id	sid	tid	token	lemma	pos
work_uh2c3e4gtferthpuqholn5yxa4	1	1	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	2	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	3	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	1	4	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	5	Past	past	NN
work_uh2c3e4gtferthpuqholn5yxa4	1	6	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	1	7	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	1	8	Art	Art	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	1	10	John	John	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	11	Everett	Everett	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	12	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	13	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	1	14	review	review	NN
work_uh2c3e4gtferthpuqholn5yxa4	1	15	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	1	16	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	17	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	18	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	1	19	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	20	Past	past	NN
work_uh2c3e4gtferthpuqholn5yxa4	1	21	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	1	22	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	1	23	Art	Art	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	24	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	1	25	John	John	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	26	Everett	Everett	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	27	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	28	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	1	29	review	review	NN
work_uh2c3e4gtferthpuqholn5yxa4	1	30	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	1	31	Jason	Jason	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	32	Edwards	Edwards	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	33	Journal	Journal	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	34	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	1	35	Victorian	Victorian	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	36	Culture	Culture	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	37	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	1	38	Volume	volume	NN
work_uh2c3e4gtferthpuqholn5yxa4	1	39	11	11	CD
work_uh2c3e4gtferthpuqholn5yxa4	1	40	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	1	41	Number	number	NN
work_uh2c3e4gtferthpuqholn5yxa4	1	42	1	1	CD
work_uh2c3e4gtferthpuqholn5yxa4	1	43	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	1	44	Spring	Spring	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	45	2006	2006	CD
work_uh2c3e4gtferthpuqholn5yxa4	1	46	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	1	47	pp	pp	NNP
work_uh2c3e4gtferthpuqholn5yxa4	1	48	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	2	1	184	184	CD
work_uh2c3e4gtferthpuqholn5yxa4	2	2	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	2	3	188	188	CD
work_uh2c3e4gtferthpuqholn5yxa4	2	4	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	2	5	Review	Review	NNP
work_uh2c3e4gtferthpuqholn5yxa4	2	6	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	2	7	Published	publish	VBN
work_uh2c3e4gtferthpuqholn5yxa4	2	8	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	2	9	Edinburgh	Edinburgh	NNP
work_uh2c3e4gtferthpuqholn5yxa4	2	10	University	University	NNP
work_uh2c3e4gtferthpuqholn5yxa4	2	11	Press	Press	NNP
work_uh2c3e4gtferthpuqholn5yxa4	2	12	DOI	DOI	NNP
work_uh2c3e4gtferthpuqholn5yxa4	2	13	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	2	14	For	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	2	15	additional	additional	JJ
work_uh2c3e4gtferthpuqholn5yxa4	2	16	information	information	NN
work_uh2c3e4gtferthpuqholn5yxa4	2	17	about	about	IN
work_uh2c3e4gtferthpuqholn5yxa4	2	18	this	this	DT
work_uh2c3e4gtferthpuqholn5yxa4	2	19	article	article	NN
work_uh2c3e4gtferthpuqholn5yxa4	2	20	[	[	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	2	21	This	this	DT
work_uh2c3e4gtferthpuqholn5yxa4	2	22	content	content	NN
work_uh2c3e4gtferthpuqholn5yxa4	2	23	has	have	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	2	24	been	be	VBN
work_uh2c3e4gtferthpuqholn5yxa4	2	25	declared	declare	VBN
work_uh2c3e4gtferthpuqholn5yxa4	2	26	free	free	JJ
work_uh2c3e4gtferthpuqholn5yxa4	2	27	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	2	28	read	read	VB
work_uh2c3e4gtferthpuqholn5yxa4	2	29	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	2	30	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	2	31	pubisher	pubisher	NN
work_uh2c3e4gtferthpuqholn5yxa4	2	32	during	during	IN
work_uh2c3e4gtferthpuqholn5yxa4	2	33	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	2	34	COVID-19	covid-19	JJ
work_uh2c3e4gtferthpuqholn5yxa4	2	35	pandemic	pandemic	NN
work_uh2c3e4gtferthpuqholn5yxa4	2	36	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	2	37	]	]	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	3	1	https://doi.org/10.1353/jvc.2006.0006	https://doi.org/10.1353/jvc.2006.0006	NNP
work_uh2c3e4gtferthpuqholn5yxa4	3	2	https://muse.jhu.edu/article/199783	https://muse.jhu.edu/article/199783	NNP
work_uh2c3e4gtferthpuqholn5yxa4	3	3	https://doi.org/10.1353/jvc.2006.0006	https://doi.org/10.1353/jvc.2006.0006	NNP
work_uh2c3e4gtferthpuqholn5yxa4	3	4	https://muse.jhu.edu/article/199783	https://muse.jhu.edu/article/199783	NNP
work_uh2c3e4gtferthpuqholn5yxa4	3	5	Faulk	Faulk	NNP
work_uh2c3e4gtferthpuqholn5yxa4	3	6	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	7	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	3	8	nomination	nomination	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	10	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	3	11	bourgeois	bourgeois	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	12	class	class	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	13	fraction	fraction	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	14	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	15	cultural	cultural	JJ
work_uh2c3e4gtferthpuqholn5yxa4	3	16	gatekeepers	gatekeeper	NNS
work_uh2c3e4gtferthpuqholn5yxa4	3	17	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	18	ideologically	ideologically	RB
work_uh2c3e4gtferthpuqholn5yxa4	3	19	autonomous	autonomous	JJ
work_uh2c3e4gtferthpuqholn5yxa4	3	20	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	3	21	whereas	whereas	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	22	Platt	Platt	NNP
work_uh2c3e4gtferthpuqholn5yxa4	3	23	demonstrates	demonstrate	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	3	24	how	how	WRB
work_uh2c3e4gtferthpuqholn5yxa4	3	25	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	3	26	cadre	cadre	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	27	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	28	cultural	cultural	JJ
work_uh2c3e4gtferthpuqholn5yxa4	3	29	producers	producer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	3	30	thrived	thrive	VBD
work_uh2c3e4gtferthpuqholn5yxa4	3	31	through	through	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	32	their	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	3	33	collusive	collusive	JJ
work_uh2c3e4gtferthpuqholn5yxa4	3	34	exploitation	exploitation	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	35	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	3	36	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	3	37	redefined	redefine	VBN
work_uh2c3e4gtferthpuqholn5yxa4	3	38	hegemony	hegemony	NN
work_uh2c3e4gtferthpuqholn5yxa4	3	39	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	4	1	Of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	4	2	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	4	3	two	two	CD
work_uh2c3e4gtferthpuqholn5yxa4	4	4	monographs	monograph	NNS
work_uh2c3e4gtferthpuqholn5yxa4	4	5	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	4	6	Platt	Platt	NNP
work_uh2c3e4gtferthpuqholn5yxa4	4	7	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	4	8	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	4	9	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	4	10	more	more	RBR
work_uh2c3e4gtferthpuqholn5yxa4	4	11	satisfactory	satisfactory	JJ
work_uh2c3e4gtferthpuqholn5yxa4	4	12	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	4	13	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	4	14	greater	great	JJR
work_uh2c3e4gtferthpuqholn5yxa4	4	15	attention	attention	NN
work_uh2c3e4gtferthpuqholn5yxa4	4	16	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	4	17	social	social	JJ
work_uh2c3e4gtferthpuqholn5yxa4	4	18	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	4	19	historical	historical	JJ
work_uh2c3e4gtferthpuqholn5yxa4	4	20	context	context	NN
work_uh2c3e4gtferthpuqholn5yxa4	4	21	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	4	22	still	still	RB
work_uh2c3e4gtferthpuqholn5yxa4	4	23	too	too	RB
work_uh2c3e4gtferthpuqholn5yxa4	4	24	often	often	RB
work_uh2c3e4gtferthpuqholn5yxa4	4	25	absent	absent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	4	26	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	4	27	scanted	scant	VBN
work_uh2c3e4gtferthpuqholn5yxa4	4	28	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	4	29	CS	CS	NNP
work_uh2c3e4gtferthpuqholn5yxa4	4	30	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	4	31	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	4	32	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	4	33	literary	literary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	4	34	studies	study	NNS
work_uh2c3e4gtferthpuqholn5yxa4	4	35	claiming	claim	VBG
work_uh2c3e4gtferthpuqholn5yxa4	4	36	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	4	37	kudos	kudo	NNS
work_uh2c3e4gtferthpuqholn5yxa4	4	38	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	5	1	Peter	Peter	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	2	Bailey	Bailey	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	3	Paul	Paul	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	4	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	5	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	5	6	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	7	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	8	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	5	9	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	10	Past	past	NN
work_uh2c3e4gtferthpuqholn5yxa4	5	11	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	5	12	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	5	13	Art	Art	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	14	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	5	15	John	John	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	16	Everett	Everett	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	17	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	18	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	5	19	Aldershot	Aldershot	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	20	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	5	21	Ashgate	Ashgate	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	22	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	5	23	2005	2005	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	24	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	5	25	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	5	26	ix	ix	NN
work_uh2c3e4gtferthpuqholn5yxa4	5	27	+	+	DT
work_uh2c3e4gtferthpuqholn5yxa4	5	28	229	229	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	29	pages	page	NNS
work_uh2c3e4gtferthpuqholn5yxa4	5	30	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	5	31	illustrated	illustrate	VBN
work_uh2c3e4gtferthpuqholn5yxa4	5	32	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	5	33	hardback	hardback	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	34	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	5	35	£	£	$
work_uh2c3e4gtferthpuqholn5yxa4	5	36	55	55	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	37	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	5	38	ISBN	ISBN	NNP
work_uh2c3e4gtferthpuqholn5yxa4	5	39	0	0	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	40	7546	7546	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	41	3297	3297	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	42	0	0	CD
work_uh2c3e4gtferthpuqholn5yxa4	5	43	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	5	44	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	6	1	Nostalgic	nostalgic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	6	2	lists	list	NNS
work_uh2c3e4gtferthpuqholn5yxa4	6	3	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	6	4	currently	currently	RB
work_uh2c3e4gtferthpuqholn5yxa4	6	5	very	very	RB
work_uh2c3e4gtferthpuqholn5yxa4	6	6	fashionable	fashionable	JJ
work_uh2c3e4gtferthpuqholn5yxa4	6	7	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	6	8	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	6	9	British	british	JJ
work_uh2c3e4gtferthpuqholn5yxa4	6	10	media	medium	NNS
work_uh2c3e4gtferthpuqholn5yxa4	6	11	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	7	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	2	any	any	DT
work_uh2c3e4gtferthpuqholn5yxa4	7	3	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	7	4	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	5	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	7	6	100	100	CD
work_uh2c3e4gtferthpuqholn5yxa4	7	7	greatest	great	JJS
work_uh2c3e4gtferthpuqholn5yxa4	7	8	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	7	9	paintings	painting	NNS
work_uh2c3e4gtferthpuqholn5yxa4	7	10	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	7	11	judged	judge	VBN
work_uh2c3e4gtferthpuqholn5yxa4	7	12	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	13	criteria	criterion	NNS
work_uh2c3e4gtferthpuqholn5yxa4	7	14	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	7	15	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	16	Tate	Tate	NNP
work_uh2c3e4gtferthpuqholn5yxa4	7	17	Britain	Britain	NNP
work_uh2c3e4gtferthpuqholn5yxa4	7	18	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	7	19	best	good	JJS
work_uh2c3e4gtferthpuqholn5yxa4	7	20	selling	selling	NN
work_uh2c3e4gtferthpuqholn5yxa4	7	21	postcards	postcard	NNS
work_uh2c3e4gtferthpuqholn5yxa4	7	22	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	7	23	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	7	24	number	number	NN
work_uh2c3e4gtferthpuqholn5yxa4	7	25	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	26	reproductions	reproduction	NNS
work_uh2c3e4gtferthpuqholn5yxa4	7	27	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	28	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	7	29	individual	individual	JJ
work_uh2c3e4gtferthpuqholn5yxa4	7	30	canvas	canvas	NN
work_uh2c3e4gtferthpuqholn5yxa4	7	31	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	32	contemporary	contemporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	7	33	coffee	coffee	NN
work_uh2c3e4gtferthpuqholn5yxa4	7	34	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	7	35	table	table	NN
work_uh2c3e4gtferthpuqholn5yxa4	7	36	surveys	survey	NNS
work_uh2c3e4gtferthpuqholn5yxa4	7	37	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	7	38	one	one	PRP
work_uh2c3e4gtferthpuqholn5yxa4	7	39	would	would	MD
work_uh2c3e4gtferthpuqholn5yxa4	7	40	expect	expect	VB
work_uh2c3e4gtferthpuqholn5yxa4	7	41	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	7	42	find	find	VB
work_uh2c3e4gtferthpuqholn5yxa4	7	43	at	at	RB
work_uh2c3e4gtferthpuqholn5yxa4	7	44	least	least	RBS
work_uh2c3e4gtferthpuqholn5yxa4	7	45	four	four	CD
work_uh2c3e4gtferthpuqholn5yxa4	7	46	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	7	47	John	John	NNP
work_uh2c3e4gtferthpuqholn5yxa4	7	48	Everett	Everett	NNP
work_uh2c3e4gtferthpuqholn5yxa4	7	49	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	7	50	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	7	51	early	early	JJ
work_uh2c3e4gtferthpuqholn5yxa4	7	52	oils	oil	NNS
work_uh2c3e4gtferthpuqholn5yxa4	7	53	featured	feature	VBD
work_uh2c3e4gtferthpuqholn5yxa4	7	54	prominently	prominently	RB
work_uh2c3e4gtferthpuqholn5yxa4	7	55	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	8	1	These	these	DT
work_uh2c3e4gtferthpuqholn5yxa4	8	2	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	8	3	Isabella	Isabella	NNP
work_uh2c3e4gtferthpuqholn5yxa4	8	4	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	5	1849	1849	CD
work_uh2c3e4gtferthpuqholn5yxa4	8	6	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	8	8	Christ	Christ	NNP
work_uh2c3e4gtferthpuqholn5yxa4	8	9	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	8	10	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	8	11	House	House	NNP
work_uh2c3e4gtferthpuqholn5yxa4	8	12	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	8	13	His	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	8	14	Parents	Parents	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	8	15	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	16	1849	1849	CD
work_uh2c3e4gtferthpuqholn5yxa4	8	17	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	8	18	50	50	CD
work_uh2c3e4gtferthpuqholn5yxa4	8	19	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	20	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	8	21	Mariana	Mariana	NNP
work_uh2c3e4gtferthpuqholn5yxa4	8	22	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	23	1851	1851	CD
work_uh2c3e4gtferthpuqholn5yxa4	8	24	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	25	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	8	26	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	8	27	Ophelia	Ophelia	NNP
work_uh2c3e4gtferthpuqholn5yxa4	8	28	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	29	1852	1852	CD
work_uh2c3e4gtferthpuqholn5yxa4	8	30	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	8	31	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	9	1	Each	each	DT
work_uh2c3e4gtferthpuqholn5yxa4	9	2	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	9	3	deservedly	deservedly	RB
work_uh2c3e4gtferthpuqholn5yxa4	9	4	famous	famous	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	5	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	6	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	9	7	own	own	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	8	right	right	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	9	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	9	10	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	11	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	9	12	characterised	characterise	VBN
work_uh2c3e4gtferthpuqholn5yxa4	9	13	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	14	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	9	15	meticulously	meticulously	RB
work_uh2c3e4gtferthpuqholn5yxa4	9	16	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	9	17	detailed	detailed	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	18	Pre	Pre	NNP
work_uh2c3e4gtferthpuqholn5yxa4	9	19	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	9	20	Raphaelite	Raphaelite	NNP
work_uh2c3e4gtferthpuqholn5yxa4	9	21	surface	surface	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	22	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	9	23	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	24	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	9	25	emotional	emotional	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	26	intensity	intensity	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	27	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	28	complexity	complexity	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	29	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	30	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	9	31	principal	principal	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	32	protagonists	protagonist	NNS
work_uh2c3e4gtferthpuqholn5yxa4	9	33	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	9	34	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	35	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	9	36	sophisticated	sophisticated	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	37	play	play	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	38	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	39	realism	realism	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	40	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	41	iconogra-	iconogra-	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	42	phy	phy	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	43	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	44	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	45	two	two	CD
