id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_yotgaxavxjhfxno2rq4eewxb5a	Paul Smith	'PARBLEU': PISSARRO AND THE POLITICAL COLOUR OF AN ORIGINAL VISION	1992	25	.pdf	application/pdf	15536	2766	93	way of seeing recorded in a n Impressionist painting had specific moral and political Science did not just enable Pissarro's perception of colours in nature, it also effects like simultaneous contrast a n d optical mixture could affect the way colours In contrast, the quite different emphasis in Pissarro's own paintings on T h e logic which united the meanings of Pissarro's use of colour was therefore between colour vision a n d anarchism that Pissarro himself makes in his letters. Horrified by Vibrac's frank colour, Marthe blurts out: 'Mais ce n'est plus vous Behind the rhetoric of this dialogue, Adam suggests, like Pissarro, that bourgeois like Pissarro, Adam seems to think that seeing such effects is to see in a way Plainly, Pissarro, Alexis and Adam all saw Impressionist colour vision as anarchist. works by Pissarro and a painting by Signac of ' u n e rner bleue'.)'" At this event, 	./cache/work_yotgaxavxjhfxno2rq4eewxb5a.pdf	./txt/work_yotgaxavxjhfxno2rq4eewxb5a.txt