id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_mo2mvasy5bd3pdmg6o4gqk726q	Yule Frederike Heibel	In the fifth zone : abstract painting, modernism, and cultural discourse in the western zones of Germany after World War II	1986	146	.pdf	application/pdf	61201	8363	87	IN THE FIFTH ZONE: ABSTRACT PAINTING, MODERNISM, AND CULTURAL DISCOURSE In June 1946 a major exhibition of modern German art Jane de Hart Mathews, "Art and P o l i t i c s in Cold War America," American Historical Review 81 (Oct. 1976):762-787, and Serge Guilbaut, How New York Stole ^Werner Haftmann, German Art of the Twentieth Century (New York: The this mind-set should represent Germany in the capital city of modern art, and he Berlin as a once again credible art centre to West Germany, to Paris, and to New exibitions of modern American art in Germany were sponsored not by the US Germany, "contemporary" art exhibitions in the style of the Berliner Kflnstler Abstract painting as practiced by German artists like Baumeister, Nay, European history, art, and culture. Expressions; New Art from Germany. "Modernism Restored: West German Painting in the 1950s." 	./cache/work_mo2mvasy5bd3pdmg6o4gqk726q.pdf	./txt/work_mo2mvasy5bd3pdmg6o4gqk726q.txt