Margaret Atwood - Wikipedia Margaret Atwood From Wikipedia, the free encyclopedia Jump to navigation Jump to search Canadian writer (born 1939) Margaret Atwood CC OOnt CH FRSC Atwood in 2015 Born (1939-11-18) November 18, 1939 (age 81) Ottawa, Ontario, Canada Education University of Toronto (BA) Harvard University (MA) Period 1961–present Genre Historical fiction speculative fiction science fiction dystopian fiction Notable works Surfacing (1972) The Handmaid's Tale (1985) Cat's Eye (1988) Alias Grace (1996) The Blind Assassin (2000) Oryx and Crake (2003) The Testaments (2019) Spouse Jim Polk ​ ​ (m. 1968; div. 1973)​ Partner Graeme Gibson (1973–2019; his death) Signature Atwood's voice from BBC Radio 4's Front Row, July 24, 2007[1] Website margaretatwood.ca Margaret Eleanor Atwood CC OOnt CH FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, teacher, environmental activist, and inventor. Since 1961, she has published 18 books of poetry, 18 novels, 11 books of non-fiction, nine collections of short fiction, eight children's books, and two graphic novels, as well as a number of small press editions of both poetry and fiction. Atwood has won numerous awards and honors for her writing, including the Booker Prize (twice), Arthur C. Clarke Award, Governor General's Award, Franz Kafka Prize, Princess of Asturias Awards, and the National Book Critics and PEN Center USA Lifetime Achievement Awards. A number of her works have been adapted for film and television. Atwood's works encompass a variety of themes including gender and identity, religion and myth, the power of language, climate change, and "power politics".[2] Many of her poems are inspired by myths and fairy tales which interested her from a very early age.[3] Atwood is a founder of the Griffin Poetry Prize and Writers' Trust of Canada. She is also a Senior Fellow of Massey College, Toronto. Atwood is also the inventor of the LongPen device and associated technologies that facilitate remote robotic writing of documents. Contents 1 Early life and education 2 Personal life 3 Career 3.1 1960s 3.2 1970s 3.3 1980s 3.4 1990s 3.5 2000s 3.5.1 Novels 3.5.2 Non-fiction 3.5.3 Chamber opera 3.5.4 Graphic fiction 3.5.5 Future Library project 3.5.6 Invention of the LongPen 3.5.7 Poetry 4 Recurring themes and cultural contexts 4.1 Theory of Canadian identity 4.2 Feminism 4.3 Speculative and science fiction 4.4 Animal rights 4.5 Political involvement 5 Adaptations 6 Awards and honours 6.1 Awards 6.2 Honorary degrees 7 Works 7.1 Novels 7.2 Short fiction collections 7.3 Poetry collections 7.4 E-books 7.5 Anthologies edited 7.6 Children's books 7.7 Non-fiction 7.8 Drawings 7.9 Graphic novels 7.10 Television scripts 7.11 Libretti 7.12 Audio recordings 7.13 Filmography 8 See also 9 References 10 Further reading 11 External links Early life and education[edit] Atwood was born in Ottawa, Ontario, Canada, the second of three children[4] of Carl Edmund Atwood, an entomologist,[5] and Margaret Dorothy (née Killam), a former dietician and nutritionist from Woodville, Nova Scotia.[6] Because of her father's research in forest entomology, Atwood spent much of her childhood in the backwoods of northern Quebec, and travelling back and forth between Ottawa, Sault Ste. Marie and Toronto. She did not attend school full-time until she was 12 years old. She became a voracious reader of literature, Dell pocketbook mysteries, Grimms' Fairy Tales, Canadian animal stories, and comic books. She attended Leaside High School in Leaside, Toronto, and graduated in 1957.[7] Atwood began writing plays and poems at the age of 6.[8] As a child, she also participated in the Brownie program of Girl Guides of Canada. Atwood has written about her experiences in Girl Guides in several of her publications.[9] Atwood realized she wanted to write professionally when she was 16.[10] In 1957, she began studying at Victoria College in the University of Toronto, where she published poems and articles in Acta Victoriana, the college literary journal, and participated in the sophomore theatrical tradition of The Bob Comedy Revue.[11] Her professors included Jay Macpherson and Northrop Frye. She graduated in 1961 with a Bachelor of Arts in English (honours) and minors in philosophy and French.[7]:54 In 1961, Atwood began graduate studies at Radcliffe College of Harvard University, with a Woodrow Wilson fellowship.[12] She obtained a master's degree (MA) from Radcliffe in 1962 and pursued doctoral studies for two years, but did not finish her dissertation, The English Metaphysical Romance.[13] Personal life[edit] In 1968, Atwood married Jim Polk, an American writer;[14] they divorced in 1973.[15] She formed a relationship with fellow novelist Graeme Gibson soon afterward and moved to a farm near Alliston, Ontario, where their daughter, Eleanor Jess Atwood Gibson, was born in 1976.[14] The family returned to Toronto in 1980.[16] Atwood and Gibson were together until September 18, 2019, when Gibson died after suffering from dementia.[17] She wrote about Gibson in the poem Dearly and in an accompanying essay on grief and poetry published in The Guardian in 2020.[18] Although she is an accomplished writer, Atwood claims to be a terrible speller.[19] She also has a sister, Ruth Atwood, born in 1951, and a brother who is two years older, Harold Leslie Atwood.[20] Atwood claimed 17th century witchcraft-lynching survivor Mary Webster to be her ancestor and made Webster the subject of her poem "Half-Hanged Mary", and dedicated her novel The Handmaid's Tale (1985) to her.[21] Career[edit] 1960s[edit] Atwood's first book of poetry, Double Persephone, was published as a pamphlet by Hawskhead Press in 1961, winning the E.J. Pratt Medal.[22] While continuing to write, Atwood was a lecturer in English at the University of British Columbia, Vancouver, from 1964 to 1965, Instructor in English at the Sir George Williams University in Montreal from 1967 to 1968, and taught at the University of Alberta from 1969 to 1970.[23] In 1966, The Circle Game was published, winning the Governor General's Award.[24] This collection was followed by three other small press collections of poetry: Kaleidoscopes Baroque: a poem, Cranbrook Academy of Art (1965); Talismans for Children, Cranbrook Academy of Art (1965); and Speeches for Doctor Frankenstein, Cranbrook Academy of Art (1966); as well as, The Animals in That Country (1968). Atwood's first novel, The Edible Woman, was published in 1969. As a social satire of North American consumerism, many critics have often cited the novel as an early example of the feminist concerns found in many of Atwood's works.[25] 1970s[edit] Atwood taught at York University in Toronto from 1971 to 1972 and was a writer in residence at the University of Toronto during the 1972/1973 academic year.[23] Atwood published six collections of poetry over the course of the decade: The Journals of Susanna Moodie (1970), Procedures for Underground (1970), Power Politics (1971), You Are Happy (1974), Selected Poems 1965–1975 (1976), and Two-Headed Poems (1978). Atwood also published three novels during this time: Surfacing (1972); Lady Oracle (1976); and Life Before Man (1979), which was a finalist for the Governor General's Award.[24] Surfacing, Lady Oracle, and Life Before Man, like The Edible Woman, explore identity and social constructions of gender as they relate to topics such as nationhood and sexual politics.[26] In particular, Surfacing, along with her first non-fiction monograph, Survival: A Thematic Guide to Canadian Literature (1972), helped establish Atwood as an important and emerging voice in Canadian literature.[27] In 1977 Atwood published her first short story collection, Dancing Girls, which was the winner of the St. Lawrence Award for Fiction and the award of The Periodical Distributors of Canada for Short Fiction.[23] By 1976, there was such interest in Atwood, her works, and her life that Maclean's declared her to be "Canada's most gossiped-about writer."[28] 1980s[edit] Atwood's literary reputation continued to rise in the 1980s with the publication of Bodily Harm (1981); The Handmaid's Tale (1985), winner of the Arthur C. Clarke Award[29] and 1985 Governor General's Award[24] and finalist for the 1986 Booker Prize;[30] and Cat's Eye (1988), finalist for both the 1988 Governor General's Award[24] and the 1989 Booker Prize.[31] Despite her distaste for literary labels, Atwood has since conceded to referring to The Handmaid's Tale as a work of science fiction or, more accurately, speculative fiction.[32][33] As she has repeatedly noted, "There's a precedent in real life for everything in the book. I decided not to put anything in that somebody somewhere hadn't already done."[34] While reviewers and critics have been tempted to read autobiographical elements of Atwood's life in her work, particularly Cat's Eye,[35][36] in general Atwood resists the desire of critics to read too closely for an author's life in their writing.[37] Filmmaker Michael Rubbo's Margaret Atwood: Once in August (1984)[38] details the filmmaker's frustration in uncovering autobiographical evidence and inspiration in Atwood's works.[39] During the 1980s, Atwood continued to teach, serving as the MFA Honorary Chair the University of Alabama in Tuscaloosa, 1985; the Berg Professor of English, New York University, 1986; Writer-in-Residence, Macquarie University, Australia, 1987; and Writer-in-Residence, Trinity University, San Antonio, Texas, 1989.[40] Regarding her stints with teaching, she has noted, "Success for me meant no longer having to teach at university."