id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_cipqsdtaxvdanim64qtwhg4brq	G. Smith	Swing Low, Sweet Chariot: Kinetic Sculpture and the Crisis of Western Technocentrism	2015	18	.pdf	application/pdf	7892	516	65	make art kinetic is one of the prime artistic urges of the present century; to misrepresent presented here is the work of a practicing kinetic sculptor [8] as opposed to an art historian; and must culminate in a machine-based kinetic sculpture; and although mainstream art history has failed to artist mounted in 1932 "the first entirely kinetic exhibition in the history of Western art" [30], and at Museum of Modern Art, New York. A post-mortem must presume that, in their attempts to create a true art of the machine, Calder and the machine" [35], endow their kinetic works with metal bodies and precision bearings, but continue to different had Calder succeeded in 1931 in creating a true art of the machine, the fact Available online: http://www.caldaria.org/2013/09/lin-emery-by-philip-palmedo-reviewby.html (accessed on 4 July 2014). The Museum of Modern Art: New York, NY, USA, 1952; p. http://www.villagevoice.com/2005-11-29/art/clusterfuck-aesthetics/ (accessed on 5 July 2014).	./cache/work_cipqsdtaxvdanim64qtwhg4brq.pdf	./txt/work_cipqsdtaxvdanim64qtwhg4brq.txt