work_uh2c3e4gtferthpuqholn5yxa4	9	46	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	47	three	three	CD
work_uh2c3e4gtferthpuqholn5yxa4	9	48	dimensions	dimension	NNS
work_uh2c3e4gtferthpuqholn5yxa4	9	49	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	9	50	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	51	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	52	subject	subject	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	53	matter	matter	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	54	deriving	derive	VBG
work_uh2c3e4gtferthpuqholn5yxa4	9	55	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	9	56	either	either	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	57	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	9	58	Bible	Bible	NNP
work_uh2c3e4gtferthpuqholn5yxa4	9	59	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	9	60	mainstream	mainstream	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	61	British	british	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	62	literary	literary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	9	63	history	history	NN
work_uh2c3e4gtferthpuqholn5yxa4	9	64	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	10	1	Further	further	RB
work_uh2c3e4gtferthpuqholn5yxa4	10	2	down	down	IN
work_uh2c3e4gtferthpuqholn5yxa4	10	3	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	10	4	same	same	JJ
work_uh2c3e4gtferthpuqholn5yxa4	10	5	list	list	NN
work_uh2c3e4gtferthpuqholn5yxa4	10	6	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	10	7	one	one	PRP
work_uh2c3e4gtferthpuqholn5yxa4	10	8	might	may	MD
work_uh2c3e4gtferthpuqholn5yxa4	10	9	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	10	10	similarly	similarly	RB
work_uh2c3e4gtferthpuqholn5yxa4	10	11	surprised	surprised	JJ
work_uh2c3e4gtferthpuqholn5yxa4	10	12	if	if	IN
work_uh2c3e4gtferthpuqholn5yxa4	10	13	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	14	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	10	15	1853	1853	CD
work_uh2c3e4gtferthpuqholn5yxa4	10	16	portrait	portrait	NN
work_uh2c3e4gtferthpuqholn5yxa4	10	17	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	10	18	John	John	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	19	Ruskin	Ruskin	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	20	did	do	VBD
work_uh2c3e4gtferthpuqholn5yxa4	10	21	not	not	RB
work_uh2c3e4gtferthpuqholn5yxa4	10	22	figure	figure	VB
work_uh2c3e4gtferthpuqholn5yxa4	10	23	alongside	alongside	IN
work_uh2c3e4gtferthpuqholn5yxa4	10	24	two	two	CD
work_uh2c3e4gtferthpuqholn5yxa4	10	25	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	10	26	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	27	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	10	28	more	more	JJR
work_uh2c3e4gtferthpuqholn5yxa4	10	29	melancholy	melancholy	JJ
work_uh2c3e4gtferthpuqholn5yxa4	10	30	subject	subject	JJ
work_uh2c3e4gtferthpuqholn5yxa4	10	31	pictures	picture	NNS
work_uh2c3e4gtferthpuqholn5yxa4	10	32	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	10	33	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	10	34	Blind	Blind	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	35	Girl	Girl	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	36	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	10	37	1854	1854	CD
work_uh2c3e4gtferthpuqholn5yxa4	10	38	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	10	39	6	6	CD
work_uh2c3e4gtferthpuqholn5yxa4	10	40	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	10	41	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	10	42	Autumn	Autumn	NNP
work_uh2c3e4gtferthpuqholn5yxa4	10	43	Leaves	Leaves	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	10	44	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	10	45	1856	1856	CD
work_uh2c3e4gtferthpuqholn5yxa4	10	46	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	10	47	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	11	1	Cherry	Cherry	NNP
work_uh2c3e4gtferthpuqholn5yxa4	11	2	Ripe	Ripe	NNP
work_uh2c3e4gtferthpuqholn5yxa4	11	3	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	11	4	1879	1879	CD
work_uh2c3e4gtferthpuqholn5yxa4	11	5	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	11	6	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	11	7	Bubbles	Bubbles	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	11	8	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	11	9	1886	1886	CD
work_uh2c3e4gtferthpuqholn5yxa4	11	10	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	11	11	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	11	12	perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	11	13	less	less	RBR
work_uh2c3e4gtferthpuqholn5yxa4	11	14	palatable	palatable	JJ
work_uh2c3e4gtferthpuqholn5yxa4	11	15	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	11	16	contemporary	contemporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	11	17	sensibilities	sensibility	NNS
work_uh2c3e4gtferthpuqholn5yxa4	11	18	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	11	19	but	but	CC
work_uh2c3e4gtferthpuqholn5yxa4	11	20	would	would	MD
work_uh2c3e4gtferthpuqholn5yxa4	11	21	probably	probably	RB
work_uh2c3e4gtferthpuqholn5yxa4	11	22	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	11	23	merit	merit	VB
work_uh2c3e4gtferthpuqholn5yxa4	11	24	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	11	25	mention	mention	NN
work_uh2c3e4gtferthpuqholn5yxa4	11	26	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	12	1	Given	give	VBN
work_uh2c3e4gtferthpuqholn5yxa4	12	2	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	12	3	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	12	4	continuing	continue	VBG
work_uh2c3e4gtferthpuqholn5yxa4	12	5	popularity	popularity	NN
work_uh2c3e4gtferthpuqholn5yxa4	12	6	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	12	7	it	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	12	8	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	12	9	perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	12	10	remarkable	remarkable	JJ
work_uh2c3e4gtferthpuqholn5yxa4	12	11	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	12	12	only	only	RB
work_uh2c3e4gtferthpuqholn5yxa4	12	13	four	four	CD
work_uh2c3e4gtferthpuqholn5yxa4	12	14	book	book	NN
work_uh2c3e4gtferthpuqholn5yxa4	12	15	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	12	16	length	length	NN
work_uh2c3e4gtferthpuqholn5yxa4	12	17	accounts	account	NNS
work_uh2c3e4gtferthpuqholn5yxa4	12	18	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	12	19	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	12	20	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	12	21	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	12	22	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	12	23	have	have	VBP
work_uh2c3e4gtferthpuqholn5yxa4	12	24	appeared	appear	VBN
work_uh2c3e4gtferthpuqholn5yxa4	12	25	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	12	26	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	12	27	last	last	JJ
work_uh2c3e4gtferthpuqholn5yxa4	12	28	decade	decade	NN
work_uh2c3e4gtferthpuqholn5yxa4	12	29	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	13	1	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	13	2	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	13	3	scholarly	scholarly	JJ
work_uh2c3e4gtferthpuqholn5yxa4	13	4	neglect	neglect	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	5	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	13	6	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	13	7	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	8	course	course	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	9	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	13	10	part	part	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	11	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	12	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	13	13	broader	broad	JJR
work_uh2c3e4gtferthpuqholn5yxa4	13	14	trend	trend	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	15	within	within	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	16	Art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	17	History	history	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	18	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	13	19	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	20	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	13	21	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	13	22	painting	painting	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	23	has	have	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	13	24	been	be	VBN
work_uh2c3e4gtferthpuqholn5yxa4	13	25	habitu-	habitu-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	13	26	ally	ally	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	27	passed	pass	VBN
work_uh2c3e4gtferthpuqholn5yxa4	13	28	over	over	RP
work_uh2c3e4gtferthpuqholn5yxa4	13	29	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	30	favour	favour	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	31	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	32	French	french	JJ
work_uh2c3e4gtferthpuqholn5yxa4	13	33	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	34	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	13	35	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	13	36	same	same	JJ
work_uh2c3e4gtferthpuqholn5yxa4	13	37	period	period	NN
work_uh2c3e4gtferthpuqholn5yxa4	13	38	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	14	1	Indeed	indeed	RB
work_uh2c3e4gtferthpuqholn5yxa4	14	2	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	3	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	14	4	historiography	historiography	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	5	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	6	Modern	modern	JJ
work_uh2c3e4gtferthpuqholn5yxa4	14	7	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	8	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	14	9	widely	widely	RB
work_uh2c3e4gtferthpuqholn5yxa4	14	10	presumed	presume	VBN
work_uh2c3e4gtferthpuqholn5yxa4	14	11	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	14	12	bypass	bypass	VB
work_uh2c3e4gtferthpuqholn5yxa4	14	13	almost	almost	RB
work_uh2c3e4gtferthpuqholn5yxa4	14	14	entirely	entirely	RB
work_uh2c3e4gtferthpuqholn5yxa4	14	15	British	british	JJ
work_uh2c3e4gtferthpuqholn5yxa4	14	16	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	17	movements	movement	NNS
work_uh2c3e4gtferthpuqholn5yxa4	14	18	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	19	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	14	20	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	21	Pre	Pre	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	22	-	-	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	23	Raphaelitism	Raphaelitism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	24	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	25	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	26	favour	favour	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	27	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	28	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	14	29	sequence	sequence	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	30	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	31	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	14	32	isms	ism	NNS
work_uh2c3e4gtferthpuqholn5yxa4	14	33	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	14	34	–	–	:
work_uh2c3e4gtferthpuqholn5yxa4	14	35	Realism	realism	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	36	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	37	Impressionism	Impressionism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	38	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	39	Symbolism	Symbolism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	40	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	41	Cubism	Cubism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	42	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	43	Futurism	Futurism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	44	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	45	Dada	Dada	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	46	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	14	47	Surrealism	Surrealism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	48	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	14	49	Abstract	Abstract	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	50	Expressionism	Expressionism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	51	–	–	:
work_uh2c3e4gtferthpuqholn5yxa4	14	52	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	53	orig-	orig-	NN
work_uh2c3e4gtferthpuqholn5yxa4	14	54	inated	inate	VBD
work_uh2c3e4gtferthpuqholn5yxa4	14	55	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	56	Paris	Paris	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	57	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	14	58	New	New	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	59	York	York	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	60	rather	rather	RB
work_uh2c3e4gtferthpuqholn5yxa4	14	61	than	than	IN
work_uh2c3e4gtferthpuqholn5yxa4	14	62	London	London	NNP
work_uh2c3e4gtferthpuqholn5yxa4	14	63	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	15	1	What	what	WP
work_uh2c3e4gtferthpuqholn5yxa4	15	2	might	may	MD
work_uh2c3e4gtferthpuqholn5yxa4	15	3	come	come	VB
work_uh2c3e4gtferthpuqholn5yxa4	15	4	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	5	more	more	JJR
work_uh2c3e4gtferthpuqholn5yxa4	15	6	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	7	surprise	surprise	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	8	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	9	Victorianists	victorianist	NNS
work_uh2c3e4gtferthpuqholn5yxa4	15	10	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	11	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	15	12	more	more	RBR
work_uh2c3e4gtferthpuqholn5yxa4	15	13	literary	literary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	14	bent	bent	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	15	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	15	16	however	however	RB
work_uh2c3e4gtferthpuqholn5yxa4	15	17	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	15	18	whose	whose	WP$
work_uh2c3e4gtferthpuqholn5yxa4	15	19	research	research	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	20	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	15	21	characterised	characterise	VBN
work_uh2c3e4gtferthpuqholn5yxa4	15	22	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	23	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	15	24	tradition	tradition	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	25	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	26	rigorous	rigorous	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	27	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	15	28	contextualised	contextualise	VBD
work_uh2c3e4gtferthpuqholn5yxa4	15	29	close	close	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	30	Reviews	Reviews	NNP
work_uh2c3e4gtferthpuqholn5yxa4	15	31	184	184	CD
work_uh2c3e4gtferthpuqholn5yxa4	15	32	Mary	Mary	NNP
work_uh2c3e4gtferthpuqholn5yxa4	15	33	Botto	Botto	NNP
work_uh2c3e4gtferthpuqholn5yxa4	15	34	muse_logo	muse_logo	NNP
work_uh2c3e4gtferthpuqholn5yxa4	15	35	reading	reading	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	36	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	15	37	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	15	38	how	how	WRB
work_uh2c3e4gtferthpuqholn5yxa4	15	39	little	little	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	40	attention	attention	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	41	some	some	DT
work_uh2c3e4gtferthpuqholn5yxa4	15	42	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	43	their	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	15	44	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	45	historical	historical	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	46	peers	peer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	15	47	have	have	VBP
work_uh2c3e4gtferthpuqholn5yxa4	15	48	paid	pay	VBN
work_uh2c3e4gtferthpuqholn5yxa4	15	49	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	50	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	15	51	formal	formal	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	52	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	15	53	material	material	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	54	qualities	quality	NNS
work_uh2c3e4gtferthpuqholn5yxa4	15	55	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	15	56	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	15	57	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	15	58	painting	painting	NN
work_uh2c3e4gtferthpuqholn5yxa4	15	59	they	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	15	60	discuss	discuss	VBP
work_uh2c3e4gtferthpuqholn5yxa4	15	61	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	16	1	Paul	Paul	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	2	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	3	’s	’	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	16	4	remarkable	remarkable	JJ
work_uh2c3e4gtferthpuqholn5yxa4	16	5	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	16	6	ambitious	ambitious	JJ
work_uh2c3e4gtferthpuqholn5yxa4	16	7	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	8	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	9	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	16	10	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	11	Past	past	NN
work_uh2c3e4gtferthpuqholn5yxa4	16	12	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	16	13	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	16	14	Art	Art	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	15	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	16	16	John	John	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	17	Everett	Everett	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	18	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	16	19	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	16	20	2005	2005	CD
work_uh2c3e4gtferthpuqholn5yxa4	16	21	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	16	22	poses	pose	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	16	23	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	16	24	significant	significant	JJ
work_uh2c3e4gtferthpuqholn5yxa4	16	25	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	16	26	success-	success-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	16	27	ful	ful	JJ
work_uh2c3e4gtferthpuqholn5yxa4	16	28	challenge	challenge	NN
work_uh2c3e4gtferthpuqholn5yxa4	16	29	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	16	30	all	all	DT
work_uh2c3e4gtferthpuqholn5yxa4	16	31	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	16	32	that	that	DT
work_uh2c3e4gtferthpuqholn5yxa4	16	33	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	17	1	Barlow	barlow	VB
work_uh2c3e4gtferthpuqholn5yxa4	17	2	wisely	wisely	RB
work_uh2c3e4gtferthpuqholn5yxa4	17	3	begins	begin	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	17	4	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	17	5	book	book	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	6	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	7	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	17	8	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	10	some	some	DT
work_uh2c3e4gtferthpuqholn5yxa4	17	11	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	12	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	17	13	per-	per-	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	14	ceived	ceive	VBD
work_uh2c3e4gtferthpuqholn5yxa4	17	15	problems	problem	NNS
