id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_65vugdayivdkdd5irruqvmspfm	Cristina Silaghi	Plenitudes of Painting: Wilhelm Worringer and the Relationshipbetween Abstraction and Representation in European Paintingat the Beginning of the Twentieth Century	2015	410	.pdf	application/pdf	161020	11317	54	representational and abstract tendencies in art-making appeared to drive Worringer's inquiry Culture and Modernism: The Making of Wilhelm Worringer's Abstraction and Empathy', New German Critique, Worringer's attention to early twentiethcentury artistic explorations surfaces briefly in Abstraction and Empathy and Form in Gothic, Worringer addresses the art of the past in Abstraction and Empathy and Form in Gothic, yet Also, from the current thesis, 'Representation and abstraction in art-making: Worringer's perspective,' 86Empathy', and 'Representation and abstraction in art-making: Worringer's perspective'. Representational and abstract aspects of art as approached by Worringer are emphasized in endorsed by Worringer in Abstraction and Empathy) and the Theory of Art (visible in Form Abstraction and Empathy Worringer discusses aesthetics and art-making without asserting In Abstraction and Empathy, Worringer claims that, with regard to works of art, only positive 43 Worringer later explains that both empathy and abstraction inform a mode of art-making such as Gothic.	./cache/work_65vugdayivdkdd5irruqvmspfm.pdf	./txt/work_65vugdayivdkdd5irruqvmspfm.txt