Aesthetic emotions - Wikipedia Aesthetic emotions From Wikipedia, the free encyclopedia Jump to navigation Jump to search Emotions felt during aesthetic activities This article includes a list of general references, but it remains largely unverified because it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (April 2009) (Learn how and when to remove this template message) Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation. These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts. Examples of the latter include the sublime, the beautiful, and the kitsch. In each of these respects, the emotion usually constitutes only a part of the overall aesthetic experience, but may play a more or less definitive function for that state. Contents 1 Types 1.1 Visual arts and film 1.2 Music 2 See also 3 References 4 Further reading Types[edit] Visual arts and film[edit] The relation between aesthetic emotions and other emotions is traditionally said to rely on the disinterestedness of the aesthetic experience (see Kant especially). Aesthetic emotions do not motivate practical behaviours in the way that other emotions do (such as fear motivating avoidance behaviours). The capacity of artworks to arouse emotions such as fear is a subject of philosophical and psychological research.[1] It raises problems such as the paradox of fiction in which one responds with sometimes quite intense emotions to art, even whilst knowing that the scenario presented is fictional (see for instance the work of Kendall Walton). Another issue is the problem of imaginative resistance, which considers why we are able to imagine many far-fetched fictional truths but experience comparative difficulty imagining that different moral standards hold in a fictional world. This problem was first raised by David Hume, and was revived in current discussion by Richard Moran, Kendall Walton and Tamar Gendler (who introduced the term in its current usage in a 2000 article by the same name).[2] Some forms of artwork seem to be dedicated to the arousal of particular emotions. For instance horror films seek to arouse feelings of fear or disgust; comedies seek to arouse amusement or happiness, tragedies seek to arouse sympathy or sadness, and melodramas try to arouse pity and empathy. Music[edit] In the philosophy of music, scholars have argued whether instrumental music such as symphonies are simply abstract arrangements and patterns of musical pitches ("absolute music"), or whether instrumental music depicts emotional tableaux and moods ("program music"). Despite the assertions of philosophers advocating the "absolute music" argument, the typical symphony-goer does interpret the notes and chords of the orchestra emotionally; the opening of a Romantic-era symphony, in which minor chords thunder over low bass notes is often interpreted by layman listeners as an expression of sadness in music. Also called "abstract music", absolute music is music that is not explicitly "about" anything, non-representational or non-objective. Absolute music has no references to stories or images or any other kind of extramusical idea. The aesthetic ideas underlying the absolute music debate relate to Kant's aesthetic disinterestedness from his Critique of Aesthetic Judgment, and has led to numerous arguments, including a war of words between Brahms and Wagner. In the 19th century, a group of early Romantics including Johann Wolfgang Goethe and E.T.A. Hoffmann gave rise to the idea of what can be labeled as spiritual absolutism. "Formalism" is the concept of ‘music for music’s sake’ and refers only to instrumental music without words. The 19th century music critic Eduard Hanslick argued that music could be enjoyed as pure sound and form, that it needed no connotation of extra-musical elements to warrant its existence. See also[edit] Art and emotion References[edit] ^ Aesthetic emotions | Swiss Center for Affective Sciences Archived January 13, 2009, at the Wayback Machine ^ Tamar Szabó Gendler (2000). The Puzzle of Imaginative Resistance. Journal of Philosophy 97 (2):55-81 Further reading[edit] Chua, Daniel. Absolute Music and the Construction of Meaning (Cambridge University Press, 1999) Clay, Felix. 'The Origin of the Aesthetic Emotion'. Sammelbände der Internationalen Musikgesellschaft, 9. Jahrg., H. 2. (Jan. - Mar., 1908), pp. 282–290. JSTOR 929289 Pouivet, Roger. 