id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_4jdcjrygnbh4rdhxbxalq6xa2i	Bieke Gils	Women who fly : aerialists in modernity (1880-1930)	2013	201	.pdf	application/pdf	64602	5101	65	Charmion, Barbette, and Coleman are three examples of performers who took advantage Aerial performers like Charmion, Barbette, and Coleman created a spectrum of possible my analyses of the aerial performances of Barbette, Coleman, and Charmion. their own way, strove for women's progress and emancipation, female performers like Charmion which performers like Charmion, Barbette, and Bessie Coleman talked about their experiences Cultural Identity in Aerial Performance (London and New York: Routledge, 2005), 75. Cultural Identity in Aerial Performance (London and New York: Routledge, 2005), 75. Cultural Identity in Aerial Performance (London and New York: Routledge, 2005), 75. Cultural Identity in Aerial Performance (London and New York: Routledge, 2005), 75. have then argued that aerial performers like Charmion, Barbette, and Bessie Coleman were performances by aerialists like Charmion, Coleman, and Barbette simultaneously reflected and See Peta Tait, Circus Bodies Cultural Identity in Aerial Performance (London and New York: Routledge, 2005); 	./cache/work_4jdcjrygnbh4rdhxbxalq6xa2i.pdf	./txt/work_4jdcjrygnbh4rdhxbxalq6xa2i.txt