id	sid	tid	token	lemma	pos
work_bqoqnhnyvfax5njlsfrijxvgrm	1	1	Hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	1	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	1	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	1	4	Creation	creation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	1	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	1	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	1	7	Third	Third	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	8	Spaces	Spaces	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	1	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	1	10	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	1	11	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	1	12	Analysis	Analysis	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	1	14	Two	Two	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	15	Works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	1	16	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	1	17	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	18	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	19	All	All	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	20	Rights	Rights	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	1	21	Reserved	Reserved	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	22	©	©	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	23	Canadian	Canadian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	24	University	University	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	25	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	26	Society	Society	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	27	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	1	28	Société	Société	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	29	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	1	30	musique	musique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	31	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	32	universités	universités	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	33	canadiennes	canadienne	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	1	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	1	35	2011	2011	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	1	36	Ce	Ce	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	37	document	document	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	1	38	est	est	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	39	protégé	protégé	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	1	40	par	par	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	41	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	42	loi	loi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	43	sur	sur	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	1	44	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	45	droit	droit	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	46	d’auteur	d’auteur	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	1	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	2	1	L’utilisation	L’utilisation	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	2	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	3	services	service	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	2	4	d’Érudit	d’Érudit	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	5	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	2	6	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	7	compris	compris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	8	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	9	reproduction	reproduction	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	10	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	2	11	est	est	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	12	assujettie	assujettie	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	13	à	à	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	14	sa	sa	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	15	politique	politique	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	2	16	d’utilisation	d’utilisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	2	17	que	que	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	2	18	vous	vous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	2	19	pouvez	pouvez	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	20	consulter	consulter	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	2	21	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	2	22	ligne	ligne	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	2	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	3	1	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	3	2	Cet	Cet	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	3	article	article	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	3	4	est	est	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	5	diffusé	diffusé	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	6	et	et	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	7	préservé	préservé	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	8	par	par	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	9	Érudit	Érudit	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	3	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	4	1	Érudit	érudit	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	4	2	est	est	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	3	un	un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	4	consortium	consortium	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	5	interuniversitaire	interuniversitaire	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	6	sans	san	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	4	7	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	4	8	lucratif	lucratif	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	4	9	composé	composé	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	4	10	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	4	11	l’Université	l’Université	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	12	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	4	13	Montréal	Montréal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	4	15	l’Université	l’Université	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	16	Laval	Laval	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	17	et	et	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	4	18	l’Université	l’Université	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	4	19	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	20	Québec	Québec	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	21	à	à	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	22	Montréal	Montréal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	4	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	5	1	Il	il	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	5	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	5	3	pour	pour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	5	4	mission	mission	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	5	5	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	6	promotion	promotion	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	7	et	et	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	8	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	9	valorisation	valorisation	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	10	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	5	11	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	12	recherche	recherche	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	5	13	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	6	1	https://www.erudit.org/fr/	https://www.erudit.org/fr/	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	6	2	Document	document	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	6	3	généré	généré	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	6	4	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	6	5	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	6	6	avr	avr	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	6	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	7	1	2021	2021	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	2	21:36	21:36	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	3	Intersections	Intersections	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	7	4	Canadian	Canadian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	5	Journal	Journal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	7	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	8	Revue	Revue	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	9	canadienne	canadienne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	10	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	11	musique	musique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	12	Hybridization	Hybridization	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	7	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	7	15	Creation	creation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	17	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	7	18	Third	Third	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	19	Spaces	Spaces	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	7	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	7	21	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	7	22	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	7	23	Analysis	Analysis	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	25	Two	Two	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	26	Works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	7	27	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	28	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	29	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	30	Alberto	Alberto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	31	Munarriz	Munarriz	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	32	Volume	Volume	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	33	30	30	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	7	35	numéro	numéro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	36	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	7	38	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	39	URI	uri	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	40	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	7	41	https://id.erudit.org/iderudit/1006379ar	https://id.erudit.org/iderudit/1006379ar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	42	DOI	doi	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	43	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	7	44	https://doi.org/10.7202/1006379ar	https://doi.org/10.7202/1006379ar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	45	Aller	Aller	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	46	au	au	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	47	sommaire	sommaire	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	48	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	49	numéro	numéro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	50	Éditeur(s	Éditeur(s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	51	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	7	52	Canadian	Canadian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	53	University	University	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	54	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	55	Society	Society	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	56	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	7	57	Société	Société	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	58	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	7	59	musique	musique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	60	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	61	universités	universités	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	62	canadiennes	canadienne	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	7	63	ISSN	ISSN	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	64	1911	1911	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	65	-	-	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	7	66	0146	0146	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	67	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	7	68	imprimé	imprimé	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	7	69	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	7	70	1918	1918	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	71	-	-	:
work_bqoqnhnyvfax5njlsfrijxvgrm	7	72	512X	512x	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	7	73	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	7	74	numérique	numérique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	75	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	7	76	Découvrir	Découvrir	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	77	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	78	revue	revue	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	79	Citer	Citer	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	80	cet	cet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	81	article	article	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	7	82	Munarriz	Munarriz	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	7	83	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	7	84	A.	a.	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	8	1	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	8	2	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	8	3	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	8	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	9	1	Hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	9	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	9	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	9	4	Creation	creation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	9	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	9	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	9	7	Third	Third	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	9	8	Spaces	Spaces	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	9	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	9	10	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	9	11	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	9	12	Analysis	Analysis	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	9	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	9	14	Two	Two	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	9	15	Works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	9	16	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	9	17	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	9	18	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	9	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	10	1	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	10	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	10	3	30(2	30(2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	10	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	10	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	10	6	75–100	75–100	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	10	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	11	1	https://doi.org/10.7202/1006379ar	https://doi.org/10.7202/1006379ar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	2	Résumé	Résumé	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	3	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	11	4	l'article	l'article	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	5	La	La	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	6	récente	récente	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	7	recrudescence	recrudescence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	11	8	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	9	tango	tango	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	11	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	11	11	considérablement	considérablement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	11	12	intensifié	intensifié	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	11	13	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	14	rythme	rythme	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	15	d’un	d’un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	16	long	long	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	17	processus	processus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	18	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	11	19	«	«	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	20	diffusion	diffusion	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	21	internationale	internationale	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	22	»	»	''
work_bqoqnhnyvfax5njlsfrijxvgrm	11	23	qui	qui	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	24	commence	commence	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	25	avec	avec	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	11	26	l’arrivée	l’arrivée	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	27	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	28	genre	genre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	29	à	à	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	11	30	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	31	pendant	pendant	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	11	32	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	33	première	première	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	34	décennie	décennie	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	35	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	36	XXe	XXe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	11	37	siècle	siècle	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	11	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	12	1	Les	Les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	2	nombreux	nombreux	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	12	3	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	12	4	engendrés	engendré	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	12	5	par	par	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	12	6	ce	ce	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	7	regain	regain	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	12	8	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	12	9	popularité	popularité	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	10	ont	ont	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	11	préparé	préparé	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	12	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	13	terrain	terrain	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	14	pour	pour	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	15	une	une	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	16	période	période	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	17	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	12	18	développement	développement	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	12	19	sans	sans	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	12	20	précédent	précédent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	21	marquée	marquée	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	22	par	par	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	23	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	24	collaboration	collaboration	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	25	artistique	artistique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	12	27	l’expérimentation	l’expérimentation	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	12	28	et	et	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	12	29	l’hybridation	l’hybridation	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	12	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	13	1	En	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	13	2	conséquence	conséquence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	13	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	13	4	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	5	genre	genre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	6	subit	subit	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	7	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	8	nombreux	nombreux	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	9	changements	changement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	13	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	13	11	les	les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	12	nouvelles	nouvelles	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	13	formes	formes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	14	sonores	sonores	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	13	15	qu’il	qu’il	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	16	revêt	revêt	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	17	parmi	parmi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	18	les	les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	19	plus	plus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	20	frappants	frappant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	13	21	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	13	22	ceux	ceux	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	23	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	13	24	ci	ci	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	13	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	14	1	À	À	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	2	travers	traver	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	14	3	une	une	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	4	analyse	analyse	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	5	détaillée	détaillée	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	6	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	14	7	deux	deux	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	14	8	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	14	9	du	du	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	10	guitariste	guitariste	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	14	11	et	et	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	14	12	compositeur	compositeur	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	14	13	argentin	argentin	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	14	14	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	15	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	14	17	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	18	présent	présent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	14	19	document	document	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	14	20	examine	examine	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	21	quelques	quelque	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	14	22	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	14	23	uns	uns	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	24	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	25	processus	processus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	26	qui	qui	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	27	façonnent	façonnent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	28	actuellement	actuellement	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	29	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	30	forme	forme	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	31	sonore	sonore	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	32	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	33	nombreuses	nombreuses	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	34	variantes	variantes	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	14	35	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	36	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	14	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	15	1	Ce	Ce	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	2	travail	travail	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	15	3	devrait	devrait	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	4	permettre	permettre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	5	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	15	6	faire	faire	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	15	7	la	la	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	15	8	lumière	lumière	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	9	sur	sur	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	10	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	11	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	12	compositeur	compositeur	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	15	13	et	et	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	15	14	sur	sur	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	15	15	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	16	phénomène	phénomène	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	17	présent	présent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	18	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	19	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	20	lui	lui	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	21	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	15	22	même	même	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	15	24	ainsi	ainsi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	25	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	26	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	27	contribuer	contribuer	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	28	à	à	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	29	une	une	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	30	meilleure	meilleure	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	15	31	compréhension	compréhension	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	15	32	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	33	façons	façon	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	15	34	do	do	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	35	nt	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	15	36	se	se	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	15	37	construisent	construisent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	15	38	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	39	hybrides	hybrides	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	40	musicaux	musicaux	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	15	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	16	1	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	https://apropos.erudit.org/fr/usagers/politique-dutilisation/	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	16	2	https://www.erudit.org/fr/	https://www.erudit.org/fr/	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	16	3	https://www.erudit.org/fr/	https://www.erudit.org/fr/	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	16	4	https://www.erudit.org/fr/revues/is/	https://www.erudit.org/fr/revues/is/	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	16	5	https://id.erudit.org/iderudit/1006379ar	https://id.erudit.org/iderudit/1006379ar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	6	https://doi.org/10.7202/1006379ar	https://doi.org/10.7202/1006379ar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	7	https://www.erudit.org/fr/revues/is/2010-v30-n2-is1824023/	https://www.erudit.org/fr/revues/is/2010-v30-n2-is1824023/	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	8	https://www.erudit.org/fr/revues/is/	https://www.erudit.org/fr/revues/is/	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	16	9	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	16	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	16	12	creation	creation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	14	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	16	15	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	16	16	spaces	space	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	16	17	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	16	18	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	16	19	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	16	20	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	22	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	16	23	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	16	24	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	25	tomás	tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	26	Gubitsch1	Gubitsch1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	27	Alberto	Alberto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	28	Munarriz	Munarriz	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	29	Over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	16	31	course	course	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	33	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	16	34	last	last	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	16	35	three	three	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	16	36	decades	decade	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	16	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	16	38	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	16	39	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	16	40	shown	show	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	41	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	16	42	persistent	persistent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	16	43	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	16	44	vibrant	vibrant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	16	45	resurgence	resurgence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	16	46	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	17	1	This	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	17	2	renewal	renewal	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	3	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	17	4	taken	take	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	5	place	place	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	6	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	17	7	only	only	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	17	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	9	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	17	10	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	17	11	home	home	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	12	country	country	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	14	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	17	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	17	16	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	17	17	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	17	18	elsewhere	elsewhere	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	17	19	around	around	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	17	21	globe	globe	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	22	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	17	23	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	17	24	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	25	particu-	particu-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	17	26	lar	lar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	17	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	18	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	18	2	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	18	3	resurgence	resurgence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	4	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	18	5	greatly	greatly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	18	6	intensified	intensify	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	18	8	momentum	momentum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	10	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	18	11	already	already	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	18	12	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	13	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	18	14	long	long	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	18	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	18	16	intercontinental	intercontinental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	18	17	dissemination	dissemination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	18	20	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	18	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	19	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	19	2	cross	cross	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	3	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	4	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	19	6	cross	cross	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	7	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	8	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	9	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	19	10	promoted	promote	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	11	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	12	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	19	13	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	19	14	renewed	renew	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	15	popularity	popularity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	17	re-	re-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	18	cent	cent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	19	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	19	20	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	19	21	set	set	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	19	23	stage	stage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	24	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	25	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	19	26	unprecedented	unprecedented	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	27	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	29	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	19	30	artistry	artistry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	19	32	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	19	33	marked	mark	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	34	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	35	creative	creative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	36	collaboration	collaboration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	19	38	experimentation	experimentation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	39	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	19	40	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	19	41	richly	richly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	19	42	productive	productive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	43	mix-	mix-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	44	ings	ing	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	19	45	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	19	46	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	47	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	19	48	expressions	expression	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	19	49	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	19	50	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	19	51	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	20	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	20	3	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	5	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	20	6	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	20	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	20	9	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	10	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	20	11	undergoing	undergo	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	20	12	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	20	13	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	20	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	20	15	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	20	17	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	20	18	striking	striking	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	20	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	20	20	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	20	21	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	20	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	20	23	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	20	24	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	20	25	shapes	shapes	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	20	26	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	20	27	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	20	28	assuming	assume	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	20	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	21	1	An	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	2	investigation	investigation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	4	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	5	de-	de-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	6	velopments	velopment	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	7	reveals	reveal	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	8	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	9	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	12	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	21	13	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	14	phase	phase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	16	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	18	highly	highly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	19	flexible	flexible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	20	form	form	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	22	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	23	expression	expression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	24	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	26	while	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	27	capable	capable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	29	engaging	engage	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	21	30	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	21	31	incorporating	incorporate	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	21	32	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	33	range	range	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	35	outside	outside	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	36	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	37	influences	influence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	38	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	21	39	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	21	40	non	non	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	41	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	42	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	43	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	21	44	components	component	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	45	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	46	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	47	neverthe-	neverthe-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	48	less	less	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	21	49	able	able	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	50	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	21	51	retain	retain	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	52	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	53	distinctive	distinctive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	54	core	core	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	55	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	56	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	57	identity.2	identity.2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	58	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	59	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	60	paper	paper	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	61	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	62	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	63	focus	focus	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	64	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	65	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	66	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	67	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	68	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	69	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	70	influences	influence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	71	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	21	72	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	73	times	time	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	74	surprising	surprising	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	75	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	21	76	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	77	times	time	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	78	ambiguous	ambiguous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	79	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	21	80	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	81	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	82	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	83	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	84	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	85	become	become	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	86	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	87	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	21	88	borrow	borrow	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	89	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	90	phrase	phrase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	91	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	92	Jocelyne	Jocelyne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	93	Guilbault	Guilbault	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	94	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	21	95	2005	2005	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	21	96	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	21	97	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	98	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	21	99	audibly	audibly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	100	entangled	entangled	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	101	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	21	102	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	21	103	More	more	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	21	104	spe-	spe-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	105	cifically	cifically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	106	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	21	107	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	108	aim	aim	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	109	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	21	110	discern	discern	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	111	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	112	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	113	played	play	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	114	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	115	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	116	influences	influence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	117	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	118	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	119	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	120	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	21	121	identify	identify	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	122	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	123	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	124	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	125	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	21	126	both	both	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	21	127	structural	structural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	128	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	21	129	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	130	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	21	131	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	21	132	allow	allow	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	133	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	134	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	21	135	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	21	136	cur-	cur-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	137	rent	rent	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	21	138	remarkable	remarkable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	139	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	21	140	malleability	malleability	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	21	141	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	22	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	2	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	3	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	22	4	facilitate	facilitate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	22	5	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	22	6	objectives	objective	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	22	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	22	8	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	9	concentrate	concentrate	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	10	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	22	12	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	22	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	14	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	22	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	16	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	22	17	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	18	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	22	19	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	22	20	innovative	innovative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	22	21	contributors	contributor	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	22	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	22	23	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	22	24	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	25	am	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	26	thankful	thankful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	22	27	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	28	Patrick	Patrick	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	29	Boyle	Boyle	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	22	31	David	David	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	32	Lidov	Lidov	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	33	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	22	34	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	22	35	Michael	Michael	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	36	Marcuzzi	Marcuzzi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	22	37	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	38	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	22	39	comments	comment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	22	40	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	41	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	22	42	earlier	early	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	22	43	version	version	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	44	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	45	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	22	46	article	article	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	22	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	23	1	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	23	2	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	23	3	want	want	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	23	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	23	5	express	express	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	23	6	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	23	7	gratitude	gratitude	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	8	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	9	Louise	Louise	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	23	10	Wrazen	Wrazen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	23	11	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	12	her	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	23	13	guid-	guid-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	23	14	ance	ance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	15	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	23	16	support	support	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	17	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	23	19	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	23	20	stages	stage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	23	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	22	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	23	23	ongoing	ongoing	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	23	24	research	research	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	25	project	project	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	23	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	24	1	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	24	2	am	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	24	3	particularly	particularly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	24	4	thankful	thankful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	24	5	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	24	6	Anne	Anne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	24	7	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	24	8	Marie	Marie	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	24	9	Gallagher	Gallagher	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	24	10	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	24	11	her	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	24	12	editorial	editorial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	24	13	help	help	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	24	14	immensely	immensely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	24	15	improved	improve	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	24	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	24	17	final	final	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	24	18	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	24	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	24	20	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	24	21	article	article	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	24	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	25	1	Finally	finally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	25	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	25	3	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	25	4	want	want	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	25	5	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	25	6	thank	thank	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	25	7	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	25	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	25	9	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	25	10	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	25	11	help	help	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	25	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	25	13	unconditional	unconditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	25	14	support	support	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	25	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	25	16	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	25	17	generosity	generosity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	25	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	26	1	2	2	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	2	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	3	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	26	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	26	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	26	6	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	26	7	stages	stage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	9	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	10	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	11	recent	recent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	26	12	resurgence	resurgence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	13	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	26	14	mid-1990s	mid-1990	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	15	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	26	16	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	26	17	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	18	initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	26	19	characterized	characterize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	20	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	26	22	return	return	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	23	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	26	25	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	26	26	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	26	27	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	26	28	models	model	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	29	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	26	30	defined	define	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	26	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	26	32	style	style	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	33	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	34	golden	golden	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	26	35	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	26	36	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	26	37	1930s	1930s	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	26	38	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	26	39	1950s	1950s	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	26	40	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	26	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	27	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	2	resurrection	resurrection	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	5	orquestas	orquestas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	27	6	típicas	típicas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	27	7	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	27	8	typical	typical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	9	orchestras	orchestras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	27	10	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	27	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	27	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	13	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	14	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	15	trio	trio	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	27	17	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	27	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	19	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	20	canción	canción	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	21	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	27	22	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	27	23	songs	song	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	27	24	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	27	25	subgenre	subgenre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	27	27	along	along	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	28	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	30	embrace	embrace	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	32	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	33	referents	referent	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	27	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	36	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	27	37	golden	golden	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	38	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	27	39	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	40	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	27	41	draw	draw	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	27	42	attention	attention	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	43	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	27	45	complex	complex	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	46	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	47	young	young	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	48	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	27	49	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	27	50	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	27	51	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	52	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	53	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	54	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	27	55	long	long	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	27	56	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	27	57	standing	stand	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	27	58	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	27	59	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	27	60	Luker	Luker	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	27	61	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	27	62	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	27	63	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	28	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	2	recent	recent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	28	3	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	28	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	28	5	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	28	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	28	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	28	8	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	28	11	growing	grow	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	28	12	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	14	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	28	15	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	28	16	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	28	17	underlined	underline	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	28	19	increasingly	increasingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	28	20	flexible	flexible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	28	21	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	22	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	23	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	28	24	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	25	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	28	27	conceptual	conceptual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	28	28	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	28	29	aesthetics	aesthetic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	28	30	canon	canon	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	28	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	28	32	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	28	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	29	1	Their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	29	2	collaborative	collaborative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	29	3	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	29	4	explorative	explorative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	29	5	efforts	effort	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	29	6	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	29	7	resulted	result	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	29	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	29	9	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	29	10	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	29	11	marked	mark	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	29	12	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	29	13	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	29	14	unprecedented	unprecedented	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	29	15	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	29	16	diversity	diversity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	29	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	30	1	76	76	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	30	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	30	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	30	4	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	30	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	30	6	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	30	7	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	30	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	30	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	31	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	31	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	31	3	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	31	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	5	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	31	6	exiled	exile	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	7	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	31	8	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	31	9	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	31	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	31	11	since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	31	13	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	31	14	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	31	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	31	16	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	31	19	country	country	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	20	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	31	21	notori-	notori-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	31	22	ous	ous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	31	23	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	31	24	brutal	brutal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	31	25	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	31	26	Dirty	Dirty	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	31	27	War”—have	War”—have	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	31	28	resided	reside	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	29	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	31	30	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	31	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	32	1	His	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	32	2	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	3	life	life	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	32	5	begun	begin	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	32	8	teenager	teenager	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	9	while	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	10	still	still	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	32	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	12	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	32	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	32	14	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	15	involved	involve	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	32	17	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	19	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	20	migrations	migration	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	32	21	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	32	22	integrations	integration	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	32	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	32	24	including	include	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	32	25	experiences	experience	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	32	26	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	32	27	experiments	experiment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	32	28	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	29	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	30	seemingly	seemingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	32	31	diverse	diverse	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	32	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	32	33	irreconcilable	irreconcilable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	34	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	32	35	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	36	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	32	38	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	32	39	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	32	40	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	32	41	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	32	43	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	32	44	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	32	45	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	33	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	2	purposes	purpose	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	33	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	4	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	33	5	paper	paper	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	33	7	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	8	centre	centre	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	9	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	33	10	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	11	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	12	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	33	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	14	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	33	16	tangos	tango	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	33	17	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	33	19	2006	2006	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	33	20	CD	CD	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	21	entitled	entitle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	22	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	33	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	33	24	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	33	25	title	title	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	26	chosen	choose	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	28	reference	reference	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	29	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	33	31	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	32	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	33	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	33	34	tracks	track	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	33	35	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	36	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	33	37	recording	recording	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	38	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	39	performed	perform	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	40	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	33	41	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	42	’s	’s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	43	quintet3	quintet3	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	44	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	33	45	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	33	46	discography	discography	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	33	47	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	33	48	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	34	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	34	2	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	34	3	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	34	4	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	34	5	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	34	6	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	7	am	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	8	concerned	concern	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	34	9	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	34	10	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	34	12	respectively	respectively	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	34	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	34	14	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	34	15	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	16	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	34	17	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	18	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	19	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	34	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	34	21	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	34	22	Do	do	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	23	you	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	24	remember	remember	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	34	25	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	34	26	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	34	27	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	35	1	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	35	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	35	3	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	35	4	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	35	5	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	35	6	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	35	7	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	35	8	All	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	35	9	things	thing	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	35	10	brotherly	brotherly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	35	11	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	35	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	36	1	These	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	36	2	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	36	3	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	36	4	show	show	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	36	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	36	6	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	36	8	intricate	intricate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	9	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	10	processes	process	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	36	11	through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	12	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	36	13	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	36	14	weaves	weave	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	36	15	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	36	17	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	18	tapestry	tapestry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	20	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	36	21	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	22	out-	out-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	23	put	put	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	36	24	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	36	25	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	26	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	27	idioms	idiom	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	36	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	36	29	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	30	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	36	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	36	32	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	36	33	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	34	conceptions	conception	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	36	35	con-	con-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	36	ventionally	ventionally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	36	37	disparate	disparate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	38	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	39	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	36	40	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	41	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	36	42	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	43	ethos	ethos	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	36	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	37	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	2	essence	essence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	37	4	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	37	5	incorporates	incorporate	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	37	6	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	7	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	37	8	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	37	10	defining	define	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	37	11	characteristics	characteristic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	37	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	13	various	various	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	37	14	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	37	15	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	37	17	way	way	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	18	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	37	19	articulate	articulate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	37	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	37	21	eclectic	eclectic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	37	22	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	24	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	37	25	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	37	26	conceptions	conception	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	37	27	with-	with-	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	37	28	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	37	30	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	37	31	framework	framework	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	37	33	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	37	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	38	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	2	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	4	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	5	investigate	investigate	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	7	influences	influence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	38	8	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	9	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	38	11	free	free	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	12	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	14	Western	western	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	15	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	16	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	18	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	19	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	21	minimalism	minimalism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	23	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	24	impressionism	impressionism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	26	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	38	27	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	28	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	29	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	30	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	32	conceptualization	conceptualization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	38	34	sub-	sub-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	35	sequent	sequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	36	materialization	materialization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	37	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	38	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	38	39	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	40	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	41	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	42	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	43	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	38	44	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	38	45	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	38	46	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	38	47	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	48	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	49	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	50	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	38	51	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	38	52	By	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	53	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	54	investigation	investigation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	55	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	56	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	57	hope	hope	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	58	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	38	59	shed	shed	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	38	60	light	light	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	61	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	62	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	63	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	64	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	65	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	38	66	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	67	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	68	cur-	cur-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	69	rent	rent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	70	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	71	phenomenon	phenomenon	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	72	itself	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	73	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	38	74	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	38	75	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	38	76	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	77	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	38	78	contribute	contribute	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	38	79	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	80	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	81	better	well	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	38	82	understand-	understand-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	83	ing	ing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	84	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	85	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	38	86	ways	way	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	38	87	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	38	88	hybrids	hybrid	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	38	89	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	38	90	constructed	construct	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	38	91	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	39	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	2	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	3	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	39	4	contextualize	contextualize	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	39	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	39	6	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	39	7	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	8	proper,4	proper,4	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	39	9	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	39	10	begin	begin	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	39	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	39	12	paper	paper	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	13	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	39	15	brief	brief	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	39	16	discussion	discussion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	39	19	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	21	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	22	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	39	23	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	39	24	hybridizing	hybridizing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	25	tendencies	tendency	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	39	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	39	27	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	39	28	followed	follow	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	29	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	30	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	39	31	review	review	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	33	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	39	34	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	39	35	biography	biography	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	39	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	40	1	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	40	2	brief	brief	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	3	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	5	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	40	7	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	40	8	hybridizing	hybridizing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	9	tendencies	tendency	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	40	10	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	40	11	emergence	emergence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	13	urban	urban	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	14	popular	popular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	15	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	16	genres	genre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	40	17	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	18	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	19	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	20	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	40	21	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	40	22	subse-	subse-	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	40	23	quent	quent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	40	24	creative	creative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	40	26	productive	productive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	27	connection	connection	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	28	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	29	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	30	musics	music	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	40	31	constitute	constitute	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	40	32	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	40	33	long-	long-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	34	lasting	lasting	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	35	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	40	36	prominent	prominent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	37	line	line	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	38	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	39	inquiry	inquiry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	40	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	41	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	40	42	scholarship	scholarship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	40	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	41	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	41	2	products	product	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	41	3	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	41	4	offspring	offspring	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	6	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	7	encounters	encounter	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	41	8	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	9	often	often	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	41	10	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	11	labelled	label	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	12	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	13	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	41	14	hybrids	hybrid	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	41	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	41	16	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	41	17	Despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	41	19	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	20	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	41	22	great	great	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	23	deal	deal	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	25	debate	debate	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	26	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	27	arisen	arise	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	28	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	29	academic	academic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	30	circles	circle	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	41	31	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	32	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	41	33	use	use	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	41	36	term	term	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	37	hybrid	hybrid	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	38	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	41	39	related	related	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	40	terms	term	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	41	41	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	42	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	43	hybridity	hybridity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	44	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	41	45	hybridization,5	hybridization,5	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	41	46	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	47	find	find	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	48	3	3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	41	49	Osvaldo	Osvaldo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	50	Caló	Caló	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	51	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	52	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	53	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	54	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	41	55	Éric	Éric	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	56	Charlan	Charlan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	57	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	58	double	double	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	41	59	bass	bass	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	60	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	61	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	41	62	Sébastien	Sébastien	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	63	Couranjou	Couranjou	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	64	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	65	violin	violin	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	66	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	67	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	41	68	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	69	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	70	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	71	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	41	72	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	73	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	41	74	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	41	75	Juanjo	Juanjo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	76	Mosalini	Mosalini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	77	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	78	bándoneon	bándoneon	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	41	79	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	41	80	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	42	1	4	4	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	42	2	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	3	general	general	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	42	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	42	5	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	42	6	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	42	7	approached	approach	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	42	9	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	42	10	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	42	11	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	42	13	centre	centre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	15	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	42	16	paper	paper	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	17	using	use	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	42	18	methods	method	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	42	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	20	Western	western	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	42	21	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	22	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	23	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	42	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	43	1	My	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	43	2	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	43	3	step	step	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	43	4	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	43	5	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	43	6	spend	spend	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	43	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	43	8	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	43	9	engaged	engage	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	43	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	43	11	close	close	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	43	12	listening	listening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	43	13	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	43	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	43	15	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	43	16	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	44	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	44	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	44	3	same	same	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	44	4	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	44	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	44	6	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	44	7	sketched	sketch	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	44	8	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	44	9	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	44	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	44	11	personal	personal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	44	12	reactions	reaction	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	44	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	44	14	ideas	idea	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	44	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	44	16	graphed	graph	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	44	17	representations	representation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	44	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	44	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	44	20	comments	comment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	44	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	45	1	Next	next	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	45	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	45	3	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	45	4	followed	follow	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	45	5	up	up	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	45	6	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	7	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	45	8	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	45	9	impressions	impression	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	45	10	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	11	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	45	12	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	45	13	analytical	analytical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	45	14	stage	stage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	15	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	45	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	17	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	45	18	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	45	19	tested	test	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	45	20	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	45	21	impressions	impression	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	45	22	against	against	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	23	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	45	24	scores	score	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	45	25	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	45	26	generously	generously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	45	27	supplied	supply	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	28	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	29	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	45	30	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	31	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	45	32	himself	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	45	33	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	45	34	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	45	35	de-	de-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	45	36	veloped	velope	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	45	37	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	45	38	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	39	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	45	40	hypotheses	hypothesis	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	45	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	46	1	Importantly	importantly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	46	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	46	3	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	46	4	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	46	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	46	6	opportunity	opportunity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	7	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	46	8	further	further	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	46	9	investigate	investigate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	46	10	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	46	11	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	46	12	arm-	arm-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	46	13	chair	chair	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	14	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	46	15	assumptions	assumption	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	46	16	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	46	18	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	20	fieldwork	fieldwork	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	21	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	22	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	46	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	46	24	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	25	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	46	26	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	46	27	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	46	28	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	46	29	graciously	graciously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	46	30	granted	grant	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	46	31	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	46	32	several	several	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	46	33	interviews	interview	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	46	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	47	1	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	47	2	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	3	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	47	5	inform	inform	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	47	6	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	47	7	understanding	understanding	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	9	hybridity	hybridity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	47	11	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	47	12	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	13	scholars	scholar	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	47	14	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	47	15	looked	look	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	16	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	17	Homi	Homi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	47	18	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	47	19	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	47	20	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	47	21	Location	Location	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	47	22	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	23	Culture	Culture	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	47	24	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	47	26	primary	primary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	47	27	source	source	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	47	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	48	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	2	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	48	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	5	Grove	Grove	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	48	6	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	48	7	Online	Online	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	48	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	48	9	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	48	10	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	48	11	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	48	12	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	48	13	77	77	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	48	14	nevertheless	nevertheless	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	48	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	48	16	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	48	19	hybrid	hybrid	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	20	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	48	21	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	22	least	least	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	48	23	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	24	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	48	25	loosest	loose	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	48	26	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	48	27	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	48	28	general	general	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	29	sense	sense	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	31	something	something	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	32	being	be	