id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_bqoqnhnyvfax5njlsfrijxvgrm	Alberto Munarriz	Hybridization and the Creation of "Third Spaces": an Analysis of Two Works by Tomás Gubitsch	2010	27	.pdf	application/pdf	10912	822	58	through which Gubitsch weaves in the sonic tapestry of his compositional output a number of idioms, musical traditions, and aesthetic conceptions conventionally disparate from the traditional Argentine tango ethos. investigation, I hope to shed light on Gubitsch the composer and on the current tango phenomenon itself, as well as to contribute to a better understanding of the ways musical hybrids are constructed. that tango itself emerged in the "in-between" or "third spaces" of competing cultural and racial differences (Bhabha 1994) that resulted from a number hybridizing tendencies in the New World. From a musical perspective, the most significant outcome was the emergence of stylistic variants whose conceptualization and development were defined by the cultural dialogues particular to each of tango's new socio-cultural been characterized by a binary subdivision of the beat, a trait that also defines musical traditions that likely informed tango's initial developments (e.g., 	./cache/work_bqoqnhnyvfax5njlsfrijxvgrm.pdf	./txt/work_bqoqnhnyvfax5njlsfrijxvgrm.txt