id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_bh5f2jz74nbebm2qucayfs44im	(:Unkn) Unknown	A STRATIFICATION OF DEATH IN THE NORTHERN RENAISSANCE: A RECONSIDERATION OF THE CADAVER TOMBS OF ENGLAND AND GERMANY	2020	257	.pdf	application/pdf	65145	4936	62	5.1 Hans Holbein the Younger, The Body of the Dead Christ in the Tomb (c. 5.6 Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, oil 5.6 Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, oil 5.6 Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, oil the study of Hans Holbein the Younger's Dead Christ in the Tomb, as well as its visual Viewed this way, transi tombs to fifteenthand sixteenthcentury viewers are not only suggestions of memorial, but also statements about the nonending status of life throughout stages of corporeal decay. Fuggers' relief epitaphs in Augsburg and Holbein's painted Dead Christ in Basel, both to tomb tradition, Holbein's painting conflates Christ's corpse as an effigy, transi, and Figure 5.6: Hans Holbein the Younger (1521), The Body of the Dead Christ in the Tomb, 	./cache/work_bh5f2jz74nbebm2qucayfs44im.pdf	./txt/work_bh5f2jz74nbebm2qucayfs44im.txt