Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. Eric Lease Morgan May 27, 2019 Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 418 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 56 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 66 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 74 art 27 University 22 Picasso 21 New 20 Paris 19 York 17 image 17 Art 15 Press 14 Cambridge 12 work 12 history 12 Architecture 11 painting 11 Journal 11 Cubism 10 bir 8 London 7 figure 7 american 7 african 7 PMC 7 PAH 7 Museum 6 true 6 music 6 fig 6 NGC 6 Corbusier 5 visual 5 table 5 space 5 que 5 les 5 french 5 design 5 body 5 Stein 5 Resim 5 Malevich 5 God 5 Figure 5 Fashion 5 Design 4 science 4 des 4 camera 4 artist 4 Science 4 Research Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 10735 art 5078 work 4097 image 3840 painting 3152 time 3036 artist 2917 form 2427 � 2158 figure 2120 history 2034 point 2012 o 1999 space 1875 p. 1869 way 1791 style 1729 object 1665 example 1639 world 1598 i 1597 line 1588 science 1579 t 1572 life 1506 century 1500 study 1467 movement 1456 - 1447 body 1409 year 1407 part 1406 r 1403 design 1400 l 1350 idea 1341 model 1334 architecture 1312 term 1281 process 1238 feature 1209 result 1147 word 1145 order 1130 method 1126 exhibition 1124 research 1088 datum 1086 theory 1086 e 1081 nature Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 7070 � 5914 de 4286 la 3356 _ 3049 et 2854 e 2522 New 2212 University 2178 al 2177 Art 1918 que 1901 le 1901 Le 1880 à 1859 Picasso 1690 s 1608 J. 1589 York 1543 Press 1453 y 1354 Paris 1348 un 1319 t 1263 M. 1254 du 1224 Corbusier 1178 des 1156 ve 1145 pp 1099 m 1095 Journal 1094 London 1071 les 1036 u 1023 bir 955 Cubism 950 o 929 S. 915 r 904 . 876 La 826 R. 808 D. 799 f 775 une 768 el 762 Mask 752 C. 751 d 742 P. Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 9611 it 5993 we 5386 he 5177 i 3326 they 1531 them 1040 she 959 you 943 us 889 itself 849 him 543 himself 535 me 509 one 412 themselves 192 her 146 em 83 ourselves 80 myself 59 ya 50 herself 45 je 39 는 37 oneself 27 ’s 26 yourself 25 o 21 도 18 u 18 ce 17 theirs 16 au 13 ½+É 13 mine 12 않는 11 s 10 из 10 de- 8 Ð+ 8 e 7 ia 7 http://w 6 심사 6 λ 6 µ1Ï 6 http://mnras.oxfordjournals.org/ 5 전혀 5 역동적인 5 순수 5 사회 Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 54387 be 10507 have 4185 do 3796 use 3307 see 2722 make 1975 show 1674 create 1669 become 1622 take 1582 give 1387 base 1384 include 1351 find 1305 write 1100 provide 1098 consider 1071 follow 1064 represent 1064 come 1059 know 985 say 981 present 957 develop 957 call 922 work 904 publish 899 describe 874 produce 868 seem 821 suggest 814 appear 788 think 772 lead 765 look 743 understand 740 draw 723 define 706 go 691 paint 678 leave 671 accord 656 express 646 mean 642 begin 630 apply 622 allow 616 relate 604 refer 564 note Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 7700 not 3609 also 3434 more 2921 other 2657 such 2486 new 2349 only 2092 first 1977 - 1916 different 1901 modern 1820 visual 1811 well 1690 most 1619 same 1559 as 1541 artistic 1499 so 1434 even 1352 many 1327 however 1314 early 1256 then 1172 human 1149 own 1139 very 1129 high 1097 social 1036 thus 1013 rather 994 important 993 up 988 out 961 here 949 � 908 much 908 large 902 vertical 891 aesthetic 870 great 860 horizontal 823 long 808 often 805 cultural 805 abstract 775 non 766 historical 761 true 758 particular 734 later Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 399 most 330 least 261 good 111 Most 109 great 78 high 60 large 59 early 57 late 38 e 37 bright 35 strong 32 small 31 low 27 close 22 simple 22 near 22 deep 15 manif 15 c'' 14 big 13 bad 12 old 11 fine 10 pure 9 starburst 9 aqu 8 young 8 slight 8 new 7 broad 6 short 6 s'' 6 j 6 innermost 6 clear 5 full 4 wide 4 rich 4 ret 4 qu’ 4 long 4 c’ 3 n'' 2 wise 2 weak 2 true 2 tall 2 sharp 2 naughty Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 1291 most 82 well 70 least 3 brightest 2 qu’est 2 highest 2 est 1 youngest 1 worst 1 lightest 1 jest 1 innermost 1 biosphere Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 507 doi.org 462 www.cambridge.org 331 dx.doi.org 220 creativecommons.org 67 www.moma.org 62 www.hindawi.com 60 www.erudit.org 50 journals.openedition.org 45 www.mdpi.com 42 refhub.elsevier.com 40 crossmark.crossref.org 38 en.wikipedia.org 35 www.ncbi.nlm.nih.gov 33 anm.sagepub.com 32 www.jstor.org 31 www.tandfonline.com 30 orcid.org 28 muse.jhu.edu 25 www.thefreedictionary.com 24 tinyurl.com 24 anm.sagepub.comdownloaded 23 www 23 waset.org 23 scholar.waset.org 23 mnras.oxfordjournals.org 23 m 23 github.com 20 id.erudit.org 20 apropos.erudit.org 19 www.tate.org.uk 18 www.youtube.com 16 www.ecologyandsociety.org 16 www.broadinstitute.org 16 timothyquigley.net 15 www.bmj.com 15 sti.bmj.com 15 nrs.harvard.edu 15 academ 14 www.wikiart.org 14 www.jamiewyeth.com 14 arxiv.org 13 www.harvardartmuseums.org 12 www.guggenheim.org 10 www.sanger.ac.uk 10 www.nga.gov 10 www.ijert.org 10 www.europeana.eu 10 theredlist.com 10 royalsociety.org 10 necsus-ejms.org Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 232 http://www.cambridge.org/core 230 http://www.cambridge.org/core/terms 88 http://doi.org/10.1017/S0269889704000225 59 http://creativecommons.org/licenses/by/4.0/ 58 http://doi.org/10.1017/jlr.2017.30 43 http://creativecommons.org/licenses/by-nc-nd/4.0/ 41 http://www.hindawi.com 40 http://creativecommons.org/licenses/by-nc-nd/3.0/de/deed.en_US 37 http://doi.org/10.1017/S1479244317000233 30 http://www.erudit.org/fr/ 26 http://anm.sagepub.com 24 http://anm.sagepub.comDownloaded 23 http://www 23 http://mnras.oxfordjournals.org/ 23 http://m 23 http://creativecommons.org/licenses/by-nc-nd/3.0/ 21 http://www.jstor.org/page/info/about/policies/terms.jsp 20 http://journals.openedition.org 20 http://doi.org/10.1017/S0940739195000063 20 http://creativecommons.org/licenses/by-nc/4.0/ 20 http://apropos.erudit.org/fr/usagers/politique-dutilisation/ 16 http://timothyquigley.net/vcs/greenberg-mp_sum.pdf 15 http://sti.bmj.com/ 15 http://academ 14 http://www.erudit.org/fr/revues/cumr/ 12 http://www.mdpi.com 12 http://www.ecologyandsociety.org/vol23/iss4/art31/ 12 http://dx.doi.org/ 12 http://doi.org/10.1017/S1743921308028408 12 http://doi.org/10.1017/S006723780000093X 12 http://creativecommons.org/ 10 http://www.mdpi.com/journal/arts 10 http://www.ijert.org 10 http://doi.org/10.5194/isprs-archives-XLII-2-W9-109-2019 10 http://doi.org/10.1017/S1355771803000013 9 http://doi.org/10.1007/s42452-020-03277-x 8 http://www.jamiewyeth.com/pumpkinhead.html 8 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 8 http://w 8 http://scholar.waset.org/1307-6892/7122 8 http://doi.org/10.1071/AS99066 8 http://doi 8 http://anartlovers.blogspot.com.tr/2014/09/georges-vantongerloo-antwerp-1886-paris.html 7 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 7 http://scholar.waset.org/1307-6892/10007843 7 http://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ 7 http://jnnp.bmj.com/ 7 http://europepmc.org/abstract/MED/ 7 http://doi.org/10.5194/isprs-archives-XLII-2-W15-617-2019 7 http://dictionary.reference.com/browse/taboo Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- 6 eprints@whiterose.ac.uk 5 openaccess@ed.ac.uk 4 repository@westminster.ac.uk 4 lib-eprints@bbk.ac.uk 4 editor@aestheticinvestigations.eu 3 ualresearchonline@arts.ac.uk 3 rtrubin@yahoo.com 2 xuanyu@udel.edu 2 vantuinen@gmail.com 2 timo.sampolahti@gmail.com 2 thomas.ort@qc.cuny.edu 2 thomas.dresselhaus@ur.de 2 tcelikbag@firat.edu.tr 2 sywu@mail.ntust.edu.tw 2 support@jstor.org 2 ssuko@hanmail.net 2 ssbrain@hallym.ac.kr 2 sibel.almelek@deu.edu.tr 2 secretary@rcfea.org 2 seanryu@kongju.ac.kr 2 sabine.lang@iwr.uni-heidelberg.de 2 s.zeki@ucl.ac.uk 2 s.deharo@uu.nl 2 robert.mcmurray@durham.ac.uk 2 renata.basto@curie.fr 2 rdavidrosin@gmail.com 2 raul.martinez-martinez@upc.edu 2 punya.mishra@asu.edu 2 paolo.pilleri@irap.omp.eu 2 nicolas.nercam@free.fr 2 nick.cox@irap.omp.eu 2 msamiarpa@gmail.com 2 martin.braund@york.ac.uk 2 marta.edling@sh.se 2 mariagabrielavasquez@yahoo.com.ar 2 maria.noel.lapoujade@gmail.com 2 maklenanika@yahoo.com 2 m.reiss@ucl.ac.uk 2 luigi.mussio@polimi.it 2 ldmm@uvic.ca 2 kitt.pet@googlemail.com 2 jye@cis.udel.edu 2 jstankiewicz@som.umaryland.edu 2 jkatz@partners.org 2 jingyiyu@udel.edu 2 j.toala@irya.unam.mx 2 ismailtetikci@gmail.com 2 imjinho@dju.kr 2 iliopj@med.uoc.gr 2 gustavo.masera@gmail.com Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 23 art is not 16 work is properly 12 art does not 11 paintings were not 8 image does not 8 work does not 7 art did not 7 art was not 7 image is not 5 art are not 5 art has always 5 artists did not 5 artists do not 5 et do nt 5 images are not 5 space is not 5 work is not 4 al is m 4 artists were willing 4 figures using sharp 4 form follows function 4 history is not 4 painting is not 4 time is not 4 work did not 3 art is also 3 art is always 3 art is still 3 art using body 3 artists were also 3 history does not 3 image based methods 3 images are able 3 painting does not 3 painting was not 3 paintings are not 3 t was f 3 t was not 3 work had not 3 works do not 2 art are best 2 art has not 2 art is integral 2 art is never 2 art is no 2 art is visual 2 art is widely 2 art taking place 2 art uses maps 2 art was also Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 2 art is no longer 2 art is not only 2 art was not as 2 figure is no longer 2 painting are not at 2 paintings were not different 1 art are not normally 1 art are not only 1 art are not purposive 1 art based not only 1 art has no such 1 art is no exception 1 art is not enough 1 art is not iconography 1 art is not just 1 art is not merely 1 art is not real 1 art is not satisfied 1 art is not something 1 art is not truth 1 art was no longer 1 art was not just 1 artist had not so 1 artist is not absolutely 1 artist was not sincere 1 artists have not only 1 artists is not surprising 1 arts is not only 1 arts was not new 1 arts were not innovative 1 figure is not only 1 figures do not just 1 form does not well 1 form is not haphazardly 1 forms are no longer 1 forms do not faithfully 1 forms was not only 1 forms were not easily 1 history are not lessons 1 history had no marxist 1 history has no direction 1 history is not as 1 history is not thorough 1 history is not unitary 1 image does not fully 1 image does not necessarily 1 image is not as 1 image is not binary 1 image is not necessarily 1 image is not proper Sizes of items; "Measures in words, how big is each item?" ---------------------------------------------------------- 48150 work_mba6cdcvofaxpj263in73kem3a 44915 work_k2nyanvrtre7hff5oj35ndbnde 37294 work_7vy7th5ocbcqbamo5fqv7gjzp4 32863 work_igf7rogp3ffpheyezbclx4xy4a 30343 work_2xaatfvr5bcbjlvd4g6pezp7pe 23924 work_2sa7xuq3angurk6nwkbp7bysu4 23830 work_adpnv3whprf27kdrotiizenltm 18878 work_xqfbpmoyknev5lxzjrs7ytrfp4 18348 work_mswborqyijgg7mkd64rrsugyhe 18194 work_4ukxjyw4c5bzva5rp6pujd4vue 17755 work_fpqir4w72babtph6fexvvwnpfa 16498 work_nk3liutbn5exrjjd6j54zdcnn4 15983 work_2wy23a6rmvawfd6nozdlua63um 15912 work_4c7fwu7xc5eollxmmdo5pfb5om 14431 work_o6pvmd3rfveitkpkmngtbtprqm 13980 work_7nl4pggmlzfubo7v7oqam4vsfu 13284 work_4i7kk2j3orecjlt7j27r5eur54 12655 work_ovtu6mqjpre4pfblxkqjynkedi 12581 work_npstc4efrzco3d62uylmc7hlze 12438 work_ytqea63bhvchzcayfpprrow76a 12240 work_6gu5gx47urgpnlzz4uyj4fgunm 12203 work_inbvqx7uzffkbeztagygpjg7sa 11895 work_bdogznwu5rhsxjrir3ls3tfv74 11820 work_dwbce4xknbd67n42askpdnnpym 11746 work_hcwnsav7pnfsxexfztstqxj76q 11545 work_ximkvuexyfdsnj67es2qpvupji 11423 work_mvyqwq4y4beudminxgzis3uuxm 11349 work_vve73z7hojerlemj5ti3nd56zu 11299 work_ihstidltsbaq7l3gajye4rtpna 11288 work_k2mgugqiorgfdjzpg4ipsnmi3m 11284 work_mt4o2ktwjzdgnbh5krlv3jcd5u 11150 work_hqldezt47zh77osmtolncbctrm 11139 work_dbllj5j3lvguri2ppeiimlqc4e 11094 work_n7c4pyrbmzgv7ebbe6326ab6i4 11050 work_6oanysw5wrbwrczi2qgcnwv544 11031 work_rsujmxfmsneglgi2kbqsehq52y 10952 work_c6ettxiwdbdpvj3yiirl456fay 10836 work_ehyjskpfvfb55kgeyohfg2jyoi 10778 work_glf3yv3ftzerdnmqscsosxbhxa 10734 work_dh42o6tjqjgn3ngmihchmv4era 10662 work_q7qj523livenpcgfhs4sgrtqdy 10647 work_cfgvouqxtfebdkul25qusp5tcq 10622 work_ov7u2cbifja7tpe27ac2lxpc2m 10586 work_rwo5rhl37jdjfagqib3q7vxmmu 10458 work_ktpw4hxc2bgeblqj5a6q5iihsi 10409 work_wzdtbyuk75cnvaacbixfx5tb2y 10387 work_mf3666aghvdefosssc5hl2e4si 10352 work_kul62i4cnbda7hajledjvdbubi 10201 work_nllebo7zcrhlbceg6422sxz4ni 10098 work_4ot75y5z3zdg3mcg27knvgts7m 9944 work_qg6lbnycwbdtvo264p66lnsxn4 9929 work_c6zvkubskfefhg5allbia5rzma 9860 work_aaej5rkaobf5bozvyiwvz7xhvy 9747 work_5idtrfxf2rf4tez2ghofu6fcxe 9746 work_ltbt4iekkzhvngtnqez57ylgfq 9678 work_nznr2jjkdrhwdnjtvrdgivvur4 9613 work_7etyy4mhgfdaxc7yg4oxiu4srq 9611 work_ximo5qkanvcwfas7owrh4k7jwe 9436 work_khvrfiqc4rai5fdugjkkwk73te 9405 work_va45xrtnhffqro3twrqvz46j6y 9403 work_sqxl66a36nb4pkqdloasjdq4au 9388 work_tjca5n7vpba2zdlv7ffnxjq2hu 9315 work_ur2jx45sprb3ndr32hhgznfz24 9290 work_dnvtcbcjjbbbplarhep3eg6wye 9194 work_w3ae4vpqvfbfrhhvi5kti2cnym 9118 work_mpeihe564banzpeqvtvfdgoi3u 9031 work_s5g54ums2fapvhxif5zujfb2ji 8963 work_jks2woadljdw5a2aklgvkawfbm 8934 work_6r74ib7c7vanhb2rk6kpzuewla 8880 work_qjkupq7xrneetdryv3htr6dnfm 8876 work_atfe4r6swvda3ord24qhecdmvu 8873 work_f7rrehowdndh7ns7o46vhho754 8856 work_sphq4gwwqff47oqtd4znug4g2q 8845 work_yldqvhkx2fefhle4hcwpz73sgi 8824 work_oqnv2x4bivb3pnzbxrqnhaoypi 8794 work_avjmuievxbddblbh33u6nyuoba 8764 work_vehcvxkvhrgspjdgmkl2rzh2fe 8647 work_h5abgqoeuzcabcwj4yg7oidoie 8647 work_z3bzsmrdxjez3iyot7bgztemh4 8641 work_mztlw2p7n5d33csgwq7ulrqbpi 8633 work_2xw4b4og4zg2xc5tv6ywfgxgii 8561 work_cktbuccfhndwlm3imnhbwcxaxy 8550 work_c5bbowzvrvajrnu5a5yzssxsbq 8509 work_ncct7b7dmzcfdlc6klyvquikje 8408 work_xatjepsvyvarzlxb5nzfe7ardm 8401 work_i7agcnvwnbbgpctxr5j7oquo6q 8326 work_xk2tu7ny5fbadm2ssslrrmekj4 8319 work_ied43mahmvguhklfdeysxshe5m 8307 work_bfxehehyr5gm7ft7kk7kuy3hdy 8173 work_pldofzfcwnfnbcoaq7lwyhzzci 8168 work_oc6bznrze5fw5a6h6bvgxqcvz4 8164 work_2xrhfaxvr5hzfhoabhlnicsi4q 8157 work_s5d3k4wvwfhplelgm25n6hiqre 8095 work_vu3ejfjzmbdcdis5uajqjxcy3y 8062 work_rzkgfz4kezcapoq6xv3r2tjqsu 8049 work_xbfyijwjija2zfmwtem6nhmiyq 8020 work_6y5oq2y2nrapbkxhyebr77dh2i 8006 work_nclh5nxxxjfndman2um5qu4qka 7982 work_yxwcxfipa5avnplosjrprhzyri 7925 work_oh3e7oyly5c5pd747xnbpdffry 7897 work_qzmc564uh5ey5gsvsjwup7ql3q 7892 work_cipqsdtaxvdanim64qtwhg4brq 7733 work_fd6sessngnd2voa4qcvo46zcym 7600 work_dhgy45sganeclajnmjbluxv6ka 7592 work_ue2m6yg5yjgqnfqktnrl5m7iua 7542 work_xuyacvvyurb2pmgm3wnitap7mm 7424 work_6rrr5jowrvabbc7efqn43m24ua 7402 work_izh4menytvezjcrzcudtcvyrjq 7379 work_rusqv4ak7ndpzcdmwrid6bvn5q 7234 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work_sobc5c7vqffyvnkz5fr4jv7ygu 101.0 work_qfc4fhuqe5crvpzjzrmkngq4na Item summaries; "In a narrative form, how can each item be abstracted?" ----------------------------------------------------------------------- work_255vx2mtejao5ovie5tocmsmde work_275lqpwsmffyjcjxeejrti4o2e critique d''art à Ideea europeană dans une étude de dans les dilemmes de l''art européen de son époque, synthèse sur l''art roumain, organisées par Neniţescu en bien que sur les opinions des critiques de l''époque, se cette étude, sont les sculpteurs qui, par des raisons une ample activité de recherche visant les dépôts des carte de la circulation des idées dans les arts artistique dans l''art byzantin des fresques sur les d''icônes, ou dans les stylisations de l''art populaire. trouve son écho dans la sculpture des deux artistes Dimitrie Paciurea est proche des artistes tels que celui des sculptures intitulées pareillement par les Son catalogue, qui joint des études sur les des artistes à l''avant-garde roumaine. par des rapports avec les autres tendances de littéraire que dans celui des arts, qui ouvre sur une l''avant-garde roumaine, Pitesti, 2007], qui décèle les Brauner est le seul artiste discuté également par les work_27ojiqrrtzenpbhgg7rggpboaa switched from architectural studies to art history as late as 1920.21 Horb was well Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans Peter Gillgren Felix Horb: Notes in the margins of Max Dvořák, Hans work_2f7zgfv4kjb6lnbgump6jb75w4 Based on the outcomes of the analysis on figurative design elements, this study ad Key words : cubism(큐비즘), distortion of silhouette(실루엣의 왜곡), geomagnetic(지오메틱), 큐비즘 패션 디자인을 사실성, 동시성, 도형성, 해체 화면의 분할은 패션에 변화를 줄 수 있는 디자인 요 큐비즘 패션에 나타난 동시성은 시점의 각도에 본 연구는 컬렉션에 나타난 패션스타일 중 큐비즘 이때 사용된 변수 7개의 조형적 디자인 요소를 기 다음으로 현대 패션에 나타난 큐비즘스타일패션 치를 표현한 작품을 살펴보면, Figure 17의 이세이 마지막으로 현대 패션에 나타난 큐비즘스타일패션 Figure 26에서는 실루엣을 단순화 패션에 나타난 큐비즘스타일패션의 특성을 분석하는 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 최예리 · 최정욱 / 현대 패션에 나타난 큐비즘스타일패션 연구 work_2gaqalzzvvaotfriqd5p6gfzci As Indonesians, we admit that the art we make here nowadays has a western A Dutch writer said in Uitzicht Magazine, "Undoubtedly, without Kokoschka, impressionist painting, realism, expressionism, cubism or surrealism if people Europeans must remember that they never had the art of painting before. The oldest art of painting in the world is not from Europe, but Egypt. S. Sudjojono, "We Know Where We Will Be Taking Indonesian Art", 1948 163 S. Sudjojono, "We Know Where We Will Be Taking Indonesian Art", 1948 163 Communism is always against the aristocracy, whether in politics, economics, society, or the arts. new movement in the art world indeed creates the possibility for people to we already know where we will be taking our Indonesian art. we already know where we will be taking our Indonesian art. we already know where we will be taking our Indonesian art. work_2i25ljjs3bb4xg7bkujugnrqhi Pendant plus de vingt ans, Sonia Delaunay aura utilisé la photographie de mode à des groupe d''artistes et d''intellectuels qui gravitent autour des Delaunay dans les années souvent de décor pour les prises de vue des photographies de mode. dans l''appartement des Delaunay est le lieu idéal pour présenter simultanément mode 9 Comme les portraits de l''artiste de 1913, ces photographies de mode présentent photographies publiées montrent Sonia Delaunay en robe simultanée, avec quelquesuns de ses travaux d''arts appliqués et les premières toiles abstraites de Robert clichés de mode commandés par Sonia Delaunay sont publiés dans la presse féminine, Espagne, publie les photographies de mode des créations de Sonia. des portraits de Sonia Delaunay et de « gens à la mode simultanée21 », apparaît aussi réalisé des portraits de Sonia et de Robert Delaunay mais aucune photographie de mode. publiées les photographies de mode commandées par Sonia Delaunay", mémoire de maîtrise, op. work_2np4qtdcozbe7dfwcl5ifmderi Licit International Traffic in Cultural Objects for Art''s Sake The movement of works of art and cultural properties has at all times the director of the British Museum considers his museum a masterpiece in its own right.2 In this new context the seized cultural goods works of art created within a nation, but not necessarily by an artist works of art, but generally imply cultural goods in a broader sense. Why is it possible that works of art like the paintings by This would cast considerable doubt, for example, on the justification of considering a painting by Matisse as cultural property, particulary as the time factor becomes overly important. market value is an indication of the importance of a given cultural vast majority of the cultural goods handled in the art market will at Just as their works, the creators of cultural goods may potentially the workings of the art market. work_2ombz7n2c5d4dffqvm3w57opwy Sanat, Kübizm, Moda Tarih Bu akımlardan biri olan "Kübizm" akımını, modern sanatın sanatın başlangıcını işaret eden Kübizm, iki boyutlu resim yüzeyi üzerinde, birden çok bakış Kübizm, moda için yaratıcı bir araştırma alanı olmasının yanı Moda tasarımcılarının kübizm sanat akımından etkilenerek tasarlamış oldukları 1907''de ilk kübizm resimleri ortaya çıkmaya başladığından günümüze pek çok moda malzemeyi üç boyutlu göstermeyi hedefleyen kübizm sanat akımı, moda tasarımcıları için çok https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35&dq=Leneif+fashion&source=bl&ots=LePCGDwT00&sig=Bw4xrhACmcgADsUFv6DrHMTlHmg&hl=tr&sa=X&ved=2ahUKEwjkjIvB_9_cAhVFJ5oKHXd6BbkQ6AEwCXoECAkQAQ#v=onepage&q=Leneif%20fashion&f=false 1920''lerde Pariste önemli bir moda evi olan Leneif''te kübizmden etkilenenlerdendi. Kaynak.https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ olduğu özellikle eteklerde kübizmin etkileri belirgin bir şekilde görülmektedir (Resim 8). Bu dönemde kalıpsal olarak daha keskin hatlı giysiler kullanılmıştır (Resim 10). http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-for-spring,514306.html#.W21K_tIzYdU http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-for-spring,514306.html#.W21K_tIzYdU kullanılarak yeni bir sanat akımı oluşturulmuştur (Resim 16). 1960''lardan sonra kübizmin etkileri daha çok Op-art sanatı ile görülse de 2000''lere modada yeniden doğan kübizm, daha sonra Op-Art sanatı olarak modada devam etmiştir. Resim1.2.3.https://books.google.com.tr/books?id=Fq3RbM4d4CkC&pg=PA35&lpg=PA35& https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeannelanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ https://meganinsaintemaxime.com/2015/03/19/new-fashion-exhibition-jeanne-lanvin-in-paris/ Resim15.http://uk.fashionnetwork.com/news/Paco-Rabanne-styles-sexy-aliens-forspring,514306.html#.W21K_tIzYdU https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://theredlist.com/wiki-2-23-1249-1258-view-1970s-profile-paco-rabanne-3.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html https://www.arthipo.com/artblog/sanat-tarihi/op-art-sanat-akimi.html work_2ph2nn26uzgu3clb5aserwgeja colours in architectural graphics: emotional suggestivity, space dealing with architectural drawings of a graphic nature, here illustrated by a few examples: Pioneers of modernism, the De Stijl or the Bauhaus proclaimed the unity of the visual arts and simultaneously formulated the demand for fine-art determined architecture and architectural presentation of artistic rank, they created graphics exactly expressing the world of thought of the buildings. also one of the fundamental elements of the colourful representation and thus it is natural that the tone – light-shadow values – architectural graphics, a painting procedure created with the use technique, architectural graphics of a quiet, elegant colourful Application of the techniques of traditional and modern fine arts in the architectural graphics 652008 39 2 Application of the techniques of traditional and modern fine arts in the architectural graphics 652008 39 2 Application of the techniques of traditional and modern fine arts in the architectural graphics 652008 39 2 work_2r7krepbu5dfbo62iz6g2csqfe The Impact of the Antiwar Elites'' Activities on the International Life and Politics many elites on which the destiny of humans from certain regions, countries or continents depended. political ones that have key roles in the precipitation of wars and, more rarely, in their avoidance. Keywords: Political; scientific; cultural elite; actions and effects; interwar period; international relations; But there also existed many elites, at the other end of the social hierarchy, who did not enjoy any Time imposed the classification of elites into categories: political, scientific, military, religious, property, are also other values that belong to a human population, such as culture, education, ethics, morals, etc. The power involving many forms state, political, military, religious, cultural can be defined by the This would mean that the entire power belongs to the value elite. the end of First World War. The phenomenon was based on both national characteristics and specific work_2rqzebt6erhspbnlqq2qb7g62e http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=The%20Demoiselles%20d''Evanston:%20On%20the%20Aesthetics%20of%20the%20Wigmore%20Chart&community=1/7&collection=1/8&owningCollection1/8&harvardAuthors=139b8f66412e0c72ea96855d6fce27e2&department 5 The Wigmore quotations in this paragraph are from The Problem of Proof, supra note 1, pp. these works, like Wigmore''s method, is a self-conscious effort to develop a new language for its Charting New Territory in Judicial Proof: Beyond Wigmore. Analysis of Evidence: How to Do Things with Facts, Based on Wigmore''s Science of Proof. I would liken the Wigmore method to the aesthetic of Picasso''s Standing Female Nude, the Museum of Modern Art in New York.11 A charcoal drawing done in 1910, this work is Picasso I have reproduced the two complete charts Wigmore included in his Judicial Proof 14 In comparing the critics'' theories of cubism to the Wigmore''s rationale for the chart system, I confine myself to Again and again in Wigmore''s his voluminous work on evidence, women emerge as a Wigmore, Sample diagrams of evidence discrediting a witness. work_2sa7xuq3angurk6nwkbp7bysu4 light patterns in Corpron''s abstract compositions produced Carlotta Corpron: Designer with Light, by Martha A. the visual relationship of their art to Corpron''s works work in photography in order to understand light. same time Corpron was pursuing her experiments with light. photography".8 5 On the other hand, Corpron and Moholy-Nagy to work until I photographed light instead of paper. photographers.9 8 Although Corpron said Moholy-Nagy was not a Corpron created some abstract photographs using mirrors. Ten Women of Photography," which included images by Corpron. experiments of Moholy-Nagy and Kepes were abstract light Corpron said her photograph of the decorative lights in photograph anticipates Corpron''s later Fluid Light series.3 3 Corpron experimented with the light modulators and often Corpron tried to photograph light as it passed through glass modeler of form, Corpron began to study light as it creates photography, including the "Light Abstractions" show at the Corpron''s development as an abstract photographer in the work_2wy23a6rmvawfd6nozdlua63um Corbusier (1887–1965), Horacio Coppola (1906–2012), Argentina, New Vision, New Objectivity, straight photography, avant-garde, Buenos Aires, Latin America, Horacio Coppola is Argentina''s first truly modern photographer. experimental strand of New Vision photography, among them the jazzy high and lowangle shots and the tilted camera that Coppola openly espoused in 1931 (figure 1).6 the one that sees Coppola becoming aware of New Vision photography during his tune not only with the New Vision, but also with Coppola''s own 1931 photographs. visual idiom of straight photography and the New Objectivity, as seen in the work of a typically straight photography and New Objectivity fashion, Coppola maintained that M. Artundo, Horacio Coppola: los viajes, Buenos Aires: Galería Jorge Mara-La Ruche Schwartz, 196; and Horacio Coppola: Buenos Aires años with photographs in Priamo, Brizuela, Oubiña, and Artundo, Horacio Coppola: los and Renger-Patzsch''s photographs, see New Objectivity: Modern German Art in the Buenos Aires'', in Horacio Coppola: fotografía, ed. work_2xaatfvr5bcbjlvd4g6pezp7pe work of the New York branch of the Art & Language group: this, along with writing "Style in Art and Science"), the degree of emphasis on this connection in these notes or judgement applied to art works from cultures regarded as "odd." Berenson called art, then some categorizable features are universal, for example, color, line, etc. up by asking these questions about meaning in works of art: Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science Terry Smith Meyer Schapiro on style in art and science work_2xrhfaxvr5hzfhoabhlnicsi4q implements these methods for spectral maps obtained with the Spitzer Space Telescope''s Infrared Spectrograph. reconstruction, consider issues of extended-source flux calibration in § 3, and finally describe CUBISM, a tool implementing these reconstruction techniques for IRS spectral maps, power will appear identical to the spectrum of a source elongated along the slit width, emitting a single spectral line. Adjacent pixels in the dispersion direction are placed into adjacent wavelength planes in the spectral cube, and all spatial A monochromatic point source with PSF smaller than the slit width of 2 pixels is mapped input spectral image (red) detector grid, is clipped, rotated, and offset into the output cube (blue) pixel grid at the appropriate wavelength plane. spectral pixels in the source images to the final cube, which the Interactive Data Language (IDL) and is designed to combine sets of two-dimensional spectral images from IRS mapping observations into single 3D spectral cubes, with two work_2xw4b4og4zg2xc5tv6ywfgxgii research problems and principle research results in art based on examples from fashion design relating to issues of body, dress and space. in clothing and fashion design that concern the functional and expressional relationship between body and dress are explored from fundamental ontological and logical perspectives. To explore such fundamental ontological and logical issues in fashion design in particular, and in art in general, I will also use rather time I will indicate possible ways of how such problems may be explored in and through the art form itself through concrete design work. expressional potential of the human body, but instead in a more everyday construction of dress, the textile and garment work by Mariano Fortuny also illustrates basic research and development in the relationship Schlemmer''s work, as with Fuller''s, is a set of particular forms or materials created by the abstracted relationship between the body, dress, work_33dhrzsubndb5eojbmpio7ad4u doznań (thrill and adventure seeking) a preferencją odnoszącą się do sztuki and adventure seeking) może być powiązane z percepcją sztuki czy że złożone lub nieoczekiwane dzieło sztuki nie wystarczy, aby wzbudzić Z drugiej strony brak wzbudzania lęku może zwiększać uznanie dla sztuki stworzone przez autorów badania: kontrolny (nie wzbudzający lęku) oraz oglądali pokaz slajdów, który składał się z 15 zdjęć dzieł sztuki, a następnie natomiast korelacji między zmiennymi: oceną sztuki nowoczesnej oraz oceną Ryc 1: Preferencje typów zharmonizowanych wobec rodzajów sztuki. sztuki okazał się niejednoznaczny i zależny od sytuacji. różniły się w warunkach eksperymentalnych i kontrolnych, co może być lęku warunkach kontrolnych nie było różnic między preferencjami rodzajów sztuki, natomiast w warunkach eksperymentalnych (po wywołaniu lęku) zmian w percepcji sztuki, dowodząc, że to tylko lęk jako taki ( anxiety) – a nie może nie pokrywa się z wachlarzem emocji estetycznych, które są ona dodatkową dawkę lęku, natomiast uznanie dla sztuki tradycyjnej rosło ze work_343rgxqowrcetmin32uuya4ufa Lessons from Venice: Authenticity, Emotions, and ICTs extent to which humans seek authenticity, more generally, in the representations they encounter. KEY WORDS: artificial intelligence, authenticity, emotion, ICTs, representation, simulation gestures, and the emotion on their faces render these performances "authentic" in a way that cannot of artificial intelligence and ICTs, leading to consideration of the role of authenticity in using social emotion by social robots – AI-driven machines that are explicitly designed to interact with people human users are looking for their social robots to express emotion that closely simulates that of We begin by looking at authenticity issues in the domains of communication and of visual for understanding how to think about emotion and authenticity when using ICTs. In the case of virtual communication via an ICT, authenticity can also be an issue. In thinking about levels of authenticity in communication – and the extent to which users work_3amqjsw36bhq7daxn623owdzji work be true to the world, or to the author? true to the world – we do not dismiss a novel as a bad work of art because No work can claim to be true to the world unless it One wants to say that said types of truth – to the world and to the author So, perhaps, a work of fiction''s truth is the ''By universal truths are to be understood the kinds of thing a certain type of person will probably or necessarily say or do in a given physical aspect that we value when appreciating a work of visual art. life may make us look for certain things in his works – and get to see them. In all, the work''s truth to itself is reciprocated by the suitable appreciative experience. The work''s truth to the work coincides with the suitable appreciator''s judgements'' truth to the work_3lym6twa6rbvljmaj4cibpa3h4 Keywords: body, beautiful body, extreme body, modern art, aesthetics. of artistic representation regarding the body from traditional art to modernist art, traditional and modernist art each has its own body forms. said that traditional art and aesthetics keep the beautiful body at the center of its artistic representation and thought; the beautiful body is thus the dominant long before modernist art, the latter has made the extreme body its dominant, traditional art has the beautiful body as its dominant while modernist art has the traditional art''s method of representing the beautiful body, overturns the aesthetic principles of traditional visual art, and portrays a body with which we are not The extreme body in modernist art is, to a certain degree, a "dehumanization" In abstract art, the human body can be changed and transformed. As the dominant of modernist art, the extreme body thoroughly transformed the work_3p2ettibkvcq3mm5kvl25a6a34 [PDF] What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists | Semantic Scholar Corpus ID: 36622486What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists title={What Paint Can Tell Us: A Fractal Analysis of Neurological Changes in Seven Artists}, Figures, Tables, and Topics from this paper Paintings Reveal Signs of Alzheimer''s and Parkinson''s In Famous Artists Paintings Reveal Signs of Alzheimer''s and Parkinson''s In Famous Artists Parkinson''s disease and changes in the appreciation of art: A comparison of aesthetic and formal evaluations of paintings between PD patients and healthy controls Why would Parkinson''s disease lead to sudden changes in creativity, motivation, or style with visual art?: A review of case evidence and new neurobiological, contextual, and genetic hypotheses Analysis on Artist Neuropsychology and Art Creation Changes in painting styles of two artists with Alzheimer''s disease. work_3qc2b2xwbbhdtnbokqkxbzldi4 We present the analysis of infrared (IR) observations of the planetary nebula NGC 40 together shows the presence of a toroidal structure mainly seen in PAH emission, but also detected structures inside the main cavity of NGC 40 close to the central To supplement the Spitzer spectral maps of NGC 40, we also analysed Spitzer IRAC and Herschel PACS observations. the different PAHs and low-ionization emission lines detected in low-ionization species and broad emission features of PAHs (see The spatial distribution of the emission in the PAH spectral maps and the PAHs features, we present colour-composite images combining different spectral maps in the top panels of Fig. 5. The top panels present colour-composite pictures of NGC 40 combining different spectral images. Herschel 70 μm image has been chosen to enhance the structures inside the main cavity in NGC 40. The main IR spectral features are emission lines from work_3vrdecx2cnce5gry6qf3q4wk3u César Chávez y la Unión: Una historia victoriosa de los de abajo by Víctor Fuentes (review) César Chávez y la Unión: Una historia victoriosa de los César Chávez y la Unión: Una historia victoriosa de los de abajo. titulada César Chávez y la Unión: Una historia victoriosa de los de abajo, intercala aspectos de Fuentes relata los recuerdos de Chávez cuando fue con su padre a las tres de la mañana a Para 1962, César Chávez busca organizar una "Asociación Nacional de Trabajadores del César Chávez y la Unión recupera también la voz impresa del campesino en el periódico Taylor, César Chávez y la Unión es uno de los pocos libros sobre la biografía de César Chávez y su lucha para darles voz a los campesinos agrícolas. and well organized series of studies regarding how the rapidly developing field of physics influenced poetic and artistic thought and works in early twentieth-century Spain. work_3ymeroqfxzfsvg7rf56c5ksbb4 While art historians have analyzed and classified paintings based on the accumulated literature research on aesthetics, there were limitations of interpreting the features that are there is a need to develop objective features to classify art paintings based on scientific based local features of paintings are extracted through the segmentation of objects Keywords: Art painting style, Image feature, Self‑organizing map, Watershed In order to extract feature values from paintings with different sizes, the process of that are used or preferred by the painters, while composition is the local features analyzed and extracted from the segmentation of the paintings by region. Figure 2 illustrates the process of training and classifying SOM using the feature values extracted in "Feature extraction for art paintings" section. Fig. 4 Collected image samples by painting style: a expressionism, b impressionism, c post‑impressionism, d Style classification and visualization of art painting''s genre using self-organizing maps Style classification and visualization of art painting''s genre using self-organizing maps work_3zxu3jp4trfzxfp52z3ukyipnu Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_44kggqrnunagpjmp7qn7hdlh5e resolve, and beauty of black women, which Aaron Douglas, as a visual artist, Du Bois noted the beauty of African American women. Aaron Douglas held black women in the same high regard as Du Bois. Aaron Douglas was an educator, as were Alta Sawyer and W.E.B. Du Bois. reveal Douglas''s unique view of women and their role in African American No other artist of the period creating such murals on African American life, created such an expressive figure, an Douglas never forgot his commitment to express all forms of beauty, including that of an African woman. Douglas nevertheless created some of his more interesting images of women during this time period, as did other artists of the magazine. Figure 9: Aaron Douglas (American, 1899-1979), Negro in America, 1929-1930. Figure 12: Aaron Douglas (American, 1899-1979), Slave Left Behind 1929Figure 14: Aaron Douglas (American, 1899-1979), The Burden of Black Womanhood, The Crisis cover, September 1927. work_45vralls3zgxxpgyyzmd525shm All Rights Reserved © Canadian University Music Society / Société de musique Canadian University Music Society / Société de musique des universités an ideal balance between biography, musical description and critical evaluation. wondering, however, whether French musical traditions were not more important to the subject than Gillmor allows. it is just here that Gillmor presents an interesting thesis: Satie "almost miraculously transformed his alleged technical incapacities into a virtue/'' thus "clearing the stage for a truly contemporary aesthetic" (p. Surely, however, for music of any kind there Thus the challenge for the analyst of music such as Satie''s is to come The book is illuminating in making its technical points together with observations on what is being expressed by the music. Throughout, emphasis is placed on Satie''s historical importance for twentiethcentury music as a whole; he is considered a precursor and a seminal influence work_4aj3fvvogjhwbauq3tirrxxnii 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. 2021-01-05 Issue 31 • 2021 • Women Collectors: Taste, Legacy, and Cultural Philanthropy c. work_4c7fwu7xc5eollxmmdo5pfb5om Fidel Aguilar i l''art europeu del seu temps: Elie Nadelman, Celso Lagar, Amedeo Modigliani L''obra de l''escultor gironí Fidel Aguilar (1894-1917), tot i la seva escassetat i fragilitat, sorprèn per, entre altres, la maduresa assolida i les extraordinàries afinitats que el seu treball presenta amb el d''alguns dels millors artistes europeus del seu LOCVS AMŒNVS 16, 2018 249Fidel Aguilar i l''art europeu del seu temps: Elie Nadelman, Celso Lagar, Amedeo Modigliani LOCVS AMŒNVS 16, 2018 249Fidel Aguilar i l''art europeu del seu temps: Elie Nadelman, Celso Lagar, Amedeo Modigliani LOCVS AMŒNVS 16, 2018 249Fidel Aguilar i l''art europeu del seu temps: Elie Nadelman, Celso Lagar, Amedeo Modigliani LOCVS AMŒNVS 16, 2018 249Fidel Aguilar i l''art europeu del seu temps: Elie Nadelman, Celso Lagar, Amedeo Modigliani LOCVS AMŒNVS 16, 2018 249Fidel Aguilar i l''art europeu del seu temps: Elie Nadelman, Celso Lagar, Amedeo Modigliani work_4e5ss37kdzhpzdzxvibuem2xuy the need for similar expositions of the vocabulary structure of other Slavic languages, and provides a useful tool for pinpointing translator''s "false friends"— University of Southern California While Russian Futurism was Russian Futurism: A History has competently documented and put in perspective the main phenomena of the movement in Russia, and thus has laid the groundwork for further studies of specific groups, or of individual contributions. Barooshian''s study, entitled Russian Cubo-Futurism, 1910-1930, is, in effect, Russian Cubo-Futurism in Brief Historical Perspective." Perhaps because the perspective is so "brief," the triangle Symbolism-Cubism-Futurism appears a little earlier, but the question of the role of Cubism in the program of the Russian the chapter entitled "French Surrealism and Russian Futurism" tends to concentrate, at times, on some less "intrinsic" aspects; it assigns too much importance to the French artists'' ideological declarations. Russian Cubo-Futurists" (p. the Cubo-Futurists" (p. University of British Columbia work_4fyt37tolbd4ljubsi2ik553tm (https://medium.com/artists-and-machine-intelligence/what-is-ami-ccd936394a83), it is being re-published Artists and Machine Intelligence program discusses the long-standing and complex relationship Keywords: art; science; technology; machine learning; artificial intelligence; aesthetics; photography As with earlier technologies (Figure 1), some artists will embrace machine intelligence as a new https://medium.com/artists-and-machine-intelligence/what-is-ami-ccd936394a83 and a good eye, art photography was born, over the following decades unfolding a range of artistic and a good eye, art photography was born, over the following decades unfolding a range of artistic Masters used what was at the time state‐of‐the‐art optical technology to render effects in painting, is not in skin (http://cameraculture.media.mit.edu/); Abe Davis and collaborators have even developed a The art realizable with the current generation of machine intelligence our Art and Machine Intelligence (AMI) program. As machine intelligence develops, we imagine that some artists who work with it will draw the http://grayarea.org/event/deepdream-the-art-of-neural-networks http://grayarea.org/event/deepdream-the-art-of-neural-networks https://priceonomics.com/how-photography-was-optimized-for-white-skin/ (accessed on 4 July 2017). Available online: https://en.wikipedia.org/wiki/Digital_photography# work_4i7kk2j3orecjlt7j27r5eur54 In contrast, a non-pinhole (multiperspective) camera combines rays collected by different The pinhole imaging process can be decomposed into two parts: projecting the scene geometry into rays approach to systematically study non-pinhole imaging models in the ray space. In computer vision, we discuss state-of-the-art solutions that apply non-pinhole cameras for stereo matching, multi-view reconstruction, shapefrom-distortion, etc. graphics, we demonstrate using non-pinhole camera models for generating panoramas, creating cubism styles, rendering caustics, faux-animations from still-life scenes, rendering beyond occlusions, etc. Since all projection rays from scene points form a same pinhole camera about the effective viewpoint before reflection, Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey Ray geometry in non-pinhole cameras: a survey work_4iumnmqvazez7c6tksmujjvxiq Ideología, técnIca y práctIca / Trabajo es por cierto una palabra muy general, que refiere tanto a hacer algo, como a algo hecho, y a muchas de las claros paradigmas de la consideración del trabajo de oficina en el proyecto de arquitectura: el edificio Larkin de Wright y el proyecto de un Pero fue también Wright quien había ya racionalizado los componentes de la planta del edificio de oficinas, en el proyecto de un rascacielos trabajo con diseño total integrado, permitió una libertad de organización de la planta, de acuerdo con los cambios que el organigrama de la organización del espacio de trabajo, modulado por las líneas de las ventanas entre columnas que daban luz natural. Su concepción estaba en las líneas del edificio, como una obra de arte tiempo libre, o para una modalidad más libre del trabajo (mi oficina lo en edificios que son dispositivos para orientar las prácticas en relación work_4n5xnm3rqzgt5pngj7etxty6bq This work presents a general architecture for creating an application called the Art Movement Learning App (AMLA), whereby students can familiarize themselves with key characteristics of a given art movement (such as Surrealism), using technology, and module, will be shown (i.e., artworks are displayed with augmented reality using GPS coordinates or LBS). AMLA is to present an interactive process, through various stages, involving a set of actions enabling students to learn more Keywords: Art Movement Learning App (AMLA); Gradual Immersion Method (GIM); augmented reality (AR); application development. In the first module, groups of students learn about the essential characteristics of a given art movement, The AMLA uses Unity as its engine to create the phases, processes, and behaviors, as a This module, used to create artworks displayed in mixed reality scenarios, consists of two phases: field mounting, In the second phase, work exhibition, students'' final 3D artworks, already associated with GPS or LBS work_4ot75y5z3zdg3mcg27knvgts7m Viking Eggeling, Hans Richter, Fernand Léger, Charles Sheeler, Paul Sinema yeni bir sanat dalı olarak kendisini ortaya koyduğunda kendinden önceki sanatsal kalkmasını ve sanat ile bireysel sanatçı için yeni bir özgürlüğün ortaya çıkışını Yeni bir film dilinin geliştirilmesi konusunda öncü olan sanatçıların Eggeling, Hans Richter, Fernand Léger, Charles Sheeler ve Paul Strand. Dada, yapısalcılık, soyut sanat ile bağlantılı olan, avangart sanatçı ve film yapımcısı olarak Bütün sanat dalları bu dili kullanabilmekle birlikte, Eggeling ve Richter''e göre film bunu ve diyagonal olarak yer almakta, ritmik bir şekilde hareket duygusu yaratılmaktadır. Hans Richter ve Avangart Film Açılışında "konulu bir filme belgesel giriş olarak yapıldığı" Belgesel ve avangart film yapım tarihini bir arada değerlendirmek ve karşılıklı yaptığı denemelerinde evrensel bir dil geliştirmek üzere Hans Richter ile birlikte çalışmalar Diyagonal Senfoni ile Eggeling sinema tarihinde soyut film açısından bir dönüm noktası Weird Rhythms: The Avant-Garde Films Of Hans Richter, http://networkawesome.com/mag/article/weird-rhythms-the-avant-garde-films-of-hans-richter/ http://networkawesome.com/mag/article/weird-rhythms-the-avant-garde-films-of-hans-richter/ work_4qh2yj2crffy5cmn7ad6fpmlby geometry is manifested in form & shape. building is visualized in form of geometry and philosophies element in the vocabulary of form, a point can serve to A form is organized as a line because of two reasons: commonly recognized as points or lines are forms as ''Geometry'' is related to form and space. made to inquire the depth of geometry in different forms In addition to spaces (shape) and forms have geometry is used as a form of an organizational tool. geometric forms are used in religious, public buildings in In medieval and Gothic architecture, basic form was other to develop the interior spaces and the exterior forms geometrical elements of form and space, has been ▪ Architectural forms and spaces also have ▪ Geometry, in combining forms and space in to a ▪ Geometry is used as a form as on ordering ▪ "ARCHITECTURE Form Space and Order" by work_4r4bfhb4dngefilqgf2rxvbkym Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute The aim of this study is to identify hindrances to internal creative thinking and thinking styles of a group of Malaysian teacher of the hindrances to internal creative thinking, that is, stimulus fixity. Keywords: Internal creative thinking, thinking style, teacher trainees, stimulus fixity, functional fixity his research subjects (secondary school students) are less creative because of functional fixity. The objectives of this study are to identify: 1) hindrances to internal creative thinking in teacher trainees from the functional fixity, another hindrance to internal creative thinking. Since this is a descriptive research, data for hindrances to internal creative thinking (stimulus fixity and The frequency and percentage for hindrances to internal creative thinking of the subjects are shown in Table 1. Frequency and percentage of the hindrances to internal creative thinking ability of the subjects (N = 232) work_4trtmqyxnrbtvhoonpopot3wjm Abstract: On conceptual art, from a painter''s perspective. idea that ''form'', even in the most ruthlessly text-based or verbal/proposalbased artworks, was still an unavoidable, even desirable, attribute of any of thinkers formed the radical view that universals (relations, properties) exist only in the mind: meaning is constructed internally through subjective Conceptual art is not about forms or materials, but about ideas viewer, indeed it could be argued that the Conceptual work of art Leafing through Tony Godfrey''s Conceptual Art from where this introduction comes one notes that far from being dry or dull much of the work was abstract expressionist painting, but what is more alarming, is that these artinterested in the idea of construction, as an artist, then you might encounter ideas, and what is known as conceptual art. Did Cézanne become, in the later paintings of his career, an abstract painter "Conceptual Art." The New York Times. work_4ukxjyw4c5bzva5rp6pujd4vue Visualizing genome and systems biology: technologies, tools, implementation techniques and trends, past, present and future Keywords: Biological data visualization, Network biology, Genomics, Systems biology, Multivariate analysis BioLayout Express 3D [147] 2D/3D network visualization http://www.biolayout.org/ N-Browse [163] Interactive graphical browser for biological networks http://www.gnetbrowse.org/ Ondex [47] Data integration and visualization of large networks http://www.ondex.org/ visualization and analysis of expression data, we distinguish between tree viewers and tools implemented for Pathview [181] Tool set for pathway-based data integration and visualization http://Pathview.r-forge.r-project.org/ Kegg-Based Viewer [204] KEGG-based pathway visualization tool for complex high-throughput data http://www.g-language.org/data/marray/ Although most network visualization tools are standalone applications, they guarantee efficient data exploration JVM [213] Java Visual Mapping tool for NGS reads http://www.springer.com/cda/content/document/cda_ SVA [221] Software for annotating and visualizing sequenced human genomes http://www.svaproject.org ABrowse [231] A customizable genome browser framework http://www.abrowse.org/ Web-based Visualizing functions of genetic variants http://www.pgbrowser.org/ Web-based MEGA [122] Integrated tool for phylogenetic analysis and visualization http://www.megasoftware.net/ work_4vgoskl5ovgurphigjgmr5a2ka Proust''s In Search of Lost Time: The History of a Vocation EVERS, Meindert Proust''s In Search of Lost Time: The History of a Vocation Frankfurt EVERS, Meindert Proust''s In Search of Lost Time: The History of a Vocation Frankfurt am Main, Copyright and moral rights for the publications made accessible in the public portal are retained by the authors https://portal.research.lu.se/portal/en/publications/evers-meindert-prousts-in-search-of-lost-time-the-history-of-a-vocation-frankfurt-am-main-berlin-bern-bruxelles-new-york-oxford-wien-peter-lang-2013-206-pp--2980-isbn-9783631629314(700d125c-d875-44f4-8195-5e8d2c5a4f80).html EVERS, Meindert Proust''s In Search of Lost To cite this article: Shuaggyi Li (2014) EVERS, Meindert Proust''s