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Journal of Fashion Business
Vol. 16, No. 6, pp.63~79(2012)

63

A study of Fashion art Illustration employing 

Matisse Painting
+

Kang Heemyung

Lecturer of Department of Fashion Design, Dongduk Women's University

Abstract

  Modern art is getting more comprehensive and diversified regardless of genre in many 

forms due to the pluralism and anti-aesthetic trend of the time which is impacted by post 

modernism.

  This atmosphere is also applied to fashion illustration which creates synergy effect in 

cooperation with many different genres.

  This study selected Matisse' paper cut-out as the subject which would reflect the 

minimalism and abstractionism of modern plasticity. By taking this as the motive for 

fashion illustration, I made seven illustration works with the subject of minimalism of form 

and color.

  The conclusion of this study is as following.

  First, Matisse's paper cut out has controlled plasticity related to the modern 

abstractionism and it well fits the modern trend and sensibility which is appropriate for 

motive of fashion illustration. 

  Second, by upgrading the technique of Matisse' paper cut-out in a modern way such as 

combination of hand drawing and computer graphic using Photoshop, I was able to make 

originative and creative illustration works with background and patterns that were closely 

connected with each other. 

  Third, applying the fashion illustration to other various products is being well received 

now and I made my illustrations that could lead to follow up studies to apply the fashion 

illustration to other different products. Matisse' paper cut-our has forms, colors and 

patterns that can contain both commercial and artistic value. Therefore it is quite feasible 

for follow up research to apply into many different areas. 

  Key Words : art illustration, Matisse, paper cut-out, motives, image

+
 This Paper is an excerpt from the master's thesis. 

Corresponding author; Kang Heemyung, Tel.+82-11-740-3509,

                       E-mail: fashionkhm@hanmail.net


Journal of Fashion Business Vol.16, No.6

64

I. Introduction

  Modern art is being developed comprehensively 

and variously regardless of genre in many forms 

because of the current trend of pluralism and 

anti-aesthetic open thought which is impacted 

by post modernism.

  Fashion, as the cultural phenomenon, reflects 

the current situation. Accordingly, fashion 

illustration which is closely related with fashion, 

also reflects the times and circumstances. 

Furthermore, as the boundary of fine art, applied 

art, and pop culture is getting blurred, the 

combination of art and fashion has become a 

very clear trend today.

  As people regard artistic talent and ingenuity 

as essential components of fashion illustration, 

this fusion of fashion illustration, art and 

technology has become more widespread.

  There were many previous studies which linked 

fashion illustration to certain style of art, 

painters, technique and characteristics of certain 

times. Some of them were papers studying the 

characteristics of art style such as 

impressionism techniques by Sook Lee, pop art 

by Hyekyung Moon, surrealism by Sungjoo Kang 

and Art Nouveau mode by Sunyoung Moon, etc. 

There were papers which studied the expression 

technique of certain painters such as Gustav 

Klimt by Myunga Jung, Egon Schiele by 

Sungwoo Lee, and Yaacov Agam by Eunyong 

Lee, etc. Some papers studied specific 

techniques such as paper cut-out by Seyoon 

Choi, mixed media technique by Jieun Jung, and 

quilling by Hyejin Hur, etc. There were papers 

which introduced fashion illustration as item 

such as accessory by Jimin Kim, fashion 

product by Mijung Lee, and bag design by 

Eunjoo Jang etc.

  I found out that fashion illustration studies had 

some preferred techniques and painters' styles 

depending on the request of the times.

  The purpose of this study is to extend the 

expression area by applying the motive from 

Matisse' paper cut-out to fashion illustration in 

order to develop creative image.

  The subject of this study is Henry Matisse' 

paper cut-out which has the formative elements 

that well fit the modern trend of minimal 

abstractionism. The application of fashion 

illustration to the motives of many products is 

being well received today. In this respect, I 

thought Henry Matisse' paper cut-out was a very 

good subject having forms, colors and patterns 

that could be applied to commercial products 

with artistic value. In addition, I tried to find the 

possibility of taking this into many other 

products of high commercial value.

  This study was conducted to adopt and apply 

the work of Henri Matisse to fashion illustration, 

a Fauvism artist of simplicity and purity. To be 

more specific, the objective of the study is to 

adopt and apply the unique simplification 

method in patterns and color of the artist's 

paper cut-out to fashion illustration.

