id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_z4q52f6clzchvc52apjamqwkmm	Claudia Chaseling	Spatial painting and the mutative perspective: how painting can breach spatial dimensions and transfer meaning through abstraction	2019	167	.pdf	application/pdf	4679	4620	-566	and!contemporary!use!of!perspective!in!painting!from!the!Byzantine!period!to!the! which!I!developed!a!new!perspective!in!painting!that!I!have!termed!'Mutative! perception!of!space!and!depth;!these!elements!are!an!active!part!in!the!painting,!visually! elements!such!as!familiar!forms,!symbols,!and!text!to!disrupt!an!abstracted!painting! My!process!of!Spatial!Painting!and!the!Mutative!Perspective!engages!with!our!current! investigations!have!lead!me!to!create!18!Spatial!Paintings,!which!take!over!walls,!spaces! and!environments,!as!well!as!46!paintings!on!canvas!and!innumerable!works!on!paper.! achieve!this!affect?!I!researched!painting!methods,!forms,!colours!and!materials!to! Fig.!4:!My!book:!Claudia!Chaseling!–!Spatial!Painting,!2016! 3!Benedikt!Stegmayer!et!al.,!Claudia!Chaseling!–!Spatial!Painting!(Berlin:!Verlag!fuer!Zeitgenoessische!Kunst! on!both!the!material!aspects!of!painting!–!colour,!surface!and!form!–!and!the!narrative! work;!these!are!discussed!respectively!in!the!chapters!of!this!thesis:!Spatial!Painting,! Fig.!5:!symbiosis!was!long!ago,!2012,!egg!tempera!and!oil!on!wall,!floor,!canvas!and!concrete!objects,!! or!taking!on!a!new!form!to!provide!a!different!sense!of!space.!As!such,!my!painting! 5!Erwin!Panofsky,!Perspective!as!Symbolic!Form!(New!York:!Zone!Books,!1991),!p.!13.!Translated!by! Interview,!ed.!Lucy!R.!Lippard,!Art!News,!7!October!2015,!'All!I!want!anyone!to!get!out!of!my!paintings!is!the! Spatial!Painting!in!the!context!of!contemporary!art!theory.!The!thinking!offered!by! painting!perspective!do!I!need!to!subvert!in!order!to!achieve!a!new!sensual!reality!in!the! investigate!the!use!of!negative!shapes!in!works!by!early!modern!artists,!focusing!on!Paul! 19!Bojana!Pejić,!"The!Day!Before!Tomorrow,"!in!Claudia!Chaseling!–!Spatial!Painting!(Berlin,!Germany:!ed.! This!chapter!deals!with!my!Spatial!Painting!practice,!my!artistic!intentions!and!my! working!method.!Spatial!Painting!reaches!beyond!the!canvas!and!is!simultaneously! viewer.'As!a!term,!'Spatial'!refers!to!the!space!becoming!part!of!the!painting's! My!principle!aim!has!been!to!investigate!the!paradox!between!painting!abstract!forms! work!of!art,!be!it!painting!or!object,!the!narrative!potential!of!the!text!which!had!been! content!of!the!work.!However,!can!the!dynamic!of!the!painted!abstract!transmit!an!exact! work!Murphy!–!A!Parallel!Universe!within!a!Spatial!Painting.!I!will!go!onto!discuss!the! and!largeRscale!paintings!on!canvas,!walls,!floors!ceilings!and!concrete!objects.!I!also! blender28!was!my!first!work!that!fused!my!graphic!novel!with!a!Spatial!Painting.!This! though!abstract!means:!thus,!mind!and!form!melt.!My!Spatial!Paintings!can!adapt!to! reverse!form,!which!is!seen!in!Byzantine!Icon!paintings.!The!key!focus,!for!me,!is!to! conventional!Western!understanding!of!space.!Through!painting!I!aim!to!show!a!new! representing!space.!Central!perspective!is!still!used!in!contemporary!art,!particularly!in! Sometimes!the!Spatial!Paintings!simply!comprise!pigment,!egg!tempera!and!aluminium! work,!so!that!from!this!point!the!threeRdimensional!painting!in!the!space!will!seem!flat,! In!the!Spatial!Paintings!I!apply