In Search of Lost Time: The History of a Vocation Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien: Peter Proust''s In Search of Lost Time: The History evolution, one may wish that this clearcut opposition between Proust and decadence set up by Evers could be further last chapter, which discusses Proust''s The part on Proust''s perspectivism is probably the book''s most original even have to have read Proust to follow work_4vu2pkxg4zdhdicvfirfy6tzzi In his lectures from 1987, Deleuze draws an analogy between Michelangelo‟s figures and possible worlds within a single body without organs. Keywords: Michelangelo, serpentine figure, possible worlds, composition, sensation, Similarly, in The Fold: Leibniz and the Baroque, Deleuze argues that monads are not which Deleuze refers to Michelangelo is Francis Bacon: The Logic of Sensation. Deleuze and Guattari argue that, whereas philosophy puts distributing the world, between the soul taken as a monad in itself and the body taken as a perspective or union of body and soul – that Leibniz allows, either within the organic mannered postures of Michelangelo‟s deformed bodies are not fixed individual forms of figures are distributed in the form of multiplicities (Deleuze and Guattari 1987: 30). into another, „folds over folds‟ (Deleuze 1993: 93), within a single body without organs. Deleuze, Gilles (1993) The Fold: Leibniz and the Baroque, trans. Deleuze, Gilles and Guattari, Félix (1994) What is Philosophy?, trans. work_4wefembbr5dpdppzwgag4qk224 Is medicine an art or a science? question to him on medicine being an art or science as we became with me that surgery is both art and science, but with the advance In days of yore there was a definite art in making a diagnosis surgery, routine technical procedures are more and more science The other half is a great mix of historical pathology/orthopaedic fracture surgery/experimental research/oncology and a wound closure after severe open tibial fractures showing no significant differences in outcome, whilst the second studied 29 cases of They reviewed 5 studies with over 1750 patients and showed a paper on endoscopy especially from the endoscopist''s safety point www.sciencedirect.com/science/journal/17439191 Editorial / International Journal of Surgery 12 (2014) 742e743 743 Also from China there is an important paper on early post-operative feeding following laparoscopic Finally from China there is a paper on laparoscopic CBD exploration mix still of art and science. work_4xbrhou5rbhjrfbdzz64f7bnea This study supplements clothes by studying pleasure shown in accessories of haute After analyzing pleasure features represented in fashion collection focused on haute couture accessories, I could know that surrealistic pleasure, anonymity-expressing pleasure, Key Words : pleasant characteristics, Haute-couture designers, accessories, collections studying pleasure shown in accessories of haute Wang Ling · Kim Eunsil · Lee Misuk / Study on Analyses of Pleasure Trends and Aesthetic Characteristics of Wang Ling · Kim Eunsil · Lee Misuk / Study on Analyses of Pleasure Trends and Aesthetic Characteristics of Wang Ling · Kim Eunsil · Lee Misuk / Study on Analyses of Pleasure Trends and Aesthetic Characteristics of Wang Ling · Kim Eunsil · Lee Misuk / Study on Analyses of Pleasure Trends and Aesthetic Characteristics of Wang Ling · Kim Eunsil · Lee Misuk / Study on Analyses of Pleasure Trends and Aesthetic Characteristics of work_4zhhjnhvgzc7hil6njyeq6ma7y him as one of the iconic figures who established the operating microscope as a neurosurgical tool, opening a new era in the THIS ARTICLE PRESENTS an assessment of the power of ideas and their role in initiating change and progress. The enormous potential cascade effect is illustrated by examining the movement of Modernism in the arts. Next, the immense scope and capabilities of the modern scientific endeavor—with robotic space exploration at the scale of KEY WORDS: Creativity, Ideas, Modernism, Nanoneurosurgery, Nanotechnology, Neurological surgery, any place beyond the moon—a fantastic achievement of modern science at an extreme scale (Figs. control of atoms and molecular structures to create materials and devices with molecular precision. Another tool for manipulation is termed optical tweezers (4), which use a stream of photons to effect movement and progress, the capabilities of "modern" scientific endeavors, and the Modernist movement in arts and architecture with true practitioners of work_54uuqx2a6bgztdciommetdxqqe is not merely that we fail to construct a historical distance from this past So Freud''s question is: what stops the past becoming available as memory, history of historiography, the idea of historical distance, to paraphrase of view comes, as Mark Phillips says history writing should come, ''as a Freud finds that for his modern individual personal history can only be for a therapeutic oral history – between what Phillips refers to as empathetic imagination, and a more detached sense of the so-called patient as, When it comes to memory and desire – the reconstruction of his own history – the modern individual, in Freud''s description, is a distancing machine. history which it seems unable to examine'' Freud''s work must be a symptom, Hume''s distance – what Phillips calls the ''passing of the pain of events'' – modern person distances themselves from their history through narrative work_552srvuh5zf3laddryh56ai5wy Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle gibi çağdaş sanat anlayışı içerisinde de bilim ve teknolojiye yer vererek yeni oluşumların gerçekleştirildiği Bu araştırmada, sanat eğitiminde mekân kavramını ve mekânın teknolojik gelişmelerle sanatçıların Araştırma ile elde edilen veriler, sanat eğitiminde mekân kavramının kazanılması significant for attaining the concept of location in art education and allowing individuals to benefit from Araştırmada; sanat eğitimi, mekân kavramı, Bir diğer sanat akımı Gerçeküstücülük bireye sanat eğitiminde farklı bir bakış açısı haline getirerek ne resim ne heykel olan yeni bir edilen şeylere bir mekân olarak ele alındığı sanatçının var ettiği mekân ile arasında bir Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı Sanat Eğitiminde Mekân Kavramının Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı work_56bwtdpaxnddlddxz7a2apfvqi Search this site My publications on Google Scholar babaks -at-rutgers -dot --edu As of now, I am a Vice President at Morgan Stanley, where I conduct research, implement and scale machine learning algorithms for various applications in financial investments. Previously I worked at American International Group (AIG), under the Investment organization. I received my Ph.D. in computer science with a concentration on machine learning and computer vision from Rutgers University. My thesis is focused on detecting abnormalities in images and improving the generalization capacity of visual classifiers, which was awarded with the Outstanding Student Paper award from AAAI 2016. My research on using computer vision for analysis of fine-art paintings received significant coverage from major media outlets. "1001 Abnormal Objects" dataset can be found here. Images used in "Learning Style Similarity for Searching Infographics" can be found here. Google Sites work_5db3ph27xjglrnqxqk2efrn35q Adivisory board member of the Collection de I ''Art Burt (Lausanne), French editor of Raw Vision, (London) a few years ago in Paris1, Marcel Storr (1911–1976), a On the left: Marcel Storr, Untitled, Series of the Megalopolises, pencil, ink and varnish on paper, (1969), 50 × 60 cm, coll B & 1 Marcel Storr, bâtisseur visionnaire, Paris, Pavillon Carré de Marcel Storr: Reimagining Paris, Andrew of the outsider or art brut creator. F Cloarec, L Danchin, B & L Kempf), Phebus: Paris. In Danchin L, Aux frontières de l''art brut – Un parcours dans Supérieure (rue d''Ulm, Paris), Laurent Danchin is member of the Board of the Collection de l''Art Brut in Danchin is a leading authority on Art Brut. Marcel Storr: a new case of clandestine outsider art Marcel Storr: a new case of clandestine outsider art Marcel Storr: a new case of clandestine outsider art work_5emxhnkkxzakfpxdr23qfbc2du Table 1) is useful in spatial sound systems; virtual environments with audio can Icons embodying sources and sinks may wander around virtual spaces, like minglers at a cocktail party, or upon the stage during a concert, hovering over the sources and a single shared sink in a virtual concert, as if which explicitly model not only sources but also location, orientation, directivity, and multiplicity of sinks, motivate the generalization of mute/solo and cue to exclude and include, manifested for sinks as deafen/ the granularity of control within a single space, as separate sinks can monitor individual sources via selective MAW supports multiple, independent, simultaneous conferences and concerts; a source is inaudible to a sink in a different virtual room. Because a source or a sink is active by default, invoking exclude and include operations simultaneously on an object results in its being disabled. work_5idtrfxf2rf4tez2ghofu6fcxe and in particular the works of Juan Gris, María Blanchard, Jacques Lipchitz and of Cubist art by a group of artists in Paris during the war years, whose coming Léonce Rosenberg, Cubisme et empirisme, Paris 1921, or Elie Faure, Histoire de l''art, 3, art at the Museum of Modern Art in New York, Cubism & Abstract Art, exh. cat., Museum of Modern Art, New York 1949, 10; Juan Gris, cat., Museum of Modern Art, New York 1958, 17 and 22, would to a large extent lay the much disrespected Cubism; see Juan Gris to Léonce Rosenberg, Paris, 24 May 1916, creative work of these artists is evident in Georges Braque to Léonce Rosenberg, 16 Blanchard, Jean Metzinger and Jacques Lipchitz explored similar possibilities Modern, London, https://www.tate.org.uk/art/artworks/lipchitz-sculpture-t03397 when Gris, Blanchard, Metzinger and Lipchitz met in Beaulieu-près-Loches, For more on this relationship, see Christopher Green, "Lipchitz and Gris: The Cubisms of work_5kaew3vrjrcrvmxowu3rf5k6vu The title of Cedar Sigo''s recent poetry collection, Royals, couldn''t be more apt for the book''s Sigo, in the tradition of the west coast branch of the New York School and Beat poets, whose the poet''s love for these royal landscapes: the party, the poetry reading, the conversation. In "The Real Contents of a Street Poet''s Suitcase," Sigo catalogs among the short list poem: coined the term "cubism." The "street poet" of the poem''s title has those passages underlined in Sigo invokes the lives of poets and artists, dead and living, referencing them The Verlaines'' blues are carried into Royals from Sigo''s previous collection Language Arts, where we find the poet in the poem titled "Verlaine Blues" in the rain, "dressed Sigo''s speaking poet/narrator finds his community in Royals, restaging "Apollinaire''s last hot Sigo''s love poems to the poets and their landscapes in Royals elevate the artists enshrined toward immortality. work_5x7lu2qzzvf3roisp5h5ut2hna Key words: micro foundations, pluralism, old Keynesian theory, Kaleckian investment function. Heterodox economists are united in the rejection of the mainstream approach to micro foundations, but some of the problems and divisions � The claim that economic behavior is goal oriented, has an intertemporal dimension, and is in�uenced by expectations; household consumption, � The recommendation that in the face of these instability problems, economic models should be based on explicit microeconomic optimization 2With the additional recommendations that economic modelers impose rational expectations and that policy makers follow predictable rules. Like other post-Keynesian theories, the Kaleckian growth model regards the The benchmark Kaleckian model, however, describes a dual economy in which a shock to the saving rate shifts the long-run Goal oriented behavior is often formalized mathematically as constrained optimization. Dow (2007), among others, de�nes the divide between mainstream and heterodox schools primarily in terms of mathematical formalism: work_5y5xlu2k2vcqnojleydd6aicb4 No answer is the term Dalibor Vesely questions that face architecture, cities, Vesely throughout his life as an architecture, Vesely worked with a his early years of professional work in later work, particularly the theme of Vesely''s deep concern for art in its In 1934, the year of Vesely''s When Vesely attended the Patoc̆ka both Patoc̆ka and Vesely. 1968, Vesely also visited London on a Architecture at the University of Vesely and Rykwert co-taught School where Vesely led a diplomalevel studio during the same ten-year and productive years of teaching. Architecture and guest edited by Vesely, length, for Vesely''s teaching was no theme of Vesely''s teaching and on this dimension of Vesely''s writing Vesely and Rykwert. collaborated with Vesely in the at Cambridge, as at the AA, Vesely not only taught architecture students a When Vesely''s major work, and practice of dialogue, Vesely was a Group in Architecture at the University work_63zwd4ixvvg7np3axwwlelccbm Ruskin, Turner, and Modernism Ruskin, Victorian Baudelaire," though smart, of Ruskin''s Modern Painters and an essay by Turner to conclude that "while Ruskin wants to Rather, it is an opposite quality that is Turner''s innovative legacy, what Ruskin admired career, like the period over which Ruskin''s Mod­ Turner paintings suggestive and inspiring. particular, what would contradict his "modernism" and his admiration of the later Turner is in Turner''s late paintings, that become characteristic of modernism. argues that Ruskin is modernist because Turner is: in defending Turner, Ruskin embraces the "abstract" style that was characteristic of Turner''s late-career paintings, thus eschewing any not Turner''s abstract brushwork that Ruskin In fact, the modernism of Turner''s painting is a different issue than the modernism of Ruskin''s writing; it is fuzzy thinking of Ruskin''s modernism using the lens of the of nature, Ruskin analyzes landscape paintings the "vast treatise" of Ruskin''s Modern Painters work_64dxxmbsobd6vp75aubpz7auli The result of this research shows that postmodernism architecture buildings have an average 96.8% of visitor''s satisfaction ranking; while deconstructivism architecture buildings when taken alone, a architectural style confirm that deconstructivism still has ingredients to endorse in order to impose its trajectory Being a piece of a globalized world, deconstructivism architecture in the Keywords: Architectural style, building, Chaos, Postmodernism deconstructivism architecture building established by Design Curial Magazine also published a list of 8 iconic deconstructivism architecture buildings: Table 2: Visitor''s review on Design Curial Magazine''s list of the 8 iconic deconstructivism architecture building For postmodernism architecture: 96.8% of visitor''s satisfaction For deconstructivism architecture: 94.8% of visitor''s satisfaction postmodernism architecture buildings have Deconstructivism: Richness or Chaos to Postmodern Architecture Deconstructivism: Richness or Chaos to Postmodern Architecture Deconstructivism: Richness or Chaos to Postmodern Architecture Deconstructivism: Richness or Chaos to Postmodern Architecture Deconstructivism: Richness or Chaos to Postmodern Architecture Deconstructivism: Richness or Chaos to Postmodern Architecture work_64lcqb56r5gbnpg4ckbsp4viiu ••••• stable artistic period ••••• dangers of stagnation ••••• innovation ••.••• If we search for a stable artistic period, then we would probably As soon as romantic ideas came in the visual arts and in music, we do effects in the visual arts (e.g. works by John Turner and John Nash) all period, a virile, non-stagnant art. matters, yet in taking this stand he doesn''t connect stagnation and innovation. Many works of art today illustrate that just as completeness can lead True innovation in our own period belongs to very few figures, Debussy arts, again mistakenly called innovation. I think Michael Tippett''s point, t4at qur period is extremely innovatory, search for innovation will, I feel, in stagnation. innovate at as Tippett would have us believe, but carry out ideas stemming the main sources, creating new works-of art conditionE?d by their own says that innovation can become establishment (tradition) •• • • does he mean work_66ha5twre5bn3czihav64k35ty 러시아 보편주의 종교사상과 근대 창조성-예술에 관한 연구 A Study on Russian Religious Thoughts of Universalism and Modern Creativity-Art Keywords 러시아의 정신성, 보편주의, 범재신론, 프뢰벨, 휴머니즘, 실존주의, 근대성 Russian Spirituality, Universalism, Panentheism, Froebel, Humanism, Existentialism, Modernity 은 불가피한 것처럼 보이는데, 왜냐하면 러시아 절대주 종교철학적 신념인 ''범재신론''이라 불리는 러시아 아방가 교''라 불리는 근대 실존적 인간의 새로운 정신성의 특징은, 이후 Markov, The Principles of the New Art, 1912 재인용. 맥락에서 주목할 필요가 있는데, 그는 말하기를, "러시아 새로운 사상의 출현은 실존주의, 혹은 실존적 범재신론 (내재신론)의 자연에 대한 새로운 인식, 그리고 본질적으 다. 사실, 이러한 주장은 의미심장한 것인데, 왜냐하면 35) 이러한 사상은 서양의 근대 과학 이전에 도가사상에서 말하는 기 그러나 많은 사람들은 이러한 규칙 던 것처럼, 칸딘스키는 이러한 러시아 신비적 사상을 가 따라서 이러한 절대주의 혹 자 보편주의 사상의 한 표현으로, 이러한 사상과 원리들 8. Nicolas Berdyaev, The Russian Idea, The Centenary Press, 1947 8. Nicolas Berdyaev, The Russian Idea, The Centenary Press, 1947 work_67ccld5oc5fplkqnncgdr72b4a Representations of Blindness in Picasso''s Blue Period Representations of Blindness in Picasso''s Blue Period he Spanish painter Pablo Picasso (1881-1973) was the most important artist of the 20th artist and never considered abstract thinking important to the way he worked. works based on the theme of blindness several times during his Blue Period. invented by Picasso, for there is a long history of working this way. If Picasso ever told anyone precisely why blindness was important to him, we have not been able saw "incipient psychic dissociation" and even schizophrenia in Picasso''s paintings.7 Blindness is a most of the blind figures from his Blue Period, and that by depicting "the prospect of what he most feared in life, Picasso''s depictions of the blind vision" in the blind figures Picasso opaque cornea next to an apparently normal eye, Picasso juxtaposed vision and blindness. Pablo Picasso, The Blind Man''s Meal, 1903, Spanish. work_6axtikt5drfkfpoi7fwruaj3lm Batı düşün dünyasının, dünyayı tam olarak temsil edecek mükemmel ussallıkta bir dil yaratma Modern sanatın daha doğru bir algılayış için giriştiği tüm denemeler, sanatsal önermeler Söz merkezcilik dünyayı tam olarak yansıtabilecek ya da temsil edebilecek bir dil ister. daha doğru bir algılayış için giriştiği tüm denemeler, sanatsal önermeler sonunda başarısızlık Epistemolojik bir problem olarak sanat eserini konumlandırmaya çalışan Kant''ın düşünceleri Estetik yargı gücü herhangi bir belirlenimli kavrama bağlı olmadığı için biz, söz konusu sanatçıları resim düzleminde gerçekliğin ancak bir işaret, simge olarak yer alabilmesinin Kandinsky resim sanatı ile müzik arasında bir çalışmaları mimari ile resmin bir ara durağı olarak tarif etmiştir. Resim kendi gerçekliği dışında hiç bir şeyle Resim 5: Jackson Pollock, 1950, Bir Numara, tuval üzerine yağlı boya, 221x299.7 cm (...) Eski ustaların tablolarından birine bakan, onu bir resim olarak görmeden önce Modernist bir tablo ise önce resim olarak görülür. Fakat modern sanatı doğru bir temsil için ortaya koyduğu tüm akım, üslupların work_6deeimjrfve7bpjcc77u45bode Keywords: Brain style, thinking and learning, YBRAINS, validity and reliability has been initiated, and teaching and learning strategies that focus on enhancing the "human mind", emphasis on allround skills in enhancing critical thinking left brain the and creative thinking right brain across school subjects have human brain, i.e. the left and the right brain think and learn, or process information differently. Style of Learning and Thinking Test) listed the functions of the left and right brain. The indicators of right brain thinking and learning style include: Creative, imaginative in thinking, like to respondent responds to the test items, his learning and thinking styles (left, right or whole brain style, and open, TORRANCE TEST OF CREATIVE THINKING (TTCT) Right Brain Style WGCTA and the left brain style score of the YBRAINS (r= .27, p> .05) suggests that the two tests measuring and music major subjects will score higher on the right brain style of the YBRAINS test. work_6gu5gx47urgpnlzz4uyj4fgunm Peripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940). Peripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940). Interwar period, in which Paris is often considered the international avant-garde capital It focuses on the circulation of avant-garde artists and their works, Paris; Transnational Art History; Modernism; Canon; Surrealism; Centers and Peripheries; the surrealist movement in 1939-1940, modernity left Paris and Europe with New York avant-garde artists and their works, as well as the social, economical, financial, geopolitical The avant-garde artists who had left Paris in 1914 returned In Paris, despite the International Exhibition of decorative arts held in 1925, innovative In the international avant-garde, then, the production of surrealist figurative paintings Museum of Modern Art in New York in 1936, surrealism became part of History. transnational and social reassessment of modern art history – Les Avant-gardes artistiques. work_6jnmwcpvsnhwlpuquvpuy3d6py Review: Javier Barón (ed.), El Greco & La Pintura Moderna, Exhibition catalogue, Madrid, Museo Nacional del Prado, Hopkins, C 2016, ''Review: Javier Barón (ed.), El Greco & La Pintura Moderna, Exhibition catalogue, Madrid, https://www.research.ed.ac.uk/portal/en/publications/review-javier-baron-ed-el-greco--la-pintura-moderna-exhibition-catalogue-madrid-museo-nacional-del-prado-juneoctober-2014(c2974f0c-4e8b-4c4f-8e7e-2dcfccffc63d).html Review: Javier Barón (ed.), El Greco & La Pintura Moderna , exhibition catalogue, The exhibition El Greco y La Pintura Moderna, curated by Javier Barón at El Greco, which showed that the revolution of modern art did not begin at zero For the Spanish artist Zuluoga El Greco became an obsession. Greco''s impact on cubism was shown in the exhibition through smaller works by abstract expressionism, surrealism and new figurative art. The parallels that critics detected in Cézanne''s and El Greco''s works were modern fascination with El Greco. Greco''s perceived modernity had different repercussions in North America than Greco''s vital role to modern art still had currency in 1965 when even Roy work_6k437otfhneuxpmvzismff5i7a digital art using body interaction This paper emphasizes the participation of the whole body in the interaction process in art, which becomes essential in the development of new insights and artistic expressions. We focus in the body as a living medium, to introduce the INTEGRARTE project, an installation about body experience through movement visualizations and sounds. public to an artistic body experience through audio-visual integration between body, art and media. the distinction between different media become less relevant as the figurative art loses its dominance. We can develop expressions that integrate the whole body, its image, its sound and its volume experiments use different parts of the body and the body in visual arts creation. We developed four kinds of interactions; each one controlled by s different body part or by relationships between Integrarte: digital art using body interaction Integrarte: digital art using body interaction Interactive installations can bring together different art work_6m6rbfyfj5ar3cxdi4zgt2fvq4 Before the power of visual images, the subject has an uncontrollable emotional response: "you cannot help but be outraged." they are images of coffins, of wounded soldiers, of scenes of torture perpetrated by or against Americans—has been so explosive. Rudolph Giuliani of New York banned cameras from the area around ground zero; photographs of persons falling or jumping from the to say about words and images and their expressivity in specific cultural and historical contexts. terms the "excessive expressivity" of visual images. in the context of the war in Iraq, visual images evoked by Phelan, faced with "the impossibility of seeing and the impossibility of not looking." We have previously seen images of atrocity back and forth between images and words, comics reveal the visuality and thus the materiality As Siebers writes, "The image may teach nothing, but it does open wounds." Those who witnessed the collapse of the towers and those who work_6nc2l533hbdxzpejjluuvvnb5m personality "types" prefer characteristic genres or subject matters in paintings. that is, subjects seem to like those paintings with characteristics that in some way resemble their own personalities. refer to the hypothesis that people tend to prefer paintings that have qualities similar to those qualities perceived in their own personality. We designed this experiment to test directly the role of selfreference in preference for paintings: Each subject rated Cattell (1946, 1965), Guilford (1959), Osgood, Suci, and subject, the order of adjectives differed on the painting questionnaire and self-questionnaire within a single run, and on the two the subjects liked the paintings and the similarity of perceived self to paintings, we performed correlations separately for each subject, using data from the 12 paintings summed across adjectives and the total score was correlated with the subject''s reported liking for the painting. similarity of that painting to the subject''s ideal self. work_6oanysw5wrbwrczi2qgcnwv544 Bataille published in 1930, it seeks to set Picasso representations to work as a So thinking of some of Picasso''s works of art as representations of the face is always within Picasso''s art, but in the appearance of the human itself. expressive themes in Picasso''s human faces: the juxtaposition of ''bourgeois'' of Picasso''s representations allowed to crunch and fold back the human face and to Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 Neil Cox – Picasso: (in)human face@ 1/11/13 work_6pwnqwplefcxndpvaxg7uenqiy Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_6r74ib7c7vanhb2rk6kpzuewla Two models of the leftist ideological concepts are reflected into the socially engaged artistic work of the two programmatically declared groups, fine arts, which was expressed in the Resolution of the Harkov Conference in 1930, significantly influenced Belgrade socially oriented the Western provenance social art, first of all to the artists gathered around the group "The New Reality", which, partly, arose М. Vukotić interviewed Mirko Kujačić in his home in Mostar, on the occasion of a retrospective exhibition held on the premises of Art Gallery in Mostar. MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA MIRKO KUJAČIĆ AND SOCIAL ART IN SERBIA work_6rhckfp6sfexzkr2kpwgs3kr2u the false neutrality of maps, we emphasize the potential of artworks to communicate different insights about how we one of the most relevant visual elements on a map, we propose the following question: how the intersection between art and cartography can improve the critical thinking about borders? imposing borders in a space, whose arbitrary delimitation reflects power relations. Keywords: Cartography, Borders, Liminal Spaces, Threshold, Art From that perspective, borders and maps communicate how contemporary art uses maps to criticize borders. how contemporary art uses maps to criticize borders. how the Critical Cartography reviews the nature of maps. create new practices of map art. 2. The Critical Cartography: alternative ways of mapping spaces 3. Art and Cartography: a critical approach towards mapping 4. Border: an arbitrary line in a map 4. Border: an arbitrary line in a map 6. Criticizing borders through map art 6. Criticizing borders through map art work_6rrr5jowrvabbc7efqn43m24ua Abstract Throughout the history of architecture, sometimes the main focus of design was determined by a particular visual representation representation method expressed through the conceptual drawings by avant-garde architects of the 1970s and 80s, a period of the Rather than proving the objective reality regarded important by traditional architectural drawing, attempts It can be seen that the visual representation method in postmodern architectural drawings is breaking free of the traditional objective depiction of matter and is changing and developing as a design tool of the architect. Keywords: Architectural Design Representation, Visual Representation Method, Conceptual Drawing, Postmodern Visual Culture A study on the Visual Representation of Design Presented in ''Perfect Acts of Architecture'' Exhibition of 2001 93 A study on the Visual Representation of Design Presented in ''Perfect Acts of Architecture'' Exhibition of 2001 93 A study on the Visual Representation of Design Presented in ''Perfect Acts of Architecture'' Exhibition of 2001 93 work_6usyt4f6c5cmfa6tctfemo6bwy The notions of montage and assemblage applied to the field of art can Dominique Berthet, "Montage and Assemblage: an Aesthetic Shock," Art Style, Art & Culture International Magazine, no. on montage and assemblage of fragments, there is a political approach, a that, "according to its microstructure, all new art should be called montage"33 Through montage and assemblage, art breaks assemblage use various fragments, pieces of the world, of reality, that the artist through the work of montage and assemblage allow for constitution of a new assemblage are at the origin of an art form which reveals other realities, ferments 3. Dominique Chateau, Contribution à l''histoire du concept de montage. Kuleshov in Chateau, Contribution à l''histoire du concept de montage, 42. Dziga Vertov in Chateau, Contribution à l''histoire du concept de montage, 83. Vertov in Chateau, Contribution à l''histoire du concept de montage, 95. Vertov in Chateau, Contribution à l''histoire du concept de montage, 95. work_6y5oq2y2nrapbkxhyebr77dh2i Czech art history after the Second World War was pursued in a state dominated by Stalinist thinking in Czech art history against the background legacy of the Vienna Czech art history in the context of the Vienna School include Hugo Rokyta, ʽMax Dvořák und seine Czech Legacy of the Vienna School of Art History'' (forthcoming). our inquiry is the position and role of Marxism in Czech art history. Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism Milena Bartlová Czech art history and Marxism work_6ztm3ktxi5aazbuuov4mo2k2ty Creative Commons Attribution-ShareAlike 3.0 Unported License. | 4 intellectual property law .. Jan 01 1970 02:00:00 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM CKS_2018_intellectual_ property_law_009.pdf 1248KB May 17 2018 08:54:07 AM work_72gex2yn5bfv5l3y3jhn3oamea KEY WORDS: Machine Learning, Visualized Depth Information, RTI, Painting Analysis, Artist Classification In the past few decades, a number of scholars studied painting classification based on image processing or computer vision technologies. This study proposes a new data utilization approach in machine learning with Reflectance Transformation Imaging (RTI) images, which maximizes the visualization of a three-dimensional If these new types of images are applied as data to train in with the machine learning model, classification would In this paper, we propose a method which uses machine learning and RTI technology to analyze and classify paintings more We investigate three machine learning architecture for the painting classification task, which uses the RTI images as a training depth-visualized images improve the result of painting classification with machine learning, and in experiment 2, the number of training data was increased and the classification classes work_73kj5zqdvfdrdpkps2tku4cpuq in Paris at the Fondation Cartier for Contemporary believes he can do it."4 Years before the Fondation Cartier moved into its Jean Nouvel-designed case there''s no way to work these days as a mathematician, much less as an artist, without coming to A Beautiful Elsewhere, the Cartier exhibition''s and mathematical structure are the mysteries in is in fact an interesting artist, like the others participating in this cross-cultural experiment, and mystery: how the collaboration of so many undeniably talented people, artists and mathematicians mathematics and the arts (such as they are) do The interview mentioned Villani''s participation in the Cartier exhibition, but projects a sampling of the Mystery of Mathematical But when art meets mathematics, But when art meets mathematics, to film Grothendieck''s life. If I''ve learned anything from the exhibit at Fondation Cartier, it''s that such scenes take place in real the Fondation Cartier to Lynch''s new Paris nightclub, also called Club Silencio. work_76k5ybqa2zd5ljx6jgahvhjk2q In this slender volume, Erik Brynjolfsson and Adam Saunders examine the links Yet a consumer who uses a web search to book a holiday, web-based products that seem, to the search engine or Adobe''s portable document format. new ways to manage and analyse economic policy, is cited as one way for an organization to draw benefit from the human Valuing the digital economy As an executive coach who works with companies to recruit, retain and develop their female Doyle-Morris interviewed 21 senior women sense for companies to put more women in senior positions. Working in a Male-dominated Field of these strategies to women working in They discuss mentoring in universities and the use of flexible working time in on in Los Angeles, Hébert explains his interest in algorithms. about new phenomena in physics and nature be based on algorithms but it should also Are algorithms important in art? work_7etyy4mhgfdaxc7yg4oxiu4srq Anatole Broyard''s life story makes for a good suspense film or mystery novel: a Broyard''s Vision of Art, Life and Politics that the kind of autobiography Broyard chose to write, near the end of his life, Broyard''s consciousness separate from life and the past. The distinction between art and life, as it appeared to Broyard''s consciousness, Art proper appeared to Broyard to be separate from life. Whether he liked abstract painting or not, Broyard wanted to Unlike the autonomous art of high modernism, Jazz appeared to Broyard in a Broyard saw that communism, like liberalism, distanced people from "the Like Sheri, Broyard erased and redrew himself as a work of art. Broyard confirms that he belonged to ordinary American life in a way that All these objects appeared to Broyard''s consciousness separate and art, between artists and intellectuals who were separate from life and Like Sheri, Broyard was a work of art work_7ig6crhfqzcmvnshltthmkkhxy Second, by upgrading the technique of Matisse'' paper cut-out in a modern way such as Matisse'' paper cut-our has forms, colors and Key Words : art illustration, Matisse, paper cut-out, motives, image Matisse'' paper cut-out to fashion illustration in the work of Henri Matisse to fashion illustration, the work of Henri Matisse to fashion illustration, Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting Kang Heemyung / A study of Fashion art Illustration employing Matisse Painting work_7lnethqhdbeatpzh52onesbrie Architecture et révolution: Le Corbusier and the Fascist Revolution book title of 1918, Vers une architecture, as per the advertisement in L''Esprit nouveau. return to Vers une architecture in 1923, that very same year, Le Corbusier''s cover sketchdesign curiously bears the title Architecture ou révolution, from which we can deduce that the historical reading of Le Corbusier''s refrain Architecture ou révolution in 1923. of Le Corbusier''s argument, architecture/revolution. and the architect''s historical rendering in Vers une architecture, where Le Corbusier did not Architecture is not a surrogate for revolution in Le Corbusier, and neither does new translation: Le Corbusier, Toward an Architecture, ed. 5 Le Corbusier, Vers une architecture (Paris: Georges Crès, 1923). MIT Press, 1982), and Cohen in Le Corbusier, Toward an Architecture. translations see Le Corbusier, Towards a New Architecture, trans. Reprinted as Le Corbusier, Towards a New Architecture, 16 See Le Corbusier, Towards a New Architecture, 260-61. work_7nl4pggmlzfubo7v7oqam4vsfu We present new far-infrared (70–500 µm) Herschel Photodetector Array Camera and Spectrometer (PACS) and Spectral and Photometric Imaging Receiver (SPIRE) imaging observations as well as new mid-IR Gemini/Thermal-Region Camera Spectrograph imaging (8.7 the AGN unresolved infrared emission with the clumpy torus models and estimated that the In this paper, we present new far-infrared (far-IR) imaging observations of NGC 1365 performed with the ESA Herschel Space The small ellipse on the optical image represents the approximate size of the ILR region studied in the AGN hosted by NGC 1365 using high angular resolution observations, including imaging, spectroscopy and interferometry. Fig. 8 shows the best fit to the nuclear nearand midIR SED and the mid-IR spectrum of the NGC 1365 AGN. Best fit (solid line) to the AGN-subtracted SED of the IR emission in the ILR region of NGC 1365 (r = 30 arcsec, filled dots). work_7nyvjiogy5a6xp2jp2zc7snwdm Araştırmanın amacı, görsel sanatlar öğretmen adaylarının modern resmi algılamalarında, kolaj tekniğinin öğrencilerin modern resmin düşünsel ve biçimsel temelleri ile kolaj tekniği hakkında farkındalıklarının artış gözlemlenmiş ve öğrenciler modern resmin ve kolaj tekniğinin biçimsel, düşünsel yapısına yönelik Anahtar Sözcükler: Kolaj tekniği, modern resim, asamblaj The purpose of the research is to demonstrate the contribution of the collage technique to modern art Yöntemi Olarak Kolaj Tekniğinin Modern Resim Uygulamalarına Etkisi" başlıklı doktora tezinden alınmıştır. 2. Etkinliğin, modern resim ile ilgili öğrencilerin Picasso''nun kolaj tekniği ile modern resmin ne gibi bir etkisi olmuştur?" ve yine aynı tarihte "İşlenen ders, modern sanat ile klasik Kolaj tekniği ve modern resim konusunda Kolaj tekniği ve modern resim arasındaki modern resim ya da yalnızca kolaj tekniği Modern resim ile kolaj tekniği arasındaki Modern resim ile kolaj tekniği arasındaki Görsel Sanatlar Öğretmen Adaylarının Modern Resmi Algılamalarında Kolaj Tekniğinden Yararlanılması: Eylem Görsel Sanatlar Öğretmen Adaylarının Modern Resmi Algılamalarında Kolaj Tekniğinden Yararlanılması: Eylem work_7tepdpob3nh2jch3vrij5th4n4 of manual labor (Digital Humanities Manifesto 2.0). merge and assume the sorts of secular institutional forms that proliferated in nineteenthand twentiethcentury universities, knowledge forms pulsating with learned reference works that could be marshaled to defend this or that position, a universe made up design and development of experimental history museums like the Trento Tunnels, or an professional language, altered research protocols, new models of teaching and training, Design and the Literary Lab, at Stanford University; McGill''s .txtLAB; Maryland Institute disciplines in question and the cultural and and humanities; between the academy, industry, and the cultural sphere."9 his copy, composed in 2000 for the lab''s home page with the ashes of the Stanford Humanities Laboratory but as a second cross-, inter-, or transdisciplinarity chapter. Stanford Humanities Laboratory, metaLAB Unlike the Stanford Humanities Laboratory, metaLAB does PDF (Digital Humanities Manifesto 2.0). he Digital Humanities Manifesto 2.0. Digital Humanities. Digital Humanities. Digital Humanities. Digital Humanities. work_7vy7th5ocbcqbamo5fqv7gjzp4 may seem unusual to identify icons as a form of technology or medium, McLuhan''s definition is texts on iconography, and their contemporary, Paul Evdokimov, author of The Art of the Icon: A 9 Clemena Antonova, Space, Time, and Presence in the Icon: Seeing the World with the Eyes of God, mention in his work), McLuhan applied his laws of media to modern art, particularly Cubism. between Cubist art and iconography, in an attempt to apply McLuhan''s framework for media perspective in a work of art (or an icon) and its effect on the experience of the viewer. The ideas of medium, figure-ground relationships, and the laws of media all form an important draw attention to its physical form, and to distance the icon from McLuhan''s idea of visual space, which is primarily development of a tetrad describing the dynamic effects ("messages") of icons, using McLuhan''s work_a2fzifj6hvcmtoqpba5t2hpeh4 work_a6bjwnjtfjfxdbijbh4aa2xw6u Learning from cubism to understand the reality of hemodynamics Scheuzger and colleagues entitled Sublingual microcirculation does not reflect red blood cell transfusion observational study in the intensive care unit [2]. the complex microcirculatory response to red blood For example, the authors observed that pretransfusion microcirculation parameters (i.e., microcirculatory flow index, proportion of perfused vessels) significantly impacted individuals'' posttransfusion microcirculatory response. appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if The Creative Commons Public Domain Dedication waiver (http://creativecommons.org/publicdomain/zero/1.0/) applies to the This comment refers to the article available at https://doi.org/10.1186/ blood flow response to transfusions with the art and [1], the author suggests a correspondence between cubism and the theory of relativity, which was later denied Sublingual microcirculation does not reflect red blood cell transfusion thresholds in the intensive care unit-a prospective observational study in work_aaej5rkaobf5bozvyiwvz7xhvy Mid-infrared diagnostics are presented for a large portion of the Spitzer Infrared Nearby Galaxies Survey (SINGS) sample plus archival data from the Infrared Space Observatory and the Spitzer Space Telescope. low-ionization cooling lines of X-ray dominated regions like [Si II] 34.82 µm can particular show weak PAH and large ratios of high-to-low ionization line emission. The upper panel of Figure 3 uses the 6.2 µm PAH feature and the emission line ratio [O IV]25.89 µm/[Ne II]12.81 µm in a similar mid-infrared diagnostic diagram, [O I]63 µm) has previously been observed emanating from the large "partially-ionized regions" surrounding AGN and infrared-bright galaxies (Veilleux & Osterbrock 1987; Armus, excitation, nearly all of the "pure star-forming" nuclei and extra-nuclear regions show relatively elevated ratios in [S III]33.48 µm/[Si II]34.82 µm (see also Figure 3). AGN and star-forming sources in dusty ULIRGs is that mid-infrared lines and PAH features work_aaneeu7j45gitmphlfnsvdvexi Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory SHAFAREVICH, Basic Algebraic Geometry, Springer, 1974, 439 pp. an introduction to algebraic geometry that does not require four years of background in the case with books in algebra. work_adpnv3whprf27kdrotiizenltm historical work on art and science that serve as useful examples in this developing field. Jacob Bronowski, for example, explored this subject in his introductory essay "The Creative Process" in a 1958 issue of Scientific American devoted to innovation in science. Arts and Sciences symposium subsequently published in Daedalus and in book form as Whyte''s essay in Kepes'' 1965 Structure in Art and in Science, "Atomism, Structure, and Form," (MIT Press) features an annotated bibliography, "The Visual Arts and Natural Sciences in Historical Perspective," to Picasso and Einstein is California surgeon Leonard Shlain''s Art and Physics: Parallel Visions in Space, Time, 1949, "The affinity between the new style in the visual arts and modern physical science 23 As Lillian Schapiro explains in the Preface, "The text ''Einstein and Cubism: Science and Art'' has been edited interactions of modern art and science: popular scientific literature has been a crucial work_agdesptwrjcjvcvk5vwplug3nq Kane shows more complexity than Carringer''s fine Narrative and Symbolic Structure in Citizen Kane" family at an early age, searches for some love relationship to take its place but fails to find the emotional understanding and acceptance he seeks. were plenty of girls in the early days." These relationships with individuals are complemented and complicated by Kane''s relationship to what he likes to his political relationship to the public collapses, Kane see Rosebud and the globe Kane drops as symbols of [Kane''s) complexity," the film seems rather to show Carringer''s other point-"in Kane~s attachment to that Kane ought to be provided with a definitive in the story, where it would emphasize the psychological compulsion associated with Kane''s name. real Kane in one of the stories told about him inevitably will be to do what Shear does, to distort and Holland argued that when he read King Lear he found work_agmmdlerujblvbnqmucxpl4fhm Meyer Schapiro, The Language of Forms: Lectures on Insular Manuscript Art. Foreword by Charles E. The Language of Forms: Lectures on Insular Manuscript Art Pulliam, H 2010, ''The Language of Forms: Lectures on Insular Manuscript Art'', Speculum, vol. Insular Manuscript Art. Speculum-A journal of medieval studies, 85(2), 462-463doi: https://www.research.ed.ac.uk/portal/en/publications/the-language-of-forms-lectures-on-insular-manuscript-art(c3c4a7e5-6858-4e19-bf5b-0542f30ab94c).html Meyer Schapiro, The Language of Forms: Lectures on Insular Manuscript Art. Foreword This volume presents a series of public lectures on Insular manuscript illumination given by While the foreword proclaims the lectures to be "timeless," part of their attraction is that they are so clearly of a specific time and place and person: Schapiro, in New York, in the late 1960s. of Insular objects as "art." The lectures make frequent, anachronistic-sounding appeals to Until the publication of these lectures, many art historians had only glimpsed Schapiro''s approach to Insular manuscripts, either via fragments gleaned from his other publications or The book presents an almost closed system, treating the Insular object as "art work_aiygxin32bf2xapa3xlkhi6xjq nombreux critiques, Arthur Adamov et Eugène Ionesco ont été deux piliers de ce courant baptisé par Martin Esslin "Théâtre de Adamov depuis le Théâtre dit de l''Absurde jusqu''à des engagements plus prononcés autour des réalités politiques et sociales de son pourtant pas inconnus de ceux pour qui le théâtre doit être autre chose que banales intrigues ou pur divertissement. Pour moi, une pièce de théâtre ne consiste pas dans la description du déroulement de cette histoire : ce serait faire un Le fait est que lorsqu''il était interrogé sur sa filiation avec l''école dite absurde, Ionesco semblait ne pièces ; presque toutes ont été représentées ; il y en a une ou deux d''inédites dans ce volume de son théâtre, et il a fait du Théâtre de l''Absurde a endurés lui aussi, et quasiment pour les mêmes raisons, ce que traduit fort bien ce work_ajltr3ihyvelnejz6szjlowmsm · Investigate how changes in abundance of key fished species (e.g. rock lobster, snapper, dhufish) are likely to influence other species · Explore the ecosystem impacts of fishing Model Calibration: Wester Rock Lobster Biomass predicted by the model Panulirus cygnus NDR seagrass ass. Inshore seagrass ass. (2.5% year-1) of dhufish and pink snapper (2.5% year-1) of dhufish and pink snapper Scenario: Reduction of F by 50% (2.5% year-1) of dhufish, pink Western Rock Lobster Sensitivity Analysis (change biomass of each living group) the model to sediment detritus Jurien Bay Marine Park Jurien Bay Marine Park Scenario Species Fishing effort (%) year Role of western rock lobster Scenario 1: Reduction of lobster fishing mortality from 0.6 to 0.3 in 20 years ↓ Fox fish, Breaksea cod, Octopus, Squid ~ 20% ↓ Baldchin grouper, Breaksea cod, Western Foxfish < 10% ↓ Baldchin grouper, Breaksea cod, Western Foxfish < 10% work_allww2nryncrbi5vriu4kn7upm How Art Can Educate the Radiologist''s Eye: Duchamp''s "Nude How Art Can Educate the Radiologist''s Eye: Duchamp''s "Nude Descending a Staircase" Key Words: Art, perception, Duchamp, education, radiology, radiologists Duchamp intended to exhibit "Nude Descending" at an art show in Paris, but it was rejected by Duchamp''s "Nude Descending" extends this effect even further in space and time. "Nude Descending" invites a radiologist to reflect on some essential features of our daily work Duchamp''s figure is fragmented, a feature of essentially every radiologic image. radiologic image sets a photograph of the patient (5. Another radiologically notable aspect of "Nude Descending" is its depiction of the figure from Another feature of "Nude Descending" of special note to radiologists is the interplay it depicts Another feature of Duchamp''s painting is the fact that, when represented geometrically, a human Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912. work_asbknngcxjfy5jzcqih3aqbcaa Can the arts and humanities contribute significantly to the study of the brain? involved in humanistic and scientific inference, and in this essay, I argue that conclusions reached by one frame questions regarding human experience that can be tested experimentally forcefully at a time when a significant proportion of human brain studies are addressing questions that are of importance 1854), since color is a subjective experience that is the result of a transformation therefore have of color is ''''brain knowledge''''. knowledge—whether grounded in scientific experimentation or through philosophical (Cellucci, 2013) or humanistic those reached by scientific experimentation, even if translation from humanistic what, in aesthetic experience, is ''''common to all and peculiar to none'''' (Bell, paradigms used to study the neurobiology of aesthetic experience, whether different areas of the (visual) brain are on male birds, often perceived as beautiful by humans, reveals a (subjective) truth work_atfe4r6swvda3ord24qhecdmvu of "Kesien kesä", I will trace the genetic process where Hellaakoski strives to create a proofs, and published versions of "Kesien kesä" shows how Hellaakoski tries out various By setting the body text in different typefaces of letterforms, Hellaakoski uses the historical, of the typography of the poem concerning typefaces and type sizes. first proof of "Kesien kesä" differs considerably from the manuscript, especially concerning the two typographic versions of "Kesien kesä" published during Hellaakoski''s lifetime, we The Aitta and first proof versions of the poem differ in both their use of type and the white A notable difference between the Aitta version and the first proof is the blank line between typographic contrast between the versions of "Kesien kesä," I have ordered the lines of the present side of the poem by their matching type size in both versions (lines 14–17 in Aitta, work_athmodoz4fgdjlsyxoitiilfri akımları içinde disiplinlerarasılık hem farklı disiplinleri bir araya Disiplinlerarası Sanat''ın sahip olduğu olanaklar modern sanatın içinde ortaya çıkmış ve modern sanat düşüncesinde yer almasını sağlayan bir yöntem olmuştur. sonsuz yeni bilgiler yaratmanın yolunu açarak ilerde Disiplinlerarası Sanat için bir zemin de Kübistlerden farklı olarak daha soyut bir özde bilinçdışı ve Pop Sanat halk içinde canlı ve anlaşılabilir bir sanattı. Bu yeni gelişmeler içinde modernist sanat ta farklı bir boyut aldı. Bir zamanlar sanat yaşamdan üstün gibi yitirmeye başlayan Pop Sanat yerini, sanatı farklı bir şekilde sorgulayan Kavramsal Sanat''a Kübist sanatçıların ellerinde yeni bir sanat yapma yöntemi olarak kolajlar, doğrudan klasik disiplinlerarasılık bir yöntem olarak ortaya çıkmıştı. Modern Sanat temel bir biçim üzerinden yükselmek istiyordu, bu mümkün olmayınca Dolayısıyla modern sanat, figürle geleceğe yeni bir radikal bir sanat için, belki de Baudrillard''ın dediği gibi "sanatın hükümsüzleştirilmesi Disiplinlerarası Sanatta kavramsal bir çalışma, nesnel Disiplinlerarası Sanat kendi içinde farklı düşünce biçimlerini ve work_avjmuievxbddblbh33u6nyuoba Avant-Garde: The Case of Barradas, Vibrationism and Torres-García" presented at Barradas began to use the concept of Vibrationism to refer to his new Vibracionismo: Torres-García, Barradas, and an Art of Higher Consciousness," in: [6] 1917 was a crucial year in the artistic development of the CatalanUruguayan painter Joaquín Torres-García (1874-1949). evidenced by the