  In the theoretical part, the definition of art 

fashion illustration, classification of techniques, 

and history of fashion illustration from its 

inception to modern date were researched in the 

past studies published in Korean and overseas 

journals. In addition, the art of Henri Matisse 

with focus on paper cut-out was studied. 

  In the art work part, I produced seven fashion 

illustrations with the motive from Henry Matisse' 

paper cut-put. I pursued simplicity with Matisse' 

vivid color and simplified single pattern on 

clothes in all my drawings. Repeated pattern 

was used as a background to maximize 

simplification and visual effect.


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

65

II. Theoretical Consideration on 

Fashion Art Illustration

  1. Definition and History of Fashion Art 

     Illustration 

  'Illustration' has the dictionary meanings of 'an 

instance', 'a cut', 'an explanatory drawing', and 

'an example', etc.

  The origin of the word is 'to make light', 

meaning that sentiment of invisible world is 

clearly opened and defined to public through 

lighting and visualization. In other words, by 

lighting the invisible object, it visualizes invisible 

world such as emotion or thoughts to makes it 

clear to the public. Therefore, Illustration is an 

internal expression of imagination and acts as a 

communication tool.
1)

  In modern term, illustration is 'communication 

Art' with the concept to reflect culture, the spirit 

of the times and artists. That is, illustration plays 

a role not only as the marketing or 

communication but also as very important media 

of communication to visualize humanism
2)

 1) Before the 19th century

  In this time, the main subject was about the 

recording of clothes, especially the popular 

clothes of high class or the stage costume. 

Fashion illustration was regarded as the artist's 

pure work to describe the clothes of the time 

rather than as precise communication and 

description of costume itself. The example can 

be found in Renaissance masters' sketches and 

wood block prints.

  In addition, the appearance of Aubrey 

Beardsley who reflected the style of Art 

Nouveau, and Toulouse Lautrec who was 

affected by Japanese wood block became a 

starting point of fashion illustration which had a 

great influence on today.<Fig1>

 2) In 1900's~1950's

  As the photograph was introduced to mode 

magazine and fashion advertisement in the early 

18th century, the traditional illustration technique 

couldn't compete with the photograph in terms 

of realistic description. 

  The emerging Fauvism and Cubism and Art 

Deco at this time had a big influence on fashion 

illustration. Fashion illustration took bright and 

splendid color from Fauvism and plane and 

geometric screen composition from the shape 

theory of Cubism.

  From the 1930's, the fashion transformed from 

the rectilinear silhouette to softer and more 

natural and feminine silhouette. Along with the 

birth of this new silhouette, the fashion 

illustration word had an aspect of the pictorial 

image rather than the graphic image. 

  Surrealism, which was technically free by 

collage and empirical photography, was 

recognized as the art movement which had a 

great effect on the postwar modern art and 

illustration 
3)
<Fig.2>

  Illustration in the 1950's was based on the 

orthodox drawing style of the 1930's to the 

1940's that looked like one piece of painting, 

and it emphasized line and simplicity. 

 3) In the 1960's-1970's

  In 1960's, new fashion trend came out. The 

concrete formative consciousness of Pop Art 

was emerged to revolt against the subjective 

aesthetics of abstract expression, which affected 

fashion to use new materials such as metal, 

glass, paper, vinyl, etc. Modernism of Pop Art 

and the praise of youth influenced fashion 

illustration.


Journal of Fashion Business Vol.16, No.6

66

  After the 1960's, as the standardization by 

industrialization affected fashion illustration, the 

fixed formative image became one of the 

general features.

 4) From the 1980's to the present

  The most striking feature in 1980's fashion 

illustration was the new interpretation of human 

body and the change of the related expression 

style. <Fig.3>

  The artists in the 20th century tended to 

disassemble, distort and reconstruct human body 

by their own will. Nevertheless, fashion 

illustration was exceptional in this trend
4)

From the 1970's, the photography became 

highlighted while fashion illustration was in 

decline due to the influence of Hyper Realism. 

Accordingly, fashion illustration created new 

image to meet the needs of the times and 

extended its field by absorbing variety of 

technique such as collage, air brush, the 

combination of photography and illustration, 

block print, CAD and hand drawing. 

  Recently, fashion illustration makes cubic 

effects using the various embossing and extends 

into applied visual art with new technology, 

media and computer graphics.

  3. Classification of Techniques

  The techniques of fashion illustration has been 

developed by reflecting the trend and artists' 

preference, and modern fashion illustration uses 

two or three techniques combined rather than 

one technique alone to create new images. 

