id	author	title	date	pages	extension	mime	words	sentences	flesch	summary	cache	txt
umn.31951001591173g	Hulme, F. Edward 1841-1909.	Principles of ornamental art. By F. Edward Hulme ...	1875		.txt	text/plain	71717	4380	71	Stag in Classic and Christian Art-The Wolf—The Egyptian Apis—The Sacred Bull of BrahmaThe ]ackal—The Cat—The Hippopotamus—The Pig-The As's—The Lion as a Symbol in a Good Forms of Egypt-—The Acanthus—Conventional Character of Eastem Art——Moorish and Persian ArtThe _Fountain of Lions, Alhambra-—Chinese and ]apanese Art—-Ruskin on Naturalism and Conventionalism-Opinions of Worman, Hudson, Wilkinson, and others—Sir Joshua Reynolds on Imitation colour; Fig. 250, a Greek example, based, as is so commonly the case, on the spiral line. In many cases it forms the entire feature, as in Fig. 2 50, a Greek example; or in the ruder Fig. 134, an illustration of its use, and of the suppression of natural fact to suit artistic requirements, is from a shield painted on a Greek vase; the original is in the British Museum. A good example of the value of rectilineal forms for inscriptions may be seen in Fig. 203,	./cache/umn.31951001591173g.pdf	./txt/umn.31951001591173g.txt