medicine during the first three decades of the twentieth century, the new concept being that of the living organ, which was not merely a Disease of the heart was not only an alteration in structure Howell explains the changes from early mechanical concepts of this disease to its redefinition as An essay by Finlayson, ''Ischaemic heart disease, aortic aneurysms, and atheroscleorsis in the coronary heart disease, and possibly yet another factor has caused the more recent and more KATHARINE PARK, Doctors andmedicine in early renaissance Florence, Princeton University Katharine Park has written an excellent book that contributes equally to medical history and Her findings are novel and important for the history of medicine. The city and institutions such as hospitals, religious orders, and confraternities gave work_5p3wy3pevjbxtkty6shzdhdzj4 Buontalenti e Le Nôtre: Geometria del giardino da Pratolino a Versailles. The first of the two chapters contained in this book addresses the design method of compares the work of Buontalenti in Tuscany to that of André Le Nôtre, a century later, argues that Buontalenti made use of the accelerated perspective for the design of Pratolino''s layout was irremediably altered in the nineteenth century, but Buontalenti''s method survives in a lessknown, late sixteenth-century villa located at Poggiofrancoli. Turin, but neither in Italy nor at Versailles, the author concedes, did Le Nôtre make use Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– The author''s original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. The first chapter deals with the geological aspects and the use of alabaster In the second chapter, the author deals with the sculptors working in alabaster and work_5zyc52fwnfceba32yzaf2m72za Abstract: In this paper, the authors show that augmented reality technology has a positive impact on the moti-vation of middle-school students. In the educational arena, motivation can be defined as the student''s desire to engage in a learning environment (Keller & Litchfield, The qualitative data was collected by observing students interacting with the augmented reality learning environment and conducting corresponds to item 8 which states that the augmented reality learning scenario was attention-grabbing for students. The results show that participants were motivated by the use of augmented reality technology when it was integrated into their learning Regarding the satisfaction factor, results show that students were satisfied with the use of augmented reality technology to support the The quantitative results of this research study showed that the use of augmented reality technology on learning environments had The motivation mean scores obtained were M ¼ 3.62 for the augmented reality based learning scenario and M ¼ 3.29 for the work_63vjm466o5bnpjg2oxbd4kaxs4 Carleton Renaissance Plays in Translation. For centuries, literary critics have judged his works without always has been successful in shedding new light on Aretino�s literary production The Cortigiana, as we read on the back cover of the translation by J. commedia erudita, and improvisational street comedy, La cortigiana also Campbell and Sbrocchi�s English translation of Cortigiana is an especially Renaissance comedy (but this is true for any other literary genre) can be comedies of the Italian Renaissance, and yet it had to wait almost five hundred years to be translated into English. such as Aretino�s life and theatrical production, the two Cortigiana texts, the title and language of the play La cortigiana and the commedia erudita, Rome Castiglione�s Book of the Courtier and La cortigiana, and on Pasquino The translation is based on the 1525 single manuscript of Cortigiana. established Church and the new religious ideas. work_64ceqmrdrjfhndvhflpjgfgur4 between the ''material renaissance'' and the ''consumer revolution'' of the early modern North Sea the role of material culture and consumption in ''the Italian Renaissance'' in relation to modern 14 A project that played an important role was undoubtedly ''The Material Renaissance: Costs and Consumption in Italy 1300–1650'', which ran from 2001 at the University of Sussex and the Victoria & Albert precociously different from that of the cities of northern Europe, which by the seventeenth century had developed much the same kind of luxury consumption that Italy had?'' In The Business History Review 68, no. Cohn, Jr., ''Renaissance Attachment to Things: Material Culture in Last Wills and Testaments'', Economic History Review 65, no. renaissance'' of fourteenthand fifteenth-century Italy and the ''consumer revolution'' of the seventeenth and eighteenth centuries was the social dissemination of new consumption practices. ''material renaissance'' and the ''early modern consumer revolution'', does such a transition work_65b7z6j5org33owceyvwvnd4em materials have become a field of art historical research, to early modern textile interiors shall be sketched here in order before the Restoration, layers a modernist stance onto medieval and early modern notions of interior space. appears as a mise en abyme of such textile spaces, a phenomenon that contradicts the Renaissance notion of architecture open the view through the missing "fourth wall." Early modern perspectival space, instead, gives a view through a continuum in which textiles, hung or folded, are reduced to modern textile interiors testify to a notion of space as something material, opaque, sensorial, discontinuous, non-Euclidean, folded, polyfocal, social, and topological. Tristan Weddigen is professor of early modern art at the University of research project "An Iconology of the Textile Medium in Art and Architecture" [University of Zurich, Institute of Art History, Raemistrasse 73, CH-8006 Zurich, Switz., tristan.weddigen@uzh.ch]. Material der Kunst (Munich: Beck, 2001); Monika Wagner and Dietmar work_6a33e6ttvfh2plfrluqaheznai Reshaping Dance Through Time: A critical view of historical periodisation in relation to history is shaped by acceptance of dominant periods, and to point to ways in which the shape of dance This trend is reflected in the more recently published dance history texts, as I will go How has dance organised its "long view" of Western theatre history? of the organisation of time in a selection of twenty-five dance history books published mainly in the and social dance (Vuillier) and also to the temporal "modern" in relation to the time the books were The dance history books of the early twentieth century prefigure a trend which continues Recent research on the content of dance history syllabi in British universities periods in dance history: the Romantic era put back the heart that had been lost in ballet, and, one of Ballet and modern dance: a concise history. work_6bgb5rqpt5chll2i2ykb43lrbu Multiperspective imaging Computer Graphics and Applications, IEEE At the same time, these images are well suited for processing in computer vision problems such as stereo reconstruction and motion analysis. In particular, a perspective image captures only the light in the scene that Other light ray distributions give rise to multiperspective images. Once assembled, you can slice the video cube to produce different types of multiperspective images, as multiperspective images by moving a camera on a curved image is assembled into a video cube, y-t slices capture an images created from different y-t slices of the same video page) shows an example of a stereo pushbroom image Stereo images may also be created by moving a camera on a circle instead of a line. tion on multiperspective stereo images and how to create them, see our related article.1 images) video cube slice and display the result as a work_6gbywtxgtbatfaqnvshtpwbyve Key words: Modern architecture of Berlin, history of architecture, art in open urban Today Berlin is a strong European political center as well as a world important art The architecture in modern Berlin shows that nowadays Germany is open to The new modern buildings, Paul Löbe Haus and Marie Elisabeth Lüders Haus, alongside the river Spree has been built after the design of the architect Stephan Braunfels. This Memorial is part of new modern urban Berlin together with more symbolic East Berlin became the capital city of the East Germany after Second World War. The The architectural future of East Berlin is in further urban development. 3. BERLIN TODAY AS UNESCO CITY OF DESIGN AND ART CENTER Using public spaces for art installation is common in Berlin. At this moment, UNESCO world cities of design are Berlin Art in open urban space as part of modern Berlin work_6gz4dwsda5ha3nr7yfkkaprpky seventeenth century, these pigments had found a permanent place on the easel painter''s palette, smalt used in place of ultramarine and the antimonial compounds enlivening the yellows of the spectrum. These three discoveries contributed to the saturated colors characteristic of seventeenth-century painting and offered artists latitude in the ways they pursued At the turn of the sixteenth century, new sources of raw materials and production led to the manufacture of vast amounts of blue and yellow pigments that From early times mineral pigments offered a variety of blue colors to painters; Palette and Fifteenth/Sixteenth-century Pharmacy Price Lists: the Use of Azurite & Ultramarine," in Painting Techniques: History, Materials and Studio Practice, eds. The pigment, whether used for easel painting, decorating ceramics or coloring glass, was not prepared directly from the ore but from an intermediate see Ashok Roy and Barbara Berrie, "A New Lead-Based Yellow in the Seventeenth Century," in Painting Techniques: History, Materials and Studio Practice, Contributions to the work_6kcmqr3er5f3jbrfbbcp2abkt4 Review of Matt Kavaler, Renaissance Gothic: Architecture and Campbell, I 2013, ''Review of Matt Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Review of Matt Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) https://www.research.ed.ac.uk/portal/en/publications/review-of-matt-kavaler-renaissance-gothic-architecture-and-the-arts-in-northern-europe-14701540(d7b6a29e-c1db-4560-8ee8-5b3c67554bf1).html Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470–1540 by Ethan Matt Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, http://www.jstor.org Renaissance Gothic: Architecture and the Arts in in the Renaissance in Rome, but was cut short and asked if I actually liked the style. How much Kavaler loves the luscious late Gothic tours de force portrayed here http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp work_6nrkz7ek7vempc2qkibwkumwgm 10 Black Swan Review Corpus.indd Defiant Daughters Dancing: Three Independent Women narrative out of a performance of the classic ballet Swan Lake, making it a women in the ballet system. of a fledgling principal dancer living and working in the heart of the dogeat-dog world that is New York City, revealing in this way the horrors of the embraced women as dancers, as epitomized by the 19th century Romantic ballerina, ballet was in fact crafted by 15th century male aesthetes under the Contemporary dance research conducted by critics such as Christy Adair of women''s induced subservience in the patriarchal ballet setup, and have For me and other women I have met in my research, ballet different from classical ballet''s five centuries-old objectification of women''s For in the thriller genre as in ballet, women''s bodies at once become Black Swan Film Review Black Swan Film Review Dancing Women: Female Bodies On Stage. work_6s4msdtx4vfczafcudxtckassi Basarab, Die Kirche als Verkünderin und Auslegerin der Heiligen Schrift . Basarab, Die Kirche als Verkünderin und Auslegerin der Heiligen Schrift . der Exilsrussen auf der einen Seite und völlig ablehnende Kritik für die theologische A r Dieses Buch stellt im Grunde eine Abrechnung mit der Zoi-Bewegung dar und läßt deshalb zeitweilig an Objektivität zu wünschen übrig. In dieser Hinsicht ist das Buch von Yannaras ein einmaliges, unwiderlegbares und lesenswertes »Zeugnis«. die Ansicht, daß es zwar viele Monographien übeverschiedene Aspekte des Lebens und des Werkes Plethons gibt, aber »there der Litentur nicht anführt, befaßt sich mit dem Leben und dem Werk Plethons, auch Es fällt jedoch bei den Schriften Plethons auf, daß der Autor Den Wendepunkt für die Zulegung des Namens Plethon erblickt der Verfasser Diese Einteilung des Werkes und die Benennung der beiden Teile widerspricht übrigens auch der Verwendung der Namen durch W. Der Dialog und die work_6ybfo7zywfawtd3uofeupgblzu them had in mind the fact that modernizing projects in Serbia over the past, say, a) instead of new, postfeudal forms of private property, state − or the socalled social (like in former Yugoslavia) − ownership prevailed; again that that (political) aspect of modern formal rationality came into being relatively recently. On the other hand, within modern economy, formal rationality has a long history. modernity, one of its main achievements − namely, its political formal rationality − has been, in new, postfeudal form of property, market economy, rationality and individualism, The story about Serbia and modernity in the 20th century could be divided in attributes/conditions of modernity − individualism and rationality − either. modern economic system (�In the economic life of the 19th century Serbia considerable changes So, ever since 1945 modernity in Serbia (and Yugoslavia) has not been denied the main attributes/conditions of modernity, in Serbia/Yugoslavia �la danse work_6ymflzbwuvcqxbhxdgxvfaybne The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord''s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting This song refers to Vasilios Digenes Akritas or ''Border Lord'', a legendary hero of a highly developed knowledge of landscape intervention existed in the Byzantine and Arab world, 3 The landscape formative activities described in the Border Lord''s folksong that will be presented principally refer to experience and organizational knowledge, concerning landscape and garden formation practices. of history correlates the emergence of the garden and landscape formative practices with the The Eastern Genealogy of the Western Landscape and Garden Art The Eastern Genealogy of the Western Landscape and Garden Art A ''Border Lord'' of Dual Origin and His Landscape Formative Activity work_6z57z7e2l5ayzmib67vv4ddere F.R.C.P., F.R.S. Roy Cameron was appointed Professor of Morbid years in the Graham research laboratories and his The war years at Porton, where Cameron worked basic problems in pathological reactions. time over 50 in all, including the Medical and Agricultural Research Councils. At this time his research laboratories Cameron believed, and proved, that good work was President of the College of Pathologists. HOWIE, President of the College of Pathologists, writes of Roy Cameron as Foundation Roy Cameron was the ideal man for Foundation President of our College, and he was very proud of holding Cameron was a man of great scientific distinction and of Although, even when he accepted office, his health was seriously and gave them a great deal of thought and study. made it very clear that the work he did for the College To us of this College it was a great thing that he gave us work_6zxqgvyozzdlvfr7bnudh7u3ua Jindřich Vybiral, Leopold Bauer, Häretiker der modernen Architektur 1872-1938, One case in point was the career of Leopold Bauer. thorough investigation of his work, Vybiral makes a major contribution to Vybiral starts off with Bauer''s marginalisation within the Wagner-Schule Vybiral''s account of Bauer''s One may say that Bauer was now returning to his homeland, working until the late For Bauer, all buildings, including factories, required monumental treatment, that is, By 1930, in a design for a store in Novi Sad, Bauer adopted a very different which Bauer has finally joined, and which effectively meant, so Vybiral, trying out Like many architects of his generation, Bauer was fascinated with towers; it work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer work of the Wagnerschűler Leopold Bauer rectangular frames and pure white surfaces in his Vienna-Secession style interiors Bauer''s work of the Interwar period. work_72767d3fu5fevg3uf5k3rbk7vu (Pseudo-)Aristotelian Animals In Della Porta''s Physiognomics This article analyses the role that animals play in Della Porta''s method of physiognomics. conceptual trajectory of Della Porta''s physiognomics, from human psychology to animal Giovan Battista Della Porta – Aristotle – physiognomics – animals – body-soul interaction – The use of animals in Della Porta''s physiognomics is systematic, Della Porta substantially adapts the physiognomic principle of the body-soul relationship as but I argue that man-animal comparisons play a radically different role for Della Porta and 2. The Sympathy of Body and Soul: Della Porta''s Fisonomia and the PseudoAristotelian Physiognomonica Della Porta''s answer is based on his understanding of the way in which souls and bodies are correspondence of souls and bodies in the case of animals is the real foundation of Della Yet, Della Porta''s animals are not Aristotle''s: Fig. 1: The animal ''simia'' in Della Porta''s Fisonomia (1610), in comparison with a human work_737vo6ecunbghogpx64zbmzl4a Michael Baxandall, who has died aged 74, was an art historian of extraordinary perceptive and In 1958, Baxandall began formulating a thesis awarded a two-year fellowship at the Warburg lecturer in renaissance studies. Experience in Fifteenth-Century Italy (1972). social history of pictorial style", as he called early Renaissance pictures and the society in Baxandall''s idea was that at different times and awarded the Mitchell prize for the history of art. By the time these latter works were published, Berlin, and been awarded prizes by the University The work of Gombrich on perception remained The most important publication of his later years, analyses of shadows with the pictorial practice Baxandall''s last years were lived under the son Tom. Michael David Kighley Baxandall, art historian, Michael Baxandall Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:06:17, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core https://www.cambridge.org/core/terms work_74ebj7p5rrbzxp3ufci3xsi3yy 1000 successes as CDDIS reaches 1000 published papers! 1000 successes as CDDIS reaches 1000 published Cell Death and Disease (2014) 5, e1041; doi:10.1038/cddis.2014.15; published online 30 January 2014 success to ensure that CDDIS strives for an even better In the successful wake of our leading journal, Cell Death and Differentiation (CDD), we received an everincreasing number of the top-quality submissions. for the new title seemed obvious: Cell Death & Disease, *Corresponding author: G Melino, Department of Experimental Medicine and Surgery, Biochemistry Laboratory, IDI-IRCCS, University of Rome ''Tor Vergata'', Via Tor Citation: Cell Death and Disease (2014) 5, e1041; doi:10.1038/cddis.2014.15 an ''APP'' for CDDIS (and CDD), further facilitating open Figure 1 Papers and impact factor of CDDIS. Although CDDIS was published since January 2010, some papers were already (b) CDDIS impact factor. Cell Death and Disease is an open-access journal 1000 successes as CDDIS reaches 1000 published papers! work_7a6z7ddmirdpjjicsmrg7x7lx4 that for Theophilus, art is the transformation of materials into useful objects, which Theophilus, Gearhart argues, and art making is a way to practice virtue. In chapter 4 Gearhart also addresses the question of Theophilus''s relationship to Roger of Helmarshausen, one of the few known artists of his time. Furthermore, despite her neutrality toward the identification of Theophilus as Roger, most of the objects she discusses have been attributed painter''s works of art, Isaacson examines Leonardo''s life through the notebooks. Leonardo found between phenomena as disparate as hair curls and waves of water. In such instances the story often gives way to lists of phenomena, each section a testimony to Leonardo''s restless mind, ingenuity, and relentless curiosity. These are some of the most engaging parts of the biography: the author deftly presents Leonardo''s artistic virtuosity in the painter''s own Isaacson''s account of the rivalry between Leonardo and Michelangelo, one social and work_7jnmq62lqja3fihdcs4dtpiqem Philosophi: Marsilio Ficino and His Influence, Brill''s Studies in Intellectual between medieval and early modern philosophy should note that Kristeller''s Scholastic Philosophy, I Tatti Studies in Italian Renaissance History (Cambridge, MA: into the early modern period it is worth noting two recent collections of essays devoted to more distant, this close attention to the texts that Poliziano (and Ficino) As I have noted, one of the themes in the essays discussing Poliziano''s Praelectio/Lamia is Poliziano''s relationship with Ficino. Shapiro, eds, Renaissance Philosophy I: The Italian Philosophers (New York: The Modern Ficino is the subject of another recent book on Renaissance philosophy, a The first half of the volume is entitled ''The Philosophy of Marsilio Ficino'' 10 Marsilio Ficino: His Theology, His Philosophy, His Legacy, ed. Ficino''s debt to Neoplatonism is the topic of Dillon''s chapter, focusing on of Ficino''s philosophy, even if it is in some respects outdated, not least due to Kristeller''s work_7p7h7giinfamvfajtnitpsygia Renaissance and the significant meaning of classical subjects and figures in such philosophical significance for certain classical subjects and motifs in Renaissance art. medieval artists did occasionally depict classical subjects in their works of art or include that simply replaces Judeo-Christian elements with classical figures and scenes, without holy figure from the Judeo-Christian tradition in a classically inspired pose, typologically related figures from pagan mythology and Judeo-Christian narrative classical and Judeo-Christian figures was both possible and significant. programs that included Judeo-Christian figures, even representations of God or the figures both classical and Christian in Raphael Sanzio‟s fresco cycle in the Vatican‟s with the representation of classical figures in works of art from that century, even from The study of the relationship of classical and Christian figures in the Stanza della of certain works of art from the Italian Renaissance which have classical subjects and work_7qzi6pfiq5g37aopdwyyhgf3o4 Arthritis in Flemish paintings (1400-1700)* paintings there were figures with hand lesions resembling Rheumatoid arthritis was first clearly described by Landre absence of rheumatoid deformities in painting or sculpture I soon discovered that a painting in my own city showed rheumatoid-like lesions. The hand of Christ in a painting by Jan Rombauts have been painted by Joos (Justus) van Gent, shows arthritis of the proximal interphalangeal joint of the left index finger. housemaid''s hands seem to be affected by rheumatoid arthritis. The man in the painting The Donators (1525-30) by Jan Gossaert, During my search for rheumatoid lesions I did not see any joint found in the painting by Jan van Eyck (1436) of the holy virgin with Canon van der Paele, who was the donor of the painting (fig 7). painters'' styles, except perhaps for the hands in the painting paintings was present or visible in only one hand and not with work_7t4fowj4mfcijpmqwdy5vmp3le The Duke and the Stars: Astrology and Politics in I Tatti Studies in Italian Renaissance History. redistributed over other parts of the Milan archive, documents the use of astrology by the fifteenth-century Sforza princes, and formed the basis of Ferdinando a difference in the way we narrate political history: ''''Italian Renaissance leaders may knowledge of the history of Renaissance astrology. knowledge of the social and technical aspects of Renaissance astrology has been inspect Renaissance astrologers'' private correspondences and prognostications, as adoption of astrological consulting: nuptial and pedagogical planning, political surrounding the prince''s relation to the astrologers, and the way in which this formed an integral part of Renaissance political practice. techniques deployed by Renaissance astrologers actually become fun and an The problem with these presuppositions is not that they are wrong: they are They do, however, tend to obscure those aspects of Renaissance astrology Renaissance prince and the astrologer (including Pierre Brind''Amour''s overlooked work_abyopwfy7bdqrmyjftzhera3ta Post-Secularism in a World-Historical Light: The Axial Age Thesis as an Alternative to regarding the changing place of religion in the modern world as the "post-secular problematic." be used to reconceptualize the public role of religion in the modern world. Keywords: religion; axial age; secularism; post-secular; public religion; religious history the public role of religion in the modern world. role of religion in modern public life, it may be helpful to examine in greater detail the broad vision of socio-spiritual transition that Jaspers identifies—early humanity, archaic civilization, the axial age, Axial age theorists have offered three normative frameworks for addressing the public role of oriented socio-spiritual framework will emerge, an event that Jaspers likens to a second axial age. modern world in ways that acknowledge the central and enduring role of religion in public life. Second, a transformation-based vision of modern religion encourages new kinds of empirical Public Religions in the Modern World. work_ad3q2s4ahjflbhfb5xst3ni4ha Le miroir des Amazones: Amazones, viragos et guerrières dans la littérature italienne des XVe et XVIe siècles The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, military aptitude of women in Italian literature of the fifteenth and sixteenth figure of the Amazon to Africa, Asia, and America, Verrier points to recent discoveries and subsequent "récits de voyage" that describe women performing tasks information provided is useful for measuring the representations of female warriors in biographies and treatises against the historical relation of women to war. The female warrior of the epic, occasionally mentioned in passing during the When Verrier does turn her attention to the epic, the treatment others, the volume has much to offer regarding the social and psychological motives behind attitudes running through two centuries of writing about women and http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp work_ajbmzakuzvaqrcjumpuvvcg5f4 Keywords Humanism, Islamic and European; education; individuality; solidarity; free will and subordination; Ibn al-Muqaffaʿ; Fārābī; Yaḥyā IbnʿAdī; Miskawayh; Rāghib al-Iṣfahānī; Ghazzālī; Ibn Khaldūn; Renaissance of Islam – Italian Renaissance; Pico della Mirandola; Nahḍa; Ṭāhā Ḥusayn; Sadik islamization of the Hellenistic heritage.6 In the middle of the 8th century, an Iranian named Ibn al-Muqaffaʿ had translated a Greek redaction of Aristotle''s Organon, based upon a Pehlevi version, as well as an century created the necessary room for the free will of man;10 they intended to limit the old Arabic fatalism and Islamic Qur''ānic divine predestination. which he stressed ethical and philosophical thinking as a way to self-development of people and as a universal bond of humanity. development of humanism in the 19th and 20th century as an educational program with a focus on Greek (Ibid.: 28, 11ff.). work_aoifggeqlrgk7d6buxutwn3yhu manuscript of Guglielmo Ebreo''s treatise through a New York Public Library exhibit. The manuscript, soon to be housed at The New York Public Library''s Dance Division, I remember once telling her, frustrated, that working with early dances was like stage to demonstrate it at last year''s Society of Dance History Scholars roundtable on of Dance Research Journal will offer a preliminary bibliography with additional memories of Ingrid from her extended family of colleagues. young scholars who might follow her in the path of early dance scholarship. Society of Dance History Scholars, at Barnard College. Department of Dance, State University of New York College at Brockport the Dancer in ValeYy''s Work; Dance and the Politics of Orality: Practices for Dancers; Dance, Myth and Ritual in Time and Space) Dance Studies in Theory and Politics Motion: New Cultural Studies of Dance 180 Dance Research Journal 32/1 (Summer 2000) 180 Dance Research Journal 32/1 (Summer 2000) work_arludgr2yvfndhq4sgdsgwhgwm Structural Simulations and Conservation Analysis -Historic Building Information Model KEY WORDS: Historic Building Information Modelling, HBIM, Surveying, Historic Structures, Building Conservation, In this paper the current findings to date of the Historic Building Information Model (HBIM) of the Four Courts in Dublin are The Historic Building Information Model (HBIM) forms the basis for both structural and conservation analysis to After registration and processing of the laser scan survey, the HBIM was created of the data, the second a procedural and segmented model developed from laser scan survey of the war damaged drum and dome. both models structural damage and decay simulations will be developed for documentation and conservation analysis. to date of a Historic Building Information Modelling (HBIM) of complex historic architectural elements in BIM libraries and Building Information Models (HBIMs) from survey data. Procedural rules have been developed for modelling building the Historic Building Information Model involved surveyors automatically created from survey data with procedural rules work_auwp6swqw5bfxa32wkn7px7lg4 Pope speaks, that Gilson''s scholarly work was part of a new renaissance, a new humanism that Gilson thought was demanded by the precarious civilizational crisis of the modern West after World Wars I and exists to predicate "humanism" of Gilson''s scholarship in both philosophical senses of the term. including St. Thomas, in the tradition of St. Bernard of Chartres, Gilson engaged in a study of the classics to revive aspects of higher learning in his time, get truth from classical philosophical and theological In the second sense, Gilson''s humanism is a way of philosophizing within theology, what Gilson often called a "Christian philosophy." Because Gilson thought that, to be of use, students needed to analyze Christian humanism philosophically, he thought he had to present question Can UNESCO Educate for World Understanding?, Gilson I think Gilson would maintain that the West needs that new humanism KEYWORDS: Étienne Gilson, renaissance, Christianity, humanism, Western civilization. work_avyg4gyd6bfltgr3kmkwgu5y4y accident that Aretino used the man/house metaphor extensively in a letter to Odoni; there is considerable evidence that In writing the letter at all, Aretino may have been suggesting Odoni''s (over?) reliance on his house to create his Odoni''s house and façade can be read as multifaceted portraits of the man. painted façade in particular put Odoni and his house "on So while the location and size of Odoni''s house were decorous, the façade ornament was potentially more socially prominently located building painted by Giorgione and Titian.69 By ordering a façade fresco in this tradition, Odoni named Aretino, exalting the art of painting in general, recommends this form of ornament: "the façades [facciate] of houses Odoni''s Façade: The House as Portrait in Renaissance Venice Odoni''s Façade: The House as Portrait in Renaissance Venice Odoni''s Façade: The House as Portrait in Renaissance Venice Odoni''s Façade: The House as Portrait in Renaissance Venice work_b3zrqbir5rge5gyiarr7nwgooq Oxford''da bir öğrenci olduğumdan beri ki orada tarih alanında 3 yıl geçirdim, diğer Sanat Tarihi "özel bir alan olarak", İtalyan Rönesansı alt dün olduğu gibi bugün de (polyphonic history) ''çok sesli tarihe'' inanıyorum. Aslında "polifonik tarih" için Türkçede bir karşılık yok. Kültür tarihine bir dönüş olduğuna inanıyor musunuz? Bu tür tarih farklı bir Ever since I was a student at Oxford, where I spent 3 years in the study of history, He is considered as an important name in social and cultural history as well as – and still believe – in ''polyphonic'' history: that is, I think it the duty of the historian to From your books, I know that you were/are interested in cultural history. What do you think that there has been a turn towards cultural history? in Renaissance Italy (1972) was a social history of ''high'' culture. cultural history? Now I have begun working on the cultural history work_b45vgls3mjcejkflq6gv5dbdum A review of Nicholas Adams, Gordon Bunshaft and SOM: Building Corporate Modernism. A review of David Hemsoll, Emulating Antiquity: Renaissance Buildings from Brunelleschi to Nicholas Adams, Gordon Bunshaft and SOM: Building Corporate Modernism, New Haven: Yale University Press, 296 Gordon Bunshaft and SOM: Building Corporate Modernism not traits normally ascribed to Bunshaft or his architecture, but over and again throughout the book, by focusing attention on specific details, Adams shows him to be during the 20th century by archaeologists and architectural historians to discuss ancient and medieval buildings with evident traces of reconstructions or restorations 2003), history of cities (Adams 1994), museum buildings David Hemsoll, Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo, New Haven and Figure 3: Cover of Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo. achievements of the Florentines is well documented, credits Brunelleschi with inaugurating the Renaissance in architecture and plotting a course in which successive designers work_b7x6bjt64rb6riqc2ejqbiwgwy The British Journal for the History of Science / Volume 47 / Issue 02 / June 2014, pp 374 375 MARY QUINLAN-MCGRATH, Influences: Art, Optics, and Astrology in the Italian Renaissance. monumental astrological vaults of Renaissance architecture. exception, which is central to Quinlan-McGrath''s argument, occurs in Chapter III.19 of Marsilio In terms of planning, the author privileges a select number of presuppositions on premodern metaphysics, epistemology, astrology, mathematics, natural philosophy, psychology and art history, in supplying the reader with ''the tools'' by which to ''judge the case'' GIDEON MANNING (ed.), Matter and Form in Early Modern Science and Philosophy. Historians of both science and philosophy have often discussed the relation between matter matter and form relate to each other and how their meanings change in the early modern period his prior work on the concept of ''seed'' in the Renaissance and the early modern period, Hirai gives work_bbhokuosizgh7pjgvvko2g3lre artefacts and interpretations, hence all products of creative