  In this study, I made fashion illustrations by 

combining hand drawing and computer graphic 

technique. In the process of production, I 

applied more appropriate techniques which best 

fitted my subject. 

 1) Woodblock print

  It had been the mostly used technique in the 

early fashion illustration before the phography 

emerged or the press was generalized. In the 

17th century, etching technique was used mainly 

as the print technique to express the details in 

spite of its limitation before the photography 

was invented.<Fig.4>

 2) Computer Graphic

  The development of computer technique 

opened the new expression technique. As the 

connection of science and art creates new 

shape and new image, computer graphic is 

extending the field of fashion illustration into 

unlimited possibilities like combination of picture 

and drawings, and various forms of color and 

images.<Fig.5>

 3) Collage

  'Collage' came from a French word, Coller, 

mentioned to mean the technique of cut and 

paste of the common unartistic materials.

  In other words, it is a way of expressing 

various material by fashion illustrator. Collage 

was evolved into many forms as it passed thru 

pop art of 1980's. The illustration using this 

Collage technique can make unique material, 

texture and three dimensional expression.<Fig.6>

 4) Embossing

  Embossing is the technique to make the dress 

pattern with thick paper which is imprinted by 

press to show embossing and engraving 

expression. This technique is easy to express 

the visual texture of materials. 

  In case the pressure is strong in print, it's 

proper to call 'press'. Even if the material is not 


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

67

<Fig.1>Aubrey Beardsley,

1893,Fashion Darwing 

in Vogue,p.22.

<Fig.2>Benito,1939

Fashion Darwing in

Vogue,p.27.

<Fig.3>Gianfranco Ferre,

1982, Fashion Darwing in

Vogue,p.172. 

<Fig.4>Francois Berthoud,

 1987,Fashion Darwing in

Vogue,p.31.

<Fig.5>Kang Hee Myung,

 1999.

<Fig.6>Henri Matchavariani, 

1993,Fashion Darwing in

Vogue,p.82.

<Fig.7>Lee Mi Jung,1996.

<Fig.8>Henri Matisse, 1943,

The Clown(jazz),HENRI 

MATISSE CUT-OUTS,p.27.

<Fig.9>Henri Matisse, 1943, 

jazz ,HENRI MATISSE 

CUT-OUTS,p.42.


Journal of Fashion Business Vol.16, No.6

68

thin and soft, press can make unevenness effect 

by pressure. It can make hand felt expressions 

and the effect of light by the form of 

shade<Fig.7>

III. Study on Henri Matisse' art

  1. Influenced by Neo-Impressionism and 

     Post-Impressionism

  Matisse learned the strictness of pure 

geometrical color composition from Cezanne, 

artistic intuition and sensibility from Gogh and 

the sense of color like volcano from Gauguin.
5)

The pointillism and the abstractness of plane 

and curve were linked to the color and the line 

of Fauvism.

 
  2. Fauvism

  Fauvism was the start of the new painting 

which replaced the existing realism and 

naturalism with a new order in the 20th century. 

Fauvism used the pure light color of new 

impressionism but its emotional subject was 

influenced by Les nabis and Symbolism.

  Fauvism was a naturally born short-term 

artistic phenomenon which was shared by similar 

artists at that time, rather than an intentional 

movement of a specific group. Fauvism made a 

big influence on modern art such as 

expressionism, dadaism, and surrealism.
6)

  3. paper cut-out

  Matisse started paper cut-out after the 1910's. 

At the early stage, he used this as a supportive 

technique for oil painting but later he developed 

and established it as an independent and new 

technique in his late art works.

  While trying various decorative works, Matisse 

became interested in the color especially and he 

developed the technique called paper cut-out by 

combination of decorative work. 

  Matisse' paper cut-out was focused on colors 

and simplified forms which contributed to the 

development of abstractionism painting. 

  The detailed technique is coloring with several 

primary colors and paper cutting with rhythmical 

sense having similarity with minimalism art of 

omission and implication.

  In this work, he found his own visual signal 

system and finalized his expression of color by 

balancing the harmonized manufacturing method 

and different elements.
7)

  Using use the new term " paper cut-out" was 

naturally made thru his seek of effective 

expression of the subject. In this process, color 

was getting more stabilized and became the 

strong method of expression. 

