id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
work_eezazmkkq5hpni4k7cekg7cl7i	Michelle K. Knoll	In-Field Digital Photography and the Curation of Associated Records: Not All Prints Are Created Equal	2019.0	9	.pdf	application/pdf	5903	488	49	today, most archaeological repositories around the world have a mix of analog and digital photographic prints. become familiar with the unique curation challenges of photographic prints from digitally created images. Site photographs are critical evidence of archaeological activity, and so the preservation of digital prints is in the interest, and is repository personnel who curate digital prints or may be considering revising existing submission guidelines. associated records that you generate with an archaeological project, you should be aware that digital prints can have permanence to discuss the repository's digital print process, labeling, and storage enclosure requirements and to determine if the repository Digital Print Processes Most Commonly Found in Archaeological Repositories. Four different digital print processes of the same image. storage with an RH of 30%–50% (Burge 2014:Table 3; Digital Print of digital images, the print process, storage enclosures, and 2018 IPI's Guide to: Preservation of Digitally Printed Images. STORAGE ENCLOSURES FOR DIGITAL PRINTS	./cache/work_eezazmkkq5hpni4k7cekg7cl7i.pdf	./txt/work_eezazmkkq5hpni4k7cekg7cl7i.txt