Vol. 64, No. 5, May 2014, pp. 550∼559 New Physics: Sae Mulli, DOI: 10.3938/NPSM.64.550 Implications of the Relationship between Science and Art in the Twentieth Century for Science Education Hunkoog Jho∗ Center of General Education, Dankook University, Cheonan 330-714, Korea (Received 6 March 2014 : revised 5 April 2014 : accepted 17 April 2014) This study aims to discuss the shared background between the theory of relativity in physics and surrealism in art and to elucidate the scientific features presented in paintings from the twentieth century. Regarding historical background, both physics and art were influenced by modernism which denies absolute truth for many reasons: high interest in psychoanalysis, socio-economic inequity and contempt of life. Art rejected perspectives about and concentrated on expression of given phenomena (cubism and surrealism), and science reached the conclusion that time is inseparable from space and that every motion or event is relative (theory of relativity). Many artists were interested in the theory of relativity and tried to apply scientific theories in their paintings through direct and/or indirect interactions with scientists. Paintings by surrealists and cubists showed the relativity of simultaneity, time dilation, length contraction and curvature of space-time. The cases shown in this study will be used to discuss pedagogical ways of teaching physics with art. 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Implications of the Relationship between Science and Art in the Twentieth Century· · · – Hunkoog Jho∗ · �̧��³²DG 551 I. 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