  In order to make general unity while omitting 

detail description, Matisse thought that simple 

and strong subject was required and began to 

make work regarding dance. Matisse' work 

having both decoration and simplicity began to 

appear in 1910's work of "Dance" and "Jazz".

  With simplified human image and background, 

Matisse' work began to be recognized in his 

harmony of color, line and space as well as 

form and contents. Matisse excluded the 

sophisticated element and focused more on the 

natural and instinctive element of dance.

  In addition, he pioneered his own area by 

combination of the elements of painting and 

sculpture with simplification. With this work, one 

of his masterpiece, "Jazz Album", was made.

  <Jazz1> and <Jazz2> are the most 

representative paper cut-out which are 

composed of about twenty works. The subject is 

mostly about circus or theater colored with 


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

69

Gouche. The work shows simplified form and 

clear movement with unified strong paper 

cut-out expression (Fig. 8,9). 

  Matisse' paper cut-out is fundamentally 

different from collage of cubism. Collage tried to 

show new expression image by adding 

newspaper or wallpaper on canvass instead of 

color paint, but Matisse' paper cut-out captured 

the moment of movement and expressed it with 

vivid color characterfully. The representative 

works of this are big nude work, "Zulma" and 

"The Sadness of King" (Fig. 10)

His sophisticated and mysterious work image 

with simplified form and vivid color was carefully 

planned and the best technique can be seen in 

Vence Cathedral which is the work of his later 

years (Fig. 11).

  Pater cut-out has its attraction in its 

combination of drawing, sculpture and painting 

and it is recognized as an independent art area 

even today. 

IV. Manufacture

  1. Intention of manufacture

<Fig.10>Henri Matisse, 1952,

The Sadness of the King,p.14.

<Fig.11>Henri Matisse, 1952, 

Christmas Night,p.49.

  I made fashion illustrations with motive from 

the unique pattern, form and color of Matisse' 

paper cut-out. I also borrowed the production 

technique of Matisse for the production of my 

work. I drew and colored the body form that 

matched with the motive and reworked this by 

using computer graphic. The whole process can 

be called paper cut-out using computer graphic.

Matisse' paper cut-out had harmony of 

decoration and simplicity and by using simplified 

form and controlled color, it had a strong image 

which was not monotonous. In addition, it had 

unity, rhythm and volume of light and dark with 

sophisticated shape. In this respect, it is 

connected with creative abstractive painting and 

modern elements. 

  I think Matisse' paper cut-out is appropriate to 

express the modern minimal abstractive 

sensibility. Fashion illustration is being more 

widely used as design work for the motive of 

many other products. In this respect, the 

introduction of form, color and pattern of 

Matisse' paper cut-out has both commercial and 

artistic value that can lead to additional 

follow-up designs for clothes and accessories 

etc. This is the reason that I selected Matisse' 


Journal of Fashion Business Vol.16, No.6

70

paper cut-out as the subject of my study. 

For the motive of my work, I chose "Jazz" series 

mainly from his works which is recognized as 

master piece in the expression of paper cut-out 

technique. 

  Especially I tried to introduce the birds, 

flowers and paradisical - which is like see plant 

- which was frequently used in his work to 

show unique pattern and minimal form. 

  <Tab 1> shows the patterns that I introduced 

in my work from Jazz series of Matisse's paper 

cut-out. 

  <Tab 2> summarizes seven motives that I 

selected from Matisse' paper-cut and their main 

patterns.

<Tab 1> Pattern that was shown in matisse's paper cut-out

 abstract

 figure

 circle

 flower

 sky

 sea

 paradisical

/ coral

 line

  2. Production Method

  The subject was set as shape and color of 

minimalism and I made seven illustration arts.

  In order to maximize the beauty of simplicity, I 

applied contrast of color and restrained line 

while seeking my own art with the computer 

work of color and print.

  I tried to emphasize the minimal element of 

Matisse paper cut-out in my design. In my 

color, I expressed sophisticated strong color in 

general by using complementary contrast. I used 

pattern as background or print to show the 

rhythm and image while maintaining the organic 

harmony. 

  The detailed working procedure is first sketch 


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

71

on fabriano paper with motive followed by 

re-design in harmony with Matisse's art and final 

Photoshop work to finish. While Matisse used 

paper and scissors, I used hand drawing and 

computer graphic for paper cut-out.

  My intention was to show the originality and 

characteristics of my work by combination of 

painting and graphic image.

  <Tab 2> shows hand drawings that I made 

and their major points that are applied to my 

fashion illustration works.