investigation, formation, generation of meaning, possess no necessary existential grounding. This fact comprises determination of those capable of and called on for creative action (the gods or God, and human beings as justifications of creative action: pedagogic (the personality''s unfolding), therapeutic (fantasy''s healing powers), economic (competitive advantages through innovation), and political (the well-ordered commonweal). For this conceptual model, creativity is concretely situated; it responds to challenges demanding solutions that are both new and fitting: an approach exemplarily embodied here means liberating action, a radical new invention of social structure: the human Creativity evokes, fifth, life-connected associations: metaphors of birth and generation, but also of biological evolution. creativity programs: they offer cultural techniques meant to lead one back to a useless—what is creative is the new that prevails (Sternberg & Lubart, 1991). need to always offer something new'', complains the creative individual, ''then I''d The Creativity of Action work_bbhvsazkxzavhcgvimv2lgz3fe sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_bchd6mir3ngnnf6romzbyi7po4 account of Adriani''s text and its collocation in the editions of Vasari''s Vite see Paola Barocchi, Adriani''s work4 was conceived to fill the space, temporal and historiocritical, left empty by Vasari in the edition of Vite published in 1550 (Florence, dell''Adriani'', In: Vasari-Bettarini/Barocchi, I (Commento), 386-415, and Eliana Carrara, ''Pliny and the Figure 7 Giovanni Battista Adriani, The manuscri pt of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, Figure 12 Giovanni Battista Adriani, The manuscript of Lettera a messer Giorgio Vasari, Isola Bella, work_be3khgmimzemfb2c64aluqvryi technology of the Anabaptist (Hutterite) tin-glazed ceramics produced in Eastern-Central 15 about 400 µm thick, tin-opacified white and blue lead-alkali glaze was applied on the biscuit-21 Keyword: Eastern-Central Europe, Anabaptist, Hutterite, faience, maiolica, tin glaze 31 The yellow, blue, green and black ceramic colours were applied as paintings on the tin-18 maiolica: the SnO2/PbO ratio is 0.6 to 1.8 for the Hutterite white tin glaze (Table 2), while 27 blue colour as well as in the blue tin glaze of the Anabaptist faience indicates the use of a 14 also detected in the blue colour and the blue tin glaze of the studied faience artefacts. discrete cobalt pigment particles in the blue colour of the studied faience artefacts indicates 3 to 20 wt% SnO2) in the white glaze of the studied Hutterite faience artefacts compared to that 17 Yellow, blue and black colours over white glaze (sample 2, BSE image). work_bfrrlmigfnhzhggc2cuezcljxa Byzantine late Middle Ages and Byzantine Renaissance (1204-1453) are two final periods in the culture and architecture of that 1141 year lasting Empire. Pheidias had seen them, he would have admired their precise sameness and the abFoundations of Byzantine Late Middle Ages Architecture Thoughtfulness  397 forms the art and architecture adopted in the times of the Paleologus'', the old Byzantine Byzantine priests, as was Simeon from Thessalonika, were deeply shocked by the naturalistic paintings and the statues of the western states that showed the break up with the But that naturalism in the worldly arts and architecture incited the admiration of several educated Byzantine who, rather curious, found their expression in the This architecture was magnificent both in the late ancient times and the early Christianity, as well Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 Foundations of Byzantine Late Middle Ages Architecture Thoughtfulness  403 work_bgljpqmhgjgqhgmo5odwxffzui Keywords: renaissance; manuscripts; humanism; libraries; private property; common wealth Renaissance manuscripts: should one treat them as private property (res) or a common wealth There is, at times, a curious disjunction between the quality of manuscript books commissioned by There seems no more eloquent image of the privatization of manuscripts books than the coffin-like codex illustrates that every manuscript book has its own personal history hinted at by clues left This particular codex has a collection of Jerome''s letters that the scribe Giovanni Grasso di Among craftsmen who either copied manuscript books or codex that Dyson Perrins later acquired, collected humanist works, copied ancient inscriptions and There may be manuscript books somewhere in the who owned such a manuscript book could always consult its particular texts whenever professional or Humanistic Manuscripts of the Renaissance in Italian and Other Libraries. Notes on Greek Manuscripts in Italian Libraries. work_bhtvuqlpirh2dijvcd6jc4dzlq appeared in French: ''Aby Warburg, Homo victor'', in Cahiers du Musée national d''art moderne 118, Warburg''s texts bring out all the fault-lines in the discipline of art history. The Warburg Institute offered instead a model of art historical scholarship History as Cultural History: Warburg''s Projects, Amsterdam: G+B Arts International, 2001, 266and Warburg: Symbol, Art, and History, New Haven: Yale University Press, 1989; and Salvatore Forster, ''Aby Warburg''s History of Art: Collective Memory and the Social Warburg''s Tradition'', Art History 16, 1993, 541-551; and the anthology of critical essays on Warburg never speaks of the art of painting as if it might have been 50 Gombrich, Aby Warburg, 248; also Didi-Huberman, L''image survivante, 176. Warburg moved from art history to the scientific study of man, attending courses in Warburg''s art history, so too is the visualizing subject. The work of art, for Baxandall just as for Warburg, was not work_bjfpvntqzray5fpxsazobnbl5u A spiritual journey in Bill Viola''s art. Exhibition: Bill Viola (Paris, Gran Palais, Galeries nationales, March 5 – July 21, 2014) dedicated in France to the American artist Bill Viola, one of the most important pioneers in video art a deep visual and spiritual connection with each Viola''s works of art, flowing in a kind of initiatory And in fact, as Valentina Valentini says, in Bill Viola''s exhibitions the visitor is not only a mere presented in this exhibition, trying to strike the public''s intellect as well as the inner emotions. (1977-1979), one of the first Viola''s work, and ended with the perfect images of the seven highresolution screens of The Dreamers (2013), the twenty works of art presented in between were not shared with many and different people.''4 At the Grand Palais, Viola and his public met in this Townsend C., (edited by) The art of Bill Viola. work_bjxsnu4df5atjofgccv3yfulfy the Bargello museum in Florence by the combined use of PIXE and XRF "In situ" non-destructive characterization of the blue pigments present in the ceramic glazes of Della Robbia sculptures have been carried PIXE and XRF portable systems have been used to determine the matrix composition and the Keywords: PIXE-alpha; XRF; Portable systems; Non-destructive characterization; Della Robbia sculptures; Ceramic glazes; In situ measurements use of PIXE and XRF portable techniques to determine in the Compar ison between measured and certified values (SCO-1 petrological standard) in the PIXE-alpha analysis Na2O MgO Al2O3 SiO2 P2O5 K2O CaO TiO2 Fe(III) tot Compar ison between measured and certified values (various glass standards) in PIXE-alpha and XRF analysis Natività of Giovanni Della Robbia (Barg10), the sculpture glazes from terracotta sculptures of the Della Robbia workshop, Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems work_bkg2zwivxjd3bnu6imzeg3czta dealing with storing, processing and analyzing the produced point cloud, some optimization step should be considered in order to high point density in the model in the areas that describe the fortress, whereas point cloud density is dramatically reduced in vegetated Consequently, several works recently considered the problem of reducing the size of the generated point cloud while preserving its geometric information in order to ease the processing phase and most of the fortress elements can be well approximated with simple geometric shapes (e.g. planar surfaces), an automatic procedure based on the Random Sample Consensus (RANSAC) (Fischler and Bolles, 1981) is used in this work in order to extract great interest in several applications, for instance for digital terrain model generation and for more advanced information extraction from the point cloud (Costantino and Angelini, 2011), this is work_bpnphnjjuzdxxfvwa7swbrajhm 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_btdspbn52rffzp7j2z5fsz26ca sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_bvq5znaqafbg3ep4jq6qqcljsy Thus, the book opens up with Macerata and Rome where Ricci Hsia discusses Ricci''s education in Rome and Lisbon, connecting it with the significant role than it has been thought of so far in orienting Ricci''s future attitude toward Chinese culture as it is reflected in his writings. short pamphlet in the arte della conversazione,8 an early Renaissance new gentlemanly practice, it reported ten conversations, revised and embellished for editorial mathematical knowledge acquired by Ricci during the years spent with Clavius is The mathematical and astronomical books produced by Ricci, as well as any By this token, the Chinese books composed by Ricci and his confreres are not Ricci began to work on a Chinese rendition of Renaissance astronomy during his Ptolemy," Ricci dismissed Chinese astronomy, not realizing, as Hsia points out, From the excursus of Ricci''s literary endeavors, provided by Hsia in chapters 7 mathematical books in Chinese, see C. work_bwqd52xoybcllawprh6dckpvze sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_bxudptucfjdi7cvg4vctjdnmuq bookkeeping contained in Luca Pacioli''s Summa Arithmetica of 1494, without balance in an accounting system based upon double entry is a mathematical one, Gleeson-White gives the impression that as soon as Pacioli''s treatise was published in As an accounting historian and specialist in Pacioli and the birth of double entry the life of the times of Pacioli, but that book has one serious flaw noted by every text for a one-semester or year-long university module/course on accounting history. Bagni GT (2009) Luca Pacioli, the mathematics of his time and De viribus quantitatis. Sangster A (2011) Luca Pacioli, school teacher and university professor. Sokolov YV and Sokolov VY (2011) Pacioli''s ideas in Russian accounting history. In 1494, Pacioli did not become the first author of a printed book on algebra (p.67). text is that double entry bookkeeping as described by Pacioli was widely adopted The account books give work_c3avnxoawbdtrgtzmzj5kkbgfi | California History | University of California Press Skip to Main Content Close mobile search navigation Article Navigation Article Navigation Article Navigation Search for other works by this author on: Views Icon Article contents Share Icon Tools Icon Cite Icon Search Site Walter Houk; The Look of L.A.. California History 1 January 1984; 63 (1): 58–65. toolbar search search input search input Search input auto suggest Search input auto suggest California History California History California History This content is only available via PDF. Please check your email address / username and password and try again. 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Sign In or Create an Account work_c4asicxnznajxesvk5bugp6h7m Italian Proteomics Association Congress, this model in proteomics research, local proteome science achievements. issue of Molecular BioSystems aims to While human proteomics investigations initially led the research in this of proteomics are presently coming from clinical proteomics tool (Biotypert), thus setting proteomics tools as development of novel tools for multivariate analysis is a key issue in the technological advancement of proteomics, the paper from the group of shown in the manuscript from Laura investigation of the platelet proteome of University of Florence, Italy Section of Proteomics, Istituto Sperimentale proteomics investigation to a new level for Italian proteomics scientists to collaborate with the overall international Chairperson of the V Italian Proteomics Proteomics Association; Dr Col. Mario The Congress of the Italian Proteomics training in the science of Proteomics in (1) Human and Clinical Proteomics (3) Plant Proteomics (4) Functional proteomics Proteomics Proteomics ''''Quantitative proteomics for biomarkers application of proteomics in clinical work_c4xeq4nfxzffrm6w5esboioqka Richardson, C 2012, ''St Joseph, St Peter, Jean Gerson and the Guelphs'', Renaissance Studies, vol. https://www.research.ed.ac.uk/portal/en/publications/st-joseph-st-peter-jean-gerson-and-the-guelphs(bab85423-fa13-4fa2-9a2e-d0bdf4905fe2).html St Joseph, St Peter, Jean Gerson and the Guelphs St Joseph, St Peter, Jean Gerson and the Guelphs St Joseph, St Peter, Jean Gerson and the Guelphs Joseph represents God the Father or Christ because he is the spouse of the Church; he The paralleling of Joseph and Peter is prevalent in central Italian painting from the thirteenth Joseph in Italian Renaissance Society and Art. New Directions and Interpretations (Philadelphia, PA: Saint scene.14 The paralleling of St Joseph who figured large in Christ''s infancy and St Peter in his Siena: in this painting the Joseph figure, again dressed in Peter''s colours, even points to the But why should Joseph and Peter be so regularly linked in fifteenth century painting, to the Gerson was not new in his conflation of Peter and Joseph he was picking up on ideas and work_c5qxoeff2faibmot6yx2c4l5la between scribal and print, oral and written cultures in medieval and early modern Italy, Massimo Rospocher''s new study is an outstanding contribution in this line of Abingdon: Routledge, 2016); "Oral Culture in Early Modern Italy: Performance, Language, HORODOWICH, Language and Statecraft in Early Modern Venice (New York: Cambridge University Press, 2008) and "Speech and Oral Culture in Early Modern Europe and Beyond", special issue of The Journal recent studies on orality, print, and performance in early modern Italy see Interactions Between Orality, 22street performances, processions, and scribal and printed texts promoted the notion The second part of Rospocher''s study focuses on the anti-papal propaganda Rospocher demonstrates powerfully how early Cinquecento political propaganda was unpredictable nature of the early modern public space (22-25). early modern Western cultures, between official and ephemeral communication, more nuanced approach to the study of early modern texts and artefacts. work_c7vjtdazr5fqtgcze6uovmhwzm the tribulations of Russian language use, discursive trends, and language policies in discourse of western art history, and it incorporates Russia into this discourse. weaves a chronologically-arranged narrative out of leading art historical and critical trends that have become commonplace in the field in the past thirty years. The logic of the narrative follows the principle of dualistic opposites, formulated as "textual" versus "visual" art, following Alpers, or as the discerning gaze While the book deserves praise for an original and insightful summary of major theoretical trends in art history, it short-circuits on account of what centuries are dedicated to Russian art, the last, most pessimistic, "end of art" chapter is devoid of concrete examples of contemporary Russian art, as if it does not exist or According to the publisher''s note, the book is the continuation of the author''s work_cahnjmi5qfctriwpmawibtmf3a XIe Conférence de l''International Society for Quality-of-Life Studies (ISQOLS) and movements involved in measuring quality of life, including the new BES project, Wellbeing, Quality of Life, Social Indicators, International Society for quality-of-life studies Venice Conference At the same time, official statistical services have been developing important experiences in quality-of-life research, like the Multipurpose Survey project, introduced by the to the developments of a network which became the Italian Association for Quality-of-Life national and international organisations and research centres in the quality-of-life field. of the Italian Association for Quality of Life Studies (http://www.aiquav.it). HDCA) to illustrate the work on quality of life research by their institutions, organizations The author is Professor of Statistics Applied to Social Research at the University of Florence, Italy, President of the International Society for Quality-of-Life Studies (ISQOLS) and Chair and Maggino F (2010) Quality of Life: Reflections, Studies and Research in Italy. work_caqpdvdtuzb5xbtde2wwhgd4ym Portugal, through partnerships based on a co-creative work, transparency and complicity of players designers, craftsmen, users, fashion, with a view to promoting national cultural identity while satisfying the needs of economic and social sustainability of the Keywords: Fashion, Handicraft, Regional Costume, Tradition, Co-design. Modernity in craftwork tradition fosters the development of new products that answer the current fashion trends. ancestral values and it''s techniques to create a creativity space, innovation, design and tradition that associates establishing fashion products in Portugal, through partnerships based on a co-creation work, transparency and industry, promotes social, cultural and humane dimension of national traditions, contributing to the process of design creating innovative products in fashion, based on references of traditional Portuguese culture. based on the development of fashion products from traditional culture. importance of this symbolism in regional costumes can have the success of its fashion products, hire designers to work_ccdw3wdq5ffurecxalwcf3fk4u All books monographs, journal articles, and other publications (including films and other multi-sensory materials) relating to the history of mathematics are abstracted in the Abstracts Book Review Department: Professor Judy V. review a book are invited to make known their wishes. on books, articles, or reviews should be submitted to the Correspondence Department. PIER0 DELL FRANCESCA''S MATHEMATICAL TREATISES: THE "TRATTATO regular bodies, De corporibus regularibus; and Trattato d''abaco, a general treatise on commercial arithmetic, algebra, and geometry which was probably written first and served as the mathematical foundation for the other two. two parts of Piero''s treatise on commercial mathematics and algebra, and these draw on sources no more recent than Libri, Cantor, mathematics to art and its study before Piero; one chapter each Perhaps the greatest direct interest the book holds for historians of mathematics is its very careful, detailed study of the Mrs. Davis has not built the bridge between Renaissance art work_cgnkdhjo3nd3tneb3b5dh5zkee other portrait busts of children from the Renaissance most children and other members of the Medici family 1 Even if the portrait was not one of a dead child''s and taken earlier in Filippo''s portrait of a baby by the Medici court painter Bronzino Fig. 2 Agnolo Bronzino, Portrait of a swaddled child, 1540 circa, Walters Fig. 1 (cover figure) Marble bust portrait of an infant, the fifteenth or Fig. 5 Agnolo Bronzino, Giovanni de'' Medici, 1545 circa, Galleria degli Fig. 4 Agnolo Bronzino, Portrait of Eleonora di Toledo with her son not come as a surprise that the marble bust of the little Medici 1. Langedijk K (1974) Two portrait busts of a child: Filippo de'' Medici Italy: the Medici children. Fig. 6 Agnolo Bronzino, Don Garcia de'' Medici, 1550 circa, Museo del Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy Hydrocephalus, rickets, and the bust of an infant from Renaissance Italy work_cjryiy6sgbdorccfcv3ibrf5ju Keywords: Medici, wool, Florence, political economy, Selfridge collection, Giovanni Botero, Antonio Serra, Gustav von Ammannati, "L''Arte della Lana a Firenze nel Cinquecento: Crisi del settore e riposte degli operatori," Storia economica 11 [2008]: 1–39; Ammannati, "Florentine Woolen Manufacture in the Sixteenth Century: Crisis and New Entrepreneurial Strategies," Business and Economic History On-Line 7 [2009]: 1–9; Patrick Chorley, "Rascie and the Florentine Cloth Industry during the Sixteenth Century," Journal of European Economic History 32, no. by midcentury, it was precisely these "best of the best" regions that supplied the raw wool for Florentine firms.24 After the invention of the footoperated horizontal loom in the Middle Ages, production costs remained wool, the Garbo sector in Florence was dominant, at least in terms of production volume, with less than 25 percent of the total cloths produced cloths produced by the wool manufacturing firm of Raffaello di Francesco de'' Medici (1531–1534). work_ckte3du24nffvbfdz4jxwvjok4 and Identity in Fifteenth-Century Florence includes chapters on the visual display modern visual culture, notably Evelyn Welch''s Art and Society in Italy, 1300–1500, a Like Welch, Rubin emphasizes the economic dimension of early modern Italian visual culture, explaining why material things such as clothing, linen, armour, and furnishings were requisite for eminent citizens needing to display their Other chapters continue to extend understandings of early modern Italian to her topic, namely fifteenth-century Florentine art and culture. kind of inner seeing sometimes associated with visual culture, promoted by such focus on visuality, Rubin provides a thorough overview of various acts of looking in early modern Florence, as well as representations of vision, debates about optical to grasp the richness of current scholarship on early modern Italian visual culture, in Fifteenth-Century Florence on such central concerns as visuality is most welcome. of visual culture. and confused periods of early modern Irish history. work_cqpfpceinnaxjcsa4kgfbubrfe http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Response%20to%20Jennifer%20Scappettone&community=1/1&collection=1/2&owningCollection1/2&harvardAuthors=d92e3e20bab708d0c8a8604f331032ae&departmentEnglish%20and%20American%20Literature%20and%20Language http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA Critics who cherish procedurally generated texts such as Mac Low''s The author''s "administration," or trope of administration, makes the text a trope for a social "anarchist" a text as one could wish (as Mac Low could wish, since he appears to be "authored neither by Pound nor by Mac Low nor by the Bernstein as a reader of Mac Low—that Mac Low''s anarchic, multiauthored text responds to Pound''s Fascist, single-author modernist Mac Low''s text therefore represents "an egoStephen Burt „ Response to Jennifer Scappettone 215 generated texts (in general) but the special force of Mac Low''s procedure applied to Pound, one must already know a lot about Pound. Pound saw poetic texts as tropes of social arrangements, and of Can an "ambient" text ever be a history, or even a trope of the writing Faced with such texts as Mac Low''s, and with such claims as work_ctw7clrpwjalhawwjcnlztrlaa Nasofacial angle and nasal prominence: A quantitative investigation of idealized and normative values angle and nasal prominence: A quantitative investigation of idealized and normative values, Journal of Nasofacial angle and nasal prominence: A quantitative investigation of idealized and Nasofacial angle and nasal prominence: A quantitative investigation of idealized and Results: A nasofacial angle of approximately 30° was deemed to be ideal, with a range of patients as observers, as well as laypersons and clinicians, in facial attractiveness research. Keywords: nasofacial angle, nasal tip prominence, rhinoplasty, profile aesthetics important factor in the perception of facial profile attractiveness (Pearson and Adamson, each image in terms of facial attractiveness using the following rating scale: patients as observers in facial attractiveness research. female profile images painted in the Renaissance, the nasofacial angle is again within the The nasofacial angle of the idealized profile image was altered incrementally, Image Angle (°) Patients Laypersons Clinicians work_cwwnowqwojggxomm4bklamgzui the history and philosophy of mathematics rush into wedlock, we would do well to consider some of these I hope that this example has made it plausible that one can relate history and philosophy in different ways In Proofs and Refutations, Lakatos added a temporal dimension to the philosophy of mathematics. to write rational reconstructions of selected episodes from the history of science and mathematics. philosophy of science, the effect is to obscure the specificity of mathematical practices. theorised the relation between history and philosophy of mathematics beyond these few remarks, but he did offer an account of the relation between history and philosophy of science. the philosopher investigates the epistemology and ontology of mathematics, the historian will insist that philosophy continuous with science and mathematics, or is it a meta-enquiry? Or do philosophers study mathematical thought and practice, in a way History and philosophy of modern mathematics. History and Philosophy of Mathematics vol. work_czhyll5jrjan5oak6m2a4uwp2i no study places Bruni''s translation of Xenophon''s Hiero in the context of his Salutati wrote, ''I wish you to read Bruni''s translation of St Basil''s dialogue the issue of kings and tyrants throughout Bruni''s early works. Salutati argued that Caesar had been a legal ruler, not a tyrant, and thus and Salutati''s treatment of Julius Caesar in the On the Tyrant both point to the arguments about kingship in order to defend Dante.47 In fact, having exonerated Julius Caesar from the charge of tyranny, Salutati turned the focus of about Julius Caesar.49 Both of Bruni''s earliest original treatises express ambivalence towards Dante and the other vernacular poets of the Trecento. Bruni argued that Caesar was a tyrant, not because he ruled alone, but because Julius Caesar in Selected Works from Vergil to Bruni'' (master''s thesis, Brigham Young University, 2007). Kings and Tyrants: Leonardo Bruni''s translation of Xenophon''s "Hiero" Kings and Tyrants: Leonardo Bruni''s translation of Xenophon''s "Hiero" work_d5y4aqzokjcc3phil2x4tv2fo4 Rune Engelbreth Larsen has studied religion and the history of ideas at Aarhus (and renaissances) of the idea of ―humanism‖ or ―a humanist view on human beings‖ historical new ideas that constitute the renaissance (340). different as Augustine, Kierkegaard (14), Human-Etisk Forbund in Norway (15), the idea of a ―new time‖ in the 14th century that distinguishes the Italian renaissance Larsen gives a broad picture of the Italian renaissance, starting in the 13th century renaissance were not accepted after the 16th century, and have been more or less the renaissance tendency in the history of ideas ―that places the human in the centre form has antique nude models and expresses renaissance ideas: individual will and reformation ―child‖ finds its form through new direct studies of the Christian sources. between the renaissance movement and the natural science from the 17th century humanism of the renaissance. "humanism" in the renaissance movement. Larsen wants a concept of humanism where ―the work_d6qplvfp6nc2zeynue3v2gb6hm Countries such as Italy, the United Kingdom, France, Belgium, Germany and others, have been organizing exhibitions devoted to fashion culture to demonstrate the extent of their achievements, importance, Evidently, the allusion to the Made in in exhibitions, is created by drawing attention to the aesthetic, practical and symbolic dimension of the artefacts, since they characterize the phenomena of fashion in a particular period of time.14 This means the development of a narrative is indirect. history, its studies and its social and historic cultures are central part of ''Italian Fashion System'' "Karl Lagerfeld the Focus of Two German Exhibitions," WWD, accessed January 6, 2018, http://wwd.com/fashion-news/ "Karl Lagerfeld and his parallel contrasts," HG Issue, accessed January 6, 2018, http://www.hgissue.com/new/karl-lagerfeldand-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/. "Henrik Vibsok exhibition, Helsinki Design Museum," Worn Through, accessed Januray 7, 2018, http://www.wornthrough. Finally, the exhibition Rik Wouters and the Private Utopia associates fashion with art. http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.hgissue.com/new/karl-lagerfeld-and-his-parallel-contrasts-exhibition-at-the-folkwang-museum-essen-germany/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ http://www.wornthrough.com/2014/02/henrik-vibskov-exhibition-helsinki-design-museum/ work_db3ig76kabgabikjk2z7k3vysm sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040501 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_dbllj5j3lvguri2ppeiimlqc4e Ardengo Soffici''s engagement with African art was mediated by French Keywords: Ardengo Soffici, Primitivism, Modernism, Cubism, Colonialism, Given Ardengo Soffici''s key role in the development of Italian art, it is necessary to Soffici''s contemporaneous writings about African art and Cubism, the frescoes bring to Mannequins belies Soffici''s rejection of non-European primitivism in his art criticism, and referenced Soffici''s debt to French art rather than Italian colonialism in Africa, during the Soffici''s art criticism, Cubism, and primitivism Soffici was in Paris when French artists "discovered" African sources at the same time, this account of Cubism considers African art''s importance for the French Soffici, "Paul Cézanne", in: Vita d''arte, 8 June 1908; "Henri Rousseau", in La Voce, 15 September 1910; and "Un libro su African sculpture for the development of Italian art, but also that of Cubism, a choice Africans in modern Italian art developed well into late Fascism and did not lead to work_dbwq3dz3anfjflwo5s36pxljky detected in Botticelli''s paintings as a process of individualization of the Botticelli, Portrait of a Young Man, Italian Renaissance, facial deformity in deformity in the Botticelli''s ''Portrait of a Young portrait painted in 1483, Sandro Botticelli reveals In Botticelli''s paintings the connection between good reasons, Velardi considers Botticelli''s style possible to perceive, in Botticelli''s paintings, a "pathetic" characters in Botticelli''s paintings. artists of Italian Renaissance derived their images point of view, according to Warburg, Botticelli the "Placid Beauty" of Botticelli paintings brings describes the Botticelli'' Venus – actually the Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Logos and pathos in the paintings of Sandro Botticelli Proust and Botticelli, declared by the Author The paintings by Botticelli are Botticelli''s paintings, in Proust the "Wakening" the Botticelli''s paintings, remarkably to the work_deumepylmbgybplcxvtcvdc75y sede, perché ha inteso formare i giovani – 12 borsisti – all''edizione di fonti documentarie, facendoli esercitare in particolare sulle lettere destinate ai Dispacci sforzeschi da Napoli, prima serie della collana Fonti per la storia di Napoli aragonese, sostenuta proprio dall''Istituto italiano per gli studi filosofici. nel 1987 dal direttore della collana, DeL TReppO, Napoli aragonese nella corrispondenza degli ambasciatori. aragonese e sforzesco, presentandosi su un avviso cartaceo come «seminario di ricerca libero, aperto a tutti gli interessati (studenti del Vecchio e Nuovo Ordinamento, laureati, dottorandi)», con l''aggiunta che «il seminario non dà crediti né (si pensi appunto all''ISIMe e al Repertorium fontium historiae medii aevii 26), se possiamo confidare, tornando ai carteggi diplomatici, che l''Istituto Nazionale di studi sul Rinascimento porterà a termine l''edizione delle Lettere di Lorenzo de'' Medici 27 (sarei meno ottimista per quanto riguarda le altre iniziative), non possiamo Conoscendo i limiti dell''organizzazione della ricerca nell''università, nella prima metà degli anni ''80 Mario Del Treppo si indirizzò all''Istituto italiano per gli work_dk4udckmizdihepdk7mplrlsfi Andreas Vesalius 500 anos Um renascentista que revolucionou o conhecimento cardiovascular geniuses who dared in thinking, research, teaching and transmitting scientific knowledge, and the Italian Andreas Vesalius His main scientific work "De Humani Corporis Fabrica" is not only a landmark study of human Andreas Vesalius that changed the paradigm of human anatomy. anatomy and physician Andreas Vesalius was one of these Cardiology and Cardiovascular Surgery, as medical specialties that emerged centuries later, have large debts to Vesalius as he questioned and shown through his systematic study to anatomy, innovative teaching method through the execution of dissection by the professor of medicine alongside the his important book "De Humani Corporis Fabrica" becoming certainly the father of modern anatomy. Fig. 3 Illustration of Andreas Vesalius''s work in an amphitheater All the works of Andreas Vesalius places him as a genius Andreas Vesalius: Professor at the Medical School work_dlope6rpsneh5dhqdzdooc4bz4 Douglas Biow, Vasari''s Words: The Lives of the Artists as a History of Ideas in the It is five such ideas, Vasari''s words as they are described in the title, that are that Biow recognises, he sees this text as a vital document in the history of ideas, here Biow produces by a close and contextualised reading of Vasari''s text, if then he term found in the text, as when in one footnote Biow lists as many as forty-six artists Hence the supreme importance of this idea of the profession throughout this text, both artistic and professional success, with his universal ability, as Vasari put it, in Biow, considering a more material aspect of the idea of time, speaks of what Vasari text of Vasari, Lartte, produced by the Scuola Normale in Pisa as part of what on word or phrase in Vasari is immediately accessible in all its instances. work_dmmntzn7bncphif652vin6trsy stay at the court of Ferrara and by the Ferrarese painter Cosmè Tura in the late 1450s suggests study of the technique of Rogier van der Weyden, whose famous triptych of the Deposition (Figure 1) was present at the humanist court of Leonello d''Este as we know from its (Ainsworth 2010) and introduced an innovative Italian sculptural approach in Netherlandish painting, but he remained loyal to the extraordinary meticulous style inherited from the Van Eyck tradition. other artists and contributed to Netherlandish cultural mobility. fifteenth century work by Jan van Eyck and Rogier van der Weyden also deeply influenced painting in Central Europe. Italian prints based on the work of Raphael or Michelangelo