work_uh2c3e4gtferthpuqholn5yxa4	17	16	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	17	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	17	18	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	19	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	17	20	contemporary	contemporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	17	21	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	22	historiographical	historiographical	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	23	perspective	perspective	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	24	still	still	RB
work_uh2c3e4gtferthpuqholn5yxa4	17	25	dominated	dominate	VBN
work_uh2c3e4gtferthpuqholn5yxa4	17	26	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	27	presuppositions	presupposition	NNS
work_uh2c3e4gtferthpuqholn5yxa4	17	28	derived	derive	VBN
work_uh2c3e4gtferthpuqholn5yxa4	17	29	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	17	30	Modern-	Modern-	NNP
work_uh2c3e4gtferthpuqholn5yxa4	17	31	ism	ism	NN
work_uh2c3e4gtferthpuqholn5yxa4	17	32	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	18	1	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	18	2	Modernism	Modernism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	18	3	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	18	4	here	here	RB
work_uh2c3e4gtferthpuqholn5yxa4	18	5	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	18	6	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	18	7	understood	understand	VBN
work_uh2c3e4gtferthpuqholn5yxa4	18	8	both	both	CC
work_uh2c3e4gtferthpuqholn5yxa4	18	9	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	10	thematic	thematic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	18	11	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	18	12	formal	formal	JJ
work_uh2c3e4gtferthpuqholn5yxa4	18	13	terms	term	NNS
work_uh2c3e4gtferthpuqholn5yxa4	18	14	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	18	15	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	16	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	18	17	engaging	engage	VBG
work_uh2c3e4gtferthpuqholn5yxa4	18	18	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	19	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	18	20	most	most	JJS
work_uh2c3e4gtferthpuqholn5yxa4	18	21	contemporary	contemporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	18	22	issues	issue	NNS
work_uh2c3e4gtferthpuqholn5yxa4	18	23	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	18	24	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	25	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	18	26	particular	particular	JJ
work_uh2c3e4gtferthpuqholn5yxa4	18	27	problems	problem	NNS
work_uh2c3e4gtferthpuqholn5yxa4	18	28	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	18	29	possibilities	possibility	NNS
work_uh2c3e4gtferthpuqholn5yxa4	18	30	inherent	inherent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	18	31	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	32	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	18	33	preferred	preferred	JJ
work_uh2c3e4gtferthpuqholn5yxa4	18	34	media	medium	NNS
work_uh2c3e4gtferthpuqholn5yxa4	18	35	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	18	36	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	18	37	that	that	DT
work_uh2c3e4gtferthpuqholn5yxa4	18	38	sought	seek	VBD
work_uh2c3e4gtferthpuqholn5yxa4	18	39	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	18	40	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	18	41	avant	avant	FW
work_uh2c3e4gtferthpuqholn5yxa4	18	42	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	18	43	garde	garde	FW
work_uh2c3e4gtferthpuqholn5yxa4	18	44	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	18	45	rather	rather	RB
work_uh2c3e4gtferthpuqholn5yxa4	18	46	than	than	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	47	revivalist	revivalist	VB
work_uh2c3e4gtferthpuqholn5yxa4	18	48	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	18	49	retardaire	retardaire	VB
work_uh2c3e4gtferthpuqholn5yxa4	18	50	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	18	51	idiom	idiom	NN
work_uh2c3e4gtferthpuqholn5yxa4	18	52	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	18	53	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	19	1	With	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	19	2	these	these	DT
work_uh2c3e4gtferthpuqholn5yxa4	19	3	still	still	RB
work_uh2c3e4gtferthpuqholn5yxa4	19	4	dominant	dominant	JJ
work_uh2c3e4gtferthpuqholn5yxa4	19	5	criteria	criterion	NNS
work_uh2c3e4gtferthpuqholn5yxa4	19	6	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	19	7	mind	mind	NN
work_uh2c3e4gtferthpuqholn5yxa4	19	8	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	19	9	Barlow	barlow	VB
work_uh2c3e4gtferthpuqholn5yxa4	19	10	frankly	frankly	RB
work_uh2c3e4gtferthpuqholn5yxa4	19	11	acknowledges	acknowledge	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	19	12	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	19	13	apparent	apparent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	19	14	discrepancy	discrepancy	NN
work_uh2c3e4gtferthpuqholn5yxa4	19	15	between	between	IN
work_uh2c3e4gtferthpuqholn5yxa4	19	16	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	19	17	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	19	18	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	19	19	more	more	JJR
work_uh2c3e4gtferthpuqholn5yxa4	19	20	conventionally	conventionally	RB
work_uh2c3e4gtferthpuqholn5yxa4	19	21	Modernist	modernist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	19	22	peers	peer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	19	23	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	20	1	For	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	2	example	example	NN
work_uh2c3e4gtferthpuqholn5yxa4	20	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	20	4	Barlow	barlow	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	5	documents	document	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	6	how	how	WRB
work_uh2c3e4gtferthpuqholn5yxa4	20	7	many	many	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	8	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	9	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	10	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	20	11	French	french	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	12	contemporaries	contemporary	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	13	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	20	14	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	15	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	16	Courbet	Courbet	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	17	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	20	18	Manet	Manet	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	19	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	20	20	Monet	Monet	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	21	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	20	22	were	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	20	23	rebelling	rebel	VBG
work_uh2c3e4gtferthpuqholn5yxa4	20	24	against	against	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	25	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	20	26	social	social	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	27	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	20	28	pictorial	pictorial	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	29	expectations	expectation	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	30	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	31	traditional	traditional	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	32	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	20	33	institutions	institution	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	34	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	20	35	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	36	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	37	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	20	38	Paris	Paris	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	39	Salon	Salon	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	40	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	20	41	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	20	42	focussing	focusse	VBG
work_uh2c3e4gtferthpuqholn5yxa4	20	43	their	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	20	44	energies	energy	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	45	upon	upon	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	46	developing	develop	VBG
work_uh2c3e4gtferthpuqholn5yxa4	20	47	new	new	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	48	visual	visual	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	49	idioms	idiom	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	50	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	20	51	engage	engage	VB
work_uh2c3e4gtferthpuqholn5yxa4	20	52	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	53	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	20	54	unprecedented	unprecedented	JJ
work_uh2c3e4gtferthpuqholn5yxa4	20	55	forms	form	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	56	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	57	modernity	modernity	NN
work_uh2c3e4gtferthpuqholn5yxa4	20	58	then	then	RB
work_uh2c3e4gtferthpuqholn5yxa4	20	59	emerging	emerge	VBG
work_uh2c3e4gtferthpuqholn5yxa4	20	60	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	61	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	20	62	most	most	RBS
work_uh2c3e4gtferthpuqholn5yxa4	20	63	recently	recently	RB
work_uh2c3e4gtferthpuqholn5yxa4	20	64	constructed	construct	VBN
work_uh2c3e4gtferthpuqholn5yxa4	20	65	neighbourhoods	neighbourhood	NNS
work_uh2c3e4gtferthpuqholn5yxa4	20	66	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	20	67	Paris	Paris	NNP
work_uh2c3e4gtferthpuqholn5yxa4	20	68	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	21	1	At	at	IN
work_uh2c3e4gtferthpuqholn5yxa4	21	2	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	21	3	same	same	JJ
work_uh2c3e4gtferthpuqholn5yxa4	21	4	moment	moment	NN
work_uh2c3e4gtferthpuqholn5yxa4	21	5	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	21	6	Barlow	barlow	JJ
work_uh2c3e4gtferthpuqholn5yxa4	21	7	reveals	reveal	NNS
work_uh2c3e4gtferthpuqholn5yxa4	21	8	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	21	9	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	21	10	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	21	11	abandoning	abandon	VBG
work_uh2c3e4gtferthpuqholn5yxa4	21	12	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	21	13	early	early	JJ
work_uh2c3e4gtferthpuqholn5yxa4	21	14	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	21	15	more	more	RBR
work_uh2c3e4gtferthpuqholn5yxa4	21	16	vanguard	vanguard	NN
work_uh2c3e4gtferthpuqholn5yxa4	21	17	Pre	Pre	NNP
work_uh2c3e4gtferthpuqholn5yxa4	21	18	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	21	19	Raphaelite	Raphaelite	NNP
work_uh2c3e4gtferthpuqholn5yxa4	21	20	credentials	credential	NNS
work_uh2c3e4gtferthpuqholn5yxa4	21	21	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	21	22	become	become	VB
work_uh2c3e4gtferthpuqholn5yxa4	21	23	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	21	24	Royal	Royal	NNP
work_uh2c3e4gtferthpuqholn5yxa4	21	25	Academician	Academician	NNP
work_uh2c3e4gtferthpuqholn5yxa4	21	26	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	21	27	simultaneously	simultaneously	RB
work_uh2c3e4gtferthpuqholn5yxa4	21	28	turning	turn	VBG
work_uh2c3e4gtferthpuqholn5yxa4	21	29	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	21	30	attention	attention	NN
work_uh2c3e4gtferthpuqholn5yxa4	21	31	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	21	32	aristocratic	aristocratic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	21	33	portraiture	portraiture	NN
work_uh2c3e4gtferthpuqholn5yxa4	21	34	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	21	35	crowd	crowd	NN
work_uh2c3e4gtferthpuqholn5yxa4	21	36	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	21	37	pleasing	please	VBG
work_uh2c3e4gtferthpuqholn5yxa4	21	38	pictures	picture	NNS
work_uh2c3e4gtferthpuqholn5yxa4	21	39	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	21	40	little	little	JJ
work_uh2c3e4gtferthpuqholn5yxa4	21	41	girls	girl	NNS
work_uh2c3e4gtferthpuqholn5yxa4	21	42	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	21	43	mob	mob	NN
work_uh2c3e4gtferthpuqholn5yxa4	21	44	cabs	cab	NNS
work_uh2c3e4gtferthpuqholn5yxa4	21	45	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	22	1	One	one	CD
work_uh2c3e4gtferthpuqholn5yxa4	22	2	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	22	3	these	these	DT
work_uh2c3e4gtferthpuqholn5yxa4	22	4	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	22	5	Bubbles	Bubbles	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	22	6	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	22	7	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	22	8	later	later	RB
work_uh2c3e4gtferthpuqholn5yxa4	22	9	successfully	successfully	RB
work_uh2c3e4gtferthpuqholn5yxa4	22	10	employed	employ	VBN
work_uh2c3e4gtferthpuqholn5yxa4	22	11	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	22	12	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	22	13	Pears	Pears	NNP
work_uh2c3e4gtferthpuqholn5yxa4	22	14	soap	soap	NN
work_uh2c3e4gtferthpuqholn5yxa4	22	15	advertising	advertising	NN
work_uh2c3e4gtferthpuqholn5yxa4	22	16	campaign	campaign	NN
work_uh2c3e4gtferthpuqholn5yxa4	22	17	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	23	1	As	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	2	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	3	concisely	concisely	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	4	puts	put	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	23	5	it	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	23	6	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	7	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	23	8	first	first	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	9	page	page	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	10	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	11	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	12	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	13	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	14	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	23	15	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	16	terms	term	NNS
work_uh2c3e4gtferthpuqholn5yxa4	23	17	implicitly	implicitly	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	18	deriving	derive	VBG
work_uh2c3e4gtferthpuqholn5yxa4	23	19	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	20	Clement	Clement	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	21	Greenberg	Greenberg	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	22	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	23	23	still	still	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	24	influential	influential	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	25	accounts	account	NNS
work_uh2c3e4gtferthpuqholn5yxa4	23	26	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	27	Abstract	Abstract	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	28	Expressionist	Expressionist	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	29	painting	painting	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	30	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	31	if	if	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	32	Manet	Manet	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	33	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	23	34	Monet	Monet	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	35	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	23	36	undoubtedly	undoubtedly	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	37	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	23	38	modern	modern	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	39	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	23	40	according	accord	VBG
work_uh2c3e4gtferthpuqholn5yxa4	23	41	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	42	most	most	JJS
work_uh2c3e4gtferthpuqholn5yxa4	23	43	con-	con-	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	44	temporary	temporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	45	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	46	historians	historian	NNS
work_uh2c3e4gtferthpuqholn5yxa4	23	47	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	48	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	49	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	23	50	eyes	eye	NNS
work_uh2c3e4gtferthpuqholn5yxa4	23	51	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	52	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	23	53	significant	significant	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	54	number	number	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	55	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	56	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	57	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	23	58	contemporaries	contemporary	NNS
work_uh2c3e4gtferthpuqholn5yxa4	23	59	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	23	60	our	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	23	61	own	own	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	62	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	63	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	23	64	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	65	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	23	66	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	67	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	23	68	pre	pre	VBN
work_uh2c3e4gtferthpuqholn5yxa4	23	69	-	-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	70	eminently	eminently	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	71	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	23	72	kitsch	kitsch	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	73	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	23	74	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	75	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	23	76	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	23	77	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	23	78	say	say	VB
work_uh2c3e4gtferthpuqholn5yxa4	23	79	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	80	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	23	81	finicky	finicky	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	82	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	83	prissy	prissy	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	84	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	23	85	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	23	86	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	23	87	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	23	88	literary	literary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	89	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	23	90	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	23	91	1).1	1).1	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	92	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	93	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	94	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	95	does	do	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	23	96	not	not	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	97	shy	shy	VB
work_uh2c3e4gtferthpuqholn5yxa4	23	98	away	away	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	99	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	100	including	include	VBG
work_uh2c3e4gtferthpuqholn5yxa4	23	101	two	two	CD
work_uh2c3e4gtferthpuqholn5yxa4	23	102	oft	oft	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	103	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	23	104	repeated	repeat	VBN
work_uh2c3e4gtferthpuqholn5yxa4	23	105	anecdotes	anecdote	NNS
work_uh2c3e4gtferthpuqholn5yxa4	23	106	relating	relate	VBG