<Tab 2> Main pattern, motive and my illustration 

1 2 3 4 5 6 7

main

pattern

circle,

coral

paradisical

coral

paradisical

abstract

bird

abstract
abstract dance

bronze

plaster,

body

motive

applyin

g

point

pattern,

light 

contrast, 

rhythm

organic unity 

of the form, 

detailed body 

and tattoo

body 

drawing, 

pattern

color 

contrast, 

body 

drawing, 

bag print

one piece 

pattern on 

the body 

drawing

diagonal 

line,

color 

contrast

space,

color 

contrast, 

hand 

drawing, 

harmony 

with motive

my 

illustrati

on

  3. Illustration work and explanation

  My design intended to show human body with 

implications and minimalism by using restrained 

lines and strong contrast of color.

  <Tab 3> summarizes my seven illustration 

works that I made from the motives of Matisse' 

paper-cut and the main colors that I applied in 

my work.


Journal of Fashion Business Vol.16, No.6

72

<Tab 3> matisse's , my work , color analysis

motive work  color

1

Lime light, Pink Carnation,

Dahlia, Pastel Green

2

 Lily Green, Sweet Lavender,

Starlight Blue, Aquarius, Black

3

Aqu, Chicory,White

4

Moonlight Blue, Phlox Pink,

Irish Green


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

73

<Tab 3> Continued

motive work  color

5

Deep Periwinkle, Poison, 

Carmine Rose

6

vibrant Yellow,Green Flash

 Mandarin Orange,Black

7
Sunshine, Apricot, 

Classic Green,Strawberry Pink


Journal of Fashion Business Vol.16, No.6

74

 1) work 1

  Work 1 took the motive from Matisse' work 

“Sea-Beasts”. <Fig.12> 

  As the pattern of the "Sea-Beast" was thought 

to be well matched with vertical form, I applied 

this to the print on pants. 

  First, I drew the lower body by hand and 

colored it with green and black which was the 

main color of the motive.<Fig.13> 

  On top of it, I made the print using 

Photoshop. I took the original Matisse' work as 

background by splitting into both sides and I put 

my illustration in the center. 

  In this illustration, I tried to express light 

contrast, rhythmic sense and various print harmoniously. 

<Fig.12>Motive 1 <Fig.13>Hand drawing 1 <Fig.14>Work 1

<Fig.15>Motive 2 <Fig.16>Hand drawing 2  <Fig.17>Work 2

<Fig.14>

 2) Work 2

  Work 2 took the motive from Matisse' work 

“The Knife-thrower" from Jazz.<Fig.15> I tried to 

express the fantastic image of elevation from 

the vertical structure. I materialized the simplified 

body of Matisse's work by hand-drawing and 

colored them as a woman's body with hair, 

volume and curve.<Fig.16> I changed the 

pattern of the Matisse' work and used it as 

background to match with my hand-drawing 

figure in harmony and unity. I think the finished 

illustration can be applied variously by using silk 

screen.<Fig.17>


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

75

 3) Work 3

  Work 3 took the motive from Matisse' work 

“Polynesia, The sea”. <Fig.18>

  Inspired by the movement of birds' wings, I 

drew the dynamic body and hair by hand and 

colored it with blue, which is the main color, in 

harmony with the background.<Fig.19> Inspired 

by the repeated unit of Matisse' work, I 

combined the two figures in diagonal form by 

using computer graphic and applied this to the 

print of one piece in cool and individual 

style.<Fig.20>

 4) Work 4

<Fig.18>Motive 3 <Fig.19>Hand drawing 3 <Fig.20>Work 3

<Fig.21>Motive 4 <Fig.22>Hand drawing 4 <Fig.23>Work 4

  Work 4 took the motive from the Matisse' work 

“The Woman Swimming in the Aquarium" and 

"Destiny" from Jazz.<Fig.21>

  When I saw these two works of Matisse, I felt 

like they were one work. So I took these two 

works as one motive and used it as 

background.