familiarized many Netherlandish painters with Italian art, even if they themselves had not made mobility in Netherlandish art worked both ways. Flemish artist Pieter Bruegel the Elder worked for Hieronymus Cock''s print shop and it work_do53ehbwtrcodc3ao4a2slg5fy piers as well as on the mechanical characteristics of materials derive from the regulations issued in Italy starting from 1907 concerning the construction of public reinforced concrete The most common railway steel bridges are made of straight girders lying on masonry or reinforced concrete piers. This decree provided the first indications about the maximum strength to be considered in the structural calculation for both concrete and reinforcement. Before the Circular 15/07/1945 [15], other regulations defining the train live loads were issued in Italy, but we did not consider them here as they concerned exclusively iron and masonry railway bridges, which were in the past much more common than the ones made of The characteristic values attributed to the load models had to be multiplied by an adaptation coefficient α, which varied according to the category of the railway bridge to be designed The first Italian regulation on the design of reinforced concrete railway girder bridges that work_dr7bh6dn3jdfnpedaynpztlxeu Patients and methods Analysis of "La Toilette" painting of Frederice Bazille. Results We present a masterpiece work of Frederic Bazille "La Toilette" where a large goiter is visible. of Bazille''s life and painting is included. Conclusion Despite of unique painting technique, thyroid disorders are visible even in impressionism. Keywords Frederic Bazille · Endocrinology · Painting Jean Frederic Bazille (1841–1870) was born in Montpellier In 1859, Bazille started medical study in Montpellier and Historically, goiter seems to be "older" disease (i.e., paintings of According to Encyclopaedia Brittanica, Bazille was an Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creat iveco Frederic Bazille, oil on canvas note large goiter on first right http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ https://www.britannica.com/biography/Frederic-Bazille https://www.britannica.com/biography/Frederic-Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille work_dshunqjcvbfqxozorphuuhp7hq слика Богородице с малим Христом, дело Ђованија Белинија и његове радионице.1 Дуго се чувала у барокном оквиру од штука, који носе анђели, постављена над Закључено је да је слика настала у другој половини девете деценије кватрочента, из које потичу капитална дела Ђованија Белинија.2 Значајно је поменути да је у Доброти, према сведочанству дон Ника Луковића, постојала слика Богородице с Дететом која је носила сигнатуру и копија мајсторове слике коју је израдио његов студио високо ценила, а имала је вредност као графика лимитираног броја отисака.4 Како сведоче сачувани уговори и други документи из Венеције, радионица је била дужна да изведе уметничко дело асоцијација.10 Као олтарски вео и копрена која је покривала најштованије свете слике у Византији, завеса контура, светлост која као да проистиче из самог „ваздуха" слике указују на старијег Белинија, који, Bellini''s Mother of God with Infant Christ in Dobrota work_dtxomv26ajbjjdvhnwi5rdtkge Content list available at: https://clinical-practice-and-epidemiology-in-mental-health.com 1Department of Medical Sciences and Public Health, University of Cagliari, Cagliari, Italy The theme of "Mental Health and Mediterranean" opens communities of the Mediterranean region must regain the will people with mental health issues. https://clinical-practice-and-epidemiology-in-mental-health.com 68 Clinical Practice & Epidemiology in Mental Health, 2020, Volume 16 Carta et al. It is not easy in today''s cultural crisis of the Mediterranean the countries of the Mediterranean region will strengthen the perception of respect for human rights of users in mental health the perception of professionals working in the mental health Another paper compares the beliefs about mental disorders program on human rights in mental health started to be specificities of mental health in the Mediterranean region and history of mental health. from Mediterranean region. public beliefs about mental disorders: A Comparisonbetween Tunisia Mental Health in the Mediterranean Area Mental Health in the Mediterranean Area work_durarhbgxnapvd35d5jv6bjbui sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218044412 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:18 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_dxsa2q5wbbeo3blbth2knsntb4 Kardos, the outstanding Hungarian Renaissance scholar, has published a new selection of his poetry in Hungarian translation, with a seventy-page assessment of his The competent editorial work, the generally excellent translations, the attractively printed volume, and the copious notes (though many of them have appeared T h e last "complete" Latin edition of Pannonius (used as source material for this volume) appeared in 1784. Tibor Kardos in his excellent essay on the fall of Pannonius In addition to his discussion of Janus Pannonius''s exclusively Latin poetry, Kardos, in his approach, which unfortunately no Hungarian publication of that period could avoid. The last essay is devoted to Sandor Weores, one of the most exciting and complex poets of contemporary Hungarian literature. Despite the German title on the spine (Gesammelte Schriften sum slavischen Aksent), all of Ivsic''s articles reproduced here are in the original Serbo-Croatian, The modern student of Serbo-Croatian accentology should realize that Ivsic work_e25keos5erhhxapt5sq3gseug4 inert to the living state of matter, new challenges are posed, beginning with biological "heterogenesis", as "genesis of and from diversity" in a changing space of pertinent observables and parameters: "phase space") as a pre-given container of the dynamics of matter, that biased physics from Aristotle different theories in physics are the result of original work at the appropriate scale or phenomenal level: when changing either of them, physicists dared to invent a new theory, often A major challenge in the passage from theories of the inert to historical sciences, in general, and of life in particular, is that the phase space should be extended to biology''s pertinent and parameters), physicists extended this separation by new observables: momentum or energy where added to space or time, an extension of the a priori of Newtonian physics. The invention of mathematical physics, in pre-given phase spaces, is based on differential analysis work_ebyqgudypbabngkhjcl3n26ebu Presenting Finnish Art History in an international context: Presenting Finnish Art History in an international context: anniversary of the birth of Johan Jakob Tikkanen, first professor of art history in Finland. Better integrating Tikkanen''s contributions and context into the discipline''s history are Time,‛ ‚National and International Art History,‛ and ‚Viewing, Experiencing and The three essays in the section on the role of the arts in Tikkanen''s time highlight following essay, in which Anna-Maria von Bonsdorff investigates Finnish art at the turn Five essays comprise the second section, ‚National and International Art History.‛ Marianne Marcussen''s essay on Danish art historian Julius Lange emphasizes his The significance not only of German contributions to art history but also of Vasold mentions that Danish art historian Julius Lange''s work also contains Tikkanen''s review.4 Given his major role in the art-historical dialogue of his day, can we turn-of-the-century art history. work_efogy2z3xraqley6pzrxa7de34 https://dare.uva.nl/personal/pure/en/publications/nothing-is-erased-hubert-damisch-and-jean-dubuffet(d2e4711e-37ff-4e7f-8a0b-2dfa17cb8bdc).html The collection of articles and letters included in this issue of October represents, with two exceptions, all the texts Damisch published on Dubuffet during Damisch edited two more in 1995: Jean Dubuffet, Prospectus et tous écrits suivants, four volumes (Paris: 5. Sophie Berrebi, ed., Hubert Damisch, Jean Dubuffet: Entrée en matière, Correspondance 1961– writing; in an essay from 1964, Damisch calls Dubuffet a "founding father" (a phrase 9. Letter from Jean Dubuffet to Hubert Damisch, June 7, 1962. Letter from Hubert Damisch to Jean Dubuffet, January 31, 1967(no. Damisch''s subsequent texts on the artist develop.13 His discussion of Dubuffet''s complicated search for an "entrance" into fine art, his difficulty in taking a position and Hubert Damisch, Jean Dubuffet: Entrée en matière, Correspondance 1961–1985, Textes 1961–2001, part I. Nothing Is Erased: Hubert Damisch and Jean Dubuffet 7 Letter from Hubert Damisch to Jean Dubuffet, December 6, 1983. work_ehwi7qloo5h3vjbkgirnt54ghe Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– alabaster artworks were made from the fourteenth to the beginning of the sixteenth century in Western Europe. The author''s original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. Some concise attention is dedicated to sculpting and polishing techniques, followed by a more elaborate part on polychromy, stressing the fact that late Gothic alabaster sculptures were as a rule either minimally or partially painted at least until the In the second chapter, the author deals with the sculptors working in alabaster and The last chapter gives an overview of different genres of alabaster sculpture in the public and in the private environment. important new research on Hilliard''s life and work, adding considerably to our understanding of the challenges and opportunities that existed for painters in sixteenth-century London. work_ejmqppxnunavharb2fwzbdiauu the medium of Roman poetry and Renaissance Italian literature. Cretan Renaissance drama on the one hand and Ariosto''s Literature and Society in Renaissance Crete (Cambridge 1991: henceforth ''Holton''); relevant material can be found through the index s.v. Ariosto. Latin and Italian literature, but also bilingual in Greek.3 Outside the Venetian-occupied lands (Crete, the Heptanese, and Fortounatos is a Cretan Renaissance comedy by a Venetian probable that the hare motif was used by other (Italian?) poets that a Cretan poet of the Renaissance would directly incorporate Horatian verses in a comedy. (a) that Chortatzis and Foskolos imitated Ariosto independently (b) that some other Italian poet imitated Ariosto and was in (c) that some other Italian poet imitated Horace independently of Ariosto and was in turn imitated by Chortatzis other Italian poet who imitated Ariosto, or vice versa. Foskolos imitated Ariosto directly, independently of Panoria: in intermediate step, an unknown Italian poet intervening between Ariosto and Cretan drama. work_emm25ddpgvg2zb4zx4rvxhpfma Sebbene, infatti, del Furioso sia stato scritto che "solo chi non ha occhi per sull''Ariosto e la composizione dell''"Orlando furioso", Lucca, Maria Pacini Fazzi, leggendolo in una versione ancora non del tutto assurta a rango di ModelloCodice, per dirla con Gian Biagio Conte.13 L''Eneide, per Ariosto, era Sangirardi, Quanti sono i generi dell''"Orlando Furioso", cit., p. Sangirardi, Quanti sono i generi dell''"Orlando Furioso", cit., p. autorevole, ma comunque non più di una parole della langue epica che del Furioso e il suo manifesto rapporto con quello dell''Eneide del Furioso (che cita l''Eneide) è chiuso e teleologico.16 Una lettura simile conclusione dell''Eneide e del Furioso: finale chiuso in entrambi i poemi, che il carattere ambiguo del poema virgiliano non rivive nella scena anche quello dell''Eneide non è un finale chiuso: la struttura teleologica del Ariosto non commette questa imprecisione: il Furioso – che se misurato Ariosto, Orlando furioso, cit., p. work_es5wgnmjdjemvobxhxrsjtdhyi Varietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context of the Classical Tradition in the Work of Josef Frank and Its Viennese Context. Frank''s continuous reflection on the Renaissance tradition is part of the contemporary debate on modern architecture in Vienna and in German-speaking countries. The relationship between Frank''s education in Renaissance architecture and his later work has rarely been tackled in studies writings, varietas, mediocritas and Annehmlichkeit, substantially influenced Frank''s approach to modern architecture. in Vienna had a decisive influence after WWI on the generation that reflected on the meaning and scope of modern architecture, and their teacher, König, and his assistant, Max Fabiani (1865–1962), played an important role In the 1920s, Lurje''s and Strnad''s affinity for highly intellectualised references to the classical world does not correspond to a similar search in Frank''s work (Figures 19 work_f3fuzpnijvc6nk5axrr6bsjkce k-Gravity, Node centrality, Path enumeration, Social network analysis, Strength of weak A local bridge is an edge whose removal would not necessarily disconnect the network but would still be significantly disruptive to information flow. as a natural metric that can be computed algorithmically as the number of paths in a network that rely on a particular edge. We exploit these properties of k-shortest path algorithms for computing the Edge Gravity metric exactly, or finding a lower bound (called, k-Gravity) to indicate the relative Edge Gravity and its implications for structural importance of social network components the Edge Gravity Algorithm and associated methodology to four well-known social networks: two of Granovetter''s examples (Granovetter 1973), the Florentine families network have found the Edge Gravity ranking while not enumerating all network paths. Fig. 17 Edge Gravity solutions for the Florentine families network, with bridges to nowhere removed, when work_fboytmjchfcs5hrhmundirdyz4 Immunofluorescence on proteinase XXIV-digested paraffin sections paricalcitol versus calcitriol included the point estimate estimates for hazard ratios for doxercalciferol versus Mortality risk among hemodialysis patients receiving different vitamin D analogs. patients receiving different vitamin D analogs. Correspondence: F Tentori, Dialysis Clinic Inc., Quality Management, 1500 proteinase XXIV-digested paraffin (IF) on frozen sections with pronase-digested paraffin sections, Nasr et al.1 found that pronase digestion was a useful technique for IF on paraffin (IF-P) sections. proteinase XXIVand pronase-digested paraffin sections. pronase, as well as after proteinase XXIV digestion, one was were positive only after proteinase XXIV digestion. digestion and in five cases after proteinase XXIV digestion. pronase-digested sections. pronase-digested paraffin sections: a valuable salvage technique for renal 1Department of Pathology, University Medical Center Utrecht, Utrecht, Correspondence: R Goldschmeding, Department of Pathology, University uroscopy was so popular to be included in the most famous play by Niccolò Machiavelli, ''La Mandragola (The Mandrake)'', work_fd3cvpjtmbg3diaabq64drrwoy In AJS Review 37.2, the abstract to David Malkiel''s "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in In AJS Review 37.2, the abstract to David Malkiel''s "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy" (page 333) was published with errors. Here is the corrected version.Abstract: The acculturation of Ashkenazic Jews in Italy is the focus of the present discussion. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry''s occasional poetry. The lettering, too, presents a shift from the constituency''s medieval Ashkenazic origins to its Italian setting. These developments are situated in the broader context of Italian Jewish art and architecture, while the literary innovations are shown to reflect the revival of the epigram among poets of the Italian Renaissance. work_femegcta6nabhnp5yylntpz3qm The Artist as a Dantista: Francesco da Sangallo''s Dantism in Mid-Cinquecento Florence The Artist as a Dantista: Francesco da Sangallo''s Dantism fact identify Giuliano and Francesco da Sangallo as the main authors of tentatively identified as other artists of the Sangallo family,12 the annotations of Francesco would have been added over a significant period, Draftsman A of the "Dante Vallicelliano", The city of Dis. Rome, Biblioteca Vallicelliana, incunable Z. Francesco da Sangallo, autograph note: Rome, Biblioteca Apostolica 9. See Degenhart, "Dante, Leonardo und Sangallo," 193, with reference to c. Christ (Par. 26.118–23), the annotator dated his own note "1519": see Degenhart, 104, with reference to Dante Vallicelliano, c. Borsi, Giuliano da Sangallo, discusses the drawings of the Dante Vallicelliano in his chapter See Simon Gilson, "Reading the Convivio from Trecento Florence to Dante''s Cinquecento Commentators," Italian Studies, 64, no. work_fhxmds6jbfbo7jsidd7ibey7sm the publication of interest to historians of mathematics, including some topics in general history of science and historiography, mathematics or its history. MR 46 #3255 means that the item is numbered 3255 in volume List of works of Paul TU&.N. Acta Arithmetica 37, 21-34. CHARBONNEAU LOUIS 1981 Congrbs Annuel, Canadian Society for the History and Philosophy of Mathematics/Soci&B Canadienne d''histoire et de philosophie des math&atiques. GRASSMANN "certainly created a new branch of mathematics . ELFVING GUSTAV 1981 The History of Mathematics in FINLAND, 1828-1918. Professor of Mathematics at the University of Helsinki. fifty mathematicians are given along with descriptions of their mathematical contributions. ERD& P 1980 Some personal reminiscences of the mathematical work of Paul TURN. FRIBERG J&AN 1981 Methods and traditions of BABYLONIAN MATHEMATICS: Plimpton 322, Bolzano''s mathematical work by Jarnik, Professor of Mathematics at Charles University. JONES CHARLES V 1981 Annual Meeting of the History of Science Society, 1980. work_fmx4anp74vfd7ps34dqgsropbm Robert Williams, Raphael and the Redefinition of Art in Renaissance Italy, in the entire history of art, Robert Williams addresses in chapter one the crucial which Renaissance art anticipates aspects of artistic modernism and As Williams rightly observes: ''The style he [Raphael] the first chapter Williams has investigated Raphael''s early altarpieces and above all the actual works of art painted or planned by Raphael. created by the author to do justice to the figure and works of Raphael has developed detailed study of how a well-organised workshop, like Raphael''s, functioned, can Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy Alessandro Nova Raphael and the redefinition of art in Renaissance Italy work_fq2a3cktdfcprfdssk3v3j4kgy 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_fq4x3rwngfgrnerdx7w7z6ul64 Additional services for Architectural Research Quarterly: Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World By Liane Lefaivre and Alexander Tzonis Routledge, London and New York, 2011 232 pp., many drawings and illus. Review of Liane Lefaivre, and Alexander Tzonis ''Architecture of Regionalism in the Age of Globalization: Peaks and Valleys in the Flat World'' Architectural Research Quarterly, 16, pp 185­187 doi:10.1017/ century between regional versus Regionalism''), Chapter Ten (''Regionalism Rising'') and Chapter Architecture of Regionalism in architecture and recent regionalist architecture and theory during the 12 chapters (''The Regional and the 2 Regional – but regionalist? samples of regionalist architecture architecture with references to the 3 ''Building like the French do'': Cologne Cathedral between regionalism and globalism between regionalism and globalism of Lefaivre''s and Tzonis''s new book regionalist architecture. regionalist architecture. Architecture at the University of in British architectural history. architecture, Curl''s study explores work_frymu6uqqbg2lhypatlm3bqxee Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism The article presents the monuments from the Czech Republic enlisted on the UNESCO World Heritage Site List. Keywords: UNESCO cultural and natural heritage; architectural styles; monuments; geology; tourism; UNESCO World Heritage Site List includes more than 1000 items of a cultural, natural and mixed character. and in the Czech Republic, is the geological structure of a given locality, where the specific monuments are located. The UNESCO World Heritage List gradually incorporates different monuments of a global significance. The building is in the Baroque Gothic style. i.e. Archbishop''s Chateau and its adjoining gardens, joined the UNESCO World Heritage List. It is the only modern architecture building in the Czech Republic listed on this UNESCO list. The architectural monuments in the Czech Republic listed on the UNESCO World Heritage List were built on work_fstfhgvg6ve4tmxjs2xhbxq3ta religious images, most notably saints – like St Francis, the commonest saint depicted [Figs 8.1 and 8.2] – the Virgin, angels, and the sacred trigram. 2 Red lustre sometimes also appears on Deruta wares, but for reasons unknown potters abandoned its use by the early 1520s. Since this convenient hanging feature is built-in to the objects, historians have concluded that the dishes'' primary function was as domestic, wallhung devotional art. 9 E.g. Lydecker J.K., The Domestic Setting of the Arts in Renaissance Florence, Ph.D. dissertation (The Johns Hopkins University: 1987), particularly "Religious art in Florentine homes" religious figures on multiple Deruta dishes suggests that certain designs were Wilson, Italian Maiolica of the Renaissance cat. Wilson, Italian Maiolica of the Renaissance cat. which see Sani E.P., Italian Renaissance Maiolica (London: 2012) 184, fig. Large maiolica dishes and plates are consistently listed in Renaissance religious-themed Deruta piatti da pompa paralleled that of other pious images work_ft6nlt5byvc4rnbctnhxpuv2fe Skip to main navigation Skip to search Skip to main content Welcome to The University of Brighton Explore profiles, expertise and research at The University of Brighton Search as: Advanced search The University of Brighton research portal Welcome to the University of Brighton''s database of research and enterprise including researcher profiles, activities, outputs, projects and our groups and centres. Our research and enterprise activities tackle global challenges, solve practical problems and seek to improve people''s lives and environments. 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Log in to Pure The University of Brighton contact form work_ftjj7sec7bhhbos7apltyvvtui KATHARINE PARK, Doctors andmedicine in early renaissance Florence, Princeton University Katharine Park has written an excellent book that contributes equally to medical history and elucidation of the profession of medicine in the city will add one more piece to the research we have been prepared by Cipolla''s work on plague and public health to view Italian cities as crucial point made by Park, however, is that it was not the professionalization of medicine that The Guild of Doctors, Apothecaries and Grocers is central to the book. Park''s detailed and lucid account of the Guild shows that it fewer doctors had political influence within the Guild and the city. The book has some weaknesses, Park was perhaps too tied in to the Florentine research scholastic medicine and of the intellectual and literary interests of Florentine doctors should be studied by some social and intellectual historians of medicine who see their respective work_ftqims6p5vectppgruh3db4hx4 The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy The Ghost of Boccaccio: Writings on Famous Women in Renaissance Italy by Stephen Kolsky Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, The Ghost of Boccaccio: Writings on Famous Women in The Ghost of Boccaccio originated with Stephen Kolsky''s studies of Mario books on Equicola, Boccaccio''s De mulieribus claris, and the north Italian courts. of female virtue with an openness toward the greater agency of women in the north for Eleonora''s daughter, Isabella d''Este, criticized convention and official institutions as artificial constructs stifling female activity, and he provided "examples of In sum, Kolsky''s engaging study shows that writings on women that appeared work_g2gxg745nbh5tg3xobf2gt46au Freud''s (1910/1989) influential psychoanalytic psychobiography of Leonardo da Vinci. life histories in established psychological theories and rigorous historiographic research methods. Freud''s psychobiography of Leonardo da Vinci is used as a model of the stages of psychobiography, the evolution of the psychobiographer-subject Using Freud''s (1910/1989) landmark psychoanalytic psychobiography of Leonardo da Vinci as a the historical subject, monitoring possible countertransference issues, and maintaining objectivity throughout the process. Figure 1: Navigating the Relationship between Psychobiographer and Research Subject other types of psychological research is that psychobiographical subjects are often deceased, sometimes psychological life of the research subject (Ponterotto Precisely when Freud committed to penning a psychoanalytic biography of Leonardo da Vinci is unknown. subject, we see that Freud was intrigued by Leonardo da In selecting their research subjects, psychobiographers Freud''s case with Leonardo da Vinci, the psychobiographer usually maintains an attachment to, and Freud as Leonardo: Why the first psychobiography went wrong. Freud, Leonardo da Vinci work_g3hwc2avtbgdhjlmfx2rxhevee Prescribing Ovid: The Latin Works and Networks of the Enlightened Dr Heerkens. Dr. Heerkens, virtually unknown today, was a Dutch physician, poet, and follower of Ovid. Heerkens''s poems and the criticism he received from his contemporaries: matters that lie outside Haskell''s main area of interest. Haskell writes the following at the end of her introduction: "The book is and every Latin work by Heerkens. We present, rather, a study of the interaction of his Latin works and networks – the latter projected on multiple axes, to this, he wrote many books in Latin and treated this language as a tool of selfexpression. Second, what was the relationship of Latin to the new enlightened Finally, Haskell looks at the Jesuit context of Heerkens''s writing. in Germany and Italy were open to Heerkens thanks to the letters of introduction provided by the Elector Clement August. The book''s conclusion offers a brilliant analysis of Heerkens''s place work_g65xqir3knbavogwi7usd6j4ca competitions (particularly as texts indicative understanding of what the word ''competition'' Absa L''Atelier competition has, until now, the winning work of this year''s competition can no reading of any text can ever be said to be outlay of this year''s winning work – Ilka van Schalkwyk''s Reading Colour (2009), which only literally read Van Schalkwyk''s translation creative process of art making. interpret Van Schalkwyk''s reading of Rushdie''s Ilka van Schalkwyk, Reading Colour (2009). are doing is not to read colour, nor are we reading by means of colour. normative tradition of reading is shifted from reading of the text? reading of the text? thoughts on art competitions, and then how art competition in South Africa, may have According to Loedolff, the competition itself the availability of the artist as the competition work of its top ten artists to Potchefstroom''s viewer''s engagement with the work remains freedom the competition allows the artist: the work_g6dfophsb5divdrzgi4w2osloi Bilateral symmetry of motifs (Fig. 3) (point group m or Cs) and rotations with mirror planes A playful collection o f symmetries appears on a roll (Fig. 6), including point group C3 with Hatched motifs (Fig. 7) can be considered to possess colour symmetry, which means a combination o f a geometrical synunetry operation (reflection, rotation, translation etc.) with a simultaneous Renaissance bindings in the early sixteenth century, and they appeared as ogee branches (Fig. 10). German Gothic binding with leaf relief obtained by the headed outline tools in Fig. 8(h-j). Similarly, border patterns from bookbindings are shown in Fig. 18, and classified according to symmetry groups. Fig. 25.(a) Rolls of palmettos and acanthus leaves from Hungarian Renaissance bindings. Fig, 26.(a) Knotwork border design composed of single stamps from the Hungarian Renaissance binding: represented in every field of Renaissance art, hence also in book illustrations (Fig. 42) and on work_g6rmv5gonzgrbo7b6caf5klbvm topic is, that 9th Symphony portrays Sweden''s longest river Klarälven-Göta Älv. Smetana The Moldau Pettersson 9th Symphony Figure 4: Small Wave 9th Symphony This Accompaniment is musically related to the Second Source of The Moldau (Figure 52). The Moldau Melody (Figure 18) has an ascending line (2 bars), followed by a slightly The Moldau and Pettersson''s 9th Symphony are organized in one part without breaks. Bedřich Smetana composed in 1874 his symphonic poem The Moldau (Vltava) (Figure 2411). Pettersson''s 9th Symphony describes similar to Smetana''s The Moldau Figure 38: 9th Symphony Motives in White Water Figure 39: 9th Symphony Runs in White Water Figure 40: 9th Symphony Drum Rhythm in White Water Figure 41: Musical description of Lake Vänern in 9th Symphony Figure 49: 9th Symphony Bar 4 + 5 Figure 50 represents the musical depiction of the First Source of Smetana''s The Moldau. Figure 52: The Moldau Second Source work_g74m2o2prrc23gagfihi3yusfu The reputation of the painting, artist, and presumably the patron, suffered. Francesco del Giocondo commissioned a portrait of his wife, (Mona) Lisa, which has become the applies when probabilities are unknown, such as whether a patron will approve a commissioned portrait. Most documented criticisms of Italian Renaissance portraits that disappointed their patrons Risks to Italian Renaissance artists were inextricably linked to those of their patrons. When the quality of a Renaissance portrait, or any other work of art, was deemed unacceptable, patron''s reputation, and thus the ability to commission works from artists in great demand. Patrons were surely aware of the risks when they commissioned paintings and sculptures. Portraits of particular individuals were sometimes removed at a patron''s request from works that probable reaction of Francesco del Giocondo to Leonardo''s portrait of his wife, (Mona) Lisa. Such were the risks in commissioning a portrait in Renaissance Italy. work_gbma37pz4ndptjduyabnecbwua 3 Robinson, ''Our Public Art Museums: A Retrospect,'' The Nineteenth Century, 42: 250, Dec private apartments were filled with an extensive collection of decorative art objects Curating the Museum of Ornamental Art at Marlborough House, 1853-1857 organization of collections in the Museum of Ornamental Art adjoining the London space within a public museum, then, but showed how the objects in the collection 27 Robinson, ''Our Public Art Museums,'' 955. 