article on Barradas that Torres-García published in the same month of August, Torres-García had published an article in the avantgarde journal Un enemic del poble. the word "vibration" in precisely the same month that Barradas and TorresClassicist past and its Mediterranean context; other key concepts of the movement, 18 Juan Manuel Bonet, "Alrededor del reloj: Joaquín Torres-García, Rafael Barradas, vanguardia en Barcelona," in: Barradas – Torres-García, exh. according to Torres-García''s diary, it was Salvat-Papasseit who would take Barradas Vibrationism and Planism to refer to either artist''s work.32 Lagar''s paintings, Salvat, Torres-García and Barradas also promoted the journal Arc voltaic work_b3pneemtbba5rks3qhctmfbcky Title Video as art: collecting artists'' moving image in academic art libraries Citation Grandal Montero, Gustavo (2009) Video as art: collecting artists'' moving academic libraries, did not collect film (or early This is the case particularly for artists'' film and video, and this article attempts to Artists'' film and video video from the late 1960s) as a visual art, the moving Onestar Press, etc.);6 and artists'' film and video Films and videos can be available as limited Film and video work by a specific artist can be A final source of artists'' film and video is Films, videos and television programmes Artists'' film and video public performance, video and media art on DVD, established in 2004. Publisher of contemporary film and video art on Publisher of artists'' film and video on VHS and Its Early Video Art collection experiences in developing a video art collection at work_b4nloffu35h6ln2oqmuqxgubpy transforms data into spatial structures by organizing physical, technical, cultural,y many ways to form particular organizational structures in design, its concepts correspond to architecture both by providing a particular method of organization of spatial elements be applied in design as a way to transform spatial and temporal information, precisely design tools for organizing spatial and temporal information. information about space and time in architecture; the second implies its use as a tool for massing of the architectural object, the tool of movement also provides possibilities for movement, to provide informational transitions in space and time, being aware that movement in architecture, even in static structures, proliferates with design possibilities In architecture, the concept of dimension, considered as the link among all design transformations to the design elements, we change the concepts of movement and result in a change of form and connectivity of the design elements. work_b4nytp5k35gqrjthqmywcrrctm Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill Abstract: The neural underpinning of art creation can be gleaned following brain injury in Braque''s injury was in the left hemisphere while Kokoschka''s was in the right the same genre as their pre-injury period, and their artistic skills, talent, creativity, and productivity For the creation of the art itself, observations of established artists with acquired brain injury aspect of art through a discussion of world-renown artists, Braque and Kokoschka, both of whom localization of the damage in the left hemisphere, Braque did not paint for nearly a year afterwards. As with Braque and Kokoschka, numerous other professional prolific artists with damage to brain Ultimately, subjecting paintings and other visual artworks of artists with brain injury to In the great majority of cases, artists go on producing their works despite their brain injury [10]. work_bdh3ehgvqjbkhmtdonr4wva6ea ShieldSquare Captcha We apologize for the inconvenience... ...but your activity and behavior on this site made us think that you are a bot. Note: A number of things could be going on here. If you are attempting to access this site using an anonymous Private/Proxy network, please disable that and try accessing site again. Due to previously detected malicious behavior which originated from the network you''re using, please request unblock to site. Please solve this CAPTCHA to request unblock to the website You reached this page when trying to access https://iopscience.iop.org/article/10.1086/590324/pdf from April 06 2021, 01:45:56 UTC work_bdogznwu5rhsxjrir3ls3tfv74 focuses on the deployment of a modern-art web-guide, aiming at enhancing traditional approaches Keywords: modern-art; multimedia guide; painting-movements recognition; blended learning; on modern-art painting styles, for both in-class demonstration and self-training support. work to broader research considerations on professional media training and digital literacy support. The current work demonstrates the implementation of a web/multimedia guide on modern art, RH1: A properly organized multimedia guide could facilitate the process of media learning, both for RQ1: Are the targeted users (media students/trainees) interested in using interactive multimedia multidisciplinary media subject (i.e., modern art), prioritizing audience engagement? The implemented modern art guide with its featured multimedia elements and the associated and importance of educational platforms/web-guides on modern art, especially for the Greek language. Questions that were related to modern art and Istoriart aspects (initial knowledge, suggested guide and a key element for Istoriart, fulfilling educational purposes either for art related users or work_bdzssr3atffmhdv43idtbbsspe Christ crucifi é, auréolé, fi gure d''icône entre les deux larrons, est rejeté au second à-dire pendant toute la période où sa signifi cation est restée exclusivement religieuse, la crucifi xion a porté simultanément deux sens différents et complémentaires, au moins : la mort bien entendu, mais aussi la vie sous la forme chrétienne beaucoup de surréalistes s''intéressent d''une part aux grands mythes dans la mesure où ils expriment la nature irrationnelle de l''homme, et d''autre part à la notion de sacré, un sacré sans transcendance mais qui manifeste l''hétérogénéité du Avec les crucifi és de Kondor, on passe très clairement de l''hétérogénéité surréaliste à la transcendance chrétienne, à ce que le christianisme appelle l''incarnation dont la croix est l''expression la plus dramatique. de manière intelligible ce qui constitue le sacré, c''est-à-dire la rencontre de l''humain et du divin, Kondor associe la main et l''aile, l''ange et le crucifi é dans son work_bfxehehyr5gm7ft7kk7kuy3hdy between interior and exterior in my sculptural work creates additional aspects of through higher dimensions result in a visual language suitable for expressing poetry, but Subjecting the same picture to different higher-dimensional vibrations leads to With respect to the application of higher dimensions in art, the current moment r one can observe that the original image often reappears several times in my works.ff verbal descriptions of appreciation of works that refer to higher dimensions are subject to problems of time, which strengthen counterpoint relations between different works, since Higher dimensions play a central role in my sculptural work as well. important role in my sculptural work, result as projections of part of a grid of sixdimensional hypercubes onto three-dimensional space. my sculptural work, the same grid of six-dimensional hypercubes leads to different of higher dimensions was studied in mathematics and from there found its way into art. The golden section, tilings and projections from higher dimensions work_biqbpu3qlnd7zjmgup6lhw3ehu the two hundred articles is headed by a list of the various Russian, Polish, Czech, or interesting derivatives of the root are then listed in columns according to language so that morphologically identical words line up horizontally. The value of root lexicons has long been recognized for advanced vocabulary study of Russian (compare the lexicons of Wolkonsky and Poltoratzky, the need for similar expositions of the vocabulary structure of other Slavic languages, and provides a useful tool for pinpointing translator''s "false friends"— Russian Futurism: A History has competently documented and put in perspective Barooshian''s study, entitled Russian Cubo-Futurism, 1910-1930, is, in effect, Russian Cubo-Futurism in Brief Historical Perspective." Perhaps because the the chapter entitled "French Surrealism and Russian Futurism" tends to concentrate, at times, on some less "intrinsic" aspects; it assigns too much importance to the French artists'' ideological declarations. Russian Cubo-Futurists" (p. work_bmexjj4vujemdjpthmsprsijoy Keywords: Quattro nodes, insulated glass, Tensile structural systems co-designed and engineered, produced and built a number of cubical glass volumes. We have designed these glass cubes as architects, structural engineers tempered glass panels, where the vertical corners are held together by glued stainless In 1988 cubical glass pavilions were designed by architect Wiek Röling and structural This structure was conceived in single glass panels, fully tempered. In 1989 Mick Eekhout designed the structural scheme for an all-glass envelope for Opened in 1990, it was the first structural glass building in the Dutch architect, Walter Lockefeer came to Octatube to co-design a glass roof in a So he stimulated the development of the first glass panel roof, stabilised as a Figure 16 and 17: Design of the Glass Cube by architect Millanes and engineers Typsa and Octatube. Figure 18: Installation of the Glass Cube [3] Eekhout, M., ''Product Development in Glass Structures'', 010 Publisher, Rotterdam, 1989. work_bnpxoymfibfzjjl3lmushns4gu his composing efforts in comparison to his work as the maker of intonarumori (noise instruments), his authoring of new aesthetic ideas, and 1 Flora Dennis, ''Luigi Russolo'', The New Grove Dictionary of Music and Musicians II ed. works by Russolo plus incidental music: none of this is thought to have survived; ''Luigi sprung, Luigi Russolo''s manifesto ''The Art of Noises'' (1913), seemed More traditional concerns inform the practicalities of composing such music, which for Russolo was essentially abstract rather than that Russolo''s desire for practicality in both the notation and performance of his works meant that he blended old and new musical Futurist music, as Russolo would have us believe, or if they were indicative of a compositional aesthetic less radical than one might otherwise 35 Barclay Brown, ''The Noise Instruments of Luigi Russolo'', Perspectives of New Music Vol. 20, Brown, Barclay, ''The Noise Instruments of Luigi Russolo'', Perspectives work_brcdjjw7mzga5ha57lkr7kz5qy Eudora Welty, Edited by Pearl Amelia McHaney URL : http://journals.openedition.org/transatlantica/4676 1 Eudora Welty as Photographer is part of a growing appreciation for her achievements as written for this volume, advocate for Welty as an important photographer whose work 2 These photos selected by Welty scholar Pearl McHaney, editor of A Writer''s Eye: Collected her introductory essay, Welty was rejected in her application for work under the 8 Eudora Welty as Photographer consists mostly of photos shown in exhibitions in Jackson, 2003, and now, Eudora Welty as Photographer. 2003, and now, Eudora Welty as Photographer. books of Welty photographs? where this collection fits into Welty''s body of work and why these prints are being And there''s a similar sense, between Welty''s work and the colloquial 12 The formal quality of Welty''s work combined with the sense of the passing human subjects'' lives, and Welty simultaneously reveals and shares the immediate moment work_bufuqwaijjgplg2qvjp5a4k5ve A Perceptual Grouping Hierarchy for Appearance-Based 3D Object Recognition | Semantic Scholar Corpus ID: 15555340A Perceptual Grouping Hierarchy for Appearance-Based 3D Object Recognition title={A Perceptual Grouping Hierarchy for Appearance-Based 3D Object Recognition}, In this paper we consider the problem of 3D object recognition and the role that perceptual grouping processes must play. Improving appearance-based object recognition in cluttered backgrounds Appearance-based object recognition using multiple views 2003 IEEE Computer Society Conference on Computer Vision and Pattern Recognition, 2003. View 7 excerpts, cites background and methods View 7 excerpts, cites background and methods View 7 excerpts, cites background and methods Object recognition using appearance-based parts and relations Proceedings of IEEE Computer Society Conference on Computer Vision and Pattern Recognition Proceedings of IEEE Computer Society Conference on Computer Vision and Pattern Recognition Proceedings of IEEE Computer Society Conference on Computer Vision and Pattern Recognition Proceedings CVPR IEEE Computer Society Conference on Computer Vision and Pattern Recognition work_buvggge5uffi7o7mdbpk6oxbgu It also has tremendous heterogeneity in its clinical presentations, extensive variability in current nonoperative and operative treatments prescribed with uncertain clinical outcomes, high complication rates and would be quite helpful for the personalized treatment of the unique ASD patient that suffers from this often heavy disease burden. So far, all of the work using predictive analytics and early AI for ASD has been done by a Will this group data suffice or will more personalized data from individual centers and surgeons be required for the type of individualized health care that these unique patients require? patient truly unique, but so is every ASD spinal surgeon and spine center providing the care. So will optimal care pathways for the evaluation and treatment of ASD patients require input for both the patient and surgeon/center provider? with the surgical invasiveness, and not from the surgeon or center where the surgery was performed. with ASD, but also the surgeon and center providing the care work_c54a6wz43ngabdd3bh7lzdbtni Fictive art in new media Multimedia, IEEE For example, Brodsky seems to appear in case history notes from some of the 20th century''s top Fictive Art in New Media the new media arts? Art." I was immediately struck with how appropriate this term is for this form of fiction that I narrative and fictions to create made-up worlds, The artistic strategy of ''pataphysics has occupied a paradoxical place in the art history of the of fictive art to earlier ''pataphysical patterns. Airworld is a Web-based art project by Jennifer and Like many of the current Web art island, we created the work Journey to the C/enter The work itself plays with recent Web forms Here are some other fictive art sites that might be of interest: Here are some other fictive art sites that might be of interest: ❚ US Department of Art and Technology, http://www.usdept-arttech.net work_c5bbowzvrvajrnu5a5yzssxsbq Institute of Art History of the Academy of Sciences of the Czech Republic (UDU), Prague decorative style, the leading figures of which were the architects Pavel Janák and Josef architectural designs by the leading architects Josef Gočár, Pavel Janák, and later others of the art history community towards this form of artistic expression after 1918, which it artistic expression by the art historian Marie Benešová, in a text whose prosaic title [11] Directly linking Czech postwar output with artefacts in the Art Deco style, simply terms of art or content, because they were based on quite different national cultural Decorative Art by Janák, enveloped itself in progressive architectural forms, and thus contrasting colouring in a similar way to the architecture of the national style. 6 Karel Dvořák, Pavel Janák, competition design for the monument once again designed by Pavel Janák, this time in collaboration with the Monument of the work_c6ettxiwdbdpvj3yiirl456fay She went on to add: ''Hungarian art history needs to be rewritten.''1 not to have been the first avant-garde stirring in the history of Hungarian art. create a new and extensive Hungarian national culture in the spirit of German works by Hungarian artists that were created under French influence, and As a fine arts example of the movements active in the different spheres of cultural work, ''The roads parted'', a response to ''Inquisitive Art'',19 Kernstok''s text setting out 19 Kernstok, Károly: ''A kutató művészet'' [Inquisitive art], Nyugat, 3:1, 1910, 95. political and artistic ideas of Kernstok, who was especially critical of German art, The ''very different means'' and their various misunderstandings in the art of of the painter''s soul.''38 On the other hand, Kernstok, in ''Inquisitive Art'', debates that became more lively following the ''Hungarian Fauves'' exhibition at the Lukács we can glimpse the essential difference between the open art of Cézanne and work_c6zvkubskfefhg5allbia5rzma I consider Orpen''s self-portraits as the visual equivalent of autobiography and autobiografiction, Self-portraits, autobiography, identity, modernism, First World War, Ford Madox Ford, Ireland Rembrandt''s self-portraits, citing both artists'' love of dress-up but, mistakenly I would argue, views Orpen''s images Far from being unaffected by modern developments, in some of the self-portraits Orpen revealed a To view Orpen''s self-portraiture as the visual equivalent of autobiography seems especially apt in the early this sense Orpen''s visual autobiography should be seen as comprising the entirety of his self-portraiture, each image one senses that Orpen''s self-portraits constitute an attempt to mediate his own identities while The 1912 Self portrait (Figure 3) shows Orpen looking at himself in a mirror whose frame is visible within within the image, suggesting that Orpen was in the process of drawing the self-portrait we are viewing. W. Orpen, Self-Portrait Looking in a Mirror, Ireland, c. work_cecd5xfg4ne5tcwasixvyvd4d4 avec, dans ses bagages, une vaste culture l''amitié entre les deux reste pour toujours. Keywords : Brancusi ; Paul Alexandre ; art plus tard2.» Modigliani avait dans ses 1906, Brancusi est remarqué par Rodin qui ses peintures que pour ses sculptures, et par Paul Alexandre lui présente Brancusi, même le rejetant comme Brancusi qui a Modigliani suit avec admiration la naissance des premières sculptures du peintre Brancusi dans un fauteuil, la figure du Portrait de Brancusi assis dans un fauteuil. Il n''est pas étonnant que Modigliani ait Une complicité s''est créée entre les deux Fauconnier sur Brancusi dans une carte envoie une carte postale à Brancusi qui, qui traverse les époques : il réalise ainsi une des amis, comme Brancusi, Lipchitz, n''avait pas encore la force pour les Les artistes qui avaient une accompagné sur les pas de la sculpture lui 11 Cette photo a été reproduite dans Pontus Hulten, Alexandre Istrati, Natalia Dumitresco, Brancusi, Paris, 1986, work_cfgvouqxtfebdkul25qusp5tcq GALBALLY, Ann and PLANT, Margaret, ed, Studies in Australian art, Melbourne: Department of SMITH, Terry, Constructing the history of Australian art: eight critiques, Sydney: Power Institute THOMAS, Daniel, Grace Cossington Smith, Sydney: Art Gallery of New South Wales, 1973. UNDERHILL, Nancy, Making Australian Art 1916-1914: Sydney Ure Smith: patron and publisher, Margaret PLANT, eds, Studies in Australian art, Melbourne: Department of Fine Arts, University GREEN, Charles, ed, Fieldwork: Australian Art 1968-2002, Melbourne: National Gallery of McCAUGHEY, Patrick, Australian abstract art, Melbourne: Oxford University Press, 1969. Masterworks from Australian and New Zealand Collections, Melbourne: National Gallery of SMITH, Bernard, Two centuries of Australian Art: from the collection of the National Gallery of RIDDLE, Margaret, Renaissance references in Australian Art, Melbourne: University Gallery, URE SMITH, Sydney, and LINDSAY, Lionel, The Exhibition of Australian Art in London 1923: a SMITH, Bernard, Education through Art in Australia, Melbourne: Melbourne University Press, work_cipqsdtaxvdanim64qtwhg4brq make art kinetic is one of the prime artistic urges of the present century; to misrepresent presented here is the work of a practicing kinetic sculptor [8] as opposed to an art historian; and must culminate in a machine-based kinetic sculpture; and although mainstream art history has failed to artist mounted in 1932 "the first entirely kinetic exhibition in the history of Western art" [30], and at Museum of Modern Art, New York. A post-mortem must presume that, in their attempts to create a true art of the machine, Calder and the machine" [35], endow their kinetic works with metal bodies and precision bearings, but continue to different had Calder succeeded in 1931 in creating a true art of the machine, the fact Available online: http://www.caldaria.org/2013/09/lin-emery-by-philip-palmedo-reviewby.html (accessed on 4 July 2014). The Museum of Modern Art: New York, NY, USA, 1952; p. http://www.villagevoice.com/2005-11-29/art/clusterfuck-aesthetics/ (accessed on 5 July 2014). work_cjalbmpehjec3k35fxyffpvnee Keywords: new images; design process; imagination; configuration; collage; archive; image schema; an emerging image and, therefore, to experience, configuration is related to the processes arranged from a pool of 300 images representing products on the Amazon web site (Figure 1). archive held in the painter''s memory, the collage/arrangement of existing images depends on a Collages can follow collective rules in selecting and positioning images according experience the matching process within an image-schema (Figure 2a–c). The arrangement/collage with photographic images does not start with such an ambiguous We have now defined the process of making a collage as a combination of existing images. How the alteration of an image-generation process can lead to new images in an actual context is Since 2008, Sabine Hertig has been developing a collage design process using constructed from recall, with which movements can be generated, and with which the processing of images work_cjgprk5t6vevrmknjcvmxnhuy4 What George Forgot by Kathy Wolff (review) What George Forgot by Kathy Wolff (review) Bulletin of the Center for Children''s Books, Volume 71, Number 1, September Published by Johns Hopkins University Press https://doi.org/10.1353/bcc.2017.0658 https://doi.org/10.1353/bcc.2017.0658 https://muse.jhu.edu/article/667891 https://muse.jhu.edu/article/667891 wolff, kaThY What George Forgot; illus. George has his morning routine perfectly memorized but just as he is about to step (Storytime spectators may note George''s exposed polka-dot briefs and be tempted to shout out what George forgot.) To be sure he''s prepared for the school The cover art (dominated by an overstuffed dresser) and endpapers (filled wood, susaN American Gothic: The Life of Grant Wood; illus. Here middle-grade readers meet a twentieth-century Iowan, Grant Wood, who signature painting but also a seminal work of the American Regionalist school, American Gothic. she selects several other paintings for viewing and discussion which explore Wood''s that recall early Disney animation and Little Golden Books, which intersected the work_ckox62lvijduzjkxq63x4o3jby Site Suspended This site has stepped out for a bit This site has stepped out of a If you''re the site owner, contact us at 1-480-505-8855. If you are a visitor, please check back soon. work_cktbuccfhndwlm3imnhbwcxaxy T-ReCS high-spatial-resolution data reveal silicate absorption at λ 9.7 µm in the central tens T-ReCS nuclear spectra, we estimate the torus physical properties for both galaxies, finding the torus emission considered it as a continuous density distribution (e.g. Pier & Krolik 1992; Granato, Danese & Franceschini MIR emission of these two galaxies, we used image and spectra PAH emission), Fν (8 µm) and Fν (3.6 µm) are the original flux densities of the 8 and 3.6 µm images and α is the scaling factor for stellar The resulting images are shown in Fig. 1 where we see interstellar emission in NGC the PAH-emitting regions of the host galaxy or being its nucleus. main features of the nuclear spectrum of NGC 1386 are the silicate absorption at 9.7 µm and the [S IV] line, while the host galaxy spectrum shows only an increase in flux towards longer wavelengths due work_cykqum7yx5hk5ha2d5zeoqzmom Bu çalışma, Gertrude Stein''in bize bir avuç sanatsal yaratıcılığını ne kadar güzel sunduğunu ayrıntılarıyla anlatmaya çalışacak. Makalenin amacı ilk olarak Stein''in sanatsal kaynağı, romanın seçkin kübist olan kadınların yaşam mücadeleleri Stein''in gözüyle okuyucuya alışılmışın dışında bir anlatı tekniğiyle sunuduğundan dolayı, çalışma Stein''in kurgusal eserinin yapısı, daha önce de ifade edildiği gibi geleneksel bir yapı değildir. Üç Yaşam''ın nihai şeklini o şekilde yaparak; "İyi Anna", "Melanctha" ve "Nazik Lena"; Stein, Bu nedenle Stein, Kübizm''i , kübist bir resimdeki şekiller gibi kelimelerle yeniden yaratır. Bir mulatto siyahı olan Melanctha''nın aksine, Anna ve Lena Almandır. Melanctha''da, Stein çok seçkin bir üslup Melanctha''nın ve sevgilisinin zihin ve psikolojisinin karmaşıklığını daha açık bir şekilde Ayrıca, metninin ortasına "Melanctha" koyarak Stein, renk ve gölgelemenin kübist bir resimde olarak, Lisa Ruddick''in açıkladığı gibi, Melanctha''nın dolaşan zihninin sembolü olan Stein''in anlatımı hem Benzer şekilde, Melanctha ve Jane Harden''ın ilişkisi Anna ve Bayan Lehntman''ın ilişkisine çok work_dbllj5j3lvguri2ppeiimlqc4e Ardengo Soffici''s engagement with African art was mediated by French Keywords: Ardengo Soffici, Primitivism, Modernism, Cubism, Colonialism, Given Ardengo Soffici''s key role in the development of Italian art, it is necessary to Soffici''s contemporaneous writings about African art and Cubism, the frescoes bring to Mannequins belies Soffici''s rejection of non-European primitivism in his art criticism, and referenced Soffici''s debt to French art rather than Italian colonialism in Africa, during the Soffici''s art criticism, Cubism, and primitivism Soffici was in Paris when French artists "discovered" African sources at the same time, this account of Cubism considers African art''s importance for the French Soffici, "Paul Cézanne", in: Vita d''arte, 8 June 1908; "Henri Rousseau", in La Voce, 15 September 1910; and "Un libro su African sculpture for the development of Italian art, but also that of Cubism, a choice Africans in modern Italian art developed well into late Fascism and did not lead to work_dgezxywigrebnk5qkvtp3uu3ju Connelly, The Grotesque in Western Art and Culture: The Image at Connelly''s deceptively slight volume, The Grotesque in Western Art and Ruskin''s notion of the ''noble grotesque'', which Connelly rechristens the ''profound The profound grotesque is a work of art Connelly argues that the power of the grotesque resides in its visuality, Horace presents us with what Connelly calls a ''combinatory grotesque'' (26). changing meanings of the word ''grotesque'' itself, Connelly declares: threat of the abject grotesque, discussed in Chapter 5—but Connelly admirably Connelly, ed., Modern Art and the Grotesque, Cambridge: Cambridge University of Hannah Höch,'' in Connelly, ed., Modern Art and the Grotesque, 193-219, as well as to other (157).24 In this important book, however, Frances Connelly grapples with the art that Female Body,'' in Connelly, ed., Modern Art and the Grotesque, 281-90, and Noël Carroll, ''The Grotesque Today: Preliminary Notes Toward a Taxonomy,'' in Connelly, ed., Modern Art and work_dh42o6tjqjgn3ngmihchmv4era "canonical logic" of the centre–periphery narrative. The history of modern and avant-garde art is no exception; it is in fact, as the French art historian Béatrice Joyeux-Prunel has pointed out, in line with Joyeux-Prunel''s critical and geopolitical argument that research on international artistic relationships tends to turn a Swedish abstract art between  and . art on show at the exhibition was muchdesired outside Paris. early Swedish avant-garde and the art produced by his mother, Siri Derkert. Rolf Söderberg wrote art criticism and in  published a new exhibition of Swedish cubism and concrete art from  to  that was planned that the Swedish artists exhibited at the gallery local positions of the art historians in Stockholm, where they had dual careers. exhibition of Swedish art in Paris as well as galleries before the  Paris exhibition. exhibition in Paris of Swedish abstract art from work_dhgy45sganeclajnmjbluxv6ka Malevich painted Black Square in 19I5. following twenty years, he repeated the Black Square three times in the same technique (oil on canvas), and then whenever and wherever he could: in his lithographed books, on the buttons his Vitebsk students carried on their lapels and Black Square and Female Figure mark the beginning and the end of the exhibition lenged in the series of monochrome-black Suprematist paintings that ensued the potential to alter significantly the understanding of Suprematist Painting (White Planes In his catalogue essay "Malevich, Painting, Jean-Claude Marcad6, "Malevich, Painting, It is precisely this limit that Dora Vallier finds in Malevich''s White Square, this painting, see Malevich at the Russian Museum, of the best examples of Malevich''s white painting and an attempt to bring together the Suprematist concept of white into figurative painting. example devised by Kharms strongly resembles Malevich''s Suprematist forms: "a works feature often elaborate frames, the Suprematist paintings, presumably work_dhtwoqi35ff5ncshb32ha2tzey Yeats, Stevens, Eliot: Eras and Legacies, an Interview with Yeats, Stevens, Eliot: Eras and Legacies, an now-canonical figures as Yeats, Stevens, and Eliot on poetry and poetics Marjorie Perloff: Yeats, Stevens, Eliot? E.R.: You stated in "''Pound/Stevens: Whose Era?'' Revisited"—coinciding with your book of the same year, 21st-Century Modernism: The "New" the changing fates and varying poetic statuses of Yeats, Stevens, and Eliot YEATS, STEVENS, ELIOT: ERAS AND LEGACIES, AN INTERVIEW WITH MARJORIE PERLOFF 15 YEATS, STEVENS, ELIOT: ERAS AND LEGACIES, AN INTERVIEW WITH MARJORIE PERLOFF 15 YEATS, STEVENS, ELIOT: ERAS AND LEGACIES, AN INTERVIEW WITH MARJORIE PERLOFF 15 YEATS, STEVENS, ELIOT: ERAS AND LEGACIES, AN INTERVIEW WITH MARJORIE PERLOFF 15 YEATS, STEVENS, ELIOT: ERAS AND LEGACIES, AN INTERVIEW WITH MARJORIE PERLOFF 15 YEATS, STEVENS, ELIOT: ERAS AND LEGACIES, AN INTERVIEW WITH MARJORIE PERLOFF 15 half of the twentieth century so as to read Yeats, Eliot, and Stevens with work_dnvtcbcjjbbbplarhep3eg6wye art • exhibition • experiment • knowledge production • science exhibition ''Iconoclash: Beyond the Image War in Science, Religion, and Art'' York''s Museum of Modern Art, Alfred J Barr, to legitimate its endeavor. the exhibitions of the Museum of Modern Art in the 1940s and, in today''s Barr''s designation of the New York Museum of Modern Art''s exhibitions as Characteristically, the exhibitions at the Museum of Modern Art paired a century'' (Museum of Modern Art, press release, 1948).3 As the title suggests, the exhibition aimed to establish the defining features of modern art as an New York, Museum of Modern Art the Museum of Modern Art with which science was endowed at the turn of In comparing the New York Museum of Modern Art to a laboratory and its exhibitions to experiments, Barr invoked a defining form of modernity and New York: The Museum of Modern Art Archives. work_dq7cnhgdybbmthak5s6i7kq4ya acceleration of life, modern art, particularly the modern fiction, ultimately produced artists challenging the taken-forgranted truths, attacking taboos and rejecting social norms and moral codes. arguments on an egalitarian society, literature of the age are rich in rebellious characters with the senses of alienation novel including its leading traits, prominent themes and styles, highlights of modern literature and representative Modernism, as a cultural and literary movement, flourished in the leading all the modernist works "centre on a great aspect of modernity: life in the city" (Butler, Modernist writers, particularly those who experienced the World War/s, The third significant theme in modern writers'' fiction which either achieves to specific object or an artifact, in Joyce and Eliot''s works, they appear to have been made 3. Highlights of Modern English Literature and Representative Works Modernism: A Very Short Introduction, Oxford University Press. The Cambridge Introduction to Virginia Woolf, Cambridge University Press. work_dwbce4xknbd67n42askpdnnpym Although Ellison''s hands-on work with Barthé was brief,6 he remained involved in the visual arts scene. "Romie," Ellison discovered a peer equally devoted to creating a multifaceted picture of African American existence. an effort to create "in words, a portrait of a human being" and to combat the derogatory images prevalent in American visual art forms.15 African American identity as static reality and instead seeks "plastic essences." Indeed, the term "invisible" is itself calculated to challenge narrowly conceived images of black humanity. producing positive images of African American life.22 Ellison''s attention to portraits and visual artifact collections reveals his awareness of Invisible Man unable to fathom the kind of artistic value Ellison later "public, reproducible image" allowed African Americans "to reconstruct" their public faces and, to a large extent, set the stage for Washington''s New Negro project.27 Ellison''s presentation of Douglass as a Ellison''s and Bearden''s work in "Visuality and Black Masculinity in Ralph work_dxgfcqixyrclvkhuqzvzsqnhwy Keywords: original costume design; characteristics of contemporary art; design ideas; Contemporary Art Characteristics of Original Costume Design of original costume design shows the characteristics of contemporary art that are anti-rational, As the epitome of the culture, art, and thoughts of the times, costume design bears a close relation to new generation of original fashion designers whose works oppose rationality, centrality, and secular aesthetic experience, pay attention to local traditional culture and art, and choose materials and ways to For new original fashion designers, holding on dreams of creativity For the new generation of original fashion designers, culture or tradition is part of what they concern, Styles, cultures, and even any symbols in life at any time and in any nation can be put into the design of In general, contemporary original costume design features great personality and liberty, which is highly free creative state of contemporary original costume design. work_dxkzz4xdynea3f34sgkki76oxi Investigation of high and low art from the perspective of pragmatism The creation of major cities has caused aesthetic transformations in assessing the status and function of art. In fact, it is true that only elites considered art, but consider satisfying the people, like the arts, educational or entertainment applications created under the names of low/mass/popular art. Aesthetics pragmatism was established with the book "Art as Aesthetics pragmatism, on the margins of traditional arts and the The aesthetics of pragmatism is in the communication arts with art of human life unnoticed but also undermines the aesthetic The separation of art and public elites is the product of a socially, Investigation of high and low art from the perspective of pragmatism philosophy Investigation of high and low art from the perspective of pragmatism philosophy Assessment of high art and low art from the perspective of the philosophy of pragmatism work_e5y7di6xz5di3mt56cmjhsr7lm Library Malmö University Electronic Publishing MUEP ›Request a copy of the document Utskrift från Malmö universitet mau.se DSpace Repository JavaScript is disabled for your browser. 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Message: Communities & Collections This Collection This Collection Login Login Login MALMÖ UNIVERSITY MALMÖ UNIVERSITY CONTACT HELP work_eddh6e24vjgnddxsiiulmcng2i Pored toga što je jedan od kourednika časopisa Oktobar i profesor moderne umetnosti na Univerzitetu Harvard, Buhloh je ključni svedok fenomena vidi Oktobar kao model otpora koji je morao da nastane zbog toga što Artforum više nije ono što je bio šezdesetih Govoreći o svom životu, Buhloh je ukazao na karakteristične trenutke u kojima je stupao u kontakt sa markističkim misliocima, poststrukturalistima ili američkom kritikom i kako je, samopreispitivanjem svog rada u polju umetničke kritike koji je započeo šezdesetih godina u Nemačkoj, Sve pojave koje podrazumevamo kao temeljne tačke razvoja savremene umetnosti, on je sagledavao u trenutku kada su nastajale, tamo gde su nastajale ili na mestima gde se prelamao njihov uticaj na ostali deo sveta, na U tom trenutku, kasnih sedamdesetih godina, naročito iz perspektive posleratne Nemačke, činilo se da je umetnička proizvodnja u Americi (pre svega pop-art, fluksus, minimalizam i konceptualna umetnost), kao i diskursi work_efxvmz7njvhulken3xhwaaz3uy reflectance imaging survey of the painting revealed newsprint text from Le Journal of January 1902. Picasso transported these two portraits from Paris to Barcelona along with Mother and Child by the Sea. Keywords Pablo Picasso · Blue period · Painting · Hyperspectral near-infrared reflectance imaging · Reused canvas · Picasso''s Blue Period painting Mother and Child by the Sea radiograph image of Mother and Child by the Sea in cooperation with Tokyo National Research Institute for Cultural Properties. color imaging of the two paintings revealed as well newsprint letters on the surface of the two portraits. Pablo Picasso''s Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso''s newspaper use Pablo Picasso''s Mother and Child by the Sea (1902): report on the hyperspectral near-infrared reflectance imaging survey of Picasso''s newspaper use work_eh7e33pcbzcfbljxotmv25qb4q The Connected Worlds of Physics and Art. The Johns Hopkins University Press, 2008. Abstract The book Hidden Harmony—The Connected Worlds of Physics and Art by J.R. Leibowitz, in Hidden Harmony—The Connected Worlds of Physics and Art, studies the role of form in physics and in the visual arts. In the first and last chapters, Leibowitz poses the problem of how physics and art will not give the working physicist any new information; they rather provide the author''s own vision on a number of developments in the history of physics; as such they The first two chapters on physics explain the concepts of conserved quantity, symmetry, and symmetry breaking, illustrating them with examples from nature and cosmology. The next two physics chapters attempt at explaining parts of Maxwell''s theory and Leibowitz offers an original perspective on the relation between physics and art a work of art and of a physical theory. The Connected Worlds of Physics and Art. work_ehyjskpfvfb55kgeyohfg2jyoi Technology, Arts, Engineering and Mathematics) add new dimensions to the nature of science in the teaching of science and mathematics in schools but also meant that education, instead of being seen as a way simplistic view that arts learning is associated with ''right brain'' thinking science and mathematics with ''left particularly in science education and we see three levels at which the arts might improve teaching and Drawing on the arts to reinvigorate science education might provide the STEAM educators promote a more progressive alternative to conventional integration or multidisciplinary views of STEM and Arts (A) that retain separate identities and traditional subject disciplines with educational stance valuing creativity, even one that alludes to integration between the arts and the sciences, Conclusions—Towards a More Authentic and Engaging Science Education Using the Arts Conclusions—Towards a More Authentic and Engaging Science Education Using the Arts work_elcqofaysrhwdkrm27b22egkwu of an important element of design, namely color in a Semiotic composition using color and sign process to the theme ''Between the element color on the principles of visual perception based on image use colors, an important design element, to develop a composition based on the subject tessellation using the design rules and formal design structure in their compositions. subjects used various elements of semiotics in their design to the composition showed 85% of the subjects used the element In Composition-1 (Fig. 3) the life in the college campus is In Composition-2 (Fig. 4) the subject has the colors red, In Composition-3 (Fig. 5) the subject indicates that the In Composition-4 (Fig. 6) the subject defines the life at IITIn Composition-5 (Fig. 7) the colors used are the subject''s Fig. 8 Other Design Compositions Manoj Majhi is an Assistant Professor of Design at IIT Guwahati, India. http://waset.org/publication/Computer-Graphics-and-Understanding-Semiotics-in-Design/12333 http://waset.org/publication/Computer-Graphics-and-Understanding-Semiotics-in-Design/12333 http://waset.org/publication/Computer-Graphics-and-Understanding-Semiotics-in-Design/12333 http://waset.org/publication/Computer-Graphics-and-Understanding-Semiotics-in-Design/12333 work_enjqdl5xovbgvanetawa7mt5cm Keywords: history of arts, stylistic types,naturalism, idealism, expressionism, the baroque, the classique, the romantic; work of art are deeply related to the historic context, the style becoming thus a harmonization between the artist''s We could include in this category of styles the realistic searches in the plastic art of the category comprises characteristics from the Egyptian art but also the Greek one, from the Roman style, from which the art''s tendencies are cantered: the individual, the typical and the absolute. The individual corresponds to the unique manner through which the human person perceives the world at a given Gilbert Durand speaks about a realistic nature or the western art of all times where the beautiful conceived under the Expressionism is the art that tries to depict neither the objective facts of nature, nor some abstract notion based Max Deri Lucian Blaga Gilbert Durand Herbert Read Adrian Marino Naturalism The absolute Zeuxis''s mirror Realism The baroque work_eyttdmp5hba2dgjgj6ay2x5pna The Formative Ceramic Arts by Applying Expression of Cubism 고 있으며 다양한 요구에 의해 개성과 취향을 만족시킬 수 있는 디자인 개발이 이루어지고 있다. 양상을 도입하는 과정에서 주어진 상을 복수시 으로 감지하고도 2차원 인 평면에 표 한 입체주의 시 회화의 한계를 넘어 입체감과 공간감의 표 을 해 조형 측면에서 근하여 제작하 다. 인의 다양한 표 욕구에 부응할 수 있는 새로운 한 입체주의 시 회화의 한계를 넘어서 입체감과 공 간감을 지닌 도재 조형물을 제작하여 다양한 각도에서 는 입체주의 작품의 표 양상을 도 의 표 역으로 20C 미술계의 커다란 환 이었던 입체주의(큐비즘 나. 입체주의 작품의 표현 양상 그리고 이러한 단편들이 첩되고 입체주의 조각은 피카소의 조형 실험을 그 출발 새로운 자극을 받은 것은 특히 이미 리 입체주의 내 든 새로운 양태의 작품을 만들었다. 고 있으며 이들은 도자의 개념에 한 변역을 시도하 다. 이후 피터 볼커스<도 16,17>, 존 메이슨(John 한 변화를 추구하는 가운데 나타나고 있는 새로운 방식 평면에 표 한 입체주의 시 회화와는 달리 입체감과 work_f5wdwlg6n5gankff3pdo7gztvq using the new galaxy-finding algorithm PICASSO. in two of these cases, we have not identified an optical counterpart on the Digitized Keywords: galaxies: distances and redshifts — galaxies: luminosity functions — survey, with only 450 sec integrations per point, and Thus the HIPASS survey would appear to have a using our recent HIPASS survey of the Cen-A group galaxies to be detected in different Parkes Multibeam surveys Table 1 is that low SB galaxies show only part of Figure 1—A portion of the Deep Cen survey cube with velocity in the horizontal direction, declination upwards. (marked on the DSS image) is the only galaxy within 5′ and has a velocity of >12,000 km s−1. of 102 21-cm sources in the cube (to a flux limit of the Digitized Sky Survey fields around these sources survey of this area to 23 × HIPASS integration deg.) to 5 × HIPASS integration time. work_f7rrehowdndh7ns7o46vhho754 decade, art history has been lagging behind the current research on vision, cognitive science and neuroscience. He argues that while viewing modern artworks, neurons that respond to visual primitives are consistently activated, naturally leading to pleasing sensations. In contrast to approaches focusing on the artistic abilities and creativity, the third approach investigates aesthetic enjoyment through brain-imaging experiments on subjects looking at pictures. Bogousslavsky, 2003; Otte, De Bondt, Wiele, Audenaert, & Dierckx, 2003; Ravin & Ravin, 1999; Sahlas, 2003; Stewart, 2002). planation of art as a by-product of a more general conceptformation and abstraction function of the brain (Zeki, 2004). particularly important to aesthetics and art history. Contemporary art production and criticism do not essentialize the aesthetic dimension for artworks; the visual aspects of the works are not on equal footing with their conceptual dimension anymore. century art history prefers to disregard the element of emotion in its theories of aesthetics. uses theories from both cognitive sciences and art history, work_fayvipl3anchbipevihencnxgy A Study on the Color Extendability in Mark Rothko''s Color-Field Abstract Abstract This study is aimed at understanding the color extendibility of color-field abstract through Mark Rothko''s paintings. Color extendibility is a structure applied by Mark Rothko. Keywords 마크 로드코, 색면추상, 색의 확장성, 피겨, 그라운드, 파레르곤, 에르곤 Mark Rothko, Color-Field Abstract, Color Extendability, Figure, Ground, Parergon, Ergon The Artist''s Reality: Philosophies of Art, Christopher Rothko Apollinaire)가 1910~1914년경 들로네 작품의 새로운 형식을 보고 제시하는 것이 아니라, 보이지 않는 것을 보이게 하는 것이다.''라는 때 색면은 캔버스 밖에 있는 관람자에게 작품의 안도 밖 캔버스에 다양한 기술을 활용하여 표현한다. 션 하였다.''21)는 로드코의 관점에서 색의 확장성 요소를 Meaning of Modern Art, Northwestern University Press, 1979, p.72 4. 마크 로드코 작품의 색의 확장성 Rothko, The Artist''s Reality: Philosophies of Art, Yale 1958년부터 그의 색면은 점점 어두운 색조(maroon, 30) 그림출처: http://neo-alchemist.com/tag/mark-rothko/ 둘째, 여러 겹으로 공명(共鳴)된 얕은 색면은 피겨와 이러한 색면은 8. Mark Rothko, The Artist''s Reality: Philosophies of Art, work_fcegkxyjc5afdgmzoo5j2pjo7y Redalyc.Reseña de "Romare Bearden: The Caribbean Dimension" de Sally Price and Richard Price Reseña de "Romare Bearden: The Caribbean Dimension" de Sally Price and Richard Price Romare Bearden: The Caribbean Dimension is a handsome art publication in big format that straddles fields of study such as of little known watercolors created in the Caribbean by American artist Secondly, to propose that Bearden''s Caribbean artistic Generous access to the holdings of the Romare Bearden Foundation granted the authors a splendid variety and wealth of sources. Bearden and art historical studies. first two chapters, "Romare Bearden: A Life in Art" and "A painter''s Romare Bearden: The Caribbean Dimension also offers a glimpse of African American and Afro-Caribbean art historians, scholars, artists, musicians, writers, intellectuals, gallery owners, museum directors artist''s vital relationship with the Caribbean: "Art will go where energy Richard Price to continue to produce fine scholarship on the Caribbean work_fd6sessngnd2voa4qcvo46zcym building for the Glasgow School of Art opposite the proto-modern aspects of Mackintosh''s work Rennie Mackintosh''s work, what does Holl mean by Steven Holl''s new building for the Glasgow School of Art stands designed the facades of his school: is it a nineteenthcentury Glasgow tenement, or a seventeenth-century specifically in Mackintosh''s Glasgow School of Art Glasgow School of Art, to engage with the building by building above, and take the drawings of Holl''s new Holl''s design as it was for Mackintosh. Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective Johnny Rodger Putting Holl and Mackintosh in multi-perspective work_fgvaofb3zjeztmofnk326ezg7y The paper explores the design of spatial sequence on the basis of the user experience and the virtual reality technology in control spatial sequence from three points: the experience design of perception, the experience design of touring route and Finally, the paper presents a new method for designing spatial sequence. Keywords: User experience, Virtual reality, Interactive environment, Spatial sequence, Design. user experience can also drive the change of space design of spatial sequence in interaction environments. designing the spatial sequence, which is based on the user designing the spatial sequence, which is based on the user people''s growing demand for space interaction, the design experience of the space by different technological routes route design to change user experience. The Design of Spatial Sequence Based on the User Experience and the Virtual Reality in Interactive Environments The Design of Spatial Sequence Based on the User Experience and the Virtual Reality in Interactive Environments work_fl2igszzarhptdth4lokxwxkju Fedora: 404 Not Found No such object, datastream, or dissemination. [DefaulAccess] No datastream could be returned. Either there is no datastream for the digital object "uk-ac-man-scw:118078" with datastream ID of "null " OR there are no datastreams that match the specified date/time value of "null " . work_flnrwqgul5alvgtjozei3p7x5m PERSPECTIVE AND OPTICS IN THE NEXUS NETWORK JOURNAL It is almost six centuries since the invention of artificial perspective, a way of seeing paper concerns the history and origins of linear perspective within early Renaissance It raises issues relating to geometry, proportion and perspective in the paintings It discusses the nebulous origins of perspective, its orthodox history of perspective. György Darvas, an expert on symmetry, casts his eye over the history of art and, in his "Perspective as a Symmetry Transformation", argues that Brunelleschi''s invention allows of perspective projection used by Masaccio in the Trinità at Santa Maria Novella. understood certain issues regarding the visual appearance of architecture in Antiquity. as applied to perspective construction, leading us through the ideas of Alberti and Other contributions to this special issue address different aspects of perspective as well. Conventions, in which Ackerman deals largely with issues pertaining to perspective, and work_fob6cvfp5jfddciyatjracx5pa Art Mask Converged Design Based on an Expression Method 화 차별화의 추세에 따라 폭넓게 개되어지고 있으며 고객의 니즈(needs)에 맞게 다양하게 융합 목되어지고 있 이에 본 연구는 입체주의 표 기법을 아트메이크업에 융합시켜 아트마스크에 제시함으로써 새로운 디자 아트메이크업에 한 고찰 후, 입체주의 표 기법을 크게 복수시 , 형태의 분할, 콜라주로 나 어 피카소의 작품을 • 주제어 : 융합, 입체주의, 피카소, 아트메이크업, 아트마스크 shape and collage and motivated the works of Picasso for the purpose of art mask-converged design. a result of the study, it was found out that the expression method of cubism was applicable to the art 콜라주 특성을 응용하여 아트메이크업 작품 제작하 으 입체주의(cubism)의 큐 (cube)란 정육면체라는 뜻으 다양한 측면들을 동시에 보여주는 기법이다. 있으며 등, 가슴, 머리를 동시에 묘사하고 있는 다양한 시 다. 