id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_4ddwhs7gxvevfnrrl2qoyha4ya	Victor Ginsburgh	On The Formation of Canons: The Dynamics of Narratives in Art History	2010	32	.pdf	application/pdf	9399	730	73	years ago, by Vasari in the second edition of his Vite, and by van Mander in his century canons of two groups of artists (Italians and Flemish) who, according to large number of artists in narrative works written by important art scholars at time The Italian Renaissance and Flemish Realism Canons at the End of the 20th Century canons are defined by the names that appear in Grove's (1996) entries for the Italian For Italian art, Michelangelo is the artist whose entry is the longest (Grove Rubens is first in the Flemish canon, followed by Breughel and Van Dyck, while For Italy, the 20th century canon is formed by painters whose names appear in mentioned in the entry on Flemish painting in Grove (1996, vol. given by previous art historians (Vasari to Chastel for Italians, and van Mander to van Some artists entered the canon at later times, given that art historians 	./cache/work_4ddwhs7gxvevfnrrl2qoyha4ya.pdf	./txt/work_4ddwhs7gxvevfnrrl2qoyha4ya.txt