34 Robinson, Catalogue of a Collection of Works of Decorative Art: Being a Selection from the collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum collecting and curating at the early South Kensington Museum work_gcxyp6ur2jflbgb3hxhi72trs4 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_ggh44k3ypbadlnxwfwjc4huvbq The Babinski sign in Renaissance paintings—a reappraisal of the toe phenomenon in representations of the Christ Child: observational analysis Large collection of paintings depicting the Christ Child 302 Renaissance paintings (by 19 painters) depicting Babinski sign was observed in three paintings. Previous investigations of the depiction of the Babinski sign in paintings of the paintings depicting a Christ Child whose feet were Babinski sign in paintings of the Christ Child from Babinski sign in paintings of the Christ Child from Babinski sign in paintings of the Christ Child from reproduce the Babinski sign in paintings of the Christ artist (dates) paintings (n=302) babinski sign (n=90) Frequency of babinski sign in paintings by artists of the Babinski sign in painting; da Vinci, who was an Fig 2 | Details from five paintings depicting a babinski sign. the Christ Child as depicted in paintings does not Renaissance paintings of the Christ Child that we work_gkz7ucesfjhfriqrnx6s2bljby Renaissance literature but also historians of the late Middle Ages and the early modern The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso. Yale, Mourdarres took on the task of writing authoritatively not only about four eminent Italian epic poets (Dante, Pulci, Ariosto, and Tasso) but also about the influence of Homer, Lucan, and Virgil on the Italian epic tradition as it relates to images of hostility. Begun as a doctoral dissertation, The Enemy in Italian Renaissance Epic has evolved into an introduction, four well-researched and well-argued chapters, and an epilogue. cosmopolitanism: "all forms of hostility—even those conventionally considered external, such as the conflicts between Christian and Islamic forces in the Middle Ages and dissent between Islam and Christianity throughout the Middle Ages" (17). The third chapter, "The Enemy as the Self: Madness and Tyranny in The final chapter, "The Geography of the Enemy: Christian and Islamic Empires from https://www.cambridge.org/core https://www.cambridge.org/core work_gy6fgu7wujb3raw3bi3fxueoxa can presuppose the connection between subject of architecture and linear perspective due individual performance to extent it becomes a basis of modern, empirical vision of space. Key words: position, projection, subject, perspective, space Linear perspective which appears in European Renaissance architectural drawings can For example, Italian painting inbetween periods of Late Gothic and Early Renaissance responses to multitude of PostScholastic and Neo-Platonic influences within altered truth model, from visual into and geometry, his formulation of linear perspective governed pictorial depiction of space forms of space are built into notion of architecture. In order to guarantee fully rational space, linear perspective assumes two bold In civilization governed by conception of space expressed by strict linear perspective than the world represented by modern art; but as soon as space is included in non-linear projections will open up new spaces for architectural design and design in work_h7gtylpmpfdfnmlpci7nonaiuq The first one is Robichaud''s study of the rhetorical features that Ficino implements in Although the topic of the relations between rhetoric and philosophy in the Renaissance has been explored from various points of view (suffice to It definitely constitutes a very important contribution to Renaissance studies. The Intellectual World of the Italian Renaissance: Language, Philosophy, and the rather, an examination of the intellectual worlds of the fifteenth century and in particular of the dominant role of Latin. Saggiatore to a Jesuit named Grassi, who had drawn upon some of Galileo''s work without attribution and had questioned his theories about comets. Among these is a fascination with the conflicting authorities wielded by such institutions as the church, the universities, the courts, and even particular philosophical Authority and Biblical Criticism in the Dutch Golden Age: God''s Word Questioned At the core of the book are chapter 4, "The Biblical Philology of Daniel Heinsius (1619–1641)," and chapter 5, work_hav2puxacjev3dq63pemt7wt5q Ceremonial Culture in Pre-Modern Europe (review) Ceremonial Culture in Pre-Modern Europe (review) Ceremonial Culture in Pre-Modern Europe. Margot Fassler''s essay examines the various adventus ceremonies that were employed in the medieval French cathedral town of Flier analyzes the Palm Sunday procession to illustrate how early Muscovite Rus'' political and religious authority were in rituals and ceremonies were ambiguous and unfi xed in their meaning, allowing the audience and its participants to negotiate the event''s and the ceremonies examined are very different, Nicholas Howe''s that premodern ceremony and ritual both constructed and perpetuated a sense of timelessness and universality of beliefs and practices that the authority of a ritual or a ceremony rested upon its standardization and repetition, (and which in turn endowed its participants with In spite of each essay''s shortcomings, this erudite and comparative collection of scholarship on ritual and ceremony in premodern Europe, work_hb7b563idff4poltgemv2idvtu Brueghel: his art and his syndrome | Semantic Scholar Semantic Scholar''s Logo Corpus ID: 5219594Brueghel: his art and his syndrome title={Brueghel: his art and his syndrome}, journal={London Journal of Primary Care}, Medicine, Art London Journal of Primary Care They are able to embody as one, like as nobody before or after them, the style and trends of more than a century of history of art. Topics from this paper Citation Type Citation Type Cites Background Sort by Most Influenced Papers Sort by Citation Count Blepharospasm-oromandibular dystonia syndrome (Brueghel''s syndrome). View 3 excerpts, references background Related Papers Related Papers Stay Connected With Semantic Scholar About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE work_hbok5c6t6rgybfgo4vivoeki2i sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040672 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_hidxkhi2jbgx5off6oof7zhroi History of Medicine, University of Florence The Medici Project is a paleopathological and historico-medical research, based on the habits and causes of death of members of this famous family of Italian Renaissance. comparison between the literary sources and the paleopathological evidence is also important Medici Family, have left a rich literature about their patients: the treatments were based on the Keywords: History of medicine – medici family – renaissance Florence, officially starting the Medici Project, a paleopathological and historico-medical study, whose aim is Evidence Based History of Medicine: The Experience strategies: medicinal plants in Florence were produced the therapies which were used to treat their diseases. L.R.Lind, Berengario da Carpi on Fracture of the Skull centaurea, stoechas, half an ounce of long aristolochia, 10 Diseases of the Medici Family and use of phytotherapy 10 Diseases of the Medici Family and use of phytotherapy medical use of plants in Renaissance Florence. work_hovjdokejfachpds22cfi7zocu Book Reviews Advances in Nephrology from the Necker Hospital, Year Book Medical Publishers, Chicago, 1984. This is the latest in a distinguished series of reviews Of the remaining 15 chapters, seven within a single volume the best state of the art review remaining chapters. The remaining chapters unfortunately cover topics which have been adequately appear in print as thenow familiar review ofother reviews. A final infuriating aspect of the book is its organisation. but instead are scattered throughout the book, thechosen way of buying perhaps half a dozen useful review Royal Devon & Exeter Hospitals Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of the book. The book has a first-rate This new edition uses more ''boxes'' to highlight The book is set in work_hpvsn7fok5dj7hi4w4puweoecy Roofing slate from Bernardos, Spain: a potential candidate for use in civil architecture as a covering material (i.e., roofing slate) is The first true roofing slate quarry in Spain was opened in Bernardos in 1559 by appointment of King Philip II, and so Bernardos played new royal buildings to be erected with slate roofs on them, and advised The first three royal buildings with slate roofs were the Palace of opened a new quarry in Bernardos after a long search for roofing slate roofing slate industry in Galicia (NW Spain), which in just a few years Today, Bernardos roofing slate The representativeness of Bernardos phyllite in Spanish architectural heritage cannot be overstated, as it is one of the characteristic "Roofing slate" is a construction term, and refers to a metamorphic rock that can be split into A., 2019a, Roofing Slate Industry in Spain: History, Geology, and Geoheritage. work_hteicaa3v5d6jomnlfdp3z26va commitment which Cardew (who had recently been closely involved in the composition of Stockhausen s Carre) wholly different kinds of''New Music'' throughout the 1960*5 and 1970''j. John Tilbury, in March 1981 of his last work: Boolavogue^or two pianos, an example of the highly politicized London in 1967 to study with Cornelius. I recall his devotion at that time to the music of Bach, Mahler, and Webern. Serves Imperialism, Cardew quotes Engels: ''Freedom is the appreciation of necessity''.2 During the last ten years, he became increasingly aware of the need to More important: in Cornelius I found for the first time someone who felt as I did about the New Music, and helped me develop a critique of it. clarity of his own musical formulations still impressed me as outstanding—(e.g. Treatise, The Great Learning or Piano Album 1973). output—the symphonies, piano music and operas as well as his later work The Music of Alexander Goehr: work_hzwke6umhrfxbocnluw4wwbmli (Iznik ceramic and Italian maiolica as a case study) emergence of a special form of ceramic plates of Italian tradition the Ottoman Empire and Italy on all industries; and ceramics in Tondino, Albarello, Iznik, Golden Horn, Italian maiolica. of original Ottoman ceramic production with a distinct style. Bernard Rackham, Islamic Pottery and Italian Maiolica, illustrated catalogue of a private Bernard Rackham, Islamic Pottery and Italian Maiolica, p. of this pottery in Italy led to the development of Italian maiolica ware. form of plates called ―Tondino‖ of Italian origins within Iznik Iznik production inspired by Italian maiolica. Italian maiolica technique were decorated with the spiral scrolls dishes produced in Iznik as well, but mostly by special Italian Finally, Ottoman ceramic of Iznik and Italian maiolica had Iznik ceramic as part of their decorative elements. https://www.britannica.com/place/Iznik Accessed: 05-02-2019 1:02 UTC https://www.britannica.com/place/Iznik Accessed: 05-02-2019 1:02 UTC work_i5nloprpffcgnfd4yvk42dc6qm Peter Davidson emblem-books, covering a mere seven (in the Latin alphabet, six) letters of many completed monographs on the arts and cultures of the early modern As well as being a wide-ranging collection of bibliographical specifics and encyclopedic information about the present locations of emblem books, considered in a splendidly wide sense (thus including festival decorations It is of interest to all historians of early modern culture, not only university of toronto quarterly, volume 74, number 1, winter 2004/5 university of toronto quarterly, volume 74, number 1, winter 2004/5 university of toronto quarterly, volume 74, number 1, winter 2004/5 books (not just emblem books) of the seventeenth century. as late as the 1880s versions of emblem books which have the Pia Desideria superbly accurate and comprehensive bibliography of Jesuit emblematics: history in epitome of early modern verbal and visual culture. The early Italian university was a far cry from its modern counterpart. work_i5x3h53suva4fbl447zliyfrae In 2013, partial skeletal remains from three members of the 1845 John Franklin expedition were recovered from an archaeological site at Erebus Bay, King William Island, Nunavut. Terror in 1848, including Sir John Franklin and Lieutenant Graham Gore (McClintock 1860: 258–259). well as at expedition camps at Terror Bay and at Starvation Cove (for example Hall 1869; Stackpole 1965). The exact number of bones of members of the Franklin expedition found by nineteenth-century searchers Franklin expedition human remains that he might find, The potential for new identifications of Franklin expedition sailors arose in August 2013, when remains from Archaeological examples of facial reconstructions include Of the three crania recovered from NgLj-3 two were sufficiently intact to allow craniofacial reconstruction. CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN''S 1845 EXPEDITION 81 CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN''S 1845 EXPEDITION 81 CRANIOFACIAL RECONSTRUCTIONS OF TWO MEMBERS OF FRANKLIN''S 1845 EXPEDITION 81 Forensic facial reconstruction. work_i76yt642ujezlfkcjljtu3dpeu The scientists of today: revisiting Leonardo Throughout history, scientists have been instrumental in contributing to the advancement of human society at the time was that unless a scientist was highly specialized Department of Chemistry, College of Arts and Sciences, living in a diverse and global society, a fact that is ever true Education and Research Traineeship (IGERT) program to the "free movement" of scientists across borders has contributed to the creation of new programs, and has impacted initiatives focusing on globalization have aimed at providing international educational/research opportunities for the Developing Global Scientists and Engineers program, from the 20 European members of the CERN, scientists, together globally and integrating current knowledge stemming from diverse areas of science and technology. Analytical and Bioanalytical Chemistry publishes Journal, this issue showcases current research by the The scientists of today: revisiting Leonardo in a global environment The scientists of today: revisiting Leonardo in a global environment work_ib4rdxhlmzebfmtcojbi66vzee All Rights Reserved © Urban History Review / Revue d''histoire urbaine, 1985 Ce document est protégé par la loi sur le droit d''auteur. Parks Canada''s Architectural Styles Series Parks Canada''s Architectural Styles Series Parks Canada''s Architectural Styles Series Parks Canada''s Architectural Styles Series Canada: Studies in Archeology, Architecture and History, Parks Canada: Studies in Archeology, Architecture and Parks Canada: Studies in Archeology, Architecture and Canada''s architectural heritage has moved beyond a concentration on isolated buildings and led to such substantial A brief survey of the style cites specific examples of Second Empire buildings in England, France and America. the style, as seen in Canada, provides any reader with a The inclusion of numerous drawings, prints and 19th century photographs to illustrate no-longer-existing buildings ambitious volume which successfully presents the complexity and diversity of the Gothic-Revival style in Canada term "British Classicism" to characterize the general architectural style. work_ibwu6wgcavaypov5zrsbdhkq7u alonso de ovalle''s architectural imaginary century depict architecture not only as an image K e y w o r d s · representation, engraving, landscape, buildings, modernity of architectural representation in one of Chile''s first accounts, del Reyno de Chile [Historical Relation of the Chilean Kingdom] Chile] was the first written account describing Chilean territory, de Lobera''s late sixteenth-century Crónica del Reino de Chile [Chronicle of the Kingdom of Chile] and Histórica relación del same time, some of the earliest existing records of the architecture built in Chilean territory (Peliowski, 2015) (FiG. not of Chilean cultural delay – expressed in Ovalle''s graphic For the Jesuits, the means of spiritual conquest were intimately linked to images, and therefore to art, including architecture. 1993) – we can then attribute the buildings engraved by Ovalle The significant presence of building drawings in Ovalle''s description of Chile seems to express the author''s concern to show that work_idshhfihwjhvxdn2ngjcnjbuxy sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218034705 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:06 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_ig53zppym5cm5mpxazcugkm5za CASTRO ET AL.: MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1)NAUTICAL ARCHAEOLOGY, the three-masted ships of the modern age of sail, in the beginning of the 15th century. characteristics of late-medieval vessels in the hope of finding patterns that will help understand the relatively-quick technological evolution of Mediterranean merchant craft of the 14th and 15th centuries. Lateen rigging, square rigging, Mediterranean seafaring, sailing performance, technological change. change in their rigging: lateen sails are easy to which ship-types first adopted lateen sails and by the vessels that adopted the new lateen rig, and factors led the shift both from shellto skeletonbased hull construction and from large squarerigged ships to smaller and faster lateeners. the 14th century to the square-rigged, oceangoing ship. century a new type of ship appeared in the : MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1) : MEDITERRANEAN LATEENAND SQUARE-RIGGED SHIPS (PART 1) medieval lateen-rigged ships with a number of work_igeachsmibcsnje2ktd7bswoci and art, between mathematics, architecture and life, together with a constant reference to history, makes it possible facilitate the approach to complex mathematical and geometrical concepts, manipulating figures in transformation offering important topics, such as the infinite and infinitesimal, allows youngsters to engage in a healthy head-tohead struggle for knowledge. Keywords Emma Castelnuovo � Mathematics teaching � Guido Castelnuovo, was called to teach the teacher training geometry, idealism imposed on the school that rigid hierarchy of knowledge that even today permits many intellectuals to claim to not understand anything about Middle School) [1], a book that turned mathematics the International Commission for the Study and Improvement of Mathematics Teaching), founded by mathematician Gustave Choquet, psychologist Jean Piaget, and schools, going back to read the books by Emma Castelnuovo might help youngsters find anew that connection Fig. 2 Emma Castelnuovo, in Cenci during the activities of ''Officina Interweaving mathematics with reality and beauty: the valuable legacy of Emma Castelnuovo work_ijxgqcknlrecvak7usubdtibt4 based on human renewable storing this energy, given average power renewable source of man. Icarus, who is the first human known as renewable energy use of his arms, imitating the flight of birds. There are two ways of converting human energy into electricity: power can be gained from the daily actions made to highlight the different ways to provide electricity resulting from the conversion of human energy: a) manufactured independent power systems, renewable energy using human! Piezoelectric energy source human walking capable of charging batteries of mobile phones to operate an MP3 or any portable device power supply stored From 1990 to present, the number of devices that use human energy resulting from arm movement is Another company that offers products that are supplied with the power of human energy is Atkin Design power renewable source of man, energy of arm, Ministry of Research and Development can and should do more in renewable energy recovery human and work_iosapayacvbyndmxnl5pvznway Dvořák''s Pupil Johannes Wilde (1891–1970) Dvořák (1874–1921) wrote to his first teacher, a respected professor of history at the Czech-language university in Prague, Jaroslav Goll: ''… My work on the Van Eyck Wilde began his studies with the Hungarian art later bequeathed to the Courtauld Institute of Art. In 1928, the second volume of Dvořák''s Italian and his wife, art historian Júlia Gyarfás, left the country, as did many other museum professionals, including Otto Benesch (1896–1964), Ernst Kris (1900–1957), Wilde''s contribution to art history in England Wilde''s old friend from Vienna, Count Antoine Seilern allowed young adepts of art history to study his teachers.30 Through Wilde the legacy of Max Dvořák discussion of Max Dvořák''s research on medieval art, see Hans H. Aurenhammer, ''Max Dvořák and the History of Medieval Art'', Ernst Gombrich, ''Art History and Psychology in Vienna Fifty Johannes Wilde, Venetian Art from Bellini to Titian, Oxford work_iv3nildxajhhlmp3vzsw7hf3xq reappeared in the "Jahrhundertwende" the transformed characters of the Commedia dell''arte, flourished in art, literature and music in Italy, France, Austria and Russian and Austrian expressionistic music style, inaugurated by Strauss''s Salome, which won opera stages from the 1905 on. Key-words: Commedia dell''arte, Symbolism, Expressionism, street theatre, Finde-siècle. music in France and Austria (Paris and Vienna), and in Russia as well (St. Petersburg and Moscow) in performing arts, painting and music. authentic personalities on the scene who played important role in the development of the Serbian culture of that time. 3 Let us also recall that Kosti�, the author of the drama, gave a brilliant lecture in German on the female characters in the Serbian national epic poetry at the Wissenschaftlicher Club in Vienna 1876, which assembled the cream of the scientific and artistic triangle of the Russian Commedia dell'' arte presented in this stage work of World of Art, originating from the Russian Symbolism, developed on such an work_iwxodlrvbjegvehziimm75fofy Thyroid swelling · Endemic goiter · Art · History Thyroid swelling is frequently represented in the artworks of many stylistic periods Thyroid swelling may be considered a common finding among forms of art distant in time and style. considered the incidence of thyroid swelling in the population to be almost constant over the centuries, especially our aim was to highlight the historical continuity of representation of thyroid enlargement regardless of differences in ages, populations, and artistic movements. various hypotheses about the main causes of goiter as identified in personages represented in artworks [1, 2, 4–7]. questioned the reasons why many artists of the Renaissance and Baroque seemed to represent the goiter [1, 2, is depicted with a large goiter (see online suppl. Thyroid Swelling in 20th Century Artworks 5 Sterpetti AV, De Toma G, De Cesare A: Thyroid swellings in the art of the Italian Renaissance. work_iym3pjsemzdphla4lfngvq4efu Abstract: We propose a discussion of angular momentum and its Euler equation, with the aim of giving a short of angular momentum and its Euler''s equation in the 2. Angular momentum and spinning tops the rotational inertia of bodies and to the motion of After Newton, the angular momentum was considered momentum of rotational motion [8]) for a point-like also the angular momentum of rigid bodies and about Euler and his laws concerning rigid bodies, let us Euler, like Newton, did not use vectors in physics. 3. Straight motion and angular momentum Figure 3: In the angular momentum, the position One of the Euler''s Laws tells that the angular A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation A Historical Discussion of Angular Momentum and its Euler Equation Angular Momentum Between Physics and work_j4by5m2dlrdufe7zxvdyra3gs4 Key words: Beauty, Saintly images, Categories of saints, Warriors, Bishops, Holy Healers, Martyrs, Female saints warriors, the modest female saints etc., were always represented within the manner which predominantly expressed classification of the depiction of physical beauty in Byzantine painting, we are making an attempt to specify several Maguire, Disembodiment and corporality in Byzantine images of the saints, in: Iconography at the crossroads. the facial exposition, posture, costume and corporal expression of the saintly images became the main features of the saintly images, our chosen categories of holy personages (warriors, martyrs, physician saints, bishops, hermits, female saints) generate several distinctive typological determinants of sacral looks in the sphere of physical In that sense, the holy warriors are represented in characteristic "ready-for-action" poses, manifested through various gestures, while their images are the image of Saint Euphrosinos depicted in the church of image of Saint Makarios from the church of Panagia Olimpiotissa in Elasson (ca. work_j6bb3dhd7fdphpdl3we6mi7eg4 refashioning classical Latin into a powerful cultural and political tool.1 All contributions take a close look at what quattrocento authors, translators, and speakers say about their choices to perform their texts in Latin or vernacular and how Florence and Venice to Latin and the vernacular, exploring the place these languages occupied in the literary and social spaces of the fifteenth century as well as As a result, the study of prefaces and similar paratextual material presents scholars with compelling evidence of how quattrocento authors and translators engaged with Latin and vernacular texts and audiences. The relationship between the vernacular languages and Latin was debated ardently by early quattrocento humanists such as Biondo Flavio, Leonardo Bruni, These different humanistic views of the nature and function of Latin and the vernacular of early Renaissance Florence have been closely discussed and analyzed work_j7nmsf55djdspckwocsp3zum5e A knowledge of Waiblinger''s early life in Germany is pertinent for the proper understanding of his Italian experience. read accounts of the country; and in the early nineteenth century the Schlegels, Madame de Stael, and Chateaubriand travelled in Italy and wrote about the country. Waiblinger''s contributions were Francesco Spina and Das Miirchen von der blauen Grotte, both long Von den Triimmern der Kaiserpalaste aus und dem goldenen Haus des Nero starrt'' ich den halben Tag iiber das Limonienund Myrtengriin und seine unsaglich goudenen Friichte hinab aufs Waiblinger found the tradition of the Renaissance everywhere in Italy, and he wrote more about the art of this period Waiblinger''s consistent effort to interpret Italy to his German readers and his natural love of the Italian people are perhaps his most important characteristics as an author. Thus Waiblinger described Italy as the modern traveller would Waiblinger and Italian Art work_jb74g4gaeze7tlooskzdbav4x4 2012 Maya prophecy, millenarianism, New Age, historicism encouraged the wider counter-cultural Maya Prophecy Movement (MPM). We should also bring modern New Age culture into consideration as a species of millenarian thought (Hanegraaff 1996: 96, 98–103), based as it is In addition, New Age culture possesses the following characteristics (Campion Both Christian millenarianism and New Age prophecy draw their legitimacy from powerful political ideologies of twentieth-century Europe, were secular forms of millenarianism: both assumed that history follows patterns that are broadly predetermined and Baillie argued that progress theory evolved directly out of Jewish and Christian millenarianism''s message of hope that a new world will be born. One framework for understanding whether millenarian prophecies are peaceful or violent was suggested by Desroche (1979: 93–94), who identified two forms of Christian Revolutionary Millenarians and Mystical Anarchists of the Middle Ages, Oxford University Press, London & New York. work_jhnc4rbhtvd3jbi6y72ne6lqtm Johnson Matthey & Co. Limited, London, U.K. The origins of lost wax or investment casting, often known as cire perdue, and still the most accurate and reliable means of reproducing complex shapes in gold or other metals with all the fine detail of an original cast only by the lost wax process, as well as gold dress The earliest example of a lost wax casting in gold is The earliest known written reference to lost wax casting comes from the, Babylonian city of Sippar and is dated 1789 Louvre, in an attitude of worship, but the great interest from his time arises from the first known written reference to the lost wax casting process. cast in gold and is dated to the fourteenth century B.C. Photograph by courtesy of the Trustees of the British Museum Palestine, while excavations at Alalakh, west of Aleppo, have revealed the lost wax casting of gold work_jirzlkcuwfadfpag73tdsojqxe The Controversy of Renaissance Art. Chicago: The University of de Jong, Jan Publisher''s PDF, also known as Version of record The Controversy of Renaissance Art. Chicago: The author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. https://research.rug.nl/en/publications/review-of-alexander-nagel-the-controversy-of-renaissance-art-chicago-the-university-of-chicago-press-2011(2ebde178-7067-4fd2-be15-31561284d79b).html The Controversy of Renaissance Art. Chicago: The University of Chicago Press, 2011. Art,'''' he discusses contemporary examples of criticism of late fifteenthand sixteenth-century religious art, cases of artists experimenting with new solutions, and the importance of early Christian art as point of reverification. Dealing with debates and controversy, the author considers the Renaissance an idea of how typical the individual cases studied in the book are for the epoch Reformation questions, Nagel ignores the broader picture of the Italian Renaissance, Moreover, the author focuses on reconstructing the intentions of the artists and Italian Renaissance art. work_jlsoxwmetrdhfp53qdl25t3xui laws were a major mode of control, particularly of patrician women, whose dress fifteenth century Pandolfo Petrucci (1452–1512) took control of Siena. clothing in the public arena was common to most Renaissance city-states donne et il loro sumptuoso vestire'': Archivio di Stato di Siena (ASS), Balia 253, fols. relationship of clothing and sumptuary laws to other urban concerns led over both sumptuary laws and the silk trade and in records of the clothing velvet in public.24 In Siena, certain luxury clothes could only be worn Siena under the Petrucci: magnificent clothing and public Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 Patrician women and sumptuary law in Renaissance Siena 463 work_k4f33zbszfhzxpqcawutk5hvvm arguments, in his De differentiis, against Aristotle''s doctrine of the mean. least as far as Pletho''s interpretation of Aristotle''s doctrine of Aristotelian positions, his doctrine of the mean and his claim The criticism of Aristotle''s doctrine of the mean should be (2) A morally wicked agent might, on Aristotle''s account of agent will be in a mean position just like the morally good When Pletho charges Aristotle with quantifying the mean, it If Pletho''s first criticism of Aristotle''s doctrine of the mean is 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES 496 PLETHO''S CRITICISM OF ARISTOTLE''S VIRTUES So what is useful in Pletho''s criticism of Aristotle''s virtues? suggest that his criticism of Aristotle''s doctrine of the mean is work_kjzx5iye6vcinl5hc6tznnyonu Thresholds and Boundaries: Liminality in Netherlandish Art (1385–1520). study of spatial logistics in triptychs (Opening Doors: The Early Netherlandish Triptych Reinterpreted [2012]), Jacobs''s new book offers a theoretical paradigm for appreciating presence in early modern art with just four case studies and a coda. place, Jacobs indicates the far-reaching relevance of liminal studies with examples Chapter 2 is a case study in stone, featuring Claus Sluter''s portal that literally formed Chapter 4 further articulates a Netherlandish view of space that is "multiplex" in its "formal and iconographical richness . In chapter 5, Jacobs posits that the grisaille shutters of Netherlandish altarpieces— Fury" in Antwerp, in 1576, Hoefnagel and Ortelius traveled to Germany and Italy, Other chapters are devoted to Hoefnagel''s plaintive emblem manuscript Patientia (1569), the landscape and city views he designed for Braun and Hogenberg''s six-volume Civitates Bass''s three chapters on the Four Elements and the accompanying color plates form work_km2th7e2irc4lnwpymp4sg4tc4 In this talk, we present findings on the use of visible and infrared reflectance imaging spectroscopy to identify and map artist materials in situ as well as improve the visualization of preparatory sketches and Visible and Near-infrared reflectance imaging spectroscopy has been shown to be a Paintings such as Cosimo Tura‟s „The Annunciation with Saint Francis and Saint Louis of Toulouse‟ (c. to works of art on paper, and on paintings to determine the type of drawing materials used in preparatory preparatory sketches and compositional paint changes over the prior monochromatic and even The narrow spectral sampling can provide increased visibility and improved Using the hyperspectral NIR cameras, in several blue period paintings by Picasso improved associated with various combinations of grounds, drawing materials, and paints. information related to the initial drawings and compositional paint changes have the potential for art Reflectance Imaging Spectroscopy used to map the pigments in panel containing the painting work_ko7ngfvi3vckflkhlbzvsavuxq Rhetoric of Charles Callahan Perkins: Early Italian Renaissance Art and a new Fine Arts public display of early Italian Renaissance art, a challenge that Perkins himself faced establishment.17 Second, Perkins'' article, ''American Art Museums,'' published in 67 This record of Perkins'' collections has been reconstructed from the Museum of Fine Arts, 120 Museum of Fine Arts, Boston, Second Catalogue of the Collection of Ancient and Modern Works 120 Museum of Fine Arts, Boston, Second Catalogue of the Collection of Ancient and Modern Works See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, See Museum of Fine Arts, Boston, Collection of Ancient and Modern Works, work_kpaiksyv3fb2ze4iziq6bam7mu Science," Critical Inquiry 22 (1996): 193–238; see also William Eamon, "Court, Academy, and Printing House: Patronage and Scientific Careers in Late Renaissance Italy," So also, academies dedicated to vernacular literature and language, opera and ballet, art and design, and speculative philosophy all contributed greatly to the emergence of new humanistic art forms. was first practiced in the European academy, not so much as a philosophical doctrine, but as a form of dispassionate investigation institutionalizing the detachment between academicians and the "nature" they collectively observed.3 Renaissance humanism, centered on reviving Ciceronian rhetoric, had in the previous century associated literary eloquence with active political leadership, and the academy emerged at just the moment Cinquecento Literary Academies," in Women in Italian Renaissance Culture and Society, Crusca, famous for its lexicon.29 Not only did their vigilance establish a model for other European language academies, but the evolution from vulgarizing knowledge to standardizing meanings produced a specifically gentlemanly objectivity later adopted by the work_kqoxlcruifhrvfinqrik6d6dp4 Urban Life in the Age of Atlantic Capitalism (review) enmarcan la discusión del autor y que se emblematizan, respectivamente, en las propuestas de de los aspectos más sugerentes del capítulo, y En el capítulo II, "El sujeto y el Otro: Elecciones éticas y políticas," enfocado en las novelas por las aportaciones ya destacadas, considero que Kinsbruner offers both a history and interpretation of the colonial Spanish American city from chapter, the author discusses the constitution of urban life: the streets and cities in general were centers on the urban economy as related to commercial capitalism. discussion about the daily and perpetual contestation which took place in colonial cities, especially in their streets, alamedas, plazas and parks. For Kinsbruner, "status in urban colonial Spanish America''s social architecture was proclaimed The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City The Colonial Spanish-American City work_kxlawefyl5ggpm45a4jgbnu75m The Political Science Oral History Program Education Programs, National Endowment for the Humanities Humanities as an independent grantmaking agency of the federal government to support research, education, Generally, each application submitted to Endowment programs is Carey McWilliams of Rutgers University in support of various projects through which many political scientists (e.g., Joel Grossman of the University of Wisconsin, Walter Murphy Bernard Brown of the City University of New York offered a summer University has offered summer institutes designed for elementary and offered a summer seminar on "Political Cultures." The Endowment is Applicants whose projects have direct implications for public policy need to Sometimes political science applications are reviewed with history that a political scientist''s proposal to Women and Politics Research review or a generalist review, a proposal on women and politics will be support for college and university Public Humanities Projects exemplary public programs and promotes model humanities projects of work_l3giqgsspvdh7g73i2vdyftajq Review of: Luba Freedman, Classical Myths in Italian Renaissance Painting. Review of: Luba Freedman, Classical Myths in Italian Renaissance Painting. author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). https://research.rug.nl/en/publications/review-of-luba-freedman-classical-myths-in-italian-renaissance-painting-cambridge-cambridge-university-press-2011(abd3ebc9-9b5d-40e2-83f6-a8e36afb2dde).html Classical Myths in Italian Renaissance Painting. In the case of the time limits, however, the author is used ''''to refer to the contents of paintings on mythological subjects,'''' and that by the time of Vasari, ''''the paintings themselves were referred to as poesie.'''' (201) Although ''''selected mythological narratives'''' painted in a style all''antica leads to a vision that Freedman''s study contains interesting discussions on such issues as classical ever commissioned paintings of classical myths.'''' (28) To the contrary, the palaces of All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). All use subject to University of Chicago Press Terms and Conditions (http://www.journals.uchicago.edu/t-and-c). work_l6mafgyxrzcqbgqynnfwl22fx4 within a single volume the best state of the art review The remaining chapters unfortunately cover topics which have been adequately Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of This new edition uses more ''boxes'' to highlight 368 BOOK REVIEWS 368 BOOK REVIEWS text book to come out ofProfessor Hull''s Nottingham book up into system-orientated chapters, have adopted a problem-orientated approach, so that a topic is successful; the book is clear, well written with extensive and skilful use of diagrams and tables, though I the best short text book of paediatrics available. These things having been said it is a good book, Edinburgh, London, Melbourne, New York, 1984. Edinburgh, London, Melbourne, New York, 1984. 