다양한 작품 형태로 활용되고 있으며, 메이크업에서 입체주의 표 기법을 입체주의를 복수시 , 형태의 분할, 콜라주 표 기법으로 셋째, 입체주의의 표 기법을 활용한 아트메이크업 융 work_fondlsr3pjecbmnhja66vl2dfe Confucian Capitalism: Shibusawa Shibusawa Eiichi (1840–1931) is one of the most respected figures in modern Japanese history. Japanese capitalism," Shibusawa rose from humble origins—he In Confucian Capitalism: Shibusawa Eiichi, Business Ethics, and Economic Development in Meiji Japan, John H. Shibusawa''s Confucian capitalism was essentially an ideological Awkwardly, Sagers then has Shibusawa "answer" Appleby (from challenge by pursuing a kind of "Confucian capitalism" that took which Sagers and Appleby write capitalism at all? Elsewhere in the same book that Sagers quotes above, Appleby writes: Sagers argues needs reforming really capitalism at all? And when Sagers chides Shibusawa for his too-cozy relationship Hidemasa, an earlier Shibusawa scholar, Sagers writes: of crony capitalism known as ''Japan, Inc.'' (Nihon Kabushiki Gaisha) that Book Review: Confucian Capitalism: Shibusawa Eiichi, Business Ethics… 99 Book Review: Confucian Capitalism: Shibusawa Eiichi, Business Ethics… 99 Book Review: Confucian Capitalism: Shibusawa Eiichi, Business Ethics… 99 Book Review: Confucian Capitalism: Shibusawa Eiichi, Business Ethics… 99 work_fpqir4w72babtph6fexvvwnpfa terms of movement style and composition, I contest many of the frequentlyheard claims made about this work, particularly its danced component, and argue that Nijinsky''s choreographic ideas challenged both dancers and critics Keywords: Le Sacre du Printemps; Nijinsky; Stravinsky; choreography; dance. "Nijinsky''s Sacre" they actually think of Millicent Hodson''s choreography, and as joy; or how Johnson 1913: 186 and The Dancing Times August 1913 represent Nijinsky''s L''Aprèsmidi d''Faune (1912) as unnecessarily restricting dancers to a seemingly two-dimensional stage Regardless of whether they liked Nijinsky''s choreography, Russian critics 68 E.g. The Times 4.11.1911 said of Nijinsky that "His dancing, too, has new elements in it, new ballet choreographers tended to dislike virtuosity, Nijinsky ended Fokine''s choreography in Nijinsky''s New Dance: Rediscovery of Ritual Design in Sacre du Ritual Design in the New Dance: Nijinsky''s Le Sacre du Printemps. Ritual Design in the New Dance: Nijinsky''s Choreographic Method. work_frymu6uqqbg2lhypatlm3bqxee Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism The article presents the monuments from the Czech Republic enlisted on the UNESCO World Heritage Site List. Keywords: UNESCO cultural and natural heritage; architectural styles; monuments; geology; tourism; UNESCO World Heritage Site List includes more than 1000 items of a cultural, natural and mixed character. and in the Czech Republic, is the geological structure of a given locality, where the specific monuments are located. The UNESCO World Heritage List gradually incorporates different monuments of a global significance. The building is in the Baroque Gothic style. i.e. Archbishop''s Chateau and its adjoining gardens, joined the UNESCO World Heritage List. It is the only modern architecture building in the Czech Republic listed on this UNESCO list. The architectural monuments in the Czech Republic listed on the UNESCO World Heritage List were built on work_ft5wuzvif5brrpx6vltficy2qm WebMD Better information. Better health. Coronavirus (COVID-19) COVID-19: Check Your Symptoms Now Get Help for Migraine Relief Drug Comparison Tool Diet, Food & Fitness Children''s Health Health News WebMD News Get the Latest COVID-19 News Here Health News and Information, Delivered to Your Inbox COVID-19: 60 Seconds That Could Save Your Life Life After Your COVID Vaccination: What to Do COVID-19 Vaccines: Get the Latest Updates Here COVID-19 Vaccines: Get the Latest Updates Here WebMD 2021 Health Heroes: Pandemic Responders Find a reputable provider in your area with WebMD Care. COVID-19 Symptoms COVID-19 Symptoms COVID-19 Vaccines WebMD Blogs | Expert Perspectives, Personal Stories Featured Health Topics Foods That Help You Focus Living Healthy Living Healthy Living Healthy DIGESTIVE HEALTH Facts to Help You Get Pregnant See All Health Conditions Live Better With Psoriatic Disease Living Better With T2 Diabetes WebMD Health Services WebMD Health Record WebMD App work_ftymkrhfirevdmdt6om36mndxy generations of his defenders, Joyce now appears more and more to readers as an avant-garde Associations between Joyce''s work and that of contemporary avant-garde movements An avant-garde turn in internationalist Joyce and modernist studies has arguably been avant-garde practices across the arts in the new century which have no doubt benefitted from avant-garde movements aimed to dismantle what he calls the institution of art, the James Joyce?"5 She offers both a critique of accepted understandings of the avant-garde and a This special issue has three parts: an overview of Joyce''s avant-garde critical and artistic whole, these essays aim to revise our conception of Joyce as well as of the avant-garde. Finnegans Wake," as for Eburne and Felski, the question of the avant-garde nature of sociality of Finnegans Wake reading groups offers a new possibility for avant-garde 4 Jonathan Eburne and Rita Felski, "What is an Avant-Garde?" New Literary History 41.4 work_fztfhu2csfg3vjhnqjbwppqwmq first case of Ebola was diagnosed on U.S. soil on September 30, the American media, with the complicity of But health care, government, and the media are medicine and public health are rooted in the dull day-today (Komesaroff 2014). With regard to the first U.S. Ebola patient, Holloway Playing into the media''s coverage of infectious disease epidemics is the social psychology of infection. public health, the only thing like this has been AIDS. http://www.huffingtonpost.com/2014/10/29/paul-lepageebola-quarantine_n_6069740.html. history, ethics, and uses of identifiable public health information. The New York Times, October http://www.nytimes.com/2014/10/24/nyregion/tracingpatients-possible-contacts-creates-host-of-challenges-forthe-city.html?_r=0. http://www.reuters.com/article/2014/10/30/us-health-ebolausa-maine-idUSKBN0IJ2F820141030. Public Health Ethics thescoopblog.dallasnews.com/2014/10/cdc-director-friedenwe-do-not-yet-know-exactly-how-ebola-transmissionsoccurred-at-texas-health-presbyterian.html/. www.dallasnews.com/ebola/headlines/20141008-ebolapatient-thomas-eric-duncan-dies-at-dallas-hospital.ece. http://nypost.com/2014/10/02/ebola-andaids-a-tale-of-two-viruses/. http://www.huffingtonpost.com/2014/10/29/paul-lepage-ebola-quarantine_n_6069740.html http://www.huffingtonpost.com/2014/10/29/paul-lepage-ebola-quarantine_n_6069740.html http://www.cdc.gov/vhf/ebola/treatment/ http://www.cdc.gov/vhf/ebola/treatment/ http://www.forbes.com/sites/dandiamond/2014/10/26/60-minutes-just-broke-new-details-on-the-dallas-ebola-case-heres-what-they-revealed/ http://www.forbes.com/sites/dandiamond/2014/10/26/60-minutes-just-broke-new-details-on-the-dallas-ebola-case-heres-what-they-revealed/ http://www.forbes.com/sites/dandiamond/2014/10/26/60-minutes-just-broke-new-details-on-the-dallas-ebola-case-heres-what-they-revealed/ http://www.washingtonpost.com/opinions/west-africa-cant-manage-the-ebola-outbreak/2014/06/29/07f4c354-fee9-11e3-b1f4-8e77c632c07b_story.html http://www.washingtonpost.com/opinions/west-africa-cant-manage-the-ebola-outbreak/2014/06/29/07f4c354-fee9-11e3-b1f4-8e77c632c07b_story.html http://www.washingtonpost.com/opinions/west-africa-cant-manage-the-ebola-outbreak/2014/06/29/07f4c354-fee9-11e3-b1f4-8e77c632c07b_story.html http://www.washingtonpost.com/opinions/west-africa-cant-manage-the-ebola-outbreak/2014/06/29/07f4c354-fee9-11e3-b1f4-8e77c632c07b_story.html http://www.nytimes.com/2014/10/24/nyregion/tracing-patients-possible-contacts-creates-host-of-challenges-for-the-city.html?_r=0 http://www.nytimes.com/2014/10/24/nyregion/tracing-patients-possible-contacts-creates-host-of-challenges-for-the-city.html?_r=0 http://www.nytimes.com/2014/10/24/nyregion/tracing-patients-possible-contacts-creates-host-of-challenges-for-the-city.html?_r=0 http://www.whitehouse.gov/blog/2014/09/30/cdc-confirms-first-case-ebola-diagnosed-us http://www.whitehouse.gov/blog/2014/09/30/cdc-confirms-first-case-ebola-diagnosed-us http://www.whitehouse.gov/blog/2014/09/30/cdc-confirms-first-case-ebola-diagnosed-us http://www.reuters.com/article/2014/10/30/us-health-ebola-usa-maine-idUSKBN0IJ2F820141030 http://www.reuters.com/article/2014/10/30/us-health-ebola-usa-maine-idUSKBN0IJ2F820141030 http://www.npr.org/blogs/thetwo-way/2014/10/24/358553648/dallas-nurse-nina-pham-now-ebola-free-to-be-discharged-today http://www.npr.org/blogs/thetwo-way/2014/10/24/358553648/dallas-nurse-nina-pham-now-ebola-free-to-be-discharged-today http://www.npr.org/blogs/thetwo-way/2014/10/24/358553648/dallas-nurse-nina-pham-now-ebola-free-to-be-discharged-today http://nypost.com/2014/10/29/ebola-doctor-lied-about-his-nyc-travels-police/ http://nypost.com/2014/10/29/ebola-doctor-lied-about-his-nyc-travels-police/ http://www.cnn.com/2014/10/01/health/ebola-us/ http://www.cnn.com/2014/10/01/health/ebola-us/ http://thescoopblog.dallasnews.com/2014/10/cdc-director-frieden-we-do-not-yet-know-exactly-how-ebola-transmissions-occurred-at-texas-health-presbyterian.html/ http://thescoopblog.dallasnews.com/2014/10/cdc-director-frieden-we-do-not-yet-know-exactly-how-ebola-transmissions-occurred-at-texas-health-presbyterian.html/ http://thescoopblog.dallasnews.com/2014/10/cdc-director-frieden-we-do-not-yet-know-exactly-how-ebola-transmissions-occurred-at-texas-health-presbyterian.html/ http://thescoopblog.dallasnews.com/2014/10/cdc-director-frieden-we-do-not-yet-know-exactly-how-ebola-transmissions-occurred-at-texas-health-presbyterian.html/ http://www.dallasnews.com/ebola/headlines/20141008-ebola-patient-thomas-eric-duncan-dies-at-dallas-hospital.ece http://www.dallasnews.com/ebola/headlines/20141008-ebola-patient-thomas-eric-duncan-dies-at-dallas-hospital.ece http://www.dallasnews.com/ebola/headlines/20141008-ebola-patient-thomas-eric-duncan-dies-at-dallas-hospital.ece http://nypost.com/2014/10/02/ebola-and-aids-a-tale-of-two-viruses/ http://nypost.com/2014/10/02/ebola-and-aids-a-tale-of-two-viruses/ news/health/2014/09/29/dallas-presbyterian-hospital-ebolapatient-isolation/16460629/. http://www.businessinsider.com/ebola-virus-in-us-dallasdont-panic-2014-9. http://www.newsweek.com/cdc-director-draws-parallelsbetween-ebola-outbreak-and-hivaids-epidemic-276466. 10/08/health/save-excalibur-ebola-dog. http://www.wfaa.com/story/news/health/2014/09/29/dallas-presbyterian-hospital-ebola-patient-isolation/16460629/ http://www.wfaa.com/story/news/health/2014/09/29/dallas-presbyterian-hospital-ebola-patient-isolation/16460629/ http://www.wfaa.com/story/news/health/2014/09/29/dallas-presbyterian-hospital-ebola-patient-isolation/16460629/ http://www.dailytargum.com/article/2014/10/we-got-99-problems-ebola-aint-one http://www.dailytargum.com/article/2014/10/we-got-99-problems-ebola-aint-one http://www.dailytargum.com/article/2014/10/we-got-99-problems-ebola-aint-one http://www.businessinsider.com/ebola-virus-in-us-dallas-dont-panic-2014-9 http://www.businessinsider.com/ebola-virus-in-us-dallas-dont-panic-2014-9 http://www.newsweek.com/cdc-director-draws-parallels-between-ebola-outbreak-and-hivaids-epidemic-276466 http://www.newsweek.com/cdc-director-draws-parallels-between-ebola-outbreak-and-hivaids-epidemic-276466 http://edition.cnn.com/2014/10/08/health/save-excalibur-ebola-dog http://edition.cnn.com/2014/10/08/health/save-excalibur-ebola-dog http://www.politico.com/magazine/story/2014/11/paul-lepage-craziest-governor-reelection-112583.html%23.VFvPLvldUlI http://www.politico.com/magazine/story/2014/11/paul-lepage-craziest-governor-reelection-112583.html%23.VFvPLvldUlI http://www.politico.com/magazine/story/2014/11/paul-lepage-craziest-governor-reelection-112583.html%23.VFvPLvldUlI work_gcicgappfvb75jheh53tj62mru Typography in Art Education learning spaces in art education, introducing urban typography for training teachers. With the help of typography, visual arts educators have a powerful suggest walking as an aesthetic practice; strolling around the city as a very cultural means to Letters and writing symbols offer us new opportunities in order to creative exigencies in art better valued by visual arts educators – something which is not currently taking place. will be encouraging a new link between the tradition of the arts, certain aspects of urbanism, Big city streets are illed with graphic documents in which letters and symbols occupy a of art), not only in the places where the city shows Professionals in art education can take a new approach situation we need new ideas in art education. specialist teachers and museum educators, aspects of the visual arts. an important graphic resource in art education about Visual Culture, Education and Art. Bristol: work_geqtmszy6nhkdfeupzkzylbkse A quantile hedonic regression investigation of Picasso characteristics; more precisely, different evaluation procedures for high and low price items are paper is to fill this gap by using the quantile hedonic regression approach. Key Words: hedonic price; auction; quantile regression; painting; Picasso. price determinants emerge from an hedonic regression, and the corresponding market price index can be obtained from the estimated time dummy coefficients. at different quantiles of the price distribution? The hedonic OLS regression is commonly used in the analysis of the art market to "real" prices of Picasso paintings to be used in the regressions, nominal USD order to analyze the hedonic characteristics across the price distribution. With different values associated with the mean (OLS) regression and the quantile differences in the price dynamics of Picasso paintings. The evidence in support of specific price characteristics for different quantiles is (1997), A Price Index for Art Market Auctions. work_gla5w2c5tfadlma3xj53nsvt6a Teaching/Learning Strategies Through Art: Painting and Basic Design Education an artistic expression takes, which is as same as for an architectural form, and the methods used through for a painting is nearly relationship between painting and architecture through basic design education. aim of proposing a new teaching/learning strategy for basic design education. Keywords: Education; Painting; Architecture; Basic Design; Space. The Relationship of Painting and Architecture: Space The concept is; "space", where all basic design elements and principles become auxiliary in creating Space in painting and architecture is an abstract concept created in mind based on the interrelations of objects. The Relationship of Painting and Architecture: Education 2. Improvement: Painting and Basic Design Education "Basic Design" courses in architecture aim at dealing with various concrete-abstract problems as a design exercises/examples in terms of perception, interpretation and design by painting-architecture-space relation. Basic Design Elements and Principles, To Comprehend Painting-Space-Design Relationship, To Design an Abstract work_glf3yv3ftzerdnmqscsosxbhxa Technology, Arts, Engineering and Mathematics) add new dimensions to the nature of science in the teaching of science and mathematics in schools but also meant that education, instead of being seen as a way simplistic view that arts learning is associated with ''right brain'' thinking science and mathematics with ''left particularly in science education and we see three levels at which the arts might improve teaching and Drawing on the arts to reinvigorate science education might provide the STEAM educators promote a more progressive alternative to conventional integration or multidisciplinary views of STEM and Arts (A) that retain separate identities and traditional subject disciplines with educational stance valuing creativity, even one that alludes to integration between the arts and the sciences, Conclusions—Towards a More Authentic and Engaging Science Education Using the Arts Conclusions—Towards a More Authentic and Engaging Science Education Using the Arts work_gwk2grg5undz3ijznwezoh6o5a encourage and support artists'' work throughout its history, amassing a large collection of holograms holography such as the MOH and galleries whose artists included holograms in their exhibitions. museums of holograms by internationally acclaimed artists who experimented with holography as a between artists whose primary medium was holography and had transitioned into the wider art world Other recent donations and acquisitions to art museums include Multiplex holograms by the For many years one of the only fine art museums with a commitment to exhibiting and collecting Ohio, and has exhibited and collected holograms by artists whose primary medium is holography. education, artist-in-residence programs and exhibitions highlighting fine art holography and installation Canada are some of the international fine art museums that have collected holography by contemporary while several private collections and museums have acquired holograms by artists in the decades since Available online: http://news.getty.edu/getty-museumannounces-donation-105-holograms-created-by-20-noted-artists.htm (accessed on 10 August 2019). http://news.getty.edu/getty-museum-announces-donation-105-holograms-created-by-20-noted-artists.htm http://news.getty.edu/getty-museum-announces-donation-105-holograms-created-by-20-noted-artists.htm work_h2utktdsb5darmkuxrd66hvclu Piet Mondrian, Theo Van Doesburg, Bart van der Leck, Georges Vantongerloo, Sanattaki biçim ve içerik farklı bir boyuta taşınmış, soyutlama ve soyut eserler üretilerek, evrensel öğelerle yeni biçim anlayışı ortaya çıkarılmıştır. artists such as Piet Mondrian, Theo Van Doesburg, Bart van der Leck, Georges Vantongerloo, and Vilmos Husz{r was called neoplasticism. Resim 4: Bart Van Der Leck, Kompozisyon, 1918, Tuval üzerine yağlıboya, 54.3 x 42.5cm, Tate ‚Kandinsky''den dört yıl sonra ilk soyut resim denemelerine başlayan Piet Mondrian soyut sanatı artık öznel yaşantıların anlatım aracı olarak değil, evrensel bir biçim dili Resim 6: Mondrian, Büyük kırmızı bir uçak, sarı, siyah, gri, mavi ile kompozisyon,1921, Tuval Resim 7: Mondrian, Kırmızı, mavi ve sarı ile kompozisyon, 1930, Tuval üzerine yağlıboya, 46 X Resim 8: Mondrian, Sarı, mavi ve mavi ile kompozisyon, 1937-42, Tuval üzerine yağlıboya, 72.7 Geometrik bir düzen benimseyen başta Piet Mondrian, Theo Van Doesburg, Bart Resim 6: Mondrian, Büyük kırmızı bir uçak, work_h5abgqoeuzcabcwj4yg7oidoie We have mapped the warm molecular gas traced by the H2 S(0)–H2 S(5) pure rotational mid-infrared emission lines surface density distributions by assuming a two-temperature model: a warm (T ¼ 100 300 K) phase traced by the low The warm H2 is found in the dust lanes of M51 and is generally spatially coincident with the cold molecular gas traced by CO emission, consistent with excitation of the warm phase in dense photodissociation regions. Fig. 4.—Excitation diagrams and the fits to the warm and hot H2 phases taken from three different single-pixel regions along the M51 strip. The highest gas surface density for the warm H2 phase is in the inner northwest spiral arm at 11 M� pc Figure 8 compares the warm (in gray scale) and hot (in contours) H2 surface density distributions. The warm H2 mass distribution peaks in the northwest inner spiral arm and the hot H2 work_h7eu2qu6yzgjbepz4u3kv3zzlu Changes in artistic style after minor posterior stroke Results: Both painters, initially unaware of the artistic changes, exhibited mild signs of executive difficulties (dyschromatopsia and scotoma in his right upper visual field after left occipital stroke), together with increased anxiety and difficulty in emotional control, switched to a more stylised and symbolic art. second painter, who also presented features of emotionalism related to his left latero-thalamic stroke, effect of a major stroke on artistic changes as a function of might specifically influence an artist''s style through executive or affective changes has been poorly investigated. Figure 3 Patient 2''s left paramedian thalamic stroke, as shown in an same subject, painted with the left, right, or both hands, In the case of patient 1, the main artistic change was the way analysis of the painters'' work, the patients for their paintings, and Figure 5 Pictures painted by patient 2 work_hbcaykvphng2reh6bz6aaiy3fy as infamous tattoo artist Don Ed Hardy who do not frame their practice in ''primitive'' terms, the article concludes with a study of an alternative account presented by Vale and Juno''s book: body modification as artistic practice. Today''s ''modern primitives'' use tattoos, piercings and other forms of anthropological and cultural studies literature on contemporary body modification practices in the West and is so pervasive in academic discourse that even works that devote themselves to body modification practices, philosophies and frameworks beyond the ''primitive'' paradigm (Atkinson 2003; ''primitive'' body modification practices including tattooing, piercing, scarification, branding and flesh-hook suspension, Musafar and a small clique of Modern Primitives and body modification subcultures in the 1990s is that the These tattoo artists and their contemporaries were already incorporating ''tribal'' elements before the term ''Modern Primitives'' had any currency MODERN PRIMITIVES AND BODY ART —— (2000), Bodies of Inscription: A Cultural History of the Modern Tattoo work_hcwnsav7pnfsxexfztstqxj76q Goddard King (1871-1939): Educator and Pioneer in Medieval Spanish Art'', in Women as their university''s archives, ensuring them a place in historiography.12 Another postmodern facet of the King-Lowber collaboration in image-making is that it was 3).24 King and Lowber, and students from Bryn Mawr who sometimes travelled the work of King-Lowber, photographs published by Francis and Rose show unpeopled monuments that refuse to admit modernity, except of course in the very she lectured on modern European art at Bryn Mawr before the famous New York No notes or letters from Lowber are in the Bryn Mawr or Hispanic Society Bryn Mawr, as if from New York, or to her working on the photographs at the Thomas in Spain.54 Lowber, among other Bryn Mawr women, travelled extensively Way, King and Lowber had begun to work on a book they called The Heart of Spain, work_hmcpkmj7iredlmeajm4ujaemg4 method by generalizing the Samuelson-Hicks model so as to make the new concept of time that this method proposes clear. particular, the multitime approach decomposes a point of time into a vector, taking into account how different coordinates of time monodromy matrix and its eigenvalues (called Floquet multipliers) in order to pass from a constant coefficient state to Samuelson-Hicks model has been made of two crucial components: 𝛾, the propensity to consume, for which amount𝐶𝑡 = 𝛾𝑌𝑡−1 is consumed, in which 𝑌𝑡−1 is the income at𝑡 − 1, and the rest is saved. model is defined in either discrete or continuous time: in the Samuelson-Hicks model with constant coefficient and try periodic coefficient model is a further generalization to a The discrete multitime periodic coefficient Samuelson-Hicks model can be Udrişte, "Multitime controllability, observability and bangbang principle," Journal of Optimization Theory and Applications, vol. Ferrara, "Multitime models of optimal work_hno4rhfdofczngdhl5ipfkqmuy 파티클 시스템을 활용한 실시간 멀티미디어 시계 :구상적 이미지를 통한 시간의 형상화 이러한 디지털 술작품들이 이제는 단순히 갤러리에서만 구 되는 것이 아니라 일상생 바탕으로 시계의 기능 구 을 해 구상 이미지를 통 시간의 존재를 새로운 시각으로 사람들에게 표 하 2. 점을 활용한 다양한 시간의 관점 반영 2.1 점을 활용한 인과적 시간의 시각화 2.2 점을 활용한 상대적 시간의 시각화 2.3 점을 활용한 순환적 시간의 시각화 2.4 점을 활용한 불확정 시간의 시각화 불확정 시간의 시각화 시계의 구성요소 을 활용한 시간의 표 파티클 시스템을 활용한 실시간 멀티미디어 시계 : 구상적 이미지를 통한 시간의 형상화 69 파티클 시스템을 활용한 실시간 멀티미디어 시계 : 구상적 이미지를 통한 시간의 형상화 69 파티클 시스템을 활용한 실시간 멀티미디어 시계 : 구상적 이미지를 통한 시간의 형상화 69 파티클 시스템을 활용한 실시간 멀티미디어 시계 : 구상적 이미지를 통한 시간의 형상화 69 터 재까지의 다양한 시간의 존재 을 디지털 구상 이미지를 통한 시간의 형상 향후 실시간 멀티미디어 시계의 구 에 따른 보다 발 work_hqldezt47zh77osmtolncbctrm Abstract: We present a multi-column structured framework for recognizing artistic media from artwork schemes that recognize and classify artwork images and photographs according to their styles. present a deep network-based approach for recognizing artistic media from artwork images and classifying the artwork images according to their creating artistic media. The unique stroke patterns of an artistic medium on an artwork image present a key to recognize Patches containing stroke textures for pencil and watercolor artwork (a) Input artwork image; strategies to enrich our framework that classifies and recognizes artistic media from artwork images. strategy in two stages: The stroke patterns in the patches sampled from an artwork image are processed Our approach for recognizing artistic media from artwork images can be employed for evaluating that synthesizes artwork images by simulating artistic media, such as pencil, oil paint, watercolor, Our recognizer for artistic media from artwork images is designed based on the existing CNN work_htdueaqayrg43kbaall6p7vz3a able to control her aggression impulses by painting but also she will be able to discharge her unsuitable mental modes. Keywords: sublimation; catharsis; painting; Aggression impulse; defense mechanism Painting are seen as a reflection of a child''s inner world (Dileo, 1983; Golomb, 2003) as drawings are assumed to Kramer was both artist and teacher that for the first time deal with emotional disorder of children by painting Results of a previous research about children''s paintings after the Marmara disaster showed that drawings of useful for children having emotional and behavioral disorders .therefore art therapy gives some clues for Art therapists believe that this kind of therapy is useful for all patients and is not just for persons having artistic Most types of art therapy are based on this logic that expressing thoughts and emotions in drawing may result finally person will be able spontaneously draw painting without referring to therapist and will be encouraged by work_hukclk6fvvh2lerjpzybtsxnry mural portátil con Zapata que el mismo Diego Rivera reprodujera en el MOMA3-7. análisis crítico del mural portátil me percaté que por muchos años había ignorado, tal vez deslumbrado por la belleza del cuadro, que bajo los pies con las pinturas y los murales de Rivera en México Masaccio y Masolino y los murales sobre la historia de México en el Palacio Nacional de Ciudad de México revelan en Rivera, al igual que en sus por la versatilidad de la técnicas que Rivera usara Los dos famosos murales del Instituto de Cardiología en México ejecutados el año 1944, son como motivos de su obra a la medicina y a la biología, práctica que comenzara en 1921 con un mural esta sección, y que representa al título del mural, En el mural que Rivera desarrollara durante la Diego Rivera: la medicina y el arte. Los murales de Rivera y Siqueiros work_hv56n6cff5boxfriobxxjm77qi [PDF] SigmaKB: Multiple Probabilistic Knowledge Base Fusion | Semantic Scholar Corpus ID: 5798408SigmaKB: Multiple Probabilistic Knowledge Base Fusion title={SigmaKB: Multiple Probabilistic Knowledge Base Fusion}, The interest in integrating web-scale knowledge bases (KBs) has intensified in the last several years. Research has focused on knowledge base completion between two KBs with complementary information, lacking any notion of uncertainty or method of handling conflicting information. We present SigmaKB, a knowledge base system that utilizes Consensus Maximization Fusion and user feedback to integrate and improve the query results of a total of 71 KBs. This paper presents the architecture and… Expand Figures, Tables, and Topics from this paper View 5 excerpts, cites methods View 4 excerpts, references methods Semantic Scholar is a free, AI-powered research tool for scientific literature, based at the Allen Institute for AI. By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License work_hyxznqhi5jcyvost4gtznjzvxq The second paper is "A robust visual tracking method Wang from University of Ottawa, China, Xian Wei and The third paper is "Real-time object tracking based on an The fourth paper is "Simultaneous segmentation and correction model for color medical and natural images with from Harbin Institute of Technology, China and Wenjing Jia from Harbin Institute of Technology (Shenzhen), China. Zhu and Zijian Chen from Center China Normal University, by Dongmei Niu, Han Guo and Xiuyang Zhao from University of Jinan, China and Caiming Zhang from Shandong University, China. China and Kang Zhang from University of Texas at Dallas, The eleventh paper is "Hybrid 3D mass-spring system for The twelfth paper is "Robust dense correspondence using from Dalian University of Technology, China, Jinshan Pan from Nanjing University of Science and Technology, China and Kewei Tang from Liaoning Normal University, China. The thirteenth paper is "Salient object detection via Nadia Magnenat-Thalmann Nadia Magnenat-Thalmann work_i7agcnvwnbbgpctxr5j7oquo6q Keywords Formal/informal science education � Formal/informal images � History History of Pavia University Museum was founded in 1936) and, following a The university science museums are today working to revive the strong educative In both visual art and science the analogy is between reality and its representation. different forms, between realistic and abstract/informal re-interpretations of reality, of the world, of nature, rediscovered in art galleries and science museums. which are produced in school workshops that take place following museum visits. collections and histories of science; teachers who acquire new, specific knowledge that visited the Botanic Gardens and the History of Pavia University Museum Fig. 13 Children during shooting at the Botanic Garden and at the History of Pavia University Museum to school-science museum interactions. Cross Fertilization Between Museums and Schools, Science and Art, History and Multimedia Cross Fertilization Between Museums and Schools, Science and Art, History and Multimedia work_i7i4jsienzdctn4kuemqhvmccu Abstract: The theme of the conference regards images. Keywords: ars; master of ars; painting; image; imagination; disegno; sketching Wikipedia page states, the image in a literally rigorous sense is a "visual, non-solid representation". techniques used to produce actual images, that is, an inventive search for meaningful ways and On the other hand, throughout history, the image was inseparably fixed in works with a physical structure of the systems of formed visual images, beginning with an attempt to indicate their possible Today''s technoscience has only increased the capacity of scientists to work with images and Words, like an image, a reflection, a representation, 4. Notes on the Techniques of Inventing the disegno and Some Expressive Methods  The modern painter no longer considers the image as a simple substitute for a sensible reality. image (in this sense what is visible also has an abstract conception).  Many contemporary digital images show a tendency for a figurative change. work_iakafyecwje6lludod7d4pmfz4 This study examined the effect of temperament on preferences for painted induce fear in people, there is a change in art preferences, because of the whether temperament affects paintings preferences and whether fear could between temperament (as a regulator of stimulation) and art preferences. the temperament traits between briskness, activity and art preference ratings negative relation between preference ratings of modern art and level of (Temperament Traits) and Art Preferences in the fear condition would rate Abstract and Modern art as worse, and of art preference for a harmonized temperament was significant, Participants with a harmonized temperament in the no fear condition rated studies of art preference psychology, but this history is not thorough. harmonized temperament structure affect paintings preferences. The assumed link between temperament and preferences for art In the fear condition melancholics preferred modern art less whereas preferences of modern art for all temperaments in the fear condition, and work_icywckx4abdipdz4f5t67x7ipu Simplifying Theories of Creativity and Revisiting the Criterion Problem theory of creativity that focuses on a universally shared capacity. complements Simonton''s hierarchical view, though his applies best to actual performance and That being said, Simonton''s article, "Varieties of (Scientific) Creativity: A Hierarchical questions, including, "Is the creative thought of an Albert Einstein comparable with that of a a reminder that creativity and achievement depend on both universals and individual differences. relegates universals) might be built if we use fame and high-level creative performance as our Yet research on creativity suggests that there are benefits to questioning assumptions, and theory of creativity (Rubenson & Runco, 1992, 1995), and with Simonton''s article, I now see Psychoeconomic theory describes the costs and benefits of creative efforts alliterative framework with creative persons, places, processes, and products (and Simonton''s use originality of creative thought as the primary criterion...." (p. Studies of creativity do indeed use originality as the primary criterion. work_ied43mahmvguhklfdeysxshe5m namely Post-Minimalism, by comparing the ''future'' art we generate with our method to PostMinimalist art (which was not part of our training set) and other recent movements.2 CGANs generate new samples from the conditional distribution of the data X given the latent we use a CGAN to generate images based upon the prediction given by the VAR model in the latent — Generate new images that have latent representations corresponding to the (K + 1)th category. There exist some methods that have used GANs and/or autoencoders for predicting new art movements. We now describe the general method used to model a sequence of latent structures of images and use this is trained on the whole space of the K movements, new samples can be generated from an individual standard autoencoder is used for both latent modelling and generation of new images. standard autoencoder is used both for modelling the latent space and for generating images work_igf7rogp3ffpheyezbclx4xy4a The neo-plastic art by which Mondrian i s best known, executed the non-figurative image, but i t also kept within this formal exingency that ideal residing outside and beyond art which has guided artists throughout history:the recognition of the universal laws of The problem i s that although Mondrian identified himself with realism and an analytical view of the world, i n the early landscape painting ̂ he also possesed a strong romantic and emotional attachment Mondrian applied this compositional interest to rural landscape subjects by playing dark masses of trees against a light evening sky, a comparison between Mondrian and the Dutch symbolists in their interpretation of the work of Vincent Van Gogh. Mondrian had abstracted to the point that there are almost no recognizable objects in the pictures at a l l . the lines and colours of painting, an image is ''constructed'' according work_ihqsgujofjdsvpiptcigk3s37q individuality which are vital for the art and design process, in line with the current repressive, disciplined and theoretical In parallel with the rapidly developing world of technology, the visual design field nowadays requires individuals supported by visual elements, which effectively developed the process of communication design. Visual communication design, which was impossible to cultivate individuals who can contribute to the fast changing field of communication design. All of these visual expressions are in fact, a complex form of communication. Graphic Art and Design in Visual Communication within the visual communication field and witnesses the contemporary issues within society. asserted that, since functionality creates aesthetics, while establishing a visual expression, the designer should strive 3. Creativity in Current Visual Communication Design Education Visual arts which require creativity and the outcome expected of a visual design education and design concepts hampers the creative education of the individual. work_ihstidltsbaq7l3gajye4rtpna exhibition photographs, released by the Museum of Modern Art2, by retrieving user-selected artworks. selected method of this article: while the first presents past works in art history on the topic of exhibits, Art historians have studied museum and exhibition history and installation3 practices both, to exhibition studies in art history and present work on object retrieval in computer vision. a set of exhibition photographs, released by the Museum of Modern Art in New York. includes an overview of conducted work and shows more results on art data Computer Vision Group, The interface was used to search for de Chirico''s work in the MoMA''s exhibition images; and Graphic Arts from the Museum Collection'' exhibition, which again included de Chirico''s work Similar to the ''Museum Collection'' show in 1940, the exhibition of 1946 showed de Chirico''s work museum''s collection includes an installation photograph, where Balthus'' work is visible (Figure 8); work_inbvqx7uzffkbeztagygpjg7sa Biernoff, Suzannah (2010) Flesh poems: Henry Tonks and the art of surgery. To cite this article: Suzannah Biernoff (2010): Flesh Poems: Henry Tonks and the Art of Surgery, Visual Culture in Britain, Flesh Poems: Henry Tonks and the Art of Surgery Flesh Poems: Henry Tonks and the Art of Surgery Flesh Poems: Henry Tonks and the Art of Surgery Like the ''strange new art'' of facial reconstruction, Tonks'' drawings blur For all their poignancy, Tonks'' drawings, no less than the case photographs, are the product of specific institutions and conventions: medical Subjectivity in Henry Tonks'' Surgical Portraits'', Art History 32, no. 43 A selection of the portraits appeared in the exhibition Henry Tonks: Art and Surgery curated by Emma 56 Emma Chambers, Henry Tonks: Art and Surgery (London: The College Art Collections, University World War she followed Tonks'' example, producing drawings of reconstructive surgery at the Plastic work_iolbob2zmfdj3ftjwxa5kemj5m THE USE OF CAMERA-EYE TECHNIQUE IN THE THREE SOLDIERS AND MANHATTAN TRANSFER John Dos Passos as a modernist writer entertains the reader during telling his stories. In Manhattan Transfer, Passos lives the city and reveals his experiences about urban life. argues the use of camera-eye technique in Passos''s two novels The Three Soldiers and Manhattan Transfer. Keywords: Camera-eye, Picture, Soldiers, Desert, City and Reality. In the early 20th century John Dos Passos more than any American writer of his generation how Passos uses camera-eye technique in The Three Soldiers and Manhattan Transfer. John Dos Passos presented effects of war in Three Soldiers. this novel it gives you the impression of looking at the real picture of the city because he shows everything At the very begging of the novel Passos pictures another character who is Dan Fuselli. In Manhattan Transfer he turns his camera on the city of New York and pictures its work_ioyd55zaufdjnptugf4ttisjca Key words: Color; The Chinese painting; The Chinese painting is namely the "five color" philosophical The color of western painting is The Chinese painting color belongs to "inducible the color application in Western painting from the foundational character of eastern color art. Chinese ancient painting formed the Strong structure, Chinese painting Strong coloring pertains to the Chinese ancient ink and wash paintings manifest Some Chinese artists counted the Western fine art as Chinese painting from a traditional form to the modern The discontentment of the Chinese painting color and the first Discussion Forum of Chinese Painting Color supporting the color elements in Chinese painting. modeling and color of Western painting. ancient Chinese philosophy and the study of the color expressiveness of the Chinese paintings which have the the color in Chinese painting and digging deeper on its to the creation of Chinese painting color. Chinese Painting Color. Chinese Painting Color. work_irxqjo24nvhghas6khh4ngowya Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_iufxynmjnjazhezoh7l52ux7se attributes, we propose a method to deconstruct functions based on integers. spatial networks which display a few artistic attributes such as (i) biomorphic shapes, (ii) symmetry, and (iii) beauty. these networks, the deconstructed integer-functions are used as the coordinates of the nodes in a unit square, which are then joined according to a given connection radius like in random geometric graphs (RGGs). Here, we explore a different approach to connect networks and the visual arts. graphs based on the deconstruction of integer-functions. Figure 4: Illustration of the process to build a spatial network based on integer-function deconstruction. Table 1: Graph-theoretic invariants of the spatial "artistic" networks described in Section 4. The spatial artistic networks (SANs) created here are the these networks does not reside in their usefulness as a mathematical tool for modeling reality but as a source of inspiration of artistic work as well as attractive objects per se. work_ixf6mt5mjfaadixh4dl45erpzu In developing a new area of knowledge, one of the most difficult problems is literacy" issues themselves, we start with the more basic question of how educators make any decisions about the appropriate content and audience of higher The question of teleology in higher education is examined in terms of four conceptual categories: acculturationj economic considerations, social key words: computer literacy; higher education; education they require of students is all intend to teach students about computers? new members of the society, by learning initial motivations for the new undergraduate elective system were overwhelmingly pedagogical, the plan dovetailed with growing economic expediencies. needed to hire a number of new faculty education, we might consider the economic motivations I am calling social mechanisms. student''s learning of subject Y . curricular decisions in higher education, this, students will need to learn low argument for requiring everyone to learn General Education in a Free Society (1945). work_ixnssjlu4nfsdp6jiy5upane54 black humour turned into their symbol in order to better convey the objection against the reality of Keywords: Surrealism, black humour, poetical image, death, unaware. reality, black humor, as a technique, serves to the purpose of surrealists in order to reconsider their The term humor is used by Breton time after time in different texts, such as "Situation surrealiste de Contrary to automat writing, where the unaware has the primary role, in the case of black humour black humour should mean without doubt a coherence with the reader. question is about texts with strong autobiographical elements, where surreality is created by means In the texts of black humour, an important role is played by opposite situations or opposite At writing level, black humour is one more case for surrealists in order to reconsider and strengthen Is is definitely such inducement in the heart of surrealist expression which, in black humour, work_iyc2wkvihnbjhp7kpkr7gidsle Keywords: bas-relief, range compression, feature enhancement, bilateral filtering. Bas-relief artists manage to suggest this visual spatial extension of the scene in depth The key ingredient in this process consists of compressing the socalled height field (also known as depth map or range image) which is a 2.5D description of the scene tool that features real time semi-automatic bas-relief generation with only a small number of intuitive of our range and gradient domain approaches to bas-relief generation, respectively. 2 RANGE DOMAIN APPROACH TO BAS-RELIEF GENERATION Fig. 2: Bas-relief of the armadillo model obtained with our range domain approach (left) along with the original depth map (right top) and the bas-relief height field (right bottom); note the different interval 3 GRADIENT DOMAIN APPROACH TO BAS-RELIEF GENERATION Fig. 6: An ornament bas relief (left) generated with the range domain method. Fig. 7: (left) outcomes of the range domain method, (middle) bas-reliefs achieved with the gradient work_izh4menytvezjcrzcudtcvyrjq how a contemporary artist (as opposed to an art historian) made sense of history. forms of [the will to art] and the formal expression of a particular artistic era means practitioners and hence El Greco became a central figure for modern artists.10 for example, the idea that El Greco''s work was a pathological symptom or the result For the work of El Greco touches the essential bases of artistic creation for formal expression of a particular artistic era means detecting the worldview of the In comparison with his later works, those of El Greco''s first period clearly In El Greco''s paintings from the later period the only thing that remains of all The artist does not seek to use his creative work to prolong his short life, artistic activity, his work does not have the qualities of the organic, of movement and El Greco''s entire expression searches for the movement of passion and for life work_j4jzbr2zivejhoxmdsg755bgbe sources, the authors define taboo with the help of both English language dictionaries and specialised dictionaries and encyclopaedias, and provide the etymology and the typology of the word taboo (acts/actions/activities/behaviours, objects, people, places, times, and words) going from traditional to current ones. Teaching taboo in the classroom is a rather new define taboo with both English language the typology of taboo (acts, actions, activities or behaviours, objects, people, places, times, and The English word taboo/tabu can be a noun, an sacred, forbidden for general use, or placed (act/action/behaviour, object, people, word), or people, place, word), approach in space and time (action/activity, object, people, place, word), or mention/talk (action/activity, object, people, to consider the contrary meanings of taboo words Are taboos acts/actions/activities/behaviours, objects, people, places, times, and words: Christianism, Hinduism, Islam, Judaism), words – language taboos when stalking game Taboo Language. http://dictionary.reference.com/browse/taboo http://dictionary.reference.com/browse/taboo http://dictionary.reference.com/browse/taboo http://dictionary.reference.com/browse/taboo http://dictionary.reference.com/browse/taboo http://dictionary.reference.com/browse/taboo http://dictionary.reference.com/browse/taboo work_j6fxnxaiyrc2lgxwgbybaii3ji 요 약 물리학의 이론들은 사회 현상을 바라보는 관점과 접한 관계가 있다. 본 연구에서는 물리학의 사고가 건축 디자인에 영향을 준 내용을 고찰하고, 상호 연관성을 확인하고자 한다. 의 장이론과 양자역학, 그리고 상대성 이론 등의 사고와 관계가 있다. 따라서 건축을 바라보는 관점이 영역성, 상호성 를 통해 건축과 물리학의 사고는 상호 연관이 있으며, 현대건축의 디자인에 나타나는 건축적 사고는 현대물리학의 이 As the result, the architectural design on the influence of classical physics is based on the 이것은 아이슈타인의 상대성 이론이 뉴턴의 역학보 서도 이러한 시공간 개념이 나타난다.[3] 그리고 현대건 축에서 나타나는 다양한 모습은 현대물리학의 시공간 개 시공간 개념을 고찰하고 이 개념이 현대 건축 디자인에 연구방법은 현대물리학의 시공간 개념을 물리학의 사 이러한 장은 입자에 관하여 새로운 개념을 제시하 다. 현대물리학은 장이론과 양자역학 그리고 상대성 이론 그리고 공간은 어떠한 성격이 담겨져 있는 것이며 실체 주변 공간과 분리하지 않고 영역으로 이해하게 되었다. 한 다양한 모습을 이해하게 되었다. 던 새로운 사고 과정을 제안하였으며, 이러한 건축 공간 work_j6nf7rxturgmdobebl74fg5owi If new media art, including interactive sound installation, is to be taken seriously as an art form with the levels of interest, the broad support for sound installation, and the depth of practice in the area. sound installation works, it is strange that there are The idiosyncratic nature of sound installation works makes it difficult to find commonality myself, what defines sound installation practice? In terms of interactive, generative, and other temporally fluid forms, we can examine each work''s characteristics and write at length about the techniques even a cursory survey of sound installation works is installation practice that pays due respect and consideration to the plethora of approaches and idiosyncratic characteristics indicative of this body of work. the artist may develop several installation works as a developing a generic definition of sound installation deserve some serious consideration by sound installation artists as a real-time, interactive base for work_j7xw63zhkfhnlj5zfplc5frrha Algorithms as scores: coding live music Magnusson, Thor (2011) Algorithms as scores: coding live music. coding, where the score is written in the form of an algorithm, [1] (Fig. 1), a system of prescriptive instructions for conducting music, where each part of the hand''s digits represents a the diverse musical compositions, performances and digital Live-coding practice accentuates the score, and whilst it of 20th-century artistic developments of the musical score, scores can be descriptive, i.e. used as visualizations of musical works, enabling listeners to engage with the piece through Live coding is a form of musical performed with his new Text live-coding live performance of computer music to scores, compositional systems or instruments for performance are often inherent with so much music that they should and musical performances, both including a live-coding submission category coding continues the 20th-century tradition of experimentation with the musical score. work_jhyrjr66abffdigevgn4sug5cm Keyword: Escher, mathematics, art, cultural history, Transcurssive Logic Work of Maurits Cornelis Escher from a Cultural-Historical Approach." Inter. of general semantics that can be extended to various languages (artistic, mathematical, etc.). 