10601503_45-1.indd CONTENTS VOLUME 45 , NUMBER 1 Activity and Passivity: Class and Gender in the Case of the Artificial Hand 1 Clare Stainthorp Rudyard Kipling’s Tactical Impressionism 17 Chris Ortiz Y Prentice  The “After-Life” of Illness: Reading against the Deathbed in Gaskell’s Ruth and Nineteenth-Century Convalescent Devotionals 35 Hosanna Krienke Sanitation and Telepathy: George Eliot’s The Lifted Veil 55 Derek Woods Confessions of an English Green Tea Drinker: Sheridan Le Fanu and the Medical and Metaphysical Dangers of Green Tea 77 Melissa Dickson Euthanasia and (D)Evolution in Speculative Fiction 95 Nancee Reeves Gods and Ghost-Light: Ancient Egypt, Electricity, and X-Rays 119 Eleanor Dobson Tono-Bungay and Burroughs Wellcome: Branding Imperial Popular Medicine 137 Meegan Kennedy “A Seriousness that Fails”: Reconsidering Symbolism in Oscar Wilde’s Salomé 163 Yeeyon Im  WORK IN PROGRESS Charles Kingsley’s The Water-Babies: Industrial England, the Irish Famine, and the American Civil War 179 Catherine Judd REVIEW ESSAYS Victorians Live Herbert Sussman, Editor Alice in Manhattan 207 U. C. Knoepflmacher Facing Britain’s Imperial Past? 214 Kate Nichols The Victorian Art Scene in 2016: Pre-Raphaelite Women Artists and Marie Spartali Stillman’s Overdue Retrospective in the UK 221 Margaret D. Stetz The Fallen Woman 227 Hilary Fraser Gustave Doré, “All London at a Boat-Race,” April 6, 1870, from Gustave Doré and Blanchard Jerrold, London: A Pilgrimage (London: Grant, 1872). Photograph courtesy of the prints Division, Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library, Astor, Lenox and Tidden Foundations. Volume 45, Number 1, 2017 V o lu m e 4 5 , N u m b er 1 , 2017 Cambridge CORE For further information about this journal please go to the journal website at: cambridge.org/vlc 10601503_45-1.indd 110601503_45-1.indd 1 08/02/17 3:55 PM08/02/17 3:55 PM https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at http://crossmark.crossref.org/dialog/?doi=10.1017/S1060150316000565&domain=pdf https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core 10601503_45-1.indd 210601503_45-1.indd 2 08/02/17 3:55 PM08/02/17 3:55 PM https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core VICTORIAN LITERATURE AND CULTURE Volume 45, Number 1 https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core ADVISORY BOARD James Eli Adams Isobel Armstrong Nancy Armstrong Tim Barringer Gillian Beer Harold Bloom Patrick Brantlinger James Buzard Ed Cohen Ian Duncan Regenia Gagnier Sandra M. Gilbert Lauren M. E. Goodlad Margaret Homans Audrey Jaffe Gerhard Joseph Joseph Kestner U. C. Knoepflmacher George Levine Tricia Lootens Jerome J. McGann J. Hillis Miller Lynda Nead Jeff Nunokawa Mary Poovey Yopie Prins Harriet Ritvo Talia Schaffer Linda Shires Jonah Siegel E. Warwick Slinn Ruth A. Solie Richard Stein Margaret Stetz Herbert Sussman John Sutherland Herbert Tucker Martha Vicinus Malcolm Warner Michael Wheeler Carolyn Williams https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core VICTORIAN LITERATURE AND CULTURE Volume 45, Number 1 EDITORS JOHN MAYNARD ADRIENNE MUNICH INCOMING EDITORS RACHEL ABLOW DANIEL HACK Associate Editor: Sandra Donaldson Managing Editor: Abigail Burnham Bloom Assistant Editors: Aliza Atik, Daniel Cook, Kimberly Cox, Lauryn Rose Gold, Tamar Heller, Margaret Kennedy, Sophie Christman Lavin, Tara McGann, Tracy Miller, Karen Odden, Nicole Savage, Anne Summers, Anthony Teets, Amanda Trejbrowski, Benedick G. Turner, and Stephanie Viola Editors for Reviews: Winifred Hughes and Anne Humpherys Associate Editor for Reviews: Annette T. Snape Pictures Editor: Morna O’Neill Assistant Pictures Editor: Angela Wu Editor for Topics: Maria Jerinic Special Effects Editor: Jeffrey Spear Science Editor: Michael Tondre Editor for Victorians Live: Herbert Sussman Assistant Editor for Victorians Live: Victoria Mills CAMBRIDGE UNIVERSITY PRESS 2017 https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core VICTORIAN LITERATURE AND CULTURE is a publication of Cambridge University Press. It is published through the generous support of New York University and the State University of New York at Stony Brook. The editors gratefully acknowledge our indebtedness to our editorial assistant Nicole Savage. Please email manuscripts to the editors in Word or RTF format: Victorianlitandculture@gmail.com. Articles should be double-spaced throughout and follow the new MLA style (with a list of Works Cited at the conclusion). Chapters of books submitted for the Works in Progress section