work_uh2c3e4gtferthpuqholn5yxa4	23	107	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	108	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	23	109	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	23	110	private	private	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	111	life	life	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	112	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	23	113	professional	professional	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	114	self	self	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	115	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	23	116	assess-	assess-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	117	ment	ment	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	118	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	23	119	seem	seem	VBP
work_uh2c3e4gtferthpuqholn5yxa4	23	120	at	at	IN
work_uh2c3e4gtferthpuqholn5yxa4	23	121	first	first	RB
work_uh2c3e4gtferthpuqholn5yxa4	23	122	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	23	123	bear	bear	VB
work_uh2c3e4gtferthpuqholn5yxa4	23	124	out	out	RP
work_uh2c3e4gtferthpuqholn5yxa4	23	125	this	this	DT
work_uh2c3e4gtferthpuqholn5yxa4	23	126	negative	negative	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	127	critical	critical	JJ
work_uh2c3e4gtferthpuqholn5yxa4	23	128	assessment	assessment	NN
work_uh2c3e4gtferthpuqholn5yxa4	23	129	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	24	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	24	2	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	24	3	first	first	JJ
work_uh2c3e4gtferthpuqholn5yxa4	24	4	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	24	5	we	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	24	6	find	find	VBP
work_uh2c3e4gtferthpuqholn5yxa4	24	7	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	24	8	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	24	9	marrying	marry	VBG
work_uh2c3e4gtferthpuqholn5yxa4	24	10	Ruskin	Ruskin	NNP
work_uh2c3e4gtferthpuqholn5yxa4	24	11	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	24	12	ex	ex	NN
work_uh2c3e4gtferthpuqholn5yxa4	24	13	-	-	NN
work_uh2c3e4gtferthpuqholn5yxa4	24	14	wife	wife	NN
work_uh2c3e4gtferthpuqholn5yxa4	24	15	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	24	16	Effie	Effie	NNP
work_uh2c3e4gtferthpuqholn5yxa4	24	17	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	24	18	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	24	19	raising	raise	VBG
work_uh2c3e4gtferthpuqholn5yxa4	24	20	together	together	RB
work_uh2c3e4gtferthpuqholn5yxa4	24	21	eight	eight	CD
work_uh2c3e4gtferthpuqholn5yxa4	24	22	children	child	NNS
work_uh2c3e4gtferthpuqholn5yxa4	24	23	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	24	24	causing	cause	VBG
work_uh2c3e4gtferthpuqholn5yxa4	24	25	him	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	24	26	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	24	27	abandon	abandon	VB
work_uh2c3e4gtferthpuqholn5yxa4	24	28	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	24	29	earlier	early	JJR
work_uh2c3e4gtferthpuqholn5yxa4	24	30	Pre	Pre	NNP
work_uh2c3e4gtferthpuqholn5yxa4	24	31	-	-	NNP
work_uh2c3e4gtferthpuqholn5yxa4	24	32	Raphaelitism	Raphaelitism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	24	33	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	24	34	order	order	NN
work_uh2c3e4gtferthpuqholn5yxa4	24	35	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	24	36	come	come	VB
work_uh2c3e4gtferthpuqholn5yxa4	24	37	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	24	38	terms	term	NNS
work_uh2c3e4gtferthpuqholn5yxa4	24	39	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	24	40	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	24	41	debasing	debase	VBG
work_uh2c3e4gtferthpuqholn5yxa4	24	42	but	but	CC
work_uh2c3e4gtferthpuqholn5yxa4	24	43	financially	financially	RB
work_uh2c3e4gtferthpuqholn5yxa4	24	44	necessary	necessary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	24	45	requirements	requirement	NNS
work_uh2c3e4gtferthpuqholn5yxa4	24	46	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	24	47	patrons	patron	NNS
work_uh2c3e4gtferthpuqholn5yxa4	24	48	aristocratic	aristocratic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	24	49	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	24	50	popular	popular	JJ
work_uh2c3e4gtferthpuqholn5yxa4	24	51	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	24	52	sentimental	sentimental	JJ
work_uh2c3e4gtferthpuqholn5yxa4	24	53	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	24	54	imperial	imperial	JJ
work_uh2c3e4gtferthpuqholn5yxa4	24	55	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	25	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	25	2	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	25	3	second	second	JJ
work_uh2c3e4gtferthpuqholn5yxa4	25	4	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	25	5	we	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	25	6	find	find	VBP
work_uh2c3e4gtferthpuqholn5yxa4	25	7	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	25	8	bursting	burst	VBG
work_uh2c3e4gtferthpuqholn5yxa4	25	9	into	into	IN
work_uh2c3e4gtferthpuqholn5yxa4	25	10	disillusioned	disillusioned	JJ
work_uh2c3e4gtferthpuqholn5yxa4	25	11	tears	tear	NNS
work_uh2c3e4gtferthpuqholn5yxa4	25	12	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	25	13	seeing	see	VBG
work_uh2c3e4gtferthpuqholn5yxa4	25	14	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	25	15	juxtaposition	juxtaposition	NN
work_uh2c3e4gtferthpuqholn5yxa4	25	16	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	25	17	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	25	18	later	late	JJR
work_uh2c3e4gtferthpuqholn5yxa4	25	19	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	25	20	earlier	early	JJR
work_uh2c3e4gtferthpuqholn5yxa4	25	21	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	25	22	at	at	IN
work_uh2c3e4gtferthpuqholn5yxa4	25	23	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	25	24	1886	1886	CD
work_uh2c3e4gtferthpuqholn5yxa4	25	25	Grosvenor	Grosvenor	NNP
work_uh2c3e4gtferthpuqholn5yxa4	25	26	Gallery	Gallery	NNP
work_uh2c3e4gtferthpuqholn5yxa4	25	27	retrospective	retrospective	NN
work_uh2c3e4gtferthpuqholn5yxa4	25	28	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	25	29	2	2	CD
work_uh2c3e4gtferthpuqholn5yxa4	25	30	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	25	31	168	168	CD
work_uh2c3e4gtferthpuqholn5yxa4	25	32	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	25	33	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	26	1	Reviews	review	NNS
work_uh2c3e4gtferthpuqholn5yxa4	26	2	185	185	CD
work_uh2c3e4gtferthpuqholn5yxa4	26	3	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	26	4	acknowledges	acknowledge	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	26	5	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	26	6	seductive	seductive	JJ
work_uh2c3e4gtferthpuqholn5yxa4	26	7	appeal	appeal	NN
work_uh2c3e4gtferthpuqholn5yxa4	26	8	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	26	9	these	these	DT
work_uh2c3e4gtferthpuqholn5yxa4	26	10	myths	myth	NNS
work_uh2c3e4gtferthpuqholn5yxa4	26	11	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	26	12	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	26	13	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	26	14	professional	professional	JJ
work_uh2c3e4gtferthpuqholn5yxa4	26	15	fate	fate	NN
work_uh2c3e4gtferthpuqholn5yxa4	26	16	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	26	17	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	26	18	sort	sort	NN
work_uh2c3e4gtferthpuqholn5yxa4	26	19	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	26	20	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	26	21	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	26	22	morality	morality	NN
work_uh2c3e4gtferthpuqholn5yxa4	26	23	story	story	NN
work_uh2c3e4gtferthpuqholn5yxa4	26	24	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	26	25	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	26	26	196	196	CD
work_uh2c3e4gtferthpuqholn5yxa4	26	27	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	26	28	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	27	1	However	however	RB
work_uh2c3e4gtferthpuqholn5yxa4	27	2	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	27	3	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	27	4	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	27	5	significantly	significantly	RB
work_uh2c3e4gtferthpuqholn5yxa4	27	6	rejects	reject	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	27	7	this	this	DT
work_uh2c3e4gtferthpuqholn5yxa4	27	8	caricature	caricature	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	27	10	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	27	11	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	12	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	27	13	biogra-	biogra-	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	14	phy	phy	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	15	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	27	16	returns	return	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	27	17	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	27	18	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	27	19	complex	complex	JJ
work_uh2c3e4gtferthpuqholn5yxa4	27	20	canvases	canvas	NNS
work_uh2c3e4gtferthpuqholn5yxa4	27	21	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	27	22	centre	centre	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	23	stage	stage	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	24	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	27	25	making	make	VBG
work_uh2c3e4gtferthpuqholn5yxa4	27	26	them	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	27	27	newly	newly	RB
work_uh2c3e4gtferthpuqholn5yxa4	27	28	appealing	appeal	VBG
work_uh2c3e4gtferthpuqholn5yxa4	27	29	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	27	30	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	27	31	early	early	JJ
work_uh2c3e4gtferthpuqholn5yxa4	27	32	twenty	twenty	CD
work_uh2c3e4gtferthpuqholn5yxa4	27	33	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	27	34	first	first	JJ
work_uh2c3e4gtferthpuqholn5yxa4	27	35	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	27	36	century	century	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	37	audience	audience	NN
work_uh2c3e4gtferthpuqholn5yxa4	27	38	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	28	1	Like	like	IN
work_uh2c3e4gtferthpuqholn5yxa4	28	2	many	many	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	3	contemporary	contemporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	4	historians	historian	NNS
work_uh2c3e4gtferthpuqholn5yxa4	28	5	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	28	6	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	7	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	28	8	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	28	9	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	28	10	does	do	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	28	11	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	28	12	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	28	13	suggesting	suggest	VBG
work_uh2c3e4gtferthpuqholn5yxa4	28	14	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	28	15	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	28	16	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	28	17	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	28	18	Modernist	modernist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	19	avant	avant	NN
work_uh2c3e4gtferthpuqholn5yxa4	28	20	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	28	21	la	la	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	22	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	28	23	lettre	lettre	NN
work_uh2c3e4gtferthpuqholn5yxa4	28	24	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	28	25	demonstrating	demonstrate	VBG
work_uh2c3e4gtferthpuqholn5yxa4	28	26	how	how	WRB
work_uh2c3e4gtferthpuqholn5yxa4	28	27	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	28	28	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	28	29	’s	’	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	28	30	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	28	31	insubordinate	insubordinate	NNP
work_uh2c3e4gtferthpuqholn5yxa4	28	32	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	28	33	works	work	NNS
work_uh2c3e4gtferthpuqholn5yxa4	28	34	challenge	challenge	VBP
work_uh2c3e4gtferthpuqholn5yxa4	28	35	both	both	DT
work_uh2c3e4gtferthpuqholn5yxa4	28	36	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	28	37	social	social	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	38	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	28	39	artistic	artistic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	28	40	hierarchies	hierarchy	NNS
work_uh2c3e4gtferthpuqholn5yxa4	28	41	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	28	42	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	28	43	13	13	CD
work_uh2c3e4gtferthpuqholn5yxa4	28	44	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	28	45	19	19	CD
work_uh2c3e4gtferthpuqholn5yxa4	28	46	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	28	47	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	29	1	For	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	2	example	example	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	29	4	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	5	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	6	demonstrates	demonstrate	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	29	7	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	8	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	9	shared	share	VBD
work_uh2c3e4gtferthpuqholn5yxa4	29	10	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	11	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	29	12	wide	wide	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	13	range	range	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	14	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	15	high	high	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	16	Modernist	Modernist	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	17	artists	artist	NNS
work_uh2c3e4gtferthpuqholn5yxa4	29	18	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	29	19	passion	passion	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	20	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	21	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	29	22	kinds	kind	NNS
work_uh2c3e4gtferthpuqholn5yxa4	29	23	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	24	pictorial	pictorial	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	25	flatness	flatness	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	26	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	29	27	insistent	insistent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	28	facture	facture	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	29	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	29	30	adored	adore	VBN
work_uh2c3e4gtferthpuqholn5yxa4	29	31	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	32	Greenberg	Greenberg	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	33	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	29	34	still	still	RB
work_uh2c3e4gtferthpuqholn5yxa4	29	35	influential	influential	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	36	generation	generation	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	37	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	29	38	but	but	CC
work_uh2c3e4gtferthpuqholn5yxa4	29	39	whose	whose	WP$
work_uh2c3e4gtferthpuqholn5yxa4	29	40	taste	taste	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	41	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	42	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	43	formal	formal	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	44	features	feature	NNS
work_uh2c3e4gtferthpuqholn5yxa4	29	45	did	do	VBD
work_uh2c3e4gtferthpuqholn5yxa4	29	46	not	not	RB
work_uh2c3e4gtferthpuqholn5yxa4	29	47	appear	appear	VB
work_uh2c3e4gtferthpuqholn5yxa4	29	48	ex	ex	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	49	nihilo	nihilo	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	50	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	51	second	second	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	52	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	29	53	empire	empire	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	54	Paris	Paris	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	55	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	29	56	post	post	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	57	-	-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	58	war	war	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	59	New	New	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	60	York	York	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	61	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	29	62	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	63	one	one	PRP
work_uh2c3e4gtferthpuqholn5yxa4	29	64	might	may	MD
work_uh2c3e4gtferthpuqholn5yxa4	29	65	have	have	VB
work_uh2c3e4gtferthpuqholn5yxa4	29	66	imagined	imagine	VBN
work_uh2c3e4gtferthpuqholn5yxa4	29	67	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	68	Modernist	modernist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	69	critical	critical	JJ
work_uh2c3e4gtferthpuqholn5yxa4	29	70	rhetoric	rhetoric	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	71	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	29	72	but	but	CC
work_uh2c3e4gtferthpuqholn5yxa4	29	73	could	could	MD
work_uh2c3e4gtferthpuqholn5yxa4	29	74	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	29	75	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	29	76	found	find	VBN
work_uh2c3e4gtferthpuqholn5yxa4	29	77	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	78	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	29	79	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	29	80	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	29	81	Velazquez	Velazquez	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	82	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	29	83	Gainsborough	Gainsborough	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	84	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	29	85	Reynolds	Reynolds	NNP
work_uh2c3e4gtferthpuqholn5yxa4	29	86	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	29	87	2	2	CD
work_uh2c3e4gtferthpuqholn5yxa4	29	88	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	29	89	134	134	CD
work_uh2c3e4gtferthpuqholn5yxa4	29	90	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	29	91	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	30	1	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	30	2	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	30	3	discriminating	discriminating	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	4	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	5	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	30	6	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	30	7	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	30	8	facture	facture	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	9	does	do	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	30	10	not	not	RB
work_uh2c3e4gtferthpuqholn5yxa4	30	11	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	30	12	however	however	RB
work_uh2c3e4gtferthpuqholn5yxa4	30	13	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	30	14	simply	simply	RB
work_uh2c3e4gtferthpuqholn5yxa4	30	15	reduce	reduce	VB
work_uh2c3e4gtferthpuqholn5yxa4	30	16	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	30	17	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	18	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	30	19	interest	interest	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	20	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	30	21	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	30	22	surface	surface	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	23	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	30	24	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	30	25	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	26	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	30	27	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	30	28	proto-	proto-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	30	29	Modernist	modernist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	30	30	idea	idea	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	31	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	30	32	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	30	33	purity	purity	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	34	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	30	35	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	30	36	medium	medium	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	37	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	30	38	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	30	39	most	most	RBS