  This motive especially stood out in the stability 

of horizontal division and color contrast. Using 

this as background, I drew the sophisticated 

figure with a bag by hand.<Fig.22>

  I colored the body with black and decorated 

the detail. By using Photoshop, I used Matisse' 

work as the print of the bag which cab be 

applied to commercial product.<Fig.23>


Journal of Fashion Business Vol.16, No.6

76

 5) Work 5

  Work 5 took the motive from the Matisse' work 

“The Horse, the squire and the clown”. <Fig.24>

  I was inspired by the fan shape abstract 

pattern of this work and used this as 

background. I drew the body and colored the 

one piece with the main color of skyblue and 

black to match with the pattern.<Fig.25, 26>

 6) Work 6

  Work 6 took the motive from the Matisse' work 

“Cecole Woman Dancing”. <Fig.27>

<Fig.24>Motive 5 <Fig.25>Hand drawing 5 <Fig.26>Work 5

<Fig.27>Motive 6 <Fig.28>Hand drawing 6 <Fig.29>Work 6

  I drew the dancer figure with the same pause 

of Matisse' work <Fig.28>and made a strong 

image with the contract of color. I made three 

dimensional effect by making shade when I put 

the figure on the background using 

Photoshop.<Fig.29>

  This process turned out very satisfactory result 

and I think this work can be applied to print and 

collage for various fashion items.

 7) Work 7

  Work 7 took the motive from the Matisse' work 

“Zulma”. <Fig.30>


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

77

<Fig.30>Motive 7 <Fig.31>Hand drawing 7 <Fig.32>Work 7

<Tab 4> Matisse's work and focus of my work

Matisse' work Focus of my work

1
Sea-Beasts

1950

- color contrast with motive

- applying pattern on lower body

- dynamic pose and vivid color in harmony with print

- possibility to apply on pants print.

2
Te Knife-thrower

1943 from Jazz

- future oriented ideal in the ascending image of vertical line

- materialize the abstractive body

- tattoo print on hip and upper body

- enlargement or reduction of background motive size

3
Polynesia, The sea

1946

- simplified bird and repetition of color

- balanced space construction

- dynamic rhythm of hair from the movement of bird's wings

4

The Woman Swimming 

in the Aquarium 와 

Destiny

1946 from Jazz series

- two motives that can be combined as one

- sophisticated image by complementary color

- bag design from the motive of Destiny

5

The Horse, the squire 

and the clown

1943 from Jazz series

- asymmetrical expression

- vivid fan shape motive on one piece with symmetrical pattern, 

color contrast and unity

6

Cecole Woman 

Dancing

1950

- repetitive arrangement of motive

- dynamic movement and color contrast

7
Zulma

1950

- divide the Zulma into both sides

- hand drawing figure in the center with similar color to show 

organic unity.

- vertical line and color contrast to show stability and strong 

image


Journal of Fashion Business Vol.16, No.6

78

  By using the Photoshop, I divided the Matisse' 

work vertically into both sides. By taking the 

idea from Matisse who shaped the nude from 

bronze, I re-interpreted Zulma's nude in a 

modern way<fig.31> and completed the figure 

and put it in the center of the divided 

background in harmony. 

  I maintained the stable vertical structure and 

made strong and harmonious illustration by using 

complementary colors.<Fig.32>

  <Tab 4> shows the main focus of my work for 

each motive.

V. Conclusion

  This study was conducted to adopt and apply 

the work of Henri Matisse to fashion illustration, 

a Fauvism artist who realized liberalization and 

independence of color, whose work is 

characterized by autonomy, simplicity, purity. To 

be more specific, the objective of the study is 

to adopt and apply the unique simplification 

method, pattern and color of the artist's paper 

cut-out to fashion illustration. 

  The conclusion drawn from this study is as 

follows.:

  First, Matisse's paper cut-out has controlled 

plasticity related to the modern abstractionism 

and it well fits the modern trend and sensibility 

which is appropriate for motive of fashion 

illustration. 

  It was also found that the color of Matisse's 

Paper cut-out that emphasizes beauty of 

simplicity and vividness through contrast of 

colors matches well with the sensibility of today 

that seek creativity and minimalism.

  Second, by upgrading the technique of 

Matisse' paper cut-out in a modern way such 

as combination of hand drawing and computer 

graphic using Photoshop, I was able to make 

originative and creative arts having background 

and patterns that were closely connected with 

each other. Specifically, I changed Matisse' work 

to be modern by adjusting the color and 

pattern. Through this work, I completed new 

modern fashion illustrations while maintaining the 

identity of Matisse' work. 

  Third, applying fashion illustration to other 

various products is being well received now and 

I made my illustrations that would lead to follow 

up studies to apply the fashion illustration to 

other different products. Matisse' paper cut-our 

has forms, colors and patterns having both 

commercial and artistic value. In my work, I 

used the pattern for fashion clothes and bags 

limitedly but by taking this motive, I think it is 

possible to produce various items in various 

ways. Therefore it is quite feasible for follow up 

research to apply into many different areas. 