8th book in a well established series covering topics work_l73lgheqbrbzllroydqigqeavm Energy efficient and sustainable ancient museum buildings: a case study in Florence museum buildings: a case study in Florence, International Journal of Sustainable Energy, 26:2, a new standard for energy consumption in museum buildings. and sustainable museum building design can fully meet the architectural, functional, comfort, 2. Improvement of energy systems used for heating, cooling, ventilation and artificial lighting such as the Intelligent Windows, controls systems for optimized building energy management Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 Energy efficient and sustainable ancient museum buildings 77 work_l7po3cmgjrdnbgqgas65xaq7du deaf persons which was brought by the historic Renaissance period, Key words: society, renaissance, education, deaf pupil, positive influence on the education of the deaf children (Van Cleve, Mediaeval philosophers and teachers considered the deaf people begun systematic work of teachers and physicians with the deaf. deaf children should be educated in the best possible way. possibility of intellectual development and education of the deaf found deaf that he has successfully educated, Carrion is considered to be the deaf Italian Renaissance painter, known as an extraordinary master Renaissance painter, who was deaf from birth. i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: i dr.: The beginnings of education of the deaf persons: work_lask4pvip5fixdb6uf4extrktm 25 For more about the interrelations of both art historians see: Karge, ''Franz Kugler und Karl Schnaase''. century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper century: Franz Kugler, Karl Schnaase, and Gottfried Semper work_lcs2cdrzrbexvmveharbjoitoy were hosting Jewish communities developed complex banking institutions for two reasons: first, the Jews were I show that, in Central Italy, the difference in current income between cities that hosted Jewish communities document an extraordinary persistence in the disparities of local banking development across Italian municipalities in the last four centuries. of Jewish communities in 1500 and the current local banking and economic development. the effects of current banks on per-capita GDP and aggregate productivity in Italian municipalities. The first is that having a Jewish community in 1500 does not have any effect on current banking development where Jews were expelled, there is no current difference in local banks between cities that used to host Jewish effects on the current local banking development of Italian municipalities. under the Spanish crown had effects on current credit availability only in those cities that developed a Monte. work_ls3eci5rsrbrve3efbykcxuqly Nicholas Terpstra ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal State ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal Stat Yet he also uses history, and in one of his studies, Making Democracy Work (1993), Putnam seeks to identify the most "successful" regions in modern Italy, and the historical causes for to the leading communes of the Papal State may have generated forms of social capital and civil society better adapted to ''surviving'' absolutism than Florentine and Venetian republicanism were. Making Democracy Work (1993) is more about civil society, while Bowling Alone (2000) is more about social capital. In contrast to Brucker, Muir thought that civil society did emerge from the medieval and renaissance republics, and did weather the capital-draining early modern period of uncivil Nicholas Terpstra, ''Republics by Contract'': Civil Society, Social Capital, and the ''Putnam Thesis'' in the Papal Stat, "Storicamente", 2 (2006), no. work_lxjpyn2kz5cstgbzqotozaaybu Comparative Critical Studies, Volume 3, Issue 1-2, 2006, pp. very excited by the new idea of teaching not national literature, nor comparative literature today is and must be, of course, our Research The narrow national literary history theory and practice of reception studies today. European forms nevertheless required validation as national literary The history of Europe and the European Union European reception of Ossian (the most extensive British literary in that city-states or nations compete for authority, and indeed literary culture?''12 Nevertheless, literary and artistic authority and value have pioneers of Oriental literary studies, world literature requires extending Luckhurst (London and New York: Continuum 2002); The Reception of James and New York: Continuum 2004); The Reception of Ossian in Europe, edited by Howard Gaskill (London and New York: Continuum 2004); The Reception of and New York: Continuum 2004); The Reception of Byron in Europe, edited by work_lxsnmjwgzjgtxhxat4rgp7jpua The concept of ruling a state was investigated by Machiavelli as early as in the sixteenth century. Keywords: Ruling, government, politics, power, state, sovereignty. From the sixteenth century onwards, the art of governing came to be an important topic for whose sake it was the ''powerful state'' concept and employed at home and abroad as legitimation for a new departure in politics" (Roth In the eighteenth century, Rousseau, in an article on political economy, emphasized that wise governing would Finally Foucault (Autumn, 1979) notes that the new but rough notion of the art of government did find actual The new science of political economy focusing on the population-territory-wealth interaction furthered the art of government up to the level of political science (ibid.). Government, population and political economy are similarly interrelated (ibid.). becomes a big political and social entity, which is stronger than the ancient states (Alvarez, 1959:71). work_m2f36fqj7bam3iaw2e7t7hydgq Anna Kérchy and Catriona McAra: In his 1980 collection The Language of Images, W. T. Mitchell greeted the emerging collaboration between ''practitioners of the words'' (literary critics) and practitioners of the image (art historians) that facilitated ''the no man''s land Liliane Louvel: I do think word/image theory and studies still have a lot to offer. Study of Arts, Images and Texts in the English-Speaking World, is another society that is I think that word/image theory will have to take into account what was the subject of resort to many types of dialogue between word and image; conceptual art often has to Liliane Louvel: I think the French have a very special relationship to language. sort of position when we read the description of an image, that of a particular work of art. She has published five books on the relationship between word and image: L''œil work_m3i3hil7izdihmzeqeyi4patpy (3) Levinson''s account of the notion of "regard-as-a-work-of-art"; One idea which is crucial to Levinson''s definition is that a work of art must be a thing intention that every single thing is to be regarded or treated as previous works of art A second problem for Levinson''s suggestion that a work of art must be a thing Levinson tries to get around this objection by introducing the notion of an artunconscious intention: intending for regard in some specific way @ characterised in that certain objects are to be regarded in ways that works of art have hitherto been for, thereafter, it is X''s intention that no-one shall regard the work in any way at all concept work of art can be given a recursive definition of the sort which Levinson case, it is clear that we have not been given a definition of the concept work of art. work_m4l7coqfy5evrp3dvr3i7awr34 In the years between the wars, Republican France and Fascist Italy vied for political regimes might have been, France and Italy were nations where culture was recaptures the awe expressed by French art critic Louis Gillet in La Revue des Deux invasion of Paris in works of the ''Italian School of Painting'' made by a group of Italians also living in Paris, ''purveyors of the Latin spirit''. Cameo portraits of Italian painters working in Paris were published alongside ones fascination for certain Italian artists and writers: Surrealism, a movement imported increasing autarchy upheld by the Fascist regime that allowed so little French art, or any foreign art for that matter, to enter Italian collections? Were there no French gallerists, writers, or critics active in Italy at Mario Sironi, the most vocal artist in Fascist Italy, publicly berated Paris for the author of Modernity and Nostalgia: Art and Politics in France Between the Wars and work_makljxq2yzajtaprkqnxxn3jhi Broad spectral range reflectance imaging spectroscopy (BR-RIS) from the near UV through the mid–infrared (IR) microsamples in transmission or reflection mode, as the mid-IR region is rich in spectral features that allow the specific identification reflectance imaging spectroscopy in the visible and NIR spectral regions. (3D) image cubes (2D spatial and 1D spectral) using a simple singlepixel scanner consisting of two point spectrometers and a computercontrolled easel that moved the artwork. Because mapping oil and alkyd paint binders has been demonstrated using NIR spectral features (17), the example here focuses with NIR reflectance imaging spectroscopy using the CH2 combination band in the region of 4350 to 4325 cm−1 (2300 to 2313 nm), painted with the blue mineral azurite by using reflectance imaging data collection and analysis methodology to identify and map pigments, paint binders, fillers, and substrates used for lake pigments. Near infrared reflectance imaging spectroscopy to map paint binders in situ work_me7apg3jtvcn7m64klo5u5u7rm Evandro de Oliveira: From Anatomy to Science It is classic to state: medicine is science and art. to art meaning technique acquisition, practical knowledge the Therefore, medicine and surgery are old as art but new as science. in medicine, the narrow relation between science and art Using his extensive and intensive laboratory work he created Microneurosurgery, allowing us to perform miniature art, under microscopic preliminary requirement to enter into the science and art of It is for sure a sacred temple for science and art in microneurosurgery. With passion, Evandro took his work to the edges of perfection, turning into pure art. acquire the mastery in science and art of microneurosurgery. on the art that the doctor applies with scientific knowledge. even worse, thus requiring refined science and art. most difficult requirement to be acquired in the art of surgery. Evandro de Oliveira extensively contributed to the establishment of the art and science of microneurosurgery. work_mj6gddx2gvahljmx7zncknrfty and even a fusion of scientific skills, from what have been called, up to now, "different" sciences. SCIENCE AND THE SATISFACTION OF HUMAN ASPIRATIONS less immediate questions, we have had a general overview of science from the aspects its more intimate relation to the individual: science and the satisfaction of human Basically, this element of science satisfies more immediately the desire to discover This aspect of the pursuit of science satisfies a basic desire or aspiration just to value for the race) or somehow those who possess the gift lack the ability to communicate the deep meaning, the excitement, and the satisfactions of scientific discovery. Unless the public shares in our aspirations and our satisfactions in the scientific men, both from the side of science and of religion, have assured us that there is no In contrasting science with the humanities and religion, the more pedestrian There is a quality about science, or rather about nature, work_mjpp5mayqrdhrezz5rgdde775e Keywords: languages in contact, linguistic borrowing, primary and secondary adaptation, indirect borrowing, direct borrowing, foreign word, foreign loan, loanword Los contactos entre lenguas se pueden estudiar en tres direcciones: a) adquisición del lenguaje; b) préstamos de idiomas; c) traducción. Language contacts are always a result of histori-cal and cultural bonds, and will evolve in a different manner in relation to the language of the group that Romance, Celtic, etc., as language families, being that they share a common terms of linguistics, Roman dialects, Latin loanwords in the Albanian language are of great importance for making a comparison. Slavic, Greek, one Romance, and one Albanian, probably the last relic of the Illyrian language group. According to Skok, pre-Slavic languages in the Balkans are as follows: listed above, but which have not entered the northern Slavic languages: ratione > račun (reason, count), calendae > the nineteenth century, Romance loanwords penetrated into our language in work_mkjybojltndxtgkgvsb6stmhiq Manuel Chrysoloras and the Early Italian Renaissance Thomson, Ian Greek, Roman and Byzantine Studies; Spring 1966; 7, 1; ProQuest pg. the importance of Manuel Chrysoloras, the first notable professor of Greek in Western Europe, has been widely recognized. the following list of Chrysoloras'' pupils: "Guarino, Giacopo di Scarperia (sic), Roberto 6 Other Italians before Guarino went to Constantinople to learn Greek. After Guarino, a fair number of other scholars, such as Filelfo (1420-27), visited Constantinople but did so only after the advantages of knOWing Greek had become obvious through Baron, Humanistic and Political Literature in Florence and Venice (Cambridge [Mass.] Guarino did not begin his study of Greek until after Chrysoloras had In the first of Manuel''s Greek letters, dated January, 1412, he congratulates Guarino on his success in disseminating in Italy what he had work_mn66we6evrddvbeem6q4rc56i4 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_mpcoxu4nvzbyjmzjtr5wvilklu Latin American and Latinx Futurities: Publishing Visual Culture in the Twenty-First Century | Latin American and Latinx Visual Culture | University of California Press Charlene Villaseñor Black—is a professor of art history and Chicana/o studies at the University of California, Los Angeles. Welcome to Latin American and Latinx Visual Culture, the first peer-reviewed academic journal dedicated to visual and material cultures in Mexico, Central America, South America, the Caribbean, the United States, and those in diaspora, published by the University of California Press. For the first time, scholars working in these areas have a venue for publishing the latest research in art history, design, material culture, architecture, film, media, performance art, museum studies, popular culture, fashion, public art, and artivism. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press''s Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints. work_mso2mklylrcy3alvqwwc7zxkvy Constructing Hellenism: Studies on the History of Greek scholarship on the early modern history of Greek learning and the way in which the What Greek learning, or Hellenismus, meant to early modern scholars becomes the manifold aspects of early modern Hellenismus, or Greek learning, in a more Ecclesiastical and Cultural History, New York and Evanston, 1966; and Greek Scholars in Venice: Studies The early modern study, interpretation and edition of the ''rediscovered'' Greek New On the study of Greek in the early modern period, see also To get an idea of how early modern scholars working in diverse contexts studied Greek history, and of early modern Hellenism, the transmission and dissemination of Greek texts, their Throughout the early modern period, the use of Greek learning was not Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe Constructing Hellenism: Studies on the History of Greek Learning in Early Modern Europe work_mv3d5gxclzdchj7ijh4penhfbu sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_n2l3ffedhnc2pkzcw34llihdqi Ventrella, Francesco (2019) Writing under pressure: Maud Cruttwell and the old master Writing Under Pressure: Maud Cruttwell and the Old Master Monograph Writing Under Pressure: Maud Cruttwell and the Old Master Monograph ''hand'' and, therefore, the individuality of an old master.13 Cruttwell''s practice of connoisseurship was also coloured by the influence of contemporary psychological aesthetics, as clearly delineated in 1894 in an article by Fraser, Women Writing Art History in the Nineteenth Century: Looking Like a Woman, 19 Maud Cruttwell, Luca and Andrea della Robbia and their Successors (London: Dent; art historian, I also want to consider Cruttwell''s position in art historiography and assess how her work was received by fellow art historians working in the same fields: Bernard Berenson, Wilhelm von Bode, and Allan Fig. 1: Frontispiece of Maud Cruttwell, Luca and Andrea Della Robbia and their Successors (London: Dent; New York: Dutton, 1902). work_n2rggds445cs3hi4lowp2n7tte 17 Albrecht Dürer: Documentary Biography Albrecht Dürer: Documentary Biography brings together all known documents linked to Dürer''s life and work, arranged, translated, and annotated by Jeffrey this two-volume work include correspondence concerning the aesthetics of art material "purloined from Albrecht Dürer''s prints and writings . For example, the life cycle of a work of art is not typically Documents pertaining to Dürer''s artistic production and struggles over time leave trails that allow researchers to trace ideas, traces the "life cycle" of famous books from authorship, through published editions, Dürer-related documents have been scattered and 1 The difficulty of presenting all materials related to Dürer in any semblance of original order can references to Dürer found in documents that he did not create. Archives (New Haven, CT: Yale University Press, 2013), 8: "The material is so vivid that it calls both 7 Especially enlightening is Erwin Panofsky''s Life and Art of Albrecht Dürer (Princeton, NJ: Princeton work_n654sm7ypfftrcrv3imi3fimji historical and social configurations, not only within, but also outside Europe; finally, through an analysis of the relation between Arnold Toynbee and Hu Shi, I will show that the uses of the renaissance nineteenth century, the Renaissance had been a purely operative historiographical concept; that is, it simply referred to a historical event or to its period, and during the nineteenth century, the ''renaissance'' became the ideal type of a ''cultural form'' and came to be applied to different societies all over the world. process involved shared uses of ''renaissance'' between the European and nonEuropean world, and followed a general endeavour in human and social there was another key inspiration: Arnold Toynbee''s A study of history, and especially his volume on the ''renaissances'', published in . Goody explained: this in the following quote from Hu Shi''s The Chinese Renaissance, which Toynbee work_n7aqni2sybbwfgfs7q3coipra4 Cosmè Tura''s Re-Appropriation of Rogier van der Weyden''s 1. Rogier van der Weyden, Descent From the Cross, oil on oak panel, 6. Rogier van der Weyden, Portrait of Francesco d''Este, oil on panel, 3 Martin Davies, Rogier van der Weyden: An Essay with a Critical Catalogue of Paintings (London: Placing Rogier van der Weyden''s work into the context of the Ferrarese court in evidence that sheer presence of Rogier van der Weyden''s work in Ferrara affected the 5 Dirk De Vos, Rogier van der Weyden: The Complete Works, (New York: Harry N. Rogier van der Weyden''s style and is one of his most well-known works. Cosmè Tura''s Re-Appropriation of Rogier Van Der Weyden''s Netherlandish Oil To see the similarities of Cosmè Tura''s work to that of Rogier van der Weyden, CHAPTER 4: ROGIER VAN DER WEYDEN AND COSMÈ TURA Techniques of Five Paintings by Rogier van der Weyden and His Workshop." work_nc5xralahraphil46fjuozr3oi sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218037690 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:10 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_nggycmuqmbhlbhprs5axbkyp44 Selene Scarsi, Translating Women in Early Modern Nathalie Rivère de Carles, "Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso", Miranda [Online], 4 | 2011, Online since 24 June URL: http://journals.openedition.org/miranda/2603 ; DOI: Selene Scarsi, Translating Women in Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Marrapodi), Selene Scarsi''s monograph on Translating Women in Early Modern England, is three major works of Italian epic poetry and their English translations. reworks the study of Harrington''s translating methods and offers an enriching the feminine to Renaissance translation theory. Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Eliza... Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso work_nhyyb6vjnbfwnge73z46gdpjca UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Art Libraries Journal Two decades of change in Dutch university art libraries. Two decades of change in Dutch university art libraries. https://dare.uva.nl/personal/pure/en/publications/two-decades-of-change-in-dutch-university-art-libraries(c03ec77b-c105-4045-9032-7bbcaac97a84).html important academic library with a large art historical collection and, since it is the Dutch national library, The other Dutch universities do not offer art build a new library (as in the University of Dutch university art libraries n 1987 Chris Smeenk wrote in this journal about the libraries of the Dutch art building but left the library collection almost between the Royal Library (Germanic art), Utrecht exchange of students, forcing libraries to collect fortunately many other art history libraries that The requirements for academic art libraries at the Overview of the art libraries University library buildings will research institutions,'' Art libraries journal 12, no.1 Information centre of the library of Leiden University. work_nlueipbdffbjjbtg6nadsgu2bm basically derive from Charles Homer Haskins'' notion of the renaissance and include individualism, rationality, secularisation, and the question of the emergence of a ''critical mentality.'' From this point of departure, the article addresses the question of thematic innovation with regard to the twelfth-century The second part of the article discusses the effect of the so-called linguistic turn on renaissance studies in general and on the twelfth-century renaissance in particular. briefly address some thematic innovations in recent research into the twelfth-century renaissance,14 before discussing the question of new methodical insight.15 Although this last section with the different mentalities of medieval Europe.52 Another manifestation of this individualism is the new view of love in the twelfth century. for new thematic approaches to the twelfth-century renaissance. In sum, recent research into the twelfth-century renaissance does not abound in new work_nm6cbsskwfaapajiladh2a5qva Angelo Poliziano''s De poesi et poetis (BNCF Naz. II.I.99) and the Development of Ancient Dramatic Criticism 2. Lucia Cesarini Martinelli, "''De poesi et poetis'': Uno schedario sconosciuto di Angelo Poliziano," Poliziano''s interest in ancient drama also extended to Greek theater, as documented by the BSB Ms Cgm. 812 (fols. In quoting ancient sources, Poliziano always draws on the original Greek text even when a particular work is widely available in Latin translation. Poliziano also reports Plato''s censorious attitude toward performing arts, as described in Plutarch''s Glory of the Athenians 348b (fol. In De poesi et poetis, however, Poliziano focuses mainly on the ancient narratives of the myth of Orpheus.23 His tragic death caused by women is referenced Poliziano''s interest in ancient music was not limited to De poesi et poetis. De poesi et poetis illustrates Poliziano''s early interest in ancient drama and reflects work_npormd7kbzcmxhkxpufdqjc2re SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE KEY WORDS: Cloud Computing, 3D Modelling, Photo-Modelling, Web GIS, Late Gothic Architecture, Sardinia. This work proposes the documentation, virtual reconstruction and spreading of architectural heritage through the use of software documentation tools in order to study a particular architectural phenomenon. multi-layer information system, oriented to the divulgation of Sardinian late gothic architecture. portals of late Gothic architecture in Sardinia. The applications of digital technologies on cultural heritage Web GIS and 3D modelling are valid instruments to document method to build 3D models to be used in cognitive-information Modeling) software in order to create detailed models of the portals, obtained from a set of unordered photos. Example of portals: a) pointed arch, San Pietro building, 3D model of the portal. application created for sharing data organized in tables. Example of one of the studied buildings: model of the the models in the 3D buildings layer in Google Earth, after work_nry7ffsmqrcqdjwz5mt3dh3olu London: Bailliere Tindall, 1994:107-27. Paraproteinaemia in neurological disease: incidence, association, and classification of monoclonal immunoglobulins. 106 Bleasel AF, Hawke SHB, Pollard JD, McLeod JG. monoclonal paraproteinaemia and peripheral neuropathy. 108 Pestronk A, Comblath DR, Ilyas AA, Baba H, Quarles 109 Pestronk A, Chaudhry V, Feldman EL, Griffin JW, Multifocal motor neuropathy with Bailliere''s clinical neurology 3:1. Bailliere''s clinical neurology 3:1. Pathological findings at the site of conduction block in multifocal motor neuropathy. neuropathy in primary Sjogren''s syndrome. Peripheral neuropathy associated with primary Sjogren''s syndrome. 116 Griffin JW, Comblath DR, Alexander E. Inflammatory neuropathies associated with Inflammatory neuropathies. Inflammatory neuropathies. Inflammatory neuropathies. Inflammatory neuropathies. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. Ann Neurol 1994;35:53-8. PJ, Thomas PK, Griffin JW, Low PA, Poduslo AN, Peripheral neuropathy. Atropa belladonna (deadly nightshade) Atropa belladonna is a member of the nightshade family these poisons, belladonna, not to kill their rivals but to work_nsikzubac5dvdi4f67cir6urhm Loehr''S "the Bronze StyLeS of the anyang Period" (1953) attention all involve the concept of style—"a concept largely undefined, but usually referring to the changing forms of different types of vessels and to their ornamentation."402 In trying to decide what style meant to Loehr she examined not only entangled with unresolved problems in historiography.405 I would like to suggest that Loehr''s idea of style (but not Bachhofer''s) was a simple one, and that style meant to him what it means in practice, if not in theory, to most art historians today. Loehr''s use of the concept of style throughout his writing can, I believe, be For art historians who think in this way, the history This is emphatically not a part of Loehr''s understanding of style or of history. speaking of French Gothic architecture, but Loehr obviously felt that in studying Shang bronzes he too was concerned with artistic life in a period of great work_ntn6bge3mrf4rkk2dgjgre5wz4 Coronary Heart Disease: From Mummies to 21st Century | Semantic Scholar Corpus ID: 32679963Coronary Heart Disease: From Mummies to 21st Century title={Coronary Heart Disease: From Mummies to 21st Century}, journal={Heart Views : The Official Journal of the Gulf Heart Association}, Our understanding of the pathogenesis of coronary heart disease has been slow and was not elucidated until the beginning of the 20th century. This article will review how the diagnosis and treatment of coronary heart disease was viewed from ancient times to the present day. Coronary heart disease Sort by Most Influenced Papers A tale of coronary artery disease and myocardial infarction. Heart views : the official journal of the Gulf Heart Association Heart views : the official journal of the Gulf Heart Association By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License work_nxievuo4wbbyfozobtna32gqei sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218040114 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:13 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_nxmwb5nqgvfp7k6dzf4wioefeq Musical Instruments in the Medieval Frescoes of Slovenia Slovene church frescoes picture instruments played in the same manner as which usually included angels playing musical instruments. The musical instruments in these medieval frescoes bear out the evidence of written sources that instrumental music was perpetrated by traveling artists from whose ranks permanently employed musicians descended. documents include the first printed handbook of musical instruments wri tten Music in Slovenia in the Protestant Era is of special importance for Slovene culture and in particular ICJr its music. \\,ithin both Catholic and Protestant music. The acti\''ity of the Ljubljana Protestant circlc, especially of its and instrumental instruction, and the connection between the musical duties of the school and the Ljubljana Protestant Church. Furthermore, his bibliography of Lisinski''s works includes four hitherto unknown picces and discloses that two compositions, Lisinski was the founder ora nationally-oriented school of Croatian music; work_o2zix4tlabgyhibawqpcte3lca It relates the myths of gods and heroes for whom the planets and the Medicean moons After the defeat of the Titans, Jupiter (Zeus) was chosen by all the gods of Olympus From the myth of Jupiter and Europa comes the names of a major constellation and 8. The Myth of Jupiter and Callisto In Boucher''s painting above, we see Jupiter as Diana, embracing the innocent Callisto. Fig. 13 : The Medicean Moon Io, image by Voyager 1 taken during the Jupiter encounter, Fig. 16 : The Medicean Moon Europa, image by Voyager 1 taken during the Jupiter encounter, 1979 Fig. 20 : The Medicean Moon Ganymede, image by Voyager 1 taken during the Jupiter Fig. 21 : Jupiter in the Guise of Diana and the Nymph Callisto, Francois Boucher, 1759, Fig. 22 : The Medicean Moon Callisto, image by Voyager 1 taken during the Jupiter work_o44x43bfbjdufccy5dmzkaatsy The Italian Renaissance in the nineteenth century: revision, The Italian Renaissance in the Nineteenth Century. This book, entitled The Italian Renaissance in the Nineteenth Century and edited by how the Italian Renaissance was repurposed in the nineteenth century ''not so much and scholars of the Renaissance reception in the nineteenth century. Openness to the twentieth century characterises the essay by Alina Payne, Renaissance architecture was experienced in the twentieth century. observe the relationship between Italian Renaissance and nineteenth-century of a positive outcome to the nineteenth-century reading of the Renaissance, we have Italian Renaissance in Nineteenth-Century French Architecture'' dispels the idea of a definitive influence of the Italian Renaissance in nineteenth-century French Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: Daniela del Pesco The Italian Renaissance in the nineteenth century: work_o5hpppppwnd4hj46tyqg72m3ry Vittore Carpaccio, excelled with their talent and works in the city of Venice. The works of Carpaccio are important because they present, in the cycle "Stories of St. Ursula", the Vittore Carpaccio, son of Pietro, a fur trader (Sgarbi, 1944, 23), was born in Venice in 1455. Giulini evaluates the paintings under "Stories of Saint Ursula" (fig.1) with these words: "E‟ la luce Carpaccio worked for other schools as well, like that of St. Ursula under the Dominican Covent in the Scuola degli Albanesi in Venice (fig.12, 13,) when he was at the culmination of his artistic Carpaccio‟s works are important because they show the uniform of Albanian soldiers in the cycle The Departure of the Pilgrims, Vittore Carpaccio, (1495) Venice, Gallery of the Academy Stories of the Virgin , Vittore Carpaccio – Cycle Scuola delli Albanesi Fig. 13 Stories of the Virgin , Vittore Carpaccio – Cycle of the Albanian School work_obgl6bfkznbjflzkss7kklejty This book uses Italian art from the thirteenth to the sixteenth centuries to examine the role of should wonder why it has taken so long to see a book dedicated to museums and HE teaching. and, as a result, is a powerful argument for the value of collaborative working across museums connections between museum understanding of object based learning, and student use of has taught ''design'' based Visual Communication and worked for many years as a museum mentions Reinhardt''s line is testament to the seriousness and significance of this book, an indepth presentation of critical moments in the history of the collection and display of sculpture. the reader through histories of sculpture collections and their changing displays, neither Moore Sculpture Centre at the Art Gallery of Ontario in Toronto, and the compelling negotiations investigation of the formation of the Italian Renaissance sculpture collection at the Museum of work_odbwvgdt55empgyhqegnbq477i Voir l''au-delà : l''expérience visionnaire et sa représentation dans l''art italien de la Renaissance (Collection "Études renaissantes" ; 22) | Semantic Scholar Skip to search formSkip to main content> Semantic Scholar''s Logo Search Corpus ID: 194802587Voir l''au-delà : l''expérience visionnaire et sa représentation dans l''art italien de la Renaissance (Collection "Études renaissantes" ; 22) title={Voir l''au-del{\''a} : l''exp{\''e}rience visionnaire et sa repr{\''e}sentation dans l''art italien de la Renaissance (Collection "{\''E}tudes renaissantes" ; 22)}, author={Alessandro Nova and A. Alessandro Nova, A. Most useful is this book''s appendix, which… Expand Share This Paper Related Papers Related Papers About Semantic Scholar Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License ACCEPT & CONTINUE work_oiuwmjfrgbcrlg3uj3oz7yziqm See as well Michael Baxandall, ''The Language of Art History'', New Literary History, 10.3, Spring Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators Allan Langdale Linguistic Theories … Baxandall''s Giotto and the Orators work_ols2ay4xmza6bpkgbiosmxtua4 These include the Qur''anic notion of tah.rīf with Christian accusations of Jewish distortions of Abraham''s true religion (Justin Martyr''s Dialogue with Trypho the Jew and the Ebionite conception of a diabolical fit.ra with the notion of a natural Christian nature of the human soul (anima naturaliter christiana); the Qur''anic notion of an original, pristine, and unsullied "religion of Abraham" with Eusebius''s writings in his Ecclesiastical History, and so Among the intellectual achievements that distinguished the Italian Renaissance from the previous centuries, with a lasting influence on the modern age, words, in-depth study of the Bible, paralleled by the investigation of nature according to new empirical methods, allowed Renaissance intellectuals to ascertain Berns compares the approach of Jewish and nonJewish scientists active in Renaissance Italy toward the biblical text. including Italian, Latin, and Hebrew, analyzes the work of major scholars (such as the scholarly relationships between Italian Jews and Christians at the beginning of work_ooyvq33vwvedxesyn44lapqdoy Burke (2016) What is the history of knowledge?]