!reverse!and!parallel!perspectives,!a!representation!of! space!I!researched!in!Byzantine!icon!painting.!In!doing!so,!I!negate!the!central! reverse!central!perspective.!This!technique!works!for!all!shapes!and!the!result!is!that! subject!matter.!Each!Spatial!Painting!has!its!content!and!an!atmosphere!that!reflects!this.! I!define!a!composition!in!the!space!in!the!same!way!that!all!paintings!create!a! Fig.!21:!mutating!tomatoes,!2013,!aluminium,!egg!tempera!and!oil!on!wall,!floor!and!canvas,!! In!the!Spatial!Painting!mutating!tomatoes!my!aim!was!to!erase!the!corners!of!the!space,! reading!of!space.!Depth!in!many!Byzantine!painting!was!created!out!of!colour!and!also! them!in!my!work.!However,!the!resulting!Spatial!Painting!is!never!a!copy,!a!place!or! was!depicted!within!a!single!fresco!painting.!What!perspective!did!the!painters!use;! viewpoint!the!artist!wanted!the!viewer!to!stand.!I!studied!the!painted!geometric!forms,! in!relation!to!my!painting!technique!upon!walls,!floors!and!ceilings!and!art!history.!In! The!use!of!central!perspective!is!still!present!today!in!lots!of!contemporary!art.!I!aim!to! into!imaginary!spaces.37!This!awareness!drives!my!painting.!Essentially,!I!create!colour! to!create!an!atmosphere!using!abstraction.!My!wall,!floor!and!ceiling!paintings!are! Creating!a!sense!of!depth!by!painting!the!surface!is!a!key!element!of!these!works!on! responded!to!the!long,!rectangular!space,!egg!tempera!painted!along!the!walls!of!the! flat!surface!plane!of!the!canvas!using!colour!and!form,!also!painting!within!threeR The!materiality!of!the!paint!that!I!use!has!a!defining!role!in!my!work.!For!example,! colour!of!the!respective!linoleum!floors.!I!painted!black!ink!forms!on!the!wall!and,! In!2016!I!worked!on!a!collaborative!Spatial!Painting!with!the!artist!Milovan!Destil! Fig.!50:!it!goes!deeper,!2012,!egg!tempera!and!oil!on!wall,!floor,!ceiling,!canvas!and!concrete,! 47!Erwin!Panofsky,!Perspective!as!Symbolic!Form!(New!York,!USA:!Zone!Books,!1991),!p.!13.!Translated!by! Parallel!and!reverse!perspective!in!icons!emphasise!the!subject!of!the!painting!and!don't! forms,!silhouettes!and!colour!to!become!their!own!reality.62!The!painted!objects!are!not! Florensky!states!that!the!best!works!of!art!in!western!painting!diverge!from!the!imposed! Fig.!58:!Murphy!and!other!mutants,!2013,!aluminium,!ink,!egg!tempera!and!oil!on!wall,!floor,!ceiling,!paper! plane,!the!space!in!which!my!work!is!situated,!the!pigments!with!which!I!paint,!shapes! for!further!perspectives!and!for!painted!forms!in!space.! who!since!1978!has!used!a!technique!he!calls!'painting!in!space'88.!Geometric!forms!are! space.!In!the!end!the!painting!creates!its!own!dialogue!with!the!architecture!and!forms! defines!every!element!of!his!work:!location,!history,!painting!in!the!space,!the!photo!and! the!perspective!he!uses!to!take!the!photo.!In!contrast!to!my!Spatial!Paintings,!the! points!out!that!the!negative!spaces!coming!from!the!wall!behind!the!collaged!painting! 93!There!are!many!other!contemporary!artists!whose!works!explore!extended!painting!