https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000589 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:03, subject to the Cambridge Core terms of use, available at http://crossmark.crossref.org/dialog/?doi=10.1017/S1060150316000589&domain=pdf https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000589 https://www.cambridge.org/core 10601503_45-1.indd 210601503_45-1.indd 2 08/02/17 3:55 PM08/02/17 3:55 PM https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000589 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:03, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000589 https://www.cambridge.org/core CONTENTS VOLUME 45 , NUMBER 1 Activity and Passivity: Class and Gender in the Case of the Artificial Hand 1 Clare Stainthorp Rudyard Kipling’s Tactical Impressionism 17 Chris Ortiz Y Prentice  The “After-Life” of Illness: Reading against the Deathbed in Gaskell’s Ruth and Nineteenth-Century Convalescent Devotionals 35 Hosanna Krienke Sanitation and Telepathy: George Eliot’s The Lifted Veil 55 Derek Woods Confessions of an English Green Tea Drinker: Sheridan Le Fanu and the Medical and Metaphysical Dangers of Green Tea 77 Melissa Dickson Euthanasia and (D)Evolution in Speculative Fiction 95 Nancee Reeves Gods and Ghost-Light: Ancient Egypt, Electricity, and X-Rays 119 Eleanor Dobson Tono-Bungay and Burroughs Wellcome: Branding Imperial Popular Medicine 137 Meegan Kennedy “A Seriousness that Fails”: Reconsidering Symbolism in Oscar Wilde’s Salomé 163 Yeeyon Im  WORK IN PROGRESS Charles Kingsley’s The Water-Babies: Industrial England, the Irish Famine, and the American Civil War 179 Catherine Judd REVIEW ESSAYS Victorians Live Herbert Sussman, Editor Alice in Manhattan 207 U. C. Knoepflmacher Facing Britain’s Imperial Past? 214 Kate Nichols The Victorian Art Scene in 2016: Pre-Raphaelite Women Artists and Marie Spartali Stillman’s Overdue Retrospective in the UK 221 Margaret D. Stetz The Fallen Woman 227 Hilary Fraser Gustave Doré, “All London at a Boat-Race,” April 6, 1870, from Gustave Doré and Blanchard Jerrold, London: A Pilgrimage (London: Grant, 1872). Photograph courtesy of the prints Division, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tidden Foundations. Volume 45, Number 1, 2017 V o lu m e 4 5 , N u m b er 1 , 2017 Cambridge CORE For further information about this journal please go to the journal website at: cambridge.org/vlc 10601503_45-1.indd 110601503_45-1.indd 1 08/02/17 3:55 PM08/02/17 3:55 PM https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000589 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:03, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000589 https://www.cambridge.org/core