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	48	33	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	34	mixed	mixed	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	35	origin	origin	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	36	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	48	37	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	38	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	48	39	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	48	40	useful	useful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	41	working	working	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	42	umbrella	umbrella	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	43	construct	construct	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	48	44	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	45	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	48	46	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	48	47	approach	approach	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	48	48	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	49	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	50	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	48	51	diverse	diverse	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	52	kinds	kind	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	48	53	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	54	interactions	interaction	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	48	55	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	48	56	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	48	57	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	58	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	59	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	60	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	61	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	48	62	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	63	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	48	64	expression	expression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	48	65	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	49	1	Indeed	indeed	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	49	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	49	3	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	49	4	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	49	5	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	49	6	known	know	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	7	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	49	8	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	9	itself	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	49	10	emerged	emerge	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	49	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	49	13	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	49	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	15	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	49	16	between	between	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	17	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	49	18	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	49	19	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	49	20	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	49	21	spaces	space	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	49	22	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	49	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	24	competing	compete	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	49	25	cul-	cul-	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	49	26	tural	tural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	49	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	49	28	racial	racial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	49	29	differences	difference	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	49	30	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	49	31	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	49	32	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	49	33	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	49	34	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	49	35	resulted	result	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	49	36	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	37	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	49	38	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	39	hybridiz-	hybridiz-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	49	40	ing	ing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	41	tendencies	tendency	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	49	42	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	49	43	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	49	44	New	New	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	49	45	World	World	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	49	46	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	50	1	Thus	thus	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	50	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	50	3	particularly	particularly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	50	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	5	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	50	6	dance	dance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	7	form	form	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	50	9	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	50	10	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	50	11	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	12	characterized	characterize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	13	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	50	15	transgressive	transgressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	50	16	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	17	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	50	18	Carretero	Carretero	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	50	19	1999	1999	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	50	20	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	50	21	Collier	collier	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	22	1992	1992	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	50	23	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	50	24	Denniston	Denniston	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	50	25	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	50	26	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	50	27	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	50	28	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	50	29	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	50	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	50	31	responsible	responsible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	50	32	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	33	crossing	cross	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	50	34	lines	line	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	50	35	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	50	36	audible	audible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	50	37	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	50	38	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	50	39	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	50	40	bodily	bodily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	50	41	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	50	42	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	50	43	challenging	challenge	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	50	44	social	social	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	50	45	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	50	46	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	50	47	boundaries	boundary	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	50	48	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	51	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	51	2	Sarah	Sarah	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	3	Weiss	Weiss	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	4	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	51	5	pointed	point	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	51	6	out	out	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	51	8	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	51	9	Thinking	think	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	51	10	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	51	11	hybridity	hybridity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	51	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	51	13	how	how	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	51	14	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	15	perceive	perceive	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	16	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	17	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	51	18	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	51	19	because	because	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	51	20	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	21	makes	make	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	51	22	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	23	think	think	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	51	24	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	51	25	boundaries	boundary	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	51	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	51	27	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	51	28	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	51	29	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	51	30	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	51	31	genre	genre	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	51	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	52	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	2	makes	make	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	52	3	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	4	question	question	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	52	5	our	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	52	6	expectations	expectation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	52	7	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	8	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	52	9	ideas	idea	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	52	10	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	52	12	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	14	boundaries	boundary	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	52	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	52	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	17	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	52	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	52	19	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	20	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	21	mean	mean	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	22	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	52	23	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	24	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	52	26	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	52	27	others	other	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	52	28	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	52	29	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	52	30	Weiss	Weiss	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	52	31	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	52	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	52	33	233	233	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	52	34	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	52	35	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	53	1	Following	follow	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	53	2	Weiss	Weiss	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	53	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	53	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	53	5	remainder	remainder	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	7	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	53	8	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	9	will	will	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	53	10	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	53	11	think	think	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	53	12	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	53	14	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	53	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	53	17	hybridizing	hybridizing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	18	entangle-	entangle-	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	19	ments	ment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	53	20	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	53	21	first	first	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	53	22	generated	generate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	23	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	24	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	53	25	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	53	26	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	53	28	subsequent	subsequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	29	boundary	boundary	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	30	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	53	31	breaking	break	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	53	32	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	53	33	cross	cross	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	34	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	35	fertilizing	fertilizing	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	36	turns	turn	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	37	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	53	38	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	53	39	taken	take	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	53	40	since	since	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	53	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	54	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	54	2	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	54	3	formulation	formulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	54	6	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	7	known	know	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	8	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	9	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	54	10	occurred	occur	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	54	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	54	13	mid	mid	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	54	14	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	15	late	late	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	54	16	nineteenth	nineteenth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	54	17	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	18	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	54	20	increasingly	increasingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	54	21	thriving	thriving	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	54	22	port	port	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	23	districts	district	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	54	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	54	25	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	54	26	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	54	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	54	28	Montevideo	Montevideo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	54	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	55	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	55	2	proceeded	proceed	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	55	3	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	5	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	8	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	10	complex	complex	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	55	11	dia-	dia-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	55	12	logic	logic	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	13	processes	process	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	55	14	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	15	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	55	16	already	already	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	55	17	begun	begin	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	18	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	55	19	unfold	unfold	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	55	20	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	22	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	55	23	half	half	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	26	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	28	social	social	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	55	29	interactions	interaction	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	55	30	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	31	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	32	itinerant	itinerant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	55	33	indigenous	indigenous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	55	34	population	population	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	35	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	55	36	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	55	37	population	population	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	38	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	39	newly	newly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	55	40	arrived	arrive	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	55	41	European	european	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	55	42	immigrants	immigrant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	55	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	56	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	2	such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	56	3	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	56	4	demographical-	demographical-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	5	ly	ly	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	56	6	heterogeneous	heterogeneous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	56	7	context	context	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	56	9	culturally	culturally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	56	10	disparate	disparate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	56	11	choreo	choreo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	12	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	56	13	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	56	14	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	56	15	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	56	16	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	17	mazurkas	mazurkas	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	56	19	payadas,6	payadas,6	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	20	polkas	polkas	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	56	22	milongas	milongas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	56	23	camperas	camperas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	56	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	56	25	rural	rural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	56	26	milongas	milongas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	56	27	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	56	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	56	29	habaneras	habaneras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	56	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	56	31	candombes	candombe	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	56	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	56	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	56	34	waltzes	waltz	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	56	35	were	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	56	36	thrust	thrust	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	37	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	38	daily	daily	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	56	39	coexistence	coexistence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	56	40	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	57	1	By	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	3	end	end	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	6	nineteenth	nineteenth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	57	7	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	57	9	through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	11	reinterpretation	reinterpretation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	57	13	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	15	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	16	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	57	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	57	18	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	57	19	emerged	emerge	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	57	20	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	22	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	57	23	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	57	24	space	space	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	25	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	57	26	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	57	27	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	57	28	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	57	29	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	57	30	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	32	negotiation	negotiation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	33	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	34	struggles	struggle	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	57	35	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	57	36	structure	structure	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	57	37	racial	racial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	57	38	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	57	39	sexual	sexual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	57	40	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	57	41	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	57	42	class	class	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	43	identities	identity	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	57	44	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	57	45	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	57	46	River	River	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	57	47	Plate	Plate	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	57	48	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	58	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	58	3	majority	majority	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	5	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	58	6	elites	elite	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	58	7	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	58	9	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	58	11	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	58	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	58	13	particularly	particularly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	58	14	those	those	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	58	15	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	16	Bue-	Bue-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	58	17	nos	nos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	58	18	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	58	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	58	20	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	58	21	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	58	22	considered	consider	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	23	shockingly	shockingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	58	24	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	58	25	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	58	26	despicably	despicably	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	58	27	transgressive	transgressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	58	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	59	1	Martin	Martin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	2	Stokes	Stokes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	4	author	author	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	59	7	entry	entry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	8	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	9	ethnomusicology	ethnomusicology	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	11	underlines	underline	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	59	13	importance	importance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	15	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	59	17	con-	con-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	18	tribution	tribution	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	19	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	59	20	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	59	21	Hybridity	hybridity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	22	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	23	creolism	creolism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	24	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	25	crucial	crucial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	26	aspects	aspect	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	59	27	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	28	global	global	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	29	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	30	consciousness	consciousness	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	32	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	59	33	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	59	35	sense	sense	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	36	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	37	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	59	38	origins	origin	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	59	39	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	40	‘	'	``
work_bqoqnhnyvfax5njlsfrijxvgrm	59	41	no	no	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	59	42	longer	long	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	59	43	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	59	44	pure	pure	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	45	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	59	46	since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	47	no	no	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	59	48	culture	culture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	49	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	59	50	origins	origin	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	59	51	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	52	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	53	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	59	54	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	59	55	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	59	56	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	57	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	58	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	59	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	59	60	sense	sense	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	61	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	62	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	63	engender	engender	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	64	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	65	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	59	66	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	67	relativizing	relativize	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	59	68	self	self	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	69	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	59	70	consciousness	consciousness	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	71	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	72	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	73	being	be	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	59	74	neither	neither	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	75	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	59	76	nor	nor	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	77	there	there	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	59	78	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	79	‘	'	``
work_bqoqnhnyvfax5njlsfrijxvgrm	59	80	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	81	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	59	82	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	83	‘	'	``
work_bqoqnhnyvfax5njlsfrijxvgrm	59	84	them	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	85	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	86	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	59	87	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	59	88	being	be	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	59	89	in	in	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	59	90	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	59	91	between	between	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	92	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	59	93	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	94	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	59	95	‘	'	``
work_bqoqnhnyvfax5njlsfrijxvgrm	59	96	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	59	97	space	space	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	59	98	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	59	99	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	59	100	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	59	101	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	59	102	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	59	103	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	59	104	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	60	1	Thus	thus	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	60	2	Stokes	Stokes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	60	3	carefully	carefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	60	4	sidesteps	sidestep	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	60	5	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	60	6	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	8	voices	voice	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	60	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	10	post	post	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	60	11	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	60	12	colonial	colonial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	60	13	studies	study	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	60	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	60	15	related	relate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	16	fields	field	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	60	17	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	60	18	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	60	19	criticized	criticize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	20	proponents	proponent	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	60	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	22	hybrid-	hybrid-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	60	23	ity	ity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	24	theory	theory	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	60	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	61	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	2	criticisms	criticism	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	61	3	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	4	included	include	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	5	accusations	accusation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	61	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	7	being	be	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	61	8	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	9	elitist	elitist	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	10	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	11	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	12	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	14	hybrid	hybrid	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	15	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	17	pejorative	pejorative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	18	term	term	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	19	connoting	connote	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	61	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	21	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	22	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	23	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	24	mongrel	mongrel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	25	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	26	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	28	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	29	illogical	illogical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	30	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	31	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	32	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	33	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	34	there	there	EX
work_bqoqnhnyvfax5njlsfrijxvgrm	61	35	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	36	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	37	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	38	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	39	hybrid	hybrid	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	40	unless	unless	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	41	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	42	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	43	pure	pure	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	44	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	45	identi-	identi-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	46	ties	tie	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	61	47	generate	generate	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	48	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	49	initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	50	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	51	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	52	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	61	53	ultimately	ultimately	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	54	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	55	essentialist	essentialist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	56	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	57	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	61	58	purist	purist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	59	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	60	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	61	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	62	claim	claim	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	63	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	61	64	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	65	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	66	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	67	anti-	anti-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	68	essentialist	essentialist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	69	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	61	70	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	71	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	72	Frello	Frello	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	73	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	74	n.d	n.d	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	75	.	.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	76	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	77	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	78	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	79	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	80	puts	put	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	81	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	82	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	83	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	84	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	85	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	86	seen	see	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	87	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	88	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	61	89	reproducing	reproduce	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	61	90	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	91	very	very	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	92	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	93	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	94	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	95	purity	purity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	96	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	97	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	98	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	99	meant	mean	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	100	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	61	101	transcend	transcend	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	102	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	61	103	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	61	104	Hybridity	Hybridity	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	105	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	61	106	entails	entail	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	107	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	61	108	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	109	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	110	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	61	111	terms	term	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	61	112	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	61	113	concepts	concept	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	61	114	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	115	including	include	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	61	116	transgression	transgression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	117	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	118	diaspora	diaspora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	119	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	120	Creolization	Creolization	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	121	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	122	transculturation	transculturation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	123	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	124	syncretism	syncretism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	125	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	126	mestizaje	mestizaje	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	127	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	128	cannibal-	cannibal-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	129	ism	ism	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	130	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	61	131	anthropophagy	anthropophagy	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	132	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	61	133	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	61	134	dialogic	dialogic	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	135	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	61	136	polyphony	polyphony	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	137	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	61	138	multivocality	multivocality	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	139	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	140	Bakhtin	Bakhtin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	141	1981	1981	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	142	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	61	143	Bhabha	bhabha	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	144	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	145	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	61	146	Canclini	Canclini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	147	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	148	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	61	149	Kapchan	Kapchan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	150	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	61	151	Turner	Turner	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	152	Strong	Strong	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	153	1999	1999	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	154	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	61	155	Nederven	Nederven	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	156	Pieterse	pieterse	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	61	157	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	158	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	61	159	Young	Young	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	61	160	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	61	161	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	61	162	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	62	1	6	6	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	62	2	Originally	originally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	62	3	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	4	South	South	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	62	5	America	America	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	62	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	62	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	62	8	payada	payada	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	9	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	62	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	62	11	style	style	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	13	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	62	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	62	15	payador	payador	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	62	16	sings	sing	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	62	17	improvised	improvise	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	62	18	poetry	poetry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	19	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	20	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	62	21	own	own	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	62	22	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	23	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	62	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	63	1	78	78	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	63	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	63	3	Not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	63	4	long	long	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	63	5	after	after	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	63	6	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	63	7	emergence	emergence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	63	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	63	9	South	South	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	63	10	America	America	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	63	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	63	12	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	63	13	made	make	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	63	14	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	63	15	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	63	16	trip	trip	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	63	17	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	63	18	Europe	Europe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	63	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	64	1	No	no	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	64	2	one	one	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	3	knows	know	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	64	4	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	5	sure	sure	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	64	6	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	7	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	64	8	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	64	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	64	11	port	port	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	13	Marseilles	Marseilles	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	64	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	15	1905	1905	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	64	16	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	64	17	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	64	18	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	64	19	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	64	20	Butte	Butte	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	64	21	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	64	22	Montmartre	Montmartre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	64	23	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	64	24	few	few	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	64	25	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	64	26	later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	64	27	where	where	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	64	28	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	64	29	first	first	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	64	30	landed	land	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	64	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	65	1	Neither	neither	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	65	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	65	3	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	4	certain	certain	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	65	5	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	6	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	7	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	65	8	sailors	sailor	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	65	9	aboard	aboard	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	65	11	Argentine	Argentine	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	12	frigate	frigate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	65	13	Sarmiento	Sarmiento	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	65	15	vacationing	vacation	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	65	16	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	65	17	beef	beef	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	18	barons	baron	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	65	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	65	20	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	65	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	65	22	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	65	23	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	24	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	65	25	sent	send	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	26	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	27	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	28	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	65	30	Gath	Gath	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	31	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	32	Chavez	Chavez	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	33	company	company	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	34	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	65	35	record	record	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	65	36	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	65	37	first	first	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	65	38	took	take	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	65	39	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	65	40	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	65	41	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	42	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	43	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	65	45	Continent	continent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	65	46	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	66	1	Despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	66	3	uncertainties	uncertainty	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	66	4	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	66	5	myths	myth	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	66	6	surrounding	surround	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	66	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	66	8	emergence	emergence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	9	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	66	10	evolution	evolution	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	12	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	66	13	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	66	15	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	66	16	do	do	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	66	17	know	know	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	66	18	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	19	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	20	1910	1910	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	66	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	66	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	66	23	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	24	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	66	25	firmly	firmly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	66	26	settled	settle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	66	28	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	66	29	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	66	30	Cadicamo	Cadicamo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	66	31	1975	1975	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	66	32	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	66	33	Humbert	Humbert	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	66	34	2000	2000	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	66	35	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	66	36	Zalko	Zalko	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	66	37	2001	2001	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	66	38	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	66	39	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	67	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	67	2	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	67	3	arrival	arrival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	4	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	5	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	67	6	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	67	7	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	67	8	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	67	9	pivotal	pivotal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	67	10	moment	moment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	67	13	evolution	evolution	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	67	16	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	67	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	68	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	2	sweeping	sweeping	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	68	3	success	success	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	4	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	5	followed	follow	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	68	6	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	7	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	68	8	arrival	arrival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	11	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	68	12	cap-	cap-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	13	ital	ital	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	14	placed	place	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	68	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	16	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	68	17	seal	seal	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	19	approval	approval	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	68	21	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	23	Europeanized	Europeanized	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	68	24	elites	elite	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	68	25	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	26	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	68	27	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	68	28	needed	need	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	29	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	30	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	31	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	68	32	accept	accept	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	68	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	68	34	embrace	embrace	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	68	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	68	36	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	68	37	lascivious	lascivious	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	68	38	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	68	39	dance	dance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	68	40	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	68	41	previously	previously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	68	42	despised	despise	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	68	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	69	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	2	Parisian	parisian	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	69	3	salons	salon	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	69	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	69	5	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	69	6	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	7	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	69	8	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	9	divested	divest	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	11	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	69	12	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	69	13	vul-	vul-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	69	14	gar	gar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	69	15	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	69	16	contortions	contortion	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	69	17	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	69	18	stylized	stylize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	19	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	20	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	69	21	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	69	22	legitimate	legitimate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	69	23	practice	practice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	24	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	69	25	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	69	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	69	27	aristocracy	aristocracy	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	29	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	69	30	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	69	31	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	69	32	subsequently	subsequently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	69	33	ready	ready	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	69	34	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	69	35	reclaim	reclaim	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	69	36	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	69	37	theirs	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	69	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	70	1	This	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	2	re	re	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	3	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	4	appropri-	appropri-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	5	ation	ation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	6	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	7	often	often	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	70	8	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	9	interpreted	interpret	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	10	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	12	event	event	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	13	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	14	opened	open	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	70	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	16	door	door	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	17	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	18	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	19	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	70	20	final	final	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	21	popularization	popularization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	22	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	23	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	70	24	native	native	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	25	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	26	Aires.7	Aires.7	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	27	While	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	28	one	one	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	29	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	70	30	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	70	31	overlook	overlook	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	70	32	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	33	significance	significance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	35	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	36	event	event	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	70	38	seeing	see	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	70	39	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	40	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	41	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	70	42	final	final	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	43	popularization	popularization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	44	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	45	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	46	direct	direct	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	47	con-	con-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	48	sequence	sequence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	49	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	50	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	70	51	success	success	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	52	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	53	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	54	city	city	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	55	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	70	56	elites	elite	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	70	57	presents	present	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	58	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	59	uncritical	uncritical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	60	interpreta-	interpreta-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	61	tion	tion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	62	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	63	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	70	64	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	65	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	70	66	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	67	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	68	scholars	scholar	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	70	69	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	70	recently	recently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	70	71	pointed	point	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	72	out	out	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	73	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	70	74	leaves	leave	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	75	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	70	76	issues	issue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	70	77	unexamined	unexamine	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	78	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	70	79	Cibotti	Cibotti	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	80	2009	2009	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	70	81	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	70	82	Collier	collier	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	70	83	1992	1992	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	70	84	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	70	85	Garramuño	Garramuño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	86	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	70	87	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	70	88	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	70	89	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	70	90	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	70	91	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	71	1	Most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	71	2	saliently	saliently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	71	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	71	4	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	71	5	bluntly	bluntly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	71	6	disregards	disregard	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	71	8	deep	deep	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	71	9	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	71	10	seated	seat	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	11	social	social	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	71	13	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	71	15	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	71	16	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	17	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	71	18	brought	bring	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	19	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	71	21	city	city	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	22	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	71	23	radical	radical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	24	demographic	demographic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	25	change	change	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	26	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	71	27	expo-	expo-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	28	nential	nential	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	29	economic	economic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	71	30	growth	growth	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	31	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	32	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	71	33	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	71	34	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	71	35	Cibotti	Cibotti	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	71	36	2009	2009	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	71	37	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	71	38	Sarlo	Sarlo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	71	39	1999	1999	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	71	40	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	71	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	72	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	2	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	72	3	examination	examination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	72	5	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	72	6	suffices	suffice	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	72	7	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	72	8	recognize	recognize	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	72	9	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	72	11	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	12	least	least	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	72	13	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	14	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	72	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	72	16	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	17	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	72	18	sounded	sound	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	72	19	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	72	20	different	different	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	72	21	after	after	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	22	having	have	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	72	23	conquered	conquer	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	72	25	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	72	26	capital	capital	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	72	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	73	1	When	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	73	2	undertaking	undertake	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	73	3	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	73	4	musicological	musicological	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	73	5	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	73	8	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	73	10	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	73	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	73	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	73	13	long	long	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	73	14	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	73	15	international	international	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	73	16	dissemination	dissemination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	17	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	73	18	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	73	19	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	73	20	2000a	2000a	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	73	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	73	22	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	73	23	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	73	24	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	73	25	followed	follow	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	73	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	73	27	arrival	arrival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	28	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	73	29	subsequent	subsequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	73	30	success	success	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	32	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	33	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	73	34	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	73	35	becomes	become	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	73	36	significantly	significantly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	73	37	more	more	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	73	38	relevant	relevant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	73	39	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	74	1	While	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	2	interrupted	interrupt	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	3	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	4	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	74	5	world	world	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	6	wars	war	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	74	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	74	8	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	74	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	74	10	international	international	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	74	11	dissemination	dissemination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	12	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	74	13	continued	continue	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	14	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	15	increasing	increase	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	74	16	momentum	momentum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	74	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	75	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	2	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	75	3	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	75	4	article	article	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	75	6	Ramón	Ramón	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	75	7	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	75	8	periodizes	periodize	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	9	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	75	10	process	process	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	11	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	12	three	three	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	75	13	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	14	stages	stage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	75	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	75	16	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	75	17	defined	define	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	18	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	19	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	75	20	respective	respective	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	21	historical	historical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	22	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	75	23	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	24	contexts	contexts	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	75	26	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	75	27	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	75	28	own	own	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	29	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	75	30	evolution	evolution	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	75	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	76	1	Following	follow	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	76	2	Pe-	pe-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	76	3	linski	linski	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	76	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	76	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	76	6	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	76	7	stage	stage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	76	8	roughly	roughly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	76	9	coincides	coincide	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	76	10	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	76	11	La	La	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	76	12	belle	belle	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	76	13	époque	époque	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	76	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	77	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	77	2	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	77	3	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	77	5	arrival	arrival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	7	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	9	France	France	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	77	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	77	11	ended	end	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	77	12	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	77	14	beginning	beginning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	77	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	77	17	First	First	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	77	18	World	World	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	77	19	War	War	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	77	20	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	78	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	78	2	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	78	3	one	one	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	78	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	78	5	bracketed	bracket	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	78	6	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	78	7	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	78	8	armed	armed	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	78	9	conflicts	conflict	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	78	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	78	11	corresponds	correspond	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	78	12	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	78	13	Les	Les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	78	14	an-	an-	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	78	15	nées	nées	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	78	16	folles	folle	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	78	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	79	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	2	last	last	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	3	wave	wave	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	5	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	79	6	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	7	international	international	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	8	dissemination	dissemination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	9	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	79	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	12	late	late	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	13	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	79	15	primarily	primarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	79	16	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	18	response	response	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	19	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	20	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	79	21	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	22	catastrophic	catastrophic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	23	socio	socio	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	24	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	25	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	26	situa-	situa-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	27	tion	tion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	79	29	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	30	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	31	Marta	Marta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	79	32	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	79	33	writes	write	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	79	35	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	79	36	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	38	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	39	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	79	40	1980s	1980	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	41	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	42	battered	batter	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	43	generation	generation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	44	took	take	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	79	45	hold	hold	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	46	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	47	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	48	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	49	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	50	expression	expression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	51	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	52	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	53	experiences	experience	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	54	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	55	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	56	terror	terror	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	57	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	79	58	exile	exile	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	59	lived	live	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	79	60	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	61	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	79	62	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	79	63	recent	recent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	64	military	military	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	79	65	government	government	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	79	66	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	79	67	1973–1983	1973–1983	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	79	68	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	79	69	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	80	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	80	3	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	80	5	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	6	went	go	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	80	7	through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	8	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	80	9	revival	revival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	11	Europe	Europe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	80	13	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	80	14	sensitive	sensitive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	80	15	argentino	argentino	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	16	7	7	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	80	17	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	80	18	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	20	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	80	21	reappropriation	reappropriation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	22	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	80	23	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	80	24	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	25	previously	previously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	80	26	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	27	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	80	28	Marta	Marta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	29	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	30	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	80	31	Florencia	Florencia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	32	Garramuño	Garramuño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	33	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	80	34	Garramuño	Garramuño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	35	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	80	36	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	80	37	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	80	38	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	80	39	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	80	40	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	81	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	81	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	81	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	81	5	79	79	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	81	6	artists	artist	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	81	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	81	8	astute	astute	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	81	9	impresarios	impresario	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	81	10	launched	launch	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	81	11	successful	successful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	81	12	shows	show	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	81	13	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	81	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	81	15	United	United	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	16	States	States	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	81	18	Japan	Japan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	81	20	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	81	21	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	22	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	23	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	81	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	81	25	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	81	26	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	81	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	81	28	12	12	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	81	29	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	81	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	82	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	82	2	consequences	consequence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	82	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	82	4	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	82	5	dissemination	dissemination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	82	6	went	go	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	82	7	far	far	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	82	8	beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	82	9	placing	place	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	82	10	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	82	11	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	82	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	82	13	international	international	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	82	14	stage	stage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	82	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	83	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	2	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	83	3	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	83	4	emerge	emerge	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	5	around	around	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	83	7	globe	globe	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	9	moving	move	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	83	10	rapidly	rapidly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	11	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	12	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	13	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	14	London	London	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	16	Barcelona	Barcelona	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	18	Berlin	Berlin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	20	Helsinki	Helsinki	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	22	Rotterdam	Rotterdam	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	24	New	New	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	25	York	York	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	27	Montreal	Montreal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	29	Tokyo	Tokyo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	31	Istanbul	Istanbul	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	83	34	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	83	35	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	83	36	urban	urban	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	83	37	centres	centre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	83	38	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	39	until	until	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	40	now	now	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	41	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	83	42	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	83	43	no	no	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	44	longer	long	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	83	45	simply	simply	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	46	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	83	47	imported	import	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	48	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	83	49	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	50	consumption	consumption	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	51	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	83	52	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	53	locally	locally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	54	concep-	concep-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	83	55	tualized	tualized	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	83	56	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	57	produced	produce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	83	58	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	83	59	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	83	60	commercialized	commercialize	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	83	61	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	84	1	From	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	3	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	4	perspective	perspective	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	84	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	7	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	84	8	significant	significant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	9	outcome	outcome	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	10	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	84	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	12	emer-	emer-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	13	gence	gence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	15	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	16	variants	variant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	84	17	whose	whose	WP$
work_bqoqnhnyvfax5njlsfrijxvgrm	84	18	conceptualization	conceptualization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	84	20	development	development	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	21	were	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	84	22	de-	de-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	84	23	fined	fine	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	24	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	26	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	27	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	84	28	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	29	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	30	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	32	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	33	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	84	34	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	35	socio	socio	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	36	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	84	37	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	38	contexts.8	contexts.8	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	39	Sensitized	sensitize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	40	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	41	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	42	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	84	43	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	84	44	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	84	45	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	84	46	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	84	47	series	series	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	48	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	84	49	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	50	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	84	51	semantic	semantic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	84	52	transformations	transformation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	84	53	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	85	1	Since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	85	3	1990s	1990s	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	85	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	85	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	85	6	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	85	7	brought	bring	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	8	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	9	globaliz-	globaliz-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	85	10	ation	ation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	11	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	85	12	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	13	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	85	14	profound	profound	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	85	15	impact	impact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	16	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	85	18	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	85	20	pace	pace	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	85	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	85	23	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	85	24	shaping	shape	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	85	25	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	85	26	contemporary	contemporary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	85	27	tangos	tango	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	85	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	86	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	2	Martin	Martin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	3	Stokes	Stokes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	4	writes	write	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	86	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	86	7	accelerated	accelerated	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	8	transnational	transnational	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	9	movements	movement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	86	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	11	people	people	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	86	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	86	13	capital	capital	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	14	commodities	commodity	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	86	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	86	16	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	86	17	information	information	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	18	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	19	energized	energize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	20	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	86	21	cross	cros	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	22	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	23	fertilized	fertilized	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	24	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	25	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	86	26	making	making	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	28	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	86	29	diasporas	diaspora	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	86	30	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	86	32	major	major	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	33	urban	urban	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	34	centres	centre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	86	35	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	36	Western	Western	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	37	Europe	Europe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	38	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	86	39	North	North	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	40	America	America	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	41	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	86	42	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	86	43	elsewhere	elsewhere	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	86	44	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	86	45	Stokes	Stokes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	86	46	2004	2004	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	86	47	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	86	48	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	86	49	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	86	50	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	51	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	52	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	86	53	making	making	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	54	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	86	55	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	56	no	no	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	86	57	exception	exception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	86	58	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	87	1	Thus	thus	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	87	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	87	3	cross	cross	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	87	4	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	87	5	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	87	6	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	87	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	87	8	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	87	9	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	87	10	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	87	11	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	87	12	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	87	13	tango	tango	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	87	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	87	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	87	16	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	87	17	whose	whose	WP$