–!those!include! In!Chapter!1,!I!discussed!the!painting!blender.!In!this!work!I!had!used!aluminium! with!a!thickness!of!0.1!mm!the!best!fit!for!my!work:!I!can!still!form!it!like!painted!shapes! distortion!to!the!work.!Continuing!from!this!discovery!I!created!several!Spatial!Paintings! Fig.!70:!cloud,!2014,!aluminium,!egg!tempera!and!oil!on!wall,!floor!and!canvas,!300!x!1000!x!300!cm,! Fig.!71:!cloud,!detail,!with!painting!on!canvas!mutant!1,!2013,!egg!tempera!and!oil!on!canvas,!150!x!150!cm! biomorphic!abstraction!of!the!painted!shapes!and!the!rigid!traditional!form!of! vacuum!of!a!negative!space!in!a!painting!could!be!seen!as!antiRlinear!perspective,!an! eggs!shape,!but!a!traditional!canvas!with!round!edges!and!reverse!perspective!being!part!of!the!form!of!the! canvas,!not!just!painted!reverse!perspective.!I!will!again!mention!Lucio!Fontana!in!the!subchapter!Infiltrated! radioactivity!in!my!Spatial!Paintings:!through!areas!of!negative!shapes!infiltrating!my! formed!grids.!These!paintings!were!often!'gridded'!with!gaps.!In!my!recent!works!I!use! I!resolved!some!of!my!ideas!about!negative!spaces!in!the!Spatial!Painting!carousel! used!negative!shapes,!and!how!researching!their!work!has!altered!my!own!painting! edges!carry!colour!and!the!negative!space!becomes!the!active!part!in!the!work!of!art;! been!painting!since!the!1990s,!he!fragments!cityscapes!creating!a!new!picture.!His!work! Franz!Ackermann!paints!beyond!the!canvas!and!extends!his!work!onto!the!wall.!He! paintings.!I!create!negative!shapes!using!two!main!approaches:!one!for!working!on! way,!the!colours!and!forms!of!the!earlier!painted!composition!surface!again.!Like!a! painted!areas!with!each!other.!The!colour!of!negative!unpainted!shapes!of!the!wall! works,!an!aim!of!my!research!has!been!to!find!a!way!to!create!a!painted!space!that! materials!–!an!oval!shaped!painting!on!paper,!bits!of!cut!aluminium!and!the!wall,!floor! perspective!and!combining!narrative!images!of!photos,!paintings!or!text!to!largeRscale! spatiality,!which!is!initiating!a!new!perspective!in!art!that!is!located!between!reflection,! aims!to!create!new!forms!of!painting.!He!influenced!techno!music!and!marked!the! paintings!on!canvas.!Looking!at!his!work,!the!subject!is!readily!perceived!from!slogans,! surrounding!us.!The!resulting!works!can!take!any!form:!a!traditional!canvas!painting,!or! 115!Peter!Osborn,!"Modernism,!Abstraction,!and!the!Return!to!Painting,"!in!Thinking!Art:!Beyond!Traditional! 115!Peter!Osborn,!"Modernism,!Abstraction,!and!the!Return!to!Painting,"!in!Thinking!Art:!Beyond!Traditional! nature!drives!my!use!of!perspective!in!painting.!I!am!demonstrating!in!two!and!threeR when!I!work!with!particular!contemporary!subject!matters!in!painting,!like! When!I!have!started!working!on!my!Spatial!Paintings!in!which!I!used!biomorphic!forms!I! work!of!art!–!namely,!the!painting.!For!me,!the!rainbow!presents!a!dialogue!between!the! The!forms!and!structures!I!use!in!my!painting!language!are!influenced!by!nature.!One!of! Fig.!115:!mutative!perspective!painting,!2014,!68!projects,!Berlin! the!painting!I!need!to!point!directly!to!the!subject!matter!of!the!work.!I!defined!my!next! intuition!and!imagination.!My!starting!point!is!to!use!forms!in!painting!which!result! Fig.!117:!end!of!story!F!we!use!it,!2018,!leaf!aluminium,!egg!tempera!and!oil!on!canvas,!oviform!150!x!100!cm! The!use!of!text!in!my!work!is!linked!with!my!abstract!painting!language.!In!small! paintings.!The!speech!bubbles!seem!like!another!abstract!form,!but!one!that!gives!space! matter!of!radioactive!contamination!is!my!use!of!aluminium!in!painting.!I!investigate!the! For!my!last!series!of!paintings!created!for!my!PhD!I!will!also!use!gold!leaf.167!The!work! one!of!the!largest!shapes!in!the!work.!Looking!at!the!painting!I!can!see!