  Fourth, the development of new technologies 

and multi-media leads to many varieties in 

regards to the means of expression, and a new 

chapter is opened to all sectors of art. One of 

the newly introduced tools is the computer 

graphic. The use of computer graphic in 

creating the background and patterns can bring 

an unlimited world of possibility in expression 

enabled by new techniques and instruments.

Reference

 1) Jang Andrew(1993), The world of Illustration, 

Design house, p.80.

 2) Young Sun Yoo(2000), "A study on the 

method of express for fashion illustration 

visual image after 1980", Kyung Hee 

University, p.11.

 3) William Packer(1983), Fashion Drawing in 


Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting

79

vogue, London: Thames and Hudson, p.26.

 4) Mi Rae Park (1987), Fashion Illustration, 

Kyungchunsa, p.9.

 5) Keun Joon Yoo(1974),Collection of World 

Western Art, vol 17, Hankook Daily News, 

P.120.

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History, Ilji Publishing Company, p87.

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Modern Art. Seoul National University. P,133.

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plan painting with focus on life philosophy”, 

Hon gik University, p.16.

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Today, London: Thames and Hudson.

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접수일(2012년 11월 2일), 

수정일(1차 : 2012년 11월 23일, 2차 : 12월 7일), 

게재확정일(2012년 12월 14일) 


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    /NLD (Gebruik deze instellingen om Adobe PDF-documenten te maken voor kwaliteitsafdrukken op desktopprinters en proofers. De gemaakte PDF-documenten kunnen worden geopend met Acrobat en Adobe Reader 5.0 en hoger.)
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    /ENU (Use these settings to create Adobe PDF documents for quality printing on desktop printers and proofers.  Created PDF documents can be opened with Acrobat and Adobe Reader 5.0 and later.)
    /KOR <FEFFc7740020c124c815c7440020c0acc6a9d558c5ec0020b370c2a4d06cd0d10020d504b9b0d1300020bc0f0020ad50c815ae30c5d0c11c0020ace0d488c9c8b85c0020c778c1c4d560002000410064006f0062006500200050004400460020bb38c11cb97c0020c791c131d569b2c8b2e4002e0020c774b807ac8c0020c791c131b41c00200050004400460020bb38c11cb2940020004100630072006f0062006100740020bc0f002000410064006f00620065002000520065006100640065007200200035002e00300020c774c0c1c5d0c11c0020c5f40020c2180020c788c2b5b2c8b2e4002e>
  >>
  /Namespace [
    (Adobe)
    (Common)
    (1.0)
  ]
  /OtherNamespaces [
    <<
      /AsReaderSpreads false
      /CropImagesToFrames true
      /ErrorControl /WarnAndContinue
      /FlattenerIgnoreSpreadOverrides false
      /IncludeGuidesGrids false
      /IncludeNonPrinting false
      /IncludeSlug false
      /Namespace [
        (Adobe)
        (InDesign)
        (4.0)
      ]
      /OmitPlacedBitmaps false
      /OmitPlacedEPS false
      /OmitPlacedPDF false
      /SimulateOverprint /Legacy
    >>
    <<
      /AddBleedMarks false
      /AddColorBars false
      /AddCropMarks false
      /AddPageInfo false
      /AddRegMarks false
      /ConvertColors /NoConversion
      /DestinationProfileName ()
      /DestinationProfileSelector /NA
      /Downsample16BitImages true
      /FlattenerPreset <<
        /PresetSelector /MediumResolution
      >>
      /FormElements false
      /GenerateStructure true
      /IncludeBookmarks false
      /IncludeHyperlinks false
      /IncludeInteractive false
      /IncludeLayers false
      /IncludeProfiles true
      /MultimediaHandling /UseObjectSettings
      /Namespace [
        (Adobe)
        (CreativeSuite)
        (2.0)
      ]
      /PDFXOutputIntentProfileSelector /NA
      /PreserveEditing true
      /UntaggedCMYKHandling /LeaveUntagged
      /UntaggedRGBHandling /LeaveUntagged
      /UseDocumentBleed false
    >>
  ]
>> setdistillerparams
<<
  /HWResolution [2400 2400]
  /PageSize [612.000 792.000]
>> setpagedevice