work_bqoqnhnyvfax5njlsfrijxvgrm	87	18	own	own	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	87	19	birth	birth	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	87	20	resulted	result	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	87	21	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	87	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	87	23	mixing	mixing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	87	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	87	25	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	87	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	88	1	While	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	2	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	3	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	88	4	instance	instance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	88	6	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	7	evolved	evolve	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	88	8	according	accord	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	88	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	10	distinct	distinct	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	11	sets	set	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	88	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	13	social	social	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	14	actors	actor	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	88	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	88	16	geographic	geographic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	17	locations	location	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	88	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	88	19	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	20	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	88	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	88	22	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	23	contexts	contexts	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	88	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	88	26	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	27	cir-	cir-	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	88	28	cumstances	cumstance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	88	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	88	30	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	31	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	88	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	33	them	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	88	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	88	35	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	36	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	37	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	88	38	conceptually	conceptually	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	88	39	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	88	40	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	89	1	Hybridiza-	Hybridiza-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	89	2	tion	tion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	3	produced	produce	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	89	4	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	89	5	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	6	style	style	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	8	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	10	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	89	11	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	13	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	89	14	own	own	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	15	right	right	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	17	thus	thus	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	89	18	occupying	occupy	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	89	19	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	89	20	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	89	21	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	22	space	space	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	23	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	89	24	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	89	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	26	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	89	28	words	word	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	89	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	30	Homi	Homi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	89	31	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	89	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	33	contains	contain	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	34	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	89	35	something	something	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	36	different	different	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	38	something	something	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	39	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	40	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	89	41	unrecognizable	unrecognizable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	89	43	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	89	44	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	89	45	area	area	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	46	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	47	negotiation	negotiation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	48	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	49	meaning	meaning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	50	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	89	51	representation	representation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	89	52	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	89	53	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	89	54	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	89	55	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	89	56	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	89	57	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	90	1	Despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	3	sometimes	sometimes	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	90	4	seemingly	seemingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	90	5	irreconcil-	irreconcil-	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	90	6	able	able	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	90	7	contexts	contexts	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	8	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	9	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	10	convergences	convergence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	12	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	90	14	conceptually	conceptually	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	90	15	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	90	16	hybrid-	hybrid-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	17	izations	ization	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	18	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	90	19	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	90	20	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	90	21	recognized	recognize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	22	behind	behind	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	23	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	24	emergence	emergence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	25	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	27	newer	new	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	90	28	textures	texture	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	29	introduced	introduce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	30	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	31	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	32	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	90	34	Eduardo	Eduardo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	35	Rovira	Rovira	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	36	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	37	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	38	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	39	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	40	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	41	1950s	1950	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	90	43	Rodolfo	Rodolfo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	44	Mederos	Mederos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	45	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	46	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	47	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	48	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	90	49	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	50	Beytelmann	Beytelmann	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	51	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	90	52	Caratini	Caratini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	53	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	90	54	Mosalini	Mosalini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	55	trio	trio	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	56	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	57	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	58	1980s	1980	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	59	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	90	60	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	90	61	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	90	62	recent	recent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	90	63	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	90	64	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	90	65	Diego	Diego	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	66	Schissi	Schissi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	90	67	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	91	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	2	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	91	3	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	91	4	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	91	5	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	6	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	91	7	overview	overview	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	91	9	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	91	10	non	non	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	91	11	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	91	12	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	91	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	91	14	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	91	15	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	91	16	reconcep-	reconcep-	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	17	tualized	tualized	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	91	18	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	19	throughout	throughout	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	20	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	91	21	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	91	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	92	1	Despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	2	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	92	3	hybridizing	hybridize	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	92	4	antecedents	antecedent	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	92	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	92	6	seldom	seldom	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	92	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	8	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	92	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	92	10	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	11	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	92	12	such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	92	13	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	92	14	wide	wide	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	92	15	range	range	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	17	influences	influence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	92	18	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	19	given	give	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	20	struc-	struc-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	92	21	tural	tural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	92	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	92	23	syntactic	syntactic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	92	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	92	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	92	26	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	92	27	weight	weight	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	28	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	29	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	92	31	contemporary	contemporary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	92	32	examples	example	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	92	33	ana-	ana-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	92	34	lyzed	lyze	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	92	35	below	below	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	92	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	93	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	2	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	93	3	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	4	suggests	suggest	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	93	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	93	7	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	8	now	now	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	93	9	shaping	shape	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	93	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	93	11	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	12	voices	voice	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	93	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	14	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	15	needs	need	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	16	further	further	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	17	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	93	18	careful	careful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	19	consideration	consideration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	20	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	21	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	93	22	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	93	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	93	24	understand	understand	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	93	25	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	93	26	socio	socio	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	27	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	93	28	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	29	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	30	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	93	31	semantic	semantic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	93	32	potentiality	potentiality	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	93	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	94	1	8	8	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	94	2	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	94	3	concepts	concept	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	94	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	5	de	de	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	94	6	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	94	7	territorialization	territorialization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	8	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	94	9	re	re	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	10	-	-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	11	territorialization	territorialization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	12	were	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	94	13	first	first	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	94	14	applied	apply	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	15	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	94	17	study	study	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	19	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	20	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	21	Ramón	Ramón	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	94	22	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	94	23	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	24	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	94	25	seminal	seminal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	94	26	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	94	27	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	94	28	Nómade	Nómade	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	94	29	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	94	30	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	94	31	2000a	2000a	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	94	32	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	94	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	95	1	80	80	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	95	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	95	3	tomás	tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	4	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	5	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	95	6	L’enfant	L’enfant	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	7	terrible	terrible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	95	8	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	9	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	10	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	95	11	born	bear	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	95	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	95	13	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	14	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	95	15	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	95	16	1957	1957	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	95	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	96	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	96	2	age	age	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	96	3	seventeen	seventeen	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	96	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	96	5	already	already	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	96	6	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	96	7	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	96	8	virtuoso	virtuoso	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	96	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	96	10	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	96	11	joined	join	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	96	12	Luis	Luis	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	96	13	Alberto	Alberto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	96	14	Spinetta	Spinetta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	96	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	96	16	group	group	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	96	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	96	18	Invisible	invisible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	96	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	97	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	2	group	group	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	3	became	become	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	97	4	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	97	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	7	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	8	influential	influential	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	9	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	12	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	14	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	16	so	so	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	97	17	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	97	18	called	call	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	19	rock	rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	20	nacional	nacional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	21	movement	movement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	97	23	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	24	musically	musically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	97	25	oriented	orient	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	26	social	social	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	27	movement	movement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	28	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	97	30	according	accord	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	97	31	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	32	Pablo	Pablo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	33	Vila	Vila	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	97	35	built	build	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	97	36	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	97	37	strongest	strong	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	38	identity	identity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	39	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	40	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	41	dictator-	dictator-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	42	ship	ship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	43	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	45	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	46	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	97	47	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	97	48	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	49	part	part	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	50	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	51	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	97	52	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	53	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	97	54	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	55	agenda	agenda	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	56	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	97	57	made	make	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	97	58	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	59	commit-	commit-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	60	ment	ment	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	61	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	62	experimenting	experiment	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	97	63	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	64	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	65	kinds	kind	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	66	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	67	hybrid	hybrid	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	68	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	69	crossovers	crossover	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	70	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	97	71	Vila	Vila	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	72	1989).9	1989).9	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	73	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	74	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	97	75	remarkable	remarkable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	76	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	77	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	78	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	79	lead	lead	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	80	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	81	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	82	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	97	83	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	97	84	heard	hear	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	85	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	86	Invisible	invisible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	87	’s	’s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	88	seminal	seminal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	89	1976	1976	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	97	90	album	album	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	91	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	97	92	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	93	jardín	jardín	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	94	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	95	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	96	presentes	presentes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	97	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	97	98	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	99	garden	garden	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	100	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	97	101	those	those	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	97	102	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	103	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	97	104	present	present	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	97	105	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	97	106	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	98	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	2	around	around	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	98	4	same	same	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	98	5	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	7	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	98	8	engagement	engagement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	9	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	10	Spinetta	Spinetta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	98	12	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	13	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	98	14	called	call	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	15	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	16	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	17	player	player	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	18	Rodolfo	Rodolfo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	19	Mederos	Mederos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	20	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	98	21	join	join	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	98	22	Generación	Generación	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	23	Cero	Cero	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	98	25	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	98	26	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	98	28	earliest	early	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	98	29	attempts	attempt	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	98	30	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	31	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	98	32	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	98	33	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	34	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	98	35	fuse	fuse	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	98	36	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	98	37	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	38	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	39	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	98	40	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	98	41	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	98	42	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	98	43	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	98	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	99	1	Generación	Generación	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	99	2	Cero	Cero	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	99	3	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	99	4	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	99	5	album	album	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	99	7	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	99	8	todas	todas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	99	9	maneras	maneras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	99	10	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	99	11	roughly	roughly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	99	12	trans-	trans-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	99	13	lated	late	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	14	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	15	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	99	16	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	17	any	any	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	99	18	way	way	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	99	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	99	21	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	99	22	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	99	23	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	24	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	99	25	possible	possible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	99	26	ways	way	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	99	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	99	28	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	99	29	1977	1977	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	99	30	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	99	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	99	32	documents	document	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	99	33	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	99	34	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	99	35	maturity	maturity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	36	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	99	38	eighteen	eighteen	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	99	39	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	99	40	year	year	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	41	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	99	42	old	old	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	99	43	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	99	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	100	1	Later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	100	2	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	3	1977	1977	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	100	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	100	5	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	100	6	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	100	7	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	100	8	assembled	assemble	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	100	9	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	100	10	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	100	11	version	version	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	13	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	100	14	Octeto	Octeto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	100	15	Electronico	Electronico	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	100	16	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	100	17	Electronic	electronic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	100	18	octet	octet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	19	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	100	20	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	100	22	European	european	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	100	23	tour	tour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	100	25	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	100	26	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	100	27	called	call	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	28	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	100	29	perform	perform	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	100	30	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	100	32	octet	octet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	33	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	100	34	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	100	35	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	101	1	With	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	101	3	tour	tour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	4	over	over	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	101	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	101	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	101	8	consequence	consequence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	10	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	101	11	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	101	12	disastrous	disastrous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	101	13	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	101	14	situation	situation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	101	16	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	101	17	along	along	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	18	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	19	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	101	20	members	member	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	101	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	101	23	band	band	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	24	decided	decide	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	101	25	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	101	26	stay	stay	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	101	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	101	28	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	101	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	102	1	Once	once	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	102	2	settled	settle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	4	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	5	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	102	6	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	7	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	102	8	turn	turn	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	102	9	out	out	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	10	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	102	11	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	102	12	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	102	13	exceptionally	exceptionally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	102	14	prolific	prolific	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	102	15	career	career	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	17	recording	recording	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	19	composing	composing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	21	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	102	22	arranging	arrange	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	102	23	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	24	artists	artist	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	102	25	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	102	26	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	27	Stéphane	Stéphane	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	28	Grappelli	Grappelli	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	30	Steve	Steve	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	31	Lacy	Lacy	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	33	Naná	Naná	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	34	Vasconcelos	Vasconcelos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	36	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	102	37	Michel	Michel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	38	Musseau	Musseau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	102	39	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	102	40	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	102	41	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	102	42	others	other	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	102	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	103	1	He	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	2	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	103	3	scored	score	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	103	4	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	103	5	films	film	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	103	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	103	7	composed	compose	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	103	8	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	103	9	opera	opera	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	103	10	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	103	11	ballet	ballet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	103	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	103	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	103	14	today	today	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	103	15	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	103	16	often	often	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	103	17	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	103	18	seen	see	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	103	19	conducting	conduct	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	103	20	La	La	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	21	Orchestre	Orchestre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	22	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	103	23	Bretagne	Bretagne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	24	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	103	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	103	26	New	New	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	27	Japan	Japan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	28	Philharmonic	Philharmonic	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	29	Orchestra	Orchestra	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	103	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	104	1	One	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	104	2	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	104	3	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	104	4	latest	late	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	104	5	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	104	6	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	104	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	104	8	concerto	concerto	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	104	9	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	104	10	four	four	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	104	11	double	double	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	104	12	basses	bass	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	104	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	104	14	commis-	commis-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	104	15	sioned	sione	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	104	16	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	104	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	104	18	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	104	19	government	government	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	104	20	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	105	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	105	2	various	various	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	105	3	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	105	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	105	5	styles	style	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	105	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	105	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	105	8	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	105	9	inclinations	inclination	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	105	10	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	105	11	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	105	12	worked	work	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	13	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	14	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	105	16	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	105	17	attest	attest	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	105	18	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	105	20	highly	highly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	105	21	multifaceted	multifacete	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	22	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	24	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	105	25	ca-	ca-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	26	reer	reer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	105	28	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	105	29	output	output	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	105	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	106	1	He	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	106	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	106	3	clearly	clearly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	106	4	committed	committed	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	106	5	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	6	creating	create	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	106	7	novel	novel	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	106	8	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	106	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	10	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	106	11	expression	expression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	106	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	106	14	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	106	15	embraces	embrace	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	106	16	possibilities	possibility	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	106	17	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	18	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	106	19	kinds	kind	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	106	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	21	fusion	fusion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	22	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	106	23	blending	blending	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	106	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	107	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	2	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	107	3	explains	explain	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	107	6	liner	liner	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	7	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	107	8	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	107	9	accompany	accompany	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	107	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	107	11	CD	CD	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	107	12	entitled	entitle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	13	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	107	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	107	15	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	107	16	Composing	compose	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	107	17	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	107	18	playing	playing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	19	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	107	21	context	context	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	22	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	23	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	107	24	specific	specific	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	25	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	107	26	means	mean	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	27	having	have	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	107	28	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	107	29	respect	respect	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	107	30	certain	certain	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	31	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	32	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	107	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	107	34	styles	style	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	107	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	107	36	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	107	37	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	107	38	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	107	39	involves	involve	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	40	casting	cast	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	107	41	off	off	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	107	42	our	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	107	43	imaginative	imaginative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	107	44	moorings	mooring	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	107	45	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	108	1	More	More	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	108	2	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	3	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	108	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	108	5	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	6	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	108	7	say	say	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	108	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	9	certain	certain	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	108	10	genres	genre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	108	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	12	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	13	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	14	provocative	provocative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	108	15	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	108	16	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	17	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	108	18	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	19	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	108	20	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	21	constant	constant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	108	22	motion	motion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	108	24	constantly	constantly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	108	25	evolv-	evolv-	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	108	26	ing	ing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	108	28	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	108	29	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	30	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	31	content	content	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	32	themselves	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	33	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	34	self	self	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	35	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	108	36	imitation	imitation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	108	38	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	39	end	end	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	40	up	up	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	41	ossified	ossified	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	108	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	108	43	like	like	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	44	museum	museum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	108	45	pieces	piece	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	108	46	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	108	47	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	108	48	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	108	49	2006	2006	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	108	50	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	108	51	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	109	1	9	9	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	109	2	According	accord	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	109	3	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	4	Pablo	Pablo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	109	5	Vila	Vila	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	109	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	109	7	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	109	8	Strictly	strictly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	109	9	speaking	speak	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	109	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	109	11	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	12	nacional	nacional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	109	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	109	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	15	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	109	16	terms	term	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	109	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	109	18	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	109	19	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	21	fusion	fusion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	22	…	…	NFP
work_bqoqnhnyvfax5njlsfrijxvgrm	109	23	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	109	24	distinguishes	distinguish	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	109	25	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	26	nacional	nacional	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	109	27	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	109	28	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	109	29	ingredients	ingredient	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	109	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	109	32	blend	blend	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	109	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	110	1	Throughout	throughout	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	2	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	110	3	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	110	6	rock	rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	7	nacional	nacional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	8	movement	movement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	9	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	10	established	establish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	11	varying	vary	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	110	12	relationships	relationship	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	110	13	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	110	14	depending	depend	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	110	15	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	110	17	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	110	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	110	20	musician	musician	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	21	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	110	22	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	23	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	24	’	’	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	110	25	n	n	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	110	26	’	’	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	110	27	roll	roll	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	29	blues	blue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	110	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	31	pop	pop	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	33	symphonic	symphonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	34	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	36	punk	punk	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	38	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	39	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	40	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	41	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	110	42	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	43	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	44	American	american	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	45	country	country	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	46	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	47	American	american	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	48	folk	folk	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	49	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	50	heavy	heavy	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	51	metal	metal	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	52	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	53	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	54	wave	wave	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	55	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	56	reggae	reggae	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	57	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	58	ska	ska	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	59	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	60	rockabilly	rockabilly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	110	61	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	62	classical	classical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	63	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	64	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	65	protest	protest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	66	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	67	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	68	bossa	bossa	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	69	nova	nova	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	70	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	71	samba	samba	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	72	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	73	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	110	74	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	110	75	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	110	76	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	110	77	folk	folk	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	78	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	110	79	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	111	1	All	all	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	111	2	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	111	3	relationships	relationship	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	111	4	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	111	5	codified	codify	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	111	7	decodified	decodifie	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	8	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	9	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	10	nacional	nacional	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	111	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	111	12	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	111	13	intriguing	intriguing	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	111	14	phenomenon	phenomenon	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	15	connected	connect	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	16	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	111	18	problem	problem	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	20	defining	define	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	111	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	111	22	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	23	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	111	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	111	25	Vila	vila	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	111	26	1989	1989	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	111	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	111	28	3	3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	111	29	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	111	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	112	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	112	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	112	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	112	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	112	5	81	81	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	112	6	Underlining	Underlining	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	112	7	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	112	8	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	112	9	creative	creative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	112	11	progressive	progressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	12	outlook	outlook	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	13	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	112	15	brief	brief	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	16	publicity	publicity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	17	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	18	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	112	20	RootsWorld	RootsWorld	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	112	21	website	website	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	22	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	112	23	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	112	24	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	112	25	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	112	26	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	112	28	global	global	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	29	village	village	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	30	per-	per-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	31	sonified	sonifie	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	112	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	112	33	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	112	34	polyglot	polyglot	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	35	international	international	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	112	36	fusion	fusion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	37	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	112	38	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	112	39	legs	leg	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	112	40	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	113	1	His	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	113	2	career	career	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	3	since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	4	achieving	achieve	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	113	5	fame	fame	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	113	8	youthful	youthful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	9	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	10	star	star	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	12	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	113	13	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	113	14	reads	read	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	15	like	like	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	16	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	113	17	adventure	adventure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	18	serial	serial	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	113	20	full	full	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	22	unexpected	unexpected	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	23	journeys	journey	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	113	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	113	25	encounters	encounter	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	113	26	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	113	27	various	various	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	28	kinds	kind	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	113	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	113	30	close	close	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	31	calls	call	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	113	32	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	113	33	radical	radical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	113	34	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	113	35	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	113	36	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	113	37	Roden	Roden	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	113	38	n.d	n.d	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	113	39	.	.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	113	40	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	113	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	114	1	Such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	114	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	114	3	description	description	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	4	allows	allow	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	114	5	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	114	6	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	114	7	preliminary	preliminary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	114	8	appreciation	appreciation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	114	11	kinds	kind	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	114	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	13	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	114	14	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	114	15	might	may	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	114	16	expect	expect	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	114	17	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	114	18	encounter	encounter	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	114	19	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	114	20	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	114	21	listen	listen	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	114	22	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	23	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	114	24	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	114	25	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	26	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	114	27	understand	understand	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	114	28	how	how	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	114	29	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	114	30	hybrid	hybrid	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	114	31	sensibilities	sensibility	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	114	32	inform	inform	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	114	33	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	114	34	evolution	evolution	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	35	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	36	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	114	37	variants	variant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	114	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	115	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	2	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	115	3	point	point	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	115	5	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	6	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	115	7	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	115	8	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	115	9	caution	caution	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	115	10	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	115	12	although	although	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	13	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	14	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	15	certainly	certainly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	115	16	part	part	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	115	19	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	115	20	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	21	revival	revival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	115	23	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	24	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	115	25	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	115	26	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	115	27	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	115	28	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	115	29	taken	take	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	30	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	31	neces-	neces-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	32	sarily	sarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	115	33	representative	representative	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	115	36	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	115	37	different	different	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	115	38	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	115	39	trends	trend	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	115	40	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	41	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	42	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	115	43	genus	genus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	44	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	45	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	46	developed	develop	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	47	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	115	48	Europe	Europe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	115	49	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	116	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	116	2	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	116	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	116	4	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	5	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	6	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	116	7	conceptions	conception	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	8	seem	seem	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	116	9	unrelated	unrelated	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	116	10	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	116	11	Juan	Juan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	12	José	José	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	13	Mosalini	Mosalini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	116	15	Gustavo	Gustavo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	16	Beytelmann	Beytelmann	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	17	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	18	chamber	chamber	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	116	19	escapades	escapade	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	116	21	Marcelo	Marcelo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	22	Nisinman	Nisinman	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	23	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	24	explorations	exploration	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	116	26	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	116	27	Gerardo	Gerardo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	28	Jerez	Jerez	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	29	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	30	Cam	Cam	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	31	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	32	Balkan	Balkan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	116	33	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	116	34	influenced	influence	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	116	35	conceptualizations	conceptualization	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	116	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	117	1	Nonetheless	nonetheless	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	117	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	117	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	117	4	characteristics	characteristic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	117	5	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	117	6	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	117	7	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	9	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	117	10	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	11	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	12	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	13	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	14	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	117	15	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	117	16	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	117	17	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	117	18	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	19	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	20	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	21	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	117	22	will	will	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	117	23	expose	expose	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	117	24	indicate	indicate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	117	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	117	26	broader	broad	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	117	27	sensibility	sensibility	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	28	common	common	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	117	29	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	30	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	117	31	large	large	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	117	32	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	33	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	34	composers	composer	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	117	35	work-	work-	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	117	36	ing	e	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	117	37	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	38	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	39	outside	outside	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	117	40	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	117	41	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	117	42	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	118	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	2	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	118	3	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	4	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	118	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	118	6	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	8	Jazz	Jazz	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	9	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	118	10	western	western	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	118	11	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	12	music10	music10	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	13	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	118	14	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	15	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	16	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	17	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	18	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	118	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	118	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	118	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	118	22	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	118	23	track	track	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	24	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	25	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	26	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	118	27	2006	2006	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	118	28	CD	cd	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	29	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	118	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	118	31	opens	open	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	118	32	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	33	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	118	34	three-	three-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	118	35	minute	minute	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	36	solo	solo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	118	37	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	38	introduction	introduction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	39	developed	develop	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	40	around	around	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	41	thematic	thematic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	118	42	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	118	43	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	118	45	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	118	46	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	118	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	119	1	Structurally	structurally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	119	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	119	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	119	4	characteristic	characteristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	119	5	features	feature	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	119	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	7	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	119	8	introductory	introductory	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	119	9	seg-	seg-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	10	ment	ment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	11	allow	allow	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	119	12	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	119	13	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	119	14	interpret	interpret	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	119	15	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	119	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	119	18	vein	vein	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	20	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	119	21	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	119	22	prelude	prelude	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	23	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	119	25	classical	classical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	119	26	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	119	27	baroque	baroque	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	28	sense	sense	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	119	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	120	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	120	2	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	120	3	playing	playing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	120	4	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	120	5	virtuosic	virtuosic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	120	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	120	7	highly	highly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	120	8	idiomatic	idiomatic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	120	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	120	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	120	11	rhyth-	rhyth-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	120	12	mically	mically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	120	13	free	free	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	120	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	121	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	2	essence	essence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	121	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	121	5	overall	overall	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	121	6	function	function	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	121	9	segment	segment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	10	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	121	11	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	121	12	attract	attract	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	121	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	121	14	listener	listener	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	121	16	attention	attention	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	17	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	121	18	define	define	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	121	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	121	20	B	b	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	21	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	121	22	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	121	23	tonality	tonality	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	121	26	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	121	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	122	1	Beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	122	2	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	122	3	structural	structural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	122	4	function	function	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	122	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	122	6	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	122	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	122	8	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	122	9	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	122	10	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	122	11	presents	present	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	122	12	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	122	13	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	122	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	122	15	re-	re-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	122	16	markable	markable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	122	17	qualities	quality	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	122	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	123	1	First	first	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	123	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	123	3	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	4	contrast	contrast	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	5	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	123	7	usual	usual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	123	8	convention	convention	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	123	10	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	123	11	presents	present	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	123	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	123	13	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	123	16	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	18	unusual	unusual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	123	19	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	123	20	prominence	prominence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	123	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	124	1	Traditionally	traditionally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	124	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	124	3	none	none	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	124	6	voices	voice	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	124	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	8	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	124	9	small	small	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	124	10	instrumental	instrumental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	124	11	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	12	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	13	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	124	14	given	give	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	15	leading	lead	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	124	16	importance	importance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	124	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	125	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	125	2	tradition-	tradition-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	125	3	al	al	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	125	4	arrangements	arrangements	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	125	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	125	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	125	7	violin	violin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	125	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	125	9	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	125	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	125	11	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	125	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	125	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	125	14	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	125	15	take	take	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	125	16	turns	turn	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	125	17	articulat-	articulat-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	125	18	ing	e	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	125	19	leading	lead	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	125	20	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	125	21	passages	passage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	125	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	126	1	Despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	126	3	marked	mark	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	4	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	126	5	differences	difference	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	126	6	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	126	8	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	126	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	10	pioneering	pioneer	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	126	11	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	126	12	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	126	13	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	14	Aníbal	Aníbal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	15	Torilo	Torilo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	16	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	126	17	Cuarteto	Cuarteto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	18	Tipico	Tipico	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	126	20	Horacio	Horacio	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	21	Salgán	Salgán	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	22	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	126	23	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	126	25	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	126	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	126	27	Sexteto	Sexteto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	28	Mayor	Mayor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	126	30	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	31	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	126	32	present	present	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	126	33	clear	clear	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	126	34	examples	example	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	126	35	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	36	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	126	37	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	126	38	turn	turn	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	39	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	126	40	taking	take	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	126	41	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	126	42	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	126	43	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	126	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	127	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	3	primarily	primarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	127	4	after	after	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	6	appearance	appearance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	9	small	small	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	10	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	127	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	12	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	13	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	127	15	Eduardo	Eduardo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	16	Rovira	Rovira	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	17	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	19	1950s	1950	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	127	20	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	21	10	10	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	127	22	A	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	23	live	live	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	24	video	video	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	25	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	127	26	recording	recording	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	27	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	28	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	29	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	127	30	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	31	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	32	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	33	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	34	?	?	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	127	36	recorded	record	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	37	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	38	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	39	same	same	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	40	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	41	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	42	registered	register	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	127	43	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	44	version	version	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	45	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	46	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	47	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	48	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	49	based	base	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	50	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	127	51	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	52	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	127	53	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	54	available	available	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	55	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	127	56	http://www.dailymotion.com/	http://www.dailymotion.com/	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	57	video	video	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	58	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	127	59	xyef9_tomas	xyef9_tomas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	60	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	127	61	gubitsch	gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	62	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	127	63	te	te	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	64	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	127	65	acordas	acordas	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	127	66	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	127	67	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	127	68	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	127	69	miy_music	miy_music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	127	70	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	128	1	Similarly	similarly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	128	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	128	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	128	4	version	version	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	6	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	128	7	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	128	8	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	128	9	used	use	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	128	10	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	128	12	basis	basis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	13	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	14	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	128	15	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	16	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	128	17	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	128	18	heard	hear	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	19	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	20	My	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	128	21	Space	Space	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	128	22	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	128	23	http://www.myspace.com/tomasgubitsch	http://www.myspace.com/tomasgubitsch	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	128	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	129	1	82	82	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	129	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	129	3	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	129	4	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	129	5	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	129	6	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	129	7	conceptualized	conceptualize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	8	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	129	9	developed	develop	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	10	around	around	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	11	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	129	12	chief	chief	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	129	13	voice	voice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	14	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	129	15	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	16	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	129	17	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	129	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	129	20	characteristic	characteristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	129	21	voice	voice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	22	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	23	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	129	24	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	129	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	130	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	3	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	130	4	case	case	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	130	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	7	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	9	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	11	context	context	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	13	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	14	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	15	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	16	electric	electric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	17	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	18	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	19	presented	present	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	20	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	22	prominent	prominent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	23	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	24	voice	voice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	25	right	right	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	130	26	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	28	beginning	beginning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	30	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	31	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	32	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	33	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	34	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	35	indicator	indicator	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	36	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	38	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	39	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	130	40	interest	interest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	41	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	42	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	43	artistic	artistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	44	conception	conception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	45	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	130	46	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	47	undoubtedly	undoubtedly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	130	48	influenced	influence	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	49	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	130	50	although	although	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	51	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	130	52	regimented	regiment	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	53	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	54	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	130	55	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	56	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	130	57	previous	previous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	58	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	59	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	130	60	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	130	61	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	130	62	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	130	63	orquesta	orquesta	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	130	64	típica	típica	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	65	[	[	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	130	66	typical	typical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	67	orchestra	orchestra	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	68	]	]	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	130	69	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	130	70	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	130	71	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	130	72	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	130	73	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	74	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	75	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	130	76	Nuevo	Nuevo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	77	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	130	78	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	130	79	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	131	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	131	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	131	3	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	131	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	131	5	note	note	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	131	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	131	7	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	131	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	131	9	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	131	11	prom-	prom-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	131	12	inence	inence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	131	15	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	16	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	131	17	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	131	18	maintained	maintain	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	19	throughout	throughout	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	131	21	entire	entire	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	131	22	album	album	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	131	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	132	1	Other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	132	2	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	132	3	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	132	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	132	5	prelude	prelude	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	132	6	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	132	7	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	132	8	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	132	9	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	132	10	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	132	11	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	132	12	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	132	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	132	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	132	15	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	132	16	short	short	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	132	17	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	132	18	where	where	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	132	19	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	132	20	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	132	21	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	132	22	shines	shine	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	132	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	132	24	instrumental	instrumental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	132	25	textures	texture	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	132	26	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	132	27	carefully	carefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	132	28	balanced	balanced	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	132	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	133	1	Inter-	Inter-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	2	estingly	estingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	133	4	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	5	asked	ask	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	133	6	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	8	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	9	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	11	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	133	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	14	rest	rest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	17	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	133	19	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	20	explained	explain	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	133	21	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	133	23	overall	overall	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	133	25	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	26	does	do	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	27	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	28	conceptualize	conceptualize	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	29	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	133	30	instrument	instrument	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	31	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	32	having	have	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	133	33	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	34	preponderant	preponderant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	35	position	position	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	36	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	38	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	39	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	133	40	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	133	41	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	42	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	43	actually	actually	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	44	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	45	matter	matter	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	46	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	47	redistributing	redistribute	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	133	48	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	49	roles	role	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	133	50	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	51	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	52	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	53	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	133	54	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	55	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	56	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	133	57	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	133	58	decrease	decrease	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	133	59	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	60	usual	usual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	61	central	central	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	62	character	character	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	63	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	64	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	65	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	66	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	133	67	”11	”11	''