work_uh2c3e4gtferthpuqholn5yxa4	30	40	appropriate	appropriate	JJ
work_uh2c3e4gtferthpuqholn5yxa4	30	41	message	message	NN
work_uh2c3e4gtferthpuqholn5yxa4	30	42	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	31	1	Instead	instead	RB
work_uh2c3e4gtferthpuqholn5yxa4	31	2	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	31	3	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	31	4	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	31	5	provides	provide	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	31	6	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	31	7	detailed	detailed	JJ
work_uh2c3e4gtferthpuqholn5yxa4	31	8	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	10	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	31	11	formal	formal	JJ
work_uh2c3e4gtferthpuqholn5yxa4	31	12	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	31	13	thematic	thematic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	31	14	significance	significance	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	15	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	16	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	31	17	wide	wide	JJ
work_uh2c3e4gtferthpuqholn5yxa4	31	18	range	range	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	19	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	20	paint	paint	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	21	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	31	22	marks	mark	NNS
work_uh2c3e4gtferthpuqholn5yxa4	31	23	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	24	display	display	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	25	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	26	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	31	27	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	31	28	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	29	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	31	30	differentiating	differentiate	VBG
work_uh2c3e4gtferthpuqholn5yxa4	31	31	helpfully	helpfully	RB
work_uh2c3e4gtferthpuqholn5yxa4	31	32	between	between	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	33	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	31	34	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	35	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	31	36	more	more	JJR
work_uh2c3e4gtferthpuqholn5yxa4	31	37	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	31	38	forceful	forceful	JJ
work_uh2c3e4gtferthpuqholn5yxa4	31	39	brushwork	brushwork	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	40	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	31	41	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	31	42	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	31	43	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	31	44	experiments	experiment	NNS
work_uh2c3e4gtferthpuqholn5yxa4	31	45	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	46	blocking	blocking	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	47	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	31	48	flattening	flattening	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	49	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	31	50	dissolving	dissolving	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	51	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	52	objects	object	NNS
work_uh2c3e4gtferthpuqholn5yxa4	31	53	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	31	54	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	55	line	line	NN
work_uh2c3e4gtferthpuqholn5yxa4	31	56	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	57	contemporary	contemporary	JJ
work_uh2c3e4gtferthpuqholn5yxa4	31	58	understandings	understanding	NNS
work_uh2c3e4gtferthpuqholn5yxa4	31	59	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	31	60	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	31	61	spirit	spirit	NNP
work_uh2c3e4gtferthpuqholn5yxa4	31	62	world	world	NNP
work_uh2c3e4gtferthpuqholn5yxa4	31	63	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	31	64	29	29	CD
work_uh2c3e4gtferthpuqholn5yxa4	31	65	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	31	66	123	123	CD
work_uh2c3e4gtferthpuqholn5yxa4	31	67	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	31	68	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	32	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	2	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	32	3	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	4	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	5	other	other	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	6	works	work	NNS
work_uh2c3e4gtferthpuqholn5yxa4	32	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	32	8	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	32	9	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	32	10	describes	describe	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	32	11	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	32	12	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	32	13	more	more	JJR
work_uh2c3e4gtferthpuqholn5yxa4	32	14	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	32	15	Aesthetic	aesthetic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	16	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	32	17	emphasis	emphasis	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	18	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	32	19	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	20	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	32	21	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	32	22	calligraphic	calligraphic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	23	rapidity	rapidity	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	24	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	25	painting	painting	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	26	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	32	27	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	32	28	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	32	29	more	more	RBR
work_uh2c3e4gtferthpuqholn5yxa4	32	30	general	general	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	31	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	32	32	productive	productive	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	33	tension	tension	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	34	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	32	35	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	36	individual	individual	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	37	canvases	canvas	NNS
work_uh2c3e4gtferthpuqholn5yxa4	32	38	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	32	39	across	across	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	40	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	32	41	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	42	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	32	43	oeuvre	oeuvre	NNS
work_uh2c3e4gtferthpuqholn5yxa4	32	44	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	32	45	between	between	IN
work_uh2c3e4gtferthpuqholn5yxa4	32	46	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	32	47	violent	violent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	48	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	32	49	decorative	decorative	JJ
work_uh2c3e4gtferthpuqholn5yxa4	32	50	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	32	51	paint	paint	NN
work_uh2c3e4gtferthpuqholn5yxa4	32	52	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	32	53	marks	mark	NNS
work_uh2c3e4gtferthpuqholn5yxa4	32	54	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	32	55	124	124	CD
work_uh2c3e4gtferthpuqholn5yxa4	32	56	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	32	57	161	161	CD
work_uh2c3e4gtferthpuqholn5yxa4	32	58	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	32	59	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	33	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	2	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	33	3	doing	do	VBG
work_uh2c3e4gtferthpuqholn5yxa4	33	4	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	33	5	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	33	6	Present	present	JJ
work_uh2c3e4gtferthpuqholn5yxa4	33	7	returns	return	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	33	8	repeatedly	repeatedly	RB
work_uh2c3e4gtferthpuqholn5yxa4	33	9	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	10	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	33	11	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	33	12	complex	complex	JJ
work_uh2c3e4gtferthpuqholn5yxa4	33	13	understanding	understanding	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	14	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	15	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	33	16	nature	nature	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	17	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	18	painting	paint	VBG
work_uh2c3e4gtferthpuqholn5yxa4	33	19	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	20	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	33	21	medium	medium	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	22	existing	exist	VBG
work_uh2c3e4gtferthpuqholn5yxa4	33	23	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	24	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	33	25	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	33	26	border	border	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	27	between	between	IN
work_uh2c3e4gtferthpuqholn5yxa4	33	28	solidity	solidity	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	29	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	33	30	fragmen-	fragmen-	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	31	tation	tation	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	32	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	33	33	solid	solid	JJ
work_uh2c3e4gtferthpuqholn5yxa4	33	34	modelling	modelling	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	35	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	33	36	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	33	37	decorative	decorative	JJ
work_uh2c3e4gtferthpuqholn5yxa4	33	38	surface	surface	NN
work_uh2c3e4gtferthpuqholn5yxa4	33	39	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	33	40	127	127	CD
work_uh2c3e4gtferthpuqholn5yxa4	33	41	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	33	42	8	8	CD
work_uh2c3e4gtferthpuqholn5yxa4	33	43	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	33	44	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	34	1	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	34	2	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	34	3	equally	equally	RB
work_uh2c3e4gtferthpuqholn5yxa4	34	4	careful	careful	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	5	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	34	6	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	34	7	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	8	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	34	9	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	34	10	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	34	11	relationship	relationship	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	12	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	34	13	Aestheticism	aestheticism	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	14	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	34	15	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	34	16	vanguard	vanguard	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	17	late	late	RB
work_uh2c3e4gtferthpuqholn5yxa4	34	18	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	34	19	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	20	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	21	movement	movement	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	22	concerned	concern	VBN
work_uh2c3e4gtferthpuqholn5yxa4	34	23	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	34	24	promoting	promote	VBG
work_uh2c3e4gtferthpuqholn5yxa4	34	25	formal	formal	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	26	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	34	27	physical	physical	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	28	perfection	perfection	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	29	at	at	IN
work_uh2c3e4gtferthpuqholn5yxa4	34	30	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	34	31	expense	expense	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	32	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	34	33	thematic	thematic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	34	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	34	35	political	political	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	36	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	34	37	didactic	didactic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	38	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	34	39	moral	moral	JJ
work_uh2c3e4gtferthpuqholn5yxa4	34	40	content	content	NN
work_uh2c3e4gtferthpuqholn5yxa4	34	41	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	35	1	For	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	35	2	example	example	NN
work_uh2c3e4gtferthpuqholn5yxa4	35	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	35	4	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	35	5	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	35	6	finds	find	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	35	7	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	35	8	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	35	9	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	35	10	useful	useful	JJ
work_uh2c3e4gtferthpuqholn5yxa4	35	11	candidate	candidate	NN
work_uh2c3e4gtferthpuqholn5yxa4	35	12	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	35	13	challenge	challenge	VB
work_uh2c3e4gtferthpuqholn5yxa4	35	14	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	35	15	repeated	repeated	JJ
work_uh2c3e4gtferthpuqholn5yxa4	35	16	leftist	leftist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	35	17	critique	critique	NN
work_uh2c3e4gtferthpuqholn5yxa4	35	18	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	35	19	Aestheticism	Aestheticism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	35	20	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	35	21	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	35	22	elitist	elitist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	35	23	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	35	24	hedonistic	hedonistic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	35	25	movement	movement	NN
work_uh2c3e4gtferthpuqholn5yxa4	35	26	troublingly	troublingly	RB
work_uh2c3e4gtferthpuqholn5yxa4	35	27	preoccu-	preoccu-	VBP
work_uh2c3e4gtferthpuqholn5yxa4	35	28	pied	pie	VBN
work_uh2c3e4gtferthpuqholn5yxa4	35	29	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	35	30	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	35	31	objectification	objectification	NN
work_uh2c3e4gtferthpuqholn5yxa4	35	32	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	35	33	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	35	34	adolescent	adolescent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	35	35	body	body	NN
work_uh2c3e4gtferthpuqholn5yxa4	35	36	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	36	1	That	that	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	2	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	36	3	because	because	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	4	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	36	5	successfully	successfully	RB
work_uh2c3e4gtferthpuqholn5yxa4	36	6	reveals	reveal	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	36	7	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	8	ways	way	NNS
work_uh2c3e4gtferthpuqholn5yxa4	36	9	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	10	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	36	11	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	36	12	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	36	13	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	36	14	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	15	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	36	16	ironic	ironic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	17	exploration	exploration	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	18	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	19	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	20	new	new	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	21	pictorial	pictorial	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	22	sensualism	sensualism	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	23	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	36	24	promoted	promote	VBN
work_uh2c3e4gtferthpuqholn5yxa4	36	25	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	26	some	some	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	27	Aesthetes	Aesthetes	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	36	28	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	36	29	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	30	painterly	painterly	RB
work_uh2c3e4gtferthpuqholn5yxa4	36	31	preoccupation	preoccupation	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	32	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	33	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	34	particularities	particularity	NNS
work_uh2c3e4gtferthpuqholn5yxa4	36	35	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	36	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	36	37	Reviews	review	NNS
work_uh2c3e4gtferthpuqholn5yxa4	36	38	186	186	CD
work_uh2c3e4gtferthpuqholn5yxa4	36	39	medium	medium	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	40	that	that	WDT
work_uh2c3e4gtferthpuqholn5yxa4	36	41	nevertheless	nevertheless	RB
work_uh2c3e4gtferthpuqholn5yxa4	36	42	sought	seek	VBD
work_uh2c3e4gtferthpuqholn5yxa4	36	43	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	36	44	integrate	integrate	VB
work_uh2c3e4gtferthpuqholn5yxa4	36	45	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	36	46	inclusive	inclusive	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	47	humanist	humanist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	48	values	value	NNS
work_uh2c3e4gtferthpuqholn5yxa4	36	49	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	36	50	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	36	51	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	36	52	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	53	Aesthetic	aesthetic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	54	project	project	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	55	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	56	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	36	57	viewers	viewer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	36	58	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	36	59	far	far	RB
work_uh2c3e4gtferthpuqholn5yxa4	36	60	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	61	being	be	VBG
work_uh2c3e4gtferthpuqholn5yxa4	36	62	offered	offer	VBN
work_uh2c3e4gtferthpuqholn5yxa4	36	63	adolescent	adolescent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	64	bodies	body	NNS