[41] 1990s[edit] Atwood's reputation as a writer continued to grow with the publication of the novels The Robber Bride (1993), finalist for the 1994 Governor General's Award[24] and shortlisted for the James Tiptree Jr. Award,[42] and Alias Grace (1996), winner of the 1996 Giller Prize, finalist for the 1996 Booker Prize,[43] finalist for the 1996 Governor General's Award,[24] and shortlisted for the 1997 Orange Prize for Fiction.[44] Although vastly different in context and form, both novels use female characters to question good and evil and morality through their portrayal of female villains. As Atwood noted about The Robber Bride, "I'm not making a case for evil behavior, but unless you have some women characters portrayed as evil characters, you're not playing with a full range."[45] The Robber Bride takes place in contemporary Toronto, while Alias Grace is a work of historical fiction detailing the 1843 murders of Thomas Kinnear and his housekeeper Nancy Montgomery. Atwood had previously written the 1974 CBC made-for-TV film The Servant Girl, about the life of Grace Marks, the young servant who, along with James McDermott, was convicted of the crime.[46] 2000s[edit] Novels[edit] Atwood attends a reading at the Eden Mills Writers' Festival, in September 2006. In 2000, Atwood published her tenth novel, The Blind Assassin, to critical acclaim, winning both the Booker Prize[47] and the Hammett Prize[48] in 2000. The Blind Assassin was also nominated for the Governor General's Award in 2000,[24] Orange Prize for Fiction, and the International Dublin Literary Award in 2002.[49] In 2001, Atwood was inducted into Canada's Walk of Fame.[50] Atwood followed this success with the publication of Oryx and Crake in 2003, the first novel in a series that also includes The Year of the Flood (2009) and MaddAddam (2013), which would collectively come to be known as the MaddAddam Trilogy. The apocalyptic vision in the MaddAddam Trilogy engages themes of genetic modification, pharmaceutical and corporate control, and man-made disaster.[51] As a work of speculative fiction, Atwood notes of the technology in Oryx and Crake, "I think, for the first time in human history, we see where we might go. We can see far enough into the future to know that we can't go on the way we've been going forever without inventing, possibly, a lot of new and different things."[52] She later cautions in the acknowledgements to MaddAddam, "Although MaddAddam is a work of fiction, it does not include any technologies or bio-beings that do not already exist, are not under construction or are not possible in theory."[53] In 2005, Atwood published the novella The Penelopiad as part of the Canongate Myth Series. The story is a retelling of The Odyssey from the perspective of Penelope and a chorus of the twelve maids murdered at the end of the original tale. The Penelopiad was given a theatrical production in 2007.[54] In 2016, Atwood published the novel Hag-Seed, a modern-day retelling of Shakespeare's The Tempest, as part of Penguin Random House's Hogarth Shakespeare Series.[55] On November 28, 2018, Atwood announced that she would publish The Testaments, a sequel to The Handmaid's Tale, in September 2019.[56] The novel features three female narrators and takes place fifteen years after the character Offred's final scene in The Handmaid's Tale. The book was announced as the joint winner of the 2019 Booker Prize on October 14, 2019.[57] Non-fiction[edit] In 2008, Atwood published Payback: Debt and the Shadow Side of Wealth, a collection of five lectures delivered as part of the Massey Lectures from October 12 to November 1, 2008. The book was released in anticipation of the lectures, which were also recorded and broadcast on CBC Radio One's Ideas.[58] Chamber opera[edit] In March 2008, Atwood accepted a chamber opera commission. Commissioned by City Opera of Vancouver, Pauline is set in Vancouver in March 1913 during the final days of the life of Canadian writer and performer Pauline Johnson.[59] Pauline, composed by Tobin Stokes with libretto by Atwood, premiered on May 23, 2014, at Vancouver's York Theatre.[60] Graphic fiction[edit] In 2016, Atwood began writing the superhero comic book series Angel Catbird, with co-creator and illustrator Johnnie Christmas. The series protagonist, scientist Strig Feleedus, is victim of an accidental mutation that leaves him with the body parts and powers of both a cat and a bird.[61] As with her other works, Atwood notes of the series, "The kind of speculative fiction about the future that I write is always based on things that are in process right now. So it's not that I imagine them, it's that I notice that people are working on them and I take it a few steps further down the road. So it doesn't come out of nowhere, it comes out of real life."[62] Future Library project[edit] With her novel Scribbler Moon, Atwood is the first contributor to the Future Library project.[63] The work, completed in 2015, was ceremonially handed over to the project on May 27 of the same year.[64] The book will be held by the project until its eventual publishing in 2114. She thinks that readers will probably need a paleo-anthropologist to translate some parts of her story.[65] In an interview with the Guardian newspaper, Atwood said, "There's something magical about it. It's like Sleeping Beauty. The texts are going to slumber for 100 years and then they'll wake up, come to life again. It's a fairytale length of time. She slept for 100 years."[64] Invention of the LongPen[edit] In early 2004, while on the paperback tour in Denver for her novel Oryx and Crake, Atwood conceived the concept of a remote robotic writing technology, what would later be known as the LongPen, that would enable a person to remotely write in ink anywhere in the world via tablet PC and the Internet, thus allowing her to conduct her book tours without being physically present. She quickly founded a company, Unotchit Inc., to develop, produce and distribute this technology. By 2011, Unotchit Inc. shifted its market focus into business and legal transactions and was producing a range of products, for a variety of remote writing applications, based on the LongPen technologies and renamed itself to Syngrafii Inc. As of September 2014, Atwood is still co-founder and a director of Syngrafii Inc. and holder of various patents related to the LongPen technology.[66][67][68][69][70][71] Poetry[edit] In November 2020 Atwood published Dearly, a collection of poems exploring absences and endings, ageing and retrospection, and gifts and renewals.[72] The central poem, Dearly, was also published in The Guardian newspaper along with an essay exploring the passing of time, grief, and how a poem belongs to the reader; this is accompanied by an audio recording of Atwood reading the poem on the newspaper's website.[18] Recurring themes and cultural contexts[edit] Theory of Canadian identity[edit] Atwood's contributions to the theorizing of Canadian identity have garnered attention both in Canada and internationally. Her principal work of literary criticism, Survival: A Thematic Guide to Canadian Literature, is considered somewhat outdated, but remains a standard introduction to Canadian literature in Canadian studies programs internationally.[73][74][75] The continued reprinting of Survival by Anansi Press has been criticized as a view-narrowing disservice to students of Canadian literature by some critics, including Joseph Pivato.[76] In Survival, Atwood postulates that Canadian literature, and by extension Canadian identity, is characterized by the symbol of survival.[77] This symbol is expressed in the omnipresent use of "victim positions" in Canadian literature. These positions represent a scale of self-consciousness and self-actualization for the victim in the "victor/victim" relationship.[78] The "victor" in these scenarios may be other humans, nature, the wilderness or other external and internal factors which oppress the victim.[78] Atwood's Survival bears the influence of Northrop Frye's theory of garrison mentality; Atwood uses Frye's concept of Canada's desire to wall itself off from outside influence as a critical tool to analyze Canadian literature.[79] According to her theories in works such as Survival and her exploration of similar themes in her fiction, Atwood considers Canadian literature as the expression of Canadian identity. According to this literature, Canadian identity has been defined by a fear of nature, by settler history, and by unquestioned adherence to the community.[80] Atwood's contribution to the theorizing of Canada is not limited to her non-fiction works. Several of her works, including The Journals of Susanna Moodie, Alias Grace, The Blind Assassin and Surfacing, are examples of what postmodern literary theorist Linda Hutcheon calls "historiographic metafiction".[81] In such works, Atwood explicitly explores the relation of history and narrative and the processes of creating history.[82] Atwood continued her exploration of the implications of Canadian literary themes for Canadian identity in lectures such as Strange Things: The Malevolent North in Canadian Literature (1995).[citation needed] Among her contributions to Canadian literature, Atwood is a founding trustee of the Griffin Poetry Prize,[83] as well as a founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community.[84] Feminism[edit] Atwood's work has been of interest to feminist literary critics, despite Atwood's unwillingness at times to apply the label feminist to her works.[85] Starting with the publication of her first novel, The Edible Woman, Atwood asserted, "I don't consider it feminism; I just consider it social realism."[86] Despite her rejection of the label at times, critics have analyzed the sexual politics, use of myth and fairytale, and gendered relationships in her work through the lens of feminism.