work_bqoqnhnyvfax5njlsfrijxvgrm	133	68	A	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	69	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	70	quality	quality	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	71	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	72	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	133	73	introduction	introduction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	74	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	75	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	133	76	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	77	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	78	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	79	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	80	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	133	81	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	133	82	identifies	identify	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	83	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	133	84	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	133	85	remarkable	remarkable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	133	86	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	134	1	Its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	134	2	arrangement	arrangement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	3	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	4	clearly	clearly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	134	5	planned	plan	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	134	7	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	134	8	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	134	9	rhythmically	rhythmically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	134	10	loose	loose	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	11	ar-	ar-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	12	ticulation	ticulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	134	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	134	15	emergence	emergence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	17	unexpected	unexpected	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	18	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	19	spurts	spurt	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	134	20	hint	hint	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	134	21	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	22	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	134	23	renewed	renew	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	24	interest	interest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	25	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	134	27	textural	textural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	28	possibilities	possibility	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	134	29	offered	offer	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	30	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	31	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	134	33	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	34	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	134	35	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	36	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	134	37	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	134	38	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	39	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	134	40	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	134	41	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	134	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	134	43	later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	134	44	confirms	confirm	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	134	45	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	135	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	135	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	135	3	impossible	impossible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	135	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	135	5	ascertain	ascertain	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	135	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	135	7	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	9	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	135	10	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	135	11	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	12	found	find	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	135	13	cohabiting	cohabiting	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	15	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	135	16	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	135	17	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	135	19	end	end	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	135	22	nineteenth	nineteenth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	135	23	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	135	25	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	135	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	135	27	mazurkas	mazurkas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	135	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	135	29	habaneras	habaneras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	135	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	135	31	payadas	payada	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	135	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	135	33	polkas	polkas	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	135	35	milongas	milongas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	135	36	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	135	37	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	135	38	candombes	candombe	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	135	39	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	135	40	played	play	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	135	41	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	42	determining	determine	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	135	43	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	44	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	135	45	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	135	46	shape	shape	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	135	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	136	1	Nonetheless	nonetheless	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	136	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	136	3	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	136	4	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	136	5	possible	possible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	136	6	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	136	7	imagine	imagine	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	136	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	136	9	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	136	10	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	136	11	improvisational	improvisational	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	136	12	practices	practice	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	136	13	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	136	14	have	have	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	136	15	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	136	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	136	17	channelling	channel	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	136	18	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	136	19	interaction	interaction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	136	20	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	137	1	During	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	2	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	137	3	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	137	4	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	137	5	stages	stage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	137	6	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	137	7	1870s–1920s	1870s–1920s	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	137	8	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	137	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	137	10	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	11	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	137	12	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	137	13	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	137	14	interpretative	interpretative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	137	15	practice	practice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	16	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	137	17	tangos	tango	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	137	18	were	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	137	19	played	play	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	20	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	137	21	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	137	22	par-	par-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	137	23	rilla	rilla	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	137	25	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	137	27	grill	grill	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	28	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	137	29	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	137	30	reference	reference	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	31	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	32	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	137	33	stand	stand	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	34	where	where	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	137	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	137	36	lead	lead	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	137	37	sheet	sheet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	38	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	137	39	have	have	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	137	40	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	41	placed	place	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	137	42	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	137	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	138	1	About	about	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	2	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	3	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	4	performative	performative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	5	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	138	7	Ramón	Ramón	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	138	8	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	138	9	writes	write	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	138	11	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	138	12	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	13	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	138	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	16	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	18	playing	play	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	138	19	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	20	la	la	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	138	21	parilla	parilla	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	22	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	23	meaning	meaning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	138	25	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	26	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	27	random	random	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	28	instru-	instru-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	29	mentation	mentation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	30	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	138	31	without	without	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	32	written	write	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	33	parts	part	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	34	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	35	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	36	instrument	instrument	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	37	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	38	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	39	still	still	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	40	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	41	vogue	vogue	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	42	today	today	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	43	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	138	44	especially	especially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	45	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	46	evening	evening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	47	parties	party	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	48	where	where	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	49	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	50	gather	gather	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	138	51	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	138	52	accompany	accompany	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	53	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	54	milonga	milonga	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	55	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	56	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	57	venue	venue	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	58	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	138	59	occasion	occasion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	60	where	where	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	61	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	62	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	63	danced	dance	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	64	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	65	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	138	66	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	67	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	138	68	2000b	2000b	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	69	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	138	70	27).12	27).12	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	138	71	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	138	72	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	73	due	due	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	74	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	75	part	part	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	76	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	77	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	78	subsequent	subsequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	138	79	enlargements	enlargement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	80	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	81	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	82	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	83	orchestras	orchestra	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	84	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	138	85	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	86	increasing	increase	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	138	87	complexity	complexity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	88	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	89	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	138	90	arrangements	arrangement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	91	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	92	1930s–1940s	1930s–1940	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	138	93	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	138	94	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	138	95	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	96	progressively	progressively	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	138	97	fell	fall	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	138	98	out	out	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	99	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	100	favour	favour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	138	101	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	139	1	Later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	139	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	139	3	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	139	5	smaller	small	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	139	6	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	139	7	characteristic	characteristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	139	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	139	10	1960s	1960	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	139	11	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	139	12	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	139	13	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	139	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	139	15	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	16	regained	regain	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	139	17	prominence	prominence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	139	19	grew	grow	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	139	20	more	more	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	139	21	audacious	audacious	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	139	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	139	23	although	although	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	139	25	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	26	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	139	27	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	139	28	melody	melody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	29	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	139	30	always	always	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	139	31	kept	keep	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	32	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	33	earshot	earshot	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	139	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	140	1	11	11	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	140	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	140	3	Para	Para	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	4	mi	mi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	140	6	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	7	guitarra	guitarra	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	8	no	no	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	9	es	es	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	10	tan	tan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	11	preponderante	preponderante	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	140	13	se	se	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	14	trata	trata	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	15	mas	mas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	16	bien	bien	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	17	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	140	18	redistribuir	redistribuir	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	19	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	20	roles	roles	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	21	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	140	22	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	23	quinteto	quinteto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	24	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	140	26	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	27	hecho	hecho	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	140	29	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	30	sacarle	sacarle	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	31	cierto	cierto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	32	protagonismo	protagonismo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	33	al	al	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	34	bandoneón	bandoneón	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	35	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	140	36	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	140	37	email	email	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	140	38	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	140	39	author	author	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	140	40	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	140	41	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	140	42	September	September	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	43	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	140	44	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	140	45	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	140	46	translations	translation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	140	47	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	140	48	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	140	49	author	author	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	140	50	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	140	51	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	140	52	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	141	1	12	12	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	141	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	141	3	En	En	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	4	efecto	efecto	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	141	6	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	7	tradición	tradición	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	8	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	141	9	tocar	tocar	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	141	10	a	a	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	141	11	la	la	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	141	12	parilla	parilla	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	13	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	141	14	es	es	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	15	decir	decir	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	141	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	141	17	con	con	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	18	una	una	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	19	distribución	distribución	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	20	instrumental	instrumental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	21	improvisada	improvisada	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	141	23	sin	sin	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	24	partes	part	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	25	escritas	escritas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	26	para	para	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	27	cada	cada	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	28	instrumento	instrumento	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	29	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	141	30	todavía	todavía	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	31	esta	esta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	32	viva	viva	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	141	33	hoy	hoy	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	141	35	sobre	sobre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	36	todo	todo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	37	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	38	las	las	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	39	veladas	veladas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	40	donde	donde	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	41	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	42	músicos	músicos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	43	se	se	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	44	reúnen	reúnen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	45	ocasionalmente	ocasionalmente	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	46	para	para	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	47	acompañar	acompañar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	48	una	una	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	49	milonga	milonga	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	50	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	141	51	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	52	baile	baile	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	53	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	54	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	55	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	56	determinados	determinados	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	57	sitios	sitio	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	58	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	59	barrio	barrio	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	60	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	141	61	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	141	62	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	141	63	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	64	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	141	65	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	141	66	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	141	67	83	83	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	141	68	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	141	69	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	141	70	use	use	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	71	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	72	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	73	contrasts	contrast	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	74	sharply	sharply	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	141	75	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	76	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	141	77	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	141	78	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	141	79	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	141	80	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	81	described	describe	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	141	82	above	above	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	141	83	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	142	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	142	3	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	4	under	under	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	5	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	6	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	142	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	142	8	improvisatory	improvisatory	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	142	9	pas-	pas-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	10	sages	sage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	142	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	142	12	whether	whether	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	13	played	play	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	14	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	15	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	142	16	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	142	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	142	18	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	142	19	members	member	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	142	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	142	22	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	142	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	142	24	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	142	25	ver-	ver-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	142	26	bose	bose	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	142	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	142	28	agile	agile	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	142	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	142	30	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	142	31	dense	dense	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	142	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	143	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	2	moments	moment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	143	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	143	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	143	5	players	player	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	143	6	’	’	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	143	7	improvisations	improvisation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	143	8	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	9	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	143	10	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	143	11	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	12	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	143	13	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	143	14	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	143	15	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	143	16	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	143	17	even	even	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	143	18	reminiscent	reminiscent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	143	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	143	21	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	143	22	sheets	sheet	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	143	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	24	sound	sound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	25	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	143	26	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	27	commonly	commonly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	143	28	associated	associate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	29	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	143	30	John	John	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	143	31	Coltrane	Coltrane	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	143	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	144	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	2	1958	1958	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	144	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	144	4	Ira	Ira	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	144	5	Gitler	Gitler	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	144	6	coined	coin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	144	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	144	8	term	term	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	9	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	144	10	sheets	sheet	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	144	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	12	sound	sound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	144	14	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	144	16	metaphorical	metaphorical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	144	17	refer-	refer-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	144	18	ence	ence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	19	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	144	21	specific	specific	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	144	22	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	144	23	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	144	24	defined	define	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	144	25	Coltrane	Coltrane	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	144	26	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	144	27	improvisational	improvisational	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	144	28	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	29	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	144	31	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	144	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	145	1	Coltrane	Coltrane	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	145	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	145	3	Gitler	Gitler	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	145	4	wrote	write	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	145	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	145	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	145	7	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	145	8	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	9	long	long	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	145	10	lines	line	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	145	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	12	multitoned	multitoned	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	145	13	figures	figure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	145	14	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	15	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	145	16	lines	line	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	145	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	145	18	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	145	19	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	20	1958	1958	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	145	21	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	145	22	started	start	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	145	23	playing	play	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	145	24	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	145	25	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	145	26	might	may	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	145	27	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	145	28	termed	term	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	29	‘	'	``
work_bqoqnhnyvfax5njlsfrijxvgrm	145	30	sheets	sheet	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	145	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	32	sound	sound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	145	33	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	145	34	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	145	35	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	145	36	Gitler	Gitler	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	145	37	1958	1958	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	145	38	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	145	39	44	44	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	145	40	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	145	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	146	1	Beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	146	2	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	146	3	bombastic	bombastic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	146	4	effect	effect	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	146	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	146	6	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	146	7	expertly	expertly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	146	8	manipulated	manipulate	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	146	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	146	10	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	146	11	dense	dense	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	146	12	vertical	vertical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	146	13	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	146	14	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	146	15	have	have	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	146	16	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	146	17	Gitler	Gitler	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	146	18	insightfully	insightfully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	146	19	de-	de-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	146	20	fined	fine	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	146	21	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	146	22	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	146	23	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	146	24	cumulative	cumulative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	146	25	emotional	emotional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	146	26	impact	impact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	146	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	146	28	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	146	29	residual	residual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	146	30	harmonic	harmonic	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	146	31	affect	affect	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	146	32	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	146	33	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	146	34	44	44	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	146	35	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	146	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	147	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	147	3	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	147	4	acordas	acordas	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	5	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	147	6	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	147	7	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	147	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	147	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	147	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	11	initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	147	12	idiomatic	idiomatic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	147	13	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	14	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	15	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	17	introduction	introduction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	18	rapidly	rapidly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	147	19	evolves	evolve	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	147	20	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	22	concatenation	concatenation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	24	lightning	lightning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	25	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	147	26	speed	speed	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	27	lines	line	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	147	28	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	29	elevate	elevate	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	147	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	31	overall	overall	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	147	32	tension	tension	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	33	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	35	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	36	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	147	37	propel	propel	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	147	38	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	39	momentum	momentum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	40	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	41	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	147	42	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	43	forward	forward	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	147	44	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	45	unexpected	unexpected	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	147	46	force	force	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	147	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	148	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	148	3	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	4	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	5	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	148	7	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	148	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	148	9	seventh	seventh	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	148	10	track	track	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	11	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	12	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	148	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	148	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	148	15	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	16	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	17	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	148	18	structured	structure	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	19	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	20	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	148	21	dialogue	dialogue	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	22	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	23	Juanjo	Juanjo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	24	Mosalini	Mosalini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	25	’s	’s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	26	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	148	28	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	148	29	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	148	30	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	148	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	149	1	Mosalini	Mosalini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	149	2	opens	open	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	149	3	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	4	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	149	5	abrupt	abrupt	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	149	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	149	7	sharply	sharply	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	149	8	articulated	articulate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	9	mel-	mel-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	149	10	ody	ody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	11	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	149	12	emulates	emulate	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	149	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	149	14	syncopated	syncopated	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	149	15	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	149	18	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	149	20	bass	bass	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	21	accompani-	accompani-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	149	22	ment	ment	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	149	23	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	149	24	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	149	25	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	149	26	carefully	carefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	149	27	phrased	phrase	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	28	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	29	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	30	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	149	31	avoid	avoid	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	149	32	overlapping	overlap	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	149	33	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	149	35	rhyth-	rhyth-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	149	36	mic	mic	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	149	37	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	149	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	150	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	2	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	150	4	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	5	articulating	articulate	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	150	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	150	7	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	8	precisely	precisely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	150	9	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	10	gaps	gap	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	150	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	150	13	accompanimental	accompanimental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	150	14	grid	grid	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	150	16	Mosalini	Mosalini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	150	17	interweaves	interweave	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	150	18	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	150	19	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	150	20	counterpoint	counterpoint	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	21	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	150	23	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	24	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	150	25	bass	bass	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	26	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	150	27	creates	create	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	150	28	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	150	29	explosive	explosive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	150	30	drive	drive	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	150	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	151	1	Predicting	predict	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	151	2	perhaps	perhaps	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	151	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	4	in-	in-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	151	5	efficacy	efficacy	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	6	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	8	rhythmic	rhythmic	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	9	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	151	10	based	base	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	11	counterstatement	counterstatement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	12	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	151	13	have	have	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	151	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	15	such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	17	dynamic	dynamic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	151	18	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	151	20	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	151	21	chose	choose	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	151	22	instead	instead	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	151	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	151	24	unleash	unleash	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	151	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	26	stream	stream	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	27	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	28	fiercely	fiercely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	151	29	phrased	phrase	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	30	lines	line	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	151	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	151	32	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	33	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	151	34	sheets	sheet	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	151	35	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	36	sound	sound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	37	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	151	38	counterstatement	counterstatement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	39	carrying	carry	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	151	40	all	all	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	41	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	151	42	expressive	expressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	151	43	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	151	44	emotional	emotional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	151	45	potential	potential	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	46	noted	note	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	47	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	48	Gitler	Gitler	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	151	49	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	50	reference	reference	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	51	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	151	52	Coltrane	Coltrane	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	151	53	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	152	1	To	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	152	2	suggest	suggest	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	152	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	152	4	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	152	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	152	6	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	152	7	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	152	8	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	152	9	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	152	10	tempting	tempting	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	152	11	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	152	12	probably	probably	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	152	13	accur-	accur-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	152	14	ate	eat	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	152	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	153	1	But	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	153	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	153	3	suggestion	suggestion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	4	becomes	become	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	153	5	rapidly	rapidly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	153	6	inappropriate	inappropriate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	153	7	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	153	8	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	153	9	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	153	10	confronted	confront	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	11	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	153	13	binary	binary	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	153	15	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	153	16	swung	swung	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	153	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	153	18	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	20	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	21	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	153	22	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	153	23	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	153	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	154	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	154	2	sees	see	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	154	3	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	154	4	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	154	5	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	154	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	154	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	154	8	quintessential	quintessential	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	154	9	characteristic	characteristic	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	154	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	154	11	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	154	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	155	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	155	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	3	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	155	5	remember	remember	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	155	6	that	that	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	155	7	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	8	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	155	9	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	10	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	11	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	155	12	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	155	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	155	14	swing	swing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	155	16	bebop	bebop	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	155	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	155	18	hardbop	hardbop	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	155	19	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	155	20	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	155	21	characterized	characterize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	22	essentially	essentially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	155	23	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	155	25	predominant	predominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	26	triple	triple	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	27	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	155	30	quarter	quarter	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	31	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	155	32	note	note	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	33	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	155	34	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	155	35	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	36	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	37	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	155	38	gives	give	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	39	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	40	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	155	41	typical	typical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	155	42	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	155	43	swing	swing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	44	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	155	45	feel	feel	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	155	46	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	156	1	Contrarily	contrarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	156	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	156	3	since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	4	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	156	5	beginning	beginning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	6	stages	stage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	156	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	156	8	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	156	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	156	10	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	11	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	12	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	13	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	14	characterized	characterize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	15	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	156	17	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	18	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	156	21	beat	beat	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	156	23	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	156	24	trait	trait	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	25	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	156	26	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	156	27	de-	de-	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	156	28	fines	fine	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	29	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	30	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	156	31	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	156	32	likely	likely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	156	33	informed	informed	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	34	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	35	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	156	36	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	37	developments	development	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	156	38	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	156	39	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	156	40	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	156	41	candombe	candombe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	156	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	156	43	habanera	habanera	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	156	44	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	156	45	Spanish	spanish	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	156	46	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	156	47	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	156	48	zarzuela	zarzuela	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	156	49	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	156	50	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	157	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	157	3	difficult	difficult	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	157	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	157	5	substantiate	substantiate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	157	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	157	7	exact	exact	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	157	8	relationships	relationship	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	157	9	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	157	10	appear	appear	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	11	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	157	12	exist	exist	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	157	13	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	157	14	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	157	16	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	157	17	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	157	18	traits	trait	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	157	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	157	20	those	those	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	157	21	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	157	22	define	define	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	23	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	157	24	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	157	25	antecedents	antecedent	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	157	26	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	157	27	Kohan	Kohan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	28	2002	2002	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	157	29	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	157	30	Lamas	Lamas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	31	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	157	32	Binda	Binda	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	33	1998	1998	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	157	34	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	157	35	Matamoro	Matamoro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	36	1971	1971	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	157	37	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	157	38	Thompson	Thompson	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	39	2005	2005	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	157	40	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	157	41	Vega	Vega	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	157	42	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	157	43	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	157	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	158	1	Indeed	indeed	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	158	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	158	3	there	there	EX
work_bqoqnhnyvfax5njlsfrijxvgrm	158	4	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	158	5	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	6	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	158	7	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	158	8	including	include	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	158	9	extant	extant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	10	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	11	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	158	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	158	13	dances	dance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	158	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	158	15	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	158	16	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	17	migra-	migra-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	18	tions	tion	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	158	19	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	158	20	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	158	21	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	158	22	have	have	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	158	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	158	24	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	158	25	carefully	carefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	158	26	analyzed	analyze	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	158	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	158	28	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	158	29	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	158	30	trace	trace	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	158	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	158	32	origins	origin	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	158	33	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	158	34	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	158	35	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	158	36	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	37	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	158	38	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	158	39	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	159	1	Nonetheless	nonetheless	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	159	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	159	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	4	task	task	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	5	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	159	6	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	159	7	simplified	simplify	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	8	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	9	observing	observe	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	159	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	11	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	12	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	14	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	159	15	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	16	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	159	17	commonly	commonly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	159	18	84	84	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	159	19	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	159	20	associated	associate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	21	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	22	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	23	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	159	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	25	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	159	26	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	27	defined	define	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	159	28	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	29	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	159	30	accompani-	accompani-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	31	ment	ment	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	159	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	33	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	159	34	Cuban	cuban	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	159	35	habanera	habanera	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	36	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	159	37	see	see	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	159	38	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	159	39	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	160	1	1	1	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	160	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	160	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	161	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	161	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	161	3	beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	161	5	scope	scope	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	7	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	161	8	article	article	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	9	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	161	10	analyze	analyze	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	161	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	161	12	processes	process	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	161	13	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	161	14	defined	define	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	161	15	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	161	17	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	161	18	shape	shape	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	161	20	subsequent	subsequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	161	21	development	development	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	161	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	162	1	However	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	162	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	162	3	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	162	4	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	162	5	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	162	6	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	162	7	keep	keep	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	162	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	162	9	mind	mind	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	162	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	162	11	intrinsic	intrinsic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	162	12	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	162	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	162	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	162	15	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	162	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	162	17	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	162	18	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	162	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	163	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	2	con-	con-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	3	junction	junction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	4	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	163	6	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	163	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	163	8	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	163	9	frameworks	framework	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	163	10	adopted	adopt	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	11	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	12	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	163	13	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	14	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	163	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	163	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	163	17	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	163	18	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	19	defined	define	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	20	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	21	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	163	22	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	163	23	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	163	24	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	163	26	phrasing	phrasing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	163	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	163	28	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	163	29	accentuations	accentuation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	163	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	164	1	Perhaps	perhaps	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	164	2	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	164	3	importantly	importantly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	164	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	164	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	164	6	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	164	7	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	8	defined	define	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	164	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	164	10	way	way	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	12	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	164	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	164	14	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	164	16	distinguishing	distinguish	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	164	17	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	164	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	19	syncopation	syncopation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	20	developed	develop	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	164	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	165	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	165	3	conversation	conversation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	5	January	January	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	165	6	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	165	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	165	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	165	9	suggested	suggest	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	165	10	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	11	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	165	12	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	165	13	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	14	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	165	15	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	165	16	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	17	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	165	18	related	relate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	19	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	20	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	165	21	pulsación	pulsación	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	22	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	23	base	base	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	165	25	fundamental	fundamental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	165	26	pul-	pul-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	27	sation	sation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	28	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	165	29	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	165	31	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	165	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	166	1	Only	only	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	166	2	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	166	3	undertaking	undertake	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	166	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	166	5	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	166	6	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	166	7	follows	follow	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	166	8	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	166	9	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	166	10	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	166	11	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	166	12	able	able	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	166	13	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	166	14	grasp	grasp	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	166	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	166	16	full	full	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	166	17	extent	extent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	166	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	166	19	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	166	20	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	166	21	meant	mean	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	166	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	167	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	2	pulsación	pulsación	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	3	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	4	base	base	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	5	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	6	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	167	7	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	167	8	referring	refer	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	167	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	10	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	167	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	167	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	13	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	167	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	16	product	product	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	19	complex	complex	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	167	20	interaction	interaction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	21	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	23	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	167	24	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	167	25	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	26	together	together	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	167	27	define	define	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	167	28	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	29	performative	performative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	167	30	attitude	attitude	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	31	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	32	characterizes	characterize	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	167	33	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	34	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	35	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	167	36	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	37	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	38	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	167	39	rest	rest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	40	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	41	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	167	42	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	167	43	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	167	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	168	1	Because	because	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	2	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	168	4	differences	difference	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	168	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	6	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	168	7	intrinsic	intrinsic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	168	8	articulations	articulation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	168	9	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	168	10	i.e.	i.e.	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	168	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	168	12	triple	triple	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	168	13	sub-	sub-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	168	14	division	division	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	168	17	quarter	quarter	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	18	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	168	19	note	note	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	20	versus	versus	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	21	binary	binary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	168	22	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	168	25	beat	beat	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	26	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	168	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	168	28	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	168	29	suggest	suggest	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	168	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	168	31	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	33	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	34	upon	upon	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	168	35	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	168	36	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	168	37	thus	thus	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	168	38	problematic	problematic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	168	39	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	169	1	Structurally	structurally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	169	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	169	3	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	169	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	169	5	such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	169	6	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	169	7	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	169	8	seems	seem	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	169	9	more	more	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	169	10	possible	possible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	169	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	170	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	170	3	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	170	4	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	170	5	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	170	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	170	7	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	170	8	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	9	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	170	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	170	12	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	13	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	14	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	15	evolves	evolve	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	170	16	through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	170	18	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	20	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	21	com-	com-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	22	monly	monly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	170	23	employed	employ	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	24	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	25	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	170	26	players	player	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	170	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	171	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	2	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	3	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	171	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	6	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	171	8	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	9	do	do	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	171	10	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	171	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	12	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	13	argot	argot	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	14	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	171	15	referred	refer	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	16	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	17	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	18	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	171	19	trading	trading	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	171	21	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	171	22	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	23	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	171	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	25	division	division	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	26	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	28	chorus	chorus	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	29	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	30	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	171	31	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	32	solo	solo	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	171	33	players	player	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	171	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	171	35	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	36	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	37	whom	whom	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	171	38	takes	take	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	171	39	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	40	turn	turn	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	41	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	171	42	phrase	phrase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	43	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	44	equal	equal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	171	45	temporal	temporal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	171	46	length	length	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	171	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	172	1	Initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	172	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	172	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	172	4	bandoneón	bandoneón	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	172	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	172	6	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	172	7	exchange	exchange	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	172	8	phrases	phrase	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	172	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	172	10	eight	eight	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	172	11	measures	measure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	172	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	173	1	Then	then	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	173	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	173	3	ratio	ratio	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	5	trading	trading	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	6	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	173	7	reduced	reduce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	8	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	9	half	half	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	173	11	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	173	12	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	13	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	173	14	instrument	instrument	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	173	15	takes	take	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	173	16	four	four	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	173	17	measures	measure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	173	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	174	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	2	addition	addition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	3	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	4	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	174	5	increasing	increase	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	174	6	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	174	7	thrust	thrust	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	174	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	174	10	acceleration	acceleration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	174	13	rate	rate	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	15	textural	textural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	174	16	change	change	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	17	enhances	enhance	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	174	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	174	19	momentum	momentum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	174	20	even	even	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	174	21	further	further	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	174	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	175	1	When	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	175	2	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	175	3	shared	share	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	175	4	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	175	5	findings	finding	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	175	6	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	7	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	175	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	175	9	after	after	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	10	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	175	11	agreed	agree	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	175	12	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	175	14	styl-	styl-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	15	istic	istic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	175	16	relationships	relationship	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	175	17	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	175	18	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	175	19	established	establish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	175	21	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	175	22	added	add	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	175	23	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	24	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	175	26	structural	structural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	175	27	viewpoint	viewpoint	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	175	29	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	175	30	use	use	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	32	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	33	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	175	34	closer	close	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	175	35	ties	tie	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	175	36	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	175	38	classical	classical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	175	39	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	40	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	41	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	42	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	175	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	176	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	2	effect	effect	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	176	4	looking	look	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	176	5	beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	176	7	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	176	8	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	176	9	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	10	allowed	allow	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	11	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	12	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	176	13	pin	pin	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	176	14	down	down	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	15	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	16	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	176	18	significant	significant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	19	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	20	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	21	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	176	22	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	23	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	24	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	25	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	26	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	176	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	176	28	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	176	29	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	30	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	31	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	32	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	176	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	176	34	concentrating	concentrate	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	176	35	instead	instead	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	176	36	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	37	how	how	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	176	38	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	176	39	relevant	relevant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	40	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	176	41	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	42	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	43	worked	work	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	44	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	45	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	176	46	pieces	piece	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	176	47	’	’	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	176	48	overall	overall	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	49	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	50	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	176	51	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	52	realize	realize	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	176	53	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	54	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	176	55	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	56	functional	functional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	57	terms	term	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	176	58	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	176	59	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	176	60	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	61	con-	con-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	62	trasts	trast	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	63	sharply	sharply	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	176	64	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	65	structural	structural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	66	roles	role	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	176	67	traditionally	traditionally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	176	68	played	play	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	69	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	70	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	71	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	72	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	73	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	176	74	original	original	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	176	75	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	76	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	176	77	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	177	1	Throughout	throughout	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	2	most	most	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	177	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	4	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	5	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	177	7	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	177	8	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	177	9	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	177	10	tunes	tune	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	177	11	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	177	12	consisting	consist	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	177	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	177	15	melody	melody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	16	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	177	17	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	177	18	underlying	underlie	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	177	19	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	177	20	progression	progression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	21	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	177	22	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	23	vehicles	vehicle	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	177	24	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	25	solo	solo	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	177	26	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	177	27	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	177	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	178	1	Traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	178	2	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	178	3	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	178	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	178	5	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	178	6	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	178	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	179	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	179	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	179	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	179	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	179	5	85	85	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	179	6	improvisations	improvisation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	179	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	180	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	2	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	180	3	seminal	seminal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	180	4	publication	publication	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	180	6	Thinking	think	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	180	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	8	Jazz	Jazz	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	180	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	180	10	Paul	Paul	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	180	11	Berliner	Berliner	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	180	12	at-	at-	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	180	13	tests	test	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	180	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	180	15	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	180	16	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	180	17	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	180	18	become	become	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	180	20	convention	convention	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	21	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	22	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	180	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	180	24	perform	perform	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	180	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	180	26	melody	melody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	180	28	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	180	29	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	30	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	180	32	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	180	34	closing	closing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	35	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	36	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	180	37	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	38	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	180	39	performance	performance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	180	40	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	181	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	181	2	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	181	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	181	4	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	181	5	take	take	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	181	6	turns	turn	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	181	7	improvising	improvise	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	181	8	solos	solo	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	181	9	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	181	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	181	11	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	181	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	181	13	cyclical	cyclical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	181	14	rhyth-	rhyth-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	181	15	mic	mic	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	181	16	form	form	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	181	17	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	181	18	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	181	19	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	181	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	181	21	63	63	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	181	22	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	181	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	182	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	2	contrast	contrast	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	182	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	182	5	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	6	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	182	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	8	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	182	9	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	10	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	11	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	12	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	13	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	182	14	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	182	15	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	182	16	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	182	17	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	18	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	19	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	182	21	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	182	22	short	short	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	182	23	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	182	24	evolve	evolve	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	182	25	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	26	selected	select	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	27	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	182	28	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	182	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	182	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	182	31	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	182	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	183	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	2	addition	addition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	183	4	despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	183	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	183	7	sheet	sheet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	9	sound”–like	sound”–like	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	183	10	passages	passage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	183	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	183	12	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	183	13	solos	solo	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	183	14	maintain	maintain	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	183	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	183	16	carefully	carefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	183	17	preserved	preserve	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	18	thematic	thematic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	183	19	relation	relation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	20	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	183	22	composed	compose	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	183	23	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	183	24	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	183	25	precede	precede	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	183	26	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	183	27	follow	follow	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	183	28	them	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	183	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	184	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	2	truth	truth	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	184	4	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	184	5	attributes	attribute	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	184	6	point	point	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	184	7	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	8	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	184	9	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	10	concep-	concep-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	11	tualization	tualization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	12	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	184	13	shares	share	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	184	14	marked	mark	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	184	15	similarities	similarity	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	184	16	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	184	18	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	184	21	solo	solo	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	184	22	pas-	pas-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	23	sages	sage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	184	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	184	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	184	26	classical	classical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	184	27	concerto	concerto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	184	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	185	1	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	185	2	ambiguous	ambiguous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	185	3	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	185	4	interpretations	interpretation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	185	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	185	6	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	185	7	anchorage	anchorage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	8	During	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	9	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	185	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	11	our	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	185	12	conversations	conversation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	185	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	185	14	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	185	15	mentioned	mention	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	185	16	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	185	18	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	19	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	185	20	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	185	22	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	185	23	finds	find	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	185	24	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	185	25	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	185	27	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	185	28	attractive	attractive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	185	29	characteristics	characteristic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	185	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	31	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	32	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	185	33	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	185	34	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	185	35	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	185	36	ambi-	ambi-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	37	guity	guity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	185	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	186	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	186	2	him	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	186	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	186	4	ambiguity	ambiguity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	186	5	identifies	identifie	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	186	6	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	186	7	urban	urban	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	186	8	musics	music	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	186	9	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	186	10	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	186	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	186	12	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	186	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	186	14	flamenco	flamenco	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	186	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	186	16	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	186	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	186	18	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	186	19	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	186	20	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	187	1	But	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	187	2	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	187	3	does	do	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	187	4	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	187	5	point	point	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	187	6	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	187	7	vagueness	vagueness	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	187	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	188	1	If	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	188	2	there	there	EX