work_uh2c3e4gtferthpuqholn5yxa4	36	65	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	66	their	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	36	67	erotic	erotic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	36	68	delectation	delectation	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	69	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	36	70	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	36	71	never	never	RB
work_uh2c3e4gtferthpuqholn5yxa4	36	72	allowed	allow	VBN
work_uh2c3e4gtferthpuqholn5yxa4	36	73	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	36	74	forget	forget	VB
work_uh2c3e4gtferthpuqholn5yxa4	36	75	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	36	76	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	36	77	struggle	struggle	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	78	between	between	IN
work_uh2c3e4gtferthpuqholn5yxa4	36	79	vitality	vitality	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	80	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	36	81	decay	decay	NN
work_uh2c3e4gtferthpuqholn5yxa4	36	82	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	36	83	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	36	84	100	100	CD
work_uh2c3e4gtferthpuqholn5yxa4	36	85	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	36	86	110	110	CD
work_uh2c3e4gtferthpuqholn5yxa4	36	87	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	36	88	145	145	CD
work_uh2c3e4gtferthpuqholn5yxa4	36	89	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	36	90	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	37	1	Aestheticism	aestheticism	NN
work_uh2c3e4gtferthpuqholn5yxa4	37	2	studies	study	NNS
work_uh2c3e4gtferthpuqholn5yxa4	37	3	have	have	VBP
work_uh2c3e4gtferthpuqholn5yxa4	37	4	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	37	5	recently	recently	RB
work_uh2c3e4gtferthpuqholn5yxa4	37	6	been	be	VBN
work_uh2c3e4gtferthpuqholn5yxa4	37	7	focussed	focusse	VBN
work_uh2c3e4gtferthpuqholn5yxa4	37	8	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	37	9	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	37	10	move-	move-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	37	11	ment	ment	NN
work_uh2c3e4gtferthpuqholn5yxa4	37	12	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	37	13	significance	significance	NN
work_uh2c3e4gtferthpuqholn5yxa4	37	14	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	37	15	straight	straight	JJ
work_uh2c3e4gtferthpuqholn5yxa4	37	16	women	woman	NNS
work_uh2c3e4gtferthpuqholn5yxa4	37	17	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	37	18	queer	queer	NN
work_uh2c3e4gtferthpuqholn5yxa4	37	19	subjects	subject	NNS
work_uh2c3e4gtferthpuqholn5yxa4	37	20	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	37	21	both	both	DT
work_uh2c3e4gtferthpuqholn5yxa4	37	22	genders	gender	NNS
work_uh2c3e4gtferthpuqholn5yxa4	37	23	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	38	1	And	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	38	2	perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	38	3	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	4	Elizabeth	Elizabeth	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	5	Prettejohn	Prettejohn	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	6	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	38	7	witty	witty	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	8	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	38	9	recent	recent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	10	obser-	obser-	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	11	vation	vation	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	12	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	13	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	38	14	unexpected	unexpected	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	15	marginalisation	marginalisation	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	16	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	17	some	some	DT
work_uh2c3e4gtferthpuqholn5yxa4	38	18	straight	straight	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	19	male	male	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	20	Aesthetes,2	Aesthetes,2	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	21	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	22	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	23	powerfully	powerfully	RB
work_uh2c3e4gtferthpuqholn5yxa4	38	24	reconceptualises	reconceptualise	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	38	25	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	26	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	38	27	landscapes	landscape	NNS
work_uh2c3e4gtferthpuqholn5yxa4	38	28	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	29	more	more	JJR
work_uh2c3e4gtferthpuqholn5yxa4	38	30	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	38	31	masculine	masculine	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	32	version[s	version[s	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	33	]	]	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	38	34	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	35	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	38	36	Whistlerian	whistlerian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	37	nocturne	nocturne	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	38	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	38	39	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	38	40	focussed	focusse	VBN
work_uh2c3e4gtferthpuqholn5yxa4	38	41	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	42	scenes	scene	NNS
work_uh2c3e4gtferthpuqholn5yxa4	38	43	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	44	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	38	45	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	38	46	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	38	47	as	as	RB
work_uh2c3e4gtferthpuqholn5yxa4	38	48	adept	adept	JJ
work_uh2c3e4gtferthpuqholn5yxa4	38	49	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	50	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	38	51	gun	gun	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	52	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	38	53	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	38	54	brush	brush	NN
work_uh2c3e4gtferthpuqholn5yxa4	38	55	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	39	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	39	2	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	39	3	doing	do	VBG
work_uh2c3e4gtferthpuqholn5yxa4	39	4	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	5	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	39	6	allows	allow	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	39	7	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	39	8	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	39	9	certain	certain	JJ
work_uh2c3e4gtferthpuqholn5yxa4	39	10	comical	comical	JJ
work_uh2c3e4gtferthpuqholn5yxa4	39	11	machismo	machismo	NN
work_uh2c3e4gtferthpuqholn5yxa4	39	12	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	13	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	39	14	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	39	15	virility	virility	NN
work_uh2c3e4gtferthpuqholn5yxa4	39	16	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	39	17	vitality	vitality	NN
work_uh2c3e4gtferthpuqholn5yxa4	39	18	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	39	19	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	20	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	39	21	wilderness	wilderness	NN
work_uh2c3e4gtferthpuqholn5yxa4	39	22	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	39	23	masculinity	masculinity	NN
work_uh2c3e4gtferthpuqholn5yxa4	39	24	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	39	25	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	26	perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	39	27	designed	design	VBN
work_uh2c3e4gtferthpuqholn5yxa4	39	28	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	39	29	appeal	appeal	VB
work_uh2c3e4gtferthpuqholn5yxa4	39	30	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	39	31	those	those	DT
work_uh2c3e4gtferthpuqholn5yxa4	39	32	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	39	33	historians	historian	NNS
work_uh2c3e4gtferthpuqholn5yxa4	39	34	who	who	WP
work_uh2c3e4gtferthpuqholn5yxa4	39	35	remain	remain	VBP
work_uh2c3e4gtferthpuqholn5yxa4	39	36	enamoured	enamour	VBN
work_uh2c3e4gtferthpuqholn5yxa4	39	37	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	39	38	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	39	39	macho	macho	JJ
work_uh2c3e4gtferthpuqholn5yxa4	39	40	values	value	NNS
work_uh2c3e4gtferthpuqholn5yxa4	39	41	emblematised	emblematise	VBN
work_uh2c3e4gtferthpuqholn5yxa4	39	42	by	by	IN
work_uh2c3e4gtferthpuqholn5yxa4	39	43	Rodin	Rodin	NNP
work_uh2c3e4gtferthpuqholn5yxa4	39	44	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	45	Picasso	Picasso	NNP
work_uh2c3e4gtferthpuqholn5yxa4	39	46	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	39	47	Pollock	Pollock	NNP
work_uh2c3e4gtferthpuqholn5yxa4	39	48	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	39	49	brands	brand	NNS
work_uh2c3e4gtferthpuqholn5yxa4	39	50	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	39	51	Modernism	Modernism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	39	52	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	39	53	80	80	CD
work_uh2c3e4gtferthpuqholn5yxa4	39	54	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	55	131	131	CD
work_uh2c3e4gtferthpuqholn5yxa4	39	56	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	57	160	160	CD
work_uh2c3e4gtferthpuqholn5yxa4	39	58	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	39	59	1	1	CD
work_uh2c3e4gtferthpuqholn5yxa4	39	60	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	39	61	199	199	CD
work_uh2c3e4gtferthpuqholn5yxa4	39	62	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	39	63	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	40	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	40	2	addition	addition	NN
work_uh2c3e4gtferthpuqholn5yxa4	40	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	40	4	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	40	5	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	40	6	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	40	7	successfully	successfully	RB
work_uh2c3e4gtferthpuqholn5yxa4	40	8	demonstrates	demonstrate	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	40	9	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	40	10	central	central	JJ
work_uh2c3e4gtferthpuqholn5yxa4	40	11	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	40	12	much	much	JJ
work_uh2c3e4gtferthpuqholn5yxa4	40	13	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	40	14	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	40	15	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	40	16	supposedly	supposedly	RB
work_uh2c3e4gtferthpuqholn5yxa4	40	17	sentimental	sentimental	JJ
work_uh2c3e4gtferthpuqholn5yxa4	40	18	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	40	19	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	40	20	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	40	21	insistence	insistence	NN
work_uh2c3e4gtferthpuqholn5yxa4	40	22	upon	upon	IN
work_uh2c3e4gtferthpuqholn5yxa4	40	23	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	40	24	inevitably	inevitably	RB
work_uh2c3e4gtferthpuqholn5yxa4	40	25	alienating	alienate	VBG
work_uh2c3e4gtferthpuqholn5yxa4	40	26	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	40	27	tension	tension	NN
work_uh2c3e4gtferthpuqholn5yxa4	40	28	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	40	29	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	40	30	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	40	31	awkwardness	awkwardness	NN
work_uh2c3e4gtferthpuqholn5yxa4	40	32	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	40	33	that	that	WDT
work_uh2c3e4gtferthpuqholn5yxa4	40	34	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	40	35	encountered	encounter	VBN
work_uh2c3e4gtferthpuqholn5yxa4	40	36	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	40	37	any	any	DT
work_uh2c3e4gtferthpuqholn5yxa4	40	38	intimate	intimate	JJ
work_uh2c3e4gtferthpuqholn5yxa4	40	39	relationship	relationship	NN
work_uh2c3e4gtferthpuqholn5yxa4	40	40	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	40	41	15	15	CD
work_uh2c3e4gtferthpuqholn5yxa4	40	42	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	40	43	23	23	CD
work_uh2c3e4gtferthpuqholn5yxa4	40	44	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	40	45	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	41	1	And	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	41	2	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	3	like	like	IN
work_uh2c3e4gtferthpuqholn5yxa4	41	4	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	41	5	significantly	significantly	RB
work_uh2c3e4gtferthpuqholn5yxa4	41	6	better	well	RBR
work_uh2c3e4gtferthpuqholn5yxa4	41	7	respected	respect	VBN
work_uh2c3e4gtferthpuqholn5yxa4	41	8	Dickens	Dickens	NNP
work_uh2c3e4gtferthpuqholn5yxa4	41	9	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	10	who	who	WP
work_uh2c3e4gtferthpuqholn5yxa4	41	11	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	41	12	knew	know	VBD
work_uh2c3e4gtferthpuqholn5yxa4	41	13	well	well	RB
work_uh2c3e4gtferthpuqholn5yxa4	41	14	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	15	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	41	16	understands	understand	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	41	17	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	41	18	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	41	19	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	41	20	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	41	21	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	41	22	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	41	23	accommodating	accommodate	VBG
work_uh2c3e4gtferthpuqholn5yxa4	41	24	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	41	25	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	26	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	41	27	inclusive	inclusive	JJ
work_uh2c3e4gtferthpuqholn5yxa4	41	28	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	41	29	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	30	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	41	31	complex	complex	JJ
work_uh2c3e4gtferthpuqholn5yxa4	41	32	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	33	so	so	IN
work_uh2c3e4gtferthpuqholn5yxa4	41	34	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	41	35	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	41	36	obvious	obvious	JJ
work_uh2c3e4gtferthpuqholn5yxa4	41	37	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	41	38	popular	popular	JJ
work_uh2c3e4gtferthpuqholn5yxa4	41	39	appeal	appeal	NN
work_uh2c3e4gtferthpuqholn5yxa4	41	40	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	41	41	does	do	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	41	42	not	not	RB
work_uh2c3e4gtferthpuqholn5yxa4	41	43	necessarily	necessarily	RB
work_uh2c3e4gtferthpuqholn5yxa4	41	44	preclude	preclude	VB
work_uh2c3e4gtferthpuqholn5yxa4	41	45	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	41	46	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	41	47	aesthetic	aesthetic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	41	48	sophistica-	sophistica-	NNP
work_uh2c3e4gtferthpuqholn5yxa4	41	49	tion	tion	NN
work_uh2c3e4gtferthpuqholn5yxa4	41	50	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	41	51	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	41	52	38	38	CD
work_uh2c3e4gtferthpuqholn5yxa4	41	53	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	54	42	42	CD
work_uh2c3e4gtferthpuqholn5yxa4	41	55	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	41	56	74	74	CD
work_uh2c3e4gtferthpuqholn5yxa4	41	57	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	41	58	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	42	1	Rather	rather	RB
work_uh2c3e4gtferthpuqholn5yxa4	42	2	than	than	IN
work_uh2c3e4gtferthpuqholn5yxa4	42	3	seeing	see	VBG
work_uh2c3e4gtferthpuqholn5yxa4	42	4	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	42	5	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	42	6	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	42	7	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	42	8	part	part	NN
work_uh2c3e4gtferthpuqholn5yxa4	42	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	42	10	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	42	11	common	common	JJ
work_uh2c3e4gtferthpuqholn5yxa4	42	12	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	42	13	supposedly	supposedly	RB
work_uh2c3e4gtferthpuqholn5yxa4	42	14	Pre	pre	JJ
work_uh2c3e4gtferthpuqholn5yxa4	42	15	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	42	16	Raphaelite	raphaelite	JJ
work_uh2c3e4gtferthpuqholn5yxa4	42	17	project	project	NN
work_uh2c3e4gtferthpuqholn5yxa4	42	18	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	42	19	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	42	20	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	42	21	also	also	RB
work_uh2c3e4gtferthpuqholn5yxa4	42	22	successfully	successfully	RB
work_uh2c3e4gtferthpuqholn5yxa4	42	23	exca-	exca-	VBD
work_uh2c3e4gtferthpuqholn5yxa4	42	24	vates	vate	NNS
work_uh2c3e4gtferthpuqholn5yxa4	42	25	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	42	26	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	42	27	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	42	28	canvasses	canvass	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	42	29	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	42	30	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	42	31	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	42	32	own	own	JJ
work_uh2c3e4gtferthpuqholn5yxa4	42	33	particular	particular	JJ
work_uh2c3e4gtferthpuqholn5yxa4	42	34	subjectivity	subjectivity	NN
work_uh2c3e4gtferthpuqholn5yxa4	42	35	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	43	1	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	43	2	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	43	3	readers	reader	NNS
work_uh2c3e4gtferthpuqholn5yxa4	43	4	thus	thus	RB
work_uh2c3e4gtferthpuqholn5yxa4	43	5	learn	learn	VBP
work_uh2c3e4gtferthpuqholn5yxa4	43	6	much	much	JJ
work_uh2c3e4gtferthpuqholn5yxa4	43	7	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	43	8	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	43	9	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	43	10	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	43	11	complex	complex	JJ
work_uh2c3e4gtferthpuqholn5yxa4	43	12	relationships	relationship	NNS
work_uh2c3e4gtferthpuqholn5yxa4	43	13	with	with	IN
work_uh2c3e4gtferthpuqholn5yxa4	43	14	predecessors	predecessor	NNS
work_uh2c3e4gtferthpuqholn5yxa4	43	15	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	43	16	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	43	17	Rembrandt	Rembrandt	NNP
work_uh2c3e4gtferthpuqholn5yxa4	43	18	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	43	19	Turner	Turner	NNP
work_uh2c3e4gtferthpuqholn5yxa4	43	20	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	43	21	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	43	22	peers	peer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	43	23	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	43	24	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	43	25	Holman	Holman	NNP
work_uh2c3e4gtferthpuqholn5yxa4	43	26	Hunt	Hunt	NNP
work_uh2c3e4gtferthpuqholn5yxa4	43	27	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	43	28	Leighton	Leighton	NNP
work_uh2c3e4gtferthpuqholn5yxa4	43	29	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	43	30	37	37	CD
work_uh2c3e4gtferthpuqholn5yxa4	43	31	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	43	32	146	146	CD
work_uh2c3e4gtferthpuqholn5yxa4	43	33	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	43	34	153	153	CD
work_uh2c3e4gtferthpuqholn5yxa4	43	35	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	43	36	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	44	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	2	demonstrating	demonstrate	VBG
work_uh2c3e4gtferthpuqholn5yxa4	44	3	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	44	4	ways	way	NNS