[87] She later clarified her discomfort with the label feminism by stating, "I always want to know what people mean by that word [feminism]. Some people mean it quite negatively, other people mean it very positively, some people mean it in a broad sense, other people mean it in a more specific sense. Therefore, in order to answer the question, you have to ask the person what they mean."[88] Speaking to The Guardian, she said "For instance, some feminists have historically been against lipstick and letting transgender women into women's washrooms. Those are not positions I have agreed with",[89] a position she repeated to The Irish Times.[90][91] In an interview with Penguin Books, Atwood stated that the driving question throughout her writing of The Handmaid's Tale was "If you were going to shove women back into the home and deprive them of all of these gains that they thought they had made, how would you do it?", but related this question to totalitarianism, not feminism.[92] In January 2018, Atwood penned the op-ed "Am I A Bad Feminist?" for The Globe and Mail.[93] The piece was in response to social media backlash related to Atwood's signature on a 2016 petition calling for an independent investigation into the firing of Steven Galloway, a former University of British Columbia professor accused of sexual harassment and assault by a student.[94] While feminist critics denounced Atwood for her support of Galloway, Atwood asserts that her signature was in support of due process in the legal system. She has been criticized for her comments surrounding the #MeToo movement, particularly that it is a "symptom of a broken legal system."[95] In 2018, following a partnership between Hulu's adaptation of The Handmaid's Tale and women's rights organisation Equality Now, Atwood was honored at their 2018 Make Equality Reality Gala.[96] In her acceptance speech she said: "I am, of course, not a real activist—I'm simply a writer without a job who is frequently asked to speak about subjects that would get people with jobs fired if they themselves spoke. You, however, at Equality Now are real activists. I hope people will give Equality Now lots and lots of money, today, so they can write equal laws, enact equal laws and see that equal laws are implemented. That way, in time, all girls may be able to grow up believing that there are no avenues that are closed to them simply because they are girls."[96] In 2019, Atwood partnered with Equality Now for the release of The Testaments.[97] Speculative and science fiction[edit] Atwood has resisted the suggestion that The Handmaid's Tale and Oryx and Crake are science fiction, suggesting to The Guardian in 2003 that they are speculative fiction instead: "Science fiction has monsters and spaceships; speculative fiction could really happen."[14] She told the Book of the Month Club: "Oryx and Crake is a speculative fiction, not a science fiction proper. It contains no intergalactic space travel, no teleportation, no Martians."[98] On BBC Breakfast, she explained that science fiction, as opposed to what she herself wrote, was "talking squids in outer space." The latter phrase particularly rankled advocates of science fiction and frequently recurs when her writing is discussed.[98] In 2005, Atwood said that she does at times write social science fiction and that The Handmaid's Tale and Oryx and Crake can be designated as such. She clarified her meaning on the difference between speculative and science fiction, admitting that others use the terms interchangeably: "For me, the science fiction label belongs on books with things in them that we can't yet do ... speculative fiction means a work that employs the means already to hand and that takes place on Planet Earth." She said that science fiction narratives give a writer the ability to explore themes in ways that realistic fiction cannot.[99] Animal rights[edit] Atwood repeatedly makes observations about the relationship of humans to animals in her works.[100] A large portion of the dystopia Atwood creates in Oryx and Crake rests upon the genetic modification and alteration of animals and humans, resulting in hybrids such as pigoons, rakunks, wolvogs, and Crakers, which function to raise questions on the limits and ethics of science and technology, as well as questions on what it means to be human.[101] In Surfacing, one character remarks about eating animals: "The animals die that we may live, they are substitute people ... And we eat them, out of cans or otherwise; we are eaters of death, dead Christ-flesh resurrecting inside us, granting us life." Some characters in her books link sexual oppression to meat-eating and consequently give up meat-eating. In The Edible Woman, Atwood's character Marian identifies with hunted animals and cries after hearing her fiancé's experience of hunting and eviscerating a rabbit. Marian stops eating meat but then later returns to it.[102] In Cat's Eye, the narrator recognizes the similarity between a turkey and a baby. She looks at "the turkey, which resembles a trussed, headless baby. It has thrown off its disguise as a meal and has revealed itself to me for what it is, a large dead bird." In Atwood's Surfacing, a dead heron represents purposeless killing and prompts thoughts about other senseless deaths.[102] Atwood is a pescetarian. In a 2009 interview she stated that "I shouldn't use the term vegetarian because I'm allowing myself gastropods, crustaceans and the occasional fish. Nothing with fur or feathers though".[103] Political involvement[edit] Atwood has indicated in an interview that she considers herself a Red Tory in what she sees as the historical sense of the term, saying that "The Tories were the ones who believed that those in power had a responsibility to the community, that money should not be the measure of all things."[104] In the 2008 federal election, she attended a rally for the Bloc Québécois, a Quebec separatist party, because of her support for their position on the arts, and stated that she would vote for the party if she lived in a riding in Quebec in which the choice was between the Bloc and the Conservatives.[105] In an editorial in The Globe and Mail, she urged Canadians to vote for any other party other than the Conservatives to prevent them gaining a majority.[106] A member of the political action group The Handmaid's Coalition Atwood has strong views on environmental issues, and she and Graeme Gibson were the joint honorary presidents of the Rare Bird Club within BirdLife International. Atwood celebrated her 70th birthday at a gala dinner at Laurentian University in Sudbury, Ontario. She stated that she had chosen to attend the event because the city has been home to one of Canada's most ambitious environmental reclamation programs: "When people ask if there's hope (for the environment), I say, if Sudbury can do it, so can you. Having been a symbol of desolation, it's become a symbol of hope."[107] Atwood has been chair of the Writers' Union of Canada and helped to found the Canadian English-Speaking chapter of PEN International, a group originally started to free politically imprisoned writers.[108] She held the position of PEN Canada president in the mid 1980s[109] and was the 2017 recipient of the PEN Center USA's Lifetime Achievement Award.[110] Despite calls for a boycott by Gazan students, Atwood visited Israel and accepted the $1,000,000 Dan David Prize along with Indian author Amitav Ghosh at Tel Aviv University in May 2010.[111] Atwood commented that "we don't do cultural boycotts."[112] In her dystopian novel The Handmaid's Tale (1985), all the developments take place near Boston in the United States, now known as Gilead, while Canada is portrayed as the only hope for an escape. To some this reflects her status of being "in the vanguard of Canadian anti-Americanism of the 1960s and 1970s".[113] Critics have seen the mistreated Handmaid as Canada.[114] During the debate in 1987 over a free-trade agreement between Canada and the United States, Atwood spoke out against the deal and wrote an essay opposing it.[115] She has said that the 2016 United States presidential election led to an increase in sales of The Handmaid's Tale.[116] Amazon reports The Handmaid's Tale was the most-read book of 2017.[117] Adaptations[edit] The novel Surfacing (1972) was adapted into an 1981 film, written by Bernard Gordon and directed by Claude Jutra.[118] The film received poor reviews and suffers from making "little attempt to find cinematic equivalents for the admittedly difficult subjective and poetic dimensions of the novel."[119] The novel The Handmaid's Tale (1985) has been adapted several times. A 1990 film, directed by Volker Schlöndorff, with a screenplay by Harold Pinter, received mixed reviews.[120][121] A musical adaptation resulted in the 2000 opera, written by Poul Ruders, with a libretto by Paul Bentley. It premiered at the Royal Danish Opera in 2000, and was staged in 2003 at London's English National Opera and the Minnesota Opera.[122] Boston Lyric Opera mounted a production in May 2019.[123] A television series by Bruce Miller began airing on the streaming service Hulu in 2017.[124] The first season of the show earned eight Emmys in 2017, including Outstanding Drama Series. Season two premiered on April 25, 2018, and it was announced on May 2, 2018, that Hulu had renewed the series for a third season.[125] Atwood appears in a cameo in the first episode as one of the Aunts at the Red Center.[126] In 2019, a graphic novel based on this book and with the same title was published by Renée Nault, ISBN 9780224101936. In 2003, six of Atwood's short stories were adapted by Shaftesbury Films for the anthology television series The Atwood Stories.