work_bqoqnhnyvfax5njlsfrijxvgrm	188	3	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	188	4	something	something	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	188	5	indistinct	indistinct	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	188	6	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	188	7	unclear	unclear	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	188	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	188	9	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	188	10	musics	music	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	188	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	188	12	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	188	13	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	188	14	certainly	certainly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	188	15	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	188	16	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	188	17	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	188	18	schemes	scheme	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	188	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	189	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	189	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	189	4	ambiguity	ambiguity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	5	points	point	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	189	6	instead	instead	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	189	7	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	189	9	almost	almost	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	189	10	omnipresent	omnipresent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	189	11	possibility	possibility	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	13	there	there	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	189	14	be-	be-	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	189	15	ing	e	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	189	16	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	189	17	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	189	18	more	more	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	189	19	coexisting	coexist	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	189	20	interpretations	interpretation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	189	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	22	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	189	23	given	give	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	24	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	189	25	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	189	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	190	1	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	190	2	introduce	introduce	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	190	3	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	190	4	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	6	ambiguity	ambiguity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	8	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	190	9	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	10	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	190	11	because	because	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	190	13	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	190	15	solos	solo	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	190	16	just	just	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	190	17	described	describe	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	190	18	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	190	20	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	21	above	above	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	190	22	were	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	190	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	190	24	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	190	25	isolated	isolate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	26	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	27	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	190	28	underlying	underlie	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	190	29	accom-	accom-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	190	30	paniment	paniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	190	32	one	one	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	190	33	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	190	34	have	have	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	190	35	serious	serious	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	190	36	difficulties	difficulty	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	190	37	associating	associate	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	190	38	them	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	190	39	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	40	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	190	41	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	190	42	style	style	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	190	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	191	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	2	most	most	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	191	3	cases	case	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	191	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	191	5	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	191	6	soloist	soloist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	7	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	191	8	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	191	11	given	give	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	12	line	line	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	191	14	considered	consider	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	15	together	together	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	191	16	along	along	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	191	17	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	18	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	191	19	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	191	20	timbre	timbre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	191	22	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	191	23	provide	provide	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	191	24	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	191	25	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	26	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	191	27	relatively	relatively	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	191	28	clear	clear	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	191	29	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	191	32	underlying	underlying	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	191	33	style	style	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	191	36	given	give	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	37	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	191	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	192	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	192	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	192	3	case	case	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	192	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	192	5	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	192	6	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	192	7	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	192	8	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	192	9	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	192	10	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	192	11	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	192	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	192	13	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	192	14	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	192	15	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	192	16	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	192	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	192	18	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	192	19	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	192	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	192	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	192	22	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	192	23	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	192	24	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	192	25	so	so	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	192	26	easily	easily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	192	27	established	establish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	192	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	193	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	2	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	193	3	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	4	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	5	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	6	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	7	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	193	8	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	193	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	10	soloing	soloing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	11	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	193	12	stylistically	stylistically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	193	13	closer	close	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	193	14	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	15	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	193	16	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	17	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	18	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	19	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	193	20	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	21	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	22	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	193	24	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	193	25	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	26	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	27	instances	instance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	193	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	193	29	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	193	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	193	31	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	193	32	finally	finally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	193	33	anchors	anchor	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	193	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	35	solos	solo	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	193	36	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	38	realm	realm	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	39	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	40	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	41	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	193	42	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	193	43	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	44	improvising	improvising	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	193	45	voice	voice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	46	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	193	47	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	48	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	193	49	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	50	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	51	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	193	52	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	53	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	193	54	underlying	underlie	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	193	55	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	193	56	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	194	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	194	2	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	3	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	194	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	194	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	194	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	194	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	194	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	194	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	194	11	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	12	written	write	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	13	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	14	E	e	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	15	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	194	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	194	17	progresses	progress	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	194	18	largely	largely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	194	19	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	20	dominant	dominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	194	21	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	194	22	territory	territory	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	23	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	194	24	B	B	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	194	25	minor	minor	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	26	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	194	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	194	28	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	194	29	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	194	30	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	194	31	articulated	articulate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	32	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	33	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	194	34	repeated	repeat	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	35	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	194	36	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	194	37	bar	bar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	38	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	194	39	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	40	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	194	41	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	194	42	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	194	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	195	1	2	2	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	195	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	195	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	196	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	196	2	3–3–3–2–3–2	3–3–3–2–3–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	196	3	breakdown	breakdown	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	196	6	pat-	pat-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	7	tern	tern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	8	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	196	9	further	further	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	196	10	broken	break	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	11	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	12	3–3–3–2–1–2–2	3–3–3–2–1–2–2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	196	13	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	196	14	emulates	emulate	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	196	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	196	16	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	196	17	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	196	20	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	21	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	196	22	opening	open	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	196	23	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	196	24	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	196	25	bar	bar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	26	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	27	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	196	28	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	196	29	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	196	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	197	1	3).13	3).13	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	197	2	Something	something	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	3	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	197	4	occurs	occur	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	197	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	197	7	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	8	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	10	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	197	11	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	197	12	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	13	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	197	14	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	197	15	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	197	16	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	197	17	Here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	197	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	197	19	accompanying	accompanying	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	197	20	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	21	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	197	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	197	23	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	24	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	197	26	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	197	27	expansion	expansion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	197	30	3–3–3–3–2–2	3–3–3–3–2–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	197	31	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	32	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	197	33	shapes	shape	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	197	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	197	35	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	36	melody	melody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	197	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	198	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	2	shown	show	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	3	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	4	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	5	3	3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	198	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	198	7	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	198	8	modifies	modify	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	198	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	10	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	198	11	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	12	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	13	interpolating	interpolate	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	198	14	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	15	extra	extra	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	198	16	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	17	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	198	18	silent	silent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	198	19	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	21	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	198	22	half	half	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	25	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	26	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	27	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	198	28	after	after	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	29	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	32	eight	eight	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	198	33	measures	measure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	198	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	198	36	phrase	phrase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	198	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	199	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	2	formal	formal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	199	3	terms	term	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	199	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	199	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	199	6	insertions	insertion	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	199	7	widen	widen	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	199	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	199	9	soloist	soloist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	10	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	199	11	field	field	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	13	action	action	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	14	while	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	15	retaining	retain	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	199	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	199	17	grounding	ground	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	199	18	force	force	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	199	21	now	now	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	199	22	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	199	23	severed	sever	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	24	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	25	riff	riff	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	199	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	200	1	Concurrently	concurrently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	200	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	200	3	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	200	4	significant	significant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	200	5	timbral	timbral	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	200	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	200	7	consequent	consequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	200	8	expressive	expressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	200	9	change	change	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	200	10	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	200	11	effected	effect	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	200	12	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	200	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	200	14	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	200	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	201	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	201	2	momentary	momentary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	201	3	13	13	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	201	4	All	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	201	5	reductions	reduction	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	201	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	201	7	transcriptions	transcription	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	201	8	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	201	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	201	10	author	author	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	201	11	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	201	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	202	1	86	86	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	202	2	Intersections	Intersections	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	202	3	fade	fade	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	4	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	202	5	outs	out	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	202	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	202	8	supporting	support	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	202	9	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	10	bring	bring	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	202	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	202	12	soloing	soloing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	13	voice	voice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	14	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	202	16	fore	fore	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	202	18	thus	thus	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	202	19	magnifying	magnify	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	202	20	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	202	21	expressive	expressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	202	22	power	power	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	202	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	203	1	Designing	design	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	203	2	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	203	3	ensemble	ensemble	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	4	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	203	5	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	6	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	203	8	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	9	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	203	10	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	11	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	203	12	like	like	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	13	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	203	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	203	16	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	17	according	accord	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	203	18	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	203	20	defining	defining	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	21	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	22	traits	trait	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	203	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	203	25	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	26	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	203	27	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	28	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	29	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	30	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	203	31	technique	technique	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	32	widely	widely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	203	33	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	34	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	35	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	36	styles	style	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	203	37	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	203	38	e.g.	e.g.	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	203	39	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	203	40	chamber	chamber	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	41	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	203	43	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	44	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	203	45	progressive	progressive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	203	46	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	203	47	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	203	48	blues	blue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	203	49	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	203	50	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	204	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	204	2	grants	grant	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	204	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	204	4	soloist	soloist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	5	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	204	6	composer	composer	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	204	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	204	8	great	great	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	204	9	deal	deal	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	11	free-	free-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	204	12	dom	dom	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	13	while	while	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	14	enhancing	enhance	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	204	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	204	16	listener	listener	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	17	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	204	18	perception	perception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	20	cohesion	cohesion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	21	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	204	22	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	204	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	205	1	What	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	205	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	205	3	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	205	4	significant	significant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	205	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	205	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	205	7	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	205	8	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	205	9	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	205	10	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	205	11	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	205	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	205	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	205	14	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	205	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	205	16	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	205	17	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	205	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	205	19	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	205	20	technique	technique	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	205	21	employed	employ	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	205	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	205	23	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	205	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	205	25	actual	actual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	205	26	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	205	27	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	205	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	206	1	These	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	2	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	206	3	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	4	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	5	de-	de-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	206	6	velopments	velopment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	206	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	9	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	10	3–3–2	3–3–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	206	11	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	12	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	13	adopted	adopt	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	16	mid-1920s	mid-1920	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	206	17	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	18	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	19	composers	composer	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	206	20	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	21	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	22	Julio	Julio	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	23	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	24	Caro	Caro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	206	26	Francisco	Francisco	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	27	Canaro	Canaro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	206	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	30	origins	origin	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	206	31	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	32	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	33	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	206	34	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	206	35	traced	trace	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	36	back	back	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	206	37	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	38	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	39	3–1–2–2	3–1–2–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	206	40	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	41	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	42	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	43	eighteenth	eighteenth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	44	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	206	45	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	46	Cuban	cuban	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	47	habanera	habanera	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	48	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	206	49	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	50	subsequent	subsequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	51	3–2–2	3–2–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	206	52	reinterpretations	reinterpretation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	206	53	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	54	later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	206	55	shaped	shape	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	206	56	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	206	57	slow	slow	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	206	58	Argentinean	Argentinean	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	206	59	milonga	milonga	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	60	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	206	61	see	see	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	206	62	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	206	63	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	207	1	4	4	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	207	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	207	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	208	1	These	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	208	2	3–3–2	3–3–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	208	3	variants	variant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	208	4	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	208	5	certainly	certainly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	208	6	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	208	7	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	208	8	’s	’s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	208	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	209	1	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	209	2	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	209	3	general-	general-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	4	ized	ize	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	209	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	209	6	usage	usage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	8	various	various	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	209	9	mutations	mutation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	209	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	209	12	3–3	3–3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	209	13	-	-	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	209	14	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	209	15	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	16	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	209	18	point	point	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	20	making	make	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	209	21	them	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	209	22	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	209	23	personal	personal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	209	24	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	209	25	mark	mark	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	209	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	210	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	2	Gabriela	Gabriela	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	3	Mauriño	Mauriño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	4	points	point	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	210	5	out	out	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	210	7	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	210	8	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	9	took	take	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	210	10	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	210	11	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	210	12	treatment	treatment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	13	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	210	15	orchestras	orchestra	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	210	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	17	Julio	Julio	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	18	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	19	Caro	Caro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	20	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	210	21	later	later	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	210	22	Alfredo	Alfredo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	23	Gobbi	Gobbi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	210	25	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	26	others	other	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	210	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	210	28	systematizing	systematize	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	210	29	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	210	30	usage	usage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	31	until	until	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	32	turning	turn	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	210	33	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	34	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	35	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	210	36	trait	trait	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	37	distinctive	distinctive	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	38	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	210	39	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	210	40	style”14	style”14	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	210	41	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	210	42	Mauriño	Mauriño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	210	43	2001	2001	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	210	44	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	210	45	242	242	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	210	46	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	210	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	211	1	Figures	figure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	211	2	5.1–5.4	5.1–5.4	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	211	3	shows	show	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	211	4	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	211	5	few	few	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	211	6	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	211	7	excerpts	excerpt	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	211	8	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	211	9	exemplify	exemplify	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	211	10	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	211	11	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	211	12	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	211	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	211	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	211	15	3–3–2	3–3–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	211	16	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	211	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	212	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	2	light	light	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	4	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	212	5	excerpts	excerpt	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	212	6	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	212	7	see	see	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	212	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	212	10	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	11	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	212	12	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	212	14	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	212	15	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	212	16	relying	rely	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	212	17	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	18	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	212	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	212	21	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	212	22	traditionally	traditionally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	212	23	manipulated	manipulate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	24	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	212	25	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	26	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	27	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	28	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	29	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	212	30	anchor	anchor	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	212	31	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	212	32	solos	solo	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	212	33	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	212	34	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	212	35	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	213	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	213	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	213	3	same	same	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	213	4	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	213	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	213	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	213	7	novel	novel	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	213	8	progressions	progression	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	213	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	213	10	textures	texture	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	213	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	213	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	213	13	mel-	mel-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	213	14	odies	odie	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	213	15	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	213	16	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	213	17	masterfully	masterfully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	213	18	combines	combine	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	213	19	allow	allow	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	213	20	him	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	213	21	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	213	22	avoid	avoid	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	213	23	stepping	step	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	213	24	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	213	25	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	213	26	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	213	27	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	213	28	like	like	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	213	29	clichés	clichés	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	213	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	214	1	Let	let	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	214	2	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	214	3	return	return	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	214	4	momentarily	momentarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	214	5	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	214	7	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	8	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	9	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	214	10	structure	structure	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	214	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	214	12	accompani-	accompani-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	214	13	ment	ment	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	214	14	under	under	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	214	16	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	17	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	18	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	214	19	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	214	20	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	214	21	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	214	22	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	214	23	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	214	24	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	214	25	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	214	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	215	1	2	2	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	215	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	215	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	216	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	216	2	segment	segment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	3	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	216	4	previ-	previ-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	216	5	ously	ously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	216	6	examined	examine	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	8	relation	relation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	216	11	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	216	13	opening	open	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	216	14	motif	motif	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	216	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	217	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	217	2	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	217	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	217	4	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	217	5	inter-	inter-	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	217	6	preted	prete	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	217	7	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	217	8	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	217	9	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	217	10	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	217	11	distillation	distillation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	217	12	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	217	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	217	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	217	15	motive	motive	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	217	16	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	218	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	2	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	218	3	saw	see	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	218	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	218	5	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	218	6	established	establish	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	218	7	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	218	8	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	9	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	218	10	frame	frame	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	218	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	218	12	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	218	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	218	14	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	218	15	liberties	liberty	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	218	16	characteristic	characteristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	218	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	18	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	218	19	improvisatory	improvisatory	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	218	20	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	21	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	218	23	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	218	24	identity	identity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	25	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	218	27	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	218	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	219	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	219	2	de-	de-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	219	3	scribed	scribe	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	219	4	above	above	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	219	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	219	6	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	219	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	219	8	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	219	9	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	219	10	does	do	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	219	11	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	219	12	capture	capture	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	219	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	219	14	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	219	15	distillation	distillation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	219	16	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	219	17	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	219	18	full	full	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	219	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	220	1	Further	further	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	220	2	examination	examination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	220	5	segment	segment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	6	unearths	unearth	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	220	7	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	220	8	unforeseen	unforeseen	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	220	9	insight	insight	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	10	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	220	12	complexities	complexity	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	220	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	220	15	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	220	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	220	17	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	220	18	designs	design	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	220	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	221	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	2	shown	show	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	3	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	4	figures	figure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	221	5	2.1	2.1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	221	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	221	7	2.2	2.2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	221	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	221	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	221	10	accentual	accentual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	221	11	schemes	scheme	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	221	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	221	14	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	15	two-	two-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	16	bar	bar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	17	motif	motif	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	221	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	221	20	accompaniment	accompaniment	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	221	21	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	22	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	23	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	221	24	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	221	25	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	221	26	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	221	27	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	221	28	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	221	29	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	221	30	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	221	31	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	221	32	equal	equal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	221	33	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	221	34	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	221	35	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	221	36	bars	bar	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	221	37	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	221	38	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	221	39	structured	structure	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	40	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	41	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	221	42	manner	manner	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	221	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	222	1	When	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	222	2	ana-	ana-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	222	3	lyzing	lyze	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	222	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	5	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	6	bar	bar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	8	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	9	patterns	pattern	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	222	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	11	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	222	12	see	see	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	222	13	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	15	contrast	contrast	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	16	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	18	opening	open	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	222	19	motif	motif	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	21	where	where	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	222	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	23	sixteenth	sixteenth	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	24	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	222	25	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	222	26	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	222	27	corresponding	correspond	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	222	28	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	30	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	32	fifth	fifth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	33	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	34	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	222	35	eight	eight	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	222	36	eighth	eighth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	37	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	222	38	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	222	39	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	222	40	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	222	41	accented	accent	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	42	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	43	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	45	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	46	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	47	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	48	sixteenth	sixteenth	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	49	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	222	50	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	222	51	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	222	52	corres-	corres-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	53	ponding	ponde	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	222	54	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	222	55	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	222	56	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	57	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	58	fourth	fourth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	59	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	222	60	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	222	61	sixth	sixth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	62	eighth	eighth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	63	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	222	64	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	222	65	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	222	66	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	222	67	dynamically	dynamically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	222	68	accen-	accen-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	222	69	tuated	tuated	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	222	70	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	223	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	2	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	3	stands	stand	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	223	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	223	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	6	most	most	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	223	7	analytical	analytical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	223	8	observations	observation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	223	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	223	10	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	223	11	discrepancy	discrepancy	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	12	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	223	13	14	14	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	223	14	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	223	15	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	16	lo	lo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	17	tomó	tomó	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	18	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	19	las	las	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	20	orquestras	orquestras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	21	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	22	Julio	Julio	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	23	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	24	Caro	Caro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	25	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	26	más	más	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	27	tarde	tarde	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	28	Alfredo	Alfredo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	29	Gobbi	Gobbi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	223	31	entre	entre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	32	otras	otras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	33	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	223	34	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	35	sistematizó	sistematizó	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	36	su	su	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	37	uso	uso	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	38	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	39	tal	tal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	40	forma	forma	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	41	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	42	lo	lo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	43	convirtió	convirtió	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	44	en	en	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	223	45	un	un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	46	rasgo	rasgo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	47	distintivo	distintivo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	48	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	223	49	si	si	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	50	estilo	estilo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	51	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	223	52	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	223	53	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	223	54	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	223	55	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	223	56	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	223	57	87	87	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	223	58	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	223	59	overlooked	overlook	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	60	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	223	61	interpreted	interpret	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	223	62	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	223	63	merely	merely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	223	64	ornamental	ornamental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	223	65	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	224	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	224	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	224	3	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	224	4	until	until	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	5	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	6	additional	additional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	224	7	element	element	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	10	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	11	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	224	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	13	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	224	14	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	16	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	224	17	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	224	18	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	19	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	224	20	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	224	21	taken	take	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	22	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	23	consideration	consideration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	24	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	26	possible	possible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	224	27	interpretation	interpretation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	30	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	31	pat-	pat-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	32	tern	tern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	33	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	34	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	35	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	224	36	distillation	distillation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	37	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	224	38	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	39	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	40	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	41	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	224	42	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	43	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	224	44	defining	define	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	224	45	characteristics	characteristic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	224	46	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	224	47	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	224	48	seen	see	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	49	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	50	effectively	effectively	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	224	51	reinforced	reinforce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	224	52	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	225	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	2	6	6	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	225	3	presents	present	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	225	4	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	225	5	graphed	graph	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	6	concordance	concordance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	7	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	225	8	make	make	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	225	9	visually	visually	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	225	10	evident	evident	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	225	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	225	12	correlations	correlation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	225	13	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	225	15	opening	open	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	225	16	motif	motif	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	225	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	225	19	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	225	20	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	225	22	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	225	23	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	225	24	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	25	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	225	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	226	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	226	2	3	3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	226	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	227	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	227	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	227	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	227	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	227	5	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	227	6	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	7	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	227	8	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	227	9	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	227	10	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	227	11	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	227	12	concordance	concordance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	13	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	14	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	15	under	under	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	16	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	17	solo	solo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	227	19	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	20	riff	riff	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	227	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	228	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	228	2	2.1	2.1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	228	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	229	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	229	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	229	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	229	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	229	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	229	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	229	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	229	8	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	229	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	229	10	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	229	11	reduction	reduction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	229	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	229	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	229	14	accompani-	accompani-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	229	15	ment	ment	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	229	16	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	229	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	230	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	230	2	2.2	2.2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	230	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	231	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	231	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	231	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	231	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	231	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	231	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	231	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	231	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	231	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	231	10	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	231	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	232	1	1–4	1–4	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	232	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	233	1	88	88	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	233	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	233	3	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	4	metrical	metrical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	233	5	alignment	alignment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	8	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	233	9	allows	allow	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	233	10	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	233	11	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	233	12	interpret	interpret	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	233	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	14	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	233	15	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	18	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	19	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	20	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	21	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	22	carefully	carefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	233	23	crafted	crafted	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	233	24	sum	sum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	25	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	27	rhyth-	rhyth-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	233	28	mic	mic	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	233	29	skeletons	skeleton	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	233	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	31	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	32	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	233	33	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	34	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	233	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	233	36	opening	open	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	233	37	motif	motif	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	233	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	234	1	Up	up	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	2	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	3	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	234	4	point	point	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	234	6	identifying	identify	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	234	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	234	8	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	234	9	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	234	10	ingredients	ingredient	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	234	11	informing	inform	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	234	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	234	13	conception	conception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	15	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	234	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	234	17	tangos	tango	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	234	18	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	234	19	hinged	hinge	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	20	primarily	primarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	234	21	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	234	23	recognition	recognition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	234	26	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	27	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	28	procedures	procedure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	234	29	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	234	30	techniques	technique	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	234	31	whose	whose	WP$
work_bqoqnhnyvfax5njlsfrijxvgrm	234	32	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	234	33	lineage	lineage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	34	remains	remain	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	234	35	eas-	eas-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	234	36	ily	ily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	234	37	recognizable	recognizable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	234	38	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	234	39	despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	40	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	234	41	affected	affect	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	234	42	manipulations	manipulation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	234	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	235	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	235	2	structural	structural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	235	3	setting	setting	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	235	6	improvisational	improvisational	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	235	7	passages	passage	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	235	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	235	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	235	10	instrumental	instrumental	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	235	11	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	235	12	trading	trading	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	235	14	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	15	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	235	16	articulate	articulate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	235	17	them	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	235	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	235	19	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	235	20	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	235	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	22	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	235	23	aesthetic	aesthetic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	235	24	characteristics	characteristic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	235	25	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	235	26	indisputable	indisputable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	235	27	signs	sign	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	235	28	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	235	30	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	31	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	235	32	interest	interest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	33	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	34	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	235	35	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	236	1	Similarly	similarly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	236	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	236	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	236	4	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	236	5	arrangements	arrangement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	236	6	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	7	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	236	8	ar-	ar-	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	236	9	ticulate	ticulate	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	236	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	236	11	accompanying	accompanying	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	12	thrust	thrust	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	13	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	14	those	those	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	236	15	improvisatory	improvisatory	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	236	16	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	236	17	expose	expose	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	236	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	236	19	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	20	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	236	21	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	22	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	23	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	236	24	Piazzollean	piazzollean	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	236	25	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	236	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	237	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	237	2	manipulations	manipulation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	237	3	described	describe	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	5	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	6	6	6	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	237	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	237	8	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	237	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	237	10	point	point	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	237	11	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	12	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	237	13	degree	degree	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	15	the-	the-	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	237	16	matic	matic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	237	17	condensation	condensation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	237	19	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	237	20	organization	organization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	21	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	237	22	strikes	strike	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	237	23	us	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	237	24	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	25	foreign	foreign	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	237	26	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	237	27	interpreted	interpret	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	28	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	29	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	237	30	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	237	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	238	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	2	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	238	4	such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	5	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	6	approach	approach	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	7	seems	seem	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	238	8	more	more	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	238	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	10	accordance	accordance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	11	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	13	structural	structural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	238	14	frames	frame	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	238	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	17	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	18	tied	tie	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	19	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	21	Western	western	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	238	22	concert	concert	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	23	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	238	25	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	238	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	27	nuances	nuance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	238	28	characterizing	characterize	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	238	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	238	30	segment	segment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	31	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	32	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	238	33	6	6	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	238	34	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	238	35	certainly	certainly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	238	36	suggestive	suggestive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	238	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	239	1	However	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	239	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	239	3	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	4	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	239	5	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	239	6	suggest	suggest	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	239	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	239	8	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	239	11	Western	western	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	239	12	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	13	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	14	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	239	15	grounded	ground	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	16	primarily	primarily	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	239	17	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	18	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	239	19	knowledge	knowledge	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	239	22	long	long	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	239	23	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	239	24	standing	stand	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	239	25	re-	re-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	239	26	lationship	lationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	27	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	239	28	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	239	29	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	30	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	239	31	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	239	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	240	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	2	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	3	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	240	4	fully	fully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	240	5	grasp	grasp	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	240	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	240	7	role	role	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	8	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	240	9	West-	West-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	10	ern	ern	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	11	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	12	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	13	styles	style	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	240	14	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	15	had	have	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	17	shaping	shape	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	240	18	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	19	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	240	20	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	240	21	designs	design	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	240	22	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	23	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	240	24	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	25	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	26	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	27	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	240	28	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	240	29	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	240	30	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	31	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	32	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	33	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	34	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	240	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	240	36	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	240	37	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	240	38	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	240	39	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	240	40	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	240	41	analyze	analyze	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	240	42	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	240	43	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	240	44	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	240	45	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	240	46	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	240	47	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	241	1	Such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	241	2	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	241	3	exercise	exercise	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	241	4	reveals	reveal	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	241	5	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	241	6	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	241	7	connection	connection	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	241	8	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	241	9	minimalism	minimalism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	241	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	241	11	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	241	12	impressionism	impressionism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	241	13	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	242	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	242	2	4.1	4.1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	242	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	243	1	Habanera	Habanera	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	243	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	243	3	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	243	4	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	243	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	244	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	244	2	4.2	4.2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	244	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	245	1	Fast	fast	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	245	2	milonga	milonga	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	245	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	246	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	246	2	4.3	4.3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	246	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	247	1	Slow	slow	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	247	2	milonga	milonga	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	247	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	248	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	248	2	4	4	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	248	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	249	1	Basic	basic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	249	2	3–3	3–3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	249	3	-	-	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	249	4	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	249	5	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	249	6	schemes	scheme	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	249	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	250	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	250	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	250	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	250	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	250	5	89	89	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	250	6	minimalism	minimalism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	250	7	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	250	8	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	250	9	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	250	10	previously	previously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	250	11	mentioned	mention	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	250	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	250	13	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	250	14	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	250	15	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	250	16	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	250	17	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	250	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	250	19	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	250	20	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	250	21	com-	com-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	250	22	positional	positional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	250	23	interests	interest	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	250	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	251	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	251	2	may	may	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	251	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	251	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	251	5	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	251	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	251	7	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	251	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	251	9	one	one	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	251	10	least	least	JJS
