id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_yhd2usro6vfenewonkmqs3eqfu	Christopher P. Heuer	'"Hundreds of eyes": Beyond Beholding in Riegl's "Jakob van Ruysdael" (1902)'	2013	14	.pdf	application/pdf	6620	429	63	Alois Riegl wrote nearly nothing about landscape painting; what he did has been writes near the close of the Ruisdael essay, 'a painting of attention.'6 As the essay concludes, Riegl turns to Ruisdael's last pictures, where, he Riegl's other writings on Dutch art (and their roots in public lectures.) Yet here the And Riegl seems not particularly happy with this art history; Ruisdael condensed form than in Riegl's other writings, then, the Ruisdael essay seems to At the time of writing, Alois Riegl had been ordinarius at the University of Vienna Differently than much of Riegl's other work, the essay rooted the Dutch Pages from Riegl's lecture notes for the 1896 Dutch painting course By 'modern landscape painting' Riegl (as in the Ruisdael essay) seems to mean sentimental, overly 'subjective' Ruisdael, claims Riegl, in works like the Jewish 45 Moshe Barasch, 'Alois Riegl', in Modern Theories of Art 2: From Impressionism to Kandinsky, New York: 	./cache/work_yhd2usro6vfenewonkmqs3eqfu.pdf	./txt/work_yhd2usro6vfenewonkmqs3eqfu.txt