may follow the author’s chosen style in the book project. Correspondence concerning review essays should be emailed to Anne Humpherys (AHumpherys@gc.cuny.edu). Suggestions for reprints of Victorian materials, texts, or illustrations, and also bibliographic or other kinds of summary work should be emailed to Jeffrey Spear (Jeffrey.Spear@nyu.edu). Ideas for Editors’ Topics (groups of articles on a common subject, issue, or approach) should be raised with Maria Jerinic (mjerinic@yahoo.com). Ideas for Victorians Live (the afterlife of the Victorians, the ways that Victorian literature and culture remain alive, continue to live in our own day) can be e-mailed to Herbert Sussman (Hlsuss@aol.com). Our website for contents of prior volumes and editorial information: https://wikis.nyu.edu/display/engvlc/home E-mail for general correspondence (not submission of papers): vlceditorialqueries@gmail.com Publishing, Subscription, and Advertising Offices: Cambridge University Press, One Liberty Plaza, 20th Floor, New York, NY 10006, USA (for the United States, Canada, and Mexico); US: USAdSales@cambridge.org; and Cambridge University Press, University Printing House, Shaftesbury Road, Cambridge CB2 8BS, England (for U.K. and elsewhere); UK: ad−sales@cambridge.org. Victorian Literature and Culture is published quarterly in March, June, September, and December. 2017 Annual institutional subscription rates (print and electronic): US $366.00 in the U.S., Canada, and Mexico, UK £ 221.00 elsewhere; (electronic only) US $270.00 in the U.S., Canada, and Mexico, UK £ 162.00 elsewhere; (print only) US $351.00 in the U.S., Canada, and Mexico, UK £ 210.00 elsewhere. 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Photocopying information for users in the U.S.A.: The Item-Fee Code for this publication (1060-1503/15 $15.00) indicates that copying for internal or personal use beyond that permitted by Sec. 107 or 108 of the U.S. Copyright Law is authorized for users duly registered with the Copyright Clearance Center (CCC), provided that the appropriate remittance of $15.00 is paid directly to: CCC, 222 Rosewood Drive, Danvers, MA 09123. Specific written permission must be obtained for all other copying. Printed in the United States of America. Postmaster: Send address changes in the U.S., Canada, and Mexico to: Victorian Literature and Culture, Journals Department, Cambridge University Press, One Liberty Plaza, 20th Floor, New York, NY 10006. https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core CONTENTS VOLUME 45, NUMBER 1 Activity and Passivity: Class and Gender in the Case of the Artificial Hand 1 CLARE STAINTHORP Rudyard Kipling’s Tactical Impressionism 17 CHRIS ORTIZ Y PRENTICE The “After-Life” of Illness: Reading against the Deathbed in Gaskell’s Ruth and Nineteenth-Century Convalescent Devotionals 35 HOSANNA KRIENKE Sanitation and Telepathy: George Eliot’s The Lifted Veil 55 DEREK WOODS Confessions of an English Green Tea Drinker: Sheridan Le Fanu and the Medical and Metaphysical Dangers of Green Tea 77 MELISSA DICKSON Euthanasia and (D)Evolution in Speculative Fiction 95 NANCEE REEVES Gods and Ghost-Light: Ancient Egypt, Electricity, and X-Rays 119 ELEANOR DOBSON Tono-Bungay and Burroughs Wellcome: Branding Imperial Popular Medicine 137 MEEGAN KENNEDY “A Seriousness that Fails”: Reconsidering Symbolism in Oscar Wilde’s Salomé 163 YEEYON IM WORK IN PROGRESS Charles Kingsley’s The Water-Babies: Industrial England, the Irish Famine, and the American Civil War 179 CATHERINE JUDD vii https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core viii VICTORIAN LITERATURE AND CULTURE REVIEW ESSAYS Victorians Live Herbert Sussman, Editor Alice in Manhattan 207 U. C. KNOEPFLMACHER Facing Britain’s Imperial Past? 214 KATE NICHOLS The Victorian Art Scene in 2016: Pre-Raphaelite Women Artists and Marie Spartali Stillman’s Overdue Retrospective in the UK 221 MARGARET D. STETZ The Fallen Woman 227 HILARY FRASER https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core ILLUSTRATIONS Page 86 Figure 1. “The Use of Adulteration.” Engraving, from Punch (4 Aug. 1855): 47. Page 87 Figure 2. Ti Ping Koon, Death in the Teapot (London: Effingham Wilson, Royal Exchange, 1874). Title Page. Image courtesy of Bodleian Libraries, University of Oxford. Page 125 Figure 3. Warwick Goble, “Nikola Tesla holding in his hands balls of flame.” Illustration, from Chauncy Montgomery M’Govern, “The New Wizard of the West.” Pearson’s Magazine, May 1899: 471. Page 139 Figure 4. Interior of a nineteenth-century