work_bqoqnhnyvfax5njlsfrijxvgrm	251	11	consciously	consciously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	251	12	represented	represent	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	251	13	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	251	14	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	251	15	artistic	artistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	251	16	output	output	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	251	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	252	1	During	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	2	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	252	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	4	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	252	5	conversations	conversation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	252	6	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	7	him	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	252	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	252	9	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	252	10	mentioned	mention	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	252	11	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	12	people	people	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	252	13	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	252	14	said	say	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	15	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	16	him	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	252	17	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	252	18	times	time	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	252	19	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	20	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	252	21	thought	think	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	252	22	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	252	23	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	252	24	rec-	rec-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	252	25	ognized	ognize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	26	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	252	27	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	28	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	252	29	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	30	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	252	31	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	252	32	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	252	33	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	34	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	252	35	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	252	36	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	37	film	film	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	38	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	252	39	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	252	40	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	252	41	contemporary	contemporary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	252	42	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	252	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	253	1	He	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	253	2	explained	explain	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	253	3	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	253	4	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	253	5	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	253	6	often	often	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	253	7	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	253	8	surprised	surprised	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	253	9	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	253	10	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	253	11	observations	observation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	253	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	253	13	since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	253	14	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	253	15	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	253	16	unaware	unaware	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	253	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	253	18	having	have	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	253	19	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	253	20	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	253	21	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	253	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	254	1	How-	How-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	254	2	ever	ever	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	254	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	254	4	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	5	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	6	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	254	7	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	254	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	9	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	10	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	254	11	sneaked	sneak	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	12	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	254	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	254	15	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	254	17	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	254	18	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	254	19	Figure	Figure	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	254	20	5.1	5.1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	254	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	255	1	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	255	2	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	255	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	255	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	255	5	Adios	Adios	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	255	6	Nonino	Nonino	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	255	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	255	8	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	255	9	mm	mm	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	255	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	256	1	1–4	1–4	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	256	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	257	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	257	2	5.2	5.2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	257	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	258	1	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	258	2	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	258	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	258	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	258	5	Muerte	Muerte	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	258	6	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	258	7	Angel	Angel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	258	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	258	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	258	10	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	258	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	259	1	1–4	1–4	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	259	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	260	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	260	2	5.3	5.3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	260	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	261	1	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	261	2	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	261	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	261	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	261	5	Verano	Verano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	261	6	Porteño	Porteño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	261	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	261	8	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	261	9	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	261	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	262	1	9–11	9–11	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	262	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	263	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	263	2	5.4	5.4	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	263	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	264	1	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	264	2	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	264	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	264	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	264	5	Contrabajisimo	Contrabajisimo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	264	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	264	7	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	264	8	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	264	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	265	1	75–78	75–78	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	265	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	266	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	266	2	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	266	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	267	1	Examples	example	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	267	2	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	3	Piazzolla	piazzolla	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	4	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	267	5	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	267	8	3–3	3–3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	267	9	-	-	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	267	10	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	267	11	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	267	12	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	13	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	14	four	four	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	267	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	267	16	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	267	17	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	267	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	268	1	90	90	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	268	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	268	3	output	output	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	268	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	268	5	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	268	6	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	268	7	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	268	8	reasonable	reasonable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	268	9	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	268	10	expect	expect	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	268	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	268	12	converse	converse	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	268	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	268	14	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	268	15	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	268	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	268	17	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	268	18	con-	con-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	268	19	temporary	temporary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	268	20	writings	writing	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	268	21	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	268	22	crept	creep	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	268	23	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	268	24	into	into	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	268	25	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	268	26	tangos	tango	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	268	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	269	1	Examples	example	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	269	2	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	3	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	269	4	blending	blending	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	5	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	6	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	269	8	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	269	9	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	10	appear	appear	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	11	throughout	throughout	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	269	13	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	14	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	269	15	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	16	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	269	17	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	269	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	269	19	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	20	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	21	rarely	rarely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	269	22	more	more	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	269	23	evident	evident	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	269	24	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	25	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	26	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	269	27	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	28	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	29	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	269	31	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	269	32	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	269	33	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	34	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	269	35	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	269	36	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	269	37	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	269	38	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	269	39	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	270	1	1–16	1–16	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	270	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	270	3	exhibits	exhibit	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	270	4	unmistak-	unmistak-	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	270	5	able	able	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	270	6	minimalist	minimalist	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	270	7	influences	influence	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	270	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	271	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	271	2	overall	overall	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	271	3	symmetry	symmetry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	271	6	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	271	8	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	271	9	evolves	evolve	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	271	10	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	271	12	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	271	15	few	few	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	271	16	repeated	repeat	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	17	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	271	18	cells	cell	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	271	19	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	271	20	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	271	21	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	271	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	272	1	7	7	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	272	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	272	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	272	4	points	point	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	272	5	dir-	dir-	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	272	6	ectly	ectly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	272	7	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	272	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	272	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	272	10	interest	interest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	272	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	272	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	272	13	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	272	14	techniques	technique	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	272	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	272	16	Steve	Steve	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	272	17	Reich	Reich	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	272	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	272	19	Philip	Philip	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	272	20	Glass	Glass	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	272	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	273	1	Beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	3	repetitive	repetitive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	4	nature	nature	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	7	pulse	pulse	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	8	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	273	9	driven	drive	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	10	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	11	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	273	12	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	13	char-	char-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	14	acteristic	acteristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	15	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	16	defines	define	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	18	large	large	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	19	portion	portion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	21	Glass	Glass	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	273	22	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	273	23	oeuvre	oeuvre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	273	24	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	273	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	273	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	27	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	28	seems	seem	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	29	further	further	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	273	30	emphasized	emphasize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	31	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	32	modality	modality	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	33	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	273	34	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	35	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	36	out	out	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	37	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	273	38	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	39	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	273	40	phase	phase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	41	effect	effect	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	42	achieved	achieve	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	43	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	45	juxtaposition	juxtaposition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	46	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	47	cells	cell	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	273	48	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	49	dissimilar	dissimilar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	50	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	273	51	contour	contour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	52	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	53	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	54	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	55	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	273	56	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	57	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	273	58	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	273	59	technique	technique	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	60	characteristic	characteristic	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	61	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	62	1960s	1960s	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	273	63	minimalism	minimalism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	273	64	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	274	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	2	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	3	7	7	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	274	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	274	5	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	274	6	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	274	7	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	274	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	274	10	tightly	tightly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	274	11	woven	weave	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	12	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	13	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	274	14	defines	define	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	274	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	274	16	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	17	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	274	18	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	19	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	20	results	result	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	274	21	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	274	23	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	274	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	274	26	few	few	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	274	27	related	related	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	274	28	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	274	29	cells	cell	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	274	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	275	1	These	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	275	2	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	275	3	all	all	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	275	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	275	5	equal	equal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	275	6	length	length	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	275	7	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	275	8	six	six	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	275	9	sixteenth	sixteenth	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	275	10	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	275	11	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	275	12	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	275	13	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	275	14	follow	follow	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	275	15	five	five	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	275	16	times	time	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	275	17	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	275	18	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	275	19	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	275	20	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	275	21	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	275	22	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	275	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	276	1	A	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	276	2	tag	tag	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	276	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	276	4	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	276	5	sixteenth	sixteenth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	276	6	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	276	7	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	276	8	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	276	9	added	add	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	276	10	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	276	11	complete	complete	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	276	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	276	13	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	276	14	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	276	15	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	276	16	cell	cell	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	276	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	277	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	277	2	abbreviations	abbreviation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	277	3	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	277	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	277	5	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	277	6	7	7	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	277	7	attempt	attempt	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	277	8	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	277	9	show	show	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	277	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	277	11	relationships	relationship	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	277	12	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	277	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	277	14	cellular	cellular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	277	15	components	component	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	277	16	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	278	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	2	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	278	3	way	way	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	278	5	G1	g1	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	6	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	278	7	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	278	8	guitar	guitar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	278	9	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	278	10	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	278	11	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	278	12	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	278	13	seen	see	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	14	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	278	16	variant	variant	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	278	18	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	278	19	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	278	20	guitar	guitar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	278	21	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	278	22	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	278	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	279	1	Similarly	similarly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	279	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	279	3	PR1	PR1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	279	4	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	279	5	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	279	6	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	7	right	right	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	8	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	279	9	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	279	10	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	279	11	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	279	12	understood	understand	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	13	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	14	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	279	15	elaboration	elaboration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	17	PR1	PR1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	279	18	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	279	19	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	20	right	right	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	279	21	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	279	22	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	279	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	280	1	Naming	name	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	280	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	280	3	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	280	4	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	5	cell	cell	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	7	PL1	PL1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	280	8	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	280	9	PL1C	PL1C	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	280	10	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	280	11	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	12	left	leave	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	13	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	280	14	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	280	15	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	16	left	leave	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	280	17	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	280	18	complement	complement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	19	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	280	20	shows	show	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	280	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	280	22	cell	cell	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	280	24	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	280	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	280	26	compound	compound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	27	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	280	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	280	29	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	280	30	miniaturized	miniaturize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	31	ante-	ante-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	32	cedent	cedent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	33	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	280	34	consequent	consequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	280	35	phrase	phrase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	280	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	281	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	281	2	pulse	pulse	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	3	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	281	4	drives	drive	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	281	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	281	6	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	7	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	281	8	set	set	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	9	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	281	11	start	start	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	12	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	281	14	reitera-	reitera-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	281	15	tion	tion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	281	17	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	281	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	282	1	At	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	282	3	same	same	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	282	4	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	282	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	282	7	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	282	8	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	10	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	282	11	cell	cell	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	282	13	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	14	conjunction	conjunction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	15	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	16	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	282	17	rate	rate	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	19	repetition	repetition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	282	21	shapes	shape	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	282	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	282	23	3–3–3–3–3–1	3–3–3–3–3–1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	282	24	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	282	25	framework	framework	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	26	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	282	28	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	29	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	282	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	283	1	With	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	283	3	entrance	entrance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	283	6	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	7	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	9	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	10	3	3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	283	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	283	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	283	13	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	283	14	clearly	clearly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	283	15	changes	change	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	283	16	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	284	1	Metrically	metrically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	284	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	284	3	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	284	4	cells	cell	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	284	5	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	284	6	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	284	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	284	8	PL1	PL1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	284	9	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	284	10	PL1C	pl1c	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	284	11	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	284	12	line	line	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	284	13	up	up	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	284	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	285	1	However	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	285	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	285	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	285	4	differences	difference	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	285	5	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	6	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	285	7	contours	contour	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	285	8	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	285	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	285	10	complete	complete	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	285	11	cell	cell	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	285	13	rate	rate	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	15	repetition	repetition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	16	alter	alter	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	285	18	previously	previously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	285	19	established	establish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	20	sense	sense	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	22	pulse	pulse	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	23	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	285	24	direction	direction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	285	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	286	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	286	2	compound	compound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	3	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	5	PL1	PL1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	286	6	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	286	7	PL1C	PL1C	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	286	8	determines	determine	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	286	9	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	286	11	cell	cell	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	12	will	will	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	286	13	repeat	repeat	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	286	14	it-	it-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	286	15	self	self	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	16	2.5	2.5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	286	17	rather	rather	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	286	18	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	286	19	five	five	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	286	20	times	time	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	286	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	287	1	Hence	hence	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	287	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	287	3	under	under	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	287	5	3–3–3–3–3–1	3–3–3–3–3–1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	287	6	established	establish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	7	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	8	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	287	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	287	10	PL1	PL1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	287	11	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	287	12	PL1C	PL1C	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	287	13	accentuates	accentuate	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	287	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	287	15	quarter	quarter	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	16	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	287	17	note	note	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	18	level	level	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	19	3–3	3–3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	287	20	-	-	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	287	21	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	287	22	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	23	reinforced	reinforce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	24	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	287	26	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	287	27	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	287	28	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	287	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	287	30	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	287	31	fifth	fifth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	287	32	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	33	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	34	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	287	35	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	287	36	see	see	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	287	37	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	287	38	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	288	1	8)	8)	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	288	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	289	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	289	2	6	6	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	289	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	290	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	290	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	290	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	290	4	concordance	concordance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	290	5	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	290	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	290	7	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	290	8	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	290	9	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	290	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	290	11	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	290	12	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	290	13	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	291	1	1–4	1–4	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	291	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	292	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	292	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	292	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	292	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	292	5	91	91	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	292	6	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	7	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	8	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	292	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	292	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	292	11	entrance	entrance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	292	14	right	right	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	292	15	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	292	16	hand	hand	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	17	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	18	part	part	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	19	completes	complete	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	292	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	292	21	three-	three-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	292	22	voice	voice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	23	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	292	26	accompaniment	accompaniment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	292	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	293	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	293	3	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	5	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	293	6	length	length	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	293	8	equal	equal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	293	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	10	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	293	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	12	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	293	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	293	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	293	15	introduction	introduction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	17	PR1	PR1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	293	18	reinforces	reinforce	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	293	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	293	20	3–3–3–3–3–1	3–3–3–3–3–1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	293	21	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	293	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	294	1	However	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	294	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	294	3	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	294	4	happened	happen	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	294	5	before	before	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	294	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	294	7	PR1	PR1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	294	8	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	294	9	accentuates	accentuate	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	294	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	294	11	through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	294	12	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	294	13	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	294	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	294	15	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	294	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	294	17	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	294	18	fifth	fifth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	294	19	state-	state-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	294	20	ments	ment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	294	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	294	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	294	23	underlying	underlie	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	294	24	3–3–2	3–3–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	294	25	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	294	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	295	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	295	2	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	295	3	9	9	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	295	4	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	295	5	final	final	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	295	6	change	change	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	295	7	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	295	8	introduced	introduce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	295	9	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	295	10	enhance	enhance	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	295	11	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	295	12	modulation	modulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	295	13	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	295	14	F	F	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	295	15	Lydian	Lydian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	295	16	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	296	1	PL2	PL2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	296	2	replaces	replace	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	296	3	PL1	PL1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	296	4	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	296	5	PL1C	PL1C	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	296	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	296	7	dissolves	dissolve	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	296	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	296	9	previous	previous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	296	10	metric	metric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	296	11	tension	tension	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	296	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	297	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	297	2	pace	pace	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	297	3	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	297	4	now	now	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	297	5	set	set	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	297	6	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	297	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	297	8	sole	sole	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	297	9	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	297	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	297	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	297	12	3–3–3–3–2–2	3–3–3–3–2–2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	297	13	subdivision	subdivision	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	297	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	298	1	Interestingly	interestingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	298	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	298	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	298	4	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	298	5	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	298	6	further	further	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	298	7	lightened	lighten	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	298	8	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	298	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	298	10	trill	trill	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	298	11	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	298	12	like	like	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	298	13	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	298	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	298	15	PL2	PL2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	298	16	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	299	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	299	2	perceived	perceive	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	299	3	sense	sense	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	299	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	299	5	acceleration	acceleration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	299	6	disappears	disappear	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	299	7	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	299	8	measures	measure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	299	9	later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	299	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	300	1	With	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	300	3	modulation	modulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	4	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	5	E	e	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	300	6	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	300	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	300	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	9	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	10	13	13	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	300	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	300	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	300	13	metric	metric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	300	14	ten-	ten-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	15	sion	sion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	300	16	returns	return	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	300	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	301	1	french	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	301	2	impressionism	impressionism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	3	If	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	301	5	features	feature	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	301	6	described	describe	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	7	above	above	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	8	point	point	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	10	Reich	Reich	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	11	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	301	12	Glass	Glass	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	13	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	301	14	minimalism	minimalism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	301	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	301	17	mel-	mel-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	18	odic	odic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	301	19	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	301	21	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	301	22	development	development	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	301	24	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	301	25	overall	overall	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	301	26	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	27	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	28	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	301	29	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	30	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	31	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	32	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	301	33	point	point	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	34	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	35	another	another	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	301	36	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	37	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	301	38	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	301	39	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	301	40	interests	interest	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	301	41	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	301	42	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	301	43	impressionism	impressionism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	301	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	302	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	302	2	7	7	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	302	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	303	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	303	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	303	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	303	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	303	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	303	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	303	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	303	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	303	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	303	10	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	303	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	304	1	1–16	1–16	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	304	2	92	92	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	304	3	Intersections	Intersections	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	4	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	304	5	composers	composer	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	6	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	304	8	1960s	1960	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	9	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	304	10	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	11	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	304	12	commented	comment	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	13	often	often	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	304	14	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	304	16	influ-	influ-	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	17	ence	ence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	18	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	304	20	sounds	sound	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	22	fin	fin	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	304	23	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	304	24	siècle	siècle	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	304	25	France	France	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	304	26	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	304	27	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	28	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	304	29	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	304	30	conceptualiza-	conceptualiza-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	304	31	tions	tion	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	304	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	33	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	304	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	305	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	2	practice	practice	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	305	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	305	5	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	6	materialized	materialize	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	305	7	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	305	8	commonly	commonly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	305	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	305	11	appropriation	appropriation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	13	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	305	14	particular	particular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	305	15	chord	chord	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	305	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	305	18	non	non	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	305	19	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	305	20	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	305	21	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	305	22	progression	progression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	305	24	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	305	25	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	305	26	cadential	cadential	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	305	27	formula	formula	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	305	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	306	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	306	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	306	3	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	306	4	case	case	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	306	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	306	6	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	306	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	306	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	306	9	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	306	10	goes	go	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	306	11	far	far	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	306	12	beyond	beyond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	306	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	306	14	incorporation	incorporation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	306	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	306	16	isolated	isolated	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	306	17	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	306	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	307	1	Further	further	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	307	2	examination	examination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	307	5	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	307	6	sixteen	sixteen	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	307	7	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	307	8	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	9	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	11	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	307	12	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	13	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	14	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	15	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	307	16	establishes	establish	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	307	17	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	307	18	correlation	correlation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	19	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	20	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	21	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	22	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	307	23	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	307	24	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	25	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	26	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	27	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	307	29	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	307	30	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	307	31	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	32	clearly	clearly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	307	33	representative	representative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	307	34	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	307	35	French	French	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	36	Impressionism	Impressionism	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	307	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	308	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	308	2	textural	textural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	308	3	resemblance	resemblance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	4	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	308	6	prelude	prelude	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	8	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	308	9	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	10	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	11	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	12	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	13	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	308	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	308	15	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	16	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	308	17	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	18	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	19	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	308	20	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	308	21	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	22	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	23	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	308	24	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	308	25	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	308	26	unmistakable	unmistakable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	308	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	309	1	Both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	2	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	309	3	introductory	introductory	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	309	4	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	309	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	309	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	7	tempo	tempo	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	8	markings	marking	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	309	9	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	309	10	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	309	11	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	309	12	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	13	difference	difference	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	15	less	less	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	309	16	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	17	20	20	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	309	18	bpm	bpm	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	309	19	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	309	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	309	21	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	309	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	23	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	24	collections	collection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	309	25	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	26	define	define	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	309	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	28	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	309	29	sections	section	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	309	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	31	each	each	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	309	32	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	309	33	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	309	34	almost	almost	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	309	35	identical	identical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	309	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	310	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	2	’s	’s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	3	segment	segment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	4	opens	open	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	310	5	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	6	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	310	7	hexachordal	hexachordal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	310	8	collection	collection	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	9	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	310	10	E	E	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	11	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	12	F#-G	F#-G	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	13	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	14	A	A	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	15	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	16	B	B	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	17	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	18	D	d	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	19	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	310	20	only	only	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	310	21	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	310	22	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	23	removed	remove	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	24	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	310	26	pentatonic	pentatonic	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	27	de-	de-	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	310	28	sign	sign	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	30	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	31	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	310	32	segment	segment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	33	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	310	34	E	e	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	35	-	-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	36	G	g	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	310	37	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	38	A	a	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	39	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	40	B	B	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	310	41	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	310	42	D	d	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	310	43	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	310	44	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	311	1	Furthermore	furthermore	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	311	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	311	3	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	4	shown	show	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	6	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	7	9	9	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	311	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	311	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	311	10	juxtaposition	juxtaposition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	311	13	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	311	14	measures	measure	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	311	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	16	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	311	17	pieces	piece	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	311	18	shows	show	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	311	19	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	20	despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	21	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	311	22	dissimilar	dissimilar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	311	23	metric	metric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	311	24	arrangements	arrangement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	311	25	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	311	26	common	common	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	311	27	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	28	versus	versus	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	29	12/16	12/16	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	311	30	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	311	31	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	311	32	could	could	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	311	33	both	both	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	311	34	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	311	35	interpreted	interpret	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	36	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	37	being	be	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	311	38	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	311	39	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	40	phase	phase	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	41	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	311	42	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	311	43	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	311	44	another	another	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	311	45	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	312	1	Although	although	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	2	only	only	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	312	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	312	4	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	312	5	descending	descend	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	312	6	second	second	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	312	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	312	10	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	11	parallels	parallel	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	312	12	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	312	13	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	312	14	famous	famous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	312	15	design	design	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	312	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	312	18	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	19	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	312	21	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	312	22	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	312	23	solidified	solidify	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	24	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	25	their	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	312	26	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	27	similarity	similarity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	28	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	312	29	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	312	30	circled	circle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	31	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	312	32	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	33	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	312	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	313	1	9	9	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	313	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	313	3	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	313	4	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	313	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	313	6	contour	contour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	313	7	correlations	correlation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	313	8	es-	es-	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	313	9	tablished	tablishe	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	313	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	313	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	313	12	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	313	13	line	line	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	313	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	314	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	314	2	graphed	graph	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	3	concordances	concordance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	314	4	presented	present	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	6	figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	7	6	6	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	314	8	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	314	9	show	show	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	314	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	314	11	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	314	12	rate	rate	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	14	motion	motion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	314	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	315	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	315	2	impressionist	impressionist	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	315	3	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	315	4	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	315	5	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	315	6	heard	hear	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	315	7	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	315	8	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	315	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	315	10	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	315	11	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	315	12	non	non	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	315	13	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	315	14	trad-	trad-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	315	15	itional	itional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	315	16	harmonic	harmonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	315	17	treatment	treatment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	315	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	316	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	316	2	tonal	tonal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	316	3	centre	centre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	316	6	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	316	8	E	e	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	9	minor	minor	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	316	11	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	316	12	initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	316	13	suggested	suggest	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	14	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	316	16	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	17	content	content	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	316	20	repeated	repeat	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	21	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	316	22	pattern	pattern	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	316	24	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	316	25	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	316	26	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	316	27	never	never	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	316	28	really	really	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	316	29	secured	secure	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	30	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	316	31	traditional	traditional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	316	32	cadential	cadential	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	316	33	formulas	formula	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	316	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	317	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	317	2	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	317	3	real	real	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	317	4	appearance	appearance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	317	7	dominant	dominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	317	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	317	9	introduced	introduce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	11	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	12	25	25	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	317	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	317	14	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	317	15	simply	simply	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	317	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	317	17	dominant	dominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	317	18	root	root	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	19	sounded	sound	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	317	20	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	21	three	three	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	317	22	different	different	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	317	23	octaves	octave	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	317	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	317	25	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	317	26	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	317	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	318	1	10	10	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	318	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	318	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	319	1	Such	such	PDT
work_bqoqnhnyvfax5njlsfrijxvgrm	319	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	319	3	sparse	sparse	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	319	4	voicing	voicing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	319	5	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	319	6	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	319	7	particularly	particularly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	319	8	unusual	unusual	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	319	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	319	10	nor	nor	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	319	11	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	319	12	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	319	13	tied	tie	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	319	14	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	319	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	319	16	specific	specific	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	319	17	style	style	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	319	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	320	1	If	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	2	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	320	3	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	320	4	appropriately	appropriately	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	320	5	worked	work	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	6	out	out	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	320	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	320	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	320	9	sound	sound	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	320	12	dominant	dominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	320	13	root	root	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	14	alone	alone	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	320	15	would	would	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	320	16	secure	secure	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	320	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	320	18	expectation	expectation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	20	motion	motion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	21	toward	toward	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	22	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	320	23	resolving	resolve	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	320	24	tonic	tonic	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	320	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	321	1	However	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	321	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	321	3	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	321	4	stands	stand	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	321	5	out	out	RP
work_bqoqnhnyvfax5njlsfrijxvgrm	321	6	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	321	7	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	321	8	instance	instance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	321	9	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	321	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	321	11	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	321	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	321	13	subsequent	subsequent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	321	14	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	321	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	321	16	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	321	17	8	8	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	321	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	322	1	Metric	metric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	322	2	concordance	concordance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	322	3	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	322	4	G1	G1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	322	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	322	6	PLC	PLC	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	322	7	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	322	8	PLC1	PLC1	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	322	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	323	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	323	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	323	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	323	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	323	5	93	93	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	323	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	323	7	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	323	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	11	theory	theory	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	323	13	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	323	14	required	require	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	15	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	16	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	323	17	properly	properly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	323	18	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	323	19	securing	secure	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	323	20	E	E	''
work_bqoqnhnyvfax5njlsfrijxvgrm	323	21	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	323	22	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	23	home	home	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	24	key	key	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	25	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	323	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	323	27	key	key	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	28	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	323	29	leading	lead	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	323	30	tone	tone	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	323	32	D	d	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	323	33	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	323	34	sharp	sharp	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	323	35	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	324	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	324	2	musicologist	musicologist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	324	3	Donald	Donald	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	324	4	F.	F.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	324	5	Tovey	Tovey	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	324	6	wrote	write	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	324	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	324	8	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	324	9	You	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	324	10	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	324	11	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	324	12	assert	assert	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	324	13	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	324	14	key	key	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	324	15	without	without	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	324	16	giving	give	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	324	17	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	324	18	dominant	dominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	324	19	chord	chord	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	324	20	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	324	21	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	324	22	Tovey	Tovey	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	324	23	1928	1928	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	324	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	324	25	344	344	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	324	26	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	324	27	italics	italic	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	324	28	mine	mine	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	324	29	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	324	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	325	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	325	2	dominant	dominant	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	325	3	here	here	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	325	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	325	5	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	325	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	325	7	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	325	8	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	325	9	expressed	express	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	325	10	harmonically	harmonically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	325	11	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	325	12	rather	rather	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	325	13	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	325	14	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	325	15	root	root	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	325	16	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	325	17	doublings	doubling	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	325	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	325	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	325	20	leading	lead	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	325	21	tone	tone	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	325	22	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	325	23	sounded	sound	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	325	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	326	1	D	d	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	326	2	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	326	3	sharp	sharp	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	326	4	does	do	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	326	5	finally	finally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	326	6	appear	appear	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	326	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	326	8	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	326	9	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	326	10	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	326	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	326	12	third	third	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	326	13	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	326	14	B7	b7	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	326	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	326	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	326	17	dominant	dominant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	326	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	327	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	327	2	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	3	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	327	4	introduced	introduce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	5	later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	327	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	327	8	root	root	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	327	11	major	major	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	327	12	seventh	seventh	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	327	13	chord	chord	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	14	enharmonically	enharmonically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	327	15	spelled	spell	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	16	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	17	E	e	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	18	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	327	19	flat	flat	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	327	20	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	327	21	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	327	22	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	327	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	328	1	11	11	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	328	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	328	3	m.	m.	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	328	4	31	31	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	328	5	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	328	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	329	1	Through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	2	such	such	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	329	3	meticulously	meticulously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	329	4	manipulated	manipulate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	5	elisions	elision	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	329	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	7	cadential	cadential	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	329	8	resolutions	resolution	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	329	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	329	10	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	329	11	lightens	lighten	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	329	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	329	13	intricate	intricate	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	329	14	texture	texture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	16	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	329	17	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	329	19	propelling	propel	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	329	20	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	329	21	momentum	momentum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	329	22	forward	forward	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	329	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	330	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	330	2	chromatic	chromatic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	330	3	shift	shift	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	4	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	5	E	e	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	6	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	330	7	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	8	E	e	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	330	9	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	330	10	flat	flat	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	330	11	major	major	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	12	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	330	13	occurs	occur	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	330	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	15	meas-	meas-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	330	16	ure	ure	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	330	17	31	31	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	330	18	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	330	19	see	see	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	330	20	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	330	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	331	1	11	11	LS
work_bqoqnhnyvfax5njlsfrijxvgrm	331	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	331	3	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	4	short	short	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	5	lived	lived	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	331	7	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	331	8	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	331	9	assumes	assume	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	10	larger	large	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	331	11	significance	significance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	331	12	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	331	13	one	one	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	331	14	considers	consider	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	15	other	other	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	16	chromatic	chromatic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	331	17	relationships	relationship	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	331	18	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	331	19	appear	appear	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	331	20	throughout	throughout	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	331	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	331	22	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	331	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	332	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	332	2	opening	opening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	3	section	section	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	4	evolves	evolve	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	332	5	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	6	contrasting	contrast	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	332	7	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	332	8	sonorities	sonority	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	332	9	whose	whose	WP$