work_uh2c3e4gtferthpuqholn5yxa4	44	5	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	6	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	44	7	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	44	8	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	44	9	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	10	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	44	11	seems	seem	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	44	12	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	44	13	satisfy	satisfy	VB
work_uh2c3e4gtferthpuqholn5yxa4	44	14	most	most	JJS
work_uh2c3e4gtferthpuqholn5yxa4	44	15	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	16	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	44	17	traditional	traditional	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	18	“	"	``
work_uh2c3e4gtferthpuqholn5yxa4	44	19	formalist	formalist	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	20	”	"	''
work_uh2c3e4gtferthpuqholn5yxa4	44	21	criteria	criterion	NNS
work_uh2c3e4gtferthpuqholn5yxa4	44	22	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	44	23	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	24	avant	avant	FW
work_uh2c3e4gtferthpuqholn5yxa4	44	25	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	44	26	garde	garde	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	27	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	28	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	44	29	then	then	RB
work_uh2c3e4gtferthpuqholn5yxa4	44	30	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	44	31	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	44	32	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	44	33	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	44	34	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	44	35	as	as	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	36	I	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	44	37	have	have	VBP
work_uh2c3e4gtferthpuqholn5yxa4	44	38	already	already	RB
work_uh2c3e4gtferthpuqholn5yxa4	44	39	noted	note	VBN
work_uh2c3e4gtferthpuqholn5yxa4	44	40	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	44	41	representative	representative	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	42	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	43	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	44	44	exciting	exciting	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	45	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	44	46	historiographically	historiographically	RB
work_uh2c3e4gtferthpuqholn5yxa4	44	47	ambitious	ambitious	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	48	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	44	49	current	current	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	50	wave	wave	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	51	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	44	52	revisionist	revisionist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	53	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	44	54	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	55	history	history	NN
work_uh2c3e4gtferthpuqholn5yxa4	44	56	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	44	57	177	177	CD
work_uh2c3e4gtferthpuqholn5yxa4	44	58	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	44	59	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	45	1	And	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	45	2	like	like	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	3	many	many	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	4	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	5	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	45	6	peers	peer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	45	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	45	8	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	9	makes	make	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	45	10	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	45	11	strong	strong	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	12	case	case	NN
work_uh2c3e4gtferthpuqholn5yxa4	45	13	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	14	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	15	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	45	16	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	45	17	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	18	relation	relation	NN
work_uh2c3e4gtferthpuqholn5yxa4	45	19	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	20	international	international	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	21	Modernism.3	Modernism.3	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	22	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	23	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	45	24	doing	do	VBG
work_uh2c3e4gtferthpuqholn5yxa4	45	25	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	45	26	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	27	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	28	further	further	RB
work_uh2c3e4gtferthpuqholn5yxa4	45	29	upends	upend	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	45	30	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	45	31	supposedly	supposedly	RB
work_uh2c3e4gtferthpuqholn5yxa4	45	32	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	45	33	opposed	opposed	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	34	realms	realm	NNS
work_uh2c3e4gtferthpuqholn5yxa4	45	35	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	36	avant-	avant-	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	37	garde	garde	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	38	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	45	39	kitsch	kitsch	NNP
work_uh2c3e4gtferthpuqholn5yxa4	45	40	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	45	41	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	45	42	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	45	43	consistently	consistently	RB
work_uh2c3e4gtferthpuqholn5yxa4	45	44	structured	structure	VBD
work_uh2c3e4gtferthpuqholn5yxa4	45	45	accounts	account	NNS
work_uh2c3e4gtferthpuqholn5yxa4	45	46	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	47	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	48	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	45	49	across	across	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	50	much	much	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	51	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	45	52	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	45	53	twentieth	twentieth	JJ
work_uh2c3e4gtferthpuqholn5yxa4	45	54	century	century	NN
work_uh2c3e4gtferthpuqholn5yxa4	45	55	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	45	56	176	176	CD
work_uh2c3e4gtferthpuqholn5yxa4	45	57	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	45	58	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	46	1	Perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	46	2	more	more	RBR
work_uh2c3e4gtferthpuqholn5yxa4	46	3	significant	significant	JJ
work_uh2c3e4gtferthpuqholn5yxa4	46	4	still	still	RB
work_uh2c3e4gtferthpuqholn5yxa4	46	5	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	46	6	however	however	RB
work_uh2c3e4gtferthpuqholn5yxa4	46	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	46	8	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	46	9	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	46	10	way	way	NN
work_uh2c3e4gtferthpuqholn5yxa4	46	11	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	46	12	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	46	13	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	46	14	interprets	interpret	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	46	15	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	46	16	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	46	17	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	46	18	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	46	19	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	46	20	light	light	NN
work_uh2c3e4gtferthpuqholn5yxa4	46	21	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	46	22	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	46	23	culture	culture	NN
work_uh2c3e4gtferthpuqholn5yxa4	46	24	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	46	25	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	46	26	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	46	27	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	46	28	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	46	29	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	46	30	fully	fully	RB
work_uh2c3e4gtferthpuqholn5yxa4	46	31	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	46	32	energetically	energetically	RB
work_uh2c3e4gtferthpuqholn5yxa4	46	33	participated	participate	VBD
work_uh2c3e4gtferthpuqholn5yxa4	46	34	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	46	35	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	46	36	112	112	CD
work_uh2c3e4gtferthpuqholn5yxa4	46	37	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	46	38	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	47	1	Indeed	indeed	RB
work_uh2c3e4gtferthpuqholn5yxa4	47	2	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	47	3	one	one	CD
work_uh2c3e4gtferthpuqholn5yxa4	47	4	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	47	5	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	47	6	most	most	RBS
work_uh2c3e4gtferthpuqholn5yxa4	47	7	praiseworthy	praiseworthy	JJ
work_uh2c3e4gtferthpuqholn5yxa4	47	8	aspects	aspect	NNS
work_uh2c3e4gtferthpuqholn5yxa4	47	9	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	47	10	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	47	11	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	47	12	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	47	13	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	47	14	way	way	NN
work_uh2c3e4gtferthpuqholn5yxa4	47	15	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	47	16	which	which	WDT
work_uh2c3e4gtferthpuqholn5yxa4	47	17	it	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	47	18	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	47	19	embedded	embed	VBN
work_uh2c3e4gtferthpuqholn5yxa4	47	20	Reviews	Reviews	NNP
work_uh2c3e4gtferthpuqholn5yxa4	47	21	187	187	CD
work_uh2c3e4gtferthpuqholn5yxa4	47	22	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	47	23	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	47	24	nineteenth	nineteenth	JJ
work_uh2c3e4gtferthpuqholn5yxa4	47	25	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	47	26	century	century	NN
work_uh2c3e4gtferthpuqholn5yxa4	47	27	material	material	NN
work_uh2c3e4gtferthpuqholn5yxa4	47	28	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	48	1	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	48	2	overall	overall	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	3	argument	argument	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	4	moves	move	NNS
work_uh2c3e4gtferthpuqholn5yxa4	48	5	effortlessly	effortlessly	RB
work_uh2c3e4gtferthpuqholn5yxa4	48	6	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	48	7	swiftly	swiftly	RB
work_uh2c3e4gtferthpuqholn5yxa4	48	8	between	between	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	9	analyses	analysis	NNS
work_uh2c3e4gtferthpuqholn5yxa4	48	10	at	at	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	11	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	48	12	near	near	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	13	microscopic	microscopic	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	14	level	level	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	15	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	16	interpretations	interpretation	NNS
work_uh2c3e4gtferthpuqholn5yxa4	48	17	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	18	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	48	19	ambitiously	ambitiously	RB
work_uh2c3e4gtferthpuqholn5yxa4	48	20	global	global	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	21	perspective	perspective	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	22	;	;	:
work_uh2c3e4gtferthpuqholn5yxa4	48	23	from	from	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	24	detailed	detailed	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	25	accounts	account	NNS
work_uh2c3e4gtferthpuqholn5yxa4	48	26	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	27	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	48	28	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	48	29	individual	individual	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	30	pentimenti	pentimenti	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	31	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	32	contexualisations	contexualisation	NNS
work_uh2c3e4gtferthpuqholn5yxa4	48	33	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	34	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	48	35	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	36	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	37	relation	relation	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	38	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	39	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	48	40	then	then	RB
work_uh2c3e4gtferthpuqholn5yxa4	48	41	furthest	furthest	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	42	reaches	reach	NNS
work_uh2c3e4gtferthpuqholn5yxa4	48	43	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	48	44	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	48	45	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	48	46	empire	empire	NN
work_uh2c3e4gtferthpuqholn5yxa4	48	47	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	49	1	If	if	IN
work_uh2c3e4gtferthpuqholn5yxa4	49	2	anything	anything	NN
work_uh2c3e4gtferthpuqholn5yxa4	49	3	can	can	MD
work_uh2c3e4gtferthpuqholn5yxa4	49	4	dislodge	dislodge	VB
work_uh2c3e4gtferthpuqholn5yxa4	49	5	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	49	6	so	so	RB
work_uh2c3e4gtferthpuqholn5yxa4	49	7	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	49	8	called	call	VBN
work_uh2c3e4gtferthpuqholn5yxa4	49	9	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	49	10	horror	horror	NNP
work_uh2c3e4gtferthpuqholn5yxa4	49	11	victorianorum	victorianorum	NNP
work_uh2c3e4gtferthpuqholn5yxa4	49	12	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	49	13	that	that	WDT
work_uh2c3e4gtferthpuqholn5yxa4	49	14	was	be	VBD
work_uh2c3e4gtferthpuqholn5yxa4	49	15	one	one	CD
work_uh2c3e4gtferthpuqholn5yxa4	49	16	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	49	17	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	49	18	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	49	19	triumphs	triumph	NNS
work_uh2c3e4gtferthpuqholn5yxa4	49	20	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	49	21	modernism	modernism	NN
work_uh2c3e4gtferthpuqholn5yxa4	49	22	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	49	23	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	49	24	it	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	49	25	will	will	MD
work_uh2c3e4gtferthpuqholn5yxa4	49	26	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	49	27	such	such	JJ
work_uh2c3e4gtferthpuqholn5yxa4	49	28	visually	visually	RB
work_uh2c3e4gtferthpuqholn5yxa4	49	29	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	49	30	imaginatively	imaginatively	RB
work_uh2c3e4gtferthpuqholn5yxa4	49	31	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	49	32	intellectually	intellectually	RB
work_uh2c3e4gtferthpuqholn5yxa4	49	33	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	49	34	emotionally	emotionally	RB
work_uh2c3e4gtferthpuqholn5yxa4	49	35	compelling	compelling	JJ
work_uh2c3e4gtferthpuqholn5yxa4	49	36	research	research	NN
work_uh2c3e4gtferthpuqholn5yxa4	49	37	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	49	38	194	194	CD
work_uh2c3e4gtferthpuqholn5yxa4	49	39	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	49	40	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	50	1	Towards	towards	IN
work_uh2c3e4gtferthpuqholn5yxa4	50	2	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	50	3	end	end	NN
work_uh2c3e4gtferthpuqholn5yxa4	50	4	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	50	5	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	50	6	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	50	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	50	8	Barlow	barlow	JJ
work_uh2c3e4gtferthpuqholn5yxa4	50	9	observes	observe	NNS
work_uh2c3e4gtferthpuqholn5yxa4	50	10	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	50	11	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	50	12	’	’	POS
work_uh2c3e4gtferthpuqholn5yxa4	50	13	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	50	14	often	often	RB
work_uh2c3e4gtferthpuqholn5yxa4	50	15	hovers	hover	NNS
work_uh2c3e4gtferthpuqholn5yxa4	50	16	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	50	17	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	50	18	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	50	19	brink	brink	NN
work_uh2c3e4gtferthpuqholn5yxa4	50	20	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	50	21	several	several	JJ
work_uh2c3e4gtferthpuqholn5yxa4	50	22	different	different	JJ
work_uh2c3e4gtferthpuqholn5yxa4	50	23	possibilities	possibility	NNS
work_uh2c3e4gtferthpuqholn5yxa4	50	24	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	50	25	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	50	26	201	201	CD
work_uh2c3e4gtferthpuqholn5yxa4	50	27	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	50	28	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	51	1	Now	now	RB
work_uh2c3e4gtferthpuqholn5yxa4	51	2	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	51	3	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	51	4	presumptions	presumption	NNS
work_uh2c3e4gtferthpuqholn5yxa4	51	5	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	51	6	Modernism	Modernism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	51	7	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	51	8	finally	finally	RB
work_uh2c3e4gtferthpuqholn5yxa4	51	9	starting	start	VBG
work_uh2c3e4gtferthpuqholn5yxa4	51	10	to	to	TO
work_uh2c3e4gtferthpuqholn5yxa4	51	11	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	51	12	over-	over-	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	13	turned	turn	VBD
work_uh2c3e4gtferthpuqholn5yxa4	51	14	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	51	15	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	51	16	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	51	17	new	new	JJ
work_uh2c3e4gtferthpuqholn5yxa4	51	18	history	history	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	19	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	51	20	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	51	21	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	22	that	that	WDT
work_uh2c3e4gtferthpuqholn5yxa4	51	23	emerged	emerge	VBD
work_uh2c3e4gtferthpuqholn5yxa4	51	24	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	51	25	its	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	51	26	wake	wake	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	27	is	be	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	51	28	fast	fast	RB
work_uh2c3e4gtferthpuqholn5yxa4	51	29	becoming	become	VBG
work_uh2c3e4gtferthpuqholn5yxa4	51	30	mainstream	mainstream	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	31	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	51	32	what	what	WDT
work_uh2c3e4gtferthpuqholn5yxa4	51	33	future	future	JJ
work_uh2c3e4gtferthpuqholn5yxa4	51	34	challenges	challenge	NNS
work_uh2c3e4gtferthpuqholn5yxa4	51	35	might	may	MD
work_uh2c3e4gtferthpuqholn5yxa4	51	36	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	51	37	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	51	38	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	39	pose	pose	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	40	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	51	41	art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	51	42	historians	historian	NNS
work_uh2c3e4gtferthpuqholn5yxa4	51	43	?	?	.