[127] Atwood's 2008 Massey Lectures were adapted into the documentary Payback (2012), by director Jennifer Baichwal.[128] Commentary by Atwood and others such as economist Raj Patel, ecologist William Reese, and religious scholar Karen Armstrong, are woven into various stories that explore the concepts of debt and payback, including an Armenian blood feud, agricultural working conditions, and the Deepwater Horizon oil spill.[129] The novel Alias Grace (1996) was adapted into a six-part 2017 miniseries directed by Mary Harron and adapted by Sarah Polley. It premiered on CBC on September 25, 2017, and the full series was released on Netflix on November 3, 2017.[130][131][132] Atwood makes a cameo in the fourth episode of the series as a disapproving churchgoer.[133] In the Wake of the Flood (released in October 2010), a documentary film by the Canadian director Ron Mann, followed Atwood on the unusual book tour for her novel The Year of the Flood (2009). During this innovative book tour, Atwood created a theatrical version of her novel, with performers borrowed from the local areas she was visiting. The documentary is described as "a fly-on-the-wall film vérité."[134] Atwood's children's book Wandering Wenda and Widow Wallop's Wunderground Washery (2011) was adapted into the children's television series The Wide World of Wandering Wenda, broadcast on CBC beginning in the spring of 2017.[135] Aimed at early readers, the animated series follows Wenda and her friends as they navigate different adventures using words, sounds, and language.[136] Director Darren Aronofsky had been slated to direct an adaption of the MaddAddam trilogy for HBO, but it was revealed in October 2016 that HBO had dropped the plan from its schedule. In January 2018, it was announced that Paramount Television and Anonymous Content had bought the rights to the trilogy and would be moving forward without Aronofsky.[137] Awards and honours[edit] Atwood holds numerous honorary degrees from various institutions including The Sorbonne, NUI Galway as well as Oxford and Cambridge universities.[138] Awards[edit] Governor General's Award, 1966, 1985[139] Companion of the Order of Canada, 1981[140] Guggenheim fellowship, 1981[141] Los Angeles Times Fiction Award, 1986[142] American Humanist Association Humanist of the Year, 1987 [143] Nebula Award, 1986 and Prometheus Award, 1987 nominations, both science fiction awards.[144][145] Arthur C. Clarke Award for best Science Fiction, 1987[146] Foreign Honorary Member of the American Academy of Arts and Sciences, 1988[147] Canadian Booksellers Association Author of the Year, 1989 Outstanding Canadian Award – Armenian Community Centre of Toronto, 1989[148] Trillium Book Award, 1991, 1993, 1995[149] Government of France's Chevalier dans l'Ordre des Arts et des Lettres, 1994[150] Helmerich Award, 1999, by the Tulsa Library Trust.[151] Booker Prize, 2000, 2019[152][57] Kenyon Review Award for Literary Achievement, 2007[153] Prince of Asturias Award for Literature, 2008[154] Nelly Sachs Prize, Germany, 2010[155] Dan David Prize, Israel, 2010[156] Queen Elizabeth II Diamond Jubilee Medal, Canada, 2012[157] Los Angeles Times Book Prize "Innovator's Award", 2012[158] Gold medal of the Royal Canadian Geographical Society, 2015[159] Golden Wreath of Struga Poetry Evenings, Macedonia, 2016[160] Franz Kafka Prize, Czech Republic, 2017[161] Peace Prize of the German Book Trade, Germany, 2017[162] Companion of Honour, 2019[163] Joint winner of the Booker Prize, 2019[57] Dayton Literary Peace Prize, 2020[164] Honorary degrees[edit] Trent University, 1973[165] Queen's University, 1974[166] Concordia University, 1979[167] Smith College, 1982[168] University of Toronto, 1983[169] University of Waterloo, 1985[170] University of Guelph, 1985[171] Mount Holyoke College, 1985[172] Victoria College, 1987[173] Université de Montréal, 1991[174] University of Leeds, 1994[150] McMaster University, 1996[175] Lakehead University, 1998[176] University of Oxford, 1998[177] Algoma University, 2001[178] University of Cambridge, 2001[179] Dartmouth College, 2004[180] Harvard University, 2004[181] Université de la Sorbonne Nouvelle, 2005[182] National University of Ireland, Galway, 2011[183] Ryerson University, 2012[184] Royal Military College of Canada (LLD), November 16, 2012[185] University of Athens, 2013[186] University of Edinburgh, 2014[187] Universidad Autónoma de Madrid, 2017 Works[edit] This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Margaret Atwood" – news · newspapers · books · scholar · JSTOR (October 2019) (Learn how and when to remove this template message) Novels[edit] The Edible Woman (1969) Surfacing (1972) Lady Oracle (1976) Life Before Man (1979, finalist for the Governor General's Award) Bodily Harm (1981) The Handmaid's Tale (1985, winner of the 1987 Arthur C. Clarke Award and 1985 Governor General's Award, finalist for the 1986 Booker Prize) Cat's Eye (1988, finalist for the 1988 Governor General's Award and the 1989 Booker Prize) The Robber Bride (1993, finalist for the 1994 Governor General's Award and shortlisted for the James Tiptree Jr. Award) Alias Grace (1996, winner of the 1996 Giller Prize, finalist for the 1996 Booker Prize and the 1996 Governor General's Award, shortlisted for the 1997 Orange Prize for Fiction) The Blind Assassin (2000, winner of the 2000 Booker Prize and finalist for the 2000 Governor General's Award, shortlisted for the 2001 Orange Prize for Fiction.) Oryx and Crake (2003, finalist for the 2003 Booker Prize and the 2003 Governor General's Award and shortlisted for the 2004 Orange Prize for Fiction.) The Penelopiad (2005, nominated for the 2006 Mythopoeic Fantasy Award for Adult Literature and longlisted for the 2007 International Dublin Literary Award) The Year of the Flood (2009, Oryx and Crake companion, longlisted for the 2011 International Dublin Literary Award) MaddAddam (2013) (Third novel in Oryx and Crake trilogy) Scribbler Moon (2014; written in 2014 as part of the Future Library project)[64] The Heart Goes Last (2015) Hag-Seed (2016) The Testaments (2019, joint winner of the 2019 Booker Prize)[188] Short fiction collections[edit] Dancing Girls (1977, winner of the St. Lawrence Award for Fiction and the award of The Periodical Distributors of Canada for Short Fiction) Murder in the Dark (1983) Bluebeard's Egg (1983) Wilderness Tips (1991, finalist for the Governor General's Award) Good Bones (1992) Good Bones and Simple Murders (1994) The Labrador Fiasco (1996) The Tent (2006) Moral Disorder (2006) Stone Mattress (2014) Poetry collections[edit] Double Persephone (1961) The Circle Game (1964, winner of the 1966 Governor General's Award) Expeditions (1965) Speeches for Doctor Frankenstein (1966) The Animals in That Country (1968) The Journals of Susanna Moodie (1970) Procedures for Underground (1970) Power Politics (1971) You Are Happy (1974) Includes the poem Song of the Worms Selected Poems (1976) Two-Headed Poems (1978) True Stories (1981) Love Songs of a Terminator (1983) Snake Poems (1983)[189] Interlunar (1984) Selected Poems 1966–1984 (Canada) Selected Poems II: 1976–1986 (US) Morning in the Burned House, McClelland & Stewart (1995) Eating Fire: Selected Poems, 1965–1995 (UK,1998) "You Begin." (1978) – as recited by Margaret Atwood; included in all three most recent editions of her "Selected Poems" as listed above (US, CA, UK) The Door (2007) Dearly (2020)[190] E-books[edit] I'm Starved For You: Positron, Episode One (2012) Choke Collar: Positron, Episode Two (2012) Erase Me: Positron, Episode Three (2013) The Heart Goes Last: Positron, Episode Four (2013) Anthologies edited[edit] The New Oxford Book of Canadian Verse (1982) The Canlit Foodbook (1987) The Oxford Book of Canadian Short Stories in English (1988) The Best American Short Stories 1989 (1989) (with Shannon Ravenel) The New Oxford Book of Canadian Short Stories in English (1995) Children's books[edit] Up in the Tree (1978) Anna's Pet (1980) (with Joyce C. Barkhouse) For the Birds (1990) (with Shelly Tanaka) Princess Prunella and the Purple Peanut (1995) Rude Ramsay and the Roaring Radishes (2003) Bashful Bob and Doleful Dorinda (2006) Wandering Wenda and Widow Wallop's Wunderground Washery (2011);[191] inspired a cartoon series called Wandering Wenda in 2016. Non-fiction[edit] Survival: A Thematic Guide to Canadian Literature (1972) Days of the Rebels 1815–1840 (1977) Second Words: Selected Critical Prose (1982) Through the One-Way Mirror (1986) Strange Things: The Malevolent North in Canadian Literature (1995) Negotiating with the Dead: A Writer on Writing (2002) Moving Targets: Writing with Intent, 1982–2004 (2004) Writing with Intent: Essays, Reviews, Personal Prose 1983–2005 (2005) Payback: Debt and the Shadow Side of Wealth (2008) In Other Worlds: SF and the Human Imagination (2011) On Writers and Writing (2015) Drawings[edit] Kanadian Kultchur Komix featuring "Survivalwoman" in This Magazine under the pseudonym, Bart Gerrard 1975–1980 Others appear on her website. Graphic novels[edit] Angel Catbird, with Johnnie Christmas and Tamra Bonvillain (2016) War Bears, with Ken Steacy (2018) Television scripts[edit] The Servant Girl (1974) Snowbird (1981) Heaven on Earth (1987) Libretti[edit] The Trumpets of Summer (1964) (with composer John Beckwith) Frankenstein Monster Song (2004, with rock band One Ring Zero)[192] "Pauline", a chamber opera in two acts, with composer Tobin Stokes for City Opera Vancouver (2014) Audio recordings[edit] The Poetry and Voice of Margaret Atwood (1977) Margaret Atwood Reads "Unearthing Suite" (1985) Margaret Atwood Reading From