work_bqoqnhnyvfax5njlsfrijxvgrm	332	10	relationship	relationship	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	332	12	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	13	established	establish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	332	16	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	332	18	finds	find	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	332	19	no	no	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	332	20	basis	basis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	21	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	22	functional	functional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	332	23	harmony	harmony	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	332	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	333	1	E	e	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	333	2	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	333	3	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	333	4	F	F	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	333	5	Lydian	Lydian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	333	6	could	could	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	333	7	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	333	8	tied	tie	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	10	C	c	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	11	major	major	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	333	13	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	333	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	15	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	333	16	case	case	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	17	they	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	333	18	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	333	19	handled	handle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	20	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	21	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	333	22	contrasting	contrast	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	333	23	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	24	collections	collection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	333	25	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	26	no	no	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	333	27	ties	tie	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	333	28	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	29	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	333	30	common	common	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	333	31	tonal	tonal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	333	32	centre	centre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	333	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	334	1	Minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	334	2	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	334	3	relations	relation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	334	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	334	5	introduced	introduce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	6	initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	334	7	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	334	9	modulation	modulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	10	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	11	E	E	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	334	12	min-	min-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	13	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	334	14	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	15	F	F	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	334	16	Lydian	Lydian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	334	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	334	18	become	become	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	334	19	increasingly	increasingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	334	20	relevant	relevant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	334	21	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	334	23	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	334	24	progresses	progress	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	334	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	335	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	335	2	initial	initial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	3	ascending	ascend	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	335	4	chromatic	chromatic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	5	shift	shift	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	6	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	335	7	E	e	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	8	minor	minor	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	9	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	10	F	F	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	335	11	Lydian	Lydian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	335	12	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	335	13	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	14	later	later	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	335	15	mirrored	mirror	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	16	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	335	18	shift	shift	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	19	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	20	E	E	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	335	21	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	22	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	23	E	e	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	24	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	25	flat	flat	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	26	major	major	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	27	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	335	28	underlies	underlie	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	335	30	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	31	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	335	32	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	335	33	melody	melody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	34	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	335	35	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	335	36	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	335	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	336	1	11	11	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	336	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	336	3	m.	m.	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	336	4	31	31	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	336	5	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	336	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	337	1	Minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	337	2	seconds	second	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	337	3	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	337	4	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	337	5	recurrently	recurrently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	337	6	found	find	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	337	9	intervallic	intervallic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	337	10	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	337	13	voicing	voicing	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	14	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	15	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	16	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	337	17	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	337	18	harmonize	harmonize	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	337	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	337	20	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	21	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	337	22	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	337	23	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	337	25	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	337	26	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	337	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	338	1	12	12	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	338	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	338	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	339	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	339	2	9	9	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	339	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	340	1	Contour	contour	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	340	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	340	3	pitch	pitch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	340	4	concordances	concordance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	340	5	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	340	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	340	7	openings	opening	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	340	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	340	9	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	10	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	11	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	340	12	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	340	13	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	14	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	15	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	16	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	340	17	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	340	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	340	19	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	20	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	21	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	340	22	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	340	23	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	24	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	25	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	26	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	340	27	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	340	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	341	1	94	94	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	341	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	341	3	Figure	Figure	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	341	4	11	11	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	341	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	342	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	342	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	342	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	342	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	342	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	342	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	342	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	342	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	342	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	342	10	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	342	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	343	1	29–32	29–32	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	343	2	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	343	3	10	10	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	343	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	344	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	344	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	344	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	344	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	344	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	344	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	344	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	344	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	344	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	344	10	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	344	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	345	1	24–27	24–27	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	345	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	346	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	346	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	346	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	346	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	346	5	95	95	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	346	6	To	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	346	7	return	return	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	346	8	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	9	impressionism	impressionism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	346	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	346	12	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	346	13	ninth	ninth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	346	14	chord	chord	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	346	16	frequently	frequently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	346	17	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	18	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	19	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	346	20	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	346	21	harmonize	harmonize	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	346	22	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	346	23	components	component	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	346	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	346	26	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	346	27	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	346	29	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	346	30	used	use	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	31	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	32	considerable	considerable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	346	33	frequency	frequency	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	34	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	346	35	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	346	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	347	1	For	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	347	2	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	347	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	347	4	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	347	5	appears	appear	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	347	6	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	347	7	arpeggiated	arpeggiated	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	347	8	form	form	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	347	9	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	347	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	347	11	Prelude	Prelude	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	347	12	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	347	13	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	347	14	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	347	15	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	347	16	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	347	17	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	347	18	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	347	19	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	347	20	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	347	21	figs	fig	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	347	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	348	1	13.1	13.1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	348	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	348	3	13.2	13.2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	348	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	348	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	348	6	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	348	8	chordal	chordal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	348	9	construction	construction	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	348	12	closing	close	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	348	13	toccata	toccata	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	14	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	348	16	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	17	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	348	18	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	348	19	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	348	20	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	349	1	13.3	13.3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	349	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	349	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	350	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	2	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	350	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	5	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	350	6	famous	famous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	350	7	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	9	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	10	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	350	11	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	12	works	work	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	350	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	350	14	Olivier	olivi	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	350	15	Messiaen	Messiaen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	16	re-	re-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	350	17	fers	fer	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	350	18	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	350	20	use	use	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	350	23	natural	natural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	350	24	ninth	ninth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	350	25	over	over	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	26	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	350	27	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	350	28	seventh	seventh	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	350	29	chord	chord	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	30	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	350	31	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	350	32	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	33	neuvième	neuvième	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	34	Ravélienne	Ravélienne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	35	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	350	36	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	350	37	Messiaen	Messiaen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	38	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	350	39	Loriod	Loriod	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	40	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	350	41	Messiaen	Messiaen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	350	42	2003	2003	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	350	43	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	350	44	88	88	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	350	45	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	350	46	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	351	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	351	3	chord	chord	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	351	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	351	6	sonority	sonority	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	7	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	351	8	treated	treat	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	9	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	10	both	both	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	351	11	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	351	12	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	351	13	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	351	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	15	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	351	16	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	351	17	manner	manner	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	351	18	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	351	19	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	351	20	figs	fig	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	351	21	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	352	1	12	12	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	352	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	352	3	13.3	13.3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	352	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	352	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	353	1	Additionally	additionally	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	353	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	353	3	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	353	4	conspicuously	conspicuously	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	353	5	uses	use	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	353	6	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	353	7	seconds	second	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	353	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	353	10	bass	bass	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	11	part	part	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	12	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	353	13	join	join	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	353	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	353	15	3/4	3/4	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	353	16	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	353	17	4/4	4/4	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	353	18	segments	segment	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	353	19	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	353	20	form	form	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	353	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	353	22	metric	metric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	353	23	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	353	26	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	27	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	353	28	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	353	29	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	353	30	12	12	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	353	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	354	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	354	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	354	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	354	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	354	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	354	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	354	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	354	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	354	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	354	10	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	354	11	seconds	second	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	354	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	354	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	354	14	voicing	voicing	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	354	15	structure	structure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	354	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	354	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	354	18	main	main	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	354	19	theme	theme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	354	20	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	354	21	harmonization	harmonization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	354	22	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	355	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	355	2	13.1	13.1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	355	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	356	1	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	2	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	356	4	Prelude	Prelude	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	5	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	356	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	356	7	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	8	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	9	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	10	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	356	12	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	356	13	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	356	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	357	1	27–30	27–30	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	357	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	358	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	358	2	13.2	13.2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	358	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	359	1	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	2	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	359	4	Prelude	Prelude	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	5	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	359	6	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	359	7	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	8	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	9	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	10	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	359	12	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	359	13	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	359	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	360	1	93–97	93–97	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	360	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	361	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	361	2	13.3	13.3	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	361	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	362	1	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	2	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	362	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	362	5	Toccata	toccata	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	362	6	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	362	7	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	362	8	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	9	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	10	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	11	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	362	13	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	362	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	363	1	1–5	1–5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	363	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	364	1	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	364	2	13	13	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	364	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	365	1	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	365	2	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	365	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	365	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	365	5	Le	Le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	365	6	Tombeau	Tombeau	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	365	7	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	365	8	Couperin	Couperin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	365	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	365	10	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	365	11	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	365	12	ninth	ninth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	365	13	chords	chord	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	365	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	366	1	96	96	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	366	2	Intersections	intersection	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	366	3	phrase	phrase	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	366	4	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	366	5	see	see	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	366	6	circled	circle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	366	7	notes	note	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	366	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	366	9	fig	fig	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	366	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	367	1	14	14	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	367	2	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	367	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	368	1	A	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	368	2	final	final	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	368	3	impressionistic	impressionistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	368	4	touch	touch	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	5	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	368	6	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	368	7	found	find	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	368	10	overall	overall	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	368	11	asymmetry	asymmetry	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	368	14	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	15	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	368	16	formal	formal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	368	17	scheme	scheme	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	368	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	369	1	rock	rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	369	2	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	369	3	will	will	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	369	4	conclude	conclude	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	369	5	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	369	6	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	8	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	9	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	10	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	369	11	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	369	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	369	13	compos-	compos-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	369	14	itions	ition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	369	15	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	369	17	discussion	discussion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	19	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	369	21	perhaps	perhaps	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	369	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	369	23	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	369	24	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	25	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	369	26	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	369	27	clos-	clos-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	369	28	est	est	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	369	29	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	30	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	369	31	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	369	32	heart	heart	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	369	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	370	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	370	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	370	3	certainly	certainly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	370	4	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	370	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	370	6	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	370	7	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	370	8	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	370	9	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	370	10	attempted	attempt	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	370	11	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	370	12	find	find	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	370	13	common	common	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	370	14	ground	ground	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	370	15	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	370	16	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	370	17	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	370	18	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	370	19	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	370	20	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	370	21	seemingly	seemingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	370	22	irreconcilable	irreconcilable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	370	23	traditions	tradition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	370	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	371	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	2	1975	1975	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	371	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	371	4	clearly	clearly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	371	5	influenced	influence	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	6	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	7	American	american	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	371	8	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	9	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	371	10	fusion	fusion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	11	movement	movement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	371	14	early	early	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	371	15	1970s	1970s	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	371	16	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	371	17	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	18	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	371	20	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	371	21	groups	group	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	371	22	Return	return	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	23	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	24	Forever	Forever	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	371	26	Weather	Weather	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	27	Report	Report	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	371	29	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	371	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	371	31	Mahavishnu	Mahavishnu	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	371	32	Orchestra	Orchestra	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	33	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	371	34	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	371	35	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	36	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	37	formed	form	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	371	38	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	371	39	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	371	40	Octeto	Octeto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	41	Electrónico	Electrónico	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	42	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	371	43	electronic	electronic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	371	44	octet	octet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	45	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	371	46	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	371	47	made	make	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	48	what	what	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	49	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	371	50	probably	probably	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	371	51	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	371	52	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	371	53	attempt	attempt	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	54	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	371	55	bridge	bridge	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	371	56	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	371	57	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	371	58	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	371	59	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	372	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	2	1976	1976	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	372	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	372	4	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	372	5	described	describe	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	372	6	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	372	7	perception	perception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	9	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	10	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	372	11	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	372	12	Today	today	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	372	14	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	16	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	372	17	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	372	18	needs	need	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	372	19	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	372	20	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	372	21	related	relate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	22	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	23	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	372	24	‘	'	``
work_bqoqnhnyvfax5njlsfrijxvgrm	372	25	noise	noise	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	372	27	’	'	''
work_bqoqnhnyvfax5njlsfrijxvgrm	372	28	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	29	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	372	30	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	372	31	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	372	32	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	372	33	qtd	qtd	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	372	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	373	1	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	373	2	Azzi	Azzi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	373	3	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	373	4	Collier	Collier	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	373	5	2002	2002	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	373	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	373	7	326	326	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	373	8	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	373	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	374	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	2	hindsight	hindsight	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	3	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	374	4	despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	374	6	relative	relative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	374	7	strong	strong	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	374	8	acceptance	acceptance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	9	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	10	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	374	11	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	374	12	project	project	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	13	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	374	14	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	374	16	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	374	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	374	19	experi-	experi-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	20	ence	ence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	21	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	374	22	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	374	23	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	374	24	particularly	particularly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	374	25	successful	successful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	374	26	one	one	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	374	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	375	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	2	October	October	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	3	1978	1978	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	375	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	375	5	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	6	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	7	inter-	inter-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	375	8	view	view	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	9	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	10	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	11	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	375	13	Clarin	Clarin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	14	magazine	magazine	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	375	16	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	17	stated	state	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	375	18	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	375	20	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	21	relation	relation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	22	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	23	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	375	24	electronic	electronic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	375	25	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	375	27	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	28	felt	feel	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	375	29	he	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	375	30	had	have	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	375	31	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	375	32	failed	fail	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	33	completely	completely	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	375	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	375	35	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	375	36	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	37	harsh	harsh	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	375	38	self	self	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	39	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	375	40	criticism	criticism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	41	may	may	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	375	42	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	375	43	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	44	part	part	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	45	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	46	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	47	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	48	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	49	circumstances	circumstance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	375	50	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	51	surrounded	surround	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	375	52	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	53	breakup	breakup	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	54	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	55	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	375	56	second	second	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	375	57	electronic	electronic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	375	58	octet	octet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	59	earlier	early	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	375	60	that	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	375	61	year	year	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	375	62	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	376	1	Nonetheless	nonetheless	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	376	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	376	3	when	when	WRB
work_bqoqnhnyvfax5njlsfrijxvgrm	376	4	one	one	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	376	5	listens	listen	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	376	6	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	376	7	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	376	8	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	376	9	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	376	10	electronic	electronic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	376	11	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	376	12	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	376	13	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	376	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	376	15	context	context	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	376	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	376	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	376	18	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	376	19	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	376	20	whole	whole	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	376	21	oeuvre	oeuvre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	376	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	376	23	one	one	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	376	24	begins	begin	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	376	25	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	376	26	understand	understand	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	376	27	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	376	28	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	376	29	disenchantment	disenchantment	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	376	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	377	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	377	2	experience	experience	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	3	leaves	leave	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	4	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	377	5	listener	listener	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	6	feeling	feel	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	377	7	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	8	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	377	9	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	10	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	377	12	electronic	electronic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	13	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	377	14	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	15	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	16	forcefully	forcefully	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	377	17	divested	divest	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	18	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	377	20	textural	textural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	377	22	melodic	melodic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	377	24	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	377	25	rhythmic	rhythmic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	26	nuances	nuance	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	377	27	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	377	28	made	make	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	377	29	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	377	30	acoustic	acoustic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	377	31	ensembles	ensemble	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	377	32	shine	shine	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	377	33	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	378	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	378	2	dialogue	dialogue	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	378	3	between	between	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	378	4	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	378	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	378	6	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	378	7	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	378	8	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	378	9	quite	quite	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	378	10	different	different	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	378	11	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	378	12	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	378	13	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	378	14	case	case	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	378	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	378	16	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	378	17	understandably	understandably	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	378	18	so	so	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	378	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	379	1	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	379	2	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	379	3	only	only	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	379	4	belongs	belong	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	379	5	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	379	7	generation	generation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	8	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	379	9	saw	see	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	379	10	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	379	11	rise	rise	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	13	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	14	nacional	nacional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	379	15	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	16	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	379	17	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	379	18	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	379	19	actively	actively	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	379	20	involved	involve	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	21	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	379	23	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	379	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	380	1	During	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	380	2	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	380	3	informal	informal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	380	4	public	public	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	380	5	debate	debate	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	380	6	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	380	7	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	380	8	directions	direction	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	380	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	380	10	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	380	11	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	380	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	380	13	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	380	14	recalled	recall	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	380	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	380	16	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	380	17	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	380	18	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	380	19	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	380	20	kid	kid	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	380	21	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	380	22	played	play	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	380	23	rock”15	rock”15	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	380	24	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	380	25	Manso	Manso	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	380	26	2006	2006	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	380	27	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	380	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	381	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	381	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	3	important	important	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	381	5	keep	keep	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	381	6	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	381	7	mind	mind	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	381	8	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	381	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	381	10	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	381	11	were	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	381	12	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	381	13	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	381	14	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	381	15	formative	formative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	16	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	381	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	381	18	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	381	19	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	381	20	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	381	21	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	381	22	certainly	certainly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	381	23	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	381	24	immune	immune	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	25	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	381	26	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	381	27	revolutionary	revolutionary	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	28	social	social	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	29	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	381	30	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	381	32	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	381	33	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	34	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	381	35	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	381	36	characterized	characterize	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	381	37	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	381	38	late	late	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	381	39	1960s	1960	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	381	40	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	381	41	North	North	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	381	42	America	America	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	381	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	382	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	382	3	recent	recent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	382	4	inter-	inter-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	5	view	view	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	382	7	Martin	Martin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	8	Matalon	Matalon	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	382	10	another	another	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	382	11	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	382	12	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	13	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	14	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	382	15	resettled	resettle	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	16	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	17	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	382	19	15	15	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	382	20	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	382	21	Yo	Yo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	22	era	era	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	23	un	un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	24	pibe	pibe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	25	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	26	hacia	hacia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	27	rock	rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	382	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	382	29	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	382	30	Figure	figure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	382	31	14	14	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	382	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	383	1	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	383	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	383	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	383	4	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	383	5	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	383	6	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	383	7	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	383	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	383	9	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	383	10	minor	minor	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	383	11	seconds	second	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	383	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	383	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	383	14	bass	bass	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	383	15	line	line	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	383	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	383	17	mm	mm	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	383	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	384	1	27–34	27–34	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	384	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	385	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	385	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	385	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	385	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	385	5	97	97	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	385	6	referred	refer	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	385	7	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	385	8	rock	rock	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	385	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	385	10	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	385	11	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	385	12	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	385	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	385	14	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	385	15	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	385	16	used	use	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	385	17	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	385	18	listen	listen	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	385	19	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	385	20	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	385	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	385	22	one	one	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	385	23	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	385	24	inter-	inter-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	385	25	ested	este	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	385	26	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	385	27	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	385	28	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	385	29	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	386	1	Not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	386	2	any	any	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	386	3	longer	long	RBR
work_bqoqnhnyvfax5njlsfrijxvgrm	386	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	387	1	That	that	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	387	2	’s	’s	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	387	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	387	4	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	387	5	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	387	6	way	way	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	387	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	387	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	387	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	387	10	past	past	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	387	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	388	1	Now	now	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	388	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	388	3	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	388	4	believe	believe	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	388	5	that	that	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	388	6	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	388	7	got	get	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	388	8	stuck	stuck	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	388	9	repeating	repeat	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	388	10	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	388	11	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	388	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	389	1	Regardless	regardless	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	389	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	389	3	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	4	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	389	5	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	389	6	relevant	relevant	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	389	7	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	8	our	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	389	9	formative	formative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	389	10	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	389	11	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	389	12	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	389	13	informs	inform	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	389	14	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	389	15	although	although	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	16	inconsistently	inconsistently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	389	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	389	18	our	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	389	19	conception	conception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	20	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	21	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	22	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	389	23	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	389	24	Fisherman	Fisherman	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	389	25	2008).16	2008).16	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	389	26	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	27	addition	addition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	28	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	30	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	31	orientation	orientation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	32	signalled	signal	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	33	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	35	prominent	prominent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	389	36	positioning	positioning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	37	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	38	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	389	39	electric	electric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	389	40	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	41	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	389	42	mentioned	mention	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	43	at	at	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	44	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	45	outset	outset	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	46	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	47	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	48	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	49	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	389	50	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	51	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	52	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	53	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	54	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	389	55	emerges	emerge	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	389	56	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	389	57	clearly	clearly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	389	58	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	59	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	60	articulation	articulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	61	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	62	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	389	63	guitar	guitar	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	389	64	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	390	1	It	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	2	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	3	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	390	4	noticeable	noticeable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	390	7	riff	riff	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	8	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	390	9	like	like	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	10	melody	melody	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	12	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	390	13	Te	Te	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	14	acordás	acordás	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	15	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	16	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	17	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	390	18	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	390	19	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	390	20	which	which	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	390	21	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	22	undoubt-	undoubt-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	23	edly	edly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	390	24	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	390	25	guitaristic	guitaristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	26	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	390	27	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	390	28	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	29	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	30	highly	highly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	390	31	symmetric	symmetric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	390	33	pentatonic	pentatonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	390	34	sounding	sounding	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	390	36	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	390	37	harmon-	harmon-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	390	38	ized	ize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	39	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	390	40	fifths	fifth	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	390	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	391	1	Rock	Rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	391	2	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	391	3	influence	influence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	4	can	can	MD
work_bqoqnhnyvfax5njlsfrijxvgrm	391	5	also	also	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	391	6	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	391	7	identified	identify	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	8	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	391	10	abrupt	abrupt	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	391	11	insertion	insertion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	13	unexpected	unexpected	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	391	14	material	material	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	15	within	within	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	391	16	Gubistch	Gubistch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	391	17	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	391	18	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	391	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	392	1	Sudden	sudden	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	2	textural	textural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	3	chan-	chan-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	4	ges	ge	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	392	5	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	6	no	no	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	392	7	previous	previous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	8	preparation	preparation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	392	10	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	11	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	392	13	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	392	14	characteristic	characteristic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	16	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	392	17	De	De	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	392	18	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	392	19	hermanos	hermanos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	392	20	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	392	21	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	392	22	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	23	addition	addition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	392	25	measure	measure	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	26	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	392	27	long	long	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	28	chains	chain	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	392	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	30	consecutive	consecutive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	31	fourths	fourth	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	392	32	or	or	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	392	33	dimin-	dimin-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	34	ished	ished	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	392	35	arpeggios	arpeggio	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	392	36	emerge	emerge	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	392	37	abruptly	abruptly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	392	38	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	39	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	392	40	piece	piece	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	392	41	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	393	1	Interestingly	interestingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	393	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	393	3	Eric	Eric	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	4	Charlán	Charlán	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	393	6	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	7	quintet	quintet	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	8	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	393	9	double	double	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	393	10	bass	bass	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	11	player	player	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	393	13	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	393	14	designated	designate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	16	composition	composition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	17	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	18	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	19	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	393	20	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	21	Zappatista	Zappatista	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	22	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	393	23	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	24	reference	reference	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	25	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	26	Frank	Frank	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	27	Zappa	Zappa	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	393	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	30	superb	superb	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	393	31	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	32	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	393	33	prolific	prolific	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	393	34	com-	com-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	35	poser	poser	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	36	whose	whose	WP$
work_bqoqnhnyvfax5njlsfrijxvgrm	393	37	highly	highly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	393	38	eclectic	eclectic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	393	39	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	40	was	be	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	393	41	characterized	characterize	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	42	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	43	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	44	unexpectedness	unexpectedness	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	45	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	46	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	393	47	turns	turn	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	393	48	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	393	49	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	50	abruptness	abruptness	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	51	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	52	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	393	53	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	393	54	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	393	55	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	393	56	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	393	57	Bernard	Bernard	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	393	58	2000	2000	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	393	59	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	393	60	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	394	1	conclusion	conclusion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	2	Tomas	Tomas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	394	3	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	394	4	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	394	5	but	but	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	394	6	one	one	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	394	7	example	example	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	9	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	394	10	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	394	11	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	394	12	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	394	14	last	last	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	394	15	sev-	sev-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	394	16	eral	eral	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	394	17	years	year	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	394	18	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	394	19	been	be	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	20	experimenting	experiment	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	394	21	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	22	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	394	23	ways	way	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	394	24	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	25	using	use	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	394	26	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	27	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	28	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	394	29	medium	medium	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	30	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	31	expression	expression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	394	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	395	1	Using	use	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	395	2	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	395	3	personal	personal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	4	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	5	interests	interest	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	395	6	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	395	7	including	include	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	395	8	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	9	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	10	classical	classical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	11	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	13	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	14	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	16	minimalism	minimalism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	18	French	french	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	19	impressionism	impressionism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	21	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	395	22	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	23	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	395	24	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	395	25	work-	work-	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	395	26	ing	ing	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	395	27	from	from	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	28	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	395	29	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	395	30	residence	residence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	31	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	32	Gubistch	Gubistch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	395	33	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	34	produced	produce	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	35	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	36	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	395	37	resonates	resonate	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	38	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	39	al-	al-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	40	beit	beit	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	41	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	42	different	different	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	43	ways	way	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	395	44	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	395	45	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	395	46	both	both	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	395	47	European	european	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	48	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	395	49	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	395	50	audiences	audience	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	395	51	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	396	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	2	we	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	396	3	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	396	4	seen	see	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	6	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	396	7	paper	paper	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	396	9	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	10	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	396	11	allowed	allow	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	12	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	13	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	396	14	move	move	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	396	15	be-	be-	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	396	16	yond	yond	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	396	18	limits	limit	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	396	19	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	20	its	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	396	21	previous	previous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	396	22	semantic	semantic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	396	23	domain	domain	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	396	25	creating	create	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	396	26	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	396	27	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	396	28	space	space	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	30	signifi-	signifi-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	396	31	cation	cation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	396	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	397	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	2	fact	fact	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	397	4	if	if	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	397	6	interest	interest	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	7	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	8	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	397	9	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	10	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	397	11	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	397	12	tradition	tradition	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	13	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	397	14	not	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	397	15	vanished	vanish	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	16	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	397	17	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	397	18	because	because	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	19	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	397	20	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	21	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	397	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	397	23	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	397	25	hands	hand	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	397	26	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	27	composers	composer	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	397	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	397	29	musicians	musician	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	397	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	397	31	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	397	32	producers	producer	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	397	33	around	around	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	34	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	397	35	globe	globe	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	36	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	397	37	developed	develop	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	397	38	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	397	39	mechanisms	mechanism	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	397	40	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	397	41	adapt	adapt	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	397	42	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	43	increasingly	increasingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	397	44	complex	complex	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	397	45	needs	need	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	397	46	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	47	representation	representation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	397	48	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	398	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	398	3	way	way	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	398	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	398	6	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	398	7	broadening	broadening	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	9	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	10	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	398	11	concep-	concep-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	12	tualization	tualization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	13	brings	bring	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	398	14	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	398	15	story	story	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	16	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	17	cross	cross	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	398	18	-	-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	398	19	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	398	20	exchanges	exchange	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	398	21	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	398	22	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	23	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	24	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	398	25	full	full	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	398	26	circle	circle	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	398	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	399	1	Now	now	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	399	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	399	3	after	after	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	4	more	more	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	399	5	than	than	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	6	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	399	7	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	399	9	dialogues	dialogue	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	399	10	similar	similar	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	399	11	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	12	those	those	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	399	13	respon-	respon-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	14	sible	sible	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	399	15	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	16	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	399	17	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	399	18	conception	conception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	19	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	399	20	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	399	21	once	once	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	399	22	again	again	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	399	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	399	24	shaping	shape	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	399	25	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	399	26	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	399	27	forms	form	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	399	28	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	399	29	sounds	sound	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	399	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	399	31	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	399	32	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	399	33	assuming	assume	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	399	34	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	400	1	Despite	despite	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	400	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	400	3	novel	novel	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	4	textures	texture	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	400	5	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	400	6	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	400	7	crafted	craft	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	400	8	through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	400	9	hybridizing	hybridize	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	400	10	these	these	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	400	11	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	12	elements	element	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	400	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	400	14	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	400	15	elusive	elusive	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	16	character	character	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	400	17	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	400	18	allows	allow	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	19	listeners	listener	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	400	20	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	400	21	identify	identify	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	400	22	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	400	23	final	final	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	24	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	25	product	product	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	400	26	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	400	27	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	400	28	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	400	29	remains	remain	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	30	seemingly	seemingly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	400	31	unperturbed	unperturbed	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	400	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	401	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	2	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	401	3	respect	respect	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	401	5	my	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	401	6	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	7	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	401	8	initially	initially	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	401	9	pointed	point	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	10	towards	towards	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	11	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	12	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	401	13	masterful	masterful	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	401	14	manipulation	manipulation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	15	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	401	16	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	401	17	16	16	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	401	18	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	401	19	Era	Era	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	20	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	21	música	música	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	22	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	23	escuchaba	escuchaba	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	24	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	401	25	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	26	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	27	más	más	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	28	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	29	interesaba	interesaba	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	401	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	402	1	Ahora	Ahora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	2	no	no	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	402	4	eso	eso	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	5	quedó	quedó	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	6	un	un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	7	poco	poco	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	8	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	402	9	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	10	pasado	pasado	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	402	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	403	1	A	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	403	2	mí	mí	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	403	4	ahora	ahora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	403	6	me	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	7	parece	parece	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	8	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	9	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	10	rock	rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	11	se	se	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	12	quedó	quedó	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	13	repitiendo	repitiendo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	403	14	cosas	cosas	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	403	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	404	1	Pero	pero	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	404	3	seguramente	seguramente	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	404	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	404	5	como	como	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	6	eso	eso	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	7	tuvo	tuvo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	8	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	9	ver	ver	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	404	10	con	con	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	11	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	12	años	años	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	13	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	14	formación	formación	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	404	16	aunque	aunque	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	17	sea	sea	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	18	inconscientemente	inconscientemente	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	19	forma	forma	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	20	parte	parte	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	21	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	22	nuestra	nuestra	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	23	idea	idea	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	24	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	404	25	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	26	música	música	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	27	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	404	28	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	404	29	98	98	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	404	30	Intersections	Intersections	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	31	series	series	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	32	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	33	metric	metric	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	404	34	schemes	scheme	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	404	35	directly	directly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	404	36	associated	associate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	37	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	404	38	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	39	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	404	40	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	405	1	Unquestion-	Unquestion-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	405	2	ably	ably	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	405	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	405	4	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	405	5	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	405	6	ability	ability	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	7	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	405	8	dissolve	dissolve	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	405	9	previous	previous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	405	10	boundaries	boundary	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	405	11	without	without	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	12	leaving	leave	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	405	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	405	14	lis-	lis-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	15	teners	tener	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	405	16	wandering	wander	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	405	17	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	18	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	405	19	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	405	20	maze	maze	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	21	speaks	speak	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	405	22	volumes	volume	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	405	23	about	about	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	24	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	405	25	compositional	compositional	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	405	26	skills	skill	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	405	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	405	28	acute	acute	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	405	29	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	405	30	sensibility	sensibility	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	405	31	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	406	1	Stylistically	stylistically	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	406	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	406	3	however	however	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	406	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	406	5	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	406	6	phenomenon	phenomenon	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	406	7	seems	seem	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	406	8	indicative	indicative	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	406	9	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	406	10	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	406	11	inherent	inherent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	406	12	stylistic	stylistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	406	13	malleability	malleability	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	406	14	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	406	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	406	16	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	406	17	genre	genre	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	406	18	itself	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	406	19	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	406	20	needs	need	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	406	21	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	406	22	be	be	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	406	23	further	further	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	406	24	studied	study	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	406	25	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	407	1	references	reference	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	407	2	Azzi	Azzi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	407	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	407	4	Maria	Maria	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	407	5	Susana	Susana	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	407	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	407	7	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	407	8	Simon	Simon	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	407	9	Collier	Collier	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	407	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	408	1	2002	2002	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	408	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	409	1	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	2	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	409	4	Su	Su	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	5	Vida	Vida	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	6	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	7	Su	Su	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	8	Música	Música	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	409	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	410	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	410	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	410	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	410	4	Editorial	editorial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	410	5	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	410	6	Ateneo	Ateneo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	410	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	411	1	Bakhtin	Bakhtin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	411	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	411	3	Mikhail	Mikhail	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	411	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	412	1	1981	1981	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	412	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	413	1	Dialogic	dialogic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	413	2	imagination	imagination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	413	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	413	4	Four	four	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	413	5	essays	essay	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	413	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	414	1	Edited	edit	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	414	2	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	414	3	Michael	Michael	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	414	4	Holoquist	Holoquist	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	414	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	414	6	translated	translate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	414	7	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	414	8	Caryl	Caryl	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	414	9	Emerson	Emerson	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	414	10	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	414	11	Michael	Michael	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	414	12	Holoquist	Holoquist	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	414	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	414	14	259	259	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	414	15	–	–	:
work_bqoqnhnyvfax5njlsfrijxvgrm	414	16	422	422	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	414	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	415	1	Austin	Austin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	415	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	415	3	University	University	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	415	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	415	5	Texas	Texas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	415	6	Press	Press	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	415	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	416	1	Bent	Bent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	416	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	416	3	Ian	Ian	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	416	4	D.	D.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	416	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	416	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	416	7	Anthony	Anthony	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	416	8	Pople	Pople	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	416	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	417	1	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	417	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	418	1	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	418	2	Analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	418	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	418	4	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	418	5	Oxford	Oxford	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	418	6	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	418	7	Online	Online	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	418	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	418	9	http://	http://	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	418	10	www.oxfordmusiconline.com.ezproxy.library.yorku.ca/subscriber/article/	www.oxfordmusiconline.com.ezproxy.library.yorku.ca/subscriber/article/	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	418	11	grove	grove	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	418	12	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	418	13	music/41862	music/41862	.
