id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_yzbo3qnk3fdsnpolxuckxxq3qy	Sally Price	From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, written by Edward J. Sullivan	2016	2	.pdf	application/pdf	934	51	55	Sullivan looks at the ways in which Oller combined the influences of his experiences abroad with an "intense attachment to the specifics of Puerto Rican geography, light, flora, and the customs of its inhabitants" (p. art historical and social/political analysis, he attempts to tease out Oller's positions (abolitionist sympathies, anticlericalism, etc.) in the details of particular Velorio, described by Cuban art historian Yolanda Wood as "the most important painting for the turn-of-the-century Caribbean." (It also inspired a stunning homage to Oller by Puerto Rican artist Antonio Martorell—see nwig 85 Chapter 3 analyzes a painting depicting Rafael Cordero, the son of free persons of color who founded Puerto Rico's first school for the children of slaves. of war imagery in art of nineteenth-century Puerto Rico (and the Caribbean for Puerto Ricans.1 As it is, this is a book penned very much in art historical sallyprice123@gmail.com; www.richandsally.net	./cache/work_yzbo3qnk3fdsnpolxuckxxq3qy.pdf	./txt/work_yzbo3qnk3fdsnpolxuckxxq3qy.txt