work_uh2c3e4gtferthpuqholn5yxa4	52	1	Perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	52	2	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	52	3	reasons	reason	NNS
work_uh2c3e4gtferthpuqholn5yxa4	52	4	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	52	5	economy	economy	NN
work_uh2c3e4gtferthpuqholn5yxa4	52	6	or	or	CC
work_uh2c3e4gtferthpuqholn5yxa4	52	7	copyright	copyright	NN
work_uh2c3e4gtferthpuqholn5yxa4	52	8	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	52	9	perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	52	10	because	because	IN
work_uh2c3e4gtferthpuqholn5yxa4	52	11	they	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	52	12	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	52	13	a	a	DT
work_uh2c3e4gtferthpuqholn5yxa4	52	14	hostage	hostage	NN
work_uh2c3e4gtferthpuqholn5yxa4	52	15	to	to	IN
work_uh2c3e4gtferthpuqholn5yxa4	52	16	Modernist	modernist	JJ
work_uh2c3e4gtferthpuqholn5yxa4	52	17	fortune	fortune	NN
work_uh2c3e4gtferthpuqholn5yxa4	52	18	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	52	19	neither	neither	CC
work_uh2c3e4gtferthpuqholn5yxa4	52	20	Bubbles	Bubbles	NNP
work_uh2c3e4gtferthpuqholn5yxa4	52	21	nor	nor	CC
work_uh2c3e4gtferthpuqholn5yxa4	52	22	Cherry	Cherry	NNP
work_uh2c3e4gtferthpuqholn5yxa4	52	23	Ripe	Ripe	NNP
work_uh2c3e4gtferthpuqholn5yxa4	52	24	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	52	25	reproduced	reproduce	VBN
work_uh2c3e4gtferthpuqholn5yxa4	52	26	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	52	27	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	52	28	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	52	29	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	53	1	Nor	nor	CC
work_uh2c3e4gtferthpuqholn5yxa4	53	2	are	be	VBP
work_uh2c3e4gtferthpuqholn5yxa4	53	3	they	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	53	4	fully	fully	RB
work_uh2c3e4gtferthpuqholn5yxa4	53	5	analysed	analyse	VBN
work_uh2c3e4gtferthpuqholn5yxa4	53	6	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	53	7	Barlow	Barlow	NNP
work_uh2c3e4gtferthpuqholn5yxa4	53	8	’s	’	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	53	9	otherwise	otherwise	RB
work_uh2c3e4gtferthpuqholn5yxa4	53	10	near	near	IN
work_uh2c3e4gtferthpuqholn5yxa4	53	11	exhaustive	exhaustive	JJ
work_uh2c3e4gtferthpuqholn5yxa4	53	12	account	account	NN
work_uh2c3e4gtferthpuqholn5yxa4	53	13	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	53	14	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	53	15	canvasses	canvass	NNS
work_uh2c3e4gtferthpuqholn5yxa4	53	16	that	that	WDT
work_uh2c3e4gtferthpuqholn5yxa4	53	17	he	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	53	18	mentions	mention	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	53	19	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	54	1	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	2	spite	spite	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	3	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	4	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	5	sophisticated	sophisticated	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	6	work	work	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	7	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	8	Carol	Carol	NNP
work_uh2c3e4gtferthpuqholn5yxa4	54	9	Mavor	Mavor	NNP
work_uh2c3e4gtferthpuqholn5yxa4	54	10	on	on	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	11	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	12	eroticism	eroticism	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	13	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	14	childhood	childhood	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	15	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	54	16	adolescence	adolescence	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	17	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	18	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	19	photography	photography	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	20	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	21	Time	Time	NNP
work_uh2c3e4gtferthpuqholn5yxa4	54	22	Present	Present	NNP
work_uh2c3e4gtferthpuqholn5yxa4	54	23	perhaps	perhaps	RB
work_uh2c3e4gtferthpuqholn5yxa4	54	24	suggests	suggest	VBZ
work_uh2c3e4gtferthpuqholn5yxa4	54	25	that	that	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	26	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	27	time	time	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	28	may	may	MD
work_uh2c3e4gtferthpuqholn5yxa4	54	29	not	not	RB
work_uh2c3e4gtferthpuqholn5yxa4	54	30	yet	yet	RB
work_uh2c3e4gtferthpuqholn5yxa4	54	31	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	54	32	right	right	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	33	for	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	34	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	35	detailed	detailed	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	36	analysis	analysis	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	37	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	38	apparent	apparent	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	39	childhood	childhood	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	40	eroticism	eroticism	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	41	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	42	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	54	43	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	54	44	work.4	work.4	CD
work_uh2c3e4gtferthpuqholn5yxa4	54	45	However	however	RB
work_uh2c3e4gtferthpuqholn5yxa4	54	46	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	47	until	until	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	48	that	that	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	49	conceptual	conceptual	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	50	space	space	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	51	can	can	MD
work_uh2c3e4gtferthpuqholn5yxa4	54	52	be	be	VB
work_uh2c3e4gtferthpuqholn5yxa4	54	53	carefully	carefully	RB
work_uh2c3e4gtferthpuqholn5yxa4	54	54	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	54	55	self-	self-	NNS
work_uh2c3e4gtferthpuqholn5yxa4	54	56	consciously	consciously	RB
work_uh2c3e4gtferthpuqholn5yxa4	54	57	opened	open	VBD
work_uh2c3e4gtferthpuqholn5yxa4	54	58	up	up	RP
work_uh2c3e4gtferthpuqholn5yxa4	54	59	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	60	I	-PRON-	PRP
work_uh2c3e4gtferthpuqholn5yxa4	54	61	would	would	MD
work_uh2c3e4gtferthpuqholn5yxa4	54	62	suggest	suggest	VB
work_uh2c3e4gtferthpuqholn5yxa4	54	63	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	64	our	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	54	65	understandings	understanding	NNS
work_uh2c3e4gtferthpuqholn5yxa4	54	66	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	67	Millais	Millais	NNP
work_uh2c3e4gtferthpuqholn5yxa4	54	68	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	54	69	historiography	historiography	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	70	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	71	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	72	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	73	painter	painter	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	74	’s	’s	POS
work_uh2c3e4gtferthpuqholn5yxa4	54	75	popular	popular	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	76	appeal	appeal	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	77	amongst	amongst	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	78	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	54	79	peers	peer	NNS
work_uh2c3e4gtferthpuqholn5yxa4	54	80	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	81	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	54	82	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	83	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	84	kinds	kind	NNS
work_uh2c3e4gtferthpuqholn5yxa4	54	85	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	86	queasiness	queasiness	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	87	some	some	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	88	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	89	his	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	54	90	works	work	NNS
work_uh2c3e4gtferthpuqholn5yxa4	54	91	generate	generate	VBP
work_uh2c3e4gtferthpuqholn5yxa4	54	92	amongst	amongst	IN
work_uh2c3e4gtferthpuqholn5yxa4	54	93	our	-PRON-	PRP$
work_uh2c3e4gtferthpuqholn5yxa4	54	94	own	own	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	95	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	54	96	will	will	MD
work_uh2c3e4gtferthpuqholn5yxa4	54	97	remain	remain	VB
work_uh2c3e4gtferthpuqholn5yxa4	54	98	an	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	54	99	unfinished	unfinished	JJ
work_uh2c3e4gtferthpuqholn5yxa4	54	100	project	project	NN
work_uh2c3e4gtferthpuqholn5yxa4	54	101	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	55	1	Jason	Jason	NNP
work_uh2c3e4gtferthpuqholn5yxa4	55	2	Edwards	Edwards	NNP
work_uh2c3e4gtferthpuqholn5yxa4	55	3	Endnotes	Endnotes	NNP
work_uh2c3e4gtferthpuqholn5yxa4	55	4	1	1	CD
work_uh2c3e4gtferthpuqholn5yxa4	55	5	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	56	1	Clement	Clement	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	2	Greenberg	Greenberg	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	56	4	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	56	5	Avant	Avant	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	6	-	-	HYPH
work_uh2c3e4gtferthpuqholn5yxa4	56	7	Garde	Garde	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	8	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	56	9	Kitsch	Kitsch	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	10	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	56	11	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	12	1939	1939	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	13	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	14	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	56	15	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	56	16	Modernist	Modernist	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	17	Painting	Painting	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	18	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	56	19	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	20	1960	1960	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	21	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	56	22	65	65	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	23	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	24	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	56	25	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	56	26	Charles	Charles	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	27	Harrison	Harrison	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	28	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	56	29	Paul	Paul	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	30	Wood	Wood	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	31	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	56	32	Jason	Jason	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	33	Geiger	Geiger	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	34	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	35	eds	eds	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	36	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	37	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	56	38	Art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	56	39	In	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	56	40	Theory	Theory	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	41	1815-	1815-	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	42	1900	1900	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	43	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	56	44	An	an	DT
work_uh2c3e4gtferthpuqholn5yxa4	56	45	Anthology	anthology	NN
work_uh2c3e4gtferthpuqholn5yxa4	56	46	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	56	47	Changing	change	VBG
work_uh2c3e4gtferthpuqholn5yxa4	56	48	Ideas	Ideas	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	49	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	50	Oxford	Oxford	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	51	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	56	52	Blackwell	Blackwell	NNP
work_uh2c3e4gtferthpuqholn5yxa4	56	53	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	56	54	1998	1998	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	55	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	56	56	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	56	57	529	529	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	58	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	56	59	41	41	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	60	;	;	:
work_uh2c3e4gtferthpuqholn5yxa4	56	61	754	754	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	62	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	56	63	60	60	CD
work_uh2c3e4gtferthpuqholn5yxa4	56	64	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	57	1	2	2	LS
work_uh2c3e4gtferthpuqholn5yxa4	57	2	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	58	1	Elizabeth	Elizabeth	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	2	Prettejohn	Prettejohn	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	58	4	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	58	5	Introduction	introduction	NN
work_uh2c3e4gtferthpuqholn5yxa4	58	6	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	58	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	58	8	After	after	IN
work_uh2c3e4gtferthpuqholn5yxa4	58	9	the	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	58	10	Pre	Pre	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	11	-	-	JJ
work_uh2c3e4gtferthpuqholn5yxa4	58	12	Raphaelites	raphaelite	NNS
work_uh2c3e4gtferthpuqholn5yxa4	58	13	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	58	14	Art	art	NN
work_uh2c3e4gtferthpuqholn5yxa4	58	15	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	58	16	Aestheticism	aestheticism	NN
work_uh2c3e4gtferthpuqholn5yxa4	58	17	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	58	18	Victorian	victorian	JJ
work_uh2c3e4gtferthpuqholn5yxa4	58	19	Britain	Britain	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	20	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	58	21	Manchester	Manchester	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	22	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	58	23	Manchester	Manchester	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	24	University	University	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	25	Press	Press	NNP
work_uh2c3e4gtferthpuqholn5yxa4	58	26	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	58	27	1999	1999	CD
work_uh2c3e4gtferthpuqholn5yxa4	58	28	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	58	29	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	58	30	10	10	CD
work_uh2c3e4gtferthpuqholn5yxa4	58	31	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	59	1	3	3	LS
work_uh2c3e4gtferthpuqholn5yxa4	59	2	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	60	1	For	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	60	2	example	example	NN
work_uh2c3e4gtferthpuqholn5yxa4	60	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	4	see	see	VB
work_uh2c3e4gtferthpuqholn5yxa4	60	5	Elizabeth	Elizabeth	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	6	Prettejohn	Prettejohn	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	8	‘	'	``
work_uh2c3e4gtferthpuqholn5yxa4	60	9	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	60	10	Modernism	Modernism	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	11	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	60	12	Frederic	Frederic	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	13	Leighton	Leighton	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	14	’	'	''
work_uh2c3e4gtferthpuqholn5yxa4	60	15	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	16	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	60	17	David	David	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	18	Peters	Peters	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	19	Corbett	Corbett	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	20	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	60	21	Lara	Lara	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	22	Perry	Perry	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	23	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	60	24	eds	eds	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	25	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	60	26	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	27	English	English	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	28	Art	Art	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	29	1860	1860	CD
work_uh2c3e4gtferthpuqholn5yxa4	60	30	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	60	31	1914	1914	CD
work_uh2c3e4gtferthpuqholn5yxa4	60	32	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	60	33	Modern	Modern	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	34	Artists	Artists	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	60	35	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	60	36	Identity	Identity	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	37	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	60	38	Manchester	Manchester	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	39	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	60	40	Manchester	Manchester	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	41	University	University	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	42	Press	Press	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	43	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	44	2000	2000	CD
work_uh2c3e4gtferthpuqholn5yxa4	60	45	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	60	46	;	;	:
work_uh2c3e4gtferthpuqholn5yxa4	60	47	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	60	48	David	David	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	49	J.	J.	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	50	Getsy	Getsy	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	51	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	52	Body	Body	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	53	Doubles	Doubles	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	54	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	60	55	Sculpture	sculpture	NN
work_uh2c3e4gtferthpuqholn5yxa4	60	56	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	60	57	Britain	Britain	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	58	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	59	1877	1877	CD
work_uh2c3e4gtferthpuqholn5yxa4	60	60	-	-	SYM
work_uh2c3e4gtferthpuqholn5yxa4	60	61	1905	1905	CD
work_uh2c3e4gtferthpuqholn5yxa4	60	62	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	60	63	New	New	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	64	Haven	Haven	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	65	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	60	66	London	London	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	67	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	60	68	Yale	Yale	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	69	University	University	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	70	Press	Press	NNP
work_uh2c3e4gtferthpuqholn5yxa4	60	71	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	60	72	2004	2004	CD
work_uh2c3e4gtferthpuqholn5yxa4	60	73	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	60	74	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	61	1	4	4	LS
work_uh2c3e4gtferthpuqholn5yxa4	61	2	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	62	1	For	for	IN
work_uh2c3e4gtferthpuqholn5yxa4	62	2	example	example	NN
work_uh2c3e4gtferthpuqholn5yxa4	62	3	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	62	4	see	see	VB
work_uh2c3e4gtferthpuqholn5yxa4	62	5	Carol	Carol	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	6	Mavor	Mavor	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	7	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	62	8	Pleasures	Pleasures	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	9	Taken	take	VBN
work_uh2c3e4gtferthpuqholn5yxa4	62	10	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	62	11	Performances	performance	NNS
work_uh2c3e4gtferthpuqholn5yxa4	62	12	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	62	13	Sexuality	Sexuality	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	14	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	62	15	Loss	Loss	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	16	in	in	IN
work_uh2c3e4gtferthpuqholn5yxa4	62	17	Victorian	Victorian	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	18	Photographs	Photographs	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	19	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	62	20	Durham	Durham	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	21	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	62	22	Duke	Duke	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	23	University	University	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	24	Press	Press	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	25	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	62	26	1995	1995	CD
work_uh2c3e4gtferthpuqholn5yxa4	62	27	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	62	28	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	62	29	and	and	CC
work_uh2c3e4gtferthpuqholn5yxa4	62	30	Becoming	become	VBG
work_uh2c3e4gtferthpuqholn5yxa4	62	31	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	62	32	The	the	DT
work_uh2c3e4gtferthpuqholn5yxa4	62	33	Photographs	Photographs	NNPS
work_uh2c3e4gtferthpuqholn5yxa4	62	34	of	of	IN
work_uh2c3e4gtferthpuqholn5yxa4	62	35	Clementina	Clementina	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	36	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	62	37	Viscountess	Viscountess	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	38	Hawarden	Hawarden	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	39	(	(	-LRB-
work_uh2c3e4gtferthpuqholn5yxa4	62	40	Durham	Durham	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	41	:	:	:
work_uh2c3e4gtferthpuqholn5yxa4	62	42	Duke	Duke	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	43	University	University	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	44	Press	Press	NNP
work_uh2c3e4gtferthpuqholn5yxa4	62	45	,	,	,
work_uh2c3e4gtferthpuqholn5yxa4	62	46	1999	1999	CD
work_uh2c3e4gtferthpuqholn5yxa4	62	47	)	)	-RRB-
work_uh2c3e4gtferthpuqholn5yxa4	62	48	.	.	.
work_uh2c3e4gtferthpuqholn5yxa4	63	1	Reviews	review	NNS
work_uh2c3e4gtferthpuqholn5yxa4	63	2	188	188	CD