id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_ehwi7qloo5h3vjbkgirnt54ghe	Judy De Roy	Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330–1530. Kim W. Woods. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 3. London: Harvey Miller Publishers, 2018. ii + 418 pp. €150	2020	2	.pdf	application/pdf	979	69	64	Cut in Alabaster: A Material of Sculpture and Its European Traditions 1330– alabaster artworks were made from the fourteenth to the beginning of the sixteenth century in Western Europe. The author's original approach consists in her attention to alabaster sculpture made in England, France, the Low Countries, and Spain. Some concise attention is dedicated to sculpting and polishing techniques, followed by a more elaborate part on polychromy, stressing the fact that late Gothic alabaster sculptures were as a rule either minimally or partially painted at least until the In the second chapter, the author deals with the sculptors working in alabaster and The last chapter gives an overview of different genres of alabaster sculpture in the public and in the private environment. important new research on Hilliard's life and work, adding considerably to our understanding of the challenges and opportunities that existed for painters in sixteenth-century London.	./cache/work_ehwi7qloo5h3vjbkgirnt54ghe.pdf	./txt/work_ehwi7qloo5h3vjbkgirnt54ghe.txt