id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_is6ydrym6fegppsdidfeutitji	Evonne Levy	The Political Project of Wölfflin's Early Formalism	2012	20	.pdf	application/pdf	9587	685	62	Research for this article, which is part of a book nearing completion entitled Barock: Art History and Politics from Burckhardt to Sedlmayr (1844–1945), was supported by the Adler, and Harry Francis Mallgrave, among others, have discussed Wölfflin's philosophical NeoKantianism in terms of organicism and aesthetic theory, as well as his interest in empathy theory and psychology, and his relations to Gottfried Semper's theory of style, to archaeologist Heinrich Brunn's incipient formalism, and to Jacob Burckhardt's art and cultural histories. of New York, 2002); Adler, "Painterly Politics: Wölfflin, Formalism and German Academic Culture, the archaeologists dismiss them as decadent.12 Heinrich Brunn, the Munich archaeologist to whom Wölfflin dedicated Renaissance and Baroque, published an important Wölfflin's Renaissance und Barock: Individual and State Political themes emerge within Wölfflin's formal categories, most significantly the relation of part to whole, of individual to totality. Wölfflin's conception of the individual architectural form.17 Related to both of	./cache/work_is6ydrym6fegppsdidfeutitji.pdf	./txt/work_is6ydrym6fegppsdidfeutitji.txt