the!plane!only! this!methodology!to!my!paintings!on!canvas,!but!working!within!an!expanded! construction!of!the!work.!The!appearance!of!the!painting!creates!a!new!reality!beyond! practice!of!painting!in!a!threeRdimensional!space!to!investigate!how!abstraction!in! painting!can!transmit!subject!matters!that!often!exist!beyond!specific!spaces.!!! Throughout!my!research!I!have!created!18!Spatial!Paintings,!which!take!over!walls,! spaces!and!environments,!as!well!as!46!paintings!on!canvas!and!innumerable!works!on! Some!paintings!on!canvas!strongly!implement!reverse!perspective,!for!example!mutant! biomorphic!abstract!paintings!in!form!of!text.!In!2015,!I!began!including!within!the! same!time,!the!figural!and!abstract!forms!in!my!paintings:!! of!Painting,!in!1966."!Interview,!edited!by!Lucy!R.!Lippard,!Art!News.!Accessed!October! National!Gallery!of!Art.!"Claude!Monet!The!Series!Painting."!Accessed!February!17,!2017.! National!Gallery!of!Art.!"Claude!Monet!The!Series!Painting."!Accessed!February!17,!2017.! Osborn,!Peter.!"Modernism,!Abstraction,!and!the!Return!to!Painting."!In!Thinking!Art:! Fig.!7:!9!out!of!10,!2016,!aluminium,!egg!tempera!and!oil!on!wall,!floor!and!canvas,!330!x! Fig.!7:!9!out!of!10,!2016,!aluminium,!egg!tempera!and!oil!on!wall,!floor!and!canvas,!330!x! Fig.%23:"time%machine,"2012,"egg"tempera"and"oil"on"wall,"floor"and"canvas,&350&x&220&x& Fig.%23:"time%machine,"2012,"egg"tempera"and"oil"on"wall,"floor"and"canvas,&350&x&220&x& Fig.%36:"Arilje!Monastery,+Serbia,+fresco+painted+with!reverse%perspective,%p.%38! Fig.%36:"Arilje!Monastery,+Serbia,+fresco+painted+with!reverse%perspective,%p.%38! Fig.%44:%infiltration,"2012,"ink,"egg"tempera"and"oil"on"wall,"floor,"canvas"and"paper,&350&x& Fig.%44:%infiltration,"2012,"ink,"egg"tempera"and"oil"on"wall,"floor,"canvas"and"paper,&350&x& Fig.%46:!carousel,!2014,&&aluminium,&egg&tempera&and&oil&on&wall,&floor&and&canvas,&340&x& Fig.%46:!carousel,!2014,&&aluminium,&egg&tempera&and&oil&on&wall,&floor&and&canvas,&340&x& Fig.%49:"fish,"2013,"aluminium,"egg"tempera"and"oil"on"wall,#floor#and#canvas,#200#x#220#x# Fig.%49:"fish,"2013,"aluminium,"egg"tempera"and"oil"on"wall,#floor#and#canvas,#200#x#220#x# Fig.%70:"cloud,"2014,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas,"Mural& Fig.%71:!cloud,"detail,"with"painting"on"canvas"mutant&1,"2013,"egg"tempera"and"oil"on! Fig.%73:"inquisition,"2016,"ink,"aluminium,(egg(tempera(and(oil(on(wall,(floor(and(canvas,( Fig.%73:"inquisition,"2016,"ink,"aluminium,(egg(tempera(and(oil(on(wall,(floor(and(canvas,( Fig.%73:"inquisition,"2016,"ink,"aluminium,(egg(tempera(and(oil(on(wall,(floor(and(canvas,( Fig.%88:"involution,"2018,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas,"260"x" Fig.%88:"involution,"2018,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas,"260"x" Fig.%88:"involution,"2018,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas,"260"x" Fig.%88:"involution,"2018,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas,"260"x" Fig.!103:"Radiationscape,"2018,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas," Fig.!103:"Radiationscape,"2018,"aluminium,"egg"tempera"and"oil"on"wall,"floor"and"canvas," Fig.%115:"mutative(perspective(painting,"2014,"68#projects,#Berlin,"photo:"Manfred"Haug," 2014!mutative!perspective!paintings,!68!Projectspace,!Berlin,!Germany!	./cache/work_z4q52f6clzchvc52apjamqwkmm.pdf	./txt/work_z4q52f6clzchvc52apjamqwkmm.txt