work_bqoqnhnyvfax5njlsfrijxvgrm	418	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	419	1	Berliner	Berliner	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	419	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	419	3	Paul	Paul	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	419	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	420	1	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	420	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	421	1	Thinking	think	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	421	2	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	421	3	jazz	jazz	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	421	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	421	5	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	421	6	infinite	infinite	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	421	7	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	421	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	421	9	improvisation	improvisation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	421	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	422	1	Chicago	Chicago	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	422	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	422	3	University	University	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	422	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	422	5	Chicago	Chicago	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	422	6	Press	Press	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	422	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	423	1	Bernard	Bernard	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	423	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	423	3	Jonathan	Jonathan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	423	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	424	1	2000	2000	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	424	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	425	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	425	2	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	425	3	world(s	world(s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	425	4	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	425	5	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	426	1	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	426	2	Franck	Franck	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	426	3	Zappa	Zappa	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	426	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	426	5	Some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	426	6	obser-	obser-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	426	7	vations	vation	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	426	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	426	9	his	-PRON-	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	426	10	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	426	11	crossover	crossover	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	426	12	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	426	13	pieces	piece	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	426	14	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	427	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	2	Expression	expression	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	3	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	4	pop	pop	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	5	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	427	6	rock	rock	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	7	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	8	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	427	9	A	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	427	10	collec-	collec-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	11	tion	tion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	12	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	13	critical	critical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	427	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	427	15	analytical	analytical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	427	16	essays	essay	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	427	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	427	18	edited	edit	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	19	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	427	20	Walter	Walter	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	427	21	Everett	Everett	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	427	22	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	427	23	157–210	157–210	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	427	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	428	1	New	New	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	428	2	York	York	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	428	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	428	4	Garland	Garland	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	428	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	429	1	Bhabha	Bhabha	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	429	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	429	3	Homi	Homi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	429	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	430	1	1994	1994	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	430	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	431	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	431	2	location	location	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	431	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	431	4	culture	culture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	431	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	432	1	London	London	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	432	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	432	3	Routledge	Routledge	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	432	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	433	1	Brunelli	Brunelli	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	433	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	433	3	Omar	Omar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	433	4	Garcia	Garcia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	433	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	433	6	ed	ed	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	433	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	434	1	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	434	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	435	1	Estudios	estudio	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	435	2	Sobre	Sobre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	435	3	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	435	4	Obra	Obra	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	435	5	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	435	6	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	435	7	Piazzolla	Piazzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	435	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	436	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	436	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	436	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	436	4	Gourmet	Gourmet	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	436	5	Musical	Musical	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	436	6	Ediciones	Ediciones	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	436	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	437	1	Cadicamo	Cadicamo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	437	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	437	3	Enrique	Enrique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	437	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	438	1	1975	1975	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	438	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	439	1	La	La	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	439	2	Historia	Historia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	439	3	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	439	4	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	439	5	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	439	6	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	439	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	440	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	440	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	440	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	440	4	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	440	5	Corregidor	Corregidor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	440	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	441	1	Canclini	Canclini	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	441	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	441	3	Néstor	Néstor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	441	4	Garcia	Garcia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	441	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	442	1	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	442	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	443	1	Hybrid	hybrid	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	443	2	cultures	culture	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	443	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	444	1	Translated	translate	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	444	2	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	444	3	L.	L.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	444	4	Chiappari	Chiappari	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	444	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	444	6	S.	S.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	444	7	Lopez	Lopez	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	444	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	445	1	Minneapolis	Minneapolis	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	445	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	445	3	University	University	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	445	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	445	5	Minnesota	Minnesota	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	445	6	Press	Press	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	445	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	446	1	Carretero	Carretero	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	446	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	446	3	Andres	Andres	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	446	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	447	1	1999	1999	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	447	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	448	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	448	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	448	3	Testigo	Testigo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	448	4	Social	Social	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	448	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	449	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	449	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	449	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	449	4	Ediciones	Ediciones	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	449	5	Continente	Continente	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	449	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	450	1	Cibotti	Cibotti	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	450	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	450	3	Ema	Ema	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	450	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	451	1	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	451	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	452	1	Del	Del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	2	Encanto	Encanto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	3	al	al	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	4	Desencanto	Desencanto	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	5	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	6	una	una	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	7	Elite	Elite	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	452	9	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	452	10	Clave	Clave	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	11	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	12	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	452	13	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	453	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	453	2	Escritos	Escritos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	3	Sobre	Sobre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	4	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	5	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	453	6	En	En	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	7	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	8	Río	Río	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	9	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	10	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	11	Plata	Plata	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	12	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	13	en	en	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	453	14	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	15	Diáspora	Diáspora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	453	17	edited	edit	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	453	18	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	453	19	Teresita	Teresita	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	20	Lencina	Lencina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	21	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	453	22	Omar	Omar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	23	García	García	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	453	25	Brunelli	Brunelli	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	453	27	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	453	28	Ricardo	Ricardo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	29	Salton	Salton	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	453	30	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	453	31	41–54	41–54	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	453	32	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	454	1	Bue-	Bue-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	454	2	nos	nos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	454	3	Aires	Aires	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	454	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	454	5	Centro	Centro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	454	6	Feca	Feca	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	454	7	Ediciones	Ediciones	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	454	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	455	1	Collier	Collier	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	455	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	455	3	Simon	Simon	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	455	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	456	1	1992	1992	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	456	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	457	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	457	2	popular	popular	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	457	3	roots	root	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	457	4	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	457	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	457	6	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	457	7	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	457	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	458	1	History	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	458	2	Work-	work-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	458	3	shop	shop	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	458	4	34:92–100	34:92–100	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	458	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	459	1	Denniston	Denniston	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	459	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	459	3	Christine	Christine	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	459	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	460	1	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	460	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	461	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	461	2	meaning	meaning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	461	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	461	4	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	461	5	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	461	6	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	461	7	story	story	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	461	8	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	461	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	461	10	Argentinean	argentinean	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	461	11	dance	dance	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	461	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	462	1	London	London	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	462	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	462	3	Portico	Portico	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	462	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	463	1	Fisherman	Fisherman	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	463	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	463	3	Diego	Diego	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	463	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	464	1	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	464	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	465	1	Martin	Martin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	2	Matalon	Matalon	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	3	se	se	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	4	presenta	presenta	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	465	5	en	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	465	6	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	7	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	8	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	465	9	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	10	tradi-	tradi-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	11	ción	ción	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	12	reinterpretada	reinterpretada	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	465	13	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	466	1	Página12	Página12	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	466	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	466	3	23	23	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	466	4	August	August	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	466	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	467	1	http://www.pagina12.com.ar/	http://www.pagina12.com.ar/	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	467	2	diario	diario	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	467	3	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	467	4	suplementos	suplementos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	467	5	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	467	6	espectaculos/3	espectaculos/3	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	467	7	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	467	8	11023	11023	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	467	9	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	467	10	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	467	11	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	467	12	08	08	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	467	13	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	467	14	23.html	23.html	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	467	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	468	1	Frello	frello	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	468	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	468	3	Birgitta	Birgitta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	468	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	469	1	n.d	n.d	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	469	2	.	.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	469	3	Essentialism	Essentialism	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	469	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	469	5	hybridism	hybridism	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	469	6	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	469	7	cultural	cultural	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	469	8	critique	critique	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	469	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	470	1	Centre	Centre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	470	2	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	470	3	Cultural	Cultural	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	470	4	Studies	Studies	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	470	5	Research	Research	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	470	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	471	1	http://www.uel.ac.uk/ccsr/documents/	http://www.uel.ac.uk/ccsr/documents/	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	471	2	FrelloEssentialism.pdf	FrelloEssentialism.pdf	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	471	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	472	1	30/2	30/2	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	472	2	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	472	3	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	472	4	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	472	5	99	99	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	472	6	Garramuño	Garramuño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	472	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	472	8	Florencia	Florencia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	472	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	473	1	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	473	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	474	1	Modernidades	modernidade	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	474	2	primitivas	primitiva	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	474	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	474	4	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	474	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	474	6	samba	samba	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	474	7	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	474	8	nación	nación	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	474	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	475	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	475	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	475	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	475	4	Fondo	Fondo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	475	5	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	475	6	Cultura	Cultura	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	475	7	Económica	Económica	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	475	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	476	1	Gitler	Gitler	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	476	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	476	3	Ira	Ira	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	476	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	477	1	1958	1958	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	477	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	478	1	Trane	trane	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	478	2	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	478	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	478	4	tracks	track	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	478	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	479	1	Down	down	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	479	2	Beat	Beat	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	479	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	479	4	16	16	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	479	5	October	October	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	479	6	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	479	7	16–17	16–17	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	479	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	480	1	Guilbault	Guilbault	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	480	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	480	3	Jocelyne	Jocelyne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	480	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	481	1	2005	2005	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	481	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	482	1	Audible	audible	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	482	2	entanglements	entanglement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	482	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	482	4	Nation	nation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	482	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	482	6	diasporas	diaspora	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	482	7	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	482	8	Trinidad	Trinidad	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	482	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	482	10	calypso	calypso	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	482	11	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	482	12	scene	scene	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	482	13	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	483	1	Small	Small	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	483	2	Axe	Axe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	483	3	17:40–63	17:40–63	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	483	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	484	1	Humbert	Humbert	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	484	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	484	3	Béatrice	Béatrice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	484	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	485	1	2000	2000	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	485	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	486	1	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	2	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	3	en	en	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	4	París	París	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	5	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	6	1907	1907	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	7	à	à	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	486	8	1920	1920	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	486	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	487	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	487	2	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	3	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	4	Nómade	Nómade	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	5	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	487	6	Ensayos	Ensayos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	7	sobre	sobre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	8	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	9	Diáspora	Diáspora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	10	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	11	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	12	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	487	13	edited	edit	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	487	14	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	487	15	Ramón	Ramón	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	16	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	487	17	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	487	18	99–162	99–162	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	487	19	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	488	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	488	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	488	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	488	4	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	488	5	Corregidor	Corregidor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	488	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	489	1	Kapchan	Kapchan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	489	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	489	3	Deborah	Deborah	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	489	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	489	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	489	6	Pauline	Pauline	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	489	7	Turner	Turner	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	489	8	Strong	Strong	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	489	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	490	1	1999	1999	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	490	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	491	1	Theorizing	theorize	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	491	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	491	3	hybrid	hybrid	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	491	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	492	1	Journal	Journal	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	492	2	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	492	3	American	American	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	492	4	Folklore	Folklore	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	492	5	112	112	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	492	6	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	492	7	445	445	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	492	8	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	492	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	492	10	239–53	239–53	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	492	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	493	1	Kohan	Kohan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	493	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	493	3	Pablo	Pablo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	493	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	494	1	2002	2002	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	494	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	495	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	495	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	496	1	Diccionario	Diccionario	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	2	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	3	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	4	Música	Música	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	5	Española	Española	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	6	e	e	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	7	Hispanoamer-	Hispanoamer-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	8	icana	icana	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	496	9	10:142–55	10:142–55	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	496	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	497	1	Madrid	Madrid	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	497	3	Sociedad	Sociedad	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	4	General	General	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	5	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	6	Autores	Autores	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	7	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	8	Editores	Editores	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	497	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	498	1	Lamas	Lamas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	498	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	498	3	Hugo	Hugo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	498	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	498	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	498	6	Enrique	Enrique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	498	7	Binda	Binda	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	498	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	499	1	1998	1998	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	499	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	500	1	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	500	2	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	500	3	en	en	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	500	4	la	la	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	500	5	Sociedad	Sociedad	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	500	6	Porteña	Porteña	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	500	7	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	500	8	1880	1880	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	500	9	–	–	:
work_bqoqnhnyvfax5njlsfrijxvgrm	500	10	1920	1920	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	500	11	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	500	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	501	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	501	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	501	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	501	4	Héctor	Héctor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	501	5	Lorenzo	Lorenzo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	501	6	Lucci	Lucci	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	501	7	Ediciones	Ediciones	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	501	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	502	1	Luker	Luker	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	502	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	502	3	Morgan	Morgan	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	502	4	James	James	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	502	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	503	1	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	503	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	504	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	504	2	Renovación	Renovación	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	504	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	504	4	On	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	504	6	uses	use	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	504	7	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	8	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	9	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	10	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	11	post	post	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	12	-	-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	13	crisis	crisis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	504	14	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	504	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	505	1	Latin	latin	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	505	2	American	American	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	505	3	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	505	4	Review	Review	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	505	5	28	28	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	505	6	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	505	7	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	505	8	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	505	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	505	10	68–93	68–93	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	505	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	506	1	Manso	Manso	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	506	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	506	3	Diego	Diego	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	506	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	507	1	2006	2006	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	507	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	508	1	¿	¿	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	508	2	Como	Como	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	508	3	sigue	sigue	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	508	4	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	508	5	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	508	6	?	?	.
work_bqoqnhnyvfax5njlsfrijxvgrm	509	1	Clarín	Clarín	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	509	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	509	3	14	14	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	509	4	October	October	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	509	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	510	1	Matamoro	Matamoro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	510	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	510	3	Blas	Blas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	510	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	511	1	1971	1971	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	511	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	512	1	Historia	Historia	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	512	2	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	512	3	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	512	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	513	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	513	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	513	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	513	4	Centro	Centro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	513	5	Editor	Editor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	513	6	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	513	7	América	América	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	513	8	Latina	Latina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	513	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	514	1	Mauriño	Mauriño	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	514	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	514	3	Gabriela	Gabriela	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	514	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	515	1	2001	2001	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	515	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	516	1	Raíces	Raíces	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	2	tangueras	tangueras	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	3	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	516	4	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	5	obra	obra	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	6	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	7	Astor	Astor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	8	Paizzolla	Paizzolla	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	516	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	517	1	Latin	latin	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	517	2	American	American	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	517	3	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	517	4	Review	Review	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	517	5	22	22	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	517	6	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	517	7	2	2	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	517	8	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	517	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	517	10	240–54	240–54	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	517	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	518	1	Messiaen	Messiaen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	518	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	518	3	Olivier	Olivier	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	518	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	518	5	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	518	6	Yvonne	Yvonne	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	518	7	Loriod	Loriod	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	518	8	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	518	9	Messiaen	Messiaen	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	518	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	519	1	2003	2003	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	519	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	520	1	Ravel	ravel	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	520	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	520	3	Analyses	Analyses	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	520	4	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	520	5	œuvres	œuvre	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	520	6	pour	pour	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	520	7	piano	piano	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	520	8	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	520	9	Maurice	Maurice	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	520	10	Ravel	Ravel	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	520	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	521	1	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	521	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	521	3	Durand	Durand	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	521	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	522	1	Nederven	Nederven	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	522	2	Pieterse	Pieterse	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	522	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	522	4	J.	J.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	523	1	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	523	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	524	1	Globalization	globalization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	524	2	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	524	3	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	524	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	525	1	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	525	2	Global	global	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	525	3	moderni-	moderni-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	525	4	ties	tie	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	525	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	525	6	edited	edit	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	525	7	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	525	8	Mike	Mike	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	525	9	Featherstone	Featherstone	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	525	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	525	11	Scott	Scott	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	525	12	Lash	Lash	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	525	13	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	525	14	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	525	15	Roland	Roland	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	525	16	Robertson	Robertson	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	525	17	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	526	1	Lon-	Lon-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	526	2	don	don	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	526	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	526	4	Sage	sage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	526	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	527	1	Pelinski	Pelinski	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	527	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	527	3	Ramón	Ramón	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	527	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	527	5	ed	ed	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	527	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	528	1	2000a	2000a	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	528	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	529	1	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	2	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	3	Nomade	Nomade	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	529	5	Ensayos	Ensayos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	6	sobre	sobre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	7	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	8	diáspora	diáspora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	9	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	10	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	529	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	530	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	530	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	530	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	530	4	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	530	5	Corregidor	Corregidor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	530	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	531	1	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	531	2	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	531	3	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	531	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	532	1	2000b	2000b	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	532	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	533	1	Invitación	invitación	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	533	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	533	3	la	la	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	533	4	Etnomusicología	etnomusicología	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	533	5	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	533	6	Quince	Quince	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	533	7	Fragmentos	Fragmentos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	533	8	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	533	9	un	un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	533	10	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	533	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	534	1	Madrid	Madrid	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	534	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	534	3	AKAL	AKAL	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	534	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	535	1	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	535	2	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	535	3	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	535	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	536	1	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	536	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	537	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	2	Nomade	Nomade	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	537	4	Una	Una	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	5	Metafora	Metafora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	6	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	537	7	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	8	Globalizacion	Globalizacion	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	9	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	537	10	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	537	11	In	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	537	12	Escritos	Escritos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	13	Sobre	Sobre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	14	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	15	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	537	16	En	En	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	17	el	el	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	18	Río	Río	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	19	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	20	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	21	Plata	Plata	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	22	y	y	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	23	en	en	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	537	24	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	25	Diáspora	Diáspora	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	537	27	edited	edit	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	537	28	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	537	29	Teresita	Teresita	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	30	Len-	Len-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	31	cina	cina	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	537	32	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	537	33	Omar	Omar	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	34	García	García	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	35	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	537	36	Brunelli	Brunelli	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	37	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	537	38	Ricardo	Ricardo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	39	Salton	Salton	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	537	40	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	537	41	65–128	65–128	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	537	42	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	538	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	538	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	538	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	538	4	Centro	Centro	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	538	5	Feca	Feca	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	538	6	Ediciones	Ediciones	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	538	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	539	1	Roden	Roden	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	539	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	539	3	Christina	Christina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	539	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	540	1	n.d	n.d	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	540	2	.	.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	540	3	Christina	Christina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	540	4	Roden	Roden	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	540	5	talks	talk	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	540	6	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	7	Tomas	Tomas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	540	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	540	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	540	10	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	540	11	multi-	multi-	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	540	12	faceted	faceted	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	540	13	musician	musician	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	14	/	/	SYM
work_bqoqnhnyvfax5njlsfrijxvgrm	540	15	producer	producer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	16	discusses	discuss	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	540	17	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	540	18	immigrant	immigrant	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	19	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	540	20	life	life	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	21	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	22	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	540	23	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	541	1	Roots-	roots-	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	541	2	world	world	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	541	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	542	1	http://www.rootsworld.com/interview/gubitsch.html	http://www.rootsworld.com/interview/gubitsch.html	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	542	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	543	1	Sarlo	Sarlo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	543	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	543	3	Beatriz	Beatriz	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	543	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	544	1	1999	1999	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	544	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	545	1	Una	Una	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	545	2	modernidad	modernidad	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	545	3	periférica	periférica	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	545	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	545	5	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	545	6	Aires	Aires	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	545	7	1920–1930	1920–1930	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	545	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	546	1	Bue-	Bue-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	546	2	nos	nos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	546	3	Aires	Aires	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	546	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	546	5	Nueva	Nueva	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	546	6	Visión	Visión	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	546	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	547	1	Savigliano	Savigliano	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	547	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	547	3	Marta	Marta	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	547	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	548	1	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	548	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	549	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	549	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	549	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	549	4	political	political	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	549	5	economy	economy	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	549	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	549	7	passion	passion	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	549	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	550	1	San	San	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	550	2	Fran-	Fran-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	550	3	cisco	cisco	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	550	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	550	5	Westview	Westview	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	550	6	Press	Press	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	550	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	551	1	Stokes	Stokes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	551	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	551	3	Martin	Martin	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	551	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	552	1	2004	2004	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	552	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	553	1	Music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	553	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	553	3	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	553	4	global	global	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	553	5	order	order	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	553	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	554	1	Annual	Annual	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	554	2	Review	Review	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	554	3	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	554	4	Anthropol-	Anthropol-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	554	5	ogy	ogy	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	554	6	33:47–72	33:47–72	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	554	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	555	1	Stokes	Stokes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	555	3	M.	M.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	555	5	C.	C.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	6	Pegg	Pegg	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	555	8	H.	H.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	9	Myers	Myers	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	555	11	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	555	12	P.	P.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	13	V.	V.	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	14	Bohlman	Bohlman	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	555	15	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	556	1	2010	2010	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	556	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	557	1	Ethnomusicology	ethnomusicology	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	557	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	558	1	Ox-	ox-	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	558	2	ford	ford	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	558	3	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	558	4	Online	Online	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	558	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	558	6	http://www.oxfordmusiconline.com.ezproxy.library	http://www.oxfordmusiconline.com.ezproxy.library	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	558	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	559	1	yorku.ca/subscriber/article/grove/music/52178	yorku.ca/subscriber/article/grove/music/52178	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	559	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	560	1	100	100	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	560	2	Intersections	Intersections	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	560	3	Thompson	Thompson	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	560	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	560	5	Robert	Robert	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	560	6	Farris	Farris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	560	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	561	1	2005	2005	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	561	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	562	1	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	562	2	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	562	3	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	562	4	art	art	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	562	5	history	history	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	562	6	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	562	7	love	love	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	562	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	563	1	New	New	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	563	2	York	York	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	563	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	563	4	Vin-	Vin-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	563	5	tage	tage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	563	6	Books	book	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	563	7	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	564	1	Tovey	Tovey	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	564	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	564	3	Donald	Donald	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	564	4	Francis	Francis	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	564	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	565	1	1928	1928	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	565	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	566	1	Schubert	schubert	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	566	2	number	number	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	566	3	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	567	1	Music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	567	2	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	567	3	Letters	letter	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	567	4	9	9	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	567	5	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	567	6	4	4	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	567	7	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	567	8	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	567	9	341–63	341–63	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	567	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	568	1	Vega	Vega	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	568	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	568	3	Carlos	Carlos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	568	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	569	1	2007	2007	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	569	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	570	1	Estudios	estudio	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	570	2	para	para	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	570	3	los	los	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	570	4	orígenes	orígenes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	570	5	del	del	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	570	6	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	570	7	Argentino	Argentino	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	570	8	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	571	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	571	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	571	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	571	4	Editorial	editorial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	571	5	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	571	6	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	571	7	Universidad	Universidad	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	571	8	Católica	Católica	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	571	9	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	571	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	572	1	Vila	Vila	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	572	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	572	3	Pablo	Pablo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	572	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	573	1	1989	1989	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	573	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	574	1	Argentina	Argentina	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	574	2	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	574	3	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	574	4	rock	rock	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	574	5	nacional	nacional	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	574	6	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	574	7	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	574	8	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	574	9	struggle	struggle	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	574	10	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	574	11	meaning	meaning	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	574	12	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	575	1	Latin	latin	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	575	2	American	American	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	575	3	Music	Music	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	575	4	Review	Review	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	575	5	10	10	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	575	6	(	(	-LRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	575	7	1	1	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	575	8	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	575	9	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	575	10	1–28	1–28	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	575	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	576	1	Weiss	Weiss	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	576	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	576	3	Sarah	Sarah	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	576	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	577	1	2008	2008	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	577	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	578	1	Permeable	permeable	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	578	2	boundaries	boundary	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	578	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	578	4	Hybridity	hybridity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	578	5	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	578	6	music	music	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	578	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	578	8	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	578	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	578	10	reception	reception	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	578	11	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	578	12	Robert	Robert	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	578	13	Wilson	Wilson	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	578	14	’s	’s	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	578	15	I	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	578	16	La	La	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	578	17	Galigo	Galigo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	578	18	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	579	1	Ethnomusicology	ethnomusicology	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	579	2	52(2	52(2	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	579	3	)	)	-RRB-
work_bqoqnhnyvfax5njlsfrijxvgrm	579	4	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	579	5	203–38	203–38	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	579	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	580	1	Young	Young	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	580	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	580	3	Robert	Robert	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	580	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	581	1	1995	1995	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	581	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	582	1	Colonial	colonial	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	582	2	desire	desire	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	582	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	582	4	Hybridity	hybridity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	582	5	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	582	6	theory	theory	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	582	7	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	582	8	culture	culture	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	582	9	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	582	10	race	race	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	582	11	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	583	1	Lon-	Lon-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	583	2	don	don	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	583	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	583	4	Routledge	Routledge	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	583	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	584	1	Zalko	Zalko	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	584	2	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	584	3	Nardo	Nardo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	584	4	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	585	1	2001	2001	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	585	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	586	1	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	586	2	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	586	3	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	586	4	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	586	5	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	586	6	Un	Un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	586	7	Siglo	Siglo	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	586	8	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	586	9	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	586	10	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	587	1	Buenos	Buenos	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	587	2	Aires	aire	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	587	3	:	:	:
work_bqoqnhnyvfax5njlsfrijxvgrm	587	4	El	El	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	587	5	Corregidor	Corregidor	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	587	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	588	1	discography	discography	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	588	2	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	588	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	588	4	Tomas	Tomas	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	588	5	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	589	1	2006	2006	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	589	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	590	1	5	5	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	590	2	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	591	1	Acqua	Acqua	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	591	2	Records	Records	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	591	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	591	4	AQ	AQ	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	591	5	115	115	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	591	6	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	591	7	abstract	abstract	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	591	8	Tango	Tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	591	9	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	591	10	recent	recent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	591	11	resurgence	resurgence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	12	has	have	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	591	13	greatly	greatly	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	591	14	intensified	intensify	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	15	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	591	16	momentum	momentum	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	18	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	591	19	long	long	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	591	20	process	process	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	21	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	22	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	591	23	international	international	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	591	24	dissemination	dissemination	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	25	”	"	''
work_bqoqnhnyvfax5njlsfrijxvgrm	591	26	that	that	WDT
work_bqoqnhnyvfax5njlsfrijxvgrm	591	27	began	begin	VBD
work_bqoqnhnyvfax5njlsfrijxvgrm	591	28	with	with	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	29	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	591	30	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	31	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	591	32	arrival	arrival	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	33	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	34	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	591	35	during	during	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	36	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	591	37	first	first	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	591	38	decade	decade	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	39	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	40	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	591	41	twentieth	twentieth	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	591	42	century	century	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	591	43	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	592	1	The	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	592	2	many	many	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	592	3	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	592	4	promoted	promote	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	5	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	6	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	592	7	renewed	renew	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	8	popularity	popularity	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	9	have	have	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	592	10	set	set	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	11	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	592	12	stage	stage	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	13	for	for	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	14	an	an	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	592	15	unprecedented	unprecedented	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	592	16	period	period	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	17	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	18	development	development	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	19	marked	mark	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	20	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	21	artistic	artistic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	592	22	collaboration	collaboration	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	23	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	592	24	experimentation	experimentation	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	25	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	592	26	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	592	27	hybridization	hybridization	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	592	28	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	593	1	As	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	593	2	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	593	3	result	result	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	593	4	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	593	5	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	593	6	genre	genre	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	593	7	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	593	8	undergoing	undergo	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	593	9	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	593	10	changes	change	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	593	11	;	;	:
work_bqoqnhnyvfax5njlsfrijxvgrm	593	12	among	among	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	593	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	593	14	most	most	RBS
work_bqoqnhnyvfax5njlsfrijxvgrm	593	15	striking	striking	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	593	16	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	593	17	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	593	18	new	new	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	593	19	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	593	20	shapes	shape	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	593	21	it	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	593	22	is	be	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	593	23	assuming	assume	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	593	24	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	594	1	Through	through	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	2	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	3	detailed	detailed	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	4	analysis	analysis	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	5	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	6	two	two	CD
work_bqoqnhnyvfax5njlsfrijxvgrm	594	7	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	594	8	by	by	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	9	Argentine	argentine	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	10	guitarist	guitarist	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	11	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	594	12	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	13	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	594	14	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	594	15	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	594	16	who	who	WP
work_bqoqnhnyvfax5njlsfrijxvgrm	594	17	since	since	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	18	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	19	1970s	1970	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	594	20	—	—	:
work_bqoqnhnyvfax5njlsfrijxvgrm	594	21	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	22	time	time	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	23	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	24	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	25	country	country	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	26	’s	’s	,
work_bqoqnhnyvfax5njlsfrijxvgrm	594	27	notori-	notori-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	594	28	ous	ous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	29	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	594	30	brutal	brutal	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	31	“	"	``
work_bqoqnhnyvfax5njlsfrijxvgrm	594	32	Dirty	Dirty	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	594	33	War”—has	war”—has	ADD
work_bqoqnhnyvfax5njlsfrijxvgrm	594	34	resided	reside	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	35	in	in	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	36	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	594	37	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	594	38	this	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	39	paper	paper	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	40	examines	examine	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	41	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	42	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	43	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	44	processes	process	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	594	45	currently	currently	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	594	46	shaping	shape	VBG
work_bqoqnhnyvfax5njlsfrijxvgrm	594	47	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	48	sonic	sonic	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	49	form	form	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	50	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	51	some	some	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	594	52	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	53	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	594	54	’s	’s	POS
work_bqoqnhnyvfax5njlsfrijxvgrm	594	55	numerous	numerous	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	594	56	variants	variant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	594	57	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	595	1	This	this	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	595	2	work	work	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	3	hopes	hope	VBZ
work_bqoqnhnyvfax5njlsfrijxvgrm	595	4	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	595	5	shed	shed	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	595	6	light	light	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	7	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	8	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	595	9	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	595	10	composer	composer	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	11	and	and	CC
work_bqoqnhnyvfax5njlsfrijxvgrm	595	12	on	on	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	13	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	595	14	current	current	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	595	15	tango	tango	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	16	phe-	phe-	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	595	17	nomenon	nomenon	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	595	18	itself	-PRON-	PRP
work_bqoqnhnyvfax5njlsfrijxvgrm	595	19	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	595	20	as	as	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	595	21	well	well	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	595	22	as	as	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	23	to	to	TO
work_bqoqnhnyvfax5njlsfrijxvgrm	595	24	contribute	contribute	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	595	25	to	to	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	26	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	595	27	better	well	JJR
work_bqoqnhnyvfax5njlsfrijxvgrm	595	28	understanding	understanding	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	29	of	of	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	30	the	the	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	595	31	ways	way	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	595	32	musical	musical	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	595	33	hybrids	hybrid	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	595	34	are	be	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	595	35	constructed	construct	VBN
work_bqoqnhnyvfax5njlsfrijxvgrm	595	36	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	596	1	rÉsumÉ	résumé	UH
work_bqoqnhnyvfax5njlsfrijxvgrm	596	2	La	La	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	3	récente	récente	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	4	recrudescence	recrudescence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	596	5	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	6	tango	tango	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	596	7	a	a	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	596	8	considérablement	considérablement	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	596	9	intensifié	intensifié	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	596	10	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	11	rythme	rythme	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	12	d’un	d’un	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	13	long	long	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	14	processus	processus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	15	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	596	16	«	«	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	17	diffusion	diffusion	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	18	internationale	internationale	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	19	»	»	''
work_bqoqnhnyvfax5njlsfrijxvgrm	596	20	qui	qui	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	21	commence	commence	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	22	avec	avec	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	596	23	l’arrivée	l’arrivée	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	24	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	25	genre	genre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	26	à	à	DT
work_bqoqnhnyvfax5njlsfrijxvgrm	596	27	Paris	Paris	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	28	pendant	pendant	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	596	29	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	30	première	première	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	31	décennie	décennie	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	32	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	33	XXe	XXe	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	596	34	siècle	siècle	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	596	35	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	597	1	Les	Les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	2	nombreux	nombreux	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	597	3	dialogues	dialogue	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	597	4	engendrés	engendré	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	597	5	par	par	PRP$
work_bqoqnhnyvfax5njlsfrijxvgrm	597	6	ce	ce	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	7	regain	regain	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	597	8	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	597	9	popularité	popularité	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	10	ont	ont	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	11	préparé	préparé	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	12	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	13	terrain	terrain	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	14	pour	pour	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	15	une	une	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	16	période	période	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	17	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	597	18	développement	développement	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	597	19	sans	sans	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	597	20	précédent	précédent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	21	marquée	marquée	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	22	par	par	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	23	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	24	collaboration	collaboration	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	25	artistique	artistique	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	26	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	597	27	l’expérimentation	l’expérimentation	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	597	28	et	et	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	597	29	l’hybridation	l’hybridation	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	597	30	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	598	1	En	en	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	598	2	conséquence	conséquence	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	598	3	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	598	4	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	5	genre	genre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	6	subit	subit	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	7	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	8	nombreux	nombreux	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	9	changements	changement	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	598	10	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	598	11	les	les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	12	nouvelles	nouvelles	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	13	formes	formes	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	14	sono-	sono-	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	15	res	res	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	16	qu’il	qu’il	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	17	revêt	revêt	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	18	parmi	parmi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	19	les	les	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	20	plus	plus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	21	frappants	frappant	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	598	22	de	de	IN
work_bqoqnhnyvfax5njlsfrijxvgrm	598	23	ceux	ceux	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	24	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	598	25	ci	ci	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	598	26	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	599	1	À	À	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	2	travers	traver	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	599	3	une	une	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	4	analyse	analyse	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	5	détaillée	détaillée	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	6	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	599	7	deux	deux	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	599	8	compositions	composition	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	599	9	du	du	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	10	guitariste	guitariste	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	599	11	et	et	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	599	12	compositeur	compositeur	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	599	13	argentin	argentin	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	599	14	Tomás	Tomás	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	15	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	16	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	599	17	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	18	présent	présent	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	599	19	document	document	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	599	20	examine	examine	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	21	quelques	quelque	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	599	22	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	599	23	uns	uns	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	24	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	25	processus	processus	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	26	qui	qui	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	27	façonnent	façonnent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	28	actuellement	actuellement	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	29	la	la	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	30	forme	forme	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	31	sonore	sonore	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	32	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	33	nombreuses	nombreuses	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	34	variantes	variantes	NNPS
work_bqoqnhnyvfax5njlsfrijxvgrm	599	35	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	36	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	599	37	.	.	.
work_bqoqnhnyvfax5njlsfrijxvgrm	600	1	Ce	Ce	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	2	travail	travail	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	600	3	devrait	devrait	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	4	permettre	permettre	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	5	de	de	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	600	6	faire	faire	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	600	7	la	la	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	600	8	lu-	lu-	XX
work_bqoqnhnyvfax5njlsfrijxvgrm	600	9	mière	mière	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	10	sur	sur	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	11	Gubitsch	Gubitsch	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	12	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	13	compositeur	compositeur	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	600	14	et	et	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	600	15	sur	sur	FW
work_bqoqnhnyvfax5njlsfrijxvgrm	600	16	le	le	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	17	phénomène	phénomène	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	18	présent	présent	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	19	du	du	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	20	tango	tango	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	21	lui	lui	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	22	-	-	HYPH
work_bqoqnhnyvfax5njlsfrijxvgrm	600	23	même	même	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	24	,	,	,
work_bqoqnhnyvfax5njlsfrijxvgrm	600	25	ainsi	ainsi	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	26	que	que	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	27	de	de	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	28	contribuer	contribuer	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	29	à	à	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	30	une	une	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	31	meilleure	meilleure	JJ
work_bqoqnhnyvfax5njlsfrijxvgrm	600	32	compréhension	compréhension	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	600	33	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	34	façons	façon	NNS
work_bqoqnhnyvfax5njlsfrijxvgrm	600	35	do	do	VBP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	36	nt	not	RB
work_bqoqnhnyvfax5njlsfrijxvgrm	600	37	se	se	VB
work_bqoqnhnyvfax5njlsfrijxvgrm	600	38	construisent	construisent	NN
work_bqoqnhnyvfax5njlsfrijxvgrm	600	39	des	des	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	40	hybrides	hybrides	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	41	musicaux	musicaux	NNP
work_bqoqnhnyvfax5njlsfrijxvgrm	600	42	.	.	.