id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_hteicaa3v5d6jomnlfdp3z26va	Susan Bradshaw	Cornelius Cardew (1936 – 1981)	1982	5	.pdf	application/pdf	1771	182	74	commitment which Cardew (who had recently been closely involved in the composition of Stockhausen s Carre) wholly different kinds of'New Music' throughout the 1960*5 and 1970'j. John Tilbury, in March 1981 of his last work: Boolavogue^or two pianos, an example of the highly politicized London in 1967 to study with Cornelius. I recall his devotion at that time to the music of Bach, Mahler, and Webern. Serves Imperialism, Cardew quotes Engels: 'Freedom is the appreciation of necessity'.2 During the last ten years, he became increasingly aware of the need to More important: in Cornelius I found for the first time someone who felt as I did about the New Music, and helped me develop a critique of it. clarity of his own musical formulations still impressed me as outstanding—(e.g. Treatise, The Great Learning or Piano Album 1973). output—the symphonies, piano music and operas as well as his later work The Music of Alexander Goehr:	./cache/work_hteicaa3v5d6jomnlfdp3z26va.pdf	./txt/work_hteicaa3v5d6jomnlfdp3z26va.txt