id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_nqa73jgqp5a35bsrfd4zgiwrnu	Michelle Foa	0042 (Anti-)Biography and Neo-Impressionism	2020	14	.pdf	application/pdf	7127	523	64	This article analyzes neo-impressionism in relation to the biographical model of art eye be agile, perceptive, and knowing." So wrote the most important critic of neoimpressionism, Félix Fénéon, about Seurat's Un dimanche à la Grande Jatte – 1884 (A of an individual artist, ran directly counter to the biographical mode of art criticism that terms derived from his paintings, as critics worked back from the art to the man to impersonal was the art of Seurat perceived to be by certain critics that his biography and desire to see Seurat's artistic method as reflective of his biography or personality, and Knoblock was an artist's model with whom Seurat began a relationship by 1889, although Germain repeatedly described Seurat as an artist "practicing self-denial for his art with a Germain, "Necrologie – Georges Seurat," in: Moniteur des Arts (3 April 1891), 554. also one of the few critics or historians to interpret Seurat's artistic method as a 	./cache/work_nqa73jgqp5a35bsrfd4zgiwrnu.pdf	./txt/work_nqa73jgqp5a35bsrfd4zgiwrnu.txt