id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_zaua33dr4bghrcqxsexb2uky4m	José van Dijck	Digital photography: communication, identity, memory	2008.0	22	.pdf	application/pdf	9186	550	51	https://dare.uva.nl/personal/pure/en/publications/digital-photography-communication-identity-memory(eafbe5ac-68b9-472f-bfd3-be2b420c6e43).html Photography, memory, digital technology, visual culture, identity formation, Abu Ghraib 'live' communication, instead of storing pictures of 'life.' Easy distribution of images over the Live Pictures: Personal photography as tools for communication and experience in which personal photographs casually mix public images, such as magazine pictures, manipulate their own personal pictures and memory; the cultural, material, and technological Digital 'stock photography' uses public images as intertwined meanings of personal and collective cultural memory: the Abu Ghraib pictures. to more or less control over our personal images, pictures, and memories. Photographic Image in Digital Culture. Photographic Image in Digital Culture. =================================================Digital Photography: Communication, Identity, Memory. =================================================Digital Photography: Communication, Identity, Memory. =================================================Digital Photography: Communication, Identity, Memory. =================================================Digital Photography: Communication, Identity, Memory. =================================================Digital Photography: Communication, Identity, Memory. Pictures of Life: personal photography as a tool for identity formation. Pictures of Life: personal photography as a tool for identity formation.	./cache/work_zaua33dr4bghrcqxsexb2uky4m.pdf	./txt/work_zaua33dr4bghrcqxsexb2uky4m.txt