'On the Cognitive Functioning of Aesthetic Emotions'. Leonardo, Vol. 33, No. 1. (2000), pp. 49–53. JSTOR 1576761 v t e Aesthetics topics Philosophers Abhinavagupta Theodor W. Adorno Leon Battista Alberti Thomas Aquinas Hans Urs von Balthasar Alexander Gottlieb Baumgarten Clive Bell Bernard Bosanquet Edward Bullough R. G. Collingwood Ananda Coomaraswamy Arthur Danto John Dewey Denis Diderot Hubert Dreyfus Curt John Ducasse Thierry de Duve Roger Fry Nelson Goodman Clement Greenberg Georg Hegel Martin Heidegger David Hume Immanuel Kant Paul Klee Susanne Langer Theodor Lipps György Lukács Jean-François Lyotard Joseph Margolis Jacques Maritain Thomas Munro Friedrich Nietzsche José Ortega y Gasset Dewitt H. Parker Stephen Pepper David Prall Jacques Rancière Ayn Rand Louis Lavelle George Lansing Raymond I. A. Richards George Santayana Friedrich Schiller Arthur Schopenhauer Roger Scruton Irving Singer Rabindranath Tagore Giorgio Vasari Morris Weitz Johann Joachim Winckelmann Richard Wollheim more... Theories Classicism Evolutionary aesthetics Historicism Modernism New Classical Postmodernism Psychoanalytic theory Romanticism Symbolism more... Concepts Aesthetic emotions Aesthetic interpretation Art manifesto Avant-garde Axiology Beauty Boredom Camp Comedy Creativity Cuteness Disgust Ecstasy Elegance Entertainment Eroticism Fun Gaze Harmony Judgement Kama Kitsch Life imitating art Magnificence Mimesis Perception Quality Rasa Recreation Reverence Style Sthayibhava Sublime Taste Work of art Related Aesthetics of music Applied aesthetics Architecture Art Arts criticism Feminist aesthetics Gastronomy History of painting Humour Japanese aesthetics Literary merit Mathematical beauty Mathematics and architecture Mathematics and art Medieval aesthetics Music theory Neuroesthetics Painting Patterns in nature Philosophy of design Philosophy of film Philosophy of music Poetry Sculpture Theory of painting Theory of art Tragedy Visual arts Index Outline Category  Philosophy portal v t e Emotions (list) Emotions Acceptance Adoration Aesthetic emotions Affection Agitation Agony Amusement Anger Angst Anguish Annoyance Anticipation Anxiety Apathy Arousal Attraction Awe Boredom Calmness Compassion Confidence Contempt Contentment Courage Cruelty Curiosity Defeat Depression Desire Despair Disappointment Disgust Distrust Ecstasy Embarrassment Vicarious Empathy Enthrallment Enthusiasm Envy Euphoria Excitement Fear Flow (psychology) Frustration Gratification Gratitude Greed Grief Guilt Happiness Hatred Hiraeth Homesickness Hope Horror Hostility Humiliation Hygge Hysteria Indulgence Infatuation Insecurity Inspiration Interest Irritation Isolation Jealousy Joy Kindness Loneliness Longing Love Limerence Lust Mono no aware Neglect Nostalgia Outrage Panic Passion Pity Self-pity Pleasure Pride Grandiosity Hubris Insult Vanity Rage Regret Social connection Rejection Remorse Resentment Sadness Melancholy Saudade Schadenfreude Sehnsucht Self-confidence Sentimentality Shame Shock Shyness Sorrow Spite Stress Suffering Surprise Sympathy Tenseness Trust Wonder Worry World views Cynicism Defeatism Nihilism Optimism Pessimism Reclusion Weltschmerz Related Affect consciousness in education measures in psychology Affective computing forecasting neuroscience science spectrum Affectivity positive negative Appeal to emotion Emotion and art and memory and music and sex classification evolution expressed functional accounts group homeostatic perception recognition in conversation in animals regulation interpersonal work Emotional aperture bias blackmail competence conflict contagion detachment dysregulation eating exhaustion expression intelligence and bullying intimacy isolation lability labor lateralization literacy prosody reasoning responsivity security selection symbiosis well-being Emotionality bounded Emotions and culture in decision-making in the workplace in virtual communication history moral self-conscious social social sharing sociology Feeling Gender and emotional expression Group affective tone Interactions between the emotional and executive brain systems Meta-emotion Pathognomy Pathos Social emotional development Stoic passions Theory affect appraisal discrete emotion somatic marker constructed emotion Retrieved from "https://en.wikipedia.org/w/index.php?title=Aesthetic_emotions&oldid=962683798" Categories: Emotion Concepts in aesthetics Hidden categories: Webarchive template wayback links Articles with short description Short description is different from Wikidata Articles lacking in-text citations from April 2009 All articles lacking in-text citations Navigation menu Personal tools Not logged in Talk Contributions Create account Log in Namespaces Article Talk Variants Views Read Edit View history More Search Navigation Main page Contents Current events Random article About Wikipedia Contact us Donate Contribute Help Learn to edit Community portal Recent changes Upload file Tools What links here Related changes Upload file Special pages Permanent link Page information Cite this page Wikidata item Print/export Download as PDF Printable version Languages Add links This page was last edited on 15 June 2020, at 12:56 (UTC). 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