id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_spywvikfcfcshk3sabxrwkntv4	Matthew Rampley	'The Persistence of Nationalism': Michela Passini, La fabrique de l'art national: Le nationalisme et les origins de l'histoire de l'art en France et en Allemagne 1870-1933. Paris, Maisons des sciences de l'homme, 2012	2014	4	.pdf	application/pdf	1763	83	55	Michela Passini, La fabrique de l'art national: Le nationalisme et les origins de a proliferation of national histories of art. German art history writing and, crucially, the ways that they were contested. its sustained analysis of French art historians, such as Louis Courajod, Louis Dimier, artistic traditions, in which German and French art came to be defined in opposition As such we are reminded that French and German art historians authors, but French art historians frequently articulated equally nationalistic views The mutual suspicion of many German and French art historians is strongly The depressing story of nationalism's hold on art history is one that could which Dehio tied to the German national spirit was repeated elsewhere in central specifically Czech treatment of late Gothic art. kinds of disputes over 'ownership' of late Gothic as German and French art historians did over Gothic or Renaissance art reminds us of the wider pattern into 	./cache/work_spywvikfcfcshk3sabxrwkntv4.pdf	./txt/work_spywvikfcfcshk3sabxrwkntv4.txt