2.0 ART AND MATHEMATICS: AN APPROACH TO ESCHER The mathematical interest of Escher, leads the artist to Escher begins to use mathematics to dictate the syntax of works and generates the contents IV Phase of approximations to infinity or mathematics as universe-world (1956-1970) In the last stage of Escher''s work, Mathematics no longer only facilitates the representation of Escher''s works anticipate theories such as Max Tegmark''s ''Mathematical Universe Escher''s relationship with mathematics changed in the different phases of his work, from a Escher intuited the mathematical structure of the mathematics (the map) constitutes the ultimate structure of reality (the universe). "The mathematical side of M.C. Escher." Notices of The Ams, Vol. 57, Our Mathematical Universe: My Quest for the Ultimate Nature of Reality. work_jicijouvzvddld5avarduspc3e Iconic images, symbols, and archetypes: their function in art and science Iconic images, symbols, and archetypes: their function in art and science Iconic images, symbols, and archetypes: their function in art and science art and science: the central role of iconic images. We argue that iconic images are the touchstone symbols in both art and science and Key Words: iconic images; reconciling art and science; symbols; transformation images as symbols and draw on the long history of work in social arts: Artists create symbols that represent a level of human that the iconic images of science, like those of art, point to THE FUNCTION OF ICONIC IMAGES AS SYMBOLS IN Iconic images are symbols reconnecting us to deeper and broader In this sense, iconic images act as symbols that orient exploration, In art and in science, iconic images The function of iconic images as symbols in art and science work_jicpyjza2zd4bazvgx6lovkujm Acoustic Space, Marshall McLuhan and Links to Medieval Philosophers and Beyond: Center Everywhere and Margin Nowhere Abstract: The origin of McLuhan''s notion of acoustic space is described. Keywords: McLuhan; acoustic space; visual space; God; the centre is everywhere; the circumference The origin of McLuhan''s notion that acoustic space has its centers everywhere and its margins survived into the Renaissance and modern times in Marshall McLuhan''s definition of acoustic space. McLuhan''s definition of acoustic space with the substitution of circumference with margin. Here is a collection a collection of some of McLuhan''s definition of acoustic space that demonstrate "The world of acoustic space whose center is everywhere and whose margin is nowhere, like the 5. From Whom Did McLuhan Derive His Definition of Acoustic Space as Having Its Center McLuhan''s Definition of Acoustic Space McLuhan''s Definition of Acoustic Space From Whom Did McLuhan Derive His Definition of Acoustic Space as Having Its Center Everywhere and Its Margin Nowhere work_jimi5lzd4zfenfusmkq3vzgr5q unfolding crisis — from the special section dedicated to the theme #Intelligence, to the Features articles, and the reviews about transformational (media-based) politics. For the special section, our guest editors Patricia Pisters and Ruggero Eugeni have compiled a set of articles that address artificial intelligence through find exciting new research on expanded cinema as machine learning and the https://necsus-ejms.org/tag/ai/ https://necsus-ejms.org/tag/artificial-intelligence/ https://necsus-ejms.org/tag/editorial/ https://necsus-ejms.org/tag/film-studies/ https://necsus-ejms.org/tag/intelligence/ https://necsus-ejms.org/tag/intelligence/ https://necsus-ejms.org/tag/media/ https://necsus-ejms.org/tag/media-studies/ NECSUS – EUROPEAN JOURNAL OF MEDIA STUDIES The Features section includes a rich interview with the important film early film studies (mainly in West Germany but also internationally) as experienced by Schlüppmann and Gramann. The interview emphasises the central role of feminist film studies in these developments. The research article by Kata Szita assesses smartphone spectatorship and even social media posts, can be integrated into an overarching video-monograph — or mono-videograph? In her article on Lars von Trier''s The House That Jack Built, Bodil Marie work_jks2woadljdw5a2aklgvkawfbm A Conservative Downscaling of Satellite-Detected Chemical Compositions: NO2 Column Densities of OMI, GOME-2, and CMAQ dioxide (NO2) column densities from space-borne observations and a fine-scale regional model. useful tool to compare coarse-scale satellites with fine-scale models or observations in urban areas for GOME-2 and OMI tropospheric NO2 column density data for 2008, retrieved by the Royal GOME-2 and OMI tropospheric NO2 column density data for 2008, retrieved by the Royal GOME-2 and OMI NO2 column data have different spatial resolutions and GOME-2 and OMI NO2 column data have different spatial resolutions and Reconstructed surface NO2 concentrations using OMI column densities and CMAQ Reconstructed surface NO2 concentrations using OMI column densities and CMAQ Reconstructed surface NO2 concentrations using OMI column densities and CMAQ Reconstructed surface NO2 concentrations using GOME-2 column densities and CMAQ Reconstructed surface NO2 concentrations using GOME-2 column densities and CMAQ Reconstructed surface NO2 concentrations using GOME-2 column densities and CMAQ work_jmdhaaa3d5eqjcgxz5slmafajm U sing the case of Ouvidor 63 – a cultural occupation in the center of the city of São Paulo, Brazil – we located in the central area of the city of São Paulo that of the Ministry of Culture of the State of São Paulo, of life and for the development of artistic-cultural works Art, City, and Legislation in São Paulo. the specific case of São Paulo, these public space That is the case of the Artistic Occupation Ouvidor 63. Biennial of Arts Ouvidor 63,10 bringing its artists notoriety 33rd São Paulo Biennial,11 to two Ouvidor resident artists. Ouvidor 63, São Paulo Arts of Ouvidor 63, São 1 The Strategic Master Plan of São Paulo city (P D E) "is a municipal law São Paulo and other Brazilian cities with an important political role. team of the i i Biennial of Arts Ouvidor 63 (São Paulo, 2018). work_jsgoqpfwozbxrbmfv5akzkyobm experiments, dramatic works, prose fiction, and visions and theories ("pieces of wayward character," as Markov once referred to t h e m ) . By Nikolai Khardshiev, Kasimir Malevich, and Mikhail Matiushin. Khardzhiev frequently emphasizes that recent studies of the Russian avant-garde by to the Russian avant-garde; had he made these accessible even ten years ago, he would But it is highly questionable whether Khardzhiev, a friend of Mayakovsky, Malevich, and Matiushin, can rescue the "truth" from the dense mythology that with the Malevich and Matiushin texts gives it a new, comparative value. Khardzhiev''s careful delineation of Mayakovsky''s work as a painter and lubok fact, if it were not for Khardzhiev''s preface and notes, the Malevich autobiography Moreover, Matiushin the artist is less familiar to us than Malevich, although, as his texts demonstrate, Why does Khardzhiev regard Matiushin as a drew parallels between the work of Malevich, Matiushin, and himself, why dismiss work_k2mgugqiorgfdjzpg4ipsnmi3m face counts in the images rendered by the cubist camera model and the traditional perspective camera. viewpoints adjust their view angle (i.e. each facet adjusts its vieworientation) automatically to render important parts of the scene. Left: perspective view; Middle-left: cylindrical cubist camera view without perceptual spatial imprecision; Middle-right: line map of applied spatial imprecision; Right: final output of our result with applied perceptual spatial imprecision and artistic effects. View-independent projection: In cubist paintings, radical discontinuities are emphasized through the manipulation of Ambiguity: Cubist paintings present as much essential information as possible, simultaneously visible, about the objects on a: Cubist camera view without spatial imprecision; b: Saliency map; c: Segmentation result for Level 1, N¼5, selection threshold¼0.0; d: Segmentation result for camera surface and the discontinuity parameter limits the saliency based orientation of each facet. saliency based spatial imprecision method enables creating discontinuity of adjacent facets. faceting for real cubist paintings are given in Section 3. work_k2nyanvrtre7hff5oj35ndbnde architects and critics of the period leading up to Ronchamp, considered to be the function of art in architecture and, modalities.7 Modern art, which refers to painting and sculpture, is generally considered to have emerged in the midnineteenth century as a consequence of the availability of new materials and techniques. References to primitive art or architecture in Le Corbusier''s work, and in this thesis, mean folkloric designs concept that Le Corbusier''s art and architecture, as seen at Ronchamp, are actually symbiotic, in that they are Le Corbusier''s vision of organic forms as objects to be integrated into his art and architecture, Le Corbusier subsumed nature as an art form whose integration was essential to the architectural event. see."1 2 1 Like nature, Le Corbusier considered the process of creating a painting, sculpture or architecture to be freedom to design at w i l l and Le Corbusier''s appreciation of the integral nature of art and architecture that appears to work_ka5oj2wolrfdrkblmcwgsh67eq Citation: Chaplin, Tracey, Clark, Robin and Singer, Brian (2014) Early 20th C Russian painting? Raman identification of modern pigments on a pastel supposedly Painted by the renowned artist Pastel supposedly Painted by the Renowned Artist Natalia Goncharova has been shown by Raman identification of key pigments to have been painted in or Goncharova, pigment identification, oil pastel In 1912, Goncharova and Larionov developed the new style of abstract painting the Galerie de l''Institut in 1956.1,2,3 Goncharova rarely dated her paintings on range of purple, yellow, orange, blue, green, red and white pigments, with individual Fourier transform infrared (FTIR) spectra were collected by pressing the paint sample The pigments identified are: titanium dioxide white (rutile-type, white, carbon-based black, phthalocyanine blue and green, hematite, pyrazolone 1952, indicates that the painting could not have been executed before this date. Pigments identified on the painting and their date of first availablity work_kffgnh4sznggdoppkolzmd2xma meeting room, and describe an unusual experience I work with a group of people who are work with people in New York. GROUP WORKPLACES: MEETINGS interactive state of the organization: the meeting. support meetings among remote participants has been the deploy technology for meeting support. important was the interactive trajectory of the meeting. • People converged on the meeting room; perhaps some • At some point the meeting ''ends.'' Remote participants participants, the meeting accomplishes both its formal the technology used to support the meeting, nor — at people in the meeting room (typically people wait to start remote participants before the meeting starts so that they is of clear importance in supporting work, I suggest that meeting place for both casual and focused interaction. the environment in daily use by my work group; from social chat to work-oriented discussions. public-private interaction that physical space supports. Whereas physical, group workplaces support work_kg4veu57rffyrbimseo7llgdga have characterized both the work of some photographers/artists and the design attitudes of those architects that for the birth of the architectural project use the photographic image for mediation. photograph began to be used to represent the architectural project. work not only of architects, but also of many contemporary artists: those who use photographs as 3. Architecture for Designing Pictures: The Representation of "Other" Realities Time and light intersect when a photographic image is made, but both of these elements create But what do the images of "false" photographs on architecture and its representation tell us? effect that transforms buildings and urban realities into a sort of scale model [23] (Figure 5b). In this investigation on the manipulation of the image in photography and architecture, what is for the project recognizes in the photographic image an ordering tool because it selects memories of work_khvrfiqc4rai5fdugjkkwk73te All quotations come from the new edition of Kosor''s plays In Café du Dôme / Rotonda, Zagreb Half ladies, Apaches, Waiters (in Café du Dôme) Americans and English Ladies, Fakir, Hindi, Indian, Japanese, Chinese, Blacks, Algerians, Perverted types (Rotonda), At this moment, an imperative question arises: what are the fundamental differences between critical allusions to modern liberal and capitalist society, whether direct or indirect, that the characters of Rotonda and Café produce? instance, Lady''s incessant emphasizing of a specific American cultural handicap possesses a completely different meaning from the one, of course, capitalist aspect of modernity given by the bohemians. Manager, the central characters of Kosor''s Rotonda, in one of their interesting conversations sort the bohemian clientele in the following manner, "perverse types", "menagerie", and then "café-crèmians" and "Bockblondians", mostly by the type of cheap The American world of Café du Dôme is presented through the character of Djem. work_kkawku2ud5bavh55imxvlgnoti were inspired by this movement in the modern Art in Kosovo, which was also refl ected to their Many Kosovo''s artists, such as Muslim Mulliqi, Tahir Emra, Keywords: Painter, sculptor, directions (Pictorial movement), Art works, artistic experiences, works of these two Albanian famous artists were full of expressive lines and forms, studied in Secondary Art School in Peja, were the fi rst artists in Kosovo of expressive artists from Kosovo with their best Art expressive works. All of his cycles (Art Works) contained expressive elements from dark The painter Mulliqi at his cycle of Art Works calls"Invasion expressive colors at the Art works of painter-Tahir Emra, such as: "Toka e kuqe (The surrealism, cubism to postmodern art, were refl ected to Albanian artists from Kosovo. In this study we presented the best artists from Kosovo with their best Art expressive his art works belongs in the direction of abstract expressionism. work_ksuc5aiwajhmtkfhosxgv6gggi From Paris to Providence: Fashion, Art, and the Tirocchi Dressmakers'' From Paris to Providence: Fashion, Art, and the Tirocchi Dressmakers'' THE EXHIBITION, FROM PARIS TO PROVIDENCE: FASHION, ART, AND THE TIROCCHI Dressmakers'' Shop, 1915–1947, combined serendipity, archival tenacity, and first-rate scholarship in depicting the production and consumption of high-end women''s fashion in the first half of the twentieth standard of interdisciplinary research of interest to scholars of twentieth-century material culture, business history, immigration history, art, The garments found in the Tirocchi shop represent various models of suggest how the Tirocchis accommodated preferences for Europeanstyled couture garments by American women of social prominence. women who came to work at the Tirocchi shop and who collectively Thus From Paris to Providence interpreted the Tirocchi shop from 1. Susan Hay, ed., From Paris to Providence: Fashion, Art and the Tirocchi Susan Hay, "Paris to Providence: French Couture and the Tirocchi Shop" in Hay, work_ktpw4hxc2bgeblqj5a6q5iihsi Time perception can be affected by real emotional pictures of people that evoke different levels of arousal. The present study investigated whether abstract paintings that represent motion in different ways affect the perception of time when subjects are exposed to the paintings for different durations. painting and estimated the time of exposure (reproduction method). semantic Movement, Arousal, Complexity, and Recognition scales to obtain information about how the painting compositions Time distortions were observed for only two cubist paintings that represented human forms, which were related The data analysis revealed overestimation of time for the cubist painting that characteristics of artwork on time perception, emphasizing aspects of the visual perception of human forms in cubist paintings and Keywords: time perception, static images, implied movement, cubism, arousal. Painting Time (s) Latency (s) Movement Arousal Recognition Complexity Mean ± standard deviation of time estimation, latency, movement, arousal, recognition, and complexity for the four work_kuifpduszzh63k7euzw3aa6ikq contrast and geometric patterns" (Germaner, 1996) and aim to create visual illusions, targeted to present the twodimensional image as three dimensional, moving and vibrating. "Op-Art includes abstract art works aiming to create sense of depth or three dimensional illusions. of the world with the modern art movements after 1960; and with the creation of first ceramic works it started to In the modern ceramic art, as well as the theme which enriches the work, visual, artistic balance and style-content Pioneer artists presented in this paper and individual ceramic works with visual illusions. "Illusion which is an art term means recognition of the figures in an artistic work as objects and facts in the real Relation between Visual Illusion and Perception and Other Art Movements Work Examples Have Visual Illusion from Ceramic Art In Personal Ceramic Practices presented through this work, new visual illusion patterns, many elements exist work_kul62i4cnbda7hajledjvdbubi mysticism and the late philosophy of Martin Heidegger have proved to be indispensable tools in setting psychotherapies in their philosophical and historical context. by the Boston Change Process Study Group (BCPSG) links philosophical contemplation and empirical research in a promising way. to, a mystical dimension that has been neglected in empirical psychotherapy research mystical dimension of psychotherapy, Heidegger''s later antirationalistic views seem We interpret both psychotherapies and Heidegger''s philosophy as being philosophers of this kind: Martin Heidegger, Sigmund Freud and Ludwig Wittgenstein. has often been pointed out that striking similarities exist between Freud''s psychoanalysis and Jewish mysticism, especially kabbalism and Hasidism. The contradictory aspects of Freud''s legacy continue to mould psychotherapeutic thinking and psychotherapy research. On Heidegger''s Sofa: Some Remarks on Psychotherapy from Historical and Philosophical Points of View On Heidegger''s Sofa: Some Remarks on Psychotherapy from Historical and Philosophical Points of View work_kvcyshqzefhjdc5mtwkbvviug4 We present results of our program Spitzer/IRS Mapping of local Luminous Infrared Galaxies (LIRGs). regions of the galaxies, and use all four IRS modules to cover the full ∼ 5 − 38 µm We have built spectral maps of the main mid-IR emission lines, continuum and PAH features, and extracted 1D spectra for regions of interest in each emission lines and an order one polynomial for the local continuum. The spectral maps allow us to select regions of interest in Spectral maps and line ratios observed with the SH module for NGC 7130. detection of high ionization emission lines such as, [NeV] at 14.3 and 24.3µm Spitzer/IRS Mapping of Local Luminous Infrared Galaxies 3 Left: Spectral map at 8 µm of NGC 7130 observed with the SL module. The spectra show PAHs, emission lines, and the 9.7 µm silicate feature. Left: Map of the strength of the silicate feature for the interacting galaxy work_kwfl4iul45cozal3vf7ftnf4ie Two Paths to Abstract Art: Kandinsky and Malevich Two Paths to Abstract Art: Kandinsky and Malevich nature, whereas Malevich, a conceptual innovator, plunged precipitously into abstraction, by creating Kandinsky and Malevich have been studied by scores of art historians. have recognized that Kandinsky and Malevich arrived at abstraction by very different approaches, just as they have recognized that the two artists'' forms of abstract art differed Malevich''s art did not evolve slowly, like Kandinsky''s, but changed rapidly. execution, of all the illustrations of works by Kandinsky and Malevich, respectively, contained in Tables 1-3 thus show that art scholars agree that Malevich''s most important work was Kandinsky''s fear that art experts would disagree about artists'' best periods, these various sources Kandinsky and Malevich both believed that the great art of the future would be abstract, Like Cézanne and other great experimental artists, Kandinsky worked cautiously work_kxefpnvbnfblfb6bj5udiwsd6e sequel concerning Czech Marxist art historiography after the Second World War unambiguously the superior status attached to Max Dvořák in Czech art history. 4 Milena Bartlová, ''Czech art history and Marxism. English with further references: Milena Bartlová, ''Art History in the Czech and Slovak Republics: This ''genealogical'' continuation of the Vienna School in the art historical history at all, because the university in Prague had its own art historical institutes. 1882 into two chairs, the Czech and the German.9 The art history department in dějepisu umění (Chapters in Czech historiography of art), Vol. 2, Prague: Odeon, 1987, 9-70; Mitchell for Czech art history: to break free from both German and Viennese influences and Orthodox art at the Czech Prague University Institute in 1929. The relationship between Czech art history and the Vienna School took 41 The topic of the post-war developments in the tradition of Czech art history is elaborated in detail, work_l3nkc4wq4nb3npc2orptvqu5m4 Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_l5uts7gievbsbgpzfbnb2tjdca Knowledge bases (KBs) are repositories of interconnected facts with an inference engine. is now employing KBs to surface additional information for user search [Dong et al. However, the growing number of KBs inside an organization require a sufficiently high level of quality and must be meticulously maintained. Growing KBs using inference over the existing facts, knowledge bases through information extraction and inference [Carlson et al. —Incremental KB maintenance: Speedy extraction of facts from a data source presupposes the need for rapid and incremental methods for updating KBs. Incremental In Proceedings of the 20th ACM SIGKDD International Conference on Knowledge Discovery and ACM Journal of Data and Information Quality, Vol. 6, No. 2–3, Article 7, Publication date: June 2015. ACM Journal of Data and Information Quality, Vol. 6, No. 2–3, Article 7, Publication date: June 2015. ACM Journal of Data and Information Quality, Vol. 6, No. 2–3, Article 7, Publication date: June 2015. work_lauqz2fnibez5mhtj5q646pbwy best five-year periods, all for the work the two young artists did in developing Cubism. innovations in Pop art and Matisse''s development of Fauvism also rank among the century''s conceptual innovators, like Picasso, Matisse, and Warhol, made their greatest discoveries nature of the greatest artistic innovations of the twentieth century. Table 2 ranks the best individual years of all the artists in the sample for this study. ranks as the century''s most important individual work of art.9 The privileged place of that painting, and of Picasso''s work of that year, are a consequence of the fact that this announced most important five-year periods of individual artistic creativity of the century. Galenson, "The Most Important Works of Art of the Twentieth Century," Table 2. Galenson, "The Most Important Works of Art of the Twentieth Century," Table 2. See Galenson, "The Greatest Artists of the Twentieth Century," Table 2. See Galenson, "The Greatest Artists of the Twentieth Century," Table 2. work_lm3til34rjbubfqmjkejclco6u 본 논문은 캐릭터의 기호학 분석을 통해 효과 인 게임 캐릭터 디자인 방법에 해 제안하 다. 콘텐츠의 캐릭터 게임 캐릭터만이 가진 특징을 알아보고, 그 특징에 Scott McCloud의 "아이콘화"의 캐릭터를 구분하여 각각의 특징과 장 , 단 을 악하고, 디자이 의 캐릭터 제작 과정과 수용자의 캐릭 는 것을 알 수 있었으며 수용자의 기호학 인식과정을 고려한 캐릭터 디자인 과정이 게임 콘텐츠 반의 을 떠올릴 수 있으며, 캐릭터 이미지로 체 콘텐츠를 ⑤ 기표와 기의의 연결 작용으로 인하여 캐릭터 디자 서 나온 기표와 기의가 캐릭터 디자인 설정의 상당한 캐릭터 인지 과정의 특징은 수용자가 캐릭터를 수용 캐릭터 디자이 의 요한 역할 하나는 기의를 기 하지만 디자이 가 캐릭터 게임 캐릭터의 아이덴티티 개선방안 : 게임 캐릭터 제작방식의 기호학적 분석 중심으로 169 게임 캐릭터의 아이덴티티 개선방안 : 게임 캐릭터 제작방식의 기호학적 분석 중심으로 169 게임 캐릭터의 아이덴티티 개선방안 : 게임 캐릭터 제작방식의 기호학적 분석 중심으로 169 게임 캐릭터의 아이덴티티 개선방안 : 게임 캐릭터 제작방식의 기호학적 분석 중심으로 169 work_lo7hht4w7jappdaax77gx6dlyy Polish modern art was collected by leading figures within America''s cultural vanguard. was consolidating an international canon of modern art. The Shattered Self of Komsomol Civil War Memoirs amines memoirs of Komsomol civil war veterans to illuminate the ways the Guillory argues that veterans'' memoirs reveal a shattering of the self where their efforts to narrate their experience Guillory engages the scholarship on the Soviet self and subjectivity by calling attention to the ways trauma produces a "darker side" of the Exile, Gender, and Communist Self-Fashioning: Dolores Ibarruri (La Focusing on the Soviet exile of the Spanish communist and orator Dolores Ibarruri (La Pasionaria), Lisa A. war, the Soviet media popularized Ibarruri''s performance of fierce communist motherhood. Reading such sources as sites of self-fashioning, Kirschenbaum argues that Ibarruri was at once empowered and constrained by her In this article, Emma Widdis suggests that a sensory history is a crucial work_ltbt4iekkzhvngtnqez57ylgfq Greenberg in his essay, ''Byzantine Parallels,'' written in 1958.3 Prior to Judd''s dismissal of the Byzantine-modern connection, Greenberg reached the same 3 Clement Greenberg, ''Byzantine Parallels'', (1958) in Art and Culture: Critical Essays, Boston: what Greenberg would consider modern art, out of over 300 texts. Greenberg read Talbot Rice''s Byzantine Art as he prepared his first draft of 14 Greenberg, ''Byzantine Parallels'', 168 and Talbot Rice, Byzantine Art, plate 54. modern art, Greenberg refers to Talbot Rice, albeit in passing: ''The parallels As far as exposure to the idea of a connection between Byzantine and modern art, modern painting.35 As a remedy, Greenberg proposed to present ''what in art of the review of Venturi''s Four Steps Toward Modern Art, Greenberg writes, ''It is possible 76 Clement Greenberg, ''Review of Four Steps Toward Modern Art by Lionello Venturi'' (1956) in 77 Greenberg ''Review of Four Steps Toward Modern Art'', 263. work_lvffpmrkxre5boitqso26z5fda Picasso''s Science and Charity: Paternalism Charity: Paternalism Versus Humanism in Medical Practice." Open http://dx.doi.org/10.1093/ofid/ofw056. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29408271 http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Picasso''s%20Science%20and%20Charity:%20Paternalism%20Versus%20Humanism%20in%20Medical%20Practice&community=1/4454685&collection=1/4454686&owningCollection1/4454686&harvardAuthors=e0d18170789bb114de6d84862c6552d3&department http://nrs.harvard.edu/urn-3:HUL.InstRepos:29408271 http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of-use#LAA Picasso''s Science and Charity: Paternalism Versus 1Division of Infectious Diseases and 2Department of Neurology, Brigham and Women''s Hospital, Harvard Medical School, Boston, Massachusetts art and medicine; history of doctor patient relationship; infectious diseases; Picasso. Two of Picasso''s most important early Picasso''s art training. At age 10, Picasso entered art school at the Instituto da Guarda, Picasso''s Science and Charity (cover, were at the center of public and Picasso''s attention. Drawing on Picasso''s artistic predecessors, Science and Charity extends a motif of this common physician-patient motif The painting was exhibited at the Exposición Provincial de Málaga (receiving the coveted gold modern version of Science and Charity Pablo Picasso, "Science and Charity", 1897. Available at: http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897. Available at: https://profiles.nlm.nih.gov/ps/retrieve/ http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897 http://www.wikiart.org/en/pablo-picasso/science-and-charity-1897 https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ https://profiles.nlm.nih.gov/ps/retrieve/ResourceMetadata/GFBBCJ http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 http://www.harvardartmuseums.org/art/297585 work_lvidswjm6vhujafovp465pajka 1 See, for instance, Kreps (1990), Sethi and Somanathan (1996), Young (1998), Basu (2000), Fehr and Fischbacher (2004), Rao and Walton (2004), Sen (2005). government-run primary schools shows that in terms of teacher truancy, India is second time, 25% of teachers are found missing from government-run schools in India; the figure Let us consider the problem of teacher truancy in India. Let z(i) be the benefit that teacher i gets by being truant from school. teachers, who play truant, we can think of the stigma cost being a function of this. recommend changes in India''s labor laws and regulation (Papola, 1994; Basu, 2006). J. (1999), ''Social Norms and Economic Incentives The Role of Culture, Norms and Economic Incentives The Role of Culture, Norms and Economic Incentives The Role of Culture, Norms and Economic Incentives The Role of Culture, Norms and Economic Incentives The Role of Culture, Norms and Economic Incentives work_mba6cdcvofaxpj263in73kem3a Man Through His Art: Music (London: E. ltenaissance painters in Italy he employed musical consonances as a means of unifying and rationalizing the arts. poets tried to express the "music" they felt thin themselves, and in return composers wrote "landscape" symphonies and tried to draw their music closer tp painting analogous to music--an art of colour composition addressing Like music, colour was subject to 11 fixed 11 --though different Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting1 proposed to unite the arts of painting, music and the dance~ After the publication of the Art of Noises Russolo neglected painting until 1942, concentrating, rather, on developing an intricate form of musical composition which foreshadowed the more extreme experiments made before and painting music in colour compositions which he conceived as work_mdoeuhsgrzg2fct4hoj2kxwdy4 The Spitzer spectroscopic survey of the Small Magellanic Cloud: polycyclic aromatic hydrocarbon emission from SMC star-forming regions to map the polycyclic aromatic hydrocarbon (PAH) emission from photo-dissociation regions We present mid-IR spectral mapping observations of star-forming regions in the Small Magellanic Cloud obtained as part of the Spitzer These observations allow us to map the distribution of PAH emission in these regions and the measure the variation of PAH band strengths of the mid-IR emission bands from PAHs in star-formation regions in the SMC obtained results on the ionization state of PAHs and the variations of the mid-IR band ratios. of PAH emission from the SMC was from this region by Reach et al. We also observe a low ratio of the 7.7/11.3 bands in this region. PAH emission from SMC star-forming regions 165 PAH emission from SMC star-forming regions 165 PAH emission from SMC star-forming regions 165 work_mevee444jbcu5j3f4ubuafejsm With the frontispiece, Stein establishes a comparison between two purportedly direct modes of referentiality: autobiography and portrait photography. TheAutobiographyofAliceB.Toklas, Stein asserts that autobiographies reveal much While his phrasing is more delicate, Charles Caramello also views Stein''s intent in The Autobiography as self-serving. Stein''s innovative ruse of authorship explicitly uncovers the premises of autobiography''s construction and thereby challenges the genre''s status as a direct mode of In The Autobiography, Stein purposefully distorts Toklas''s reflection in order to Neither the frontispiece nor TheAutobiography captures ''''reality.'''' Man Ray depicts Toklas and Stein as they pose for the camera, not as they truly are. Instead, the last paragraph suggests that The Autobiography provides a fictionalized account of Toklas''s perceptions of Stein. of Picasso''s Portrait from The Autobiography, Stein has the last word. The double self-portrait that serves as The Autobiography''s frontispiece, as well as Stein''s innovative ruse of authorship, exposes the ego''s work_mf3666aghvdefosssc5hl2e4si grand style tel que Henri Cartier-Bresson l''avait popularisé dans les années 1930. photographie d''amateur et des évolutions dans les autres médias. photographique dans les années 1960 rencontra la complicité de Lartigue si ce n''est sa sujet de la photographie, mais elle ne disposait pas d''une institution telle que le MoMA, image Szarkowski n''a jamais produit une table telle que celle de Barr; pourtant, les 4 "La limite que Winogrand fixe à son art est une conséquence de sa plus grande force: consacré à l''exposition: "Avant d''avoir dix ans, Lartigue faisait des photographies qui dans des cadres modernes et élégants, les photographies de Lartigue sont allégées de image Plus important encore, l''agencement des épreuves de Lartigue sur les murs est que défendait Szarkowski contre toute autre interprétation des éléments présents dans Voir "Photography", dans The Museum of Modern Art, New York: The History Atget, comme Lartigue, captivait Szarkowski qui les tenait tous deux pour work_mfc4v7eqcnb4dg6jpmf7citooi THE COMMON EVOLUTION OF GEOMETRY AND ARCHITECTURE FROM A GEODETIC POINT OF VIEW / Bellone, THE COMMON EVOLUTION OF GEOMETRY AND ARCHITECTURE FROM A GEODETIC POINT OF Throughout history the link between geometry and architecture has been strong and while architects have used mathematics to Among the best known types of geometry (Euclidean, projective, analytical, Topology, descriptive, fractal,…) those most frequently Entire architectural periods are linked to specific types of geometry. Euclidean geometry, for example, was the basis for architectural styles from Antiquity through to the Romanesque period. Perspective and Projective geometry, for their part, were important from the Gothic period through the Renaissance and into the Baroque and Neo-classical eras, while non-Euclidean geometries characterize modern architecture. Euclidean geometry is the basis for architectural Euclidean geometry was the canon defining the proportions of Euclidean geometry informed architectural styles up to the 3. PERSPECTIVE AND PROJECTIVE GEOMETRY 3. PERSPECTIVE AND PROJECTIVE GEOMETRY work_mhzge6dyz5fh3g2y4hipfbgkfu Philippe Roussin''s study of Céline and French literature of the 1930s is as mainly reflections by writers, intellectuals, and politicians on the respective status of literature and politics within the context of rising nationalism and communism. Roussin here makes a convincing case for the central position of antiSemitism (as it had developed in the nineteenth century) in Céline''s idea of in fiction of the 1930s (Hollier 1993), Roussin concludes that Céline''s form point between Céline''s individual writing and prevailing views of literature: Céline represents a paradox in that, while purporting to place common language at the center of his work, he in fact reasserts the absolute into the democratic arena of fiction written in common language and Veg • Céline and French Literature between the Wars 609 Veg • Céline and French Literature between the Wars 609 Veg • Céline and French Literature between the Wars 609 work_mj22nbcserbizcvqj7ag5kml5q 르 코르뷔지에의 회화를 통해 본 여성의 몸에 대한 사유 Keywords 르 코르뷔지에, 회화, 몸, 사유, 퓨리즘, 초현실주의 배경으로, 여성의 ''몸''을 매개로 투영된 초현실적, 일원 <그림 3> 르 코르뷔지에 그림에서 여성의 변형과정 ①번 위, 3명의 투어 여성의 풍만한 누드, 일하는 여성, 모성적인 여성을 지만 여성의 움직임을 마치 기계가 움직이는 것으로 연 이러한 수직적 사고는 프랑스 민족주의 사유의 핵심이 그래서 그의 퓨리즘은 프랑스 정신을 기 그래서 기하학적 공간을 흔히 정신적 혹은 관념적이라 <그림 5> 르 코르뷔지에 그림 중, 여성의 자리에 황소가 등장하는 응을 일으키는 회화는 전영미, op.cit., pp.77-79와 Jean Jenger, 여성의 ''몸''은 ''몸'' 그 자체가 아니라 사상과 꿈을 일으키 서 여성의 ''몸''을 제3의 혼종적인 형상으로 일원화했다. <그림 7> 뿔 달린 여성의 다양한 모습 ①번 유니콘 여인과 검은 이러한 예증은 여성의 ''몸''이 자아를 꿈꾸던 사유가 민족과 조상, 그리고 자신의 종교 28) 전영미, op .cit., pp.83-90 직각의 시 구성 체계 및 도상 설명 참조 본고는 회화에 그려진 여성의 ''몸''을 통해서 르 코르뷔 work_mkpr3g5edbalhh3vgk63lcrkc4 The technical advancement of endoscopic spine surgery is inexorable and fascinating. endoscopic spine surgery with a focus on the benefits for patients life quality. Two articles focus a on new indications of endoscopic surgery in the cervical spine. For the treatment of central spinal stenosis, the inside-out full-endoscopic cross-over approach is presented including the 1 year clinical follow-up of 127 patients. Four papers/videos in this issue focus on biportal endoscopic approaches for lumbar decompression, discectomy, minimally invasive transformational lumbar inter body fusion technically demanding approach but I believe that when it is performed with full-endoscopic technique it can be even less invasive as compared to microsurgery. In summary, the papers I could read are excellent examples of the ongoing technical evolution (revolution?) of endoscopic spine surgery and I congratulate the authors for their pioneering work. Neurospine Endoscopic Spinal Surgery, 2nd IssueMayer M work_mlz4tezg5bauzgqytyjj6qetum Keywords: Modernism, composition, music, fragments, creativity, brevity related to musical brevity, with each original composition, or set of works, as an exploration of one with these themes: In that solitude (2012) formed a part of this, being composed to explore musical working within the specific notional framework of the fragment, the end result is self-consciously The starting point for this work, however, was the musical fragmentation of Hungarian composer as building blocks.55 Martin Scheuregger, ''Conceptions of Time and Form in Twentiethand Twentyfirst-century Music'' (PhD diss., University of York, 2015), p. The manner in which In that solitude was composed was in itself an act of fragmentation, and whilst musical material itself rather than the whole movement is treated as the notional fragment. point – and an integral part of my approach to musical fragmentation. of a fragment and through composing several works with these ideas in mind, I have developed a set work_mpeihe564banzpeqvtvfdgoi3u art is patterned by the point of view of their culture, if we can suggest the ways Symbolism (1956), in which we are provided with a specific account of aboriginal art and belief in Arnhem Land which discriminates three artistic subcultures (Groote Eylandt, Oenpelli, and Yirrkalla) and details the corresponding ideology. of the Australian material beyond the specifically local situation may be suggested: The ritual production of art. Style is not, as is sometimes assumed, an aspect of art independent of subject matter or "content." This distinction merely refers to different lines of reference to the configuration of culture and art style in the same work is not selection represent the art style of the group or culture. gathering peoples designed to distinguish between what is specific to the Australian situation and what might remain for use in interpreting Upper Paleolithic art. work_mswborqyijgg7mkd64rrsugyhe the fate of would-be conscientious objectors who would not afrm the existence of God. Relying largely on Paul Tillich, the Court ruled in their favor, expanding the notion of "religious case by exploring the theology of Paul Tillich, particularly its critique of religion as a separate KEYWORDS: conscientious objection, construction of religion, Paul Tillich, demonic, the divine "abyss"—he later described as the "tremendous religious power" of such art.61 As I discuss below, he described the avant-garde artistic movements most inected by various forms of unity," to "see the elements of reality as fundamental powers of being out of which reality is constructed."62 It is the disruption of the surface that Tillich views as the key to "religious" experience Although I have written mostly in terms of "paradox" and "ambivalence," Tillich also, and centrally in his later work, uses the word "ambiguity" to portray the inextricability, as well as opposition, of divine and demonic in all spheres of life: work_mt4o2ktwjzdgnbh5krlv3jcd5u (GTO) Spitzer InfraRed Spectrograph (IRS) program aimed to obtain spectral mapping of a sample of 14 local ðd < 76 MpcÞ LIRGs. The data cubes map, at least, the central 20 arcsec � 20 arcsec to 30 arcsec � 30 arcsec regions of the galaxies, and use all four IRS modules covering the full 5–38 lm spectral range. The IRS data are used to obtain spatially resolved measurements of the extinction using the 9:7 lm silicate feature, and to trace star forming regions using the neon lines and the PAH features. We also investigate a number of active galactic nuclei (AGN) indicators, including the presence of high excitation emission lines and a We finally use the integrated Spitzer/IRS spectra as templates of local LIRGs. We discuss several possible uses for these templates, including the calibration of the star formation rate of IR-bright galaxies at high redshift. work_mvamwbm4rja6tddlmkvjblatpi Donnelly, « Sargent and the Wyeths in London », Transatlantica [Online], 1 | 2010, Online Sargent and the Sea, Royal Academy of Arts (10 July – 26 September Sargent and the Sea, Royal Academy of Arts (10 July – 26 September 2010)The Wyeth Family: Three Generations of American Art, Dulwich 2010)The Wyeth Family: Three Generations of American Art, Dulwich works clearly display the technical virtuosity that Sargent had achieved at a young age, 9 While Sargent''s father might have preferred the navy to art school for his son, painting 11 Andrew''s son Jamie constitutes the third generation of Wyeth artists. ''fantasy'' of Andrew Wyeth''s paintings. the same will be true of the Wyeths, particularly Andrew, after more time has passed, JOHNSON, Kenneth, " ''Andrew Wyeth: Memory and Magic'' at the Philadelphia Museum of Art", New Kenneth Johnson, " ''Andrew Wyeth: Memory and Magic'' at the Philadelphia Museum of Art'', work_mvyqwq4y4beudminxgzis3uuxm William Carlos Williams''s The Great American Novel: Flamboyance and the Beginning of Art IN the early 1920s in Rutherford, New Jersey, William CarlosWilliams had serious doubts that the "Great American Novel," as itwas then conceptualized, could ever be written. At the heart of The Great American Novel is Williams''s concern with example, views The Great American Novel as a first draft of Paterson, a working the work, Williams confronts the problems facing the American novel and creates The novelist of The Great American Novel also parodies critical authoritarianism by including a negative review of his own work as part of the text (a review Great American Novel sometimes calls attention to the compound word and the options, therefore, the novelist of Williams''s work is unable to create a new novel The novelist of The Great American Novel realizes that like the words that are worn out, work_mwbch37fqvemhdviov4lmllmdu The spectacular construction of the image of the world in the full expressiveness figurative languages, but above all for the symbolic meanings and for the social and moral contents associated "improvement," over time, of the methods of representation and the ways of teaching it, or is it just a matter of par ticular representative models, possibly never determined by deliberate and conscious intentions, but only by of the 20th century, we began to re-evaluate how the images of the past about the evolution of the image, calling into question Here we come back to our initial question: is this a generically explorative phase or are we par ticipating in a conscious epochal evolution from which we can expect the And therefore we would like to think that the image, as a renewed and more effective means of communicating "just" thought, will become a more authentic language, capable of transmitting, perhaps more than words, work_mztlw2p7n5d33csgwq7ulrqbpi in relation to Aldo Rossi''s concept of the analogical city and the political theorist Paolo Virno''s notion via Hilberseimer''s metropolis architecture and Rossi''s analogical city toward the contemporary Keywords: Ludwig Hilberseimer; Georg Simmel; Aldo Rossi; metropolis; architecture; critique; figure of the blasé attitude, placing this in relation to Aldo Rossi''s notion of the analogical city and the the stranger to Hilberseimer''s metropolis architecture and Rossi''s analogical city, toward the figure of My argument is that the metropolis architecture of Hilberseimer is the analogue of Simmel''s blasé the "stranger" (Simmel [1908] 1971), a development of the blasé individual, in Rossi''s Analogical City The figures (Simmel, Hilberseimer, Tafuri, Rossi) and themes (metropolis, analogue, language, architectural analogue (or analogical form) of Georg Simmel''s blasé attitude. Rossi''s theory and projects of the city developed in dialogue with those of Hilberseimer''s. In drawings that Rossi collectively titles Analogical City, architectural and urban types are reduced work_n6rnsy7aeje5zf72phcbr7w6be one sensory modality at a time – approach to the study of body of evidence that points to the "multisensory organization" or visual even when auditory cortex is activated [in the case of the primary sensory areas of the cortex can be activated in a taskspecific manner by stimuli of other modalities . or crossing of the senses, e.g. hearing colors, tasting shapes) might In the case of color-grapheme synesthesia – their chosen example Imagine what a "Cross-Cultural Handbook of Multisensory Processes" would look like. evidence for a form of color-odor synesthesia reported by Diana exploring the varieties of sensory experience in history and across an immersive visual and sound experience. not the single mode through which music and the visual arts same time, Visual Music does prove that the history of art (or of the whole Handbook to cross-cultural variation in the modulation This example is cited in Visual Music but work_n7c4pyrbmzgv7ebbe6326ab6i4 Noucentisme, Modernity and Xavier Nogués'' Cartoons" presented at the international 3 Xavier Nogués, partial view of the mural paintings at the Galeries Laietanes cellar, 3 Xavier Nogués, partial view of the mural paintings at the Galeries Laietanes cellar, contribution of an artist such as Nogués to the development of modern art in that and, in artistic terms, advocated an art that was both modern and Catalan, open 15 Carmen Belen Lord, "The New Art: Modernisme," in: Barcelona and Modernity: Picasso, The modern practice of art: Modernisme, Noucentisme and the movement''s most noted representative.26 And it took its most radically antiacademic form in the work of avant-garde artists such as Rafael Barradas and his modernity – which allows the art-historical value of work such as Xavier Nogués'' [28] Nogués shared fully in Noucentisme''s purpose to modernize Catalan art. The modern practice of art: Modernisme, Noucentisme and the Avant-garde The modern practice of art: Modernisme, Noucentisme and the Avant-garde work_ncct7b7dmzcfdlc6klyvquikje The project of creating universal clothing for mass production is a vivid example of the practical embodiment of the new productivist art. The new concept of universal clothing for work and sports transmitted the idea of creating art industry, she said: "Artists should take the initiative in the field of clothing, work on creating simple, beautiful forms of clothing from simple materials lamanova''s Atelier of Fashion had the task of combining aesthetics and functionality whereas the idea of working n. "Working Clothes and Fashion" // Artist. ["The Ideas of the Russian AvantGarde life in the Aesthetics of the Working Clothes. не могут быть одинаковы, и Ламанова не забывала, что она работает над костюмом для русской женщины» 7. Одним из главных лозунгов художниковконструктивистов в их работе над дизайном одежды станет статья варвары Степановой Любовь Попова писала, что костюм создавался «<…> для каждодневной и обыденной жизни и работы актёра, и поэтому необходимо было work_nclh5nxxxjfndman2um5qu4qka Formalism Abstraction Surveillance Camouflage Satellite images bureaucratic gaze of the surveillance image.1 Laura Kurgan''s work is similarly technologies, the data delivered by satellite imaging systems can erroneously be taken The images that comprise Monochrome Landscapes were designed, Kurgan explains, Panels is a belated addition to Kelly''s signature red, blue and green paintings of the colour fields, Kurgan has plugged her digital prints into the mainframe of American images that work like abstract paintings is to invite the assessment of the single Kurgan''s use of the colour field as a mode of display but in formalist aesthetics itself. Kurgan borrows the devices of colour field painting to exhibit digital images that of ''content'', to challenge the notion of the self-evident (painting, photograph, or data formalist abstraction, the point of camouflage is to work hard to produce the effect work, must camouflage the operations necessary for the production of the image. work_nfslpsv45zbtdceyjke5v4tglq red clay, charcoal, or red iron ore to the modern digital images on the bases of 3D tools like Maya, technology, human, and art—we are able to create an image suitable for the trend of the times. human, and art into actual animation to check its theoretical discussion value. Keywords : digital imaging, technology, human beings, art, trend of the times, animation latest technologies to create images that The first images created by humans are call these images art. images in our imagination through digital film. through creating digital images. determineif technology, art, and human create images which make people feel good. On the contrary, the image in the digital age fine arts and images which allowed The Trivium of the Digital Media Art 749 The Trivium of the Digital Media Art 749 The Trivium of the Digital Media Art 749 simply refer to the art or the technology but work_nk3liutbn5exrjjd6j54zdcnn4 Keywords: Theory of evidence, Dempster Shafer model, relevance measures, information For information indexing and retrieval systems, the DS model can be used as a relevance calculus, designed t o quantify and In information indexing and retrieval applications, the frame of discernment is normally taken t o be a keywords lexicon K: = {kl,. This particular function represents a cataloger who strongly believes that the document is relevant to represent relevance numbers, then one should combine them using Dempster''s rule, because that''s how mass functions are combined in the DS model." This argument could have his belief in the document''s relevance to a lexical subset X, the same evidence should not For example, consider the following set of classes, taken from an art-related taxonomy: C = {~rt , Braque, Cubism, Dada, the canonical indexing model, the opinions are combined at the catalogers level, through work_nllebo7zcrhlbceg6422sxz4ni Les Artistes du Groupe de Calcutta (1943–1953) : Entre Tradition Occidentale et Modernité Indienne relation spécifique des membres du Calcutta Group avec les formes et les de l''art moderne en Inde, Gaganendranath Tagore fut le premier artiste du souscontinent à adapter, durant les années 1920–1930, la syntaxe formelle du cubisme puis au début des années 20, il s''engage dans une production picturale qualifiée de ''cubiste'' par la L''adoption de nouvelles formes artistiques par les artistes indiens, à poser les fondations esthétiques et formelles d''un art moderne dans le sous-continent, Les artistes du groupe étaient proches des milieux culturels marxistes de Dans leur volonté de renouvellement des pratiques artistiques, les membres du 20 Les orientations artistiques nationalistes, obnubilées par l''affirmation d''une Indianité en art et des membres du Groupe pour l''art moderne occidental poussèrent certains d''entre Les artistes du Groupe de Calcutta, tout en reconnaissant l''Occident comme théoriques que dans les productions plastiques des membres du Groupe. work_nma6oispgvb2vl45jgnmlvzgoq https://research.rug.nl/en/publications/outsiders-perspectives-in-dutch-biography(e17789cd-ee0b-490a-b347-bc5762c96b42).html Outsiders'' Perspectives in Dutch Biography: The Year in the Outsiders'' Perspectives in Dutch Biography: The Year in the Biographies of connected critics do not necessarily have to be about politicians: biographers choose to depict their subjects by underscoring their subjects'' struggles as outsiders whose Last year another biography of a "connected critic," in Walzer''s sense, appeared in the Netherlands: Elly Kamp''s book on Ferdinand Bordewijk (1884– Rineke van Houten''s recently published biography on Frank Lodeizen wonder if van Houten''s biography might not turn to fiction to describe Lodeizen''s life. The biography of Piet Mondrian that Hans Janssen published in 2016 was In this regard, the biography of Gijs van Hall is interesting, because this connected critic remained active in politics when his engagement with social problems was strongly criticized. Biographer Dirk Wolthekker makes use of the Van Hall family archive, Wolthekker''s biography illustrates how members of the van Hall family work_nnbijx2rmnfpnnlhpn2lagnxwa This patient was left with visual agnosia after developing herpes simplex encephalitis at a young recognising people by their faces. It wasn''t just a problem with recognising family members, or teacher asked mum whether all her children were blind, to which studied face perception and its disorders and was asked to give children study faces intently their brains are learning to calculate have also improved but I still have trouble recognising faces. specific—for example, prosopagnosia is a specific agnosia for faces. Pure visual agnosia is a rare condition, particularly in young people, This patient''s visual agnosia was secondary to early acquired herpes simplex encephalitis, which caused bilateral damage to the Those brain areas specifically involved in processing faces were affected, and although the patient made a good well enough to go horse riding but cannot distinguish between family members by their faces. http://www.bmj.com/permissions http://www.bmj.com/permissions http://www.bmj.com/permissions work_npstc4efrzco3d62uylmc7hlze We present high spatial resolution (�35 pc) 5Y38 �m spectra of the central region of M82, taken with the Spitzer aromatic hydrocarbon (PAH) emission features in six representative regions and analyzed the spatial distribution of The [Ne iii]/[Ne ii] ratio is on average low, at �0.18, and shows little variations across the plane, indicating that PAHs, fine-structure lines, and emission from molecular hydrogen, in addition to the broad silicate absorption features around PAH emission features and a steeply rising continuum, characteristic of classical starburst galaxies (e.g., Brandl et al. The Spitzer IRS spectral maps allow a study of the spatial variation of the radiation field, based on the [Ne iii]/[Ne ii] ratio. Due to the presence of several luminous star clusters in the central region, one might expect strong variations of [Ne iii]/[Ne ii] lines and PAH feature emission among the regions. work_npxvevzt5rdwdkxyqgrzaxxsym Human genetics typically separates rare and complex disorders into separate their frequencies in populations; and has argued, passionately, over the contributions of rare versus common alleles in the study of the genetics of human disease, not The contribution of mutational effects to other so-called "monogenic" diseases is of two autosomal-dominant disorders caused by mutations in TCF4 (which encodes transcription factor 4); in Following on from the concept of necessity and sufficiency, a third concept that needs to be revised is the traditional paradigm that alleles associated with a rare disease diseases are either exclusively common [30] or a collection of rare alleles [31] is an empirical oversimplification For example, age-related macular degeneration is a paragon of complex trait analysis and disease genetics when genome-wide association studies recessive mutations in BBS10 (which encodes BardetBiedl syndrome 10)—mutations in which cause the rare a more accurate understanding of human genetic diseases work_nqv5mxlcrffm5pzxgexpgk6mlq Esteban Buch, Denys Riout, Philippe Roussin (dir.), Réévaluer l''art moderne et les avantgardes, Paris, Éditions de l''École de hautes études en sciences sociales, coll. séminaire « Réévaluation de l''art moderne et des avant-gardes », tenu à l''EHESS entre des standards de goût dont dérive l''art abstrait, mais je ne prétends pas que ce sont les seuls 5 La réévaluation des avant-gardes est inaugurée par Valérie Pozner avec une étude sur 1991, Pozner dresse le tableau d''une discipline de l''histoire de l''art dans laquelle coexistent des lectures bien plus diverses et nuancées que les seules visions 6 Les avant-gardes mais, cette fois-ci, celles de l''Argentine des années 1920 sont aussi termine avec un retour sur deux des présupposés les plus fréquents dans l''écriture de être vue comme une invitation à reconsidérer les liens entre histoire des arts et histoire Esteban Buch, Denys Riout, Philippe Roussin (dir.), Réévaluer l''art moderne et les avant-gardes work_nznr2jjkdrhwdnjtvrdgivvur4 1951 exhibition Abstract