. https://dare.uva.nl/personal/pure/en/publications/review-of-p-burke-2016-what-is-the-history-of-knowledge(d7db29ec-5132-49f5-980b-c6ae1a626c69).html Peter Burke, What Is the History of Knowledge? Peter Burke, What Is the History of Knowledge? seems to be more apt than Peter Burke to write the current What Is the History of Knowledge?, which is part of the What Is History series by Polity Press. new field of history of knowledge into four main topics, which are also the titles of the book''s four chapters: "Knowledges and Their Histories," "Concepts," "Processes," Burke starts off by noting that the history of knowledge is a very young field. recalls that when he began working on his book A Social History of Knowledge in that I believe Burke has missed an important chance: the history of knowledge is in question that I would like to have seen discussed in Burke''s book is, what can the history of knowledge contribute to such issues as Hume''s and Goodman''s problems—if work_oq3g2f3tc5e2leg2oxyuhpa7he space and time, geography and history. Ratzel, in 1897, published his work on political geography, titled Hitler''s national-socialism and linking his political geography to In a second response to British imperialism, Hitler''s Germany the works of German geographer Karl Haushofer (1869-1946) who The link between geopolitics and world history is manifest in the influence German world historian Oswald Spengler (1880-1936), author of the monumental 12-volume A Study of History, which was myself studied geopolitics at the Sorbonne and having published my World History however continued as a science to be looked upon Correspondence: Dimitri Kitsikis, Department of History, Both Geopolitics and World History, linked together in the field of The difficulty of being a geo politician and a world historian. The difficulty of being a geo politician and a world historian. The difficulty of being a geo politician and a world historian. grasp the Universe by starting their History specialization in Greek work_oryf7qhulnfyddxsq7qqmbyfse This volume is a collection of nine essays on canonical authors of the Italian Renaissance: Petrarch, Boccaccio, Machiavelli, Ariosto, and Tasso. Machiavelli''s Clizia, for example, refers to the one on Boccaccio''s Decameron 7.9, a tale which furnished discussions, strewn throughout the volume, on the interrelatedness of literature and history, fiction and by Petrarch''s readings of other texts, provides a splemdid introduction to the theoretical heart of Ascoli''s The first of two essays on Boccaccio similarly reflects on how that writer has been situated In the final essay, Tasso, like the other writers but in his own manner, confronts the unresolved place of his own poetry between imaginatively remembered history and historically situated fiction. first essay, as Petrarch addresses his letter to a person who is no longer there; both poets leave us Auerbach," "Machiavelli''s Gift of Counsel" and "Ariosto''s ''Fier pastor''," it offers us Ascoli''s Italian work_ot6x6baiqbdq5eglzaufd5sqmi Italy Made in Britain: Contemporary British Perspectives on Italian Culture Italy Made in Britain: Contemporary British This special issue of Modern Languages Open is about how contemporary Britain This special issue of Modern Languages Open is about how contemporary Britain perceives the images of Italy as it is seen in various layers of British society – from the media, to film, to with Maccaferri and Costa''s articles examining British perceptions of Italian politics in those discourse analysis and issues of translation (Filmer), travel writing on Italy by British broadsheet journalists (Willman), the performance of Italian identity for the British audience by British commentators, providing easy examples of Italy''s backwardness in relation to Britain, focuses not on perceptions of Italy through the lens of a British gaze, but on how an Italian https://www.theguardian.com/commentisfree/2016/oct/20/donaldtrump-silvio-berlusconi-italy-prime-minister (accessed 26 April 2017). Contemporary British Perspectives on Italian Culture. https://www.theguardian.com/commentisfree/2016/oct/20/donald-trump-silvio-berlusconi-italy-prime-minister https://www.theguardian.com/commentisfree/2016/oct/20/donald-trump-silvio-berlusconi-italy-prime-minister work_oteoyqdqpjburjcolcxqpgyjhy Anthony Stones was commissioned to undertake original sculptures for the medal, which was to be cast in bronze. Anthony Stones with initial sketches for the Brady Medal (16 March 2007). modelling of the Brady Medal presented particular objectives In the case of the Brady Medal I wanted the Rungwe Kingdom of Pangolin Editions foundry, Chalford, with moulds of the Brady Medal (23 September 2007). I am delighted that the Brady Medal was so well received. methods into medal design. which were used in the casting of the Brady Medal. It is, indeed, the case that each recipient of the Brady Medal receives a work of art, rather than a stamped medal as is the work of the Brady brothers. The Brady Medal is the highest award of The Micropalaeontological Society and is awarded to scientists who have had a his notes on the Brady Medal; to Alan Lord, John Whittaker work_ourgqjcxbvhyfagnhejs3rprxa sources and perception solely to write the history of human-animal relations?13 How of animal and Renaissance studies into closer dialogue and to consider ways in which Given the way the debate about humanity relied on animals and bestial traits it the human-animal divide and attempts to understand or explain the natural world and and its application is central to Sarah Cockram''s essay about the historiographicallyneglected role of handlers of exotic animals in Renaissance Italy. human-animal understanding, empathy, or communication during the Renaissance.37 relationship of Renaissance Italians to the animals all around them, of the significance The study of the animal in Renaissance Italy can contribute to debates about and rebirth of knowledge about human and animal have contributed to our modern Berg, 2007); Erica Fudge (ed.), Renaissance Beasts: Of Animals, Humans, and Other Writing Animal-Human History: What is Really Enough?'', Anthrozoös, 25 (2012), work_owqg3eqzinconmr7mpy4fmjtje The influence of surface complexity on judgments of area 1 The influence of surface complexity on judgments of area 1 a series of nine differently sized cards. cautioned to judge the area of the card and specific group were presented three times area increases as a power function of to relate size estimation as a function of surface patterning, using the method of pattern does not greatly alter apparent size, Four groups of nine square cards, having equal size; Group 3-white, with a random Perception & Psychophysics, 1970, Vol. 7 (5) Copyright 1970, Psychonomic Journals, Inc., Austin, Texas 289 complexity of the surface patterns as the C. Area and distance estimation of C. Area and distance estimation of estimated area is a power function of area of a surface, the contrasting of large elements increases apparent size. estimates of Group 3, which had a pattern method of ratio estimation, obtained estimated area of squares. work_ozxd2ionwbfhbelz65jugccfu4 Book Reviews Advances in Nephrology from the Necker Hospital, Year Book Medical Publishers, Chicago, 1984. This is the latest in a distinguished series of reviews Of the remaining 15 chapters, seven within a single volume the best state of the art review remaining chapters. The remaining chapters unfortunately cover topics which have been adequately appear in print as thenow familiar review ofother reviews. A final infuriating aspect of the book is its organisation. but instead are scattered throughout the book, thechosen way of buying perhaps half a dozen useful review Royal Devon & Exeter Hospitals Function of the Nervous System, Second edition. This excellent book, now deservedly in its second A brief obituary is included, but the importance of his wide ranging contribution to neuroscience can be seen scattered throughout the pages of the book. The book has a first-rate This new edition uses more ''boxes'' to highlight The book is set in work_p2vikxgvzjao3cxwrbe57dcgse sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. 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Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_p4ogduqj7fcpjbtdkjgcubgoju Albanian Literature] and Romantizmi në Europën Lindore e Juglindore dhe në Literaturën Shqiptare, [Romanticism in With regards to popular poetry, in his publication Për Gjenezën e Literaturës Shqipe [On the Genesis of the Albanian In his papers and articles on the Albanian folk poetry, Cabej has noted the wide variety of motifs interweaved in the Regarding the categorization of the Albanian literature, Cabej was of the opinion that it should be based on cultural Cabej views the Albanian romantic poets as creators of their own works of Cabej brifly mentions Albanian and Arberesh authors, he states that in Naim Frasheri''s work "the apostle and the poet are Albanian Linguistics and Literature] and Romantizmi në Europën Lindore e Juglindore dhe në Literaturën Shqiptare have been presented with the due argumentation of a scientist and a scholar of the Albanian literature in Eqrem Cabej''s Eqrem Cabej is a profound scholar of the genesis of Albanian literature. work_pcafmyawcffjzbxa4voqncf7ra 1 This article is a revised text of the annual lecture of the then Art Association of Australia, in honour of Franz Philipp, 34 Arthur Boyd, letter to Franz Philipp, 25 January 1966, University of Melbourne archive, DS L 11/3.Acc.36 166. 34 Arthur Boyd, letter to Franz Philipp, 25 January 1966, University of Melbourne archive, DS L 11/3.Acc.36 166. 35 Franz Philipp, letter to Arthur Boyd, 16 September 1965, University of Melbourne archive, DS L 11/3.Acc.36. 37 Franz Philipp, list of questions to Arthur Boyd, December 1968, University of Melbourne archive, DS L 11/3.Acc.36 166. 39 Arthur Boyd, letter to Franz Philipp, 30 December 1968, University of Melbourne archive, DS L 11/3.Acc.36 166. 41 Franz Philipp, undated letter (1965) to Arthur Boyd, University of Melbourne archive, DS L 11/3.Acc.36. 44 Franz Philipp, letter to Arthur Boyd, 9 April 1965, University of Melbourne archive, DS L 11/3.Acc.36. work_pexfi5us2fdinhhrwu7zjh32ui orders@olschki.it • www.olschki.it Alireza Naser Eslami, Incontri di culture tra Rinascimento italiano e la ''Sublime Porta''. Franco Cardini, L''Impero Ottomano e l''autunno della crociata. Analisi del periodo 1683-1718 • Marco Spallanzani, Ceramica ottomana in un palazzo fiorentino del tardo Rinascimento • Anna Contadini, L''ornamento nel mondo Ottomano e nell''Italia del Rinascimento: trasmissione e congiunzione • Giovanni genovese nella Istanbul Ottomana (XV-XVI sec.) • Alireza Naser Eslami, Emulazione, appropriazione, Architettura tra il Rinascimento italiano e l''Impero Ottomano. moderna è una zona franca culturale nella quale coesistono Impero Ottomano, «ponte tra Oriente e Occidente», e Italia del Rinascimento, «porta d''Oriente per i interazioni ed emulazioni tra corti italiane del Rinascimento e la «Sublime Porta» la L''Impero Ottomano e l''Italia del Rinascimento A cura di Alireza Naser Eslami tra Italia e Impero Ottomano: dai un certo tempo alla corte ottomana di Alireza Naser Eslami, architetto, insegna Storia dell''Architettura al Dipartimento di Scienze per http://www.olschki.it/libro/9788822263643 http://www.olschki.it/libro/9788822263643 work_pr4q5gm7vnhblgolqq2ujdiql4 mankind were the cultural and linguistic differences between Classical antiquity and what was then the present. cultures arose, there were Renaissance studies of Roman customs and institutions to serve as precedents. It is a fact that there was no continuous anthropological tradition of comparative studies in Classical antiquity and the Middle Ages. cultural differences than was common in Classical antiquity, but their work new information on differences among men to the stock which they had inherited from the geographical compilations of Classical antiquity. Valla also stimulated Renaissance interest in cultural differences by translating Herodotus into Latin. Biondo defended the Renaissance position by presenting evidence that the spoken language of the ancient Romans was a form of Latin. It is paradoxical in a sense that Renaissance admiration for Classical antiquity should have made men more ready to study linguistic and cultural differences in the world around them. work_pv5awjcgvfdazezkkpwam7a5km Correlation between Earthquakes and AE Monitoring of Historical Buildings in Seismic Areas probability of the events'' occurrence in a specific area, considering the AE records and the seismic During the monitoring period, among all regional seismic events we considered 21 earthquakes with In this case, among all regional seismic events, we considered 43 earthquakes with a Richter 5. Space-Time Correlation between AE and Seismic Events to structural damage triggered by a seismic event or due to precursive microseismic activity. In particular, time coupling of regional seismicity to AE activity from Chapel XVII and the Asinelli by nearby earthquakes on damage processes of Chapel XVII and the Asinelli Tower. In regards to the AE events preceding earthquakes, i.e., considering AE as "seismic precursors", the Analysis of time-clustering features of AE events considered "seismic temporal correlation of seismic events and monitored AEs. It emerges that AEs behave as earthquake work_q57cafylife2rmvihlvmu6hgue Matteo De''Pasti, the obverse of the portrait medal of Sigismondo Malatesta, bears Art: Sigismondo Pandolfo Malatesta of Rimini and ''Cose Militari,''" and walls of buildings; while some portrait medals issue of RES, specific attention will be given to the nonvisibility of the medals deposited within the foundations The portrait medals of Sigismondo Malatesta design one more portrait medal for Sigismondo with a building on its the first Renaissance portrait medal to show a building Matteo De''Pasti, the reverse of the portrait medal of Sigismondo The very practice of using portrait medals as building number of deposited portrait medals has been uncovered portrait medals with Castel Sismondo on the reverse and But Sigismondo''s portrait medals were also deposited Part of the deposited bronze portrait medals of Sigismondo Malatesta, portrait medals is, of course, the deposition of coins. The numbers of portrait medals deposited his deposited portrait medals.43 his deposited portrait medals.43 work_q5vz4q44pnd5dggy4rb2kysqry ∗ MOSES, R."The Spreading City" en Working for rhe People: Promise and Performance in Public Service, New astonishing number of people have homes in town and in the country. We have millions of city people of all income The city man is a weekend salt-water fisherman by instinct. the city man and the country man. There is no sense in assuming irreconcilable conflict between city and country no doubt honestly believe that all city people hate their existence. big cities and made good. The nearby country as well as the suburb is meaningless without the city. Obviously, city life is not doomed, although some particular town may Parts of big towns are like suburbs and even country. The city is still the center parkways and expressways to make the city and country one. Roman idea of rus in urbe, the country in the city. Country and city, we are knitted together. work_qbvoso2adbfebfhchnd5n7udha testimonianze dirette le prove del fatto che Petrarca conoscesse tutto il lettura del Liber di Catullo, fatta a Verona nel 1345,5 influenzi Petrarca conoscenza limitata di Catullo, altri ritengono che l''umanista possedesse una copia del 5 Si veda Giuseppe Billanovich, Il Catullo della Cattedrale di Verona, cit., p. nell''esercizio della poesia latina, privando Firenze del suo poeta latino Del resto non è forse un caso che certi aspetti della fenomenologia erotica testo del carme e non solo la citazione pliniana nel primo libro della Naturalis Historia). Velli, La memoria poetica del Petrarca, cit., p. del passer catulliano da parte di Petrarca, sul filo di altre citazioni, si veda P. Petrarca e il Catullo di Verona, cit., pp. Si veda Le rime del Petrarca, cit., p. Si veda Le rime del Petrarca, Petrarca, Le postille del Virgilio Ambrosiano, a cura di M. Petrarca, Le postille del Virgilio Ambrosiano, cit., work_qfhaojdj45aa5k5qd73czm76am The Frick Collection, New York, owns a Shield Bearer, one of a small number of bronze from the scientific analysis of The Frick statuette, including a detailed technical characterization of the casting alloy, X-radiography, microand portable X-ray fluorescence (μXRF and pXRF) spectroscopies, scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM/EDS), Raman and Fourier-transform infrared (FTIR) spectroscopies, and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS). This study confirmed that The Frick figure was cast from the same brass alloy Keywords: Bertoldo di Giovanni, 15th century, Italian Renaissance sculpture, Organic coating, Brass, Bronze, Gilding, base on The Frick statuette is original, while visual examination and radiographs provided additional evidence of Materials studied include the metal alloy, solder, gilding, and organic coatings. Unmasking a wild man: scientific analysis of Bertoldo di Giovanni''s Shield Bearer in The Frick Collection Unmasking a wild man: scientific analysis of Bertoldo di Giovanni''s Shield Bearer in The Frick Collection work_qioebu6z4vgynitaulujxlfvui sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218043133 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:16 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_qk36od2cbjdbfkp3iskax7fh24 Abstract: The perception of our heritage is based on sign-functions, which relate visual representations visual works on the basis of the identity and symbolic value of their single constituent elements. percepts and how we re-use information in order to assign meaning to the visual object. presents the functional results of the theory, introducing the VIR (Visual Representation) ontology, The use of semantic marks to construct the cognitive type of visual items can be further examined representation is established (for example "Saint George and the Dragon") but deeper meaning is not Iconographical Atom, Attribute, Representation, Personification, Visual Recognition, Verso and Recto) the use of specific symbols or iconographical types within historical periods. of a representation and link the diverse types of depictions with the same subject or character together, type of representations of and relationships between visual features. visual composition, iconographical objects, attributes of the representations, layering of diverse work_qmxdse47xjd4zml6abstjmlylm we live in, we celebrate the pioneering work and contributions of Mike Cooley in the shaping and evolution of the an alternative human-centred vision of socially useful technology that facilitated the ethos of human–machine symbiosis that he saw as a collaboration of human judgement and rationalisation of industry and the ''white of heat of technology'', Mike Cooley together with a number of socially These European human-centred movements provided a basis for the establishment of the ''Anthropocentric Systems and Technology'' programme of the Human Price of Technology (Cooley, ibid). Mike Cooley to head the technology division of GLEB. to Mike that we launch the Knowledge and Society journal AI&Society: Journal of human-centred systems was launched by Springer. of the human-centred movement beyond the European His human-centred vision of technology and society has Mike Cooley: the human spirit Mike Cooley: the human spirit Mike Cooley: the human spirit work_qnfhx6hv5nec7jyitp6cnj6ouq syphilis in art, over more than five centuries, century the morbus gallicus is no longer a changing personal and public attitudes to the disease. is said to be a fourth century Peruvian jug (fig 1). Figure I Syphilitic mother with child. Figure 3 shows another pre-Columbian work ofart twenties during the early years of the morbus gallicus be faced by another great artist some 400 years later. Figure 7 Albrecht Darer, Woodcut illustration accompanying broadsheet by Theodoricus Ulsenius, Nuremberg, I August Durer''s major woodcut (fig 7) is available in colour the figure is new to German work and shows how morbus gallicus, or French disease. Grunpeck''s tract was accompanied by two woodcut prints by Sebastien Brandt, already famous for Like Ulsenius''s piece, Grunpeck''s text is dated 1496. Title page woodcut illustration accompanying tract by Joseph Grunpeck. woodcut (fig 10) was used in a reprint of Grunpeck''s work_qrgfwpeionck3mquhuuq3scbku A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy A comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy work_qrtpg5s4mjacncvjhhflhxrulm Michelangelo, Copernicus and the Sistine Chapel, American Journal of Astronomy and Astrophysics. Abstract: It is argued that Copernican astronomy is a key theme in Michelangelo''s fresco of the Last Judgment in the iconography of the Last Judgment (depicting the three parts of the universe: heaven earth and hell) was traditionally based on Michelangelo''s revolutionary work, Christ is significantly depicted as a beardless Apollonian sun-god, positioned in the Keywords: Copernicus, Michelangelo, Heliocentric, Sistine Chapel, Dante It has long been widely recognized that in Michelangelo''s fresco of the Last Judgment (1541) Christ is depicted Sun-symbolism and Cosmology in Michelangelo''s Last Judgment, Truman State On the altar wall, Michelangelo''s monumental fresco of the Last Judgment (painted much later, Michelangelo and Copernicus at the time of the commission of the Last Judgment. 6 Valerie Shrimplin: Michelangelo, Copernicus and the Sistine Chapel At the time that Michelangelo was painting his great fresco, the heliocentric theory work_qu6jbtsoijd4vp6e4ul2csukey Nova Scientia (1537) by Tartaglia for use in the mathematics classroom. Renaissance mathematical instrument for measuring the height of a mountain in order to motivate the study Key words: History of mathematics, teaching, Niccolò Tartaglia, Nova Scientia, geometry. providing students with a diff erent vision of mathematics, and by improving the learning process (Katz, elective subjects involving the history of mathematics; 3) for holding workshops, anniversary celebrations and conferences, and 4) for implementing signifi cant historical texts in order to improve understanding of mathematical concepts (Massa Esteve, Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) Historical activities in the mathematics classroom: Tartaglia''s Nova Scientia (1537) work_qxafti4gx5g7deirz6g5kel2ni Digital Graphic Documentation and Architectural Heritage: Deformations in a 16th-Century Ceiling of the Pinelo Palace in Seville (Spain) For the first time, accurate digital images are provided of a 16th-century wooden ceiling, composed architectural heritage, no graphic studies on this type of deformed ceilings have been presented. Keywords: ceiling; 16th century; Pinelo; palace; Seville; deformation; scanner; photogrammetry ceiling with a geometric decoration that is studied in this research is located (Figure 3). ceiling with a geometric decoration that is studied in this research is located (Figure 3). Taking all these considerations into account, and in order to ensure suitable conservation and monitoring in the future, it was decided to utilise digital graphic technologies to quantify the current deformations: a first for this type of ceiling. scanner until reaching the mezzanine where the ceiling under the study is located (Figure 9). work_qyqvrq7om5hm5mspqieyhs3kxu characteristic of such, holist, view is that individual creativity is a mere manifestation Behind these facts of human culture stands a ''Wille von überindividueller Art, der dem Naturalismus in der Gotischen Skulptur und Malerei'' explained that Gothic art was a 27 In Wölfflin, Renaissance und Barock, 1, one reads that northern nations (not the individual artists who predetermined the way Weimar-era historians wrote art history. his book Spengler says that he writes history the way he has to, being a German good example is a protest letter written by Max Dvořák to Italian art historians in examine whether it may be possible to explain Weimar era historians'' holist Weimar-era historians'' adoption of holist methodology was motivated by that the holist tendencies of Weimar-era art historians were insecurity motivated is a Individual Weimar-era art historians could have decided not to say that it was necessary that German Weimar-era art historians make a certain type work_r4pgejerevax7dsp5mcojaym74 paricalcitol versus calcitriol included the point estimate patients receiving different vitamin D analogs. (IF) on frozen sections with pronase-digested paraffin sections, Nasr et al.1 found that pronase digestion was a proteinase XXIVand pronase-digested paraffin sections. We selected five cases of lupus nephritis that showed fullhouse fluorescence staining on frozen sections. pronase, as well as after proteinase XXIV digestion, one was pronase-digested paraffin sections: a valuable salvage technique for renal 1Department of Pathology, University Medical Center Utrecht, Utrecht, play by Niccolò Machiavelli, ''La Mandragola (The Mandrake)'', 1A.O. San Paolo, Renal Unit, Milano, Italy Table 1 | Transcript of the play ''La Mandragola'', relevant to uroscopy, from the original Scene 6, Act II, in Italian and Latin, inter caetera, causa est amplitudo canalium, mixtio eorum quae ex matrice exeunt cum urina. autem, inter caetera, causa est amplitudo canalium, mixtio eorum quae ex matrice exeunt cum urina. work_roslztnlnjgkrd7xaqhm7hv3ra Note: British Art Studies is a digital publication and intended to be experienced Lee brought the script to her friends, the writer Constance Smedley Armfield Vernon Lee, The Ballet of the Nations: A Present-Day Morality, with a Pictorial Vernon Lee did not like Maxwell Armfield''s "pictorial commentary" on her Vernon Lee first met Constance Smedley and her fiancé Maxwell Armfield in Imogen Gassert, "Collaborators and Dissenters: Aspects of British Literary Publishing in the First World War, Hull Press, 1996); Marvin Swartz, The Union of Democratic Control in British Foreign Policy During the First World War eventually her executor, who published a study of the British liberal press during the First World War; see Irene Maxwell Armfield, "My World and I—the Cotswolds and London in War" (unpublished, 1970), 50, Tate Archive: TGA with ''Vernon Lee''"; Armfield, "My World and I", 24. First published in Vernon Lee, Hauntings (London: W. work_rpfnvy7zqzhodpt4lzrsncpule HERCULES IN ITALIAN RENAISSANCE ART: MASCULINE LABOUR AND HOMOEROTIC LIBIDO articulated.''3 The same can be said of Hercules, for the strain of forging masculinity is worked out in very physical, laboured ways. base, Antaeus in the Cathedral relief (see plate 3) is gasping, locked in the chokehold of death by a Hercules whose face, hair and body type are not dissimilar. 5 Antonio del Pollaiuolo, Hercules and Antaeus, c. Hercules and Antaeus that visualized close, sensual contact between naked men. Mantegna and his followers that production of images of Hercules with Antaeus the narrative of Hercules and Antaeus provided an opportunity for the representation of two naked and muscular male bodies in physical, intimate contact. 10 Michelangelo Buonarroti, Hercules and Antaeus and other sketches, recto, c. Like the drawings of Hercules and Antaeus, this sheet of Hercules and Antaeus by, or after, Mantegna). Italian Drawing of Hercules and Antaeus in a work_rpqybn5v55fwzea4i365uo5bmi The Universities of the Italian Renaissance (review) The Universities of the Italian Renaissance (review) as late as the 1880s versions of emblem books which have the Pia Desideria The Universities of the Italian Renaissance The early Italian university was a far cry from its modern counterpart. But as Paul Grendler�s authoritative study The Universities of the Italian remarkably fertile period for the Italian university between about 1450 and significant examination of Italian pre-university education, Schooling in The first section of Grendler�s study explores the creation, administration, and functioning of each of the Italian universities. The attention Grendler devotes to faculty compensation demonstrates Even when they did not begin as such, all Italian universities came to be were granted through the territorial political authority after a course of disciplines taught in the early Italian university, spells out the creative In Reformation, Politics and Polemics John Craig explores the work_rquuwxqt2rcvdfnzvoqekauq6e XXVII Edgar Mannheimer Lecture: The discovery of circulation and the origin of modern medicine during the Italian Renaissance the scene depicting Fabricius ab Acquapendente, Professor of Anatomy and Surgery at the University of Leonardo da Vinci (1452-1519), the greatest artistanatomist who ever lived, conducted the most important scientific studies of the human body in the history By general consent, the University of Padua is credited with having given rise to Modern Medicine. University of Padua and the origin of modern medicine: milestone publications. the pulmonary veins carried blood, not air, thus discovering lung function and circulation (Figure 11): "/ Medicine at the University of Padua in 1711. Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 Vol. 6, No. 2 Thiene G: Origin of Modern Medicine during the Italian Renaissance 119 work_rrtzsma5kja4ffl7e3o33crbsu From early days, extensive use has been made of gold for the decoration of the covers of Late 15th century work now entrusted to the Trivulziana Library, Milan, manuscript 2167 use liquid gold preparations for the embellishment of book covers It was Venice which established pre-eminence in the art of producing bindings hot-pressed with gold in a style revealing the of works from famous early printers: volumes bound in leather artistically adorned with gold, or in precieus fabrics embossed with In the 16th century, books were published and sold in increasing numbers and the work of binding them flourished in all the adopted was reflected in covers adorned in gold with decorative the end of the 16th century, Italy too adopted larger gilding tools In Rome, Turin and Milan, striking effects continued to be produced on vellum bindings with gold that contrasted well with the designs for the bindings of books that went into his library. work_rsb5ss7nc5cgllek6zggqrykju Modernity Beyond the West: A Review of Kathleen James-Chakraborty''s Architecture Since 1400 attempt to write a global history of architecture that in this book modern architecture is rewritten according the grand narratives of modern architecture took place in Architecture Since 1400, Kathleen James-Chakraborty, Minneapolis and London: Hoekstra, R 2014 Modernity Beyond the West: A Review of Kathleen JamesChakraborty''s Architecture Since 1400. and enlarged account of modern architectural history. central notion of architectural history, which is the arrival change, while the modern architecture of the Western James-Chakraborty describes the rise of non-Western noncolonial modern architecture, not as an import product Ching''s A Global History of Architecture (2011). if the global history of architecture does not encompass Global History of Architecture. Collins, P 1965 Changing Ideals in Modern Architecture, How to cite this article: Hoekstra, R 2014 Modernity Beyond the West: A Review of Kathleen James-Chakraborty''s Architecture work_ruutfcfqgzbg3j5niezqauyrqi ("By the prayers of Thy Most Pure Mother and holy wonderworker Nicholas […] of God — have mercy on us"). The book wri en by prominent Russian scholar Nina Sinitsyna deals with the earliest textual witnesses of the life of Maxim the Greek book however is a new edition of the Narratio informans according to K. K (ed.), Saint Maxim the Greek. The rst long-awaited volume of the new edition of the works of St Maxim the Greek has been published by renowned Moscow scholar rst period of the life of St Maxim in Russia until the condemnation (1518–1525) as well as works preserved in Greek (with Russian translation), wri en in Italy and on Mt Athos (1498–1516) by Michael (Maximos) Trivolis. The very identity of St. Maxim the Greek known from The rst publication of the Greek part of the heritage of St Maxim work_rv5f5umljvfq5bi7phut7fz3y4 The role played by these authors is particularly significant, as most of them worked on the translation and vulgarization of philosophical and scientific texts, which in part present a different set of challenges from that of orator, who is concerned more with content than style.42 This might explain Cicero''s aversion to word-for-word translations – but still, according to Castelvetro, Cicero is not critical of literal translation in an overall sense; rather, Cicero wishes to assert that it is possible possible and express the meaning".65 In other words, for Faustus Longianus translation case, how to make a philosophical discourse popular.82 Robortello''s underlying Aristotelianism plugs into Cicero''s theory of the orator as translator, or vulgarizer. the same concept should be translated with the vernacular term that most closely corresponds to the original word, not concept, in the target language. 