pharmacy. Colored etching by H. Heath, 1825. Wellcome Library, London (M0018898). Page 145 Figure 5. Pharmaceutical sign advertising Burroughs Wellcome products, including “Tabloid” brand products, c. 1885. Wellcome Library, London (L0025818). Page 148 Figure 6. “The Happy Phagocyte.” H. G. Wells. Tono-Bungay: A Novel (New York: Duffield, 1922), 171. Page 152 Figure 7. One of the nine “Tabloid” medicine chests provided to Stanley’s Emin Pasha expedition. Wellcome Library, London (L0033326). Page 153 Figure 8. Detail from illustration of “Tabloid” medicine chest “Through Darkest Africa.” Anaesthetics 108 (1907). Wellcome Library, London. ix https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core x VICTORIAN LITERATURE AND CULTURE Page 154 Figure 9. Pharmacy sign advertising Tabloid first aid kits as the companion of explorers and adventurers. Wellcome Library, London (V0010811). Page 170 Figure 10. “A Platonic Lament.” Illustration by Aubrey Beasley from Oscar Wilde’s Salomé (London, 1894). Page 171 Figure 11. “Enter Herodias.” Illustration by Aubrey Beasley from Oscar Wilde’s Salomé (London, 1894). Page 172 Figure 12. Napoleon Sarony, Portrait of Sarah Bernhardt as Cleopatra, 1891. Page 181 Figure 13. [Edward] Linley Sambourne, illustration from chapter 6 “I should like to cuddle you; but I cannot, you are so horny and prickly.” Engraving, from Charles Kingsley, The Water-Babies: A Fairy Tale for a Land-Baby (London: Macmillan, 1889), 217. Page 185 Figure 14. [Edward] Linley Sambourne, illustration from chapter 1 “Frontispiece.” Engraving, from Charles Kingsley, The Water-Babies: A Fairy Tale for a Land-Baby (London: Macmillan, 1889), 1. Page 187 Figure 15. [Edward] Linley Sambourne, illustration from chapter 1 “What did such a little black ape want in that sweet young lady’s room? And behold, it was himself, reflected in a great mirror.” Engraving, from Charles Kingsley, The Water-Babies: A Fairy Tale for a Land-Baby (London: Macmillan, 1889), 25. Page 188 Figure 16. [Edward] Linley Sambourne, illustration from chapter 6 “She taught him, first, what you have been taught ever since you said your first prayers at your mother’s knees.” Engraving, from Charles Kingsley, The Water-Babies: A Fairy Tale for a Land-Baby (London: Macmillan, 1889), 219. https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. Carnegie Mellon University, on 06 Apr 2021 at 01:36:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms https://doi.org/10.1017/S1060150316000565 https://www.cambridge.org/core Illustrations xi Page 193 Figure 17. [Edward] Linley Sambourne, illustration from chapter 1 “she was a very tall handsome woman, with bright gray eyes, and heavy black hair hanging about her cheeks.” Engraving, from Charles Kingsley, The Water-Babies: A Fairy Tale for a Land-Baby (London: Macmillan, 1889), 10. Page 199 Figure 18. [Edward] Linley Sambourne, illustration from chapter 6 “So all he said was ‘Ubboboo!’ and died.” Engraving, from Charles Kingsley, The Water-Babies: A Fairy Tale for a Land-Baby (London: Macmillan, 1889), 236. Page 210 Figure 19. Lewis Carroll. Nine drawings made after Tenniel’s proof engravings for Alice’s Adventures in Wonderland (Private Collection), drawing 3 [1865]. The Pierpont Morgan Library, New York. Page 216 Figure 20. Installation view of room 3, “Imperial Heroics,” Artist and Empire exhibition, Tate Britain. Foreground: Andrew Gilbert, British Infantry Advance on Jerusalem, 4th July 1879 (2015). The large painting to the right is Edward Armitage, Retribution (1858, Leeds City Art Gallery). The smaller painting to the left is Allan Stewart, To the Memory of Brave Men: The Last Stand of Major Allan Wilson at the Shangani, 4th December 1893 (1897, Russell-Cotes Art Gallery and Museum, Bournemouth). Photograph c©Tate 2015, Joe Humphrys. Page 224 Figure 21. Marie Spartali Stillman, Self Portrait, 1871. Charcoal and white chalk on paper, 25 3/8 x 20 5/8 inches. Delaware Art Museum, Gift of Lucia N. Valentine, 1974. Page 225 Figure 22. Marie Spartali Stillman, Love’s Messenger, 1885. Watercolor, tempera, and gold paint on paper mounted on wood, 32 x 26 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935. Page 226 Figure 23. Marie Spartali Stillman, The Pilgrim Folk, 1914. Watercolor and gouache on paper, 22 3/8 x 27 11/16 inches. Delaware Art Museum, Gift of Mrs. S. S. Auchincloss, 1974. https://www.cambridge.org/core/terms. https://doi.org/10.1017/S1060150316000565 Downloaded from https://www.cambridge.org/core. 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