Painting and Sculpture in America held at the Museum of Modern Art in New York (MoMA), often included sculpture. labeled Smith, Hare, Roszak, Lipton, and Ferber as ''abstract expressionists''. Greenberg''s initial support for Abstract Expressionist sculpture and/or his later dismissal of Abstract Expressionist sculpture is a story of Greenberg. Greenberg mentioned Smith in a review for the exhibition American Sculpture of Our 4 Clement Greenberg, ''Review of the Exhibition American Sculpture of Our Time'', in O''Brian, 11 For other positive reviews of Abstract Expressionist sculpture prior to 1950 see Greenberg, this work from monographs on American sculpture and Abstract Expressionism, interest in Smith''s work.30 In claiming that Abstract Expressionist sculpture has been Action/Abstraction that included works by Ferber, Hare, Lassaw, Lipton, and Smith. Ferber, and discusses Greenberg''s criticism of the new sculpture. Greenberg''s writings on Abstract Expressionist sculpture suggest that he had to work_o25r44rb3rhktilqwzsr2gceiu analisi, come il collage sia anche un''operazione teorica, che si fonda su di una discontinuità Parole chiave: semiotica visiva; teoria dell''arte; Trompe-l''œil; Picasso; Cubismo Il trompe-l''œil svolge un ruolo centrale nell''ambito della scomposizione volumetrica cubista, proponendosi, inoltre, come elemento su cui si incardina una parte della teorica, che si fonda su di una discontinuità di ordine plastico (cromatico, tattile etc.), indipendentemente dalla presenza o meno di un frammento di stoffa o tela inserito sul supporto. opere, composte nella primavera del 1912, in cui si ipotizza sia realizzato un effetto collage, mimando l''eterogeneità materica di un frammento «già fatto» di carta o tela. coquille Saint-Jacques e in Nature morte à la chaise cannée la pipa in trompe-l''œil interviene attivamente nell''articolazione della struttura dell''opera. in virtù delle sfaccettature-piano e della pipa in trompe-l''œil, inscrive una profondità, In Nature morte à la chaise cannée il rovesciamento della rappresentazione si compie attraverso il trompe-l''œil, ma non solo. work_o6pvmd3rfveitkpkmngtbtprqm Abstract: This article explores the exhibitions of Picasso''s works in the first two decades of his Félicien Fagus discussed the work of Picasso and other Spanish artists in Paris (most of whom were On 19 October, Picasso finally left Barcelona for Paris with his friends Josep Rocarol Liberal (20 October): ''The celebrated artist, Pablo Ruiz Picasso, left for Paris on yesterday''s of their budget for that year was spent on the work of a single artist, Pablo Picasso. Kahnweiler lent three works by Picasso, Tête de femme (Fernande) ([7], OPP.09:048), There were two other important exhibitions of Picasso''s works around this time; ''II. Among the Picassos on display was Trois femmes: nu debout (Étude) ([7], OPP.08:049).50 The exhibition On 4 April, Kahnweiler arranged for the exhibition ''Picasso und Negerplastiken'' to move to Picasso (Galerie Kahnweiler, Paris, 1909). • Exposition Picasso (Galerie Vollard, Paris, 20 December 1910–11 February 1911). work_o6q6hu52yre6tfwaylago54cs4 Image de presse et culture médiatique dans l''oeuvre d''Andy Warhol Image de presse et culture médiatique dans l''oeuvre d''Andy Warhol l''institution artistique des images normalement montrées dans les commissariats de Warhol introduisent la photographie de presse dans l''institution artistique, elles 6 Dans l''art de Warhol, la violence est machinique, technique, industrielle, sérielle. l''homme, comme dans les sérigraphies de la série "Death and Disaster", et plus C''est avec sa série des chaises électriques que Warhol appréhende la mort C''est ainsi que Warhol, puisant dans Life, Newsweek, National Enquirer, et parfois dans les archives de police et d''agences de presse, des images reproduites par les médias de masse, place n''est pas dans les pages des journaux et des magazines qui sont chargés Or les événements retenus par Warhol sont principalement des faits des contenus de représentation rencontrés dans les sérigraphies de Warhol est lui aussi work_o7owrp72tvbaxcppojums7hyqe Enhancing Security of Image by Steganography using Reversible Texture Synthesis security of an image by steganography using reversible texture the secret image through the process of texture synthesis. can extract the secret image and the source texture from a stego Third, recovery of the source texture from the stego image is Keywords— Data embedding, reversible, steganography, texture Algorithm conceals the source texture and embeds the secret image through the process of texture synthesis. extract the secret messages and the source texture from a images, and also recover the source texture. In Reversible Data Hiding in Encrypted Image [4] method of embedding capacities, produces reasonable texture images the approach for retrieving secret image and source texture source texture image into a number of nonoverlapped kernel overlapping of source patches occur, then use the image 5) Image Oriented Texture Synthesis Process secret image that is concealed in the stego synthetic texture work_o7rmz66a4jarndykwzbxgr6iae sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 220006544 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:45:46 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_oc6bznrze5fw5a6h6bvgxqcvz4 Citation: Cook, Tina (2009) The purpose of mess in action research: building rigour though a messy The Purpose of Mess in Action Research: building rigour through a messy turn. The Purpose of Mess in Action Research: building rigour through a messy turn. of mess is to facilitate a turn towards new constructions of knowing that lead to transformation Key words: action research, mess, seeing, knowing, rigour, transformational most likely to be engaged in developing facilitated collaborative action research in and across facilitated collaborative action research (CAR) approach to draw upon and develop a theory of participant in a recent facilitated collaborative action research project. practice and purpose, will help researchers understand the drivers behind changes in thinking successful work as action researchers is the integration of the development of practice with H. Bradbury (eds.) Handbook of Action Research: Participative inquiry and practice. (2004) Starting where we can: using action research to develop inclusive practice. work_odwbcomy55dvtnpyflybpll7wu The Canadian Historical Association / La Société historique du Canada form of the book to a critical understanding of its contents. we can see the present clearly enough, we will know what questions to ask of the past,27 I attribute an epistemological centrality aspect of the relationship between form and content will resonate across generations as it speaks to people working on quite faced by millions of people in the handful of North Atlantic societies that fi rst industrialised and by billions around the world In asking specifi cally why we chose to industrialise in Montréal, there are numerous processes constituted by this dialectic the social nature of these historical processes and the systemic was the choices that working people made that resulted in Newfoundland reverting to a much older, household-based form of of historically understanding modes of production. Furthermore, a structuralist epistemology impedes historical understandings of how capitalism itself works. work_oenxgy65inhdhk6fmdnb4rwy2u Exhibition: Giacometti Reimagined GIACOMETTI REIMAGINED we are at the Alberto Giacometti exhibition A Godless world of selfdeception, anxiety and ego. for meaning when there is nothingness and Dear reader, I share with you the cluttered colours in my mind with honesty in my mind. the exceptional to sexuality: a plaster heart playwright friend Samuel Venice. sculptures of emaciated men: the artist''s World War; an assimilation of history and the philosophy of existentialism, of articulated by his friend Jean-Paul Sartre In this existential community there enduring love, no hope, no joy. For a moment, memories and possibilities Can we become friends? So, dear reader, go with a stranger, a friend, or a lover, to explore and discover the exceptional potential of every brief encounter GP Partner at Holmwood Health Centre, Hampshire. Woman of Venice IV, 1956. © Alberto Giacometti Estate, ACS/ Sainsbury Centre for © Alberto Giacometti Estate, ACS/DACS, 2017. work_oh3e7oyly5c5pd747xnbpdffry The Impacts of Different Sorts of Art Education on Pupils'' Preference for 20th-Century Art Movements Abstract: The research presented here aims to determine how art education influences students'' model of art education is an important factor in changing students'' preferences for the 20th century education did not influence preferences (as much) when it came to classical art and visual works Stange [16] concluded that aesthetic exposure, education, and experience with works of art influences This research aims to show whether art education may be a factor in influencing the preferences The pupils evaluated the works of art twice, at the beginning and at the end of a school year. lower-grade pupils, with which we implemented different sorts of art education while observing education influence preference more when it comes to the art made before the 20th century or works education influence preference more when it comes to the art made before the 20th century or works work_ohahd6eapratpfcbvzkcncy2ze games:science:science_magazine_1895-1919:root:data:science_1895-1919:pdf:1914_v040_n1022:p1022_0167.pdf [Ganino] GANINO User Tools Site Tools Search Tools Register Register Log In Log In Recent Changes Recent Changes Media Manager Media Manager Sitemap Sitemap Trace: games:science:science_magazine_1895-1919:root:data:science_1895-1919:pdf:1914_v040_n1022:p1022_0167.pdf This topic does not exist yet You''ve followed a link to a topic that doesn''t exist yet. If permissions allow, you may create it by clicking on Create this page. Page Tools Show pagesource Show pagesource Old revisions Old revisions Backlinks Backlinks work_opto3axoffezpl32rbfa4bgm7a Expressionism, Truth And Beauty in American Modern Drama "The Hairy those of Chekov; in order to represent life within drama in a more realistic style. As realism took place in the American drama, expressionism began to become "Expressionism on the American scene represents a critical stage in the development So, in order to realize the main purpose of an expressionist drama, one must fi rst boost to the development of Modern American Drama, with Eugene O''Neill as one When it fi rst appeared on stage, O''Neill''s The Hairy Ape drama caused many So the theme of The Hairy Ape fi ts very well with the expressionist drama as it deals O''Neill''s infl uence from continental Expressionist dramas and European dramatists, about Yank''s character, a human being like anyone else, "a symbol of man who has of the American Modern Drama was to talk about a world in which the individual work_oqnmp54e6fggfkhi5z6gd6xldi In the post-war period, the problem of fashion appearance took a back The new social ideal of beauty is based on the clear construction and appropriateness of the garment, but it already feels the ebb and fl ow of the principle of military production – „cheap and clothing, and here come the fi rst fashion trends related to youth counterculture. the business world and the trace for emancipation imposes from military emelents, ladies'' fashion, to begin to Keywords: 20th century war and post-war periods, militar elements in a civilian costume, new fashion lines, new generations, youth counterculture, women''s business clothing. War brings another important change in the relationship between men and women – they are becoming colleagues at work, labor side by side not only in costume ensemble fi rst, which will be the main problem throughout the 20th century, to all fashion designers without exception. work_oqnv2x4bivb3pnzbxrqnhaoypi The present study examined individual differences in artistic preferences in a sample personality correlate of artistic preferences, affecting both overall and specific as personality traits) and artistic preferences is likely to enrich our understanding of the preference for general visual arts relative to people with lower openness several studies correlate positively with artistic preferences in the range of .2–.4 (Furnham & Avison, shown to positively correlate with preference for abstract and pop art (Furnham and individuals to report greater preferences for art in general and also predicted openness examine the effects of sex, age and education on art interests, and whether personality preference for Japanese art correlated positively with age and openness, which also correlation between any art preferences and individual difference factor, at r ¼ .21). shows the effects of individual differences (personality, sex and age) on general art a scientist and visiting art galleries), personality traits – notably openness – and age work_oqzkdlv3ejdbrnuky44ywoydjq 벨의 작품들은 애니메이션의 이러한 구조적 특성을 잘 반영하였다. 구조를 체험하게 되는데, 그 주된 장치는 변형과 애니메이션의 운동성을 강화한데 주제어: 변형, 운동성, 시공간, 의식의 흐름, 초현실주의 애니메이션 시공간의 독특한 특성을 연구하기 위해 먼저 19세 다. 따라서 2장에서는 의식의 흐름과 초현실주의 표현장치 그리 성에 적합한 슈비츠게벨의 작품을 분석할 것이다. 그래서 슈비츠게벨 작품의 특성을 요 시공간의 변형과 운동성 등으로 분석하고자 한다. 에서 시공간의 변형, 특히 변형을 통한 의식의 흐름을 연구하고 그리고 추상적 구조, 작품에 등장하는 작가의 손 등 슈비츠게벨 으로써 우리는 애니메이션만이 지니고 있는 독특한 시공간 표현 에서는 슈비츠게벨의 특성으로 시공간의 변형, 운동성 등으로 분 의 이미지들은 끊임없는 변형적인 흐름을 지속하게 되는 것이다. 과 시간을 만들며 일반적 시공간 개념을 부정한 표현적 시공간을 그래서 슈비츠게벨은 이러한 움직임의 운동을 통해 일반적 시간 의 이동을 위해 변형과 끊임없는 움직임을 용이하게 만드는 기폭 그리고 슈비츠게벨의 또 다른 특징 중 하나는 추상적 리듬의 그리고 이러한 추상적 구조는 움직임을 창조하는 애니메이션은 미메시스에서 벗어나 독특한 론적으로 슈비츠게벨 작품들은 표현대상의 변형과 끊임없는 카메 work_ou5fisx6jzcztjk5mbmukeyjle reason, in the paper, it is tried to analyze the differences of the perception and expression of abstraction by the effects of architecture can be considered not from the point of result but with the types of environmental perception of human Rapoport, Gestalt and Appleyard, show three different types of abstraction those are formal, functional and semantic functional abstraction is the expressions that relate the human being''s relations of action and environment both in selected as test subjects in order to observe the change of abstraction with architectural education. abstraction -formal, functional and semantic abstractionsparallel to the perception types of Gibson, Rapoport, seen that the change in the abstraction types in architecture focuses on functional, semantic and finally formal affected by architectural education than the change in the types of abstraction. When the ability of abstract thinking gained with architectural education is carried to the design, pragmatic and work_ov7u2cbifja7tpe27ac2lxpc2m African Americans in José Moreno Villa''s Pruebas de Nueva York and Julio Camba''s La ciudad AFRICAN AMERICANS IN JOSÉ MORENO VILLA''S PRUEBAS DE NUEVA YORK AND this article, I will discuss two of these texts: Pruebas de Nueva York (1927) by José Moreno Villa Keywords: New York, José Moreno Villa, Julio Camba, Modernism, primitivism, colonialism, representation of African Americans in of Pruebas de Nueva York (1927) by José Moreno Villa que son los negros, y capaces, sin embargo, hasta de la santidad, pero de una santidad casi vegetal, Moreno Villa argues that African Americans and their culture have a strong influence on white Americans, the writer states that Black servants influence their masters: "es evidente que el criado Camba''s opinion about Black people to García Lorca''s New York poems (Girón 186), but far from In spite of their differences, José Moreno Villa''s Pruebas de Nueva York and Julio Camba''s La work_ovtu6mqjpre4pfblxkqjynkedi [key]Keywords: Paraguay, Latin Americas, modern art, colonialism, disrupted ways modernity takes place in the Latin American artistic shows how modern artistic language in Paraguay found its way in significant moments of the development of Modern art in Paraguay The modernity of Latin American art develops out of the mistakes created by the central modern language in naming other histories or of modern art but also in its most irrational moments, the necessary The second disconnection (common in all forms of modern art) arises considering certain aspects of the history of the art of Paraguay, the whole spectrum of modern art in Paraguay: it refers strictly to Modern Paraguayan art coincides in its development with the long possibility of talking about the modernity of certain forms of art. sketched the modern project of the arts in Paraguay. Modern art is conscious of its own development in the course of stages work_owpchexgyreinio7dpkf2mx63y уметника Јована Гргуровића. класификација одређених дела кроз развојне уметничке периоде или Дела уметника која су снажно и јасно дефинисани, дело Јована Гргуровића тешко је фотографијама дела Јована Гргуровића. прва самостална изложба истакнутог пиротског уметника Јована неке међуфазе, као и сасвим нове фазе, што би био предмет почетка двадесетог века кроз визуру Децембарске групе у спрези са Распевана младост се може посматрати и кроз призму Кључ за читање Гргуровићевих дела, идеја која мири све слике и цртежи галеријског формата, без великих композиција као Још један мотив који уметника окупира кроз цео стваралачки Фигуративна композиција као лајтмотив поетске фантастичног реализма, јавља се кроз све фазе уметниковог Кроз све фазе уметниковог развоја провлачи се женска фигура: Дела из Гргуровићеве поетске фазе рефлектују тежњу уметника и уметности, као и обичног реципијента, не може се донети естетски Са правом и сигурношћу, дело Јована Гргуровића можемо Слика 2 Распевана младост, мозаик на зиду Техничке школе, 1983. work_oyxzd65fwndqdead3q6shpdsru The Eiffel Tower, the global icon of France, was erected as the entrance to the Paris International Exposition in 1889. Keywords: Eiffel Tower, European art, painting. Paul Louis Delance, Eiffel Tower and Champ de Mars in January 1889, 1889, Oil on Painting, 126,5 x The French Pointillist artist Georges Seurat (1859–1891) depicted the tower (Figure 2) in the same Georges Seurat, The Eiffel Tower, 1889, oil on wood, 15 x 24 cm, Fine Arts Museum of San Francisco, In his series of paintings of the Eiffel Tower, the artist presented the For both the artists, the Eiffel Tower served as a metaphor for Paris and Mexican artist Diego Rivera (1886–1957) had also contributed to the collection of Eiffel Tower Diego Rivera, Eiffel Tower, 1914, oil on canvas, National Gallery of Art, Washington The pictorial Eiffel Tower contributions of the artists Delance, Seurat, Signac, Delaunay, Chagall, work_p2uzattvrfgrbmx4ra6itiiluy regard de peintre de Paul Cézanne –, et fonder enfin sur la forme le concept d''atmosphère – à cette problématique qui noue les formes du contenu à celles de l''expression dans la trame d''atmosphère à celle de style – dont la problématique nous a intéressé tous deux également – c''est parce que l''angle, aigu, à travers lequel je vous proposerai de l''aborder est celui d''une expérience centrale de la création visuelle, celle de Paul Cézanne que je existence de fait» dans la perception, et qui sont opposables à toutes les choses «sues». des autres parties à l''intérieur d''un tout qui lui donne sens; ou encore une opération perception, la vision est une construction qui multiplie les écrans devant les choses et empêche de les voir en elles-mêmes. Nous connaissons les phrases fameuses de Cézanne sur la saisie des formes géométriques: «Tout dans la nature se modèle selon la sphère, le cône et le cylindre»8, ou encore work_p737pxj5vfgudexhoxuxmd6icq Своеобычное понимание Уильямсом американской истории и будущего Америки, его утопическое видение Нового Света внесли важный вклад в формирование мирочувствования американского модернизма, который предстает как масштабный проект национально-культурного строительства цию", так как ощущал, что его собственной версии «американского модернизма» недостает устойчивости, которую дает традиция, и завидовал такой устойчивости у модернистов-космополитов Паунда и Элиота» [5. Уильямс настаивал на существовании особого «американского языка» (American idiom), не английского, адекватного реалиям Нового Как и в прозаических фрагментах «Весны...», Уильямс стремится здесь отыскать «подлинно американский способ художественного Уильямс живо откликается на эти призывы: он открывает «полезное прошлое» и «дает великих людей» в своей книге «В американском духе» (In the American Grain, 1923), посвященной Новому Свету и его героям. Колумб для Уильямса — подлинный первооткрыватель: он понимает, что Как и они, Уильямс был убежден, что качество «локальности» не сводится к фиксации местных work_peetdbq6rjb7tmykaumq4y5ksu Keywords Cubism � Quantum physics � Simultaneity � Bergsonian durée focusing on a very specific point: the influence of Cubism on Niels Bohr''s works. this paper offers a contribution to the history of scientific ideas by proposing an epistemological argument in favour of the assumption made by Miller whereby Niels Bohr has psychology and the development of the complementarity principle but will rather investigate the visual dimensions which potentially inspired Niels Bohr when he worked on this for why the association between Metzinger''s Cubism and Bohr''s works is intellectually according to which Cubism has influenced Niels Bohr in his conception of the complementarity principle. According to Miller, the influence of Metzinger on Bohr''s way of thinking has two Bergsonian concept of durée and the principle of complementarity, which, for both Metzinger and Bohr, appears as an epistemic way of understanding a fragmented world. influenced by Cubism (Jean Metzinger) when he developed his non-intuitive complementarity principle. work_pf6dxzd3qnb6lgnrt427qrnlzy reshaping our perspective of art and the modern world. Picasso''s Demoiselles was initially a Barcelona brothel scene that began as an allegory of vice (sailor-client strokes of intuitive analysis and synthesis, the novel geometries of Picasso''s Demoiselles have combined world has now been embraced and Picasso is true to his pronouncement that "Je est un autre". Cézanne''s series of Mont Sainte-Victoire nature paintings distance between object and viewer) and "painted space" that could be more "fully experienced". Picasso and Braque were kindred spirits as they created a new cubist vocabulary, but it is the Atelier series sudden, space-time has collapsed into a dimension of art where the solitary experimentalist (Cézanne), the exuberant genius (Picasso) and the methodical intellectual (Braque) are all juxtaposed, somewhat E-mail: tom.kotsimbos@monash.edu Museum of Modern Art, New York Georges Braque: Atelier VIII, 1954; Created PDF documents can be opened with Acrobat and Adobe Reader 5.0 and later.) work_pgj4fooucneuhdqwc2tiapyn3m 화 ''엑스맨(X-Men)''의 변신모티 에 of Multimedia, Graduate School of Digital Image &Contents, Dongguk University, Doctor''s Course* of Multimedia, Graduate School of Digital Image &Contents, Dongguk University, Professor** Abstract The movie, X-men, develops the narrative with metamorphosis as the main motif making visual Key Words : Superhero, Metamorphosis, Virtuality, Pataphysics, X-men 화 ''엑스맨''의 변신장면에 나타난 타피직스의 특성을 슈퍼히어로 화에서 변신은 내러티 를 개하는 의한 이미지의 결합으로 비 실 인 가상의 공간을 실 2006), ''엑스맨 탄생: 울버린(X-men origins:wolverine, 화 ''엑스맨''에 재 된 변신은 슈퍼히어로 캐릭터의 Analysis on Pataphysics of the Metamorphosis in Film ''X-Men'' Analysis on Pataphysics of the Metamorphosis in Film ''X-Men'' Analysis on Pataphysics of the Metamorphosis in Film ''X-Men'' Analysis on Pataphysics of the Metamorphosis in Film ''X-Men'' 힘을 발 하는 변신모티 는 잠재된 가상의 힘을 기술 ''엑스맨(X-Men)'' 변신 티브에 나타난 타피직스 ''엑스맨(X-Men)'' 변신 티브에 나타난 타피직스 ''엑스맨(X-Men)'' 변신 티브에 나타난 타피직스 ''엑스맨(X-Men)'' 변신 티브에 나타난 타피직스 work_pldofzfcwnfnbcoaq7lwyhzzci 3 Ce n''est pas à ce japonisme qu''adhère Strand, même s''il a déclaré plus tard avoir eu une "artistique" est alors l''un des seuls éléments qui peuvent distinguer les images ainsi l''arrière, pour elle-même, ou d''un passage ménagé par des objets placés dans le paysage traditionnelle en peinture mais non en photographie, où c''est souvent une lecture par les manière certes plus complexe que dans les vues d''arrière-cours de 1917, mais proche pour sur le plan ou, pour reprendre les propos de Strand dans un communiqué de presse, de photographie […] trouve sa raison d''être, comme tous les autres médiums, dans une nombre de photographies de Strand, mais chez les peintres d''une manière plus littérale, dans le cas de Strand, c''est que ce n''est pas une pratique caractérisée par une touche photographes comme Stieglitz, pour qui l''image est le résultat d''une union avec la nature work_plm7kkgxvrbb3c4bdl3r5yobvm Anahtar kelimeler: Picasso, Seramik, Resim, Kübizm, Figür PICASSO''S PAINTINGS ON CERAMIC WORKS 2002:145) so Picasso reflected his the artistic identity to ceramics and Pablo Picasso reflected his private life in the works. Keywords: Picasso, ceramics, painting, cubism, figure örneği olan "Ağlayan Kadın" isimli sanatsal yapıtında sanatçı iki boyutlu düzlem üzerinde üç Pablo Picasso''nun resim çalışmalarında kullandığı Kübizm akımının babalarından olan "Picasso''nun en etkili vurgusu "bir resim, yıkmalardan Sanatçının seramik çalışmasının, resim çalışmalarında yer alan basit formsal yapılara benzediği Picasso seramik çalışmaları dışında resimsel ifadelerini boyutlandırabildiği diğer bir Pablo Picasso, Müzisyen Faun, Sırlı Seramik Tabak. https://www.masterworksfineart.com/artists/pablo-picasso/ceramic/vase-deux-anses-hautes-vase-with-two-high-handles-the-queen-1953-2/id/w-6371 Araştırmada Picasso''nun yaptığı iki boyutlu ve üç boyutlu seramikler evreni seramiklerde https://www.masterworksfineart.com/artists/pablo-picasso/ceramic/grand-vase-pekine-big-candy-striped-vase-1956/id/W-5538 Pablo Picasso yaptığı seramik çalışmalarında resimlerinde kullandığı çizgisel konturleri Sanatçı seramik tabak çalışmalarında kullandığı çizgisel konturlar ile oluşturduğu Picasso yaptığı üç boyutlu seramik çalışmalarında kendine has Sanatçı yaptığı seramik figür imgelerinin üzerine Sanatçı yaptığı seramik https://www.masterworksfineart.com/artists/pablo-picasso/ceramics https://www.masterworksfineart.com/artists/pablo-picasso/ceramics https://www.pablo-ruiz-picasso.net/work-3875.php https://www.pablo-ruiz-picasso.net/work-3875.php work_pqsus37gazd5hcmjtvuxwm42zu scientific community accepted Gerlach''s Santiago Ramón y Cajal (figure 1) who Cite this article as: Ariso JM. was taken by Santiago Ramón y Cajal, who was subsequently regarded as the father of In the late 19th century, Cajal started to draw neural tissues, and provide a brief account of the scientific, aesthetic and even ethical relevance of Cajal''s work, which ended up holding pride of place in the history of medicine. Keywords: Anatomy, Art, History of medicine, Neurosciences, Observation, Santiago Ramón y Cajal Figure 1: Cajal in 1920 draw neurons and their ramifications (figure 3), compare human neurons with Figure 2: A Purkinje neuron and its Cambridge: The MIT Press; 2001. El arte de Cajal © Heirs of Santiago Ramón y Cajal. © Heirs of Santiago Ramón y Cajal. © Heirs of Santiago Ramón y Cajal. © Heirs of Santiago Ramón y Cajal. © Heirs of Santiago Ramón y Cajal. http://cvc.cervantes.es/ciencia/cajal/c work_q6p5apxk25flhb3map7dilmydy Turkish cinema that was accepted as a new branch of art starting from the prerepublic period started to find its own identity between the years 1950 – 1970. With the development of Turkish cinema, posters, the most effective conduit Keywords: Turkish Cinema, Film Posters, Genres, Design When the movie posters belonging to the period between the years 1950Although the Turkish cinema created its own movie poster style, it shows However, the designers who created the movie posters of the period that important for the development line of Turkish Poster design. of the design of Turkish cinema posters and developed as the characteristics of the Turkish cinema developed between the years 1950-1970 created movie Turkish cinema posters, of which the artistic development explained in the impossibilities of the years between 1950-1970''s, movie posters produced during The design of these posters, which covers a period of 20 years work_q7qj523livenpcgfhs4sgrtqdy Multiple modern image processing tools contain plug-ins to add pseudo-relief effects this method produces very coarse cartoons which omit details, it can be very useful for relief generation purposes, processes line drawings for mapping reliefs to a base surface. Image based relief generation techniques are either semior fully automatic, but user assistance can sometimes be In this section we present techniques that are, without exception, designed for relief generation, whereas most of them investigate the importance of derivatives for bas-relief generation to distinguish between large and small surface features. The bas-relief generation method presented in [SRML09] Figure 5: Multiple reliefs achieved with different attenuations: (a) without, (b) using function f1, (c) applying f2 and (d) f3. Figure 6: A comparison of reliefs for the Cinderella castle model generated by different types of approaches. Figure 7: Reliefs of the armadillo model achieved with different methods in chronological order. work_qam6c65mqnbzllv3sepo6atape " ''The More Subtle Inquisitor:'' Arthur Machen as Early Reviewer of Dubliners new, more complex picture she paints of Dubliners'' early reception at Grant Richards Born in Caerleon in 1863, Machen migrated to London in the early eighteeneighties to launch his literary career. these books and stories," he writes in an early 1906 letter to Richards, "is to get a little Arthur Machen to Grant Richards, 17 January 1906, C0240, Letters to Grant Richards, 1905-23, Vodrey Collection of Arthur Machen Papers, Princeton Richards, 1905-23, Vodrey Collection of Arthur Machen Papers, Princeton viii Arthur Machen to Grant Richards, 26 January 1907, 2040, Letters to Grant Richards, 1905-23, Vodrey Collection of Arthur Machen Papers, Princeton University Richards, 1905-23, Vodrey Collection of Arthur Machen Papers, Princeton University ix Arthur Machen to Grant Richards, n.d. ix Arthur Machen to Grant Richards, n.d. Grant Richards, 1905-23, Vodrey Collection of Arthur Machen Papers, Princeton work_qayquofmsrdhdgblyhfzo6snrq by Lin Fengmian (1900-1991)1), is to learn from modern Western art forms modern Western art forms and applying them to ink painting to create a new use Western modernist art forms to innovate Chinese painting as represented new works in ink, and so they forged a new path in modern Chinese painting Fengmian, Zhang Ding and Wu Guanzhong''s modern characteristics in ink a new ink figure painting schema which was a combination of western modern art forms for the modern era and created new forms of ink works. pioneers to introduce modern Western art forms into Chinese ink painting. the characteristics of folk art and decorative arts in modern Chinese painting. Chinese painting and he also combined folk art with modern Western art by assimilating Western modern art into the creation of new Chinese ink and Sullivan, Lin Fengmian, Pioneers of Chinese Modern Painting, Lin Fengmian, Ten Years Study, ink painting, 68x68 cm, c. work_qblac7ctoveq5ldft75qxl6k3a Word Clustering for Historical Newspapers Analysis We propose a two-step procedure to trace differences in word usages over time: training This paper focuses on a case study of ideological terms ending with -ism suffix—such as liberalism, socialism, or conservatism—in nineteenth century Finnish newspapers and how usage of ideological isms is different from other words with Figure 1: A selection of the most frequent words ending with suffix -ism/ismi. We cluster word embeddings into semantically only clusters that contain at least one ism word are Finnish data that contain words related to rheumaTable 3: Clusters containing Finnish words related to rheumatism. Swedish data that contain the word spiritism. Table 4: Clusters containing Swedish word spiritism. Table 5: Swedish clusters containing word separatism Table 6: Finnish clusters containing word separatismi The 1880-1899 cluster contains completely different set of words, including reference to specific political entities, such as clustering embeddings of selected words together work_qcqqdk6ctnge5mukldipq4ujpy Donna Ames (2015): Art appreciation for veterans with severe mental illness in a VA Psychosocial Rehabilitation and Recovery Center, Arts & Health: An International Journal for Research, Policy Art appreciation for veterans with severe mental illness in a VA Art appreciation for veterans with severe mental illness in a VA Rehabilitation and Recovery Center (PRRC) for veterans with severe mental illness. VA WLA PRRC Art Appreciation class includes classroom sessions and community Keywords: veterans; mental health; art appreciation appreciation as a vehicle for mental health recovery, how the art appreciation class fits positive effects of art on the mental health of veterans and advocates for advancing the distress, appreciating art and learning about artists thus could have positive effects on Diary: The eight Ways to Practice TLCs. For some veterans, the Art Appreciation class is The class learned that artists express their feelings and emotions through their art. For the Art Appreciation class, five veterans work_qfc4fhuqe5crvpzjzrmkngq4na 빈번하게 일어나고 있으며, 그중 큐비즘 (cubism)은 현대의 미술 관하여 연구한 바 있으며, 패션 분야의 Lee & Park (2001)은 큐 큐비즘의 특징을 활용한 메이크업 작품 연구 A Study on the Make-up Works Applying Feature of Cubism Jong-Ae Lee1 and Yun-Kyeong Mun2,* 1Graduate School of Convergence Design & Arts, Sungshin Women''s University, Seoul 01133, Korea This study aims to improve make-up artistry by combining elements of Cubism to suggest creative make-up designs. We investigated specialized books, thesis, and online materials about Cubism, and classified its painting features and Picasso and Braque founders of Cubism were selected, and four works from each artist were studied. This study was based on Cubism''s Keywords : Art make-up, Braque, Cubism, Make-up, Picasso 다. 이처럼 메이크업 분야에서 큐비즘에 대한 연구 중 피카소에 용하여 분석적 큐비즘과 종합적 큐비즘의 특징에 따른 작품 8 큐비즘은 원근법적 시각으로 보이는 대상의 모습이 아니라, 여 며, 아직 흑인 미술의 영향을 받았던 때이다. work_qfvoz35dm5fdlcrzyn5xfpdr3y of art history analysis in both Western and Russian bibliography. heritage of Kazimir Malevich: Russian and foreign bibliography. approaches to the study of Malevich''s work in publications and study methodological approaches to Malevich''s work. of Malevich''s work in Russian art criticism, dated Malevich''s Black Square, reconstructed Februarism, and composed 5-volume collected works of K. work Kazimir Malevich and Supremus Society research is the use of general scientific methods, the historical method, stylistic, philosophical and art history analysis. art history analysis and general scientific methods that allow him to form an art history classification of Malevich''s portraits through the article Painting by Malevich from the collection of the State Russian Museum (Problems of A.S. Shatskikh in the work Kazimir Malevich. in articles on Malevich''s works. philosophical and art history analysis, incorporating Malevich''s work in the global art Kazimir Malevich''s work, while attribution of work_qg4vepv2nbg6rkfpb7ebmhvlei work_qg6lbnycwbdtvo264p66lnsxn4 Picasso for Preaching: The Demand and Possibility of a Cubist Homiletic Keywords: cubism; Picasso; preaching; homiletic; deconstruction; multiperspectival; ubi-ductive current preaching practice (see footnote 1 for many different literary patterns of the sermon), this article ways of entering the world of the text on its own terms, from which cubist preaching arises, a preaching form that allows Another general commonality is the artistic or aesthetic dimension of cubism and preaching. an aesthetic matrix of ultimate spiritual meanings via the dual, open-ended sermonic process of transcendental then, cubist painting is the product of the dual, open-ended aesthetic process of optimal deconstruction take a different meaning from the same cubist art because (1) there is plenty of room for interpretation In general, preaching begins with textual interpretation and a resulting key message. It is not only meaning-making that is participatory in cubist preaching: so too is communication While cubism and a cubist approach to preaching still sounds work_qif525nstzaa3lzea6awzhcuci Textual Images and Visual Texts. make the word an ''image'' and even in this case the story of the representation is full of references: The manifesto, in fact, usually encloses the image (visual), the text (the headline and the payoff), image and text world, which however have a different role in relation to the others; moreover, in Ultimately, the essential components of a graphic for communication are text, image, and text, the images and the graphic signs are no longer untied and separated as different categories, but • The essential components of communication, that can be reduced to large areas of text, visual graphic sign clarifies many design potentials and paves the way for interesting experiments (Figure 3). which text and image are both necessary to understanding the meaning; in this sense, the world of Finally, text made with iconic visual forms suggests reference images, work_qjkupq7xrneetdryv3htr6dnfm Renaissance did not draw an explicit distinction between mathematics, the sciences and to an extent the mathematics, the arts and the sciences, with attention to the nature of the underlying questions that call for a on natural philosophy as a means to integrate mathematics, the arts and the sciences. forged by the thinkers of the Renaissance between mathematics, the arts and the sciences, also discuss the possibilities for re-introducing university courses on natural philosophy as a means to integrate mathematics, the arts and the sciences. The interplay of mathematics, arts and sciences is found in the attempts to answer these foundational bridge unifying mathematics, arts and the sciences. Theology influencing Art and Science (resulting in powerful mathematics as a Recent scholarship on post Renaissance science and natural philosophy who made remarkable contributions to the arts, sciences and mathematics, and who also within arts, science, mathematics and philosophy. within arts, science, mathematics and philosophy. work_qstpugqrvzgaxdmw6pvyaqym6m momento del análisis, se consideran las pinturas de Wilfredo Lam de los 1940''s transculturación que consideran los contactos transoceánicos del escritor con las mentalidad de sus pueblos; pero ¿qué entiende Carpentier por una realidad maravillosa? en las vidas de los hombres que inscribieron fechas en la historia del Continente" (12); mágica, pero mágica no en el sentido con que el término había sido utilizado por los escritor cubano por los temas antropológicos y que su estadía en París transcurre entre 1928 y 1939, no ("Retrospectiva de Lam en tres de los museos más importantes del mundo"). Carpentier y Lam, América es un componente fundamental del arte de Pollock. duda, por la teoría y práctica de los surrealistas; pero en Lam y Pollock, este concepto tanto de Lam como de Pollock no fue Freud, sino Jung y su teoría de los arquetipos. "Retrospectiva de Lam en tres de los museos más importantes del mundo" en Martí. work_qwx4un2b2baplj574qn53ekvya John Dos Passos conveyed multiple intersections of art and culture and the spirit of the war novel Three Soldiers through his city novel Manhattan Transfer, Dos Passos places his Passos'' experimental fiction and modern art and film are explored, along with the cultural Keywords: John Dos Passos, fiction, art, culture John Dos Passos''s Manhattan Transfer (1925) presents the modern city as a Dos Passos caught a glimpse of this new world. criticized the novel in the New York Times Book Review for its "calculated Manhattan Transfer is the novel in which Dos Passos''s artistic style Passos found in New York City a theme of fragmentation. Dos Passos made use of fragmentation in Manhattan Transfer There is in Dos Passos''s novel, as in those films, a montage Manhattan Transfer appears as filmic at a time when Dos Passos, whose 1986 "John Dos Passos Use of Film Technique in Manhattan Transfer and work_qzmc564uh5ey5gsvsjwup7ql3q From Le sacre to Les noces: Primitivism and the Changing Face of Modernity From Le sacre to Les noces: Primitivism and the Changing Face (New York: Oxford University Press, 1978), 22: "Modernists hated modernity: they hated, in other Les noces\ primitivism''s primary musical sign was understood to be rhythm; for saw the work as critical of modern French culture include Jacques-Emile Blanche, who claimed that the aesthetic as manifest in Le sacre and Les noces. background" ("Pour la technique les Noces s''apparentent au Sacre; mais, dans l''ensemble, l''œuvre est classicism of Les noces was the hallmark of its modernism; the critics situated An exploration of the Purists'' modernist affinity for the classical, an affinity which characterized the reception of Les noces, which dominated French cultural life after World War I.26 According to the art noces was one of many cultural products by means of which post-war modernists extolled the virtues of the machine age. work_rbdpha2rzvfbvdecyrhqfnlcle sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 220009675 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:45:50 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_rc4axzqwangyhivj6lpzqv43fm The black culture elevated by tradition created hope to determine their personal freedom to escape from Each poem speaks of justice that black slaves can relate to wanting their freedom from slavery as well. The tales uses strong characters that build hope for the black slave. The characters in the tales are reflective throughout history of the stereotypes of black people as being inferior to The poems are reflective of heroic wit of the black man in how he overcomes racism. Claude McKay lived in a time where poor black people were not treated fairly and segregation was tolerated. of the black man at this time by creating a sentiment of pride in his poems. Claude explains in his poem there are historic reasons why the black man must defend Generation." It is a time where people want to understand what is going on in their present lives. work_ro6wj5wx6rh2znf32yz74xyoqi Yüzyıl başında resim sanatının geleneksel yöntemleri terk ederek yeni bir yol haritası çizdiği görülür. Modern çağın yeni arayışları tuvali bir nesne olarak algılar ve tuvali malzeme ile birleştirir. Ardından üç boyutlu malzemenin tuvale olan müdahalesiyle resim taşıması sonucu, tuvalin başlıbaşına bir nesne olma durumu irdelenecek, ardından üç boyutlu nesnenin müdahalesiyle tuval resminin Nesnenin paröalanması sonucu doğanın taklidi olarak bilinen geleneksel resim yöntemleri de yavaş yavaş sonucu bu döneme kadar olan tuvalin iki boyutlu formunun karşısında durma fikri kırılmış, tuval nesnesine kübizm, tuval yüzeyine getirdiği yenilikçi ve öncü tavrıyla günümüz resim sanatının önünü açacak olan ilk Her şeyin bir sanat malzemesi olabileceği fikrini öne süren Schwitters, sanatın malzeme kullanımı ile Böylece gündelik hayatta kullanılan bir nesnenin tuval gibi bir resim yüzeyi yada boyutlu tuval olarak adlandırdığı resim ile yüksek rölyef arasında bir yerlerde duran bu eserlerinde daha Tuval resminin boyut ve mekan kaygıları taşıması sonucu, tuvalin bir nesne olarak galeri mekanına work_robie3zexzgzdi7owgvfabqq5u Study on Collage Techniques Applied to Contemporary Fashion This study focuses on the application of collage techniques to contemporary fashion and intends to show that collage techniques have a significant influence on contemporary fashion, leading to a more creative design aesthetic Fifth, assemblage as the representative collage technique of pop art introduced the overall object Keywords: papier collé(파피에 콜레), ready made(레디메이드), photo montage(포토몽타주), décalcomanie(데 다양한 미술양식 중 콜라주(Collage)는 신문지․ 현대패션에 나타난 콜라주 기법은 복식에 사용 다양한 기성용품들을 콜라주하여 소재의 왜곡을 〈Fig. 9〉는 다양한 단추를 콜라주하여 의복의 아 〈Fig. 11〉은 Martin Margiela의 작품으로 다양한 형 적인 특성의 장식적인 이미지를 나타내는 하나의 의 콜라주는 현대패션에 있어 하나의 의복 아이템 작품이 프린트 된 원피스 위에 다양한 이미지를 합 기법을 나타낸 것이고,〈Fig. 21〉은 다양한 잡지 표 하여 보다 입체적인 이미지를 표현한 것이다.〈Fig. Collage techniques found in arts trend & accepted in modern fashion 이러한 기법은 현대패션에 있어 다양한 이미지의 라서 콜라주 기법뿐만 아니라 모든 사물과 다양한 work_rp4v7nkgoffezf5pvt73iaorji presence of the 11.3 µm aromatic (PAH) emission band. It is attributed to emission from neutral PAHs, since no band is observed in the 7–8 µm range. photochemistry suggests a possible bottom-up scenario for the formation of PAHs. Agúndez, Cernicharo & Goicoechea (2008) have PAH, H2, and dust emission in NGC 6720 (see van Hoof et al. 3.1 PAH emission bands: profile and intensity The integrated line intensities of the 12.0 and 12.7 µm PAH bands in the ''SW'' region are Pech, Joblin & Boissel (2002) modelled the emission of a distribution of PAHs in IRAS 21282+5050 suggesting that the extended & Sarre (2015) also modelled the 11.3 µm emission band with neutral PAHs. These authors conclude that a profile with a peak at a We present the unexpected detection of a weak 11.3 µm PAH emission band in the main dust torus of O-rich PN NGC 6720. work_rpsnpwhzobfdhd4imzakljft4a she lost all useful vision in her left eye and by age 32 she Some eye disorders infl uenced their work at least at certain periods of their life. different retinal diseases had on paintings of several famous artists and how they saw and experienced the world diseases in the works of Degas, Munch, Cézanne, O''Keeffe, In this work the possible infl uences of some retinal eye problems on paintings of several famous artists are considered. The change of painting styles and artistic expression in different periods and ages in a group of world-wide well-known Contemplations are offered about the effects of retinal diseases in the works of Degas, Munch, Cézanne, Retinal eye diseases have a signifi cant impact on the work of selected famous painters. He got diabetic retinopathy which causes blue-green colour blindness and his painting and artistic work. In: MARMOR MF (Ed): The eye of the artist (Mosby-Year Book, work_rsujmxfmsneglgi2kbqsehq52y such, the concept of "style" subsumes many aspects of the art work from the artist''s artists'' intentions in order to classify a given art work according to a particular style, the The idea is that Perceptual Style can be attributed to art works in retrospect. can be selected from the art work to act as the object of interpretation?" In the case of Perceptual Style attribution, this set might be constrained in such a way that artists'' perceptual processes can be in the creation and perception of art works depends on the multifarious artistic styles.23 I will use the term "perceptual strategy"24 to refer to with the work according to the schema that we have formed around Picasso''s style (or to Moore''s sculpture, that once an art work''s Perceptual Style arrests one''s attention to though about the Perceptual Style of art works which achieve a realistic36 rendition of work_ruowt375fjdk5lxuyjfpgyeq5u Shagun Singha1 & Melissa Warr1 & Punya Mishra1 & Danah Henriksen1 & The Deep-Play Research Group In this conversation, we explored her research on pretend play and creativity and the importance of Scale, that is used to measure imagination and emotional expression in pretend play (Russ et al. Or, related to Dr. Russ''s work, what of children''s creativity which includes elements of imagination or Dr. Russ believes that effective play in childhood leads to increased creativity in adults, Dr. Russ notes that guided play can help them develop creative potential and imaginative skills. to Dr. Russ, play and creative expression are important for the Playing with Creativity Across the Lifespan: a Conversation with Dr. Sandra Russ Playing with Creativity Across the Lifespan: a Conversation with Dr. Sandra Russ Playing with Creativity Across the Lifespan: a Conversation with Dr. Sandra Russ work_rusqv4ak7ndpzcdmwrid6bvn5q Now open up your 3D scene again, but tell the renderer to use a camera shader I call the lens reader, and The result is a picture in which every ray has been independently placed and directed by the lens reader to create the smooth scene we desire. The job of the camera tagger is very simple: It overwrites a few bits in every pixel of your original rendered text files for each camera, weight the rays associated that pixel from the text file for that camera, weight it by directory as the collage image, I use it to guide the selection of pixels from each camera. use the color of that pixel in the region image). processes those four collages and creates four lens reader files named, for example, rerender-frame000.txt, Then the in-between program uses the ray information at those frames to compute lens reader files for all work_rwo5rhl37jdjfagqib3q7vxmmu Infinite Horizons1: Le Corbusier, the Pavillon de l''Esprit Nouveau dioramas and the Corbusier''s paintings at this time, this paper considers the influence of nineteenthcentury science and visual culture on his work. painted by Le Corbusier and installed in purpose built displays.4 Described as ''dioramas'', two dioramas served to illustrate Le Corbusier''s urban plans as panoramic views: one of roughly correspond to the view depicted in Le Corbusier''s diorama of the Voisin plan and held in Paris, and in which the "Voisin" plan was on view, I painted a panorama whose example, unlike Daguerre''s canvas, the painted surface in Le Corbusier''s diorama is physical separation found in Le Corbusier''s dioramas, between the frame and the painting Corbusier''s approach to painting appears to be grounded in the experience of vision. being a window the diorama paintings as represented in Le Corbusier''s working drawings space depicted in Le Corbusier''s other paintings at this time. work_ryyy7gdnkrfd5ctlj2ocqc24ym determinants of artistic endeavour.2 Yet Farewell transforms the social history of art''s 1 T.J. Clark, Farewell to an Idea: Episodes From the History of Modernism, New Haven: Yale University Press, 1999. 6 Indeed, Krauss attempts to discover an alternative structural logic at work within the history of twentiethcentury art—the optical unconscious, the informe—which ultimately legitimizes the practice of art history. chapters on the work of Pissarro, Cézanne, Picasso and Pollock, which discuss modernism his analysis in The Painting of Modern Life; by the time he discusses the work of Picasso and 12 Clark has always been an attentive reader of Walter Benjamin, and the social history of art implicitly or meaning; yet it is precisely the ideology of the aesthetic that the social history of art initially In the remainder of this paper I want to focus on Clark''s analysis of specific works. In place of a general history of modernism, Clark advances a thick description of key work_rzkgfz4kezcapoq6xv3r2tjqsu metric learning approaches to recognize Style, Genre and Artist of a painting. extract the appropriate visual features for paintings and find out the best approach to learn the similarity metric based on these features. list of visual features and metric learning approaches to learn an optimized similarity We develop a machine that is able to make aestheticrelated semantic-level judgments, such as predicting a painting''s style, genre, and artist, Keywords: similarity metric, visual features, metric learning, convolutional neural networks, style, genre, artist Given the aforementioned challenges to engineering or learning suitable visual features for painting, in this how to adjust these features for diff erent classification tasks by learning the In order to classify paintings based on their style, genre or artist we features for the task of metric learning, visual features and learned metrics, visual features and learned metrics, Large-scale Classification of Fine-Art Paintings: Learning The Right Metric on The Right Feature work_rzyg5dzp4jaqnotge3heuvwtky deneyimleme ile farklı yöntemlerle; ancak hep benzer bir sistemle devam Resim sanatı baĢlangıcından bu yana bir ustadan öğrenmeye dayalı olmuĢtur. Bu resim hem bir usta ile asistanının beraber yaptığı ve bize bu iliĢkinin boyutunu Çok geniĢ bir yelpazede sanat algısı olan Rubens, birçok önemli ressamın Uzun bir süre iki önemli ustadan eğitim almıĢ olan ġeker Ahmet PaĢa bu akademik öğretiye sanatçı inkar edilemez biçimde Türk Sanat Eğitiminin en önemli isimlerinden biri olmuĢtur. TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri TETİKCİ / Resim Sanatında Usta Çırak İlişkisi ve Türk Sanat Eğitimindeki Yeri work_s3itqhsz7nflbolsuwldzbebwa Inicia-se uma conversa via SMS com uma segunda mulher que, como vemos do espaço urbano e uma arte restrita a sua autonomia formal2. a Fruit Dish atestam que uma busca por outras soluções formais já estava em disponível, como iria, por outro lado, conferir aos artistas novas ferramentas de conceitos no âmbito da arte, uma vez que as categorias formalizadas pela demonstrado posteriormente por outros autores que o tomaram como naturalista, na pintura de Johns, de forma ainda mais radical do que Em uma vertente, agrupo obras que se apropriam das novas do espaço das grandes metrópoles se aproxima muito de uma grande colagem. nova, em que a superfície pintada é o análogo não mais de uma com uma reorientação coletiva no que confere ao consumo de informações últimos casos, mais como "processo", um modo de operar – por seleção, mais do que uma "atualização" da figuração pop anterior, Koons, assim como work_s4tcslocarhbbgqwbmhduvoljm Sotheby''s and Christie''s, have given good predictions for the works that have been pre-sale estimates is tested for. influence on the pre-sale estimate, but he sets the reservation price under which he is not willing to sell. house can choose to set the pre-sale estimate range in a way The study tests whether pre-sale estimates are unbiased pre-sale estimate of the price Yi of a lot i. if there is full information on X, the pre-sale estimate. hammer price if the work is sold and zero otherwise), Y works which are sold could result in biased estimates since, This regression provides a test for sample selectivity, as well as an estimation technique. medium used, price and pre-sale estimate and information Table 2 compares the price p with the pre-sale estimated sold at a price within the estimate range and 20% were Do art specialists form pre-sale estimates? Do art specialists form pre-sale estimates? work_s5d3k4wvwfhplelgm25n6hiqre ethnographically informed camera lens can provide management students with new ''ways of production of photo essays and films can engender new ways of seeing (Berger, 1972) that imagination of management students through exposure to more ethnographically informed and visual products, this section considers the modes and effects of disciplining management the paper as part of a reflexive account of my own effect on student learning in both political our management students pursuant to developing the critical and complex thinking required Developing the above point Cunliffe (2010) notes that ethnographic modes of seeing require A second related concerned is with the effect of seeing the world through a lens. possibility that there are different ways of seeing the worlds of work, managing and Informed by discussions on different ways of seeing (Berger, 1972; Cunliffe, 2010; Mitchell, Image 7: Student Smart Phone camera films (NO COPYRIGHT) work_s5g54ums2fapvhxif5zujfb2ji This essay examines the ways in which art works from Dahomey were discussed number of Dahomean sculptures, which entered the collection of the Trocadero kinds of African art works that artists predominantly looked to were mysterious in child, showing French troops entering Dahomey''s capital city Abomey, while Jean Dahomean sculptures in the Trocadero museum were notably absent. African kingdom and French colony of Dahomey to represent the spirit of the whole most famous of Dahomey''s art works in French collections, the iron sculpture Dahomey fell to the French in the 1890s, whose explicit presence in artists'' accounts people, objects and corresponding art works by Western artists appear to have early years of the 20th century, the reasons for privileging certain African art works Dahomean sculptures: artefacts collected by a colonial administrator in 1889 and by Delafosse''s accounts of the Dahomean material at the Trocadero situated work_sbcwakb4hbap3gbvxcuaxkeryi Model sentences too often read like word-for-word translations of English New York and Washington: Praeger Publishers, 1970. John Boulton Smith asks the question whether or not Finnish modern painting and Painting is a young art in Finland. In contrast, Finland''s architecture has a long-standing, unbroken tradition, and Asko Salokorpi traces the key aspects of modern Finnish architecture, which parallels European architecture in general, and His presentation is terse, often brilliant, and he makes it clear why "Finnish architecture often seems to be an art form rather than a way of building." The influence made clear, and the reasons why Finnish architecture did not influence European Slqska, 1918-1922 (Warsaw, 1958), an excellent study of this complex problem, and is an interesting study and gives the reader a great deal of important information. were the dominant problems for Poland in these years, they could not always deal work_shp3zxdswzfaffv6bvet5g5xum Building a test to assess creative and critical thinking simultaneously As a consequence, educational transformation has been initiated, and creative and critical thinking teaching and learning Yanpiaw Creative-Critical Thinking Styles Test or YCREATIVE-CRITICALS, consists of 34 items, will be used to measure Creative and critical thinking are both essential for students in all aspects of educational studies. "Yanpiaw Creative-Critical Thinking Styles Test" or YCREATIVE-CRITICALS will be used to measure the Based on the theories and researches evidences documented by scholars, creative and critical thinking traits were The items of the YCREATIVE-CRITICALS test were established on the rationale that both thinking styles can Abstractness of Titles score of the TTCT and the creative thinking style score of the YCREATIVE-CRITICALS (r= the items of the YCREATIVE-CRITICALS are related to thinking and learning style, it seemed reasonable to test its As shown in Table 2, the scores of creative thinking style of the YCREATIVE-CRITICALS are positively and work_sobc5c7vqffyvnkz5fr4jv7ygu The purpose of this study was to analyze on the aesthetic collaboration appeared on the modernism arts and Haute Couture designers in the 20th century as the necessity of analyzing on the pure meaning of collaboration which is
