John Webster - Wikipedia John Webster From Wikipedia, the free encyclopedia Jump to navigation Jump to search 16th/17th-century English playwright For other people named John Webster, see John Webster (disambiguation). John Webster Born c. 1578 London, England Died c. 1626 (age 53 or 54) London, England Spouse Sara Peniall John Webster (c. 1580 – c. 1632) was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often regarded as masterpieces of the early 17th-century English stage.[1] His life and career overlapped William Shakespeare's. Contents 1 Biography 1.1 Early collaboration 1.2 The major tragedies 1.3 Late plays 2 Reputation 3 Webster in other works 4 References 5 External links Biography[edit] Webster's life is obscure and the dates of his birth and death are not known. His father, a carriage maker also named John Webster, married a blacksmith's daughter named Elizabeth Coates on 4 November 1577 and it is likely that Webster was born not long after in or near London. The family lived in St. Sepulchre's parish. His father John and his Uncle Edward were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London.[2] On 1 August 1598, "John Webster, lately of the New Inn" was admitted to the Middle Temple, one of the Inns of Court; in view of the legal interests evident in his dramatic work, this may be the playwright.[3] Webster married 17-year-old Sara Peniall on 18 March 1605 at St Mary's Church, Islington.[4] A special licence had to be obtained to permit a wedding in Lent, which was necessary as Sara was seven months pregnant. Their first child, John Webster III, was baptised at the parish of St Dunstan-in-the-West on 8 March 1606.[5] Bequests in the will of a neighbour who died in 1617, indicate that other children were born to him. Most of what is otherwise known of him relates to his theatrical activities. Webster was still writing plays in the mid-1620s but Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) speaks of him in the past tense, implying he was then dead. There is no known portrait depicting Webster. Early collaboration[edit] By 1602, Webster was working with teams of playwrights on history plays, most of which were never printed. These included a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday) and a collaboration with Thomas Dekker Christmas Comes but Once a Year (1602).[6] With Dekker he also wrote Sir Thomas Wyatt, which was printed in 1607 and probably first performed in 1602. He worked with Thomas Dekker again on two city comedies, Westward Ho in 1604 and Northward Ho in 1605. Also in 1604, he adapted John Marston's The Malcontent for staging by the King's Men. The major tragedies[edit] Title page of The Duchess of Malfi, 1623 Despite his ability to write comedy, Webster is best known for his two brooding English tragedies based on Italian sources. The White Devil, a retelling of the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28, was a failure when staged at the Red Bull Theatre in 1612 (published the same year) being too unusual and intellectual for its audience. The Duchess of Malfi, first performed by the King's Men about 1614 and published nine years later, was more successful. He also wrote a play called Guise, based on French history, of which little else is known as no text has survived.[6] The White Devil was performed in the Red Bull Theatre, an open-air theatre that is believed to have specialised in providing simple, escapist drama for a largely working class audience, a factor that might explain why Webster's highly intellectual and complex play was unpopular with its audience. In contrast, The Duchess of Malfi was probably performed by the King's Men in the smaller, indoor Blackfriars Theatre, where it would have played to a better educated audience that might have appreciated it better. The two plays would thus have been very different in their original performances. The White Devil would have been performed, probably in a continuous action, by adult actors, with elaborate stage effects a possibility. The Duchess of Malfi was performed in a controlled environment, with artificial lighting and musical interludes between acts, which allowed time, perhaps, for the audience to accept the otherwise strange rapidity with which the Duchess is able to have babies. Late plays[edit] Webster wrote one more play on his own: The Devil's Law Case (c. 1617–c. 1619), a tragicomedy. His later plays were collaborative city comedies: Anything for a Quiet Life (c. 1621) co-written with Thomas Middleton and A Cure for a Cuckold (c. 1624) co-written with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker).[6] The play is lost, although its plot is known from a court case. He is believed to have contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, Ford and Phillip Massinger. His Appius and Virginia, probably written with Thomas Heywood, is of uncertain date. Reputation[edit] Intricate, complex, subtle and learned, Webster's plays are difficult but rewarding and are still frequently staged. Webster has received a reputation for being the Elizabethan and Jacobean dramatist with the most unsparingly dark vision of human nature. Even more than John Ford, whose 'Tis Pity She's a Whore is also very bleak, Webster's tragedies present a horrific vision of humanity. In his poem "Whispers of Immortality", T. S. Eliot memorably says that Webster always saw "the skull beneath the skin". Webster's title character in The Duchess of Malfi is presented as a figure of virtue by comparison to her malevolent brothers and in facing death she exemplifies classical Stoic courage. Her martyr-like death scene has been compared to that of the titular king in Christopher Marlowe's play Edward II. Webster's use of a strong, virtuous woman as his central character was rare for his time and represents a deliberate reworking of some of the original historical event on which his play was based. The character of the duchess recalls the Victorian poet and essayist Algernon Charles Swinburne's comment in A Study of Shakespeare that in tragedies such as King Lear Shakespeare had shown such a bleak world as a foil or backdrop for virtuous heroines such as Ophelia and Imogen, so that their characterisation would not seem too incredible. Swinburne describes such heroines as shining in the darkness.[citation needed] Webster's drama was generally dismissed in the eighteenth and nineteenth centuries but many twentieth century critics and theatregoers have found The White Devil and The Duchess of Malfi to be brilliant plays of great poetic quality and dark themes. One explanation for this change is that only after the horrors of war in the early twentieth century, could their desperate protagonists be portrayed on stage again and understood. W. A. Edwards wrote of Webster's plays in Scrutiny II (1933–4) "Events are not within control, nor are our human desires; let's snatch what comes and clutch it, fight our way out of tight corners, and meet the end without squealing". The violence and pessimism of Webster's tragedies have seemed to some analysts close to modern sensibilities.[7] Webster in other works[edit] The eighteenth-century play The Fatal Secret by Lewis Theobald is a reworking of The Duchess of Malfi, imposing Aristotle's 'unities' and a happy ending on the plot. The short story 'A Christmas in Padua' in F. L. Lucas's The Woman Clothed with the Sun (1937) retells the final hours in December 1585 of Vittoria Accoramboni (the original of Webster's White Devil), slanting the narrative from her perspective. The 1982 detective novel The Skull Beneath the Skin by P. D. James centres on an ageing actress who plans to play Webster's drama The Duchess of Malfi in a Victorian castle theatre. The novel takes its title from T.S. Eliot's famous characterisation of Webster's work in his poem 'Whispers of Immortality'. Webster, a play by Robert David McDonald, was written for and premiered at the Glasgow Citizens Theatre, 1984. A young John Webster, played by Joe Roberts, appears in the 1998 film Shakespeare in Love. When talking to Will Shakespeare he tells him that "When I write plays they'll be like Titus (Andronicus) ...plenty of blood - that's the only writing." This scene is an allusion to the real John Webster's macabre work. He is also the character who sees through Viola's disguise. A fragment of Act Four, Scene Two, of The Duchess of Malfi is shown in the 1987 BBC TV film version of Agatha Christie's detective novel Sleeping Murder. Webster's line, "Cover her face; mine eyes dazzle: she died young", is used in the novel Queen of the Damned by Anne Rice, as well as in Sleeping Murder. Mike Figgis's 2001 film Hotel involves scenes from The Duchess of Malfi. The antagonist in Paul Johnston's 'The Death List' and 'The Soul Collector' mimics The White Devil in character-names and actions. In Episode 11, Season 2 of HBO's Boardwalk Empire, The White Devil is discussed in a Princeton classroom during a scene that takes place in Jimmy Darmody's past. At the end of the scene the teacher quotes the line "What, because we are poor shall we be vicious?" to which Jimmy responds "Pray what means have you to keep me from the galleys, or the gallows?" Later in the episode, the teacher refers to Jimmy's life as Jacobean. Webster and his works The White Devil and The Duchess of Malfi are mentioned in the lyrics to the song My White Devil by Echo & The Bunnymen, included on their 1983 album Porcupine.