Her Poems (2005) Margaret Atwood as herself in Zombies, Run, as a surviving radio operator in themes. Filmography[edit] 2017 she is credited as playing herself in all 26 episodes of Wandering Wenda where she wears funny hats to match the various themes See also[edit] Canadian poetry List of Canadian poets List of Canadian writers References[edit] ^ "Margaret Atwood". Front Row. July 24, 2007. BBC Radio 4. Retrieved January 18, 2014. ^ Marion, Wynne-Davies (2010). Margaret Atwood. British Council. Horndon, Tavistock, Devon: Northcote, British Council. ISBN 978-0746310366. OCLC 854569504. ^ Oates, Joyce Carol. "Margaret Atwood: Poet", The New York Times, May 21, 1978. ^ Hoby, Hermione (August 18, 2013). "Margaret Atwood: interview". The Daily Telegraph. Retrieved October 27, 2020. ^ "Carl E. Atwood Graduate Scholarship in Ecology and Evolutionary Biology". University of Toronto. Retrieved March 12, 2017. ^ Foote, Hazel (1997). The Homes of Woodville. Woodville, Nova Scotia: M.A. Jorgenson. p. 109. ^ a b Nathalie, Cooke (1998). Margaret Atwood : a biography. Toronto: ECW Press. ISBN 1550223089. OCLC 40460322. ^ Daley, James (2007). Great Writers on the Art of Fiction: From Mark Twain to Joyce Carol Oates. Courier Corporation. p. 159. ISBN 978-0-486-45128-2. ^ Hicks, Cara (August 7, 2013). "What it Means (to me) to Be an Owl". GirlGuidesCANBlog. Retrieved May 1, 2020. ^ Margaret Atwood: The Art of Fiction No.121. The Paris Review. Retrieved December 4, 2016. ^ O'Grady, Conner "Despite cuts and critics, Bob carries on"; the newspaper; University of Toronto; December 18, 2013. ^ "University of Toronto Alumni Website » Margaret Atwood". alumni.utoronto.ca. Retrieved January 24, 2017. ^ "On Being a Poet: A Conversation With Margaret Atwood". The New York Times. Retrieved January 24, 2017. ^ a b c Potts, Robert (April 26, 2003). "Light in the wilderness". The Guardian. Retrieved May 30, 2013. ^ Thomas, Paul Lee (2007). Reading, Learning, Teaching Margaret Atwood. Peter Lang Publishing. p. 7. ISBN 978-0820486710. Retrieved August 8, 2013. ^ Sutherland, John (2012). Lives of the Novelists: A History of Fiction in 294 Lives. Yale University Press. p. 721. ISBN 978-0-300-18243-9. ^ "Canadian author Graeme Gibson dead at 85". CP24. September 18, 2019. ^ a b Atwood, Margaret. "Caught in time's current: Margaret Atwood on grief, poetry and the past four years". The Guardian. ISSN 0261-3077. Retrieved November 8, 2020. ^ Setoodeh, Ramin (April 10, 2018). "Margaret Atwood on How Donald Trump Helped 'The Handmaid's Tale'". Variety. Retrieved July 18, 2018. ^ Robert Potts (April 16, 2003). "Light in the wilderness". The Guardian. Retrieved April 16, 2020. ^ The Crucible - The Half-Hanged Mary Poem ^ "The Plutzik Reading Series Features Margaret Atwood". rochester.edu. Retrieved May 2, 2018. ^ a b c Margaret Atwood: Vision and Forms. VanSpanckeren, Kathryn; Castro, Jan Garden. Carbondale: Southern Illinois University Press. 1988. pp. xxix–xxx. ISBN 0585106290. OCLC 43475939.CS1 maint: others (link) ^ a b c d e f g "Past GGBooks winners and finalists". Governor General's Literary Awards. Retrieved February 5, 2018. ^ Nathalie, Cooke (2004). Margaret Atwood : a critical companion. Westport, Connecticut: Greenwood Press. ISBN 978-0313328060. OCLC 145520009. ^ Howells, Coral Ann (2005). Margaret Atwood (2nd ed.). New York: Palgrave Macmillan. ISBN 1403922004. OCLC 57391913. ^ Cinda, Gault (2012). National and Female Identity in Canadian Literature, 1965–1980 : the Fiction of Margaret Laurence, Margaret Atwood, and Marian Engel. Lewiston: Edwin Mellen Press. ISBN 978-0773426221. OCLC 799769643. ^ "Maclean's — September 1976". Maclean's | The Complete Archive. Retrieved February 4, 2018. ^ "Award Winners". Arthur C. Clarke Award. April 21, 2011. Archived from the original on November 5, 2018. Retrieved February 4, 2018. ^ "The Man Booker Prize for Fiction Backlist | The Man Booker Prizes". themanbookerprize.com. Retrieved February 4, 2018. ^ "The Man Booker Prize for Fiction Backlist | The Man Booker Prizes". themanbookerprize.com. Retrieved February 4, 2018. ^ Atwood, Margaret (June 17, 2005). "Aliens have taken the place of angels". The Guardian. Retrieved February 4, 2018. ^ Atwood, Margaret (2012). In Other Worlds : SF and the Human Imagination (1st Anchor Books ed.). New York: Anchor Books. ISBN 978-0307741769. OCLC 773021848. ^ "Margaret Atwood on Why The Handmaid's Tale Resonates in the Trump Era: It's 'No Longer a Fantasy Fiction'". People. Retrieved February 4, 2018. ^ "What Little Girls Are Made Of". The New York Times. Retrieved February 4, 2018. ^ Margaret Atwood: Vision and Forms. VanSpanckeren, Kathryn; Castro, Jan Garden. Carbondale: Southern Illinois University Press. 1988. p. xxx. ISBN 0585106290. OCLC 43475939.CS1 maint: others (link) ^ Mead, Rebecca (April 10, 2017). "Margaret Atwood, the Prophet of Dystopia". The New Yorker. ISSN 0028-792X. Retrieved February 4, 2018. ^ Michael Rubbo (1984). Margaret Atwood: Once in August (Documentary film). National Film Board of Canada. ^ The Cambridge companion to Margaret Atwood. Howells, Coral Ann. Cambridge, UK: Cambridge University Press. 2006. ISBN 978-0521839662. OCLC 61362106.CS1 maint: others (link) ^ VanSpanckeren, Kathryn; Castro, Jan Garden (1988). Margaret Atwood: Vision and Forms (3rd [Dr.] ed.). Carbondale: Southern Illinois University Press. pp. xxix–xxx. ISBN 978-0809314089. Retrieved November 28, 2016. ^ "Reflected in Margaret Atwood's Cat's Eye, Girlhood Looms as a Time of Cruelty and Terror". People. Retrieved February 4, 2018. ^ "1993 Honor List « James Tiptree, Jr. Literary Award". James Tiptree, Jr. Literary Award. Retrieved February 4, 2018. ^ "The Man Booker Prize for Fiction Backlist | The Man Booker Prizes". themanbookerprize.com. Retrieved February 4, 2018. ^ "Women's Prize for Fiction". womensprizeforfiction.co.uk. ^ "Margaret Atwood's New Book Explores Power's Duality". tribunedigital-chicagotribune. Retrieved February 4, 2018. ^ "Full Bibliography". margaretatwood.ca. Retrieved February 4, 2018. ^ "The Man Booker Prize for Fiction Backlist | The Man Booker Prizes". themanbookerprize.com. Retrieved February 4, 2018. ^ Sciandra, Mary Frisque and Lisa. "IACW/NA: Hammett Prize: Past Years". crimewritersna.org. Retrieved February 4, 2018. ^ "Publisher's page on The Blind Assassin". McClelland and Stewart. Archived from the original on March 25, 2014. ^ "Canada's Walk of Fame Inducts Margaret Atwood". Canada's Walk of Fame. ^ Margaret Atwood's apocalypses. Waltonen, Karma. Newcasle upon Tyne. ISBN 978-1322607894. OCLC 901287105.CS1 maint: others (link) ^ "Margaret Atwood on the Science Behind Oryx and Crake". Science Friday. Retrieved February 4, 2018. ^ Atwood, Margaret (2014). MaddAddam : A Novel (first United States ed.). New York. ISBN 978-0307455482. OCLC 825733384. ^ "RMTC's "The Penelopiad" offers an intriguing new take on a familiar tale". CBC Manitoba. Retrieved May 5, 2018. ^ Gopnik, Adam (October 10, 2016). "Why Rewrite Shakespeare?". The New Yorker. ISSN 0028-792X. Retrieved May 5, 2018. ^ "Margaret Atwood Will Write a Sequel to 'The Handmaid's Tale'". Retrieved November 28, 2018. ^ a b c Flood, Alison (October 14, 2019). "Margaret Atwood and Bernardine Evaristo share Booker prize 2019". The Guardian. Retrieved October 14, 2019. ^ "The 2008 CBC Massey Lectures, "Payback: Debt and the Shadow Side of Wealth" | CBC Radio". Canadian Broadcasting Corporation. Retrieved May 5, 2018. ^ The Vancouver Sun (March 11, 2008). "Atwood pens opera piece about Vancouver first nations writer-performer" Archived February 10, 2015, at the Wayback Machine. Retrieved July 1, 2014. ^ CBC News (May 23, 2014). "Margaret Atwood's opera debut Pauline opens in Vancouver". Retrieved July 1, 2014. ^ "Margaret Atwood Plays With The Superhero Genre In 'Angel Catbird'". NPR. Retrieved May 5, 2018. ^ "Margaret Atwood: 'I Finally Got To Do My Cat With Wings'". NPR. Retrieved February 4, 2018. ^ "Margaret Atwood submits Scribbler Moon, which won't be read until 2114, to Future Library". Entertainment Weekly. Retrieved January 22, 2018. ^ a b c Flood, Alison (May 27, 2015). "Into the woods: Margaret Atwood reveals her Future Library book, Scribbler Moon". The Guardian. Retrieved January 22, 2018. ^ Flood, Alison (September 5, 2014). "Margaret Atwood's new work will remain unseen for a century". The Guardian. Retrieved September 7, 2014. ^ Burkeman, Oliver (March 6, 2006). "Atwood sign of the times draws blank" – via www.theguardian.com. ^ "Company Overview of Syngrafii Inc". ^ "Australian Patents". www.ipaustralia.com.au. ^ "Unotchit". Quanser. ^ "Robotic arm extend authors' signatures over cyberspace". Archived from the original on September 2, 2014. ^ "Syngrafii Corp". Archived from the original on October 18, 2014. ^ Atwood, Margaret. "Dearly". www.penguin.co.uk. Retrieved November 8, 2020. ^ Moss, Laura (2006). John Moss; Tobi Kozakewich (eds.). "Margaret Atwood: Branding an Icon Abroad" in Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press. p. 28. ^ Chambers, C. M. (1999). A topography for canadian curriculum theory. Canadian Journal of Education, 24(2), 137. ^ Atwood, M. (July 1, 1999). "Survival, then and now." Maclean's, 112, 54. ^ Pivato, Joseph "Atwood's Survival: A Critique", Canadian Writers, Faculty of Humanities & Social Science, Athabasca University, 1985. Retrieved April 11, 2018. ^ Atwood, Margaret (1972). Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi. p. 32. ^ a b Atwood, M. (1972), 36–42. ^ Pache, Walter (2002). Reingard M. Nischik (ed.). "A Certain Frivolity: Margaret Atwood's Literary Criticism" in Margaret Atwood: Works and Impact. Toronto: Anansi. p. 122. ^ Atwood Margaret (1996) [1972]. Survival : a thematic guide to Canadian literature (1st McClelland & Stewart ed.). Toronto, Ontario: M & S. ISBN 978-0771008320. OCLC 35930298. ^ Howells, Coral Ann (2006). John Moss; Tobi Kozakewich (eds.). "Writing History from The Journals of Susanna Moodie to The Blind Assassin" in Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press. p. 111. ^ "Structuralist analysis of Margaret Atwood's novels The Handmaid's Tale, Cat's Eye, and The Robber Bride" (PDF). Retrieved October 17, 2019. ^ "Griffin Poetry Prize: The Griffin Trust: Trustees". Retrieved June 8, 2014. ^ "About Us: The Writers' Trust of Canada". Retrieved February 18, 2014. ^ Fiona, Tolan (2007). Margaret Atwood : feminism and fiction. Amsterdam: Rodopi. ISBN 978-1435600799. OCLC 173507440. ^ Kaminski, Margaret, "Preserving Mythologies", Margaret Atwood: Conversations, ed. Earl G. Ingersoll, Princeton, 1990, 27–32. ^ Rose Wilson, Sharon (1993). Margaret Atwood's fairy-tale sexual politics. Jackson, Mississippi: University Press of Mississippi. ISBN 978-0585227153. OCLC 44959649. ^ McNamara, Mary (April 24, 2017). "Margaret Atwood answers the question: Is 'The Handmaid's Tale' a feminist book?". Los Angeles Times. Retrieved February 6, 2018. ^ Lisa Allardice, Margaret Atwood: 'I am not a prophet. Science fiction is really about now', in The Guardian, January 20, 2018. ^ Catherine Conroy, Margaret Atwood: 'When did it become the norm to expect a porn star on the first date?', in The Irish Times, March 1, 2018. ^ Phoebe Kirk, Why I Won't Call You A TERF, HuffPost (UK), May 18, 2018. ^ "Margaret Atwood: 'The Handmaid's Tale is being read very differently now'". www.penguin.co.uk. Retrieved September 5, 2019. ^ "Am I a bad feminist?". Retrieved February 6, 2018. ^ "Margaret Atwood faces feminist backlash". BBC News. 2018. Retrieved February 6, 2018. ^ "Margaret Atwood rips 'rape-enabling Bad Feminist' attacks over #MeToo scrutiny". The Washington Times. Retrieved February 8, 2018. ^ a b "Margaret Atwood, Amandla Stenberg Honored at Equality Now Gala". The Hollywood Reporter. Retrieved March 5, 2020. ^ correspondent, Mark Brown Arts (March 7, 2019). "Atwood to launch The Handmaid's Tale sequel with live broadcast". The Guardian. ISSN 0261-3077. Retrieved March 5, 2020. ^ a b Langford, David, "Bits and Pieces" SFX magazine No. 107, August 2003 [1] ^ Atwood, Margaret. "Aliens have taken the place of angels: Margaret Atwood on why we need science fiction," The Guardian, June 17, 2005. ^ Vogt, Kathleen (1988). Real and Imaginary Animals in the Poetry of Margaret Atwood. Margaret Atwood: Visions and Forms. VanSpanckeren, Kathryn; Castro, Jan Garden. Carbondale: Southern Illinois University Press. p. 164. ISBN 978-0585106298. OCLC 43475939. ^ Sanderson, Jay (2013). "Pigoons, Rakunks and Crakers: Margaret Atwood's Oryx and Crake and Genetically Engineered Animals in a (Latourian) Hybrid World". Law and Humanities. 7 (2): 218–239. doi:10.5235/17521483.7.2.218. S2CID 144221386. ^ a b Carol J. Adams. 2006. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory. The Continuum International Publishing Group. pp. 141–142, 152, 195, 197. ^ Wright, Laura. (2015). The Vegan Studies Project: Food, Animals, and Gender in the Age of Terror. University of Georgia Press. p. 83. ISBN 978-0-8203-4856-8 ^ Mother Jones:"Margaret Atwood: The activist author of Alias Grace and The Handmaid's Tale discusses the politics of art and the art of the con". July/August 1997. ^ "Canada Votes — Atwood backs Bloc on arts defence". Canadian Broadcasting Corporation. October 4, 2008. Retrieved February 21, 2015. ^ Margaret, Atwood. Anything but a Harper majority Archived January 16, 2009, at the Wayback Machine. The Globe and Mail. October 6, 2008. ^ "Sudbury a symbol of hope: Margaret Atwood". Northern Life, November 23, 2009. ^ "Margaret Atwood on PEN and politics – CBC Archives". Retrieved May 9, 2018. ^ "Member Profile". The Writers' Union of Canada. Retrieved May 9, 2018. ^ French, Agatha (June 12, 2017). "Margaret Atwood has a few wry comments about being a PEN Center USA lifetime achievement honoree". Los Angeles Times. Retrieved January 28, 2018. ^ "Gaza students to Margaret Atwood: reject Tel Aviv U. prize". ei. April 6, 2010. ^ Ackerman, Gwen (May 9, 2010). "Atwood Accepts Israeli Prize, Defends 'Artists Without Armies': Interview". Bloomberg. Retrieved September 19, 2010. ^ Reingard M. Nischik (2000). Margaret Atwood: Works and Impact. Camden House. pp. 6, 143. ISBN 978-1571131393. ^ Tandon, Neeru; Chandra, Anshul (2009). Margaret Atwood: A Jewel in Canadian Writing. Atlantic Publishers & Dist. pp. 154–155. ISBN 978-8126910151. ^ "The Handmaid's Tale". World Literatures in English. Archived from the original on January 28, 2016. ^ Marsh, Sarah (February 11, 2017). "Margaret Atwood says Trump win boosted sales of her dystopian classic". Reuters. Retrieved February 11, 2017. ^ [2] ^ Walsh, Michael. "Lost in the north woods: Film adaptation lacks direction". Reeling Back. Retrieved February 6, 2018. ^ Jim, Leach (1999). Claude Jutra : filmmaker. Montreal: McGill-Queen's University Press. p. 214. ISBN 978-0773567917. OCLC 239885644. ^ "Review/Film; Handmaid's Tale, Adapted From Atwood Novel". The New York Times. Retrieved February 6, 2018. ^ Gilbert, Sophie. "The Forgotten Film Adaptation of 'The Handmaid's Tale'". The Atlantic. Retrieved May 11, 2018. ^ Platt, Russell (May 28, 2017). "Revisiting The Handmaid's Tale, the Opera". The New Yorker. ISSN 0028-792X. Retrieved May 11, 2018. ^ Allen, David (May 10, 2019). "Review: 'The Handmaid's Tale' Is a Brutal Triumph as Opera". The New York Times. ISSN 0362-4331. Retrieved May 11, 2019. ^ "Bruce Miller – Hulu Press Site". Hulu. Retrieved February 6, 2018. ^ Holloway, Daniel (May 2, 2018). "The Handmaid's Tale Renewed for Season 3 at Hulu". Variety. Retrieved May 11, 2018. ^ "Margaret Atwood has a small but violent cameo in 'The Handmaid's Tale' premiere". Insider. Retrieved February 6, 2018. ^ "Atwood at large". The Globe and Mail, February 15, 2003. ^ Canada (2012). "Payback". National Film Board of Canada. Retrieved February 6, 2018. ^ "Payback Documentary, Based on Margaret Atwood's Book". The New York Times. April 24, 2012. ISSN 0362-4331. Retrieved May 11, 2018. ^ "CBC, Netflix to screen miniseries based on Margaret Atwood novel Alias Grace". The Globe and Mail. The Canadian Press. June 21, 2016. ^ "Netflix Debuts First Look Images from New Miniseries based on Margaret Atwood novel, Alias Grace". Netflix Media Center. Retrieved May 19, 2017. ^ "Alias Grace Teaser Netflix". Retrieved July 24, 2017 – via YouTube. ^ "Margaret Atwood had a cameo in 'Alias Grace'". Entertainment Weekly. Retrieved March 10, 2018. ^ "In the Wake of the Flood". The Year of the Flood. Retrieved March 30, 2011. ^ "Alliterative adventures ahead as Atwood's Wandering Wenda set for TV". CBC News. Retrieved February 6, 2018. ^ "Alliterative adventures ahead as Atwood's Wandering Wenda set for TV". CBC News. Retrieved May 11, 2018. ^ Otterson, Joe (January 24, 2018). "Margaret Atwood's MaddAddam Trilogy Series Adaptation in Works From Anonymous Content, Paramount TV". Variety. Retrieved February 6, 2018. ^ "Awards & Recognitions". margaretatwood.ca. Retrieved January 24, 2017. ^ "CBC books page". Canadian Broadcasting Corporation. Retrieved April 13, 2014. ^ Office of the Governor General of Canada. Order of Canada citation. Queen's Printer for Canada. ^ "How Atwood became a writer". Harvard University Gazette. November 8, 2001. Archived from the original on June 29, 2011. Retrieved September 19, 2010. ^ "LA Times Book Prize winners". Los Angeles Times. 2012. Archived from the original on April 5, 2013. Retrieved April 13, 2014. ^ "Humanists of the Year list". American Humanist Association. Retrieved October 16, 2013. ^ "Margaret Atwood". Nebula Awards. Retrieved January 24, 2016. ^ "Prometheus Award for Best Novel – Nominees". Libertarian Future Society. Retrieved January 24, 2016. ^ Rinehart, Dianne (January 24, 2014). "Arthur C. Clarke move raises questions of sci-fi author equality". Toronto Star. Retrieved April 13, 2014. ^ "Book of Members, 1780–2010: Chapter A" (PDF). American Academy of Arts and Sciences. Retrieved April 27, 2011. ^ "Toronto Public Library Archives". Toronto Public Library. Retrieved September 18, 2019. ^ "Trillium Book Award Winners". Ontario Media Development Corporation. 2013. Archived from the original on October 29, 2013. Retrieved April 13, 2014. ^ a b "Awards and Recognitions". Margaret Atwood. Retrieved January 24, 2016. ^ "Helmerich Award page". Tulsa Library Trust. Retrieved April 13, 2014. ^ "Booker Prize page". Booker Prize Foundation. Archived from the original on December 25, 2013. Retrieved April 13, 2014. ^ "Kenyon Review for Literary Achievement". KenyonReview.org. ^ "FPA Award page". Fundación Príncipe de Asturias. 2008. Retrieved April 13, 2014. ^ "Nelly Sachs Prize page". City of Dortmund. 