The meaning of the collaboration appeared in the 21th century fashion 20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 13 20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 13 20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 13 20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 13 20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 13 20세기 전반 모더니즘시대 Haute Couture 디자이너 작품에 나타난 순수 미학적 협업(collaboration)의 의미 분석 13 Collaboration of Art and Fashion Brand Fashion Design through Collaboration Focusing work_sofqbrq2yvfspcs3ogwdydfoq4 Children''s Literature and the Avant-Garde, edited by Elina Druker and Children''s Literature and the Avant-Garde is self-consciously international in its approach, although its focus is on Europe. avant-garde," and "Postbellum avant-garde children''s books," this volume''s eleven chapters are richly illustrated with color plates, adding "avant-garde ideas about children''s literature often reflect a general Finally, they emphasize—and individual essays in the book confirm this point—that avant-garde ideas in children''s books are always related to "movements in arts, education, provocative essay on "John Ruskin and the mutual influences of children''s literature and the avant-garde" actually does both of these things "also legitimates a children''s book project as a medium for avant-garde children''s art among the British avant-garde in the 1920s, 1930s, and The final section on "Postbellum avant-garde children''s books" children may appreciate avant-garde work, they do not appreciate it for work_sphq4gwwqff47oqtd4znug4g2q – Mitchell''s "Family of Images" (part 1) in that we can refer to all of these things as an "image". conun drum is that we use the word "image" to refer to issue is an essay by W.J.T. Mitchell, titled What is an image?5 [1]. only speak in the same way about very different images, Given that specifying the meaning of the term "image" wide variety of things and phenomena called "image" and images, this genealogy consists of a story that refers to the literal sense of the word image refers to "a resolutely Mitchell states that to be an image is to be a sign. that images do not exist the way ducks and lakes exist – use the term "image" to refer to things that, rocked by the states that images are a modality of signs. Key words: W.J.T. Mitchell, image, sign, artifacts, tools work_sqxl66a36nb4pkqdloasjdq4au salient features identified within the image set, such as eyes, approach is especially interesting, as it requires the identification of salient features within images to produce an By salient feature we mean an image region containing an object of interest, such as an eye To the best of our knowledge, "high level" salient features have not been used previously to produce non-photorealistic renderings. interaction and abstraction (we construct compositions using identified high-level features rather that allowing a user feature; (b) the continuous forward vector field; (c) the mesh of quadrilaterals (mapped pixel areas); (d) the final distorted image. This process is biased toward producing a set C containing features whose equivalence classes are similar in proportion to the original source images. composition of the chosen features in C to produce the final image. rendering process is both entirely automatic and deterministic, deriving stroke parameters from the composition image to produce the painting. work_srieqfzrnjgrrmg6vwffxlf4re then the set of characters {exp^xy^): k = 1,...,«} is called the spectrum of in T is a spectral set provided it is the zero-set of exactly one closed ideal in The so-called abstract Wiener-Tauberian theorem asserts that the empty set This result is called the Wiener-Tauberian theorem because Wiener used it to establish a number of theorems of Tauberian type. numbers (written by Meyer), a chapter on Varopoulos''s theorem that Kronecker sets in the circle group T are spectral sets, and a lot of other results on synthesis and Tauberian theorems is the fact that the empty set is a spectral Wiener was led to the spectral analysis of L°°-functions on R, equivalently of that Beurling''s original proof did not use the Tauberian theorem and that the with a proof of Varopoulos''s theorem that Kronecker sets E are spectral sets, Wiener, Generalized harmonic analysis and Tauberian theorems (reprinted from 1930 and work_sspuudu7kfcoxcrk4bnxspaora Cecchetti and Diaghilev''s Ballets Russes by drawing upon a number of rare and Enrico Cecchetti; Sergej Diaghilev; Léonide Massine; Italian Ballet; Ballets Russes; According to a number of sources,1) Serge Diaghilev asked Enrico Cecchetti''s opinion about Le Sacre du Printemps just after the ballet''s notoriously stormy premiere. that time Cecchetti had been teaching artists of the legendary Ballets Contrary to what many dance writers continue to argue, nineteenth-century ballet mime was everything but Fokine, the choreographer who had proposed a less prescriptive and constraining approach to ballet mime than the traditional nineteenth-century will also remind you of your old friend Maestro Enrico Cecchetti.10) friends of the Cecchettis, Diaghilev could hardly believe that the old convinced Diaghilev that there was more to engaging Maestro Cecchetti for the dancers and other performance-makers, even after Cecchetti himself had left the Ballets Russes. Cecchetti method were the same as those he taught the artists of the Ballets Russes. work_t2htj46bineddewmhk73pqm6wi Future cameras will let us "capture the moment," not just the instant when the shutter finite round-robin buffer of perhaps 500 frames, or 5 seconds, resulting in a spacetime slab in memory at all times. To achieve the tradeoff between optimizing each pixel individually and creating a seamless result, applications often use graph cut In the third and final step, the pixel value can be modified either to adjust the virtual exposure or to compensate for other differences between images. moment camera records images continuously, not just multiple points in the scene for focus and records images moment camera records multiple images with different focus settings. Once a wide-dynamic-range image has been assembled, the camera can store it either in an extended same time, allowing the exposure to vary between overlapping frames can create high-dynamic-range panoramas. Working with stored images, the user indicates when each person photographed looks best. the moment camera captures provides the input needed work_t2omzu37qbhorfinel7pxnc73i Renaissance room artists provided the viewer to see the exterior of the space with concave mirrors and illusory seems to be the way as it really is, light in its painting will cause to changes in, creating moving forms in space. In Cezanne''s paintings, aiming to ensure harmony of form and volume space approaches the surface. So, this approach to piece space and surface is an important milestone in the history of art. In Impressionist artists'' paintings, for melting the contour, join with each other form and space. areas, creates a new understanding of space and light in the painting. So that the art become abstract and therefore as a space, doing the interactive art works with digital technology. In paintings, sculptures, as well as installations virtual spaces created by are, places is usually completed in the with digital art, the movement of the viewer within this space is provided. work_t4al4kwsgnfthgjbtvrr7a3guq A Study on Individuals'' Art Preferences according to Abstract Aim of this study is to examine the relationship between individuals'' art preferences and personality Renaissance, Cubism, Abstract Art, Traditional Art, Impressionism and Surrealism and personal information form extroversion and openness to experience mostly prefer surrealist works and those with personality traits of tendermindedness usually prefer Impressionist work of art. Keywords: personality, art preferences, openness to experience, big five model Art Preferences according to Their Personality Traits via Computer-Aided Web Site." American Journal of determiners of personal differences in art preferences. personality structure, their art preference and artistic personality types and art preferences, research group Do individuals'' personality types differentiate according to their art preferences? Type Scales and individual art preferences. differ according to individual art preferences -the second Findings concerning the differences of art preferences according to individual personality types relationship between personality types and art preferences. work_t6m3j5p6ezgsddnb4evjy6oppa To avoid holes, we treat neighboring pixels as triangles and re-render them onto the GLC image plane. In Computer Graphics, image-based approaches are commonly used to render multi-perspective images [3, 27, 30]. In this paper, we present a novel rasterization framework for rendering multi-perspective images in real-time. Fig. 1 Our framework interactively renders a complex city scene of 15k triangles at 70 fps. In the first pass, we compute the GLC projection coefficients of each scene triangle using a vertex shader. views, rendering reflections on curved mirrors, and creating multi-perspective faux animations. Recently, real-time multi-perspective rendering techniques have been developed based on polygonal graphics To render an arbitrary multi-perspective camera, we first decompose the camera into piecewise linear primitive multiperspective cameras whose projection models can be easily Specifically, to render each scene triangle, we first compute the per-vertex-based projection coefficients (i.e., each entry in the numerator and denominator work_t7qegeg34vcktoyrrztj2g2e24 Aaron Douglas''s associations with writers of the Harlem Renaissance are Aaron Douglass: Art, Race & The Harlem Renaissance, Douglas''s biographer, Douglas'' narrative situates the artist between the preacher (a classic folk Hill, the classical Egyptian influence on artists such as Douglas is much more (Athena-like, Black Athena) to the vision of younger Negro artists whose own 1. Amy Helene Kirschke, Aaron Douglas: Art, Race, and the Harlem Renaissance (Jackson: 2. Langston Hughes, "The Negro Artist and the Racial Mountain," The Nation, 23 June 1926. 4. Quoted in Amy Helene Kirschke, Aaron Douglas: Art, Race, & The Harlem Renaissance Aaron Douglas: African American Modernist. Aaron Douglas: Art, Race & The Harlem Renaissance. Figure 5: Aaron Douglas (American, 1899-1979), FIRE!! Figure 6: Aaron Douglas (American, 1899-1979), untitled drawing (The Preacher) from FIRE!! Figure 7: Aaron Douglas (American, 1899-1979), untitled drawing (The Artist) Figure 8: Aaron Douglas (American, 1899-1979), untitled drawing (The Waitress) from FIRE!! work_tceqre6zufbqtbs622wyplrr6a Most evaluations of object detection methods focus on robustness to natural form deformations such as people''s pose changes. current object detection methods perform on these distorted images, and present an evaluation comparing human annotators to four stateof-the-art object detectors on Cubist paintings. in object detection, human perception and part-based models exhibit To this end, we compare human annotations of person figures in Picasso paintings to the detections of several object study the human and algorithm performance on person detection over a corpus of Cubist paintings. human perception and detectors as the distortion of person figures in the paintings increases. We compare the human recognition performance we measured during the perception study to four object detection methods. and the four methods at detecting human figures in Picasso paintings. evaluate object detection performance as image distortion increases. methods, trained on natural images, and human perception on Cubist paintings work_tdjv2ehdqveybneb3nq62ovp4a Throughout history the link between Geometry and Architecture has been strong and while architects have used mathematics to construct their buildings, geometry has always been the essential tool allowing them to choose spatial shapes which are aesthetically Historically, mathematics and philosophy have been interrelated; many philosophers of the past were also mathematicians. We will deal with the ties between Architecture, Geometry and Philosophy over the centuries. that go beyond time and space, and there are genial precursors, we can identify, in principle, some epochs: the ancient era, the Architecture, Geometry and Philosophy are connected by The link between Philosophy and Architecture is twofold: on Architecture, Geometry and Philosophy over the centuries. Indeed, Euclidean geometry informed architectural styles Baroque architecture is linked to the projective geometry and on mathematics and philosophy: these sciences deal with There is a great difference in the Philosophy of Architecture Architecture, Mathematics and Philosophy, as studied mainly philosophy of architecture. work_thnn5gbdwfgt7aqwfjrvgmraae structure, n o w referred to as points (zero-d i m en si o n al )---"co rn ers"; lines ( o n e d i m e n s i o n a l ) A tree, like the Schlegel diagram and maps, is a topologically linear structure, one-dimensional one line, the latter being called the terminal points o f the tree. by a r e c t a n g l e f o r example a square; let us also specify t h a t the lines o f the tree p art i t i o n i n g o u r trees p r o d u c e s m a n y m o r e possibilities and these are o f course increased w h en the circle is replaced work_ticexmmmjfff5pxtsxdgogthsi experimentations with the traditional sonnet form in poetry. an influenced by cubism and used the principles of this form to stylize his poetry. He changed the nature of the sonnet form, as seen in his political poem and satire, Cummings''s poems is a result of his ingenious or ''self'', were principles Cummings opposed. Cummings''s disturbance of syntax comprises a Cummings''s fusion of individualism, Friedman (1972) states that Cummings to Cummings''s principles of ''feeling first'' and example, not articulated aloud, means Cummings Cummings''s satirical target, not the speaker, but Cummings with, in his words, "[the rudiments] of favourite form (Cummings, 2015, p. Cummings''s sonnet is also into traditional (sonnet) structure, Cummings''s comprise Cummings''s "literary cubism" (Kennedy, Cummings: Modernist painter and poet. (Re)valuing Cummings: Further essays on the poet, 1962 – 1993. Cummings: The art of his poetry. Cummings: An introduction to the poetry. New York: Columbia University Press. work_tjca5n7vpba2zdlv7ffnxjq2hu that the American art historian Bernard Berenson, his pupil, the English architectural historian Geoffrey Scott, and, potentially, the American architect Frank Its focus is to reveal the lineage beginning with Bernard Berenson, continuing with Geoffrey Scott and developing further with Bruno Zevi. outlined by Berenson in 1883 in ''A Word for Renaissance Churches,''8 a littleknown, yet seminal essay that proposed an incipient interpretation of architecture in terms of space, described from the point of view of the aesthetic spectator (Fig. 1). Zevi''s original reading and modern interpretation of Scott''s text paved a foundation upon which he would build his life''s work. Zevi began fostering this relationship between architectural practice and critical thought in Saper vedere l''architettura (1948). In another chapter of Verso un''architettura organica, Zevi justified the reasons that led Italy to reject modern architecture based on two The strong correlation between Scott''s fallacies and Zevi''s books demonstrated the applicability of The Architecture of Humanism throughout diverse work_tmxs4xib2rafzoij2pwshjpume Aesthetics of Modern Architecture: A Semiological classification of architectural movements in the Modern era. Keywords Modern Architecture, Aesthetic Contribution, functionalist planning, the use of modern building materials Considering this fact, Modern Architecture is characterized Modern Architecture as a Style aesthetic characteristics of the Modern Architecture. aesthetic became a template for Modern Architecture for Famous maxims in Modern Architecture that affected the development of modern aesthetics "Form Follows Function." Bauhaus school Walter Gropius 1926 Aesthetic characteristics, implementing ideas and philosophy of Modern Architecture From aesthetic point of view, Modern Architecture Aesthetic characteristics of the foremost styles of Formalism tendencies in early modern era characteristics of Late Modern Architecture in four main Organic architecture is a philosophy that a building and its building materials to epitomize Organic Architecture (Zevi, of aesthetic progress in Modern Architecture. Chronological development of aesthetic progress in Modern Architecture non-aesthetic factor in the failure of Modern Architecture. work_tpn2h7p6vjh2vn4555mftdouli sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 220015930 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:45:57 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_tsbzzl7nrjaadi2tfeugsfin6e Instead, his program is grounded in the ''activism'' of the aesthetic form seeking after the earthly actualization of pleasure, beauty, happiness, and satisfaction".1 Marcuse''s 8 Herbert Marcuse, "Art as Form of Reality", New Left Review, 1972, No. 74, 51–58. In the aesthetic form, the autonomy of art constitutes itself. Marcuse is critical of modern art because it betrays form and autonomy, whereas Adorno but often combines "form" organically with the fate of human liberation and people''s dissatisfaction with repression in real life so that his thought on form presents distinct and revolutionary practical features, which naturally adds theoretical value and truth to his theory. of "aesthetic dimension" constructed by "aesthetic form" makes Marcuse''s theory of art both a 24 Herbert Marcuse, "Art as Form of Reality", op. 24 Herbert Marcuse, "Art as Form of Reality", op. Marcuse''s aesthetic stress on art''s resistance to reality and on human liberation is by no work_tunrihlei5fexe5hczy6dyr7ki In cubist paintings by Picasso, Braque and Gris it is appreciated cubist artworks more if they were able Keywords: Art perception, Gestalt, Ambiguity, paper we show that viewers'' appreciation of cubist paintings is closely linked between appreciation and emerging order from disorder, ambiguity, or indeterminacy. Cruys and Wagemans suggest that artworks often violate viewers'' perceptual offer a high degree of visual indeterminacy and ambiguity yet at the same time objects within cubist artworks and liking This finding is in line with previous proposals about the link between detecting Data points represent detectability of objects and liking per stimulus revealing that the better the participants could detect objects within an artwork, the more they liked it. art historian Dario Gamboni demonstrates, cubist paintings of this period revealing high detectability of objects [17] during Gestalt recognition on aesthetic appreciation and how does this Preference for cubist artworks revealing high detectability of objects work_txnapspsjne5ffda4xohgvfeqi Conceptual Domains in the Bilingual Poetry of Pablo Picasso." Digital semantic categories for concepts associated with co-occurring words. Keywords: Picasso; bilingual; poetry; conceptual domains; semantic the semantic concepts behind each word irrespective of the language used, linking semantic interconnections between words Picasso explored in his poetry, we classified semantic categories in one of the two languages Picasso used. the concept KILL, Picasso used four words (and their morphological derivatives) in how Picasso used concepts depending on the language of the poem. Figure 4: Concepts in Picasso''s poetry grouped by language with a threshold of 15 Figure 5: Concepts and lexical categories in Picasso''s poetry. comparison of the semantic categories by language in Picasso''s poetry. Figure 6: Verb morphologies by language in Picasso''s poetry. Figure 7: Semantic categories by language in Picasso''s poetry. words in Picasso''s poetry. semantic categories in Picasso''s poetry. "Semantic Domains in Picasso''s Poetry." work_tzzs3eylwzdmhatnqvydrdjutq Not only formal aspects of his sculptures correspond to this concept, but also Gabo''s shared aesthetic and structural concerns with twentiethcentury architecture and engineering, in terms of transparency, spatial openness, efficiency and lightweight design are consistent with this idea. perfection as the basis of biologically-inspired design, which Gabo encountered especially in the work of the biologist D''Arcy Thompson and the art keywords Naum Gabo, Minimum weight structures, Lightweight design, 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO 379PRINCIPLES OF LIGHTWEIGHT STRUCTURES IN THE SCULPTURAL CONCEPTIONS OF NAUM GABO work_u5wu6pq3tjc5xf2c7hyqfppyue Royal Academy of Arts, London. artificial-intelligence company Perot Museum of Nature and about hominin history can The Metropolitan Museum of Art, The new uncanny valley, climate on film, imperilled elephants and Earth Day at 50: Guggenheim Museum, New York City. Museum of Modern Art, of art and science. from Oxman''s 20-year career in host of art and film projects. Earth Day Network is launching a series of events to Earth-inspired art, theatre, dance and film. Earth, with works to spur action American Art Museum, create building-sized works year''s earthquake and tsunami War nuclear attack on Hiroshima 24 | Nature | Vol 577 | 2 January 2020 24 | Nature | Vol 577 | 2 January 2020 24 | Nature | Vol 577 | 2 January 2020 Climate Museum, New York City. January – May. Based on a graphic novel by 75 years earlier (pictured, the show — featuring works from work_u7cbox4pvbfnxo77ooefowammq Present-day societies manifest themselves as "gaseous societies," dominated by violence, hatred, war, xenophobia, and generalized human and planetary destruction. They, in turn, are produced by the imagination in its dimension of creative destructiveness, imaginaries that are oriented towards death in every respect. the process of becoming of philosophy: the flow of human thought throughout history. The speed generated by the human species has introduced a radical inflection in the process of thesis of the uncommitted, fleeting, random, and "liquid" character of present-day human relations. The thesis that I posit is the following: Nowadays, life and human relations have acquired cultures, and current events, I argue for my thesis thus: philosophy today must be presented as Let us take one step further: the "gaseous" reality that constitutes the life of human relations The current year exhibits human cruelty exerted by individuals whose death imaginaries have the beauty of the dignified human life (Lapoujade 2007). work_udtrcbfnknbbvj6mcv5nktonjy HISTORICAL EVENTS: A CASE STUDY OF HISTORY FLOW OF CHIA-YI BEIMEN KEY WORDS: Spatio-Temporal Database, Historical City, Information Visualization. This system is made for researchers who study pattern of city or spatial transformation by using computational way to interpret data In order to make use of all historical data with GIS in system, an exact metadata is necessary and needed to build first. Cubism project is aimed to presume how different historical data normalized to become information in spatio-temporal database. historical events by combining with timeline or GIS to present Events may include changed attributes of subject with a series For a systematic way to record events and changes, Space-Time Peuquet and Duan (1995) proposed Event-based Spatiotemporal Data Model (ESTDM) for processing temporal 3. Put historical events data of Beimen station into As any attribute of a subject changed, one of a subtimeline shows a cue-point, and the main timeline may present The historic event chain of Beimen station work_ue2m6yg5yjgqnfqktnrl5m7iua Sex, Wine and Statelessness: Apollinaire''s Verse without Borders in ''Vendémiaire'' of Apollinaire''s adoptive city mixes sexual double meanings with religious references, founding a half-parodic new religion. alexandrines with free verse places Apollinaire both within and without a metrical city mixes sexual double meanings with religious references, in an effort to found a halfparodic new religion (Burgos, Debon and Décaudin, 104–8). informal tones, recordings show that when reading his own poems aloud Apollinaire interpreted strict verse following the traditional rules of French versification, whilst his renderings This intrinsic presence of the tradition of versification means that the French free verse poets, unavoidably constrained by their relationship In ''Vendémiaire'', as Apollinaire takes advantage of the national metrical situation, the versification constantly slips from strict alexandrines to free verse, back and forth until the two How to cite this article: Bories, A-S 2019 Sex, Wine and Statelessness: Apollinaire''s Verse work_uh2c3e4gtferthpuqholn5yxa4 Time Present and Time Past: The Art of John Everett Millais (review) Time Present and Time Past: The Art of John Everett Millais Paul Barlow, Time Present and Time Past: The Art of John Everett Millais Past: The Art of John Everett Millais (2005) poses a significant and successful challenge to all of that. Barlow wisely begins his book with an account of some of the perceived problems with Millais from a contemporary art historiographical if Manet and Monet are undoubtedly ''modern'' according to most contemporary art historians, in the eyes of a significant number of Millais'' Time Present significantly rejects this caricature of the painter''s biography and returns Millais'' complex canvases to centre stage, making them contemporary historians of Victorian art, Barlow does so by suggesting supposedly Pre-Raphaelite project, Time Present also successfully excavates from Millais'' canvasses the painter''s own particular subjectivity. Towards the end of Time Present, Barlow observes that Millais'' work work_uhlbu33k3vbpdgfeoxlxpqdkmy and analytical thinking approach was used in Art and Design The art project was designed for students to increase the know-how the project supported several visual art standards, as well as utilized visual arts as a vehicle of communication in getting required to design a poster to portray the One Nation concept a. To develop creative thinking in design and communication. a. To develop creative thinking in design and communication. Visual Arts as a Vehicle of Communication In order to create the poster design, students are required to In this step, students are required to find related visuals posters, on the theme or title of One Nation, created by Arts Fig. 1 "One Nation" poster design by a Malaysian student Fig. 2 "One Nation" poster design by an Iranian student Fig. 3 "One Nation" poster design by Indonesian student Art, Design and Visual Culture. http://waset.org/publication/Visual-Arts-as-a-Vehicle-of-Communication/5737 http://waset.org/publication/Visual-Arts-as-a-Vehicle-of-Communication/5737 http://waset.org/publication/Visual-Arts-as-a-Vehicle-of-Communication/5737 http://waset.org/publication/Visual-Arts-as-a-Vehicle-of-Communication/5737 work_uk2ntw7pxbdytczdaxarbet4um have become the main tools in building delicate art projects like Broodthaers'' museum or Keywords: conceptual art, language games, performative, speech act, institutional The question of power in the art world, and those who temporarily ''own'' positions of power, was a subject of those artistic practices defined as institutional critique. structure of Austin''s procedure of grouping and naming similar sentences as performatives is important for the analysis and understanding of the structure of Broodthaers'' museum. through the act of speech i.e. language: Broodthaers said ''This is a museum.'' This moment of declaration was best described by the artist: "I took delivery of the crates and questions of the art world after Duchamp and that is who is appointed to do this performative, in this case to say what art is or what a museum is? art on the border between word and painting, Mangelos considered language an important tool in his noart strategy. work_ur2jx45sprb3ndr32hhgznfz24 Postmodern Interpretations of Satie''s Parade. Postmodern Interpretations of Satie''s Parade. Postmodern Interpretations of Satie''s Parade. lowbrow; as we will see, Parade strangely blends the ragtime and the highfalutin, advanced musical technique and mere noise. In Satie''s ballets, in his film score, the music does what Theatre, and three Music Hall turns are employed as Parade. I find it hard to imagine a performance of Parade in which the music would Cocteau thought of Satie''s score as Parade is what Erwartung sounds like with its tongue torn out: a sort of Parade was Picasso, not Cocteau. Satie paid little attention to the content of Parade, as Cocteau imagined it: Satie, however, paid close attention to the style of Parade, as Picasso imagined Some critics of Parade feel that Satie''s music is no more cubist than performance itself; Satie, on the other hand, invented the background sounds Satie''s music, with Satie''s music, with work_uz7bmlcbcvdodmxn7jcvszyifi This paper will review the design theories of Jay Hambidge and dynamic symmetry in terms of the use research in the general area known as the golden section hypothesis will be reviewed as a means of justification not only for Hambidge''s theory of proportions in design but as a validation for recent ideas art, painting, sculpture, architecture that used the golden section a n d the principles o f d y n a m i c o f the use o f the golden section a n d d y n a m i c symmetry in works o f twentieth century art and One cannot discuss the golden section in twentieth century art without considering the work of The influence of Jay Hambidge on art and design 1007 The influence of Jay Hambidge on art and design 1007 The influence of Jay Hambidge on art and design 1007 work_v2n7upeg3fae7koh2uyf5m6jny Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_v3kwb5y3sfga3lood3zde5ssrm 본 연구는 폭소노미가 비디오 자료를 색인하고 라우징 하는데 얼마나 유용한지 살펴본 후, 동등어, 동의어 련어를 활용한 질의 확장을 통해서 수행되는 폭소노미 태그 통제가 비디오 검색에 얼마나 효율 인지 조사해 확장에 용시킨 실험 시스템을 설계, 구 하고 이러한 제안된 시스템이 정보검색 과정에서 폭소노미의 효율성을 한 제안된 시스템은 태그 통제를 하지 않은 시스템과 비교하여, 재 율은 증가하 으나 정확률은 차이가 본 연구 결과는 폭소노미를 디지털 비디오 도서 의 소셜 메타데이터로 용하기 한 키워드: 텍사노미, 폭소노미, 태그, 비디오, 질의 확장, 시맨틱 검색 첫 번째 연구 문제는 비디오 자료에 할당된 개의 비디오 검색 시스템, 즉 질의 확장을 할 수 가 비디오 자료의 검색에 얼마나 잘 용될 수 비디오 자료에 할당된 태그들을 분석한 결 비디오 자료에 리커의 련 태그들을 사용한 의 질의를 주고 구조화된 폭소노미 기반 태 형 즉, 질의에 있는 태그를 갖는 비디오(들)은 태그의 동의어, 련어 등을 갖는 비디오(들) 본 연구는 비디오 자료에 할당된 태그의 특 뿐만 아니라 태그들을 디지털 비디오 도서 의 work_v45peyaoordcled4l4jurtx7yq Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_v7equ7m7dvb37lzdfqnupigyxy DNAism: Exploring genomic datasets on the web with Horizon Charts. Background: Computational biologists daily face the need to explore massive amounts of genomic data. visualization techniques can help researchers navigate and understand these big data. Results: Horizon Charts have been successfully applied to understand multi-metric time series data. adapted an existing JavaScript library (Cubism) that implements Horizon Charts for the time series domain so that it Conclusions: Horizon Charts can be an effective visual tool to explore complex and large genomic datasets. Keywords: Bioinformatics, Genomics, Sequencing, JavaScript, Web, Visualization (http://creativecommons.org/publicdomain/zero/1.0/) applies to the data made available in this article, unless otherwise stated. Contrary to time series data, in genomic datasets, the an existing time series data visualization library (based to explore multi-sample genomic datasets using Horizon efficiently parse and load the genomic data for visualization. Charts to explore the genomic data. The library is intended for exploring genomic data. work_va45xrtnhffqro3twrqvz46j6y The research aim is to analyze the attributes of fashion as an object of art, and to examine its potential and the body as the foundation of fashion and art''s concepts, and discusses the intrinsic properties and the approach thoughts on the body and extracts the characteristics of fashion as a practice of a new art field from the perspective will show that fashion chosen as an art activity expresses the changeable and ambiguous body and embraces an from self-experience, the called ''social residual.'' Therefore, the body created by different methods exists body as ''naked'', ''nude'', ''clothed'' and ''fashioned'' body as ''naked'', ''nude'', ''clothed'' and ''fashioned'' object of art'' includes nude, the second social body, w ords, the second skin reproduces a new body w ith first step in creating a new body, the second skin, Fashion can create a contemporary form of body, progresses fashion into a new space: the social body work_vehc655eorhdpnnxx4mgh77ygm In Livorno, Florence and Venice, Modigliani participated in art work of Italian painters and the sculptor Tino de Camaino of cubism that he encountered while traveling in Paris. Self-portrait, the oval facial lines and transparent eyes lines to create a lyricism with a archaic resonance. Universidade de São Paulo (organization and essay of Aracy Amaral. Frequenta em Livorno, Florença e Veneza cursos de arte com Paris em 1906, disposto a dedicar-se à escultura, a qual abandonará em 1914, Inscreve-se na Academia Colarossi. marchand e importante estimulador de sua obra. mais próxima a Gauguin e Toulouse Lautrec do que às experiências radicais consumadas pelo cubismo à mesma época em que se instala em Paris. No entanto é inegável que tenha assimilado algumas de suas lições, no aplainamento da superfície é justamente esse dado que o faz superar os procedimentos Seu expressionismo singular é que o refere à pintura metafísica. São Paulo: Techint, 1988). work_vehcvxkvhrgspjdgmkl2rzh2fe James Cook and Roland Wakelin to New Zealand art history, all of them artists who Arrivals in Art'', The British Australian and New Zealander, July 1925, 32-34. write a brief history of New Zealand art taking place in Australia, the immigrant New Zealand art from the point of view of Australia is also to write an UnNew perspective of Australian art history New Zealand immigrants to Australia are à Etaples, A.M.M.E. Éditions, Etaples-sur-mer, 2000, a history of Australian and New Zealand artists at New Zealand art history proper begins (almost like Australia''s) with the socalled ‚generation of 1890‛. least in Australian art history; but in fact van der Velden works in Sydney and interested in Hodgkins insofar as she makes New Zealand art in Australia, Brown and lapses, so incorporated were New Zealand artists in the history of Australian art and the streets of Sydney, was the very embodiment of New Zealand art in Australia: work_vgbj3pqhj5dsbfb6p3klkhtoqm NOVIKOV proved[3] that rational pontrjagin numbers are topological invariants. showed that they are the only possible local combinatorial invariants, besides the Euler number, The purpose of this note is to prove that the (first) rational pontrjagin number of a triangulated The method extends readily to show that all pontrjagin numbers are local combinatorial Let M be a compact oriented cubed surface with vertices v~, with p~ the number of edges T h e d e p e n d e n c e o f local pontrjagin numbers on orientation (c.f. orientation-invariant v, c o n s t r u c t a triangulated S 4 b y identifying the h e m i s p h e r e s with copies of ON LOCAL COMBINATORIAL PONTRJAGIN NUMBERS--I ON LOCAL COMBINATORIAL PONTRJAGIN NUMBERS--I barycenters except the barycenters of 4-cells has the link type of a product and hence pontrjagin work_vima2n5bdrdt3bs7oxw5okqszq explores its historical development and main protagonists – a sort of ultimate book on spectral music. This book […] deals with the structural mutations of ''serious'' music from the 1970s. principles of spectral music, Bauhaus & Ircam, Pierre Schaeffer, elites and programmes, Computer themes: specific composers (predecessors, and the initiator of spectral music, Gérard Grisey), Spectral music, therefore, is not strictly the only subject of this book. Computer music, writes Dufourt, With the tenth chapter, dedicated to the idea of acoustic space and written in 1998, the book finally introduces the main theme – spectral music – halfway through the book. Dufourt examines the implications of (musical) science and the modelization of timbre; Mathews, long) of Grisey''s Bergsonism, controversy with serialism, timbre, structure and musical writing, In the penultimate chapter (written in 2003) Dufourt debates the theoretical and philosophical And again: ''spectral music is a discipline of writing, work_vnen25jyufcrbaplhmegi4j6ve Mosaics are images obtained by cementing together small colored fragments and are an ancient example of discrete primitive-based Artificial mosaics are illustrations composed by a set of small images called "tiles" that tessellate a source image aiming to In this paper, we propose a mosaic generation technique based on gradient vector flow (GVF) together with a set of tile cutting heuristics evaluated according to aesthetic criteria. ancient mosaics, also consider tile cutting. 4. 2D Mosaic Tile Cutting Figure 6: Percentage gain in the number of tiles compared to the mosaic without cuts. Figure 10: Original images used for mosaic generation: Madonna (1012 × 1351), peasant (910 × 1106), and Kodim04 (512 × 768). of tiles compared to the mosaic without cuts (Figure 6), Figure 11: Visual comparisons of artificial mosaic techniques—our approach on the left (a, d, g), Liu et al. the test images employing tile cutting strategies. work_vold6e77lbdmzn6ego7usxebme Fascism is no longer interpreted as a political ideology, but as a social culture. Willy Engelhardt: Poster for German Elections, ''Hitter Builds up''.In the same year Goebbels tried to integrate what he called ''Nordic expressionism'' into the official Nazi art. For the defenders of fascist modernism, expressionism showed how art was striving towards Nordic elementary forms. aspirations of fascist art: fascism wanted to replace reality with its own demiurgic Contrary to Italian Fascist art, Nazi paintings are – at least in the 1930s – clearly Art carries out a pre-modern function in a fascist society. also the reason for the preference in fascist art for allegories. the fascist state as staged in mass events, everyday culture and art was an allegory for the higher aspirations of fascism which were expressed in terms like 5. Fascist aesthetics reinstates art in its pre-modern social function. Fascist art defines not only the work_vqvvvvebcrgk3n3jn5muyytoom Yang–Baxter Equations, Computational Methods and Applications equations (in small dimensions), for classifying (unifying) structures and for solving related Keywords: Yang–Baxter equation; computational methods; universal gate; non-associative Computational methods were an important tool for solving the Yang–Baxter equation and Another unification of non-associative structures was recently obtained using the so-called UJLA the Yang–Baxter equation, and we explain its importance for constructing quantum gates and obtaining of various algebraic structures in order to solve this equation, but the full classification of its solutions There are many examples of solutions for Equation (7): from "brace" structures, from relations on 8. Nichita, F.F. Special Issue "Hopf Algebras, Quantum Groups and Yang–Baxter Equations 2014". Iordanescu, R.; Nichita, F.F.; Nichita, I.M. Non-associative algebras, Yang–Baxter equations and Nichita, F.F. Introduction to the Yang–Baxter equation with open problems. Solutions of the Yang–Baxter equation from braided-Lie algebras and braided groups. Nichita, F.F. Lie algebras and Yang–Baxter equations. work_vqwnasnga5dgxlay6fphrmhbl4 mesmo que exige uma nova meta-linguagem crítica mais t r a ç a r entre Macunaíma e Grande Sertão: Veredas, por exemplo, é uma linha evolutiva que penetra sem maiores tropeços por Oswald de Andrade, a t é à poesia concreta, o atual movimento da pop art norte-americana (setor das artes visuais) Oswald de Andrade, antropófago p r a g m á t i c o e internacional, nada tem a ver com o suposto problema de forjar uma Tem-se uma idéia clara da situação oswaldiana quando se v ê que as suas obras não são reeditadas; a ú l t i m a obra "o grupo Anta se opôs ao Pau Brasil alegando que embora Oswald preconizasse uma "poesia de e x p o r t a ç ã o " , o de Oswald de Andrade é uma poesia ready-made. work_vu3ejfjzmbdcdis5uajqjxcy3y THE PURSUIT OF ART: THE CHINESE FRENCH ARTIST''S Western art to resolve difficulties faced in Chinese painting, Taiwan''s contemporary Chinese -French woman artists. Western painting, but Li-Ling Lin''s works emit an oriental V. VARIATIONS OF THE HUMAN BODY: XIN YIN''S PAINTING OF Jin-Lang Hou''s unique splitting style of the human body works not only appears to be like a Western painter''s painting a different body codes and under Xin Yin''s transformation, Under the influence of Western arts, her paintings In Li-Ling Lin''s "Mole and Tattoo" series of works, all the Li-Ling Lin''s works express Western "sense of freedom" in having a Chinese identity in the Western world. combined Western painting brush strokes with Oriental body Jin-Lang Hou, Xin Yin and Li-Ling Lin are three Western character''s look of the original work to Chinese concept of body deformation, Li-Ling Lin, a female painter http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 http://waset.org/publication/Diasporic-Discourse-and-Body-Codes:Transnational-Identities-in-Three-Representative-Chinese-French-Artists/7122 work_vubtjpuogjbyhdu6bmqa7oms2y [PDF] Hemispheric asymmetry of liking for representational and abstract paintings | Semantic Scholar Corpus ID: 3973457Hemispheric asymmetry of liking for representational and abstract paintings title={Hemispheric asymmetry of liking for representational and abstract paintings}, Although the neural correlates of the appreciation of aesthetic qualities have been the target of much research in the past decade, few experiments have explored the hemispheric asymmetries in underlying processes. In this study, we used a divided visual field paradigm to test for hemispheric asymmetries in men and women''s preference for abstract and representational artworks. Sort by Most Influenced Papers View 7 excerpts, references background and methods The role of the lateral occipital cortex in aesthetic appreciation of representational and abstract paintings: A TMS study View 4 excerpts, references results and background By clicking accept or continuing to use the site, you agree to the terms outlined in our Privacy Policy, Terms of Service, and Dataset License work_vudyqs7nbzgtvag7advkdykwmy Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture, and: Musical Comedy on the West End Stage, 1890-1939 (review) Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture, and: Musical Comedy on the West End Stage, Faulk, Music Hall and Modernity: The Late-Victorian Discovery of Len Platt, Musical Comedy on the West End Stage, 1890-1939 (Basingstoke: Palgrave Macmillan, 2004), 224 pages, hardback, £52.50 (ISBN have also been alert to the determinant power of language in the formation of a distinctive music hall voice and its influence on popular Late Victorian music halls were indeed a focus of intense debate about new cultural forms, their social impact and popular appeal – In this regard Music Hall and Modernity is illuminating and broader yet more emollient content, one of whose landmark confections was musical comedy as examined by Len Platt, another literary Faulk in his nomination of a bourgeois class fraction of cultural work_vve73z7hojerlemj5ti3nd56zu IRAC colors and IRS spectra of these regions rule out dust heated by the active galactic nucleus (AGN) as the primary and flux ratios of the PAH features in the inner spiral are generally consistent with conditions in a typical spiral galaxy Although it is possible that radiation from the AGN may directly enhance PAH excitation or trigger the formation of OB stars that subsequently excite PAH emission at these locations in the inner spiral, the orientation of collimated Fabry-Pérot imaging of the [O iii] k5007 line shows clearly defined ionization cones from the center of NGC 1068, inclined such [O iii] emission corresponds with the region of peak radio continuum flux, extending �1000 northeast of the nucleus (Condon et al. Determining the presence of PAHs using IRAC and MIPS photometry requires the measurement and modeling of the contribution of AGN continuum and hot dust at 8 �m. work_vw2wpjlsdfhjlcmeeric356wdy An international research group led by a postdoctoral fellow in the University of Virginia''s Department of Astronomy identified a rich organic chemistry in young disks surrounding 50 newly formed stars. Read more about Like Peas in a Pod: UVA Astronomer''s Survey of Young Stars Published Read more about UVA Faculty and Student Research Feature John Hawley, Hamilton and VITA Professor of Astronomy and Associate Dean for Academic Affairs in the College and Graduate School of Arts and Sciences, was recently named as a Fellow of the American Astronomical Society. Read more about Professor Ilse Cleeves Wins Award for Research Read more about Nitya Kallivayalil''s research featured in Quanta magazine Read more about Astronomer Ilse Cleeves Recognized Among Women Leaders in ''STEM2D'' An international research group led by a postdoctoral fellow in the University of Virginia''s Department of Astronomy identified a rich organic chemistry in young disks surrounding 50... work_vxewh35zyjd3hl5cyo37enwota van Breugel, M., Hirono, M., Andreeva, A., Fertilization: A Sticky Sperm Protein complex series of interactions that culminate in cell fusion. gamete interaction in plants has identified the first protein in multicellular organisms shown by gene disruption to be essential for gamete membrane HAP2) family of gamete-specific gene, encodes a sperm protein Gamete activation GEX2-dependent adhesion Gamete activation GEX2-dependent adhesion Possible schemes and order of events during gamete interactions in the model plant (Top) GEX2 could participate in the initial adhesion (1) that triggers female gamete activation gametes triggered the egg cell to localize to the sperm cell plasma surface of (activated) sperm cells. higher plant gamete adhesion protein in gamete interactions does GEX2 with gex2 mutant sperm and if HAP2/ 5. Inoue, N., Ikawa, M., Isotani, A., and Okabe, M. essential for sperm-egg fusion. Arabidopsis sperm cells. Fertilization: A Sticky Sperm Protein in Plants Fertilization: A Sticky Sperm Protein in Plants work_vzr3nhivrregpakcbcqxm7p63a Blog about finances, economics and money People often suggest that, as payday loans are advanced without credit checks, the lender is acting irresponsibly loaning out money carte blanche without doing background checks first. Retirement funds from Defined Benefits Plans are insured by the Pension Benefits Guarantee Corporation or PBGC. So, what are some things that kids need to know about money? A County Court Judgement (CCJ) is a judgement issued by the court when you have failed to meet the payments as part of a credit agreement such as a personal loan, utility bill or credit card. Bankruptcy is a financial resolution that may be considered by someone who can no longer afford to pay their debts. Pick the right Financial Advisor with these 3 questions Do we really need financial advisors? Look for Unclaimed Money – Retirement Benefits and 401K Funds Look for Unclaimed Money – Retirement Benefits and 401K Funds work_w2u6ihedkzdnpnqq7432qhvxmu Children''s Creative Work – A Comparative Approach to Teaching Visual Art and Music primarily developed by means of unrestricted and spontaneous expression through visual art and music, where the products are A creative approach to teaching visual art and music means that a work of art is used to By means of a lesson structure for visual art and music lessons where works of art are used to motivate the creation of works of art in another medium, abilities, values, motivation, emotions, and goals are set into motion. A creative process activated in this way can result in a visual or musical work of art, Setting a musical work as a visual task, or vice versa, the following features of creative and the influence it has on children''s visual work created on the basis of experiencing music is just the first level of composition, the character directs musical experience and it is further expressed through visual elements. work_w2wbtovqo5calhhdmd6gtc3mbe Canadian University Music Society / Société de musique des universités composer''s aesthetics, music, and reception history. "Culture and aesthetic," contains three essays that contextualize Ravel''s aesthetics through references to various aspects of his biography. by Barbara Kelly, situates Ravel within French musical and cultural traditions, French musical exoticism and to situate Ravel''s engagement with diverse Orledge''s essay explains how Ravel''s musical sympathetically examines claims for a detached objectivity in Ravel''s music. of the Companion and includes six analytical essays that examine Ravel''s In her essay in this section, Mawer discusses Ravel''s ballets from a variety and Michael Russ''s discussion of Ravel''s orchestral music, can only be Companion, is Roy Howat''s discussion of Ravel and the piano. Ravel''s music. What can Ravel''s place in music composer?) Objection aside, Nichol''s work does provide some valuable insights into Ravel''s legacy. formative influences of others on Ravel, Nichols''s essay explores the influence work_w362m2qidndmreq4nvw3yr2iji the prevalent view that particle physics view needs to be balanced by a more critical look at current problems in particle The ''Standard Model'' of particle physics has not been able to retrodict, let key particle, cannot be predicted. In the standard cosmological model, the Big Bang (with or of the widely accepted theories of cosmology, astrophysics or particle physics. The particle physics programme and its offshoots in astrophysics SIR-The publication of increasing numbers of multi-author scientific works may be leading to the exploitation of contributing authors. author receives £200; but were 10 per cent royalties (a usual rate for ordinary scientific books of reputable publishers) divided SIR-As a corollary of recent correspondence (Nature 331, 10; 1988) about eye defects inferred from the paintings of El SIR-The theory that El Greco had astigmatism was floated in the Paris Medical Particle physics programme Particle physics programme Particle physics programme work_w3ae4vpqvfbfrhhvi5kti2cnym 15 Parallèlement elle travaille avec des musiciens et enregistre pour les compositeurs Peut-être aussi parce qu''elle ne te dit jamais que "c''est comme ça et pas voix car on entend ce qui est dit quand on lit Stein à haute voix : le texte existe dans Le travail s''est étalé sur trois années et demie, avec 4 résidences plateau d''une quelles musiques j''avais envie d''écouter, qu''est-ce qui pour moi allait bien avec tel ou peux même pas me dire que c''est un univers absurde, ce qui d''une certaine manière dossier est passé une seconde fois en commission parce que le texte les intéressait, théâtre : l''espace est dans le texte qui s''invente mot après mot. choix de textes ; et Stein me touche tout particulièrement parce que son écriture est "Jouer avec le texte," c''est une chose qui a guidé l''invention du spectacle, et c''est work_w6gbuxndwndhfauk3p4summnle ideas from the sciences, art history and theory, I set out a number of arguments toward an appreciation of visualization as I explore how scientifi c and visual arts domains may pictures produced by information visualization may be contingent" form grounded in wider visual cultures and histories of interpretation [14]. data in the visual arts has traditionally emerging work relates to scientifi c visualization or to develop a broader cultural • The visual arts can learn from scientifi c IV insofar as it offers them an effective means of producing new types work "shadows" scientifi c practice, because it does not image a specifi c event, the scientifi c image is subject to historical forms of pictorial production rooted particular, the intense visual and immersive landscapes produced by these works for the visual arts to produce pictorial Information," Images from Afar: Scientifi c Visualization The models of visualization practice produced by these artworks develop work_wdrxjtxdrnainozlqto6nz7yui The Pinch of Expressionism in Art History Smith, ed., The Expressionist Turn in Art History, Farnham, claim to art and artists, and already our sought-after term, expression, makes its of expression underwrote much interesting argument about art from Julius von authors, there is one critical essay and just one translation. 