[8] References[edit] ^ Forker, Charles (1995). Skull Beneath the Skin. Carbondale: Southern Illinois University Press. ISBN 978-0-8093-1279-5. ^ "John Webster also attended the school, though probably after Mulcaster's retirement in 1586", Julia Briggs, This Stage Play World – Texts & Contexts 1580–1625, OUP, p. 196. ^ Serafin, Steven; Myer, Valerie Grosvenor (2003). The Continuum Encyclopedia of British Literature. Continuum. pp. 1032. ISBN 0-8264-1456-7. ^ Rene Weis, editor of John Webster: The Duchess of Malfi and Other Plays (Oxford World's Classics, 1996) in programme notes for The Duchess of Malfi, The Old Vic, Spring 2012 ^ "Part I: John Webster Merchant Taylor and Citizen of London" Skull Beneath the Skin: The Achievement of John Webster by Charles R. Forker (1986) Southern Illinois University Press; p. 7 ^ a b c Webster, John; Gunby, David; Carnegie, David; MacDonald P Jackson (2007). The Works of John Webster (An Old-Spelling Critical ed.). Cambridge: University Press. ISBN 978-0-521-26061-9. ^ Fernie, Ewan; Wray, Ramona; Thornton Burnett, Mark; McManus, Clare (31 March 2005). Reconceiving the Renaissance: A Critical Reader. Oxford: Oxford University Press. pp. 163. ISBN 0-19-926557-7. ^ "Echo & The Bunnymen - My White Devil Lyrics - MetroLyrics". metrolyrics.com. External links[edit] Wikiquote has quotations related to: John Webster Works by John Webster at Project Gutenberg Works by or about John Webster at Internet Archive Works by John Webster at LibriVox (public domain audiobooks) Algernon Swinburne's The Age of Shakespeare, "John Webster" John Webster on IMDb John Webster at the Internet Broadway Database v t e Plays by John Webster Westward Ho (1603–4) Northward Ho (1605) Sir Thomas Wyatt (1607) The White Devil (1612) The Duchess of Malfi (1612–13) The Devil's Law Case (1616–20) Anything for a Quiet Life (1621) A Cure for a Cuckold (1624–25) Appius and Virginia (1608–34) Wikiquote Wikisource texts v t e The "Beaumont and Fletcher" Canon Francis Beaumont John Fletcher Philip Massinger Nathan Field William Shakespeare James Shirley Thomas Middleton William Rowley John Ford Ben Jonson George Chapman John Webster Plays (some attributions conjectural) Beaumont The Knight of the Burning Pestle The Masque of the Inner Temple and Gray's Inn Beaumont and Fletcher The Woman Hater Cupid's Revenge The Coxcomb Philaster The Captain The Maid's Tragedy A King and No King Love's Pilgrimage The Scornful Lady The Noble Gentleman Fletcher The Faithful Shepherdess The Woman's Prize Valentinian Bonduca Monsieur Thomas The Mad Lover The Chances The Loyal Subject Women Pleased The Humorous Lieutenant The Island Princess The Pilgrim The Wild Goose Chase A Wife for a Month Rule a Wife and Have a Wife Fletcher and Massinger †Barnavelt The Little French Lawyer The False One The Double Marriage The Custom of the Country The Lovers' Progress The Spanish Curate The Prophetess The Sea Voyage The Elder Brother †A Very Woman Fletcher and others with Beaumont & Massinger Thierry and Theodoret Beggars' Bush Love's Cure with Massinger & Field The Honest Man's Fortune The Queen of Corinth The Knight of Malta with Field Four Plays, or Moral Representations, in One with Shakespeare †Henry VIII The Two Noble Kinsmen with Shirley The Night Walker Wit Without Money with Rowley The Maid in the Mill with Massinger, Chapman & Jonson Rollo, Duke of Normandy with Massinger, Ford & Webster The Fair Maid of the Inn Others The Nice Valour (Middleton) Wit at Several Weapons (Middleton & Rowley) The Laws of Candy (Ford) The Coronation (Shirley) Performance and publication English Renaissance theatre King's Men Beaumont and Fletcher folios Humphrey Moseley Humphrey Robinson Related †The History of Cardenio (Shakespeare & Fletcher?) †Double Falsehood (possibly based on Cardenio) † = Not published in the Beaumont and Fletcher folios Authority control BIBSYS: 90066559 BNE: XX1158068 BNF: cb119984760 (data) CANTIC: a10177930 GND: 118765957 ISNI: 0000 0001 2128 8005 LCCN: n79095498 LNB: 000110714 MBA: bab97c6b-1aaa-4849-bd09-2bc12f5d2efb NDL: 00516887 NKC: jn20000701942 NLA: 35596056 NLK: KAC2018N9109 NLP: A10671262 NTA: 068712715 PLWABN: 9810696959505606 SELIBR: 206980 SNAC: w65x2qdh SUDOC: 028077563 Trove: 1008738 VcBA: 495/290989 VIAF: 39387027 WorldCat Identities: lccn-n79095498 Retrieved from "https://en.wikipedia.org/w/index.php?title=John_Webster&oldid=997680036" Categories: Births circa 1580 1630s deaths English Renaissance dramatists English dramatists and playwrights 17th-century English poets 17th-century English male writers 16th-century English poets 17th-century English dramatists and playwrights Plays by John Webster People from the City of London English male Shakespearean actors English male dramatists and playwrights English male poets Hidden categories: Articles with short description Short description is different from Wikidata Use British English from August 2011 Use dmy dates from August 2011 All articles with unsourced statements Articles with unsourced statements from January 2013 Articles with Project Gutenberg links Articles with Internet Archive links Articles with LibriVox links Articles with IBDb links Wikipedia articles with BIBSYS identifiers Wikipedia articles with BNE identifiers Wikipedia 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