2013. Retrieved April 13, 2014. ^ "Margaret Atwood Talks About Nobel Prizewinner Alice Munro". Dan David Foundation. December 11, 2013. Retrieved April 13, 2014. ^ "Diamond Jubilee Gala toasts exceptional Canadians". Canadian Broadcasting Corporation. June 18, 2012. Retrieved June 19, 2012. ^ Staff writer (April 19, 2013). "Announcing the 2012 Los Angeles Times Book Prize winners". Los Angeles Times. Retrieved April 21, 2013. ^ "Gold Medal 2015 Recipients – Dr. Jacob Verhoef, Graeme Gibson and Margaret Atwood". Royal Canadian Geographical Society. Retrieved November 21, 2015. ^ "Margaret Atwood is laureate of the 'Golden Wreath' Award for 2016". Struga Poetry Evenings. March 21, 2016. Archived from the original on April 5, 2016. Retrieved March 23, 2016. ^ "The Franz Kafka International Literary Prize 2017" (PDF). May 29, 2017. Archived from the original (PDF) on July 2, 2017. Retrieved June 1, 2017. ^ Germany, Spiegel Online Hamburg. "Ehrung des Buchhandels: Margaret Atwood erhält Friedenspreis". Retrieved June 13, 2017. ^ "Official – Sensitive Year 2019 Diplomatic and Overseas List Order of the Companions of Honour" (PDF). Archived from the original (PDF) on January 14, 2019. Retrieved January 14, 2019. ^ Sewell, Dan (September 14, 2020). "Margaret Atwood awarded 2020 Dayton Literary Peace Prize". Retrieved September 14, 2020. ^ "Archived copy". Archived from the original on June 14, 2016. Retrieved July 8, 2016.CS1 maint: archived copy as title (link) "Trent University, Past Honorary Degree Recipients" Retrieved on July 8, 2016. ^ "Honorary Degrees - Queen's Encyclopedia". www.queensu.ca. ^ "Concordia University, Honorary degree citation – Margaret Atwood". Retrieved August 30, 2016. ^ "Honorary Degrees". Smith College. ^ "Margaret Atwood". University of Toronto Alumni. ^ "Honorary degrees committee - honorary degrees granted 1980 - 1989". Secretariat. May 22, 2012. ^ "University of Guelph - Document Center". uoguelph.civicweb.net. ^ "Archives & Special Collections - LITS". lits.mtholyoke.edu. ^ "Alumni Portraits – Margaret Atwood". Retrieved August 30, 2016. ^ "LISTE DES DOCTORATS HONORIFIQUES 1920-2013" (PDF). collation.umontreal.ca. ^ "McMaster University Honorary Degree Recipients (Chronological) 1892-Present" (PDF). www.mcmaster.ca. Archived from the original (PDF) on February 2, 2016. ^ "Past Honorary Degree Recipients". www.lakeheadu.ca. Archived from the original on July 30, 2016. ^ "University honours nine at Encaenia". www.ox.ac.uk. Archived from the original on July 19, 2015. ^ "Criteria and Guidelines for Selection of Honorary Degree Recipients". www.algomau.ca. Archived from the original on September 11, 2016. ^ "The Cambridge Companion to Margaret Atwood - Cambridge University Press". www.cambridge.org. ^ "Dartmouth Honorary Degrees 2004:Margaret Atwood". www.dartmouth.edu. Archived from the original on April 5, 2016. ^ "Honorary Degrees". Harvard University. ^ Erard, Frederic. "Université Sorbonne Nouvelle - Paris 3 - Les docteurs Honoris Causa de la Sorbonne Nouvelle". www.univ-paris3.fr (in French). ^ Walsh, Caroline. "Margaret Atwood to be honoured by NUI Galway". The Irish Times. Retrieved June 18, 2011. ^ "Ryerson University : Ryerson Honorary Doctorates and Fellowships". www.ryerson.ca. ^ Bennett, Pete (July 19, 2016). "Royal Military College of Canada Honorary Degree Recipients". rmcc-cmrc.ca. ^ "Athens University Honors Margaret Atwood". www.newgreektv.com. ^ "Honorary graduates". The University of Edinburgh. ^ "Margaret Atwood announces sequel to The Handmaid's Tale". CBC News, November 28, 2018. ^ Margaret, Atwood. Snake Poems by Margaret Atwood. Biblio.com. Retrieved August 27, 2011. ^ Margaret, Atwood. Dearly by Margaret Atwood. Chatto&Windus. Retrieved November 8, 2020. ^ Wandering Wenda and Widow Wallop's Wunderground Washery. Quill & Quire, December 2011. Retrieved January 1, 2012. ^ "One Ring Zero with Margaret Atwood in Toronto". August 26, 2006. Retrieved August 27, 2011 – via YouTube. Further reading[edit] Bauch, Marc (2012). Canadian Self-perception and Self-representation in English-Canadian Drama After 1967. Köln, Germany: WiKu-Wissenschaftsverlag Dr. Stein. ISBN 978-3-86553-407-1. Carrington, Ildikó de Papp (1986). Margaret Atwood and Her Works. Toronto, Ontario: ECW Press. ISBN 978-0-920763-25-4. Clements, Pam. "Margaret Atwood and Chaucer: Truth and Lies," in: Cahier Calin: Makers of the Middle Ages. Essays in Honor of William Calin, ed. Richard Utz and Elizabeth Emery (Kalamazoo, MI: Studies in Medievalism, 2011), pp. 39–41. Cooke, Nathalie (1998). Margaret Atwood: A Biography. ECW Press. ISBN 978-1-55022-308-8. Cooke, Nathalie (2004). Margaret Atwood: A Critical Companion. Connecticut: Greenwood Publishing Group. ISBN 978-0-313-32806-0. Hengen, Shannon; Thomson, Ashley (2007). Margaret Atwood: A Reference Guide, 1988–2005. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-6668-3. Howells, Coral Ann (1996). Margaret Atwood. New York: St. Martin's Press. ISBN 978-0-312-12891-3. Howells, Coral Ann (2006). The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press. ISBN 978-0-521-54851-9. Miceli, Barbara. "Margaret Atwood's The Heart goes Last: Panopticism, Discipline, Society, and Ustopia" in Metacritic Journal for Comparative Studies and Theory 5.2 (December 2019), pp. 79–90. Miceli, Barbara. "Religion, Gender Inequality, and Surrogate Motherhood in Margaret Atwood's The Handmaid's Tale", in CoSMo (Comparative Studies in Modernism), n° 12 (2018), pp. 95–108. Nischik, Reingard M. (2002). Margaret Atwood: Works and Impact. Rochester, NY: Camden House. ISBN 978-1-57113-269-7. Nischik, Reingard M. (2009). Engendering Genre: The Works of Margaret Atwood. Ottawa: University of Ottawa Press. ISBN 978-0-7766-0724-5. Pivato, Joseph. "Atwood's Survival: A Critique (2015) online Canadian-writers.athabascau.ca/English/writers/matwood/survival.php Rigney, Barbara Hill (1987). Margaret Atwood. Totowa, NJ: Barnes & Noble. ISBN 978-0-389-20742-9. Rosenberg, Jerome H. (1984). Margaret Atwood. Boston: Twayne. ISBN 978-0-8057-6586-1. Sherrill, Grace; Weir, Lorraine (1983). Margaret Atwood, Language, Text, and System. Vancouver: University of British Columbia Press. ISBN 978-0-7748-0170-6. Sullivan, Rosemary (1998). The Red Shoes: Margaret Atwood Starting Out. Toronto: HarperFlamingoCanada. ISBN 978-0-00-255423-7. Tolan, Fiona (2007). Margaret Atwood: Feminism and Fiction. Netherlands: Rodopi. ISBN 978-90-420-2223-2. VanSpanckeren, Kathryn; Castro, Jan Garden, eds. (1988). Margaret Atwood: Vision and Forms. Carbondale: Southern Illinois University Press. ISBN 978-0-8093-1408-9. Weir, Lorraine (1981). "Meridians of Perception: A Reading of The Journals of Susanna Moodie". In Davidson, Arnold E.; Davidson, Cathy N. (eds.). The Art of Margaret Atwood: essays in criticism. Toronto: Anansi. pp. 69–79. ISBN 978-0-88784-080-7. Wrethed, Joakim (2015). "'I am a place': Aletheia as aesthetic and political resistance in Margaret Atwood's Surfacing". Journal of Aesthetics & Culture. 7 (1): 28020. doi:10.3402/jac.v7.28020. External links[edit] Wikimedia Commons has media related to Margaret Atwood. Wikiquote has quotations related to: Margaret Atwood Official website Margaret Atwood Society official website Margaret Atwood on IMDb  Margaret Atwood at the Internet Speculative Fiction Database Profile of Margaret Atwood by The Guardian Interview of Margaret Atwood by The Forum on BBC World Service Library resources in your library and in other libraries by Margaret Atwood v t e Works by Margaret Atwood Novels The Edible Woman (1969) Surfacing (1972) Lady Oracle (1976) Life Before Man (1979) Bodily Harm (1981) The Handmaid's Tale (1985) Cat's Eye (1988) The Robber Bride (1993) Alias Grace (1996) The Blind Assassin (2000) Oryx and Crake (2003) The Penelopiad (2005) The Year of the Flood (2009) MaddAddam (2013) The Heart Goes Last (2015) Hag-Seed (2016) The Testaments (2019) Short fiction collections Dancing Girls (1977) Murder in the Dark (1983) Bluebeard's Egg (1983) Wilderness Tips (1991) Good Bones (1992) Good Bones and Simple Murders (1994) The Labrador Fiasco (1996) The Tent (2006) Moral Disorder (2006) Stone Mattress (2014) Short stories "Rape Fantasies" (1977) "The Resplendent Quetzal" (1977) "Happy Endings" (1983) "Unearthing Suite" (1983) "Freeforall" (1986) Poetry collections Double Persephone (1961) The Circle Game (1964) Expeditions (1965) Speeches for Doctor Frankenstein (1966) The Animals in That Country (1968) The Journals of Susanna Moodie (1970) Procedures for Underground (1970) Power Politics (1971) You Are Happy (1974) Two-Headed Poems (1978) True Stories (1981) Interlunar (1984) Morning in the Burned House (1995) The Door (2007) Non-fiction Survival (1972) Negotiating with the Dead (2002) Writing with Intent (2005) Payback (2008) Awards for Margaret Atwood v t e Winners of the Governor General's Award for English-language fiction 1930s Bertram Brooker, Think of the Earth (1936) Laura Salverson, The Dark Weaver (1937) Gwethalyn Graham, Swiss Sonata (1938) Franklin D. McDowell, The Champlain Road (1939) 1940s Ringuet, Thirty Acres (1940) Alan Sullivan, Three Came to Ville Marie (1941) G. Herbert Sallans, Little Man (1942) Thomas Head Raddall, The Pied Piper of Dipper Creek (1943) Gwethalyn Graham, Earth and High Heaven (1944) Hugh MacLennan, Two Solitudes (1945) Winifred Bambrick, Continental Revue (1946) Gabrielle Roy, The Tin Flute (1947) Hugh MacLennan, The Precipice (1948) Philip Child, Mr. Ames Against Time (1949) 1950s Germaine Guèvremont, The Outlander (1950) Morley Callaghan, The Loved and the Lost (1951) David Walker, The Pillar (1952) David Walker, Digby (1953) Igor Gouzenko, The Fall of a Titan (1954) Lionel Shapiro, The Sixth of June (1955) Adele Wiseman, The Sacrifice (1956) Gabrielle Roy, Street of Riches (1957) Colin McDougall, Execution (1958) Hugh MacLennan, The Watch That Ends the Night (1959) 1960s Brian Moore, The Luck of Ginger Coffey (1960) Malcolm Lowry, Hear Us O Lord from Heaven Thy Dwelling Place (1961) Kildare Dobbs, Running to Paradise (1962) Hugh Garner, Hugh Garner's Best Stories (1963) Douglas LePan, The Deserter (1964) [no award] (1965) Margaret Laurence, A Jest of God (1966) [no award] (1967) Alice Munro, Dance of the Happy Shades (1968) Robert Kroetsch, The Studhorse Man (1969) 1970s Dave Godfrey, The New Ancestors (1970) Mordecai Richler, St. Urbain's Horseman (1971) Robertson Davies, The Manticore (1972) Rudy Wiebe, The Temptations of Big Bear (1973) Margaret Laurence, The Diviners (1974) Brian Moore, The Great Victorian Collection (1975) Marian Engel, Bear (1976) Timothy Findley, The Wars (1977) Alice Munro, Who Do You Think You Are? (1978) Jack Hodgins, The Resurrection of Joseph Bourne (1979) 1980s George Bowering, Burning Water (1980) Mavis Gallant, Home Truths: Selected Canadian Stories (1981) Guy Vanderhaeghe, Man Descending (1982) Leon Rooke, Shakespeare's Dog (1983) Josef Škvorecký, The Engineer of Human Souls (1984) Margaret Atwood, The Handmaid's Tale (1985) Alice Munro, The Progress of Love (1986) M. T. Kelly, A Dream Like Mine (1987) David Adams Richards, Nights Below Station Street (1988) Paul Quarrington, Whale Music (1989) 1990s Nino Ricci, Lives of the Saints (1990) Rohinton Mistry, Such a Long Journey (1991) Michael Ondaatje, The English Patient (1992) Carol Shields, The Stone Diaries (1993) Rudy Wiebe, A Discovery of Strangers (1994) Greg Hollingshead, The Roaring Girl (1995) Guy Vanderhaeghe, The Englishman's Boy (1996) Jane Urquhart, The Underpainter (1997) Diane Schoemperlen, Forms of Devotion (1998) Matt Cohen, Elizabeth and After (1999) 2000s Michael Ondaatje, Anil's Ghost (2000) Richard B. Wright, Clara Callan (2001) Gloria Sawai, A Song for Nettie Johnson (2002) Douglas Glover, Elle (2003) Miriam Toews, A Complicated Kindness (2004) David Gilmour, A Perfect Night to Go to China (2005) Peter Behrens, The Law of Dreams (2006) Michael Ondaatje, Divisadero (2007) Nino Ricci, The Origin of Species (2008) Kate Pullinger, The Mistress of Nothing (2009) 2010s Dianne Warren, Cool Water (2010) Patrick deWitt, The Sisters Brothers (2011) Linda Spalding, The Purchase (2012) Eleanor Catton, The Luminaries (2013) Thomas King, The Back of the Turtle (2014) Guy Vanderhaeghe, Daddy Lenin and Other Stories (2015) Madeleine Thien, Do Not Say We Have Nothing (2016) Joel Thomas Hynes, We'll All Be Burnt in Our Beds Some Night (2017) Sarah Henstra, The Red Word (2018) Joan Thomas, Five Wives (2019) v t e Recipients of the Giller Prize 1990s M. G. Vassanji, The Book of Secrets (1994) Rohinton Mistry, A Fine Balance (1995) Margaret Atwood, Alias Grace (1996) Mordecai Richler, Barney's Version (1997) Alice Munro, The Love of a Good Woman (1998) Bonnie Burnard, A Good House (1999) 2000s Michael Ondaatje, Anil's Ghost / David Adams Richards, Mercy among the Children (2000) Richard B. Wright, Clara Callan (2001) Austin Clarke, The Polished Hoe (2002) M. G. Vassanji, The In-Between World of Vikram Lall (2003) Alice Munro, Runaway (2004) David Bergen, The Time in Between (2005) Vincent Lam, Bloodletting & Miraculous Cures (2006) Elizabeth Hay, Late Nights on Air (2007) Joseph Boyden, Through Black Spruce (2008) Linden MacIntyre, The Bishop's Man (2009) 2010s Johanna Skibsrud, The Sentimentalists (2010) Esi Edugyan, Half-Blood Blues (2011) Will Ferguson, 419 (2012) Lynn Coady, Hellgoing (2013) Sean Michaels, Us Conductors (2014) André Alexis, Fifteen Dogs (2015) Madeleine Thien, Do Not Say We Have Nothing (2016) Michael Redhill, Bellevue Square (2017) Esi Edugyan, Washington Black (2018) Ian Williams, Reproduction (2019) 2020s Souvankham Thammavongsa, How to Pronounce Knife (2020) v t e Recipients of the Booker Prize List of winners and shortlisted authors The Best of the Booker The Golden Man Booker International Booker Prize 1969– 1979 1969: P. H. Newby (Something to Answer For) 1970: Bernice Rubens (The Elected Member) 1970 Lost Prize: J. G. Farrell (Troubles) 1971: V. S. Naipaul (In a Free State) 1972: John Berger (G.) 1973: J. G. Farrell (The Siege of Krishnapur) 1974: Nadine Gordimer (The Conservationist) and Stanley Middleton (Holiday) 1975: Ruth Prawer Jhabvala (Heat and Dust) 1976: David Storey (Saville) 1977: Paul Scott (Staying On) 1978: Iris Murdoch (The Sea, the Sea) 1979: Penelope Fitzgerald (Offshore) 1980s 1980: William Golding (Rites of Passage) 1981: Salman Rushdie (Midnight's Children) 1982: Thomas Keneally (Schindler's Ark) 1983: J. M. Coetzee (Life & Times of Michael K) 1984: Anita Brookner (Hotel du Lac) 1985: Keri Hulme (The Bone People) 1986: Kingsley Amis (The Old Devils) 1987: Penelope Lively (Moon Tiger) 1988: Peter Carey (Oscar and Lucinda) 1989: Kazuo Ishiguro (The Remains of the Day) 1990s 1990: A. S. Byatt (Possession) 1991: Ben Okri (The Famished Road) 1992: Michael Ondaatje (The English Patient) and Barry Unsworth (Sacred Hunger) 1993: Roddy Doyle (Paddy Clarke Ha Ha Ha) 1994: James Kelman (How Late It Was, How Late) 1995: Pat Barker (The Ghost Road) 1996: Graham Swift (Last Orders) 1997: Arundhati Roy (The God of Small Things) 1998: Ian McEwan (Amsterdam) 1999: J. M. Coetzee (Disgrace) 2000s 2000: Margaret Atwood (The Blind Assassin) 2001: Peter Carey (True History of the Kelly Gang) 2002: Yann Martel (Life of Pi) 2003: DBC Pierre (Vernon God Little) 2004: Alan Hollinghurst (The Line of Beauty) 2005: John Banville (The Sea) 2006: Kiran Desai (The Inheritance of Loss) 2007: Anne Enright (The Gathering) 2008: Aravind Adiga (The White Tiger) 2009: Hilary Mantel (Wolf Hall) 2010s 2010: Howard Jacobson (The Finkler Question) 2011: Julian Barnes (The Sense of an Ending) 2012: Hilary Mantel (Bring Up the Bodies) 2013: Eleanor Catton (The Luminaries) 2014: Richard Flanagan (The Narrow Road to the Deep North) 2015: Marlon James (A Brief History of Seven Killings) 2016: Paul Beatty (The Sellout) 2017: George Saunders (Lincoln in the Bardo) 2018: Anna Burns (Milkman) 2019: Margaret Atwood (The Testaments) and Bernardine Evaristo (Girl, Woman, Other) 2020s 2020: Douglas Stuart (Shuggie Bain) v t e Los Angeles Times Book Prize Innovator's Award winners 2009: Dave Eggers 2010: Powell's Books 2011: Figment 2012: Margaret Atwood 2013: John Green v t e Laureates of the Struga Poetry Evenings Golden Wreath Robert Rozhdestvensky (1966) Bulat Okudzhava (1967) László Nagy (1968) Mak Dizdar (1969) Miodrag Pavlović (1970) W. H. Auden (1971) Pablo Neruda (1972) Eugenio Montale (1973) Fazıl Hüsnü Dağlarca (1974) Léopold Sédar Senghor (1975) Eugène Guillevic (1976) Artur Lundkvist (1977) Rafael Alberti (1978) Miroslav Krleža (1979) Hans Magnus Enzensberger (1980) Blaže Koneski (1981) Nichita Stănescu (1982) Sachchidananda Vatsyayan 'Ajneya' (1983) Andrei Voznesensky (1984) Yiannis Ritsos (1985) Allen Ginsberg (1986) Tadeusz Różewicz (1987) Desanka Maksimović (1988) Thomas Shapcott (1989) Justo Jorge Padrón (1990) Joseph Brodsky (1991) Ferenc Juhász (1992) Gennadiy Aygi (1993) Ted Hughes (1994) Yehuda Amichai (1995) Makoto Ooka (1996) Adunis (1997) Liu Banjiu (1998) Yves Bonnefoy (1999) Edoardo Sanguineti (2000) Seamus Heaney (2001) Slavko Mihalić (2002) Tomas Tranströmer (2003) Vasco Graça Moura (2004) William S. Merwin (2005) Nancy Morejón (2006) Mahmoud Darwish (2007) Fatos Arapi (2008) Tomaž Šalamun (2009) Lyubomir Levchev (2010) Mateja Matevski (2011) Mongane Wally Serote (2012) José Emilio Pacheco (2013) Ko Un (2014) Bei Dao (2015) Margaret Atwood (2016) Charles Simic (2017) Adam Zagajewski (2018) Ana Blandiana (2019) v t e Laureates of the Prince or Princess of Asturias Award for Literature Prince of Asturias Award for Literature 1980s 1981: José Hierro 1982: Miguel Delibes and Gonzalo Torrente Ballester 1983: Juan Rulfo 1984: Pablo García Baena 1985: Ángel González 1986: Mario Vargas Llosa and Rafael Lapesa 1987: Camilo José Cela 1988: Carmen Martín Gaite and José Ángel Valente 1989: Ricardo Gullón 1990s 1990: Arturo Uslar Pietri 1991: The people of Puerto Rico 1992: Francisco Nieva 1993: Claudio Rodríguez 1994: Carlos Fuentes 1995: Carlos Bousoño 1996: Francisco Umbral 1997: Álvaro Mutis 1998: Francisco Ayala 1999: Günter Grass 2000s 2000: Augusto Monterroso 2001: Doris Lessing 2002: Arthur Miller 2003: Fatema Mernissi and Susan Sontag 2004: Claudio Magris 2005: Nélida Piñon 2006: Paul Auster 2007: Amos Oz 2008: Margaret Atwood 2009: Ismail Kadare 2010s 2010: Amin Maalouf 2011: Leonard Cohen 2012: Philip Roth 2013: Antonio Muñoz Molina 2014: John Banville Princess of Asturias Award for Literature 2010s 2015: Leonardo Padura 2016: Richard Ford 2017: Adam Zagajewski 2018: Fred Vargas 2019: Siri Hustvedt 2020s 2020: Anne Carson v t e Margaret Atwood's The Handmaid's Tale Novels The Handmaid's Tale (1985) The Testaments (2019) Adaptations The Handmaid's Tale (1990 film) The Handmaid's Tale (2000 opera) The Handmaid's Tale (2017 TV series) characters episodes "Offred" Biography portal Canada portal Novels portal Poetry portal Speculative fiction portal Authority control BIBSYS: 90071737 BNE: XX999717 BNF: cb11889367m (data) CANTIC: a10435955 CiNii: DA01890173 GND: 118646168 ICCU: IT\ICCU\CFIV\027990 ISNI: 0000 0001 2321 5491 LCCN: n79102766 LNB: 000015042 MBA: 54c82890-5779-4c98-9e59-eaed128685d6 NDL: 00462538 NKC: jn19990009771 NLA: 35010003 NLG: 78383 NLI: 000013001 NLK: KAC199601158 NLP: A1209156X NLR: [3] NSK: 000011696 NTA: 068438079 PLWABN: 9810699855205606 RERO: 02-A027201116 SELIBR: 37290 SNAC: w6524ndt SUDOC: 026694247 Trove: 140391 VIAF: 109322990 WorldCat Identities: lccn-n79102766 Retrieved from "https://en.wikipedia.org/w/index.php?title=Margaret_Atwood&oldid=1003799993" Categories: Margaret Atwood 1939 births People from Essex County, Ontario People from Simcoe County 20th-century Canadian novelists 20th-century Canadian poets 20th-century Canadian short story writers 20th-century Canadian women writers 21st-century Canadian novelists 21st-century Canadian poets 21st-century Canadian short story writers 21st-century Canadian women writers Canadian women novelists Canadian women poets Canadian women short story writers Canadian science fiction writers Women science fiction and fantasy writers Canadian women non-fiction writers 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