id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_pf6dxzd3qnb6lgnrt427qrnlzy	T. Kotsimbos	From the Museum: the Art of Thinking. Part Seven: Perspective	2014	1	.pdf	application/pdf	1359	241	51	reshaping our perspective of art and the modern world. Picasso's Demoiselles was initially a Barcelona brothel scene that began as an allegory of vice (sailor-client strokes of intuitive analysis and synthesis, the novel geometries of Picasso's Demoiselles have combined world has now been embraced and Picasso is true to his pronouncement that "Je est un autre". Cézanne's series of Mont Sainte-Victoire nature paintings distance between object and viewer) and "painted space" that could be more "fully experienced". Picasso and Braque were kindred spirits as they created a new cubist vocabulary, but it is the Atelier series sudden, space-time has collapsed into a dimension of art where the solitary experimentalist (Cézanne), the exuberant genius (Picasso) and the methodical intellectual (Braque) are all juxtaposed, somewhat E-mail: tom.kotsimbos@monash.edu Museum of Modern Art, New York Georges Braque: Atelier VIII, 1954; Created PDF documents can be opened with Acrobat and Adobe Reader 5.0 and later.)	./cache/work_pf6dxzd3qnb6lgnrt427qrnlzy.pdf	./txt/work_pf6dxzd3qnb6lgnrt427qrnlzy.txt