id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_nadrqlaa5ncqrjqdg7v2ldshla	José Angel García Landa	Criticism after Romanticism: 2. Art for Art's Sake. 3. Impressionism and Subjectivism	2018	11	.pdf	application/pdf	5147	358	72	later propounders of this idea proudly claim that art is completely useless. though, with some links to autotelic views of art: formalist criticism, which demonstrate that a poem, like any other work of art, is fabricated of For Pater, criticism itself becomes a work of art" (Adams 642). So, instead of having a scholarly equipment or a philosophy of art, the critic Eliot sees in Pater's brand of art-forart's sake an offspring of Arnold's ideal of Culture as a substitute for Art had said that in the experience of pure beauty there is an Romanticism, he speaks against the idea of art being an imitation of nature. Art is a kind of subjection of nature to the human mind. 7 Oscar Wilde, "The Critic as Artist," qtd. relationship between art and criticism. Just like art is not subject to nature, criticism is not subject to art. Life becomes a work of art, 	./cache/work_nadrqlaa5ncqrjqdg7v2ldshla.pdf	./txt/work_nadrqlaa5ncqrjqdg7v2ldshla.txt