id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_xo4urzhwkbf6zdhntu2nkljz5u	Jen Seevinck	Tracing Moments	2010	3	.pdf	application/pdf	1382	199	71	is composed of sand, imagery and interaction. paper traces the creative process from initial landscape studies to museum installation in 2008. interactive art, practice, perception, ambiguity, sand, Tangible User Interface, Augmented Reality. sand as an interface to interact with two can be described as a tangible user interface [2] while the use of real-time, virtual imagery on the sand further defines screen (Fig. 1.) The imagery behaves reflective quality and this 'poetic' analysis of my experience led to two key concepts. The use of sand supports a highly involved interaction because the material New shapes can also emerge during brighter areas can be perceived as emergent shapes (Fig. 6). of new imagery, including reflections on views; and the emergence of new shapes. Emergent imagery and a tangible, intuitive and impressionable interface originate from A photograph from the site combines water surface (e.g. reflections) and 7. Seevinck, J., Edmonds, E., Emergence and the art 	./cache/work_xo4urzhwkbf6zdhntu2nkljz5u.pdf	./txt/work_xo4urzhwkbf6zdhntu2nkljz5u.txt