id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_siphecpuazcaxmqzjf6ud2nmee	Yannis Hamilakis	Postcards from the Edge of Time: Archaeology, Photography, Archaeological Ethnography (A Photo-Essay)	2009.0	27	.pdf	application/pdf	6736	427	52	This is a photo-essay, an experimental attempt to combine archaeological ethnography with the use of creative, digital photography. anthropology (the two parent disciplines of archaeological ethnography) and photography. photography objectifi ed, in both senses of the word: archaeology produced, through Through photography, classical monuments, in their visual-cum-tactile photographic renderings, reached many more people than before. and modernist archaeology, part of which we discussed above, but also on experimental ventures in contemporary photography, and, of course, on new technological photographers and archaeological ethnographers. production: photography that is between artwork and visual ethnographic commentary. We suggest that within a sensuous archaeological, multi-temporal ethnography, photography can be framed as, but also experienced through, haptic visuality epistemological links between archaeology and visual devices such as photography, Within the context of archaeological ethnography, photography becomes In the Kalaureia archaeological ethnography project we used photography right from Bohrer, F N 2005 Photography and archaeology: the image as object.	./cache/work_siphecpuazcaxmqzjf6ud2nmee.pdf	./txt/work_siphecpuazcaxmqzjf6ud2nmee.txt