1 Wilhelm Worringer, ''Introduction to Old German Book Illustration (1912)'', translated by Heather Mathews, with Kathleen Chapman, in Smith (ed.), The Expressionist Turn in Art windy rhetoric; the authors don''t paper over Wölfflin''s German nationalism, not at then the very canon of expressionist art historians is exploded. Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History Andrei Pop The Pinch of Expressionism in Art History art to history is a worthy endeavour, so the editor and authors of The Expressionist work_wkzpkfnnbfg7dphhcwtpdfuzx4 Journal of Aesthetics & Culture: Vol 13, No 1 Journal of Aesthetics & Culture Journal of Aesthetics & Culture An open access journal Journal information Journal news Read new Special Issue Login or register to access this feature Register a free Taylor & Francis Online account today to boost your research and gain these benefits: Download multiple PDFs directly from your searches and from tables of contents Choose new content alerts to be informed about new research of interest to you Journal of Aesthetics & Culture, Volume 13, Issue 1 (2021) Most read articles Most cited articles Open journals Taylor and Francis Group Facebook page Taylor and Francis Group Twitter page Taylor and Francis Group Linkedin page Taylor and Francis Group Youtube page Taylor and Francis Group Weibo page To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy. work_wmbo62nkfzcmzcrbc4brpkg2qe Romain Fohr, "Wilson/Beckett : Voir sa vie dans une œuvre", Miranda [Online], 12 | 2016, Online since 1 Mettre en écho les œuvres de Samuel Beckett avec celles de Robert Wilson (né en 1941) Dans un premier temps, je mettrai en écho le silence sonore chez Beckett et Wilson ; dans une deuxième partie, j''aborderai les liens des deux artistes sur le thème de la Beckett est souligné par Wilson dans un geste poétique, souvent inaudible pour le Beckett et Wilson étirent le temps dans son éternité. Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre Wilson/Beckett : Voir sa vie dans une œuvre work_wqgszecarzbcdlmjcki3x6j2by Key words: poetry, metaphor, parable, interpretation, poetic function. university professors, and so on) poetry often seems to be like the enchanted palace of 6) "Poetry is today the superior algebra of the metaphors" (José Ortega y Gasset, was determined by the "belief" that the Russian futurist poets had created a new, monoglossic and ideologically self-centered, poetic language, every word of which was Both Formalism in literary criticism and Futurism in poetry, believed in an old "philosopheme": the expression of an "only language of Truth" in the form of a sole unitary the words of Bakhtin, is the language that is as if it were not real: "poetry, striving for Russian Symbolism tried to achieve the organic unity of art and the "world of nature". Both of them Ortega y Gasset and Berdiaev were right about avant-garde poetry, same time, Baudelaire made possible the shift from the simile to the metaphor in symbolist poetry. work_ww4jtslpcneihjak3tv6oo4o2u Tradition and Innovation in Contemporary American Visual Art Tradition and Innovation in Contemporary American Visual Art In the 1980s, many fashionable American critics argued that the best new contemporary art broke radically with Arthur Danto, our most distinguished philosophical critic, has argued that in one way Warhol''s art does radically Traditional Western art history tells a story in which Giotto leads to Leonardo and on towards the present. The Irish-American abstract artist Sean Scully has most interestingly responded to this post-historical situation. this tradition, Scully makes abstract paintings that employ the rhythms of contemporary urban life. modernist tradition, interesting art needed to find entirely new styles of visual thinking. Scully knows that making his expressive abstractions is merely one option for a post-historical artist. Preparing this lecture, I asked myself how to best present Danto''s aesthetic theory and Scully''s art here in China. work_www3gs6ttbakrl2hh46e7rwa6m dans la théâtralisation de leur musique des solutions à des problèmes compositionnels ; elle privilégie une forme scénique nouvelle dont l''axe premier, le moteur, est la musique. et qui ne se laisse appréhender que par une longue pratique Cette même année, je participe à une soirée non-stop au musée des Le texte de cette pièce est provocant, dit d''une manière autre ; à des personnages qui n''en sont pas, donnons une parole d''inventer un chant avec elle sur des textes que nous choisirions Carpentier pour qui la mise en musique d''un texte impliquait que qui ne furent pourtant jamais plus eux-mêmes que dans son que l''un des deux ne prît le pas sur l''autre : la prégnance de leurs Faut-il préciser que dans les deux spectacles le texte Fort de ces expériences théâtrales ainsi que de son métier de peintre, Lonsdale dirigera déplacement et gestuelle de l''acteur avec une minutie qui peut work_wyiy3rj7jjcv3jf2ttvyjkn7gm There is a need to construct a graphic and visual discourse on the History of Architecture. Architecture History in the last half of the XX century, when different graphic production strategies were used. The first one is related to the capability to put documentary in order, its analysis and read, attending to visual culture and current graphic discourse. information, place and locate it, attending to cer tain categories that allows us to create an essential map of its Our approach to the research is to create an Athlas of Modern Architecture of the 20th Century consisting of several par tial maps that follow the proposed categories: architects, ar t movements, their relationships and chronology. Unlike in the past, Modern Movement architects developed, as a working tool, the need to create communication examples of maps related to architecture and ar ts through time. work_wyjsfy5rkzbcnfx5kclqvr3fpa scope, for Dobzhansky believed and propounded that the implications of biological evolution reach much beyond biology into results of experimental research in various biological disciplines, works of synthesis and theory, essays on humanism and of evolution by natural selection couched in genetic terms. Dobzhansky''s Genetics and the Origin of Species, published in corroborating evidence, but a multidisciplinary body of knowledge bearing on biological evolution, an amalgam of well established theories and working hypotheses, together with the observations and experiments that support accepted hypotheses Darwin summarized the theory of evolution by natural selection Dobzhansky''s Genetics and the Origin of Species advanced a reasonably comprehensive account of the evolutionary process in to follow, extending the synthesis of genetics and natural selection to a variety of biological fields. Dobzhansky often expressed his frustration at the limited influence of biology on the thinking of philosophers. Dobzhansky gave generously of his time to other scientists, work_wz6sll35mvgtbb5iyokfxzvhpe Antarctic Ecosystem: Are Deep Krill Serendipitous observations of Antarctic krill feeding at abyssal depths may Antarctic krill, an animal thought to live Antarctic krill (Euphausia superba) mature krill feeding at depths as great The observed krill might well have The observed krill might well have krill at all sampled depths between the dependence of krill on sea ice for in deep water [15], observed by an ROV observations of krill in deep water in observations of krill in deep water in abundance [16], and deep sea biology A deep sea population of krill than surface cousins, since deep sea Krill in deep for the deep-water krill [2] is that they Deep water seabed observations of krill (red crosses) are at locations off the grid of the most Deep-Sea Research II distribution of Antarctic krill, Euphausia in abundance of Antarctic krill. Antarctic Ecosystem: Are Deep Krill Ecological Outliers or Portents of a Paradigm Shift? work_wzdtbyuk75cnvaacbixfx5tb2y Keywords: Cubism, Fourth Dimension, Art and Science, Interdisciplinarity This line of inquiry was first explored by the art historian Linda Dalrymple Henderson, whose work I discuss Henderson, "A New Facet of Cubism: ''The Fourth Dimension'' and ''Non Euclidean Geometry'' concept of the fourth dimension in painting features in central reference texts in art history, such as What Henderson crucially points out is that the fourth dimension invoked by Cubist artists at fourth dimension artists adopted in the early twentieth century is a move of historiographical In her account of the role of the fourth dimension in twentieth-century painting, Henderson Henderson''s aim is to redirect the historiography of art and science in the twentieth century from a "Picasso, Photography and Cubism", Art Bulletin, vol. Henderson, Linda D., 2013 Non-Euclidean Geometry and the Fourth Dimension in Modern Art. "Cubism and Science", in The Journal of Aesthetics and Art Criticism, vol. work_x4iyrvpwcjbsrdvge53awuucs4 Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_x5jgwqvie5c77pdypitgq4ngb4 work_x5v47elnjrglthtwwntosrpuga Abstract Antoni Gaudi Santiago Calatrava Bio-inspired" Gaudi Calatrava Pater John Ruskin William Morris Poetics of architecture : theory of design / Anthony C. Architecture follows nature : biomimetic principles for Biomimetic approaches to architectural design for increased environment approach to urban form and design. branching structures in architecture: A brief historical overview. Architecture and the motion of life College of Arts & Harmonisation between Architecture and Nature Antoni Gaudi, 1852-1926: From Nature to Architecture Santiago Calatrava, City of Arts and Science: Structure as architecture : a sourcebook for architects Bio-Architecture Santiago Calatrava: Form, Function, and Structure Follow International Journal of Architectural and Environmental Engineering International Journal of Architectural and Environmental Engineering International Journal of Architectural and Environmental Engineering International Journal of Architectural and Environmental Engineering International Journal of Architectural and Environmental Engineering International Journal of Architectural and Environmental Engineering International Journal of Architectural and Environmental Engineering http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 http://waset.org/publication/Bio-Inspired-Design-Approach-Analysis:-A-Case-Study-of-Antoni-Gaudi-and-Santiago-Calatrava/10007843 work_xatjepsvyvarzlxb5nzfe7ardm http://osc.hul.harvard.edu/dash/open-access-feedback?handle=&title=Spilt%20Ink:%20Aesthetic%20Globalization%20and%20Contemporary%20Chinese%20Art&community=1/1&collection=1/2&owningCollection1/2&harvardAuthors=77af62e701ded4b55478b4a324edea20&departmentHistory that Chinese art of all kinds should exemplify imitation, emulation, and copying. phenomenon was the China/Avant-­‐Garde exhibition at the National Art Gallery, Beijing in 1989, Chinese Artists Encounter the West at the Cantor Arts Center at Stanford University, could claim: Sotheby''s, Hong Kong offered works from the early years of the Chinese avant-­‐garde—the 1980s Beyond the aesthetic and commercial spheres, Chinese avant-­‐garde art has entered tradition, introduced into China by Chinese artists who studied and worked in Europe—mostly in Chinese Painting, but regular exhibitions at the National Art Museum. http://www.getty.edu/art/exhibitions/new_china/ (accessed July 27, 2011) with link to illustration and 23 See, for example, the hand-­‐made copies of, and derivations from, traditional Chinese ink paintings Describing Chinese art in terms of emulation, imitation, and copying is open to While Chinese avant-­‐garde art participants in the artworld and the larger commercial world expect of Chinese art of whatever work_xbfyijwjija2zfmwtem6nhmiyq Leo Steinberg, Pablo Picasso, Cubism, Phenomenology, Modernism According to Steinberg, Picasso brings in emotional states (well exemplified, in our case study, by the emotional hues involved in sleeping and waking) on canvas not much for their "dramatic interest" (Fry 1927, 10), but as if as a "flatbed picture plane" (Steinberg 2002, 27-36; 2007b, 82-91), and allows us to draw a explicit analogy between Picasso''s conceptual painting Steinberg deals with the specific theme of sleep because it is paradigmatic of the tension between Picasso''s figurative impulse and the antifigurative drive inherent in most modernist paintings. Thus, in Picasso''s artworks the representation of sleep acquires the Warburgian status of "scientific object" by "the mere inventing of […] an analytical level"5 (Paskaleva 2016, 47), because it "enters his work almost like 22 "I borrow the term from the flatbed printing press." It''s used by Steinberg to describe a radically new treatment of the picture plane as phenomenologically operational: work_xd4prv2x6bduflnojjf5jumrru Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the has been put in Africa and the African diaspora, ranging from the hegemonic appropriation of classics by colonizers and slave-owners to the use of The two works reviewed here propose different but complementary models of Black classicism: oedipal struggle and odyssean improvised blues Antigone plays, walcott''s model of caribbean identity in Omeros is seen to of the oedipus myth in literature and drama of African descent. Robert o''Meally''s Romare Bearden: A Black Odyssey steps into the middle of this debate. collages by the African-American artist Romare Bearden, first displayed Bearden: A Black odyssey," thirty years on, at the dc Moore Gallery in new and other art works, is at once a coffee-table piece and a serious contribution to both the study of Bearden''s work and the field of black classicism. As the first book-length, critical study of Bearden''s "odysseus" collages, Black classicism and the works of frank snowden and Martin Bernal (Bernal work_xedvrdpl4fdgrndsxv4fvyzcw4 sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 220014424 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:45:56 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_xfqwejkwjjftbjuaemcfaoyjk4 리처드 마이어 건축에 표현된 바로크적 특성 연구 등과 같은 건축적 조형어휘가 바로크 건축의 이중 표피 하고 리처드 마이어 건축에서 나타나는 조형어휘와 바로 에서 리처드 마이어 건축의 특징을 규명 할 것이다. 반면, 바로크 건축은 르네상스에 비하여 공간의 구축 에 의하여 구성되고, 이는 바로크 공간의 전체를 지배하 하지만 여기에서 논의되는 바로크 공간 그래서 바로크 건축의 공간은 형성되고 있는 그 무엇, 바로크 건축에서 가장 뚜렷하게 나타나는 구조적 특징 3. 리처드 마이어와 바로크 건축 리처드 마이어 건축의 배경 그리고 이러한 복합공간의 형성은 건축의 구조체들과 의 깊이감이 더해지는 바로크 건축의 병치기법과 조형적 프로그램을 통하여 바로크 공간의 운동성과 이로 인한 공간의 구조를 형성하는 것이다. 다. 바로크 건축에서 나타나는 연속성과 순간성의 개념 이는 바로크 건축의 지 그리고 <표 3>은 리처드 마이어 건축과 바로크 건축 리차드 마이어 건축 바로크 건축 따라서 바로크 건축가들은 전체 속에서 형태의 질서와 첫째, 바로크 공간을 형성하는 조형적 원리는 데카르 그리고 바로크 둘째, 리처드 마이어 건축의 조형성은 바로크 건축의 셋째, 바로크 건축의 구조체에서 나타나는 비선형적 work_ximkvuexyfdsnj67es2qpvupji que Duchamp avait mis dans les structures frères Duchamp, les artistes qui s''y établie par Serge Stauffer7, ainsi que les Nous croyons donc que les toiles cubistes évident que les débats des peintres cubistes dans une forme qui n''est pas naturelle. même chose avec la Mariée, elle est une Duchamp induit l''idée que l''artiste qui que Duchamp avait rencontré Brancusi en Ce qui signifie que Duchamp avait est évident que les cercueils n''ont pas la Quand Duchamp nous informe que « cette il est clair que l''artiste avait en vue non pas Duchamp n''est pas une simple est à supposer que Duchamp voulait les quatrième dimension, que Duchamp n''allait que si une rencontre Brauner-Duchamp ainsi que les conceptions de Duchamp c''est parce que Duchamp avait conçu sa 3 Duchamp lui-même s''est exprimé une fois à Marcel Duchamp dans les collections du Centre Marcel Duchamp dans les collections du Centre work_ximo5qkanvcwfas7owrh4k7jwe Keywords 3D animation, creative, emotion, expressive In fine arts and animation, the term realism is often used interchangeably with naturalism to define a style of visual or audio-visual mimetic sound, while a non-naturalistic animated narrative might not express some artists strive for visual verisimilitude, others prioritize expressiveness, and these are aesthetically divergent styles, the former dealing Landreth (2004), an engineer turned artist who worked on the development of Maya and whose animated short Ryan won an Oscar in Recent brain imaging research has also compared responses to naturalistic video imagery, and then its rotoscoped, expressively animated Evidence from the research suggests that, whereas naturalistic liveaction evokes brain responses that characterize recognition and mindreading, expressive animated footage is more likely to activate areas aesthetic cues (for example, exaggeration, isolation or defamiliarizaPower Animated expressions 115 Many artists or directors of moving image projects choose animation over live action explicitly for its expressive potential, and work_xk2tu7ny5fbadm2ssslrrmekj4 4 En effet, on observe un décalage entre les idées développées par Newhall dans son essai et Dans le hall d''entrée, les visiteurs sont accueillis par ce que Newhall 14 L''histoire de la photographie décrite par Newhall dans son catalogue doit beaucoup à la 19 Dans son article, Phillips identifie les précédents qui ont inspiré l''exposition de Newhall que cette machine ne produit qu''un seul et même genre d''objet, des photographies qui 24 À cette époque, Strand est déjà l''une des figures tutélaires de la straight photography. Clurman commente une des photographies de machine prises par Strand lui-même : 32 Les idées de Strand, adaptées par Newhall, jouent un rôle essentiel dans cette dynamique 45 Strand, comme Alfred Barr, pointe une même contradiction : parfois des objets sans la d''ordre esthétique selon les critères développés dans le catalogue par Newhall. Pour une analyse lucide et pertinente des conceptions qui se sont développées dans les work_xkfmxzb3jvgnplivhxkk3gfh3a Dewey, Russell, Whitehead: Philosophers as Educators (Brian Hendley) Dewey, Russell, Whitehead: Philosophers as Educators (Brian Philosophers as Educators (Brian Hendley)]. Edv.catora is both a call for the revitalization of philosophy of education and an instance of how the author thinks this should be undertaken. 4. Among its sins, analysis cut us ofT from the continuity of philosophical ideas and from experience. studying the theories and practice of philosophers who attempted to implement their ideas either by establishing In his own words, philosophy of education once fuelled by analysis education), or (b) students of Peters and Hirst who may not be as could be said on both of these points as well as Hendley''s own interpretation of Peters'' analysis of education and its practical usefulness. what constitutes good philosophy of education and good theory of So, I agree, with Hendley that philosophers as educators ought education by studying the theory in practice. work_xkxw236yqzabzntyuhss53nqgi Dayan, P 2011, ''Apollinaire''s Music'', Forum for Modern Language Studies, vol. position in Apollinaire''s value system, while the concept of music has sensitive to a strange contradiction at work in Apollinaire''s attitude to music. qu''elle joue parmi les autres arts, que bien des fois j''ai entendu dire composer whose music is described in any detail in Apollinaire''s published However, Apollinaire clearly thinks that for one seeking the new music of can have no influence on "l''art moderne".16 Music, for Savinio, simply Apollinaire''s own "Musique nouvelle": there is a problem with music itself, Apollinaire''s answer is traditional enough: music is not an art of That is why, in Apollinaire''s poetry, music is ever present: not in the distinguishes the tunes of Apollinaire''s poetry is that, like the music of expressive music, according to the principles of Apollinaire as of Savinio, is, music for life ("Apollinaire et la musique", p. work_xqfbpmoyknev5lxzjrs7ytrfp4 s��:r_� òøÍÒqtõ� �í�&³z�́ÅÒ_� p�Õüt_� òøÍÒqt C��â �̀¦ ��ÂÒ ��¦ s�\�¦ Dh�Ðî�r �''a&h�\�"f ì�r$3� ��¦ ³ð�&³ ��9��H {9��̂��ü< �í�&³z�́ÅÒ_��Ð ���� ¢̧ô�Ç p�Õüt_� #��Q �o��[þt�Ér �©�@/$í YV\�¦ :�xK� õ��<Æ�§¹¢¤\�"f_� p�Õüt �Ö̧6 x ~½Óîß�\� @/K� �7H_�½+É �.���s כ ��s�n�#Q\�¦ ³ð�&³ ���H ~½ÓZO�ܼ�Ð+��̧ ×�æ¹כ �>� �Ö̧6 x�)a�� �̀¦ �Ö̧6 xô�Ç ���̧Û¼H�{9� ��àÔ�� 1px�©� ��¦ e����. 1px�̀¦ :�xK� p�Õüt ���¾¡§_� Û¼H�u� 1px�̀¦ ·ú���?/��H q���õ� ��� ØÔ 9, ���²DG\���H õ��<Æ&h� �Ãн̈\��̧ �̧¹¡§s� �)a����H �.���s כ &h� [O�>�, z�́]j&h���� �©�S!�\�"f_� ë�H]j ���d���̀¦ y©��̧ ��¦ e�� ���¦ ���� õ��<Æõ� p�Õüt %i�r� %ò �̀¦ ¶ú�(R4�§Ü¼�Ð+� õ��<Æõ� p�Õüt_� �''aº��$í ��¦ s�\�¦ :�xK� õ��<Æ�§¹¢¤\�"f �©�@/$í ����� #��Q >h_� �í&h��̀¦ ���_� �±p!QÛ¼\� ³ð�&³ ��9�¦ � �̀¦ ���$� �Ð>� |̈c ������ כ ���H ë�H]j�� e����. s��:r�̀¦ s�K�½+É Ãº e���¦, ¢̧ô�Ç ÕªaË>�̀¦ :�xK� 1lxr�$í {9��� ���H ynC_� �â @/ô�Ç �''ad��õ� s�K�\�¦ :�xK� p�Õüt ���¾¡§_� ³ð�&³\� �Ö̧6 xô�Ç � כ s��:r_� ÅÒ¹כ >h¥Æ��̀¦ �è>h½+É Ãº e���̀¦ �.���s כ �©�@/$í Strosberg, Art and Science (Abbeville Press, New work_xrud3tueirdvbltvpdv73aua5i In the first phase of Cubist painting, Braque and Picasso attempted to reconcile this conflict by adapting objects to the painting surface through extreme distortions of form. scheme of forms, these images construct the finished object in the mind." In the of objects, but a pictorial figuration of visual (and mental) process. Einstein the conflict between memory images and Cubist form, so troubling to these periods important sculptural motifs were invented: the columnar male figure, volume: the planar and simultaneous figuration of optical movements. Now the motif is no longer an objective thing separate The Cubist painters separated the image from the object, eliminated memory and turned the motif into a simultaneous and planar figuration of representations While the Impressionist dissociated forms by means of color, the Cubist does so Artists no longer work from an image of the gods but from their own work_xuu5pal5tvdh5m5rqtxiacpr7u work_xuyacvvyurb2pmgm3wnitap7mm advantage of the proposed model is that users can easily create a smallscale Semantic Web environment where various experimentations such as OWL ontology represents a domain by defining classes and properties of description about a resource created by using properties and classes defined instances are defined by using the classes and properties of the ontology. example, a movie ontology can have Class Film and Genre, and property →''Ontology'' Movie Class Film ''Restriction On Property'' ontology has Film and Genre class, and genreOf property which creates a Based on Travel Ontology, Location class has London instance and Place three types of ontologies which define different classes and properties as some users can define a common ontology together, create instances to 6. The user creates an ontology which contains classes and properties about 7. The user also creates its instances which are defined by the classes and The user creates instances based on the ontology by clicking work_xzrlto7bl5bbtgwirkje5ji5nq All Rights Reserved ©, 2018 Greg Davies Ce document est protégé par la loi sur le droit d''auteur. 2017.Narratives Unfolding: National Art Unfolding: National Art Histories in an Unfinished World. Kingston: McGill-Queen''s University Press.] Material Culture Review / Revue de Within the field of western art history, national years since my introduction to western art history History of Art; a volume which had then only New approaches to global art history, largely Narratives Unfolding: National Art Histories national art histories in our time. of art history, both western and global. Narratives Unfolding: National Art Histories in an Unfinished World. Narratives Unfolding: National Art Histories in an Unfinished World. Discussions on national art histories in South overlap, at times, as in the case of two essays addressing national art histories in Israel / Palestine A number of essays offer particularly nuanced discussions on the complexities of voice Women''s Performance Art in Canada." Noting or Canadian, art history. work_y2ssgm6rfjf6lai67bdin3ndle or three years later, Kenner was yet again in Dublin, and this time he The last time I saw Kenner was at a Pound conference in Hailey, Kenner inviting Davenport to think of taking a job at Santa Barbara, reviews, Pound, Charles Babbage, and murmurs of Davenport''s translation of Archilochos. Kenner wanted to begin The Pound Davenport was a remarkably gifted essayist, a master illustrator of Kenner''s books; he saw objects, things in the Davenport stayed in Lexington, but Kenner Pound was an ignoramus or, as William Empson put it, that "he actually hadn''t to do any conscious thinking for fifty years or so." Kenner''s Kenner''s answer was that Pound''s Years before, Pound advised Kenner to get to know the great men If Joyce had lived 10 or 15 years after 1941, Kenner would have If he had lived another 10 years after 1939, I don''t think Kenner work_yc5zsrjufjffvjftx5paogmxwi quel secolo) italiani e no, Peter Behrens, van de Velde, Le Corbusier, Max propriamente come integrazione del cimento e dell''invenzione progettuale, stabilendo anzi ed oltre le apparenze più che, in fatto di pittura, è, alla data del del cosiddetto cubismo sintetico, delle pittore e grande amico di Le Corbusier, Léger e Mallet, impegnati anche come finale delle prove estreme del cubismo, tutto ciò che lo riguarda, nel bene come catalogo del Le Corbusier pittore: anzitutto il famoso Poème de l''angle droit the Architecture of Le Corbusier. Purist paintings of the two look alike, they have a kind of formal elegance; they assume the cubist decomposition and reconstruction, and friend of Le Corbusier, Fernand Léger, actually unrelated to the Léger will be the greatest creator of modernism icons between the during which, besides Le Corbusier, appears also Mallet-Stevens, What kind of scenographer could have been Le Corbusier? work_ydajrr45ejh35ox7q2gujjx2tq patients after stroke experience depression, cognitive impairment, personality change, psychosis, apathy, and anxiety. Mania can also be a consequence of stroke but is not common.2 Here, we report a professional artist whose painting style his wife noted that his style of painting was absolutely transformed. showed changes in his artistic style and behavior after an ischemic stroke. how stroke influenced professional artists.5,6 However, mood Particularly, some painters had difficulty painting landscapes and large figures because the right-hemisphere stroke Changes in Painting Style by Poststroke Mania Changes in Painting Style by Poststroke Mania The clinical profile of mania after stroke is similar to that of change in painting style in this patient. Increased left anterior insular and inferior prefrontal activity in post-stroke mania. stroke case studies of professional artists. (B) The painting style before the stroke. http://j-stroke.org 119 J. Changes in artistic style after minor posterior stroke. work_yifpnnihtbeghnthvbigq4moau Apart from the depiction of diseases in works of art, a subject often psychiatric conditions (MacGregor 1989; Jamison 1993) and eye disease (Trevor-Roper 1988), of the disease in a professional artist. Particularly revealing is a series of paintings depicting the development and later recovery of a Once motor neuron disease (MND) has progressed it would generally be very diffi cult for an However as the disease progressed his work became particularly The Blinded Samson (1912) painted by the German artist Lovis Corinth (1858–1925) when he However, the results of a stroke are sometimes more revealingly displayed in how an artist depicts subjects. Interestingly another recent professional artist, but whose premorbid work was more conventional, developed frontotemporal dementia artists have suffered right hemisphere strokes with disease on the work of a contemporary artist, William Utermohlen, has been graphically how the disease affects an artist''s work over time work_yka77d2przgyfjoo3t6ml44uoi Both creative and technical aspects of interior design are influenced by contemporary global art movements and movement''s interest in reestablishing the aesthetic values of artistic work and design, in light of the current them in interior design, specifically in this paper, the contemporary Art Resilience movement, to raise the level of • Interior design as a work of art is measurable and applicable. The movement calls for adapting to cultural, social and political changes in art and design without neglecting the Flexibility is a movement that seeks to redefine the concept of art and design during the contemporary period and 3.3 The Concept of Aesthetic Perception in Art Resilience Movement: • Both the artist and the designer are responsible for presenting their works under the aesthetics of art and • Both the artist and the designer are responsible for presenting their works under the aesthetics of art and work_yldqvhkx2fefhle4hcwpz73sgi today''s Polish territories and the activities of the Trzebiatów Cultural Centre aimed at researching and popularizing the seaside oeuvre of this artist. Treptow an der Rega) w 1979 r., czterdzieści cztery lata po tym, jak Lyonel Feininger po raz ostatni Lyonel Feininger urodził się 17 lipca 1871 r. Sytuacja Feiningera, jak wielu mu współczesnych artystów, skomplikowała się w 1933 r., po dojściu nazistów developed in oil paintings, for example in the series depicting the village of Gelmeroda near Weimar with a characteristic soaring church tower. Stała wystawa prac Feiningera znaj duje się w Lyonel Feininger Galerie / Museum für grafi sche Feininger odbył przełomową dla jego twórczości podróż do Paryża, gdzie spotkał się z dziełami In 1924, Lyonel Feininger discovered the fishing village of Mrzeżyno (Regenmunde) at the Baltic Sea [2, Feininger created a series of paintings Feininger created the image of Trzebiatów, Mrzeżyno Key words: Lyonel Feininger, Bauhaus, art, architecture work_ytqea63bhvchzcayfpprrow76a is different from the space of the art object, is completely contraindicated in the critical consensus on Stein (a consensus that begins with Lewis himself). In the third section, I show how The Childermass is an articulate dramatization of time-philosophy in painting, and thus an excellent example of Lewis''s aesthetic theory put into novelistic practice.5 the "Affective Fallacy," that situation where the "poem itself, as an object of specifically critical judgment, tends to disappear" in the surge of the reader''s emotional response.26 It might appear, therefore, that Stein''s theory of poetic meaning resembles by Salvador Dalí or the painting Pullman and Satters walk through—is a social phenomenon as opposed to an aesthetic one.37 As Lewis puts it, time-art "no longer stands In fact, Lewis''s condemnation of The Childermass painting as a "time-hallucination" takes Stein''s theory and expands on it. work_yxwcxfipa5avnplosjrprhzyri but in one respect Seigel''s attitude to art mirrors that of Duchamp: he cares less about art itself than about the impulse of radical individualism in modern society In The Private Worlds of Marcel Duchamp, Seigel approached modern art''s chief object of Seigel''s attention, the path forged by a form of individuality so like Duchamp to have dissolved their individual subjectivity and subverted extravagant program, first elaborated by avant-garde artists like Duchamp, has writes Seigel, the "Surrealists modernized the Bohemian unification of art and runs through Marcel Duchamp and twentieth-century avant-garde art. of Seigel''s assertion that Duchamp and other avant-garde artists aspired to live the readymades Duchamp effectively redefined the meaning of art as "an act of Duchamp''s pure freedom requires that the inner play of fantasy meet the world of material The attempt to live life as if it were a work of art work_z3bzsmrdxjez3iyot7bgztemh4 impossible becomes possible such as to capture the body motion of humans as the subject of art and science at the same time. that, we tried to design a dynamic structure using butterfly''s motion as a subject of study with morphological and biomimetic summarizes many aspects of modern art such as portrayal of body movements by futurists, space-time continuum, cinematic *is can only be achieved by utilizing a digital design and its parametric tools that help generate functions and form dynamic visual arts and natural sciences such as physics, mathematics, chemistry, and social sciences, have constantly affected architectural thinking. design element greatly enriched the possibilities in the development of this dynamic structure (see Figure 1). variations are needed to be made between art and the dynamic structure to create motion and time that exist in space. of movements with forms and structures that show Dynamism of the futurist art. work_z3hyjgxwpvgezmfzlxx5a37mxy Does Kandinsky relate to the rise of quantum mechanics ? FFLEMLIN, Topological Riesz Spaces and Measure Theory, Cambridge, 1974, Some subjects are easier to write about than others, and Riesz spaces is one; theory from Riesz space should be adopted. The author''s discussion of Boolean rings and his S(A) would have been greatly simplified by use of the valuation ring of a Boolean NORTHCOTT, A First Course in Homological Algebra, Cambridge, 1973, 206 pp. is rare to find an advanced algebra text which is not written by the author for his dozen-odd This book should go a long way to do away with N. BIGGS, Algebraic Graph Theory, Cambridge, 1974, 170 pp. any means all-known results relating graphical enumeration to linear algebra are Philosophers of quantum mechanics usually trail current research by about one generation. The mathematical theory an introduction to algebraic geometry that does not require four years of background in work_z3mseq72qrgn5i66j244arq3wq between sound and meaning in language that disrupts the standard use of words, allowing translating Stein''s English into Anishinaabemowin serves as a method of linguistic and artistic When Stein''s signature rose-phrase moves from English into Anishinaabemowin the definition In English, Stein''s repetition of "rose" without change is a matter of meter and a lack of common word for "gray" in Anishinaabemowin is akakanzhewaande, meaning "coal-colored" As Tender Buttons continues, Stein''s overall use of color decreases and several specific After mixtures of color in Tender Buttons, Stein turns to sound. Anishinaabemowin translation, Stein''s questions of connections and control are more visible. In Stein''s writing and an Anishinaabe interpretation, a young woman becomes In many ways Tender Buttons can be read as a means of undoing of assimilation, which, Stein''s Tender Buttons offers ways to think about nationhood and identity. As Stein writes of sensation, location and history, her words hold additional meaning for work_z7cd2swfefcphjsbu62fnexlyu from the ossified mass is one cause of cervical spondylotic myelopathy (CSM) and predisposes patients to spinal cord injury (SCI).1,2 This special issue of Neurospine focuses on the Ossification of the posterior longitudinal ligament of the cervical spine: etiology and natural complications of anterior versus posterior surgery for multilevel cervical ossification of the posterior longitudinal ligament; an updated systematic review and meta-analysis. Anterior versus posterior approach for the treatment of cervical compressive myelopathy due to ossification of the posterior longitudinal ligament: the treatment of multilevel cervical ossification of the posterior longitudinal ligament: results of a decision analysis. Perioperative complications of anterior decompression with fusion versus laminoplasty for the treatment of cervical ossification of the posterior longitudinal ligament: propensity score matching analysis using a nation-wide inpatient database. versus laminectomy and fusion in the treatment of multilevel cervical ossification of the posterior longitudinal ligament: a systematic review and meta-analysis. work_zb5djrgiy5awvpovfomikrxexi Sanatçılar, sanat eserlerinde endüstriyelteknolojik ve gündelik üretim malzemelerini kullanarak meta ve kitsch gibi kavramları sanatın alanına almışlardır. sanayinin gelişmesi ile ortaya çıkan Pop Art''ın, seri üretim objelerini sanat yapıtı olarak sunması ve teknolojiyle Yukarda bahsedilen gelişmeler çağdaş sanatta ifade alanının özgürleşmesine sebep olurken, Jeff Koons gibi sanatçılar O yüzden bu makalede Koons''un, sanatı nasıl ticari bir metafora taşıyan Koons, tüketim estetiğinin sanat bağlamı içerisinde nasıl statüleştiğini gösteren başlıca sanatçılardandır. Koons da Duchamp gibi anti-estetik sanat formları üretme peşindedir. Koons, özellikle seri üretim içerisinde olan nesneleri kullanarak eşsiz sanat eseri fikri yerine heykel fikrini Koons da Warhol gibi sanata ticari bir sanatçı olarak başlamıştır. Çağdaş sanatta eserin pazar piyasasında önemli bir noktaya gelmesi ve sanat toplumu içerisinde tanınması önemli Piyasa sanatı içerisinde sanatçı ve sanat yapıtının anlayışı tamamen farklı bir şekilde konumlanmıştır. Sanatta da sanatın, sanat olarak gelişmesine imkân vermez. Koons gibi bu durum içerisinde olan sanatçılar, sanat yapıtlarını metalaştırırken kendilerini de metalaştırırlar. work_zbdf2qryifc5tltu2j7fo6xhey sys_1000 wp-p1m-39.ebi.ac.uk wp-p1m-39.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 220009057 (wp-p1m-39.ebi.ac.uk) Time: 2021/04/06 02:45:49 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_zeucrcfiqjbh3em4hhlwkn426i URL : http://journals.openedition.org/transatlantica/708 Transatlantica – Revue d''études américaines est mis à disposition selon les termes de la licence Ashbery « le principe de difficile visibilité » du poète, et c''est de leur tension que Paradoxe du texte comme pellicule jetée sur le réel qu''il voile, mais dont il révèle les avant tout « expressive d''elle-même », l''écriture d''Ashbery enchaîne les fragments forme dans la poésie d''Ashbery, où la contradiction est encore une fois de mise : la virtuosité formelle est chez lui subordonnée à une volonté exploratoire qui s''illustre où la fixité de l''image n''a plus cours, de même que la forme poétique, sitôt perçue, y est Cazé comme une poésie de la syntaxe plus que de l''image rendant pas s''écrire et qui bientôt « n''est plus qu''un vide, un trou » recouvert par une série de faire résonner une voix poétique qui s''engendre ainsi par un jeu subtil de mises en work_zhxszqeu5bfwrjfbxstxknflbm Microsoft Word Brydon%20-%20Review%20A%20History%20of%201970s%20Experimental%20Film-2.docx A History of 1970s Experimental Film: Britain''s Decade of Diversity, Patti Gaal-Holmes The striking cover to Patti Gaal-Holmes'' detailed account of 1970s experimental filmmaking growing interest in ''serious'' structural and material film experimentation. importance of the non-illusionist structural and material film experiments that occurred pointing out that the dominance of the works and words of structural and material Seeking to redress this oversimplification then, GaalHolmes includes a wide range of work in her book and logically organises the six chapters However, prior to these film-focused chapters the first two – ''Questions of History'' and point, the book begins to show some spirit with Gaal-Holmes weaving her way through (128) pursued by the structural and material filmmakers who primarily worked at the London As Gaal-Holmes puts it, A History of A.L. Rees and David Curtis note in their generous forward that Gaal-Holmes is ''free of the work_zincaffjs5cfhp3vvzrfgf7nba rejected the rigid principles of a non-abstract art and returned to "pure color" Robert Delaunay''s Homage to Blériot was painted in a state of extreme Delaunay''s painting Homage to Blériot (Fig. 1) marked the end of Orphism or Resisting Abstraction: Robert Delaunay and Vision in the Face of Modernism, Chicago and Delaunay, "On the Construction of Reality in Pure Painting", in: The New Art of Color: The 8 "Robert Delaunay, letter to Wassily Kandinsky, 1912", in: Theories of Modern Art, ed. energy of light and color, along with the symbols of modern age or technological 9 Robert Delaunay, "On the Construction of Reality in Pure Painting", in: Charles Harrison [10] With Homage to Blériot (Fig. 1), Delaunay painted a subject taken directly Imbued with the spirit of modern times and new ideals, Delaunay simultaneity, and dynamism in modern painting. [21] Delaunay''s work was inspired by the art of Cubism and the idea of work_zlwzgcucsfgw3ofhekgbh2htwi sys_1000 wp-p1m-38.ebi.ac.uk wp-p1m-38.ebi.ac.uk exception exception Params is empty Params is empty Params is empty if (typeof jQuery === "undefined") document.write(''[script type="text/javascript" src="/corehtml/pmc/jig/1.14.8/js/jig.min.js"][/script]''.replace(/\[/g,String.fromCharCode(60)).replace(/\]/g,String.fromCharCode(62))); // // // window.name="mainwindow"; .pmc-wm {background:transparent repeat-y top left;background-image:url(/corehtml/pmc/pmcgifs/wm-nobrand.png);background-size: auto, contain} .print-view{display:block} Page not available Reason: The web page address (URL) that you used may be incorrect. Message ID: 220015605 (wp-p1m-38.ebi.ac.uk) Time: 2021/04/06 02:45:57 If you need further help, please send an email to PMC. Include the information from the box above in your message. Otherwise, click on one of the following links to continue using PMC: Search the complete PMC archive. Browse the contents of a specific journal in PMC. Find a specific article by its citation (journal, date, volume, first page, author or article title). http://europepmc.org/abstract/MED/ work_zo3wt7j5xjfqfoktnbm26jdft4 Nel 1897, anno nel quale viene forma-lizzata a Vienna la nascita della Ve-reinigung Bildender Künstler Österreichs Secession1, Josef Hoffmann, già promettente allievo di Karl Hasenauer e che però conclude la sua formazione presso la Spezialschule con Otto Wagner (successore di Hasenauer), pubblica sulla prestigiosa rivista Der Architekt una decenni del XX secolo (non ultimo CharlesEdouard Jeanneret) saranno letteralmente calamitati dalle forme pure dell''architettura genericamente definita ''mediterranea''3. Otto Wagner, fra il 1894 e il 1912, mette in atto una riforma ''verticistica'' di quel principio della riorganizzazione del visibile che è uno dei cardini della rivoluzione estetica dell''Art Nouveau. altri protagonisti dell''Art Nouveau, Otto Wagner with Otto Wagner (successor of Hasenauer), publishes in the prestigious Der Architekt magazine a It is the first of a series of articles on spontaneous architecture published by Der Architekt also with authoritative signatures, such as Josef August Lux. Just a year before, the series to which work_zoct7dwcergshdm62adzq5pb2e Key Words: Rene Magritte; art; radiology; radiologists Magritte was frequently reproached for The Treachery of Images. By entitling the painting as he does, Magritte reminds us that images–all images, whether abstract Likewise, when a radiologist looks at a computed tomography (CT) image of a heart or a magnetic This act of framing a painting, a photograph, or a radiologic image is not a mistake, but it If the pathology in question happens to be amenable to illumination by the imaging technique in In some cases, images not only fail to illuminate but positively obscure what they represent. In some cases, images actually distort the reality they portray. anatomy, in these cases, the imaging technique itself leads to misrepresentation. Magritte''s work also helps to illuminate the essentially interpretive nature of the radiologist''s By showing us that what we think we know is not always the case, he reveals that interpreting images work_zos6577fdvbqtbkzlelcl4lhh4 Sinergias: Poesía, física y pintura en la España del siglo XX by Candelas Gala (review) Candelas Gala''s Sinergias: poesía, física y pintura en la España del siglo XX is a deeply researched and well organized series of studies regarding how the rapidly developing field of physics influenced poetic and artistic thought and works in early twentieth-century Spain. context, the public reception of new theories (relativity, fourth dimension, energy), and important figures in science (especially Einstein), education, art, and literature. In chapter 1, the author bases her analyses on the theory of relativity in relation to Pedro Gala focuses on Jorge Guillén''s Cántico in the second chapter, highlighting the poet''s personal belief that the arts and sciences "se nutren de la misma energía creativa" (77). In chapter 4, Gala explores Gerardo Diego''s poesía de creación, which embodies the early Approaches to Early Modern Spanish Literature aims to consolidate and diversify the epistemological field of cognitive literary studies. work_zxmo3fvjhjebjkhtnxsqmjbwme the life and piano works of Déodat de Séverac (1872-1921), a an Association of Friends of Déodat de Séverac has been De Séverac produced a corpus of piano works that reveal his school established in Paris in 1890 by Charles Bordes (1863-1909) Séverac''s works met with considerable success and for a time he World War I, all pertain to works or performances in Paris in the director of the hospital where Séverac worked as an orderly Again thanks, dear friend, very cordially yours with all my soul. I am working a lot at this time on a short piece that I should like to In the letter in which you asked me for a piano piece that I sent you, D. de Séverac, 11 rue d''Assas, Paris. Madame Vauvillier would like to submit to you a musical work of Two years later, she appeared in Paris at the Opéra-Comique, and the