7. Segre, "I volgarizzamenti del Due e Trecento"; Contamine, Traductions et traducteurs; Guthmüller, "Die volgarizzamenti"; Folena, Volgarizzare e tradurre; Beer, Translation Theory and work_rwgjb345uvewhm5mvv6nleheze The famous self-portrait in red chalk (Figure 1) will be on the Flight of Birds, as the self-portrait in red chalk, is usually held at The up-left panel of Figure 2 shows the drawing in the Leonardo''s Comparing this drawing with the Leonardo self-portrait in red chalk, new image is shown in Figure 2, up-right panel. try to compare with the self-portrait in red chalk (Fig.1). where Leonardo looks younger than in the self-portrait of Figure 1. Fig.1 Leonardo''s portrait in red chalk Raphael based the Plato''s face on the features of Leonardo da Vinci the image processing of the two Leonardo'' self-portraits, with the Raphael''s portrait (Figure 4), that is, the image of Plato. is depicting a self-portrait, he is looking at the face in a mirror. it is another artist depicting the portrait, he is looking at the face It is thought that Leonardo drew the self-portrait in red chalk at work_s3jefpwjnndhvf5vietzfr3bxi In the second part of his Algebra, Sharaf al-Din al-T&i (l2th-century) correctly determines the number of positive roots of cubic equations in terms of the coefficients. has recently published an edition of the Algebra [al-Tiisi 19851, and he has discussed alTiisi''s work in connection with 17th century and more recent mathematical methods (see literal French translation, a transcription of al-Ttisi''s reasoning in modern notation, and a discussion of most of the text in terms of modern algebra and analysis. contain notes to the Arabic text and the French translation in [T2], for the reader constant term can be reduced to quadratic equations, and for each of the remaining 13 types he had given a geometrical construction of a root by means of two Al-Khayyam pointed out that the number of roots of these equations depends geometrical proofs of algorithms for approximating the roots of cubic equations. work_s4atjewim5b7ddgwi5hzwm3foa Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, dialectics is the main subject of Alina Payne''s From Ornament to Objects. and the conclusion of Payne''s story, rehearses the trajectory from ornament to object object''s true adornment.4 Even if Semper''s own decorative designs for building The essay is mentioned in Payne, From Ornament to Object, 143-144. By becoming objects of museum study, ornamental artefacts are subject to the peculiar status of ornament as art historical object. the natural principles of the universe, art historians like Riegl turned ornament into From Ornament to Object retraces the main theme of Payne''s first major book In From Ornament to Object, she argues that in twentieth-century modernism, sequence described by Payne is then not only from ornament to object but also from In this case architecture turns into both a portable object and an ornament that to object and to architecture, but also from ornament to painting and to sculpture; work_s4hl3i2n3zer7dvhfqnl3l3lly sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218035139 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:07 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_slaq2hjnbnc3fbi77mbudua6py Luigino Bruni1 • Paul Oslington2 • Stefano Zamagni3 From the very beginning of Christianity up to modern political economy, crossfertilization between theology and oikonomia has occurred, sometimes to the extent The early Christian theologians developed the idea of an economy of times, the deep and crucial links of capitalism to the protestant ethics were a classic economy after Smith there have been economists with strong theological interests, i.e. the English Wicksteed (1885, 1910) or the Italian Sella (1930). northern protestant Europe where the civic humanism and renaissance tradition We hope that in this transition age of capitalism, this special issue can offer some Barbieri G (2013)[1940] Decline and economic ideals in Italy in the early modern age. Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction Economics and theology special issue: introduction work_snwuc6o6z5c67pvtz7dwnwq6ju To improve the knowledge about the entomofauna associated with bodies in archaeological contexts, herein we provide insights on the funerary practices and the insect community associated to Ferrante II King of Naples and other Italian Renaissance mummies of the Aragonese dynasty buried in the Basilica of St. Domenico Maggiore. We identified 842 insect specimens: 88% were Diptera (Muscidae, Fanniidae, and Phoridae), followed by 9% Funerary archaeoentomology can be considered a discipline partially overlapped with classic archaeoentomology and forensic entomology, since both deal with the study of human cadavers. As a first consequence, all the collections of insect in archaeological contexts represent an incomplete sample of the original set, studied by Fornaciari (2006), applying in this archaeological context the methodology and techniques used in forensic entomology insect remains were collected from the coffin NASD6, 13 (1.5%) Abundance of insect remains retrieved from the mummies of Ferrante II d''Aragona, King of Naples (1496), Giovanna IV work_spywvikfcfcshk3sabxrwkntv4 Michela Passini, La fabrique de l''art national: Le nationalisme et les origins de a proliferation of national histories of art. German art history writing and, crucially, the ways that they were contested. its sustained analysis of French art historians, such as Louis Courajod, Louis Dimier, artistic traditions, in which German and French art came to be defined in opposition As such we are reminded that French and German art historians authors, but French art historians frequently articulated equally nationalistic views The mutual suspicion of many German and French art historians is strongly The depressing story of nationalism''s hold on art history is one that could which Dehio tied to the German national spirit was repeated elsewhere in central specifically Czech treatment of late Gothic art. kinds of disputes over ''ownership'' of late Gothic as German and French art historians did over Gothic or Renaissance art reminds us of the wider pattern into work_sq3j3p2wsfaebhsqzyevq4svpm on The Renaissance in Historical Thought, scholars interested in the Reformation period have frequently bemoaned the conspicuous absence in the available literature of a work surveying and discussing the development of the historiography of the Reformation from its inception to the present. in which the authors highlight the historical assessment of the Reformation A. Enno van Gelder''s thesis of a rational intellectual continuity between Renaissance and Enlightenment, which challenges the importance of the Reformation, in the last chapter concerned with the recent social history of the Reformation, a humble beginning in the footsteps of Ferguson''s work on historical scholarship on the Renaissance (as the authors modestly claim in their Preface). offers stimulating reading and is a substantial achievement, which will be welcomed by all historians interested in the Reformation period and in its subsequent historical assessment. administrative, formulation of the ''Revolution'', with some attention, by Starkey himself, to the ''reform'' angle. work_sr2bc33dajhlxhanjiuzdpoub4 biases to their readings of manuscripts, the very play of disparate convictions among readers tends to Those who serve on the PMLA advisory committee and the editorial board on a rotating basis come from as many persuasions as the association''s membership. PMLA receives and judges articles with a collective open-mindedness, and no The only possible response to the questions I have been asked—What is PMLAs critical orientation? Last October''s number, for example, was heavily slanted toward theory and the ways of modern critical analysis. them are appropriate stuff for a PMLA article, as they are of our convention sessions and of our membership''s profile. "sheer joy," "quite unlike PMLA''s usual fare," "will set many fertile bees buzzing in the critical bonnet," "a refreshing alternative to the older pedantry" —suggest that readers and potential contributors "Oh, PMLA is too modern for me!" said one; "No, work_srgptiqs3beplff4aipr6fr5qi sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218038345 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:10 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_t23htd37fzavbmcylyujhzeuta In this meticulous study, Parker affords Bronzino s heretofore little Bronzino s satirical burlesque poems, or capitoli. addresses the second component of Bronzino s poetry Parker concentrates on Bronzino s literary culture and the analysis of his poetry reveals that this was Bronzino s systematic intention. Bronzino s art does not offer conclusive answers, but fashions an intricate Parker notes that Bronzino frequented and The model for burlesque poetry in Bronzino s time was Francesco Berni are found in Bronzino s poetry, specifically in his poem, Del pennello and Parker finds in Bronzino s and the frequency of its appearance in burlesque poetry, Bronzino, without Parker found that Bronzino s skill in utilizing Petrarchan The attention Parker pays to Bronzino s canzoniere and the contrast in his Parker s collaborative study of Bronzino s poetry and art also unveils a Parker makes a fundamental contribution to the study of Bronzino. work_t3dj6knch5bqpfqqhxvh47nyqa supposed machines that, since the 1970s, have been promised to replace mankind in all respects. machine has already been happening for decades, thanks to possible, especially if we format human behavior based on the machine: the longer we live in video games, iterating machines made to iterate. Sure, we''re surrounded, inundated by thousands of new gadgets, but the techno-scientific substrate has been the same for the past 20 years. method (1950), and statistical learning algorithms store the strategies, memorized by identically iterating machines, fashion of a a-scientific Data Mining in Big Data—some life, without the need for hypotheses, theories, understanding, knowledge (Anderson 2008). Machines will discovery regularities that science will not, Deluge of Spurious Correlations in Big Data.'''' (2016) In So much for Big Data without science. human in the age of the AI machine? Anderson C (2008) The end of theory: the data deluge makes the https://www.wired.com/2008/06/pb-theory/ https://www.wired.com/2008/06/pb-theory/ http://megachip.globalist.it/Detail_News_Display%3fID%3d125846%26typeb%3d0%26complessita-scienza-e-democrazia http://megachip.globalist.it/Detail_News_Display%3fID%3d125846%26typeb%3d0%26complessita-scienza-e-democrazia work_t3ltsd5vgbea5j4bzaesckjc7q also in popular performance traditions such as Sicilian puppet theater Innamorato''s battle between Rinaldo and Orlando for Angelica and episodes, these plays offer ample material for a comparative examination of her character in contemporary Sicilian puppet theater. 4Students can compare Angelica puppets in versions of Orlando e Rinaldo per la bella In addition to giving Angelica a physical form, puppeteers also Angelica has also recently been used in puppet theater in less particular 00–1:46, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ puppet-plays/angelica-la-fuga/. puppet-plays/angelica-la-fuga/. 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ 20See eBOIARDO, https://edblogs.columbia.edu/eboiardo/sicilian-puppet-theater/ Both maggi feature female Saracen characters, Angelica in the first Angelica in the maggio Orlando Innamorato and Angelica, Marfisa, and Dragontina among the non-Christians. Angelica sets off the action in the maggio, as she does in Boiardo''s In Boiardo''s poem, Angelica heads to Dragontina''s garden out In the poem, after Angelica frees Orlando she work_tat5nea3cjhgpagdc7bbvbdlay The paper offers an overview of the complex, not easy period in which Antonio Panizzi was teaching at London University Italian language; Italian grammar; Italian literature; Teaching materials for italian; University of London; Antonio Panizzi. An Elementary Italian Grammar for the Use of Students in the London University is a short, basic 29 Extracts from the Italian Prose Writers for the Use of Students in the London University. Still in 1828, Panizzi publishes Extracts from the Italian Prose Writers for the Use of Students in the 58 Antonio Panizzi, Extracts from the Italian Prose Writers, cit., p. 58 Antonio Panizzi, Extracts from the Italian Prose Writers, cit., p. 91 Antonio Panizzi, Stories from Italian Writers with a literal interlinear translation,on the plan recommended by Mr. Locke Italian Writers, by Panizzi, consisting of a selection of the passages published in Extracts from the Writers.) [With notes, largely extracted from Panizzi''s "Elementary Italian Grammar"]. work_tbltzadnxjeulmunqczzcukutu On the other hand, in the Arabic and Islamic world, though many original authentic medical manuscripts written by famous scholars of the Islamic era were authoritatively edited and published during the twentieth century, the number of primary source studies based on them by historians or medical researchers performed several primary source studies of the published medical works of ten scholars who lived and centuries, the study of medicine and other branches of science studies on history of medicine still ignore the scientific in the history of medicine in the universities of the Arabic for the history of Arabic and Islamic Sciences; 1986. Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology Abdel-Halim: The missing link in the history of urology progress of medicine and urology: A study and translations from his medical work_tjca5n7vpba2zdlv7ffnxjq2hu that the American art historian Bernard Berenson, his pupil, the English architectural historian Geoffrey Scott, and, potentially, the American architect Frank Its focus is to reveal the lineage beginning with Bernard Berenson, continuing with Geoffrey Scott and developing further with Bruno Zevi. outlined by Berenson in 1883 in ''A Word for Renaissance Churches,''8 a littleknown, yet seminal essay that proposed an incipient interpretation of architecture in terms of space, described from the point of view of the aesthetic spectator (Fig. 1). Zevi''s original reading and modern interpretation of Scott''s text paved a foundation upon which he would build his life''s work. Zevi began fostering this relationship between architectural practice and critical thought in Saper vedere l''architettura (1948). In another chapter of Verso un''architettura organica, Zevi justified the reasons that led Italy to reject modern architecture based on two The strong correlation between Scott''s fallacies and Zevi''s books demonstrated the applicability of The Architecture of Humanism throughout diverse work_tmzvcrjuwvbw7hkyeexhmwwtru "On the Art of Discussion," applies to Montaigne''s own project the proverbial Herculean labor that is the writing of Adages for the benefit of others. audiences, the volume concludes with two essays that discuss the Erasmian legacy in Eros Visible: Art, Sexuality, and Antiquity in Renaissance Italy. James Turner''s Eros Visible is one of the most impressive books in Italian Renaissance and entertaining meditation on "art, sexuality, and antiquity in Renaissance Italy," focusing primarily on the sixteenth century. Turner''s book covers a rich variety of works: sculpture and painting, but also prints, Turner''s book is divided into several dovetailing chapters on art and literature, both Turner discusses the lost Although these images and texts have been much discussed, Turner''s treatment Turner''s book is framed at its beginning and end by discussion of the highly controversial Leonardesque drawing of an angel (as of the Annunciation) which has an work_tnifay4bqvdujbaznehu5bdk6y TRADITION IN PEDAGOGY AND LINGUISTICS: TWO FOOTHOLDS IN human activity is characteristic of our modern times: "In the Christian world everything is based Truly, the Holy Bible is nothing else than an inseparable part of the Sacred Tradition. in a consequent way and to the end, all sacred historical traditions". traditions of education and our modern ones. According to Comenius the most useful thing that the Holy Bible teaches us on the pantheistic and empiric conception of the great philosophers of his time Gordano Bruno, brought out a fine work on Didactic ―A New and Easy Way to the Godly Sciences and Arts, to Revolution, had only the physical world as its proper domain, and this has been largely true of science In this way we come to the objectivity of linguistics. foothold for the ascent of all modern science, giving it the new methods of investigation – Francis work_tqetgmsdn5cqphtaxo2wr4npqa 15th International Workshop on Advanced Infrared Technology and Applications (AITA) 4 Istituto di Scienza e Tecnologie dell''Informazione "Alessandro Faedo", CNR, 56124 Pisa, Italy † Presented at the 15th International Workshop on Advanced Infrared Technology and Applications (AITA Abstract: The 15th International Workshop on Advanced Infrared Technology and Applications has The workshop program featured a technical seminar day (Section 2) followed by actual conference http://www.mdpi.com/journal/proceedings http://www.mdpi.com/journal/proceedings Finally, the website http://ronchi.isti.cnr.it/AITA2019 will be maintained active for future The 16th International Workshop on Advanced Infrared Technology and Applications will take The 16th International Workshop on Advanced Infrared Technology and Applications will take seminar titled "Infrared techniques and applications for aerospace". http://ronchi.isti.cnr.it/AITA2019 for educational robot" [1] and to Klaudia Hackiewicz for the paper "InAs/GaSb superlattice based D. Moroni ISTI-CNR, Pisa, Italy O. Salvetti ISTI-CNR, Pisa, Italy F. Pardini ISTI-CNR, Italy Technical Seminar: Infrared Techniques and Applications for Aerospace Technical Seminar: Infrared Techniques and Applications for Aerospace work_tt2jcy5q7bds7h6treilo4u6zy 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_txfzmi2yobg6tnjfq7t2fa3n6a Interaction Between Engineering, Science and Art Abstract: This article is the beginning of a new section entitled Engineering and Science by Art where the emphasis will It applies to an approach developed by the author where subjects related to engineering and sciences are demonstrated by artworks. The three cultures, Engineering, Science and Art are usually looked upon as three different entities. interaction between Engineering and Science is well-known, whereas the interaction between Engineering and Art, and is an interaction between science and art; he said: "Both, A few artworks demonstrating science by art are presented in the following. 98 The Open Chemical Engineering Journal, 2008, Volume 2 Abraham Tamir Interaction Between Engineering, Science and Art The Open Chemical Engineering Journal, 2008, Volume 2 99 section entitled Engineering and Science by Arts. The present article demonstrates this approach by describing different elements of engineering by artworks. subjects related also to Chemical Engineering and Science work_tzvxdbvrarhwjntvft75l2p6j4 Before the start of its restoration in 2007, the Salvator Mundi was thought to be one of a number of copies of a longlost Leonardo da Vinci painting, depicting Christ giving a blessing with his right hand while holding a crystal orb in including stereomicroscopy, visible and fluorescent light microscopy, scanning electron microscopy with energy dispersive spectroscopy, Raman microspectroscopy, Fourier transform infrared microspectroscopy in transmission mode soda-lime glass was detected in the ground, imprimitura and paint layers, and a walnut oil medium was identified by Keywords: Salvator Mundi, Panel painting, Cross-section, Raman, SEM, FTIR, Py-GCMS, Pigments Fig. 3 Cross-section sample 1 from flesh highlight, proper right hand (left), showing: (1) ground (2) imprimitura (3) black background paint layer (4) flesh highlight paint layers; backscattered electron (SEM-BSE) image (right) corresponding to area with overlaid box, showing coarse glass particles In the area sampled, several further paint layers, black in color, are situated above the warm brown work_u2u5pmtmdjadlcbufsftpegw2q 2016 marked the 500th anniversary of Ludovico Ariosto''s first publication of the Orlando Furioso, in 40 cantos, at Ferrara. and after Ariosto''s time: romance epic precedents, his contemporary Enchantment: the 1516 Orlando Furioso," examines Ariosto''s complex relation to his predecessor Boiardo, whose Orlando Innamorato he and the Dynastic Imagination in the Orlando Furioso, which explores aspects of the romance epic tradition in Ariosto''s classic. the tale as well, and Ariosto thus can use his Furioso as political commentary. the Romance Epics of Boiardo and Ariosto and editor of a forthcoming shifts to Ariosto''s uses of lyric, concentrating on Orlando''s madness. Furioso, suggesting that Ariosto informs the ethical meaning of the present volume explore the reception of the Orlando Furioso through de Orlando and the Mambriano), Everson demonstrates that both Ariosto design in the first edition of the Furioso, Everson also suggests Ariosto''s Shemek also presents evidence of ways in which Ariosto''s work_u3335tn4arejjafzahtplfjxcm The Pathology Museum of the University of Florence houses a rich collection of anatomical specimens and over a hundred We present a historical case of severe hydrocephalus backed by modern-day anthropological, radiological and molecular analyses conducted on the skeleton of an 18-month-old male infant deceased in 1831. Physiopathologically, abnormal amount of CSF accumulating in the ventricles of the brain may cause increased intracranial pressure with progressive enlargement of the head and chapter on neurosurgical diseases, he described infantile hydrocephalus as caused by mechanical compression. Here, we describe an extraordinary case of severe hydrocephalus in an 18-month-old child who died in 1831. a diagnostic flowchart which included descriptions of the anatomical specimen and wax model, an outline of the clinical history, anthropometric methods, radiological findings and molecular testing. This case of hydrocephalus is detailed in the museum catalogue alongside the description of the wax model (Fig. 1). hydrocephalus (Luigi Calamai, 1831) housed at the Pathology Museum work_u4rpqpxt3rhupalnhmwgol3r6u sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218039850 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:12 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_u5azmrjbpjebtkli6xtsgzzub4 The holistic approach that Furlotti applies to the study of the antiquities trade definitively breaks the illusion of the Renaissance as a series of highly intellectualized transactional bonds between erudite collectors and high-minded humanist agents. reveals a wealth of entanglements that complicate the old-fashioned classism of traditional Renaissance studies, painting a picture of the antiquities trade as more of a The Globalization of Renaissance Art: A Critical Review. study of "the process by which early modern European artistic production both influenced very name of the field is debated: several authors reject "global Renaissance," though Even art history is problematized, with essays examining peripatetic objects through the different lenses of material culture, postcolonial theory, While she was there, the faculty developed and approved a new curriculum track in global early modern, but due to lowered enrollment and presentism, no presence in early modern art with just four case studies and a coda. work_u74foqxbj5c2njl6cf7wvbf3ge science and the arts are not intrinsically incompatible. the idea of science and the arts as integral parts of the intellectual life of every well-brought-up person, it''s ours. And the idea that science and the arts should in Ironically, I think that science and the arts have a lot more in Science and art are both Science and art are both Science is for most scientists way that anyone, even practicing scientists, will find enlightening as well as enjoyable. I am convinced that courses in one or more of the ''hard'' sciences, but especially chemistry and biology, should be science and engineering majors. Michelangelo and Galileo are usually the Renaissance men we have in mind when we aspire to be called one. Galileo is a hero a sort of spiritual father to many scientists because he dared stand up to the anti-science culture of work_uegvgzkllbc2bakiaenchdozoq sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218038739 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:11 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_uiwrwdvasvbh7nwdbk5r5zk264 that artists in the late ''early modern'' period developed the technique of textural agency — coerce the viewer''s gaze through a painting, thereby influencing the observer''s fixation points and eye the portrait shown in Figure 1, the increased textural and color detail rendered in the sitter''s left eye and Directing the viewer''s gaze to selected regions in a portrait is one of the tools a modern artist has for Testing the textural agency hypothesis in modern viewers of Rembrandt-like art Rembrandt-like rendering (detailed eye and neck regions on the same side of the image) at a rate artist''s selection of regions of a portrait for more and less detail has a direct influence on viewing perhaps even as early as Rembrandt, guided the viewer''s gaze through their selection of textural detail. ''early modern'' period developed the technique of textural agency in order to guide the observer''s gaze work_uk4akh4d25h6xjqvmx5srpwh7e rediscovery of quarantine, previous pandemics, origin quarantine is the 40-day period of forced isolation to Quarantine, spread, isolation, lockdown, cocooning, masking, social distancing, hand hygiene, blood Quarantine or lockdown is a forced segregation to prevent a communicable disease from the procedure of separating infected from healthy people to prevent leprosy from spreading, according to ''quarantine''.14 Over the next 80 years, similar edicts were published in Marseilles, Venice, Pisa and Genoa.15 into health practices and the term ''quarantine'' had great symbolic plague has an averaged 37-day period from infection to death; Following that, in the human history, quarantine was declared Box 3 Summary of the history of quarantine in the USA BRIEF HISTORY OF ETHICS IN MEDICINE AND NEW CHALLENGES Persad et al suggested four ethical principles to guide the distribution (allocation) of the available scarce medical resources, BRIEF HISTORY OF HOSPITALS AND HEALTHCARE SYSTEMS BRIEF HISTORY OF HOSPITALS AND HEALTHCARE SYSTEMS work_uo67dfvt6fa6teykha7ptyl6la Eighteenth-Century Music 11/1, 3–9 6 Cambridge University Press, 2014 The pre-twentieth-century European (and particularly German) theoretical legacies were revered by historians of music theory, but in a field separate from pillars of music analysis: the concepts of unity, coherence, authorship and the ''work'' itself. tradition (Felix Diergarten, '' ''''The True Fundamentals of Composition'''': Haydn''s Partimento Counterpoint'', Eighteenth-Century Music 8/1 (2011), 53–75) and Italian partimenti (my The Art of Partimento: The assumption of these theories is that during the eighteenth century a large number of pre-compositional schemata, comparable to building-blocks, were consciously used by most composers, and that many We are also witnessing a general crisis in the performing model rooted in the ''musical-work'' paradigm, In order to ''speak'' an eighteenth-century musical language, we need Improvising a complete piece of music using a partimento as a guide represents a middle ground work_uyaacz3etfczbeyf5kv4zknoeq Very little from an arts and illustration knowledge of dentistry and in dental health communication of the medical and dental unbounded form of medical education, one university to study dental therapy? working as a dental nurse within a department I discussed art in dentistry for Rachel Jackson started her career as a medical illustrator in Glasgow, moved to the Highlands to start a family, trained as a dental therapist, became a The ethos of dental education one of a dental student. one of a dental student. through the inspiration of my dental education. of dentistry could be in the form of education. for artistic abilities within dentistry. All of my work is inspired by dentistry and connect the art and science of our profession. disciplined artist that can facilitate art in Like all dental students right now we are dental students from across the UK to embark the artist''s mindset can facilitate education, work_uyjrfome6ffefcympfp5impcri $49.95, EPUB freely available at http://books.publishing.monash.edu/apps/ bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html. analyze and document business processes increasingly relate to sectorial informatics. http://books.publishing.monash.edu/apps/bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html http://books.publishing.monash.edu/apps/bookworm/view/Recordkeeping+Informatics+for+a+Networked+Age/207/01_cover.html All too often, we persist in our focus on the products (information, data objects, and records) of skills, practices, theories, and knowledge, Recordkeeping Informatics for a Networked Age presents a corrective underpinning of the book, including sociologist Anthony Giddens''s structuration theory, the search for the archival "still point" recordkeeping informatics archiving." The recordkeeping culture, direct recording of business activities, It also brings together models for information, publishing, cultural heritage, digital forensics, and data systems management within a continuum of authors'' earlier writings on the records continuum model and recordkeeping Nevertheless, the authors'' goal—to champion a recordkeeping informatics discipline base as a way toward better support of evidence, authoritative Background Paper for a Conversation on a Single-Minded Approach to Recordkeeping Informatics," files/pdf/Full papers upload/ica12Final00200.pdf; and "Recordkeeping Informatics: Building a DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20 http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf http://purl.pt/26107/1/DLM2014_PDF/02%20-%20Recordkeeping%20Informatics%20Building%20the%20Discipline%20Base.pdf work_uzvdqp4onfcyvnrs4zwgek6uhq Azzolini, M 2010, ''Never under Saturn: Girolamo Manfredi, physician and astrologer'', Renaissance Never under Saturn: Girolamo Manfredi, physician and astrologer. Never under Saturn: Girolamo Manfredi, physician and astrologer. Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) https://www.research.ed.ac.uk/portal/en/publications/never-under-saturn-girolamo-manfredi-physician-and-astrologer(cc0d4e4b-fda1-4d3c-b355-35e7f7f7caef).html Mai sotto Saturno: Girolamo Manfredi, medico e astrologo Mai sotto Saturno: Girolamo Manfredi, medico e astrologo by Tommaso Duranti Published by: The University of Chicago Press on behalf of the Renaissance Society of America The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, physician and astrologer Girolamo Manfredi. historians, Manfredi lived and operated with remarkable success in fifteenthcentury Bologna, rising to a notable level of prominence both within the university where he reads and analyzes Manfredi''s medical and astrological works, it seems the book relatively useful as an introductory work on a lesser-known author, but http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp http://www.jstor.org/page/info/about/policies/terms.jsp work_v4mj6zift5dg7on5n2atqes6ve Leo Catana, ''The Concept "System of Philosophy": The Case of Jacob Brucker''s The concept "system of philosophy" in Jacob Brucker''s this concept, "system of philosophy", for this reason is more central to Brucker''s history of philosophy (historia philosophiae).7 What, then, does Brucker mean by concord with Brucker''s above definition of philosophy, philosophers make use of past philosophers possess the concept "system of philosophy" at all? Brucker''s concept "system of philosophy". 44 The periodization is briefly explained in BRUCKER, Historia critica philosophiae, vol. 45 The first period is described in BRUCKER, Historia critica philosophiae, vol. 54 For the second part of the third period, see BRUCKER, Historia critica philosophiae, vol. of philosophy" which strongly suggest that Brucker''s concept of eclecticism is the philosopher''s conception of a new philosophy. For Brucker''s treatment of Bruno''s philosophy, see ibid., vol. philosophers possessed Brucker''s concept "system of philosophy" as a work_v7ck5kxosvfp7koz3yi6frajcu Wölfflin was praised for his formal analysis of Baroque art – a matter Clark 106 Clark, ''Wölfflin'', 6; Michael Podro, The Critical Historians of Art, New Haven and London: Clark was convinced of the merits of German art historians like Riegl and Wölfflin. University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians University of London lectures on German art historians work_vs6nfsiagjfoppejwupcf5oj5i Michelangelo, Copernicus and the Sistine Chapel, American Journal of Astronomy and Astrophysics. Abstract: It is argued that Copernican astronomy is a key theme in Michelangelo''s fresco of the Last Judgment in the iconography of the Last Judgment (depicting the three parts of the universe: heaven earth and hell) was traditionally based on Michelangelo''s revolutionary work, Christ is significantly depicted as a beardless Apollonian sun-god, positioned in the Keywords: Copernicus, Michelangelo, Heliocentric, Sistine Chapel, Dante It has long been widely recognized that in Michelangelo''s fresco of the Last Judgment (1541) Christ is depicted Sun-symbolism and Cosmology in Michelangelo''s Last Judgment, Truman State On the altar wall, Michelangelo''s monumental fresco of the Last Judgment (painted much later, Michelangelo and Copernicus at the time of the commission of the Last Judgment. 6 Valerie Shrimplin: Michelangelo, Copernicus and the Sistine Chapel At the time that Michelangelo was painting his great fresco, the heliocentric theory work_w3stgvlts5ahbcfesc7rnof2ue Institution: The Frick Collection, New York The Frick Collection recently completed a year-long project to renovate two of its historic Assistant Conservator Julia Day led a seminar on the Frick''s enamels collection. The aim of the project was to house the Frick''s outstanding Renaissance Limoges enamels The refurbished and relit Enamels Room at The Frick Collection; Photo: Michael Bodycomb THE FRICK UPDATES ITS HISTORIC ENAMELS ROOM CASES 24, bronze, 6 5/8 inches high, The Frick Collection, New The Frick Collection, New York; Photo: Michael Bodycomb The Frick''s collection contains works by most of the major enamel painters HOW THE ENAMELS ENTERED THE FRICK COLLECTION 6 1/4 inches, The Frick Collection, New York; photo: The Enamels Room of The Frick Collection, 1930. In Frick''s new home at 1 East 70th Street, the enamels were time to display a significant collection of Limoges enamels Frick Enamels Room Press Release work_w545wb3iwvewllf6c2t5qxiay4 Duke''s missing nasal bridge, none have described his prominent thoracic hyperkyphosis, which is describe the Duke''s hyperkyphosis, develop relevant differential diagnoses, and suggest a possible Case presentation: We have examined two paintings of the Duke by Piero della Francesca – the Conclusion: Differential diagnoses of the Duke''s thoracic hyperkyphosis include Scheuermann Duke''s thoracic hyperkyphosis could have been caused by repetitive trauma to the spine due to development of the hyperkyphosis is unclear, as is whether the Duke had the convexity during that describe how the visual arts can be used to teach medical students clinical observational skills [1-4]. Federico di Montefeltro (1422–1482), a renowned historical figure of the Italian Renaissance, was the Duke of of the Duke reveals a prominent hyperkyphosis of the thoracic spine with the apex of the convexity at approximately Mantua depicts the Duke in left lateral view and clearly Dublin) also depicts the Duke in left lateral view with the work_w7b7ykvomrbizhicuzzvwuc5si subject, the Bruges exhibition of 1902: ''Les Primitifs flamands'', is familiar to English Figures 1 and 2 catalogue Exposition des Primitifs flamands et d''Art ancien, Bruges, 1902, Hôtel Gruuthhuuse, troisième Figure 3 – catalogue Exposition des Primitifs flamands et d''Art ancien, Bruges, 1902, Hôtel du Conseil Provincial, important picture not brought to Bruges in 1902, the very first example of the socalled ''early schools'' of painting to have entered the National Gallery''s collection in faites d''après les peintures ayant figuré à L''Exposition des Primitifs Flamands et d''Art Ancien à Henri Hymans, L''Exposition des Primitifs flamands à Bruges, Paris: Gazette des Beaux-Arts, ''L''Exposition des Primitifs flamands'', Les Arts, 1: 7, August 1902, 27-34. Italian Renaissance painting.23 At the Bruges exhibition, several pictures moved 22 W.H. James Weale, Exposition des Primitifs flamands et d''Art ancien, Première section: Early Netherlandish painting that made the Bruges exhibition both possible and work_wc7xyrmcyjfdvcumwybolxql4u Body Contouring: The Success of the Androgynous Model | Semantic Scholar journal={Plastic and Reconstructive Surgery Global Open}, Gohritz, +1 author D. Oranges, MD Andreas Gohritz, MD Mathias Tremp, MD Dirk J. Schaefer, MD Department of Plastic, Reconstructive, Aesthetic and Hand Surgery Basel University Hospital Basel, Switzerland Sir: T pharaonic belief in androgynous nature of gods was the motivation for practicing female circumcision in ancient Egypt.1 This historical observation leads us, as plastic surgeons, to consider how much the aesthetical ideals are influenced by philosophical and ethical views. Sort by Most Influenced Papers Plastic and reconstructive surgery Plastic and reconstructive surgery Plastic and reconstructive surgery Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License work_wdkwaratwfb7rkoeqx43oagjui cognitive structures founding the grammatical structure of verbal and visual languages. Keywords • Visual Narrative Grammar; Image Morphology; Visual Syntax; Morphs; Notoriously the visual symbols, beyond the simple perception of the image, allow the sense visual narrative reader 180) based on the same organizational cognitive structures visual language implies an interaction between the graphic structure (lines and shapes are applicable (Cohn, Combinatorial Morphology in Visual Languages 183) to the image behavior both for a visual (Cohn and Mahler 78) and verbal (Kuperberg 176) narration. Visual Language of Comics: Introduction to the Structure and Cognition of Sequential main types of attention windows in the narrative strip (Cohn, The visual narrative reader to the same outcome Conjunctions (Cohn, The visual narrative reader 326). "Combinatorial Morphology in Visual Languages." The Construction of The Visual Language of Comics: Introduction to the Structure and Cognition of The visual narrative reader. "The grammar of visual narrative: Neural evidence for constituent structure work_wdrxjtxdrnainozlqto6nz7yui The Pinch of Expressionism in Art History Smith, ed., The Expressionist Turn in Art History, Farnham, claim to art and artists, and already our sought-after term, expression, makes its of expression underwrote much interesting argument about art from Julius von authors, there is one critical essay and just one translation. 1 Wilhelm Worringer, ''Introduction to Old German Book Illustration (1912)'', translated by Heather Mathews, with Kathleen Chapman, in Smith (ed.), The Expressionist Turn in Art windy rhetoric; the authors don''t paper over Wölfflin''s German nationalism, not at then the very canon of expressionist art historians is exploded. Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History art to history is a worthy endeavour, so the editor and authors of The Expressionist work_wfqyk7gcknhtvh3nnbvwmo7som Ways of Making and Knowing: The Material Culture of Empirical Knowledge. Bookreview of Ways of Making and Knowing: The Material Culture of Empirical Knowledge by Link to publication in University of Groningen/UMCG research database Bookreview of Ways of Making and Knowing: The Material Culture of Empirical https://research.rug.nl/en/publications/bookreview-of-ways-of-making-and-knowing-the-material-culture-of-empirical-knowledge-by-pamela-h-smith-amy-r-w-meyers-harold-j-cook(e30ac8be-c723-49c1-a500-f521d67d6e3d).html Knowing: The Material Culture of Empirical Knowledge. Histories of the Material World.) xi � 430 pp., illus., table, bibl., index. Cultural Histories of the Material World series, is a welcome combination of both: it addresses the overall theoretical impact of the material turn for the history of science and art, as well as presenting It also shows that the academic investigation into the history of materials has a political side to it, change in our very own material culture of publishing research results. Time, Astronomy, and Calendars in the Jewish Tradition collects the published versions of papers work_wjz3v2scxzfxlkaxpzt5a7ya4y 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_wv2nvn2pnrciffhqagw72nvhce the colour and opacity of red and green opaque finds (mosaic tesserae, game counters, and glass artefacts) from Sicily edge XANES and EXAFS spectra suggest that, in red samples, copper is present as monovalent cations coordinated to the oxygen atoms of the glass framework, accompanied by metallic coloration is always produced by crystals of metallic copper dispersed in the glass matrix, the differences in the final Thus, red opaque glass can contain metallic copper TABLE 1 Glass chemical analyses obtained by WDS-EMPA for opaque (O.) and transparent (T.) samples, respectively EXAFS measurements were performed at 77 K in fluorescence mode on selected red RT7 and green PM35117 samples and on the reference compounds (metallic Cu, Cu2O, TABLE 2 Cu-K -edge feature positions (eV) for the glass samples and the reference compounds. FIGURE 4 Cu-K -edge XANES spectra for blue, green, and red glass samples, compared with those of reference compounds work_x5otsfv7bvalhcdqfrw653itha In this work we demonstrate the potential of single-sided nuclear magnetic resonance (NMR) sensors to access deeper layers of paintings noninvasively by means of high-resolution depth profiles spanning several millimeters. Single-sided nuclear magnetic resonance (NMR) has been used to non-invasively study objects and chemical processes including oil well logging [4,5], food [6][7][8], manufacturing procedures [9,10], paintings [11][12][13][14][15], instruments [16], ceramics [17][18][19], paper [20], and building materials [21]. Objectives pursued by stray-field NMR in the context of cultural heritage are moisture mapping [149,150], contributing to the optimization of stone conservation strategies [151], studying the mortar base of wall paintings [152,153], assessing bone degradation [13,154], monitoring the water distribution in wooden panels such as easel paintings [155], studying the stratigraphy and binder states of paintings [156], assisting in the development of restoration techniques for easel paintings [157,158], and studying the degradation mechanisms of parchment and leather [159][160][161]. work_xa4uwnfgy5ajzdb4tyfrzk4v2u Giovanni Pico della Mirandola and Astrology (1486–1493): From Scientia Naturalis to the Disputationes adversus astrologiam THE DEVELOPMENT OF THE astrological ideas of Giovanni Pico della Mirandola (1463–94) still remains one of the most intriguing aspects of his legacy.1 Although Pico explicitly dedicated only his last philosophical treatise, the Disputationes 2. Giovanni Pico della Mirandola, Disputationes adversus astrologiam divinatricem, 2 vols., ed. toward an Interpretation of Giovanni Pico della Mirandola''s Disputationes adversus astrologiam divinatricem" (PhD diss., Indiana University, 2002), "Magia, cabala, vera astrologia: Le prime considerazioni For the text of Pico as well of that of Benivieni, see Giovanni Pico della Mirandola, "Commento alla Canzona d''amore," in De hominis dignitate, Heptaplus, De ente et uno e alla Canzona d''amore he had placed the notion of ten spheres within a NeoplaDisputationes; Pico della Mirandola, Disputationes adversus astrologiam divinatricem, vol. aliorum'' and His Followers: Giovanni Pico della Mirandola on the ''Astrological Tradition'' in the Disputationes adversus astrologiam divinatricem," Renaissance Studies (forthcoming), http://onlinelibrary work_xbxv2eifcnartasdwmxzgfgize Patients and methods Analysis of "La Toilette" painting of Frederice Bazille. Results We present a masterpiece work of Frederic Bazille "La Toilette" where a large goiter is visible. of Bazille''s life and painting is included. Conclusion Despite of unique painting technique, thyroid disorders are visible even in impressionism. Keywords Frederic Bazille · Endocrinology · Painting Jean Frederic Bazille (1841–1870) was born in Montpellier In 1859, Bazille started medical study in Montpellier and Historically, goiter seems to be "older" disease (i.e., paintings of According to Encyclopaedia Brittanica, Bazille was an Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creat iveco Frederic Bazille, oil on canvas note large goiter on first right http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ https://www.britannica.com/biography/Frederic-Bazille https://www.britannica.com/biography/Frederic-Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille When a doctor becomes a painter: Frederic Bazille work_xc3xbeukojeytidelzjeztvuze European ceramic technology in the Far East: enamels and pigments in Japanese art from the Keywords: Porcelain, Enamel, Pigment, Painting, Japan, Jesuit, Seminario, China, EDXRF, Raman The Raman spectra detected on the nineteenth and twentieth century Japanese yellow enamels and on the seventeenth century mukozuke dish are reported in Fig. 2. As shown in Fig. 2, the spectra recorded on the yellow decorations of shards #7, #9, and the previously analysed seventeenth century mukozuke porcelain, all show a The XRF spectrum recorded on the overglaze blue decoration of shard #8 (Fig. 5b) shows a chemical composition consistent with the European smalt-based enamel European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China work_xip6ysml5nhu7jpq5vpsweynhi The Classical Tradition: Art, Literature, Thought The Classical Tradition: Art, review of Classics and the Uses of Reception, Charles Martindale''s reception theory motto – in selecting, imitating or adapting ancient works» (Reception Studies 5 ) , The Classical Without being a new Companion, The Classical Tradition shows the ambition of of scholars from different disciplines: Classics, Comparative Literature, Art History. meaning and strategies of preservation of the classical tradition: history of education of classical literature take into consideration postcolonial theory). strength and the weakness of The Classical Tradition: on the one hand, it gives a into consideration the periods usually dealt with in essays on the afterlife of the Classics: English 19th century Hellenism, with a few references to Post-modern classicism. Rev. of Classics and the Uses of Reception, eds. A Companion to the Classical Receptions. A Companion to the Classical Tradition, Oxford: Wiley-Blackwell, Classics and the Uses of Reception. work_xmy75qtsgvhxbemie3hmgd6u6a Јовановића (1849–1923) у Београду,1 кућа адвоката Марка Стојановића у Кнез Михаиловој улици 53–55 из 1885. (1966), Архитектонско наслеђе града Београда I, Саопштења Завода за заштиту споменика културе 6 (Београд): (1988), Хотели и кафане XIX века у Београду, Београд: Музеј града Београда. Belgrade, the house of solicitor Marko Stojanović at 53–55 Knez Mihailova Street, built in 1885, T he Ærst independent creation of the Viennese architect Konstantin Jovanović (1849–1923) in Belgrade,1 the house of solicitor Marko the cultural and historical spatial unit of Knez Mihailova Street,11 Stojanović''s house has been analysed a number of times in the Serbian historiography. interpreters also emphasised the foundational importance of the Ærst Stojanović''s house in articulating Jovanović''s Belgrade oeuvre, noting that the richness of its block defined by Rajićeva, Pariska, and Knez Mihailova streets44 (Figure 2), the Ærst Stojanović''s house belongs to the corpus of dispersed corner interpolations.45 It was built in the place of Menzulana work_xpa3msb455hnznot2pvlf5ywgi In this work, a summary of Leonardo da Vinci''s contribution in the field of fluid mechanics is reported. highlighted, such as vortices, flow fields with obstacles, the continuity law, waves, velocity in the codes prove that Leonardo''s interest in fluid mechanics works and water is only one Only many years later after Leonardo, Guglielmini [5] and Bidone [6] notice the phenomenon of a hydraulic jump. Leonardo drew the waves several times and an example is shown in Fig. 5. Like Archimedes, Leonardo made great contributions in hydraulic works and machines. As an example of hydraulic works, Leonardo''s contribution in Milan will be briefly The recent 500th anniversary of Leonardo da Vinci''s death: a reminder of his contribution in the field of fluid mechanics The recent 500th anniversary of Leonardo da Vinci''s death: a reminder of his contribution in the field of fluid mechanics work_xw5rhldghbd3jj36isdiqeitn4 requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. Magnetic remanence of hematite-bearing murals Magnetic remanence of hematite-bearing murals oriented with respect to the Earth''s magnetic field were pigments and used to paint oriented plasterboards. remanent magnetization was measured and its direction measurement of the anisotropy of isothermal remanent magnetization (AIRM). were accurately oriented with respect to the Earth''s magnetic field using bubble levels, a compass and a 3-axes This demonstrates that hematite-bearing mural paintings carry a stable record of the Earth''s field at the time they Should the PiRM direction coincide with magnetic coeval Earth''s magnetic field direction (D = 343�, I = 64�) that the PiRM direction acquired by a mural painting is a deviation of the PiRM direction relative to the ambient field magnetic field direction from historical measurements in Lanza (1999), Remanent magnetization of mural work_y75ooidbbfbw5oejxtiqsmemhy The article surveys recent scholarship on Jesuit schools and universities in Europe The Jesuits oversaw and taught in boarding schools for noble boys with considerable Jesuits – schools – universities – Laínez – humanism – mathematics – boarding Jesuit schools contributed to the common good by educating future Subsequent Jesuits emphasized the goal of improving civil society and educating boys to take their place in that world even more strongly. years, wrote that a Jesuit humanities education would instruct noble youths so taught in Jesuit schools would serve the Christian state (repubblica christiana). Jesuit acceptance of secular educational goals, including enabling boys to earn a living, paralleled the Society''s The vast majority of Jesuit schools taught moral theology or cases of conscience (casuistry); the two were not quite identical, according to the Ratio. Jesuits to create a large number of schools and universities in the New World. work_ybfzgl3vizc4dastvnnfkr77c4 Fine Arts to write texts for professional purposes. The authors consider modern methods and activities for teaching writing. role of writing in teaching a foreign language that has gradually increased Stress is done on the importance for every educated modern person to produce different kinds of written texts for professional purposes. Key words: teaching, writing, a foreign language, students of Design person is expected to produce different kinds of written texts, and this influenced the role of writing in teaching a foreign language. the 21st century, the role of writing in teaching a foreign language has gradually increased and is considered as a reserve for improving the efficiency of greatly changed the attitude to writing, and especially to written texts, therefore we consider it important to use information and communication technologies in teaching a foreign language. The author (of the article) writes (reports, states, stresses, thinks, notes, work_yge3cqoenjeprncxu5zw2zm3gm Three Giants in the Cradle of Reproductive Medicine; Reproduction Theories of the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer the Seventeenth Century as Discerned by Pregnancy Portraiture in the Oeuvre of Jan Vermeer. Portraits of pregnant women are rare in Catholic Renaissance art. Vermeer confined himself almost entirely to images of women in various domestic situations, including oeuvre, and suggest that the use of pregnancy in his paintings could have been inspired by his Delft-resident contemporaries Antony van Leeuwenhoek and Reinier de Graaf, fathers of well-known and opposing of Vermeer in Delft, Antony van Leeuwenhoek and https://commons.wikimedia.org/wiki/File:Jan_Vermeer_van_Delft_-_Young_Woman_with_a_Pearl_Necklace_-_Google_Art_Project.jpg https://commons.wikimedia.org/wiki/File:Woman-with-a-balance-by-Vermeer.jpg Both van Leeuwenhoek and Vermeer were born in Both van Leeuwenhoek and Vermeer had About 30 out of Vermeer''s works depict women as for the pregnant women was Vermeer''s wife. conflicts depicted within Vermeer''s paintings, pregnancy stands as an icon that is intended to intensify Vermeer''s pregnant women. work_yldgzfjkfnbzvfmalok6jufe2m To cite this article: Luca Degl''Innocenti & Massimo Rospocher (2016): Street Singers: An They all refer to the street singers and performers of Renaissance Italy, and at first Hence, cantastorie or canterini would be the specific names for the poet-singers, whose principal trade was to perform verses, stories, and songs, usually to musical of the street singers, all of their different social and cultural characteristics no longer At least since Peter Burke''s seminal work on early modern popular culture, cantastorie 3 Rosa Salzberg and Massimo Rospocher, ''Street Singers in Italian Renaissance Urban Culture and Communication'', Italy'', Renaissance Studies, 24 (2010), 638–53, and idem, Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester: Manchester University Press, 2014); Massimo Rospocher, ''From Orality to Renaissance, 16 (2013), 273–87, and idem, ''Canterino and Improvvisatore: Oral Poetry and Performance'', in The street entertainment and the Commedia dell''Arte by exploring the many cheap prints that work_yuxwl6jg5beftd7hrevkhblvcq 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_yv3ivwgjjbf7dmkcag7uptqpaa James Ackerman Origins, Imitation, Conventions focusing primarily on Ackerman''s principal interest: the Italian Renaissance. and Architecture (Cambridge: The MIT Press, 1991), Ackerman reveals in the preface which refers to a point selected in constructing a Renaissance-specifically Albertianperspective image that fixes the distance of the observer from the object. Ackerman examines critically the relationship of academic history to specific historical Ackerman''s work also embraces the relative position of the artist towards antiquity. Ackerman redefines creativity as a continual manipulation of historical conventions, architecture is described, depicting a hiatus in the Renaissance between the relative Renaissance art historians, provided a new theoretical impetus for architecture through by the architects of the Renaissance who preferred the principles of perspective over the perhaps my interpretation of Italian late medieval and Renaissance architectural architecture [Ackerman 2002: 61]. Another important historical moment depicted by Ackerman is the Renaissance Ackerman examines the relationship between authoritative account of major developments in art-history and architectural work_z6kl2ubv6jckpjk7zks5yhqpau Disassembly and reassembly on digital technology and creative industries. logics, business models and creative processes are affected by digital technology and how they Digital technology; creative industries; innovation; business models; institutional change; In sum, digital technologies affect creative industries through their distinctive properties as beyond, touching fundamental institutions as well as business models and creative processes. From an institutional perspective, creative industries can be understood as organizational fields from the adoption of digital technology in the creative process of older industries in comparison Our Special Issue shows that digital technologies affect the creative industries profoundly at the level of institutions, business models and the creative process itself. The papers on the creative process show that in these digital sectors, technology is creative industries, Technological Forecasting and Social Change, this issue. Chain in the Digital Music Industry, Technological Forecasting an Social Change, this issue. work_z7s7owqxirhatchqhnjcfb3uba sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218034491 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:06:06 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_zbse57nzgjfxticbc2i27cm7bu Virtually Usable: A Test of the Information Gardens were conducted on portions of the Information Gardens utilizing representative users. evaluation is performed early in the design process and assesses a user interface by The Information Gardens is the second library created within the AET Zone. The goal of our study is to evaluate the usability of the new Information Gardens design virtual library space based on the results of this evaluation and then re-tested with two The participants in the final formative evaluation were Subject G, a male student in his Information Gardens is used to link to the Belk Library Web site (subject F, when she Usability Study Questions for the AET Zone Information Gardens 3. Find the object in the Information Gardens which links you to the library catalog. 3. Find the object in the Information Gardens which links you to the library catalog. work_zjyhfaqwvngdpn5lj47pqr7m7y Abstract NNJ guest editor Marco Giorgio Bevilacqua introduces the papers in the special issue of the Nexus Network Journal dedicated to Military Architecture and Keywords Military architecture � Fortifications � Geometry As Amelio Fara has pointed out, in the new fortified architecture, ''''its parts While closely related to functional parameters, the new military architecture was representation; to have technical knowledge of military architecture, and to be mathematics and military architecture, the theme of this special issue, can be declined: geometry and architectural design of fortifications; applied mathematics in fortifications in the eighteenth century; the study, substantiated by a careful The evolution of Ottoman military architecture in the early sixteenth century is well described in ''''Early Modern Military Architecture in the Ottoman Empire'''' by Fara is one of the most important scholars of military architecture in Europe; (Pisa: ETS, 2011); for the NNJ''''The Conception of Ramparts in the Sixteenth Century: Architecture, work_zkhii3lg6jetxg52qkdsnxyww4 and other until-then-ignored female human beings universal coercion to which women and girls are long exclusion from the universe of learning is yet Shakespeare at Oxford? His partisans might be called the old Oxfordians (although Oxford himself was educated at Cambridge), while Fleissner, as a new Oxfordian, claims not that the playwright was Oxford but In this sense, the most learned plays of In fact, Jonson''s "learned" art was of examples of "learning" in the plays that Shakespeare could not have acquired from his Stratford The Forum section of the October PMLA includes a letter from Robert F. following reference to me: "A London Shakespearean, Gil Elliot, in her letter in the Times Literary that Shakespeare went ''to university,'' citing Peter view that Shakespeare went to university, nor, to agree that the so-called Oxfordians have no real positive evidence favoring de Vere as the playwright. The existence of errata in Shakespeare''s plays work_zmgsvhaywbb7dlar6ad4yheey4 learning in Japanese quail depends on the motivational state of the observer at the time of may, but if so, g lacks a sociological dimension and cannot explain cognitive trends over time why g influences cognitive performance: "Some property (or properties) of the brain . advantage in school, on the job, wherever cognitive skills are relevant. of cognitive skills over time. The fact that we are better at onthe-spot problem solving is indicative of real-world cognitive gains. that more people can think independently helps fill the large number of professional work roles the There would be huge environmental effects on the average IQ difference between generations—effects Society made new demands on the cognitive content of question: Are Blacks like individuals within White society who on Shifting social priorities raise cognitive skills in one pure measure of the brain''s influence on cognitive performance. our understanding of human cognition, individual and group differCopyright © 2003 American Psychological Society work_zrgejo5lxnhqhdioapyoybvr2u Virgin Mary that she will bear the Messiah, Jesus Christ, is a de"ning moment in By the late-medieval period, the Virgin Mary had been considered a paragon Helvidius in the fourth century, Mary''s perpetual virginity was consistently bride as referencing the Virgin Mary, the Church itself, and, at the same time, the soul Scaff argues that because, like Bernard''s vision, images of the Virgin were conceived poetry honouring the Virgin Mary often has features identical to profane love poetry Although Christ alone was considered indisputably sinless, the Virgin Mary Indeed, in fourteenth-century Italian images of the Annunciation in particular, the back to Mary''s enclosed garden" in other "fteenth-century Annunciation images occasionally move closer to Mary in "fteenth-century images, suggesting a more in the later Annunciation images, but in the light of the Virgin Mary''s contemporary sexual ambiguity in other images of the Virgin Mary, most notably, perhaps, the barebreasted lactating Madonna. work_zrv7a6p4fvfnfjst7lkpjlswqu THE ENGLISH LANDSCAPE GARDEN IN THE 18TH CENTURY: A CULTURAL KEY WORDS: Qing Imperial Garden, English Landscape Garden, Cultural Heritage, Views of Nature, Cultural History, Values In 17-18th century, the spread of the image of the Qing Imperial Garden witnessed the cross-cultural exchanges and promoted the differences of cultural heritage values found in the two kinds of gardens: from the design of space and structure, poems and paintings Landscape Garden was inconsistent with the Chinese concept of ''natural state of the world''. background, culture and values between the Qing Imperial Garden and the English Landscape Garden. In the 18th century, The Qing Imperial Garden in China and the between 18th century English landscape garden and the Chinese However, Views of nature in the English Landscape Garden are However, Views of nature in the English Landscape Garden are The Qing Imperial Garden and the English Landscape The Qing Imperial Garden and the English Landscape work_zrzfcdrkb5gmxgocdyvstk62wq Housekeeping: Objects and Agency within the Early Modern Italian Domestic Interior,'' in G. Frank, The Theory of Decorative Art, New Haven and London: Yale University Press, 2001, 1vital materialism, object agency and human/non-human intra-activity in the work of 9 E.H. Gombrich, The Uses of Images: Studies in the Social Function of Art and Visual The decorative arts and the early modern domestic interior decorative arts in the domestic interior are modern and early modern writings that contextualises objects within the spaces of the home as part of the social history of To craft a new ecological approach to the early modern domestic interior that constituting the social world of home, Ingold''s concept of meshwork allows scholars of the decorative arts to approach their objects of study from a phenomenological The ecological approach to the decorative arts considers space as part of the to an understanding of the home as an environment is to see objects, spaces, and work_zsdrzwz7ynb3vjqqn3733zemiu Renaissance art, as the obscure Venetian artist who spent his career in the Holy Roman As Böckem''s excellent study makes clear, Barbari''s extant oeuvre Importantly, Barbari created art for major rulers of the empire, especially for those Moreover, Böckem expertly and vividly charts Barbari''s connections to Venetian art As for the Dürer question, Böckem documents all known associations between the 123–34), Dürer claims that Barbari initiated not receive) Barbari''s "little book" from Margaret of Austria, possibly a sketchbook. This would appear to indicate Dürer''s respect for Barbari''s work. the Wise, Barbari declares that the art of painting was the culmination of all the painting is attributed to Barbari on the basis of a 1553 woodcut reproduction by Barbari''s role as a purveyor of the Italian Renaissance Understandably, Böckem expresses warm enthusiasm for Barbari''s work, but she humanism and Renaissance art at the major courts of the empire. work_ztam74ozsvd2fnxe47icvj5pkm In his previous book, The Wise Master Builder: Platonic Geometry in Plans of Your Door, he sets out to prove that medieval church design is pervaded with numbers much evidence that well-educated medieval persons associated particular numbers, ratios, 354 Areli Marina – The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin... 46-60): What means did medieval builders use to develop their buildings'' plans, architectural use and meaning of plane figures: the equilateral triangle and the numbers Hiscock surveys and presents two bodies of classical and medieval textual sources and between the existence of Pythagorean and Platonic numbers and figures in medieval (or perhaps whether) the numbers and geometric forms embedded in specific medieval religious buildings had symbolic meaning. teaches medieval and Renaissance architectural history at the University of Illinois. The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages work_zvsqlfg3uzblfj4jt5vv32ykfi Experience of Integrating Humanities and Natural Sciences into the Educational Environment Experience of Integrating Humanities and Natural Sciences into the In this regard, complementary relationship between humanities and natural sciences, contributing to the development of symbolic Approaches to investigating dialogue mode in the educational environment, resulting in the formation and harmonious Within the post-nonclassical paradigm, the relationship between humanities and natural sciences can be development of other associative chains and symbolic images (Kuznetsov, 1965). 4. Development of symbolic thinking as a foundation for the creative personality formation symbol captures a certain type of relationship between cosmos and human microcosm, ''shows'' a man the situation of knowledge is associated with the semiotization experience where the consciousness symbols are Studies of ancient cultures suggest that symbolic thinking is not only associated role is given to the development of symbolic thinking in the dialogue relationship between a student and a teacher. development of symbolic consciousness, awakening of creativity. work_zwzwjzfvkzbczohm4s2xhsqjlu Marcus Tullius Cicero, MÖ 3 Ocak 106 tarihinde, Roma''nın 100 km güneydoğusunda yer alan Arpinum kasabasına yaklaşık 7 km uzaklıkta bulunan bir evde, equites sınıfına mensup bir ailenin ilk bu konuda yapılan çalışmalardan biri olan ve MÖ 62 yılı consul seçimleri öncesinde Cicero tarafından düzenlenerek senatus consultum yoluyla çıkarılan Lex Tullia de Ambitu yasasına ve metnin başlayan Cicero, yargıçlardan Murena''nın consul görevine devamı konusunda Roma halkı ile aynı çıkaran kişi hem de Murena''yı savunan hatip olarak doğru bir iş yapmadığı yönünde eleştiren Cato''ya da cevap veren Cicero, konuşmasını Murena''nın rakibi ve davacısı olan Servius Sulpicius''un Cicero, consul seçimlerinde Servius Sulpicius''u desteklediğini kabul etmekle birlikte, Murena''nın suçlanması söz konusu olunca Servius Sulpicius ile aynı Murena''nın Hayatına İlişkin Suçlamalar Hakkında [de Reprehensine Vitae Muranae] (75-81) başlığıyla düzenlenen alt başlıkta Cicero, Asia''ya sefahat sürmek için ifade eden Cicero, yargıçlardan Roma halkının, Murena''nın consul seçilmesi suretiyle gösterdiği work_zycg6gymcvamxosqe6jv6j4zoq entries in seven famous art histories, spread over time from Vasari to the end of the 20th should be ranked."6 Culture and art result from material production (artists, of art historians that we use as "experts" to evaluate Italian Renaissance artists from quite large consensus in the ranking of artists over time. 12 Is also considered as painter an artist who devoted (sometimes a large part of his) time to other Art.13 This makes for a list of 253 artists14 for whom we went again through Vasari''s For Burckhardt, Berenson23 and Chastel, we collected the number of times each artist Novella church in Florence that Vasari and many art historians after him had art historians who have written the entries on Italian Renaissance artists in the 34 Every row considers the 56 artists ranked first by the art historian whose name appears in the row and work_zyzn